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1
00:00:09,316 --> 00:00:10,884
[MAN]
ONCE UPON A TIME,
2
00:00:10,884 --> 00:00:16,090
THERE WAS A LITTLE BOY
WHO DREAMED OF A MAGICAL CITY.
3
00:00:16,090 --> 00:00:21,095
HE DREAMED OF A CITY
WHERE EVERYONE
WAS A LITTLE BOY--
4
00:00:21,095 --> 00:00:23,664
BOYS WHO LIKED TO PARTY,
5
00:00:23,664 --> 00:00:25,966
BOYS WHO LOVED THE SUNSHINE,
6
00:00:25,966 --> 00:00:30,804
BOYS WHO WERE INTERESTED
IN EACH OTHER.
7
00:00:30,804 --> 00:00:34,041
THIS BOY DREAMED
OF A GAY WORLD,
8
00:00:34,041 --> 00:00:37,845
A NEVER-NEVER LAND
OF BOYS WHO NEVER GREW UP.
9
00:00:39,513 --> 00:00:42,916
AND THEN I MOVED THERE,
10
00:00:42,916 --> 00:00:45,653
TO WEST HOLLYWOOD,
CALIFORNIA,
11
00:00:45,653 --> 00:00:48,555
IN THE MIDDLE OF LOS ANGELES,
12
00:00:48,555 --> 00:00:52,259
A MAGICAL CITY
INSIDE OF A DREAM LAND.
13
00:00:52,259 --> 00:00:56,864
I WATCHED AS EACH GENERATION
ARRIVED BY THE BUSLOAD.
14
00:00:56,864 --> 00:00:59,700
BUT I’M NOT THE MAIN CHARACTER
IN THIS STORY.
15
00:00:59,700 --> 00:01:04,371
I’M MERELY A FRIEND,
AN OBSERVER, A NEIGHBOR,
16
00:01:04,371 --> 00:01:09,877
THERE TO DISPENSE ADVICE
AND HIGH-END MARIJUANA.
17
00:01:09,877 --> 00:01:14,648
THIS IS THE STORY
OF THREE YOUNG MEN
WHO COME TO THIS CITY,
18
00:01:14,648 --> 00:01:17,851
AND ALTOGETHER
THEY MAKE A WISH.
19
00:01:17,851 --> 00:01:19,987
WILL THEY GET THEIR WISH?
20
00:01:19,987 --> 00:01:22,489
WILL THEY ACHIEVE
THEIR DREAMS?
21
00:01:22,489 --> 00:01:28,829
WILL THEY CRASH AND BURN
IN THIS DESPERATELY
DIFFICULT CITY?
22
00:01:28,829 --> 00:01:31,365
WELL, THAT’S THE STORY
YOU ARE ABOUT TO SEE.
23
00:01:52,419 --> 00:01:53,554
HI.
24
00:01:53,554 --> 00:01:56,457
OH. I MADE IT.
25
00:01:56,457 --> 00:01:58,559
WELCOME TO YOUR NEW HOME.
26
00:01:58,559 --> 00:01:59,893
THANK YOU.
27
00:01:59,893 --> 00:02:02,162
OH, MY GOD.
L.A.’S SO MUCH HOTTER.
28
00:02:02,162 --> 00:02:05,032
SO DID YOU EVER THINK
YOU WERE GOING TO MOVE
TO LOS ANGELES?
29
00:02:05,032 --> 00:02:06,667
NO.
30
00:02:06,667 --> 00:02:09,069
IN FACT, I KIND OF FIGURED
IT WAS THE LAST PLACE
I’D MOVE.
31
00:02:09,069 --> 00:02:12,005
YEAH. NO ONE EVER THINKS
THEY’RE GOING TO MOVE TO L.A.
32
00:02:12,005 --> 00:02:14,842
DREAMS AND FANTASIES
LEAD PEOPLE HERE,
33
00:02:14,842 --> 00:02:17,878
LIKE SWALLOWS
COMING HOME TO ROOST.
34
00:02:17,878 --> 00:02:19,546
OH YOU’RE GONNA LOVE
WEST HOLLYWOOD.
35
00:02:19,546 --> 00:02:21,982
IT’S PRETTY MUCH LIKE HOW WE
WERE IN COLLEGE,
36
00:02:21,982 --> 00:02:24,218
EXCEPT FOR MORE BLACKOUTS,
BAD DECISIONS,
37
00:02:24,218 --> 00:02:25,352
BUT WITH MORE SUNSHINE.
38
00:02:25,352 --> 00:02:27,521
IT’S AMAZING!
39
00:02:27,521 --> 00:02:28,989
SPEAKING OF BAD DECISIONS,
40
00:02:28,989 --> 00:02:31,325
I THINK WE NEED TO WATCH
TROOP BEVERLY HILLS
41
00:02:31,325 --> 00:02:32,593
FOR OLD TIMES SAKE.
42
00:02:32,593 --> 00:02:34,795
YEAH, WE HAVE TO PLAY THE GAME
43
00:02:34,795 --> 00:02:36,864
WHERE AFTER EVERY
COSTUME CHANGE,
WE HAVE TO TAKE A DRINK.
44
00:02:36,864 --> 00:02:38,699
MM-HM.
♪ BECAUSE IT’S COOKIE TIME ♪
45
00:02:38,699 --> 00:02:41,435
[TOGETHER]
♪ IT’S COOKIE TIME,
IT’S COOKIE TIME ♪
46
00:02:41,435 --> 00:02:43,070
♪ IT’S COOKIE TIME ♪
47
00:02:43,070 --> 00:02:45,272
OOH, YOU’VE BEEN WORKING
ON THAT. HUH?
48
00:02:45,272 --> 00:02:47,908
I HATE TO BE ALL HOITY-TOITY
AND BE ALL L.A. ON YOU,
49
00:02:47,908 --> 00:02:51,278
BUT WE HAVE TO TALK ABOUT
WHAT YOU’RE GONNA DO
TO MAKE ENDS MEET,
50
00:02:51,278 --> 00:02:52,613
AND HUSTLING
DOESN’T COUNT.
51
00:02:52,613 --> 00:02:53,647
REALLY? I CAN’T?
52
00:02:53,647 --> 00:02:54,681
[CHUCKLES]
53
00:02:54,681 --> 00:02:55,983
I FIGURE WORST COMES TO WORST,
54
00:02:55,983 --> 00:02:57,684
I CAN, I DON’T KNOW,
TEACH STEP
55
00:02:57,684 --> 00:02:59,253
OR YOGA BOOTIE BALLET
56
00:02:59,253 --> 00:03:00,854
OR SOMETHING AWFUL
57
00:03:00,854 --> 00:03:02,856
THAT WILL BRING IN THE RENT
58
00:03:02,856 --> 00:03:06,360
AND HELP ME PAY
FOR DANCE CLASS.
59
00:03:06,360 --> 00:03:09,196
AND GAS AND BILLS
AND WATER
60
00:03:09,196 --> 00:03:11,365
AND TRASH AND PARKING.
61
00:03:11,365 --> 00:03:13,967
NO REALLY, I’LL BE FINE.
62
00:03:13,967 --> 00:03:15,969
OKAY. JUST LOOKING OUT
FOR YOU.
63
00:03:17,137 --> 00:03:19,740
WHY AM I
THE ONLY ONE DRINKING?
64
00:03:19,740 --> 00:03:23,243
CHEERS.
THANK YOU.
GOD, JOIN ME.
65
00:03:23,243 --> 00:03:24,778
TO A SUMMER OF SHENANIGANS.
66
00:03:24,778 --> 00:03:26,547
SHENANIGANS AND HOOLIGANS.
67
00:03:26,547 --> 00:03:28,782
ALL RIGHT, BOYS,
68
00:03:28,782 --> 00:03:31,685
WE THREE ARE GOING TO MAKE
A WISH.
69
00:03:31,685 --> 00:03:33,453
AND WHAT ARE WE WISHING FOR?
70
00:03:33,453 --> 00:03:35,055
MONEY?
NO.
71
00:03:35,055 --> 00:03:36,256
GREAT JOBS.
72
00:03:36,256 --> 00:03:37,524
I DON’T THINK SO.
73
00:03:37,524 --> 00:03:39,126
WORLD PEACE.
74
00:03:39,126 --> 00:03:40,327
THAT’S NICE, TOO,
75
00:03:40,327 --> 00:03:42,596
BUT AREN’T WE ALL LOOKING
FOR LOVE?
76
00:03:44,698 --> 00:03:46,767
SO NOT SEX, NOT HOT LOVERS,
77
00:03:46,767 --> 00:03:50,904
NOT TORRID AFFAIRS,
JUST HONEST-TO-GOODNESS LOVE?
78
00:03:50,904 --> 00:03:52,873
WHAT ELSE IS THERE TO HOPE FOR
79
00:03:52,873 --> 00:03:54,875
IN THE MIDDLE OF THE COLLAPSE
OF THE WORLD’S ECONOMY,
80
00:03:54,875 --> 00:03:58,278
MASSIVE UNEMPLOYMENT,
AND THE RETURN OF 90S FASHION?
81
00:04:00,514 --> 00:04:02,916
ALL RIGHT, PENNY.
82
00:04:02,916 --> 00:04:04,551
ONE FOR YOU.
THANK YOU.
83
00:04:04,551 --> 00:04:05,986
PENNY.
THANK YOU.
84
00:04:05,986 --> 00:04:08,021
A PENNY FULL OF HAPPINESS.
85
00:04:19,533 --> 00:04:23,303
SO YOU ACTUALLY THINK THAT
EVERYBODY IS LOOKING FOR LOVE?
86
00:04:23,303 --> 00:04:26,340
WELL, WE DID THROW THE COINS
IN THE FOUNTAIN.
87
00:04:26,340 --> 00:04:29,343
THE REST IS HOLLYWOOD MAGIC.
88
00:04:29,343 --> 00:04:33,480
HOLLYWOOD’S ALREADY STARTING
TO FUCK WITH ME.
89
00:04:33,480 --> 00:04:34,848
HOW SO?
90
00:04:34,848 --> 00:04:37,184
WELL, I’VE BEEN HERE A WEEK,
91
00:04:37,184 --> 00:04:39,219
AND I ALREADY FEEL
LIKE A DIFFERENT PERSON.
92
00:04:39,219 --> 00:04:42,089
LOOK, AM I GOING TO HAVE
TO DRAG YOU OUT OF THE CLOSET?
93
00:04:42,089 --> 00:04:43,257
EXCUSE ME?
94
00:04:43,257 --> 00:04:46,159
WE HAVE BEEN SUSPICIOUS
ABOUT YOU SINCE COLLEGE.
95
00:04:46,159 --> 00:04:47,294
REALLY?
96
00:04:47,294 --> 00:04:49,062
YOU AND JESSICA?
97
00:04:49,062 --> 00:04:50,330
I LOVE HER, TOO,
98
00:04:50,330 --> 00:04:53,567
BUT THAT WAS NOT
A SEXUAL CONNECTION
BETWEEN YOU TWO.
99
00:04:53,567 --> 00:04:55,903
WE WERE AS CLOSE
AS TWO CAN BE.
100
00:04:55,903 --> 00:04:58,772
LISTEN, YOUR TWO
BEST FRIENDS NOW ARE GAY.
101
00:04:58,772 --> 00:05:00,607
YOU CRY WHEN YOU WATCH
SWAN LAKE,
102
00:05:00,607 --> 00:05:03,143
AND I CAN SEE YOU
CHECKING OUT GUYS.
103
00:05:03,143 --> 00:05:04,378
YOU CAN?
104
00:05:04,378 --> 00:05:05,612
MM-HM.
105
00:05:05,612 --> 00:05:06,613
SO WHAT’S HOLDING YOU BACK?
106
00:05:06,613 --> 00:05:10,284
I DON’T KNOW.
107
00:05:10,284 --> 00:05:15,522
MY FAMILY.
PEOPLE’S EXPECTATIONS OF ME.
108
00:05:15,522 --> 00:05:16,723
I’M SCARED.
109
00:05:16,723 --> 00:05:18,558
I MEAN, LOOK,
110
00:05:18,558 --> 00:05:22,396
I JUST WISH I DIDN’T CARE
WHAT OTHER PEOPLE THOUGHT.
111
00:05:22,396 --> 00:05:23,630
AND, WHAT IF WHAT IF...
112
00:05:23,630 --> 00:05:25,032
WHAT IF WHAT?
113
00:05:25,032 --> 00:05:27,100
I MEAN, YOU DON’T CARE
WHAT OTHER PEOPLE THINK.
114
00:05:27,100 --> 00:05:28,135
THAT’S RIGHT.
115
00:05:28,135 --> 00:05:29,569
I DON’T CARE WHAT PEOPLE THINK.
116
00:05:29,569 --> 00:05:31,238
AND WE’RE ALL HAPPIER FOR IT.
117
00:05:31,238 --> 00:05:34,341
YEAH. WE ARE.
118
00:05:34,341 --> 00:05:37,010
THAT PERFORMANCE PIECE
YOU DID IN COLLEGE
119
00:05:37,010 --> 00:05:41,315
WHERE YOU HAD EVERYBODY
SHAVE YOU ONE BY ONE
WHILE YOU WERE NAKED.
120
00:05:41,315 --> 00:05:44,017
YOU COULDN’T HAVE DONE THAT
IF YOU CARED WHAT OTHER PEOPLE
THINK.
121
00:05:44,017 --> 00:05:45,652
IT’S ABOUT IDENTITY.
122
00:05:45,652 --> 00:05:49,289
THAT’S WHAT
ALL MY WORK DEALS WITH.
123
00:05:49,289 --> 00:05:50,691
WHO AM I?
124
00:05:50,691 --> 00:05:52,426
AND WHO ARE YOU?
125
00:05:52,426 --> 00:05:56,063
NOBODY, AND EVERYBODY.
126
00:05:56,063 --> 00:05:59,099
THE ILLUSION OF THE SELF
IS JUST A PERFORMANCE.
127
00:06:00,267 --> 00:06:01,802
AND YOU’RE GAY.
128
00:06:01,802 --> 00:06:03,737
DO YOU FIND DATING
IN L.A. DIFFERENT
THAN DATING IN--
129
00:06:03,737 --> 00:06:05,672
I DON’T REALLY DATE VERY MUCH
BECAUSE I KIND OF HAVE
A BOYFRIEND.
130
00:06:05,672 --> 00:06:08,275
DOES ANYBODY LIKE L.A.?
I’M STUCK HERE.
I CAN’T LEAVE.
131
00:06:08,275 --> 00:06:09,810
I JUST COULDN’T SHOW YOU
TO DADDY.
132
00:06:09,810 --> 00:06:11,144
YOU’D BE MY DIRTY SECRET.
133
00:06:11,144 --> 00:06:12,813
YOU KNOW WHO LOVES SALADS?
MY EX-BOYFRIEND PAUL.
134
00:06:12,813 --> 00:06:14,414
I DID SUGGEST IT,
135
00:06:14,414 --> 00:06:16,450
BUT I DIDN’T ASSUME YOU WERE
GOING TO ORDER CARB-BASED--
136
00:06:16,450 --> 00:06:18,685
DO YOU EVER WEAR JOCK STRAPS
AND THINGS LIKE THAT?
137
00:06:18,685 --> 00:06:19,686
BECAUSE I LOVE A LITTLE--
138
00:06:19,686 --> 00:06:21,054
DO YOU HAVE A BIG DICK?
139
00:06:21,054 --> 00:06:22,556
IT’S JUST SOMETHING
I WANT TO PURSUE.
140
00:06:22,556 --> 00:06:24,224
BEN, LISTEN. SHH.
YOU’RE PRETTY, BUT DON’T TALK.
141
00:06:24,224 --> 00:06:25,959
A LOT OF PEOPLE THINK
THAT JUST BECAUSE YOU’RE GAY
142
00:06:25,959 --> 00:06:27,794
YOU CAN’T BE RACIST.
THAT’S NOT TRUE.
143
00:06:27,794 --> 00:06:30,864
I JUST DON’T REALLY FEEL IT,
LIKE I FEEL IT RIGHT NOW
WITH ME AND YOU.
144
00:06:30,864 --> 00:06:33,033
YOU’RE SO NAIVE,
YOU’RE SO PRETTY,
BUT YOU’RE SO DUMB.
145
00:06:33,033 --> 00:06:35,102
I HATE A LOT
OF DIFFERENT PEOPLE.
I HATE ASIAN PEOPLE.
146
00:06:35,102 --> 00:06:36,470
I HAVE TOO MUCH LOVE TO GIVE.
147
00:06:36,470 --> 00:06:37,471
I ACTUALLY HATE GAY PEOPLE.
148
00:06:37,471 --> 00:06:38,538
YOU SHOULD LIVE WITH ME.
149
00:06:38,538 --> 00:06:39,773
I AM WAITING
FOR SOMETHING SMART
150
00:06:39,773 --> 00:06:41,241
TO COME OUT OF YOUR MOUTH.
I THOUGHT--
151
00:06:41,241 --> 00:06:42,743
YOU SAY THE WORD,
AND HE’S OUT.
152
00:06:42,743 --> 00:06:44,478
I’M FLABBERGASTED AT THIS.
153
00:06:44,478 --> 00:06:45,779
I’M ACTUALLY NOT GAY MYSELF.
154
00:06:45,779 --> 00:06:46,813
I’M HERE IN THE BELLY
OF THE BEAST.
155
00:06:46,813 --> 00:06:47,981
YOU’RE NOT GAY?
156
00:06:47,981 --> 00:06:50,083
NO, I’LL SLEEP WITH YOU,
THOUGH.
157
00:06:50,083 --> 00:06:52,185
[BEN]
NO, IT’S NOT THAT I MIND
BEING GAY.
158
00:06:52,185 --> 00:06:54,654
IT’S THE GAY WORLD
I DON’T LIKE.
159
00:06:54,654 --> 00:06:57,024
[JASON]
THERE’S A LOT OF SHADY
BITCHES OUT THERE
160
00:06:57,024 --> 00:06:59,226
AND A LOT OF SHADY BITCHES
THAT NEED TO GET CUT.
161
00:06:59,226 --> 00:07:01,061
[IMITATES SWITCHBLADE
OPENING]
162
00:07:01,061 --> 00:07:02,729
LOOK, I MEAN,
THERE’S THAT SIDE TO IT.
163
00:07:02,729 --> 00:07:04,765
BUT LOOK AT THE OTHER SIDE.
164
00:07:04,765 --> 00:07:06,299
I MEAN, IF YOU THINK ABOUT IT,
165
00:07:06,299 --> 00:07:07,901
THERE’S SOMETHING
VERY BEAUTIFUL
166
00:07:07,901 --> 00:07:11,038
ABOUT THE GAY EXPERIENCE.
167
00:07:11,038 --> 00:07:13,140
THERE’S SOMETHING VERY
COURAGEOUS ABOUT IT.
168
00:07:13,140 --> 00:07:14,641
HOW?
169
00:07:14,641 --> 00:07:18,645
TAKE, FOR EXAMPLE,
TWO MEN HOLDING HANDS
IN PUBLIC.
170
00:07:18,645 --> 00:07:23,917
THAT’S MORE THAN JUST TWO MEN
SHOWING THEIR AFFECTION.
171
00:07:23,917 --> 00:07:26,686
THEY’RE TAKING A STAND
AGAINST SOCIETY,
172
00:07:26,686 --> 00:07:28,488
FOR WHAT THEY BELIEVE
AND HOW THEY FEEL.
173
00:07:28,488 --> 00:07:31,224
I MEAN, WHAT COULD BE
MORE ROMANTIC THAN THAT?
174
00:07:31,224 --> 00:07:33,226
OR MORE BEAUTIFUL?
175
00:07:33,226 --> 00:07:34,294
TRUE.
176
00:07:34,294 --> 00:07:37,197
AND STILL, I DON’T BELIEVE
THAT GAYNESS
177
00:07:37,197 --> 00:07:40,901
SHOULD NECESSARILY BE
THE CENTER OF ONE’S IDENTITY.
178
00:07:40,901 --> 00:07:43,403
NO, BUT IT IS DEFINITELY
A PART OF WHO YOU ARE.
179
00:07:43,403 --> 00:07:44,771
IT’S DEFINITELY PART
OF YOUR IDENTITY.
180
00:07:44,771 --> 00:07:46,606
I MEAN, THINK ABOUT IT.
181
00:07:46,606 --> 00:07:48,975
IT’S KIND OF LIBERATING
IN SOME RESPECTS.
ISN’T IT?
182
00:07:48,975 --> 00:07:52,579
ONCE YOU’RE OUT, I MEAN,
LIKE, YOU KNOW, I MEAN,
183
00:07:52,579 --> 00:07:55,148
BEFORE YOU’RE OUT, YOU WORRY
ABOUT EVERYBODY JUDGING YOU.
184
00:07:55,148 --> 00:07:58,251
AND THEN ONCE YOU ARE,
YOU’RE ALREADY GOING
AGAINST ALL OF THAT.
185
00:07:58,251 --> 00:08:00,220
WHO GIVES A FUCK
IF ANYBODY JUDGES YOU?
186
00:08:00,220 --> 00:08:01,721
WELL, BUT THAT’S
THE POINT.
187
00:08:01,721 --> 00:08:04,224
ONCE YOU’RE OUT
AND YOU’VE DONE ALL THAT,
188
00:08:04,224 --> 00:08:05,559
YOU DON’T REALLY CARE
189
00:08:05,559 --> 00:08:07,761
ABOUT WHAT SOMEBODY ELSE
THINKS OF YOUR CLOTHES
190
00:08:07,761 --> 00:08:09,196
OR SOMETHING ELSE
STUPID LIKE THAT.
191
00:08:09,196 --> 00:08:10,597
SO IN SOME RESPECTS,
IT’S LIBERATING.
192
00:08:10,597 --> 00:08:12,132
IT IS LIBERATING.
193
00:08:12,132 --> 00:08:15,268
I KNOW FOR A FACT WHEN I GET UP
ON STAGE AND I DO MY THING,
194
00:08:15,268 --> 00:08:17,003
IT’S NOT A MATTER OF
"OH, HI, I’M GAY.
195
00:08:17,003 --> 00:08:18,605
YOU’RE GOING TO SEE
A GAY PERSON NOW."
196
00:08:18,605 --> 00:08:21,108
IT’S MORE LIKE
"THIS IS WHAT I DO.
197
00:08:21,108 --> 00:08:23,877
AND IF YOU DON’T LIKE,
THEN GO FUCK YOURSELF."
198
00:08:23,877 --> 00:08:25,579
I DON’T CARE.
199
00:08:25,579 --> 00:08:27,981
YOU’RE WASTING MY TIME
AND YOU’RE WASTING YOUR TIME.
200
00:08:27,981 --> 00:08:29,282
IT’S NOT WHO I AM.
201
00:08:29,282 --> 00:08:32,052
IT JUST HAPPENS TO BE
WHAT I AM.
202
00:08:32,052 --> 00:08:35,756
AND THAT’S HOW I FEEL.
AND I’M DONE.
203
00:08:35,756 --> 00:08:36,890
OH, MY GOD.
204
00:08:36,890 --> 00:08:39,025
WE’RE SERIOUSLY TALKING
205
00:08:39,025 --> 00:08:40,994
ABOUT GAY RIGHTS
AND DEEP STUFF
206
00:08:40,994 --> 00:08:42,329
WHILE WE’RE AT THE BEACH.
207
00:08:42,329 --> 00:08:43,763
LET’S FORGET THIS.
LET’S GO FOR A SWIM.
208
00:08:43,763 --> 00:08:45,298
NO.
COME ON. SWIM.
209
00:08:45,298 --> 00:08:46,933
NO. I’M MADE OF SUGAR.
I’LL MELT.
210
00:08:46,933 --> 00:08:48,068
SWIM SWIM SWIM!
211
00:08:48,068 --> 00:08:50,403
YOU’RE RUINING MY SUNSHINE.
212
00:08:50,403 --> 00:08:51,505
NO!
213
00:09:25,705 --> 00:09:27,807
I HAVE BEEN TOLD THAT I LOOK
LIKE SOME CELEBRITIES LATELY.
214
00:09:27,807 --> 00:09:29,442
I DON’T KNOW ABOUT YOU GUYS,
215
00:09:29,442 --> 00:09:31,378
BUT I GUESS THAT’S THE THING
TO DO OUT HERE IN L.A.
216
00:09:31,378 --> 00:09:34,047
EVERYBODY LOOKS LIKE SOMEBODY.
217
00:09:34,047 --> 00:09:35,882
HOWEVER,
I DON’T WANT TO BE TOLD
218
00:09:35,882 --> 00:09:38,485
THAT I LOOK
LIKE CERTAIN PEOPLE.
219
00:09:38,485 --> 00:09:39,953
FOR EXAMPLE,
220
00:09:39,953 --> 00:09:41,354
I WAS AT TARGET THE OTHER DAY,
221
00:09:41,354 --> 00:09:43,190
AND I WAS JUST GOING
DOWN THE AISLE,
222
00:09:43,190 --> 00:09:45,292
YOU KNOW,
BUYING MY NECESSITIES,
223
00:09:45,292 --> 00:09:47,561
YOU KNOW, TOILETRIES, LUBE.
224
00:09:47,561 --> 00:09:51,331
AND THIS LITTLE GIRL
CAME UP TO ME
225
00:09:51,331 --> 00:09:53,066
IN THE LUBE SECTION.
NO.
226
00:09:53,066 --> 00:09:55,302
AND SHE SAID,
"DO YOU KNOW WHO LOOK LIKE?"
227
00:09:55,302 --> 00:09:56,670
AND I WAS LIKE,
"WOW, WHAT A MAGICAL MOMENT."
228
00:09:56,670 --> 00:09:58,371
NO ONE’S EVER ASKED ME
THAT BEFORE.
229
00:09:58,371 --> 00:10:00,040
I’M THINKING TO MYSELF,
OH, I DON’T KNOW.
230
00:10:00,040 --> 00:10:01,575
I’VE NEVER REALLY THOUGHT
ABOUT THIS--
231
00:10:01,575 --> 00:10:03,610
JOHN MAYER, ASHTON KUTCHER,
YOUNG PATRICK SWAYZE.
232
00:10:03,610 --> 00:10:06,112
AND SHE SAYS, "NO, YOU LOOK
LIKE FRANKENSTEIN"
233
00:10:06,112 --> 00:10:07,214
AND RAN AWAY.
234
00:10:07,214 --> 00:10:09,149
[AUDIENCE MEMBER]
AW.
I KNOW.
235
00:10:09,149 --> 00:10:13,486
AND I THOUGHT TO MYSELF FIRST,
A, WHAT A BITCH.
236
00:10:13,486 --> 00:10:15,222
SHE WAS FIVE.
237
00:10:15,222 --> 00:10:16,590
AND THEN I THINK TO MYSELF,
238
00:10:16,590 --> 00:10:17,824
IS THAT WHAT I LOOK LIKE?
239
00:10:17,824 --> 00:10:20,393
AM I GUY IN THE BAR
WITH MY FRIENDS, JUST LIKE
240
00:10:20,393 --> 00:10:21,862
[GROWLING]
241
00:10:21,862 --> 00:10:24,464
"CRUSH CAN.
242
00:10:24,464 --> 00:10:25,999
DROWN CHILD."
243
00:10:31,571 --> 00:10:33,907
HEY, WHAT ARE YOU READING?
ARE YOU READING A MAGAZINE?
OH, NOTHING.
244
00:10:33,907 --> 00:10:35,809
NO, I WAS JUST FILING
SOMETHING.
THAT’S FINE.
245
00:10:35,809 --> 00:10:37,210
I DON’T KNOW
HOW THAT GOT THERE.
246
00:10:37,210 --> 00:10:38,678
IT’S NOT MINE,
BUT YOU CAN READ IT.
247
00:10:38,678 --> 00:10:40,480
IT’S FINE IF YOU WANT TO READ
A MAGAZINE.
248
00:10:40,480 --> 00:10:42,182
READING A MAGAZINE?
OKAY, HI, JASON.
249
00:10:42,182 --> 00:10:43,984
WHAT ARE YOU DOING?
WHAT ARE YOU WORKING
ON RIGHT NOW?
250
00:10:43,984 --> 00:10:47,220
I WAS JUST SENDING OUT
THE COVER LETTER
FOR THAT AUDITION.
251
00:10:47,220 --> 00:10:48,855
OH, YEAH, I REALLY WANT
TO GET THAT AUDITION.
252
00:10:48,855 --> 00:10:51,758
I REALLY GOT TO GET IN THERE.
NOT WITHOUT THE MOON.
253
00:10:51,758 --> 00:10:53,827
I THINK THIS IS THE ONE.
254
00:10:53,827 --> 00:10:56,396
UM, MY GOD.
ANYWAY, THIS IS HARD.
255
00:10:56,396 --> 00:10:57,864
THIS IS WEIRD.
256
00:10:57,864 --> 00:10:59,933
I THOUGHT THIS WOULD
BE A LOT EASIER,
BUT IT’S REALLY HARD.
257
00:10:59,933 --> 00:11:01,735
WE, UM-- JASON,
WE REALLY LIKE YOU.
258
00:11:01,735 --> 00:11:05,605
BUT WE-- WE DON’T REALLY
HAVE A LOT OF MONEY.
259
00:11:05,605 --> 00:11:08,141
SO WE’RE, LIKE, GOING TO NOT
BE ABLE TO PAY YOU ANYMORE,
260
00:11:08,141 --> 00:11:09,676
AND WE’RE, LIKE,
LOSING THE OFFICE.
261
00:11:09,676 --> 00:11:11,011
WOW.
262
00:11:11,011 --> 00:11:12,012
NOT SAYING ANYTHING RIGHT NOW,
WHICH IS WEIRD.
263
00:11:12,012 --> 00:11:14,281
WELL, I’M A LITTLE IN SHOCK.
264
00:11:14,281 --> 00:11:15,582
I’M SORRY.
THIS IS WEIRD.
265
00:11:15,582 --> 00:11:18,652
WE REALLY LIKE YOU.
MY MOM REALLY LIKES YOU.
266
00:11:18,652 --> 00:11:21,221
WELL, SHE USED TO.
AM I LOSING MY JOB
TO COCKTAILS?
267
00:11:21,221 --> 00:11:23,223
WE DID WAIT FOR YOU
FOR, LIKE, 20 MINUTES.
268
00:11:23,223 --> 00:11:24,891
I’M SORRY.
I HAVE BETTER THINGS TO DO
269
00:11:24,891 --> 00:11:26,726
THAN HANG OUT WITH
A 75-YEAR-OLD WOMAN
AT BRUNCH.
270
00:11:26,726 --> 00:11:28,828
THAT 75-YEAR-OLD WOMAN
HAPPENS TO HAVE A NAME,
271
00:11:28,828 --> 00:11:31,598
AND IT’S BARBARA,
BUT SHE GOES BY BARBIE GIRL
BECAUSE SHE’S AWESOME.
272
00:11:31,598 --> 00:11:32,999
AND THAT 75-YEAR-OLD WOMAN
273
00:11:32,999 --> 00:11:36,569
DRINKS MOJITOS AND LISTENS
TO RIHANNA, SO BACK OFF.
OKAY?
274
00:11:36,569 --> 00:11:39,406
ALSO, THIS NEED TO BE REFILLED.
IT’S OUT.
THIS IS OUT OF WATER.
275
00:11:39,406 --> 00:11:41,107
LOOK THERE’S LIKE BARELY
ANY WATER IN HERE.
276
00:11:41,107 --> 00:11:42,709
I’M THIRSTY.
I’M STARVING!
277
00:11:42,709 --> 00:11:45,078
I GUESS YOU’LL HAVE TO FIND
SOMEBODY TO FILL IT UP
278
00:11:45,078 --> 00:11:46,513
BECAUSE I DON’T WORKING
HERE ANYMORE.
279
00:11:46,513 --> 00:11:48,048
YOU CAN’T DO IT
BEFORE YOU LEAVE?
280
00:11:48,048 --> 00:11:49,215
NO!
281
00:11:49,215 --> 00:11:50,583
BARBIE GIRL
WAS SO RIGHT ABOUT YOU.
282
00:11:50,583 --> 00:11:52,419
SHE SAID YOU’RE
A TERRIBLE PERSON.
283
00:11:52,419 --> 00:11:54,087
AND I SAID,
"NO, HE’S NOT. HE’S GREAT,"
284
00:11:54,087 --> 00:11:55,689
BUT NOW I’M WRONG.
I’M ALWAYS WRONG.
285
00:11:55,689 --> 00:11:57,023
THAT’S JUST WEIRD TO ME.
286
00:11:57,023 --> 00:11:58,358
WHY ARE YOU SUCH
A HORRIBLE PERSON?
287
00:11:58,358 --> 00:12:00,093
SO YOU CAN GO FUCK YOURSELF.
HAVE A GREAT TIME.
288
00:12:00,093 --> 00:12:02,595
OH, MY GOD.
FUCK YOU SO HARD.
289
00:12:03,663 --> 00:12:06,599
HEY, LOOK.
290
00:12:06,599 --> 00:12:08,401
[COREY]
YOU KNOW WHOSE HOUSE THAT WAS?
291
00:12:08,401 --> 00:12:11,671
[JASON] YO MAMA’S?
[LAUGHS]
CLOSE.
292
00:12:11,671 --> 00:12:13,273
THAT WAS MERV GRIFFIN’S.
293
00:12:13,273 --> 00:12:15,742
THE TV TALK SHOW HOST?
294
00:12:15,742 --> 00:12:17,344
MORE THAN THAT.
295
00:12:17,344 --> 00:12:19,579
HE WAS ONE OF THE MOST POWERFUL
MEN IN HOLLYWOOD.
296
00:12:19,579 --> 00:12:20,647
REALLY?
YEAH.
297
00:12:20,647 --> 00:12:22,349
AND A GAY MAN.
298
00:12:22,349 --> 00:12:26,086
SLEEPING AROUND WITH THE LIKES
OF BURT LANCASTER
AND MONTY CLIFT
299
00:12:26,086 --> 00:12:29,823
ANY OTHER HEARTTHROB AROUND.
300
00:12:29,823 --> 00:12:33,059
STILL, IN A TIME WHERE
IT WAS SO UNDERGROUND,
301
00:12:33,059 --> 00:12:36,730
AN ENTIRE CAREER COULD BE
KILLED WITH JUST ONE MISSTEP.
302
00:12:36,730 --> 00:12:38,998
OH, MY GOD.
303
00:12:38,998 --> 00:12:41,368
LET’S GO UP THERE,
PLEASE.
304
00:12:41,368 --> 00:12:42,836
OKAY.
ALL RIGHT.
305
00:12:42,836 --> 00:12:44,104
LET’S GO.
HOLD ME.
306
00:12:44,104 --> 00:12:46,072
[GROANS]
307
00:12:46,072 --> 00:12:51,011
WHO DO YOU THINK IS THE MOST
POWERFUL GAY MAN IN HOLLYWOOD
RIGHT NOW?
308
00:12:51,011 --> 00:12:55,115
THAT WOULD HAVE TO BE
DAVID GEFFEN.
309
00:12:55,115 --> 00:12:59,152
DAVID GEFFEN.
DAVID GEFFEN.
310
00:12:59,152 --> 00:13:01,321
IS HE MARRIED?
311
00:13:01,321 --> 00:13:02,956
NO. I DON’T THINK SO.
312
00:13:02,956 --> 00:13:04,657
REALLY.
YEAH.
313
00:13:04,657 --> 00:13:10,263
SO HE COULD POTENTIALLY MAKE
MY ENTIRE CAREER HAPPEN FOR ME
314
00:13:10,263 --> 00:13:15,135
WITH JUST
A FEW PHONE CALLS MADE?
315
00:13:15,135 --> 00:13:18,104
IT’S MACHIAVELLI
GOES TO HOLLYWOOD.
316
00:13:18,104 --> 00:13:20,140
♪♪ [HUMMING]
317
00:13:20,140 --> 00:13:21,841
LEAVE YOUR HEARTS AT THE DOOR
318
00:13:21,841 --> 00:13:23,843
AND FORGE BRAVELY ONWARD
319
00:13:23,843 --> 00:13:25,345
TO ULTIMATE POWER.
320
00:13:25,345 --> 00:13:28,448
YOU SAY THAT
LIKE IT’S A BAD THING.
321
00:13:28,448 --> 00:13:31,284
WELL, LOVE, FOR SOME MEN,
322
00:13:31,284 --> 00:13:33,119
IF IT EXISTS AT ALL,
323
00:13:33,119 --> 00:13:34,988
IS ALWAYS WRAPPED UP
IN PRESTIGE.
324
00:13:34,988 --> 00:13:37,524
UGH. COREY, SPARE ME, PLEASE.
325
00:13:37,524 --> 00:13:40,760
THERE’S A RECESSION ON.
DADDY NEEDS NEW SHOES.
326
00:13:40,760 --> 00:13:42,061
AND YOU WILL BE...
327
00:13:42,061 --> 00:13:44,464
OH, I KNOW WHAT I’LL BE.
328
00:13:44,464 --> 00:13:49,836
I’LL BE RICH, POWERFUL,
AND A COMPLETE SUCCESS.
329
00:13:49,836 --> 00:13:51,838
[ECHOING]
330
00:13:54,340 --> 00:13:56,443
CAN I ASK YOU A QUESTION?
331
00:13:56,443 --> 00:13:58,545
WHY IS THAT PEOPLE WORSHIP
CELEBRITIES, DO YOU THINK?
332
00:13:58,545 --> 00:14:00,580
BECAUSE JESUS IS SO BORING.
333
00:14:00,580 --> 00:14:03,550
IF WE WEREN’T IN SUCH
A MONOTHEISTIC MESS,
334
00:14:03,550 --> 00:14:05,885
THE CUP ALWAYS HALF EMPTY,
335
00:14:05,885 --> 00:14:08,755
MAYBE PEOPLE WOULD
HAVE COME UP WITH
SOME MORE INTERESTING GODS,
336
00:14:08,755 --> 00:14:10,924
YOU KNOW, SOMETHING
WORTH WORSHIPPING.
337
00:14:10,924 --> 00:14:15,261
I MEAN, YOU KNOW,
I’M SURE CELEBRITIES
ARE PERFECTLY NICE PEOPLE,
338
00:14:15,261 --> 00:14:17,597
BUT DO THEY REALLY DESERVE
OUR WORSHIP?
339
00:14:17,597 --> 00:14:22,302
I’M TRYING TO SLEEP
WITH DAVID GEFFEN,
340
00:14:22,302 --> 00:14:24,704
AND I’M WONDERING IF
YOU CAN HELP ME.
341
00:14:24,704 --> 00:14:27,607
WHY?
342
00:14:29,008 --> 00:14:32,312
TO BE FAMOUS. HELLO.
343
00:14:32,312 --> 00:14:33,413
I THOUGHT YOU KNEW THIS.
344
00:14:33,413 --> 00:14:35,014
IT’S JUST A WEIRD GOAL.
345
00:14:35,014 --> 00:14:37,750
I MEAN, DO YOU REALLY WANT
TO SLEEP WITH DAVID GEFFEN?
346
00:14:37,750 --> 00:14:40,320
YEAH. I MEAN,
THAT’S WHY I’M OUT HERE.
347
00:14:40,320 --> 00:14:41,521
THAT’S WHY I’M DOING THIS.
348
00:14:41,521 --> 00:14:43,022
I DON’T KNOW IF I CAN HELP YOU
349
00:14:43,022 --> 00:14:45,024
ON THE GETTING INTO BED
WITH DAVID GEFFEN.
350
00:14:45,024 --> 00:14:47,861
THERE’S OTHER PEOPLE
I SUPPOSE YOU COULD SLEEP WITH,
351
00:14:47,861 --> 00:14:49,629
BUT YOU MIGHT HAVE TO SLEEP
WITH A LOT.
352
00:14:49,629 --> 00:14:51,631
WELL, THEN THAT
WOULD MAKE ME A WHORE.
353
00:14:51,631 --> 00:14:54,033
I FEEL LIKE,
SINCE I’VE BEEN OUT HERE,
354
00:14:54,033 --> 00:14:56,503
I CAN’T TALK TO ANYBODY
355
00:14:56,503 --> 00:14:58,071
WITHOUT THEM WANTING
TO KNOW WHAT I DO.
356
00:14:58,071 --> 00:15:00,273
AND I DON’T MEAN, LIKE,
BECAUSE THEY’RE INTERESTED
357
00:15:00,273 --> 00:15:02,575
OR CURIOUS ABOUT
WHAT MY PERSONALITY’S LIKE.
358
00:15:02,575 --> 00:15:04,944
I FEEL LIKE THEY’RE LIKE,
"WELL, IF I FUCK YOU,
359
00:15:04,944 --> 00:15:06,779
AM I GONNA GET SOMETHING?"
360
00:15:06,779 --> 00:15:09,749
REALITY IS NOBODY
REALLY GIVES A SHIT
ABOUT ANYBODY OUT HERE,
361
00:15:09,749 --> 00:15:12,685
SO JUST WORK YOUR GAME,
GET WHAT YOU WANT, AND GO.
362
00:15:12,685 --> 00:15:15,488
OKAY, BUT LOVE?
363
00:15:15,488 --> 00:15:18,258
MY GOD, YOU’RE SO MUSHY.
364
00:15:18,258 --> 00:15:19,626
YOU SAY I’M MUSHY,
365
00:15:19,626 --> 00:15:21,794
BUT DO YOU REALLY WANT, JUST,
LIKE, ALL THE TIME,
366
00:15:21,794 --> 00:15:25,098
JUST GUY TO GUY,
MOVE UP, MOVE UP?
367
00:15:25,098 --> 00:15:26,833
I MEAN, DO YOU EVER WANT
ANYTHING MORE?
368
00:15:26,833 --> 00:15:31,538
IF YOU WANT LOVE,
IT’LL COME AROUND EVENTUALLY,
369
00:15:31,538 --> 00:15:35,074
MAYBE WHEN YOU’RE A LOT--
A LOT, OLDER.
370
00:15:35,074 --> 00:15:40,013
I FEEL LIKE GAY OR STRAIGHT,
WE’RE BUILT TO NEED LOVE.
371
00:15:40,013 --> 00:15:41,281
NO? REALLY?
372
00:15:41,281 --> 00:15:43,716
YOU DON’T EVER WANT ANYBODY
TO, LIKE,
373
00:15:43,716 --> 00:15:47,820
TAKE CARE OF YOU
WHEN YOU’RE HAVING
THOSE HARD TIMES?
374
00:15:47,820 --> 00:15:50,957
IT’S JUST
SUCH A TIME COMMITMENT.
375
00:15:50,957 --> 00:15:54,861
IT’S JUST LIKE,
"HI, IT’S YOU AGAIN.
376
00:15:54,861 --> 00:15:56,362
YOU’RE OLD NOW."
377
00:15:56,362 --> 00:16:00,199
NO, BUT I MEAN,
WHAT ABOUT--
378
00:16:00,199 --> 00:16:02,502
OKAY, NOT JUST NECESSARILY
THE BAD TIMES,
379
00:16:02,502 --> 00:16:03,870
BUT THE GOOD TIMES AS, TOO.
380
00:16:03,870 --> 00:16:06,372
YOU WANT TO SHARE THAT SORT
OF STUFF WITH PEOPLE.
381
00:16:06,372 --> 00:16:08,641
THAT’S WHY PEOPLE HAVE DOGS.
382
00:16:09,909 --> 00:16:11,878
HEY, UM, GREAT CLASS.
383
00:16:11,878 --> 00:16:12,912
THANKS.
384
00:16:12,912 --> 00:16:14,247
DO YOU ONLY TEACH PILATES?
385
00:16:14,247 --> 00:16:17,250
NO. I TEACH
A LITTLE BIT OF YOGA.
386
00:16:17,250 --> 00:16:21,354
AND, I DON’T KNOW,
SOME HIP-HOP OR
SOMETHING LIKE THAT, BUT--
387
00:16:21,354 --> 00:16:23,122
YOU’RE A DANCER.
388
00:16:23,122 --> 00:16:27,994
YEAH, NOT REALLY
A HIP-HOP DANCER, ACTUALLY.
389
00:16:27,994 --> 00:16:29,195
HOW DID YOU KNOW?
390
00:16:29,195 --> 00:16:30,430
I CAN TELL.
391
00:16:30,430 --> 00:16:32,231
THE WAY YOU TAUGHT THE CLASS
392
00:16:32,231 --> 00:16:35,835
AND YOUR EXPLANATION
OF LINE AND FORM
393
00:16:35,835 --> 00:16:37,103
AND FOLLOWING THROUGH.
394
00:16:37,103 --> 00:16:39,772
I TAKE IT YOU’RE A DANCER,
THEN, YOURSELF.
395
00:16:39,772 --> 00:16:41,207
I AM A DANCER.
396
00:16:41,207 --> 00:16:43,409
HUH. WHAT KIND?
397
00:16:43,409 --> 00:16:46,279
I DO WHATEVER PAYS THE RENT,
IF THAT MAKES SENSE.
398
00:16:46,279 --> 00:16:47,614
YEAH, I THINK SO.
399
00:16:47,614 --> 00:16:48,982
A LITTLE OF EVERYTHING.
400
00:16:48,982 --> 00:16:50,083
YEAH?
401
00:16:50,083 --> 00:16:51,484
YOU DO BALLET.
402
00:16:51,484 --> 00:16:57,190
I DO, AND YOU DO E.S.P.,
RIGHT?
403
00:16:57,190 --> 00:16:59,158
I MEAN, HOW DID YOU KNOW?
404
00:16:59,158 --> 00:17:01,394
I CAN JUST TELL.
IT’S BEAUTIFUL,
405
00:17:01,394 --> 00:17:02,562
YOUR BODY AND YOUR LINES.
406
00:17:02,562 --> 00:17:04,564
YOU DON’T THINK IT READ TOO--
407
00:17:04,564 --> 00:17:06,466
I FEEL LIKE SOMETIMES
I CAN’T SEPARATE THE DANCE
FROM THE TEACHING.
408
00:17:06,466 --> 00:17:08,167
OH, NO. NO, NO, NO.
409
00:17:08,167 --> 00:17:10,903
I THOUGHT IT WAS
ABSOLUTELY LOVELY.
410
00:17:10,903 --> 00:17:14,307
GOOD. I’M REALLY HAPPY
TO HEAR THAT.
411
00:17:14,307 --> 00:17:16,109
DO YOU EVER--
412
00:17:16,109 --> 00:17:18,244
I MEAN, WHAT’S YOUR FAVORITE
STYLES OF DANCE?
413
00:17:18,244 --> 00:17:19,779
I KNOW YOU SAID
YOU DO EVERYTHING, BUT--
414
00:17:19,779 --> 00:17:21,781
I LOVE CONTEMPORARY. UH-HUH.
415
00:17:21,781 --> 00:17:24,450
BUT I LOVE
THE OLD HOLLYWOOD MUSICALS.
416
00:17:24,450 --> 00:17:25,818
REALLY?
GENE KELLY AND FRED ASTAIRE.
417
00:17:25,818 --> 00:17:27,353
OF COURSE.
418
00:17:27,353 --> 00:17:30,990
AND I’M ALWAYS TRYING
TO FIND A WAY TO MARRY
THE TWO TOGETHER.
419
00:17:30,990 --> 00:17:34,093
AND I FEEL LIKE THE EMPHASIS
IS ON A VERY DIFFERENT TYPE
OF DANCE HERE.
420
00:17:34,093 --> 00:17:36,429
YEAH.
ONE OF MY FAVORITE
CHOREOGRAPHERS--
421
00:17:36,429 --> 00:17:38,431
I’M SO UPSET.
SHE ACTUALLY DIED TODAY.
422
00:17:38,431 --> 00:17:40,433
UM, PINA BAUSCH.
DO YOU KNOW?
423
00:17:40,433 --> 00:17:42,101
THE IRREVERENT GERMAN
CHOREOGRAPHER,
424
00:17:42,101 --> 00:17:45,805
CHANGED THE FACE OF
THIS HISTORY OF MODERN DANCE.
425
00:17:45,805 --> 00:17:47,106
OH, WOW.
426
00:17:47,106 --> 00:17:48,808
SHE USED TO DO THESE DANCES
427
00:17:48,808 --> 00:17:51,711
WHERE PEOPLE WOULD JUST WALK
AROUND THE STAGE DOING NOTHING,
428
00:17:51,711 --> 00:17:54,480
AND THEN SUDDENLY
JUST BREAK OUT
429
00:17:54,480 --> 00:17:58,518
INTO THESE CRAZY SPASTIC
MOVEMENTS AND STUFF.
YOU KNOW WHAT I MEAN?
430
00:17:58,518 --> 00:18:00,520
AND SHE WOULD
ASK ALL OF HER DANCERS
431
00:18:00,520 --> 00:18:01,988
ABOUT THEIR PERSONAL LIVES,
432
00:18:01,988 --> 00:18:04,791
ABOUT THEIR PAIN AND THEIR
ROMANCE AND EVERYTHING ELSE.
433
00:18:04,791 --> 00:18:06,893
AND THEN SHE WOULD INCLUDE IT.
434
00:18:06,893 --> 00:18:10,363
AND THEN THE DANCES
WOULD GROW OUT OF THAT.
435
00:18:10,363 --> 00:18:13,332
YOU DON’T FEEL ANYTHING ELSE
WHEN YOU’RE DANCING?
436
00:18:13,332 --> 00:18:15,702
YOU DON’T LIKE TO INCLUDE
THOSE THINGS AT ALL?
437
00:18:15,702 --> 00:18:18,771
I THINK THAT I FEEL TERRIBLE
MOST OF THE TIME
438
00:18:18,771 --> 00:18:21,541
EXCEPT WHEN I’M DANCING.
439
00:18:21,541 --> 00:18:24,811
WELL, PINA BAUSCH
440
00:18:24,811 --> 00:18:29,482
USED THOSE FEELINGS
TO CREATE SOMETHING BEAUTIFUL,
441
00:18:29,482 --> 00:18:33,953
FROM UNDERNEATH,
OUT INTO HER ART.
442
00:18:33,953 --> 00:18:35,655
THIS IS LOS ANGELES.
443
00:18:35,655 --> 00:18:38,391
WE USE OUR ART
TO CREATE FANTASY.
444
00:18:38,391 --> 00:18:41,260
TO WHAT END?
I MEAN...
445
00:18:41,260 --> 00:18:42,795
I DON’T KNOW.
446
00:18:45,465 --> 00:18:48,101
[CRAIG]
LOOK, SWAN LAKE.
447
00:18:48,101 --> 00:18:53,573
WELL, THOSE ARE GEESE.
448
00:18:58,978 --> 00:19:00,146
WHAT?
449
00:19:00,146 --> 00:19:02,148
I THOUGHT WE WERE
ON THE SAME PAGE HERE.
450
00:19:02,148 --> 00:19:05,551
WE ARE.
I LIKE YOU.
451
00:19:05,551 --> 00:19:07,220
I LIKE YOU, TOO.
452
00:19:07,220 --> 00:19:09,822
SO, WHAT’S THE PROBLEM?
453
00:19:11,390 --> 00:19:14,360
I’M JUST STRESSED OUT
RIGHT NOW.
454
00:19:14,360 --> 00:19:15,595
IT’S NOT A GOOD TIME.
455
00:19:15,595 --> 00:19:17,597
THAT’S OKAY.
456
00:19:17,597 --> 00:19:19,966
I KNOW PLENTY OF WAYS
TO DE-STRESS A GUY.
457
00:19:22,368 --> 00:19:23,970
I KNOW.
458
00:19:23,970 --> 00:19:27,039
I’VE BEEN ASKED TO BE A PART
OF A DANCE CONCERT COMING UP,
459
00:19:27,039 --> 00:19:31,611
AND I THOUGH MAYBE WE COULD
CHOREOGRAPH A PIECE TOGETHER.
460
00:19:31,611 --> 00:19:33,179
YEAH, I’D LOVE THAT.
461
00:19:33,179 --> 00:19:34,347
I MEAN, I WOULD LOVE THAT,
462
00:19:34,347 --> 00:19:36,682
BUT WHY CAN’T WE DO BOTH?
463
00:20:03,276 --> 00:20:04,444
YOU OKAY?
464
00:20:04,444 --> 00:20:06,078
THAT WAS
SOME SERIOUS MOMENTUM?
465
00:20:06,078 --> 00:20:08,648
TELL ME, HAVE YOU EVER DONE
A PAS DE DEUX
WITH ANOTHER GUY?
466
00:20:08,648 --> 00:20:12,251
YEAH. I MEAN, YES AND NO.
467
00:20:12,251 --> 00:20:14,353
I’VE DONE SOME--
468
00:20:14,353 --> 00:20:15,855
I’VE DONE PIECES WITH, LIKE,
469
00:20:15,855 --> 00:20:17,490
TWO GUYS AND A GIRL
470
00:20:17,490 --> 00:20:19,959
NO, I MEAN,
I’VE DONE A COUPLE OF THINGS
471
00:20:19,959 --> 00:20:23,095
WHERE IT’S JUST A GUY
AND THEY WORK IT IN,
472
00:20:23,095 --> 00:20:24,931
SOME LIFTS WITH GUYS,
THINGS LIKE THAT,
473
00:20:24,931 --> 00:20:26,799
BUT IT’S REALLY DIFFERENT.
474
00:20:26,799 --> 00:20:29,602
IT’S THE WEIGHT.
475
00:20:29,602 --> 00:20:30,970
YOU’RE STRONG ENOUGH,
476
00:20:30,970 --> 00:20:33,539
BUT THE FULCRUM POINTS
ARE DIFFERENT.
477
00:20:33,539 --> 00:20:34,574
THE BALANCE POINTS
ARE DIFFERENT.
478
00:20:34,574 --> 00:20:37,210
YEAH.
479
00:20:37,210 --> 00:20:40,179
IF YOU’RE LIFTING ME,
WHAT’S YOUR EXPERIENCE
WITH LIFTING?
480
00:20:40,179 --> 00:20:43,549
DO YOU DO--
HAVE YOU DONE A LOT OF THAT?
481
00:20:43,549 --> 00:20:46,752
I MEAN, I’VE DONE A LOT--
I’VE DONE SOME PARTNERING.
482
00:20:46,752 --> 00:20:47,987
I’VE DONE A LOT OF PARTNERING
483
00:20:47,987 --> 00:20:50,590
BUT NEVER WITH, I GUESS,
ANOTHER GUY.
484
00:20:50,590 --> 00:20:52,525
OKAY.
IT IS DIFFERENT.
485
00:20:52,525 --> 00:20:54,460
THERE’S PROBABLY GONNA BE
SOME SORT OF A LEARNING CURVE
HERE.
486
00:20:54,460 --> 00:20:55,895
I WOULD IMAGINE. YEAH.
487
00:20:55,895 --> 00:20:57,630
[COREY]
THIS DOESN’T LOOK TOO BAD.
488
00:20:57,630 --> 00:21:02,134
WHAT IS IT?
PERSONAL ASSISTANT.
489
00:21:02,134 --> 00:21:03,769
WHAT ARE YOU DOING?
490
00:21:03,769 --> 00:21:05,738
WHY ARE YOU SUDDENLY SEARCHING
FOR A JOB?
491
00:21:05,738 --> 00:21:07,139
YOU HAVEN’T WORKED A DAY
IN YOUR LIFE.
492
00:21:07,139 --> 00:21:09,308
WORK IS IMPORTANT?
493
00:21:09,308 --> 00:21:11,177
NOT IF YOU HAVE A TRUST FUND.
494
00:21:11,177 --> 00:21:13,346
OKAY, JIG IS UP.
495
00:21:13,346 --> 00:21:15,147
NO MORE TRUST FUND.
496
00:21:15,147 --> 00:21:16,415
IT’S GONE.
497
00:21:16,415 --> 00:21:17,817
AND I NEED TO GET A JOB,
498
00:21:17,817 --> 00:21:20,453
BUT I WANT SOMETHING
WHERE I CAN FURTHER MY CAREER
499
00:21:20,453 --> 00:21:21,487
AS A PERFORMANCE ARTIST.
500
00:21:21,487 --> 00:21:23,589
SO, PERSONAL ASSISTANT.
501
00:21:23,589 --> 00:21:25,157
CHECK THAT OUT.
502
00:21:25,157 --> 00:21:26,025
LET’S SEE.
503
00:21:26,025 --> 00:21:27,593
YOU NEED TO LOVE ANIMALS,
504
00:21:27,593 --> 00:21:28,694
NOT WEAR FUR,
505
00:21:28,694 --> 00:21:30,162
BE ABLE TO MAKE
YOUR OWN YOGURT,
506
00:21:30,162 --> 00:21:32,899
AND KNOW THE HISTORY
OF TELEVISION.
507
00:21:32,899 --> 00:21:34,467
CAN YOU MAKE YOUR OWN YOGURT?
508
00:21:34,467 --> 00:21:35,835
I MIGHT BE WRONG,
509
00:21:35,835 --> 00:21:39,672
BUT IT SOUNDS LIKE
THIS COULD BE MARY REYNOLDS.
510
00:21:40,740 --> 00:21:42,108
RIGHT, OF COURSE.
511
00:21:42,108 --> 00:21:43,142
MARY WHO?
512
00:21:43,142 --> 00:21:44,110
MARY REYNOLDS?
513
00:21:44,110 --> 00:21:45,711
YOU KNOW, AQUA GIRL?
FROM THE ’70s?
514
00:21:45,711 --> 00:21:48,114
YOU NEVER WATCHED THAT
AS A KID?
SORRY.
515
00:21:48,114 --> 00:21:49,615
SHE WAS MY HERO.
516
00:21:49,615 --> 00:21:51,884
SHE WAS TRANSFORMING,
517
00:21:51,884 --> 00:21:53,686
TURNING
INTO WHATEVER SHE WANTED,
518
00:21:53,686 --> 00:21:55,121
LOTS OF COSTUME CHANGES.
519
00:21:55,121 --> 00:21:58,958
SHE WAS LIKE ALL POWERFUL
AND CRAZY SEXY.
520
00:21:58,958 --> 00:22:00,059
OKAY.
521
00:22:00,059 --> 00:22:01,727
YOU DO KNOW
THAT THE REAL ACTRESS
522
00:22:01,727 --> 00:22:03,629
ISN’T GOING TO BE ANYTHING
LIKE THIS CHARACTER, THOUGH.
RIGHT?
523
00:22:03,629 --> 00:22:04,931
IT DOESN’T MATTER.
524
00:22:04,931 --> 00:22:06,999
SHE’S A CULTURAL ICON.
525
00:22:13,406 --> 00:22:16,575
[RINGS DOORBELL]
526
00:22:16,575 --> 00:22:18,344
[WOMAN]
THE DOOR’S OPEN.
527
00:22:35,928 --> 00:22:38,798
OF THE 3,000 RESPONSES
I GOT ON CRAIGSLIST,
528
00:22:38,798 --> 00:22:40,466
YOU ARE NOW
ONE OF THE TOP THREE.
529
00:22:40,466 --> 00:22:41,600
DO YOU KNOW WHY?
530
00:22:41,600 --> 00:22:42,635
NO.
531
00:22:42,635 --> 00:22:44,770
BECAUSE YOU KNOW WHO I AM
532
00:22:44,770 --> 00:22:48,941
AND YOU UNDERSTAND THE
BRILLIANCE OF MY CONTRIBUTION
TO SOCIETY.
533
00:22:48,941 --> 00:22:51,744
I’M SO EXCITED TO BE HERE.
534
00:22:51,744 --> 00:22:53,613
I HARDLY KNOW WHAT TO SAY.
535
00:22:53,613 --> 00:22:54,880
DON’T SAY ANYTHING.
536
00:22:54,880 --> 00:22:56,916
ARE YOU PREPARED TO DEDICATE
YOUR ENTIRE LIFE
537
00:22:56,916 --> 00:22:58,351
IN SERVICE TO ME?
538
00:22:58,351 --> 00:22:59,352
YES.
539
00:22:59,352 --> 00:23:00,820
WILL YOU RUN ANY ERRAND,
540
00:23:00,820 --> 00:23:03,289
ANY HOUR OF THE DAY OR NIGHT,
SEVEN DAYS A WEEK?
541
00:23:03,289 --> 00:23:04,123
YES.
542
00:23:04,123 --> 00:23:06,192
WILL YOU FAMILIARIZE YOURSELF
543
00:23:06,192 --> 00:23:09,028
WITH EVERY IMPORTANT PERSON
IN THE TELEVISION INDUSTRY
544
00:23:09,028 --> 00:23:10,296
WHO MIGHT BE CALLING ME,
545
00:23:10,296 --> 00:23:12,732
KNOW THEIR BIOGRAPHY,
PERTINENT INFORMATION,
546
00:23:12,732 --> 00:23:14,433
AND THE KIND OF BOTTLED WATER
THEY DRINK?
547
00:23:14,433 --> 00:23:15,701
ABSOLUTELY.
548
00:23:15,701 --> 00:23:17,503
WILL YOU MEMORIZE
ALL OF THIS INFORMATION
549
00:23:17,503 --> 00:23:21,440
BECAUSE THERE WILL BE
ABSOLUTELY NO GOOGLING PEOPLE
550
00:23:21,440 --> 00:23:22,808
WHILE THEY ARE ON THE PHONE?
551
00:23:22,808 --> 00:23:24,276
DO YOU UNDERSTAND?
552
00:23:24,276 --> 00:23:25,478
YOU CAN COUNT ON ME.
553
00:23:25,478 --> 00:23:27,113
WELL THEN, YOUNG LADY,
554
00:23:27,113 --> 00:23:29,382
WHAT DO YOU HAVE TO SAY
FOR YOURSELF?
555
00:23:29,382 --> 00:23:32,018
I SO RESPECT YOUR WORK
IN FILM AND TELEVISION
556
00:23:32,018 --> 00:23:35,087
THAT NO ACT OF SERVITUDE
WOULD BE BENEATH ME.
557
00:23:35,087 --> 00:23:39,492
I EXIST SOLELY TO BE
YOUR HUMBLE AND LOYAL SERVANT.
558
00:23:39,492 --> 00:23:41,160
YOU’RE HIRED.
559
00:23:41,160 --> 00:23:44,730
I ALSO HAVE ANOTHER ROOMMATE
WHO LIKES TO DRESS UP.
560
00:23:44,730 --> 00:23:46,465
HE WEARS NICE LITTLE COSTUMES,
561
00:23:46,465 --> 00:23:52,004
YOU KNOW, HARMLESS COSTUMES,
LIKE, ONE DAY HE’S
RONALD MCDONALD.
562
00:23:52,004 --> 00:23:54,073
KIDS LOVE RONALD MCDONALD.
563
00:23:54,073 --> 00:23:57,710
THE NEXT DAY HE’S HITLER.
564
00:23:57,710 --> 00:23:59,945
KIDS LOVE HITLER.
565
00:23:59,945 --> 00:24:02,681
TOMORROW HE MAY BE OPRAH.
566
00:24:02,681 --> 00:24:04,750
MAYBE HE’LL GIVE ME FREE SHIT.
567
00:24:04,750 --> 00:24:06,085
[MARY REYNOLDS]
COREY?
568
00:24:06,085 --> 00:24:07,053
YES.
569
00:24:07,053 --> 00:24:08,721
CALL PETA ABOUT THE BENEFIT.
570
00:24:08,721 --> 00:24:09,755
CHECK.
571
00:24:09,755 --> 00:24:11,590
TAKE MY CAR IN FOR DETAILING.
572
00:24:11,590 --> 00:24:13,125
CHECK.
573
00:24:13,125 --> 00:24:15,428
FIND ME SOME UNPASTEURIZED
GOATS MILK YOGURT.
574
00:24:15,428 --> 00:24:17,196
WHERE WOULD I FIND THAT?
575
00:24:17,196 --> 00:24:19,031
IF I KNEW,
WOULD I BE SENDING YOU OUT?
576
00:24:19,031 --> 00:24:20,566
CALL EVERY GROCERY STORE,
577
00:24:20,566 --> 00:24:22,868
CALL EVERY HEALTH STORE
IN LA COUNTY AND FIND IT.
578
00:24:22,868 --> 00:24:25,104
GO TO A GOAT FARM
IF YOU HAVE TO.
579
00:24:25,104 --> 00:24:26,238
CHECK.
580
00:24:26,238 --> 00:24:28,007
THERE’S SOMETHING
YOU SHOULD KNOW.
581
00:24:28,007 --> 00:24:31,043
I HAVE A CAUSE.
582
00:24:31,043 --> 00:24:32,411
YES?
583
00:24:32,411 --> 00:24:36,615
I AM VEHEMENTLY OPPOSED
TO THE WEARING OF FUR.
584
00:24:36,615 --> 00:24:38,250
I EXPECT YOU TO UNDERSTAND
585
00:24:38,250 --> 00:24:40,319
THE CRUELTY AND THE SUFFERING
586
00:24:40,319 --> 00:24:44,056
THAT IS PERPETRATED
ACROSS THESE POOR
DEFENSELESS CREATURES.
587
00:24:44,056 --> 00:24:47,093
I NEED YOU
TO DEDICATE YOURSELF
588
00:24:47,093 --> 00:24:49,128
AND TO JOIN ME IN MY CRUSADE.
589
00:24:49,128 --> 00:24:51,363
I NEED YOU TO COMMIT TO THAT.
590
00:24:51,363 --> 00:24:52,631
I AGREE COMPLETELY.
591
00:24:52,631 --> 00:24:56,602
THE NEEDLESS SUFFERING
OF ANIMALS MUST BE STOPPED.
592
00:24:56,602 --> 00:24:58,104
RIGHT.
593
00:24:58,104 --> 00:24:59,105
WE’VE GOT TO DO SOMETHING.
594
00:24:59,105 --> 00:25:01,340
OKAY. GET TO WORK.
595
00:25:07,113 --> 00:25:09,982
I’VE BEEN NOTICING
EVERY DAY, LATELY,
IN THE MORNING
596
00:25:09,982 --> 00:25:13,319
THAT YOU’VE BEEN LEAVING
AS A WOMAN, EACH TIME.
597
00:25:13,319 --> 00:25:16,388
YOU ONLY GOING TO WORK
AS A WOMAN THESE DAYS?
598
00:25:16,388 --> 00:25:22,495
THIS JOB PARTICULARLY BECAUSE
MARY WAS ONLY HIRING A WOMAN.
599
00:25:22,495 --> 00:25:24,463
HOW’S THAT MAKE YOU FEEL?
600
00:25:24,463 --> 00:25:27,766
I JUST THINK THAT OUR LIVES
HAVE A HIGHER PURPOSE
601
00:25:27,766 --> 00:25:30,035
THAN TO JUST BE SO CAUGHT UP
602
00:25:30,035 --> 00:25:33,005
AND HAVE OUR IDENTITIES
SO DEEPLY ENTRENCHED
603
00:25:33,005 --> 00:25:35,741
IN GENDER POLITICS
604
00:25:35,741 --> 00:25:40,412
AND WHAT OTHER PEOPLE THINK.
605
00:25:40,412 --> 00:25:42,848
WHAT KIND OF REACTION
ARE YOU GETTING?
606
00:25:42,848 --> 00:25:46,986
UM, MOSTLY SOME STARES,
YOU KNOW, FROM PEOPLE.
607
00:25:46,986 --> 00:25:48,988
YEAH.
A FEW THUMBS UP, YOU KNOW.
608
00:25:48,988 --> 00:25:51,123
I DID A ROUND THROUGH
THE 99 CENT STORE,
609
00:25:51,123 --> 00:25:52,825
AND IT MADE SOME PEOPLE HAPPY,
I THINK.
610
00:25:52,825 --> 00:25:54,059
OH, THAT’S GOOD.
611
00:25:54,059 --> 00:25:55,127
PEOPLE APPRECIATE THE EFFORT.
612
00:25:55,127 --> 00:25:56,428
OH, YEAH.
NO, THEY DO.
613
00:25:56,428 --> 00:25:58,264
WOW.
IS ANYBODY ASKING FOR MIRACLES?
614
00:25:58,264 --> 00:26:01,700
ANY HEALINGS REQUESTED?
615
00:26:01,700 --> 00:26:03,102
NO. NOTHING FANCY.
616
00:26:04,436 --> 00:26:06,438
[SOBBING]
617
00:26:12,211 --> 00:26:13,879
MARY, WHAT’S THE MATTER?
618
00:26:13,879 --> 00:26:15,748
THE LOBSTERS!
619
00:26:15,748 --> 00:26:17,616
THE LOBSTERS?
620
00:26:17,616 --> 00:26:19,752
OH, GOD. AAH!
621
00:26:19,752 --> 00:26:21,053
DAMN IT.
622
00:26:21,053 --> 00:26:23,122
LOBSTERS DO NOT HAVE
623
00:26:23,122 --> 00:26:26,125
AN AUTOMATED NERVOUS SYSTEM
LIKE WE DO
624
00:26:26,125 --> 00:26:28,327
THAT PUTS THEM
INTO A STATE OF SHOCK
625
00:26:28,327 --> 00:26:30,896
WHEN PAIN IS INFLICTED ON THEM.
626
00:26:30,896 --> 00:26:32,965
DO YOU UNDERSTAND?
627
00:26:32,965 --> 00:26:35,000
CAN YOU IMAGINE
WHAT IT WOULD BE LIKE
628
00:26:35,000 --> 00:26:38,237
TO BE BOILED TO DEATH?
629
00:26:38,237 --> 00:26:40,472
OH, GOD, THE THOUGHT OF IT.
630
00:26:40,472 --> 00:26:44,977
A SEARING, VIOLENT,
FEROCIOUS PAIN
631
00:26:44,977 --> 00:26:48,547
TO EVERY SINGLE CELL
IN THEIR BODIES
632
00:26:48,547 --> 00:26:52,151
SO THAT WE CAN EAT THEM.
633
00:26:52,151 --> 00:26:54,086
IT’S TERRIBLE.
634
00:26:54,086 --> 00:26:55,854
I CAN’T STAND THE THOUGHT
635
00:26:55,854 --> 00:26:58,157
OF ALL OF THOSE LOBSTER TANKS
636
00:26:58,157 --> 00:27:02,328
AT ALL OF THOSE RESTAURANTS
637
00:27:02,328 --> 00:27:05,397
ALL OVER LOS ANGELES COUNTY.
638
00:27:12,004 --> 00:27:13,806
IT’S OKAY, MARY.
639
00:27:13,806 --> 00:27:15,040
NO IT’S NOT OKAY.
640
00:27:15,040 --> 00:27:16,942
NO, IT’S OKAY.
IT’S OKAY.
641
00:27:16,942 --> 00:27:20,012
WE’LL FIGHT FOR THEIR RIGHTS.
642
00:27:20,012 --> 00:27:21,247
YEAH?
643
00:27:21,247 --> 00:27:24,650
YES. IS THERE ANYTHING
THAT I CAN DO NOW?
644
00:27:27,586 --> 00:27:28,787
YES.
645
00:27:28,787 --> 00:27:30,322
WHAT ABOUT MY LUNCH?
646
00:27:30,322 --> 00:27:33,225
I HAVE THAT SCHEDULED,
UH, 1:00.
647
00:27:33,225 --> 00:27:34,593
DON’T BE LATE ON THAT.
648
00:27:34,593 --> 00:27:38,063
YESTERDAY IT DIDN’T COME
UNTIL 1:05.
649
00:27:38,063 --> 00:27:39,365
I’M REALLY SORRY ABOUT THAT.
650
00:27:39,365 --> 00:27:42,034
I WAS ANSWERING YOUR PHONE
AT THE SAME TIME.
651
00:27:42,034 --> 00:27:44,203
WHAT DO I PAY YOU FOR,
652
00:27:44,203 --> 00:27:48,407
YOU LOUSY, UNGRATEFUL,
INCOMPETENT PIECE OF SHIT?
653
00:27:48,407 --> 00:27:50,276
DON’T EVER BE LATE
WITH MY LUNCH AGAIN.
654
00:27:50,276 --> 00:27:51,910
DO YOU UNDERSTAND THAT?
655
00:27:51,910 --> 00:27:53,545
YES.
656
00:27:53,545 --> 00:27:55,314
YOU MAY GO.
657
00:27:57,349 --> 00:27:59,251
DARLING SWEETIE.
SWEETIE DARLING.
658
00:27:59,251 --> 00:28:02,054
I LOVE IT, LOVE ME
A LITTLE BIT OF CHARDONNAY.
659
00:28:02,054 --> 00:28:04,990
HAVE YOU HAD ENOUGH, PATS?
660
00:28:04,990 --> 00:28:08,360
UH, HAD A LITTLE BIT TOO MUCH,
I THINK.
661
00:28:08,360 --> 00:28:09,795
YEAH, JUST LITTLE BIT.
662
00:28:09,795 --> 00:28:11,263
JUST A LITTLE BIT MORE.
663
00:28:11,263 --> 00:28:12,731
YOU KNOW ACTUALLY,
THIS IS A BIT DISTURBING.
664
00:28:12,731 --> 00:28:14,700
ALL YOU’VE DONE
SINCE YOU LOST YOUR JOB
665
00:28:14,700 --> 00:28:17,636
WAS SIT HERE ON THIS PATIO
AND DRINK.
666
00:28:17,636 --> 00:28:19,738
I LOST MY JOB.
THAT’S WHAT YOU’RE
SUPPOSED TO DO.
667
00:28:19,738 --> 00:28:22,508
YOU’RE SUPPOSED TO DRINK
AND BE SAD AND WHATNOT.
668
00:28:22,508 --> 00:28:24,009
SHUT UP.
669
00:28:24,009 --> 00:28:27,980
WHAT IF THE THREE OF US
TOGETHER WENT TO
AN AA MEETING?
670
00:28:27,980 --> 00:28:29,515
WHY WOULD I DO THAT?
IT’S NOT FUN.
671
00:28:29,515 --> 00:28:32,384
BECAUSE YOU’RE KIND OF,
LIKE, SLIDING
672
00:28:32,384 --> 00:28:33,652
DOWN THE SLIPPERY SLOPE
OF VICE.
673
00:28:33,652 --> 00:28:35,054
I DON’T KNOW
WHERE YOU’RE HEADED.
674
00:28:35,054 --> 00:28:36,922
THAT WAS TOO MUCH
ALLITERATION, QUENTIN.
675
00:28:36,922 --> 00:28:39,224
YOU HAVE BEEN DRINKING A LOT.
676
00:28:39,224 --> 00:28:40,559
WHAT ARE YOU, A&E NOW?
677
00:28:40,559 --> 00:28:42,294
LIKE, IS THIS MY INTERVENTION
OR SOMETHING?
678
00:28:42,294 --> 00:28:43,796
IT’LL BE LIKE THEATER.
679
00:28:43,796 --> 00:28:45,898
I HATE THEATER.
NO, NO, WAIT.
IT’S FREE.
680
00:28:45,898 --> 00:28:47,166
THERE’S COOKIES.
681
00:28:47,166 --> 00:28:48,367
AND THERE’S CELEBRITIES.
682
00:28:48,367 --> 00:28:49,768
I DON’T WANT TO HANG OUT
683
00:28:49,768 --> 00:28:51,270
WITH A BUNCH OF SAD, LONELY,
684
00:28:51,270 --> 00:28:54,073
"OH, LOOK AT ME,
I LOST EVERYTHING,
685
00:28:54,073 --> 00:28:56,241
"AND NOW I HAVE TO SHOP
AT WAL-MART
686
00:28:56,241 --> 00:28:57,643
"AND DRINK LISTERINE
687
00:28:57,643 --> 00:28:59,678
BECAUSE MY HUSBAND
HIDES AWAY MY VODKA,"
688
00:28:59,678 --> 00:29:01,880
SO, YEAH,
I DON’T WANT TO DO THAT.
689
00:29:01,880 --> 00:29:04,850
THEY’RE ALL SAD,
PATHETIC LOSERS,
AND I’M NOT LIKE THAT.
690
00:29:04,850 --> 00:29:06,552
LOOK, I HAVE A SWIVEL STRAW.
691
00:29:06,552 --> 00:29:09,254
[TOGETHER]
GOD, GRANT ME THE SERENITY
692
00:29:09,254 --> 00:29:12,191
TO ACCEPT THE THINGS
I CANNOT CHANGE,
693
00:29:12,191 --> 00:29:15,227
THE COURAGE TO CHANGE
THE THINGS I CAN,
694
00:29:15,227 --> 00:29:18,364
AND THE WISDOM
TO KNOW THE DIFFERENCE.
695
00:29:18,364 --> 00:29:20,933
GOOD EVENING, GUYS,
I AM DAN AND I AM AN ALCOHOLIC.
696
00:29:20,933 --> 00:29:22,634
[GROUP]
HI, DAN.
697
00:29:22,634 --> 00:29:26,405
WELCOME TO THE GAY MEN’S STAG
AA MEETING, 7:00 T0 8:00.
698
00:29:26,405 --> 00:29:30,075
I DRINK TO HIDE THE FACT
THAT I HAVE A HUMONGOUS PENIS.
699
00:29:30,075 --> 00:29:32,978
I WAS THE ONE KICKING PUPPIES
AND TELLING MY FRIENDS
THEY WERE FAT.
700
00:29:32,978 --> 00:29:37,216
WHEN I DRINK, I GET REALLY
REALLY FUN AND ATTRACTIVE.
701
00:29:37,216 --> 00:29:39,551
I WOKE UP
IN LISA LAMPANELLI’S BED,
702
00:29:39,551 --> 00:29:41,320
STARING AT WHAT I THOUGHT
WAS HER CLEAVAGE
703
00:29:41,320 --> 00:29:42,821
BUT IT WAS ACTUALLY
HER BACK FAT.
704
00:29:42,821 --> 00:29:45,224
I JUST WANT TO BE THAT
FIVE-YEAR-OLD LITTLE BOY,
705
00:29:45,224 --> 00:29:47,192
PLAYING LITTLE LEAGUE AGAIN.
706
00:29:47,192 --> 00:29:48,694
THE DEVIL MADE ME DO IT.
707
00:29:48,694 --> 00:29:51,864
HAVE YOU EVER HAD A TWO-HOUR
BINGE ON YUENGLING,
708
00:29:51,864 --> 00:29:56,435
AND THEN YOU REDECORATE
YOUR MOTHER’S LIVING ROOM
WITH MAUVE ACETATE?
709
00:29:56,435 --> 00:29:57,803
THE COFFEE SUCKS HERE.
710
00:29:57,803 --> 00:30:01,073
WHEN I CAME AND I MADE
THE FUCKING COFFEE,
711
00:30:01,073 --> 00:30:04,576
IT WAS GOOD,
AND IT WAS ON TIME.
712
00:30:04,576 --> 00:30:06,512
WHY DON’T WE JUST HAVE
NEWCOMERS RAISE YOUR HAND AND--
713
00:30:06,512 --> 00:30:08,447
HI, I’D LIKE TO BEGIN.
I’D LIKE TO START.
714
00:30:08,447 --> 00:30:09,948
I’LL GO FIRST.
I’D LIKE TO START THIS.
715
00:30:09,948 --> 00:30:13,685
HI, MY NAME IS JAKE DELONGPRE,
AND MY LIFE IS SHIT.
716
00:30:13,685 --> 00:30:18,524
I CAN BE FOUND IN RANDOM
GUTTERS AROUND WEST HOLLYWOOD.
717
00:30:18,524 --> 00:30:20,759
I DON’T MEAN THAT AS A JOKE.
THAT’S THE TRUTH.
718
00:30:20,759 --> 00:30:24,029
MY MOM, BARBIE--
IF YOU GUYS KNOW BARBIE,
THAT’S MY MOM.
719
00:30:24,029 --> 00:30:26,098
SHE’S A ROCKIN’ BITCH,
AND SHE’S MY BEST FRIEND.
720
00:30:26,098 --> 00:30:30,536
SHE FINDS ME A LOT, AND
I’VE BEEN DRINKING QUITE A BIT.
721
00:30:30,536 --> 00:30:34,106
MAINLY BECAUSE I’M IN A
RELATIONSHIP WITH SOMEONE
722
00:30:34,106 --> 00:30:36,909
WHO DOESN’T KNOW
THAT WE’RE IN A RELATIONSHIP.
723
00:30:36,909 --> 00:30:38,410
SO SOME PEOPLE SAY,
724
00:30:38,410 --> 00:30:39,545
"OH JAKE, YOU’RE A STALKER,"
725
00:30:39,545 --> 00:30:41,079
AND I SAY, "OH, FUCK YOU.
726
00:30:41,079 --> 00:30:42,581
GIVE ME ANOTHER MOJITO."
727
00:30:42,581 --> 00:30:44,183
CAN WE SAY THAT HERE?
CAN WE GET HONEST?
728
00:30:44,183 --> 00:30:45,984
BECAUSE I JUST WANT TO BE
HONEST.
729
00:30:45,984 --> 00:30:50,956
YOU LOOK LIKE SOMEONE I’VE
HAD A HORRIBLE NIGHT WITH.
730
00:30:50,956 --> 00:30:52,791
THAT WAS BRUTAL.
AWFUL.
731
00:30:52,791 --> 00:30:54,126
JUST SAYING.
732
00:30:54,126 --> 00:30:57,262
HEY, REMEMBER DAN
FROM THE MEETING?
733
00:30:57,262 --> 00:30:59,298
DAN FROM THE MEETING?
NO.
734
00:30:59,298 --> 00:31:00,599
WHICH ONE.
735
00:31:00,599 --> 00:31:02,167
THE ONE WHO IS STANDING
UP THERE.
736
00:31:02,167 --> 00:31:03,702
DO YOU KNOW WHO HE IS?
737
00:31:03,702 --> 00:31:04,970
NO. SHOULD I?
738
00:31:04,970 --> 00:31:06,438
UH, YEAH.
739
00:31:06,438 --> 00:31:08,507
WHO IS IT?
COME HERE.
740
00:31:12,911 --> 00:31:14,346
REALLY?
MM-HM.
741
00:31:14,346 --> 00:31:15,781
WELL, EXCUSE ME, FELLAS.
742
00:31:15,781 --> 00:31:19,318
I HAVE SOME IMPORTANT
BUSINESS TO ATTEND TO.
743
00:31:19,318 --> 00:31:20,986
GOOD DAY, SIR.
744
00:31:20,986 --> 00:31:22,588
[DAN]
OKAY, I’LL BE THERE
IN FIVE MINUTES.
745
00:31:22,588 --> 00:31:25,958
HEY. THAT WAS A REALLY GOOD
SHARE IN THERE.
746
00:31:25,958 --> 00:31:27,960
OH, THANKS.
NEWCOMER?
747
00:31:27,960 --> 00:31:29,328
YEAH.
WELCOME.
748
00:31:29,328 --> 00:31:30,596
NAME’S JASON, BY THE WAY.
749
00:31:30,596 --> 00:31:31,663
JASON. DAN.
750
00:31:31,663 --> 00:31:33,532
NICE TO MEET YOU, DAN.
NICE TO MEET YOU.
751
00:31:33,532 --> 00:31:35,868
SO COULD I ASK YOU A QUESTION?
JUST BETWEEN ME AND YOU.
752
00:31:35,868 --> 00:31:37,369
UH, YES.
753
00:31:37,369 --> 00:31:39,605
OKAY, I DON’T KNOW
HOW TO SAY THIS,
754
00:31:39,605 --> 00:31:42,241
BUT HAVE YOU EVER HIT
ROCK BOTTOM?
755
00:31:42,241 --> 00:31:45,077
YES. THAT’S WHY I’M HERE.
756
00:31:45,077 --> 00:31:46,612
HAVE YOU?
757
00:31:46,612 --> 00:31:47,813
HAS YOUR LIFE BECOME
UNMANAGEABLE?
758
00:31:47,813 --> 00:31:49,615
I DON’T KNOW.
I THINK SO.
759
00:31:49,615 --> 00:31:51,950
I MEAN, I DON’T HAVE A CAR,
I DON’T HAVE A JOB,
760
00:31:51,950 --> 00:31:54,286
I HAVEN’T PAID RENT
IN THREE MONTHS,
761
00:31:54,286 --> 00:31:55,854
AND YOU KNOW I DRINK EVERY DAY,
762
00:31:55,854 --> 00:31:57,956
SO BUT YOU KNOW THE GOOD
IS THAT I LIVE IN LOS ANGELES,
763
00:31:57,956 --> 00:32:00,192
SO MY CAREER’S GOING TO
TAKE OFF ANY MOMENT NOW.
764
00:32:00,192 --> 00:32:01,593
IT IS THE LAND OF DREAMS.
765
00:32:01,593 --> 00:32:04,029
FROM MY EXPERIENCE, JASON,
EVERYTHING YOU LISTED
766
00:32:04,029 --> 00:32:07,332
MEANS THAT YOUR LIFE
HAS BECOME A BIT UNMANAGEABLE.
767
00:32:07,332 --> 00:32:09,835
YES.
AND I’M HOPING
THAT YOU’VE COME HERE
768
00:32:09,835 --> 00:32:14,506
TO TURN YOUR LIFE OVER
TO THE CARE OF GOD
OF YOUR UNDERSTANDING.
769
00:32:14,506 --> 00:32:16,542
YEAH, I GUESS SO.
770
00:32:16,542 --> 00:32:19,077
I’M JUST NOT REALLY BIG
INTO THE WHOLE GOD THING.
771
00:32:19,077 --> 00:32:20,779
JUST REMEMBER
ONE DAY AT A TIME,
772
00:32:20,779 --> 00:32:22,281
AND IT’LL WORK.
773
00:32:22,281 --> 00:32:23,982
YEAH, THAT’S WHAT I’VE
BEEN SAYING ALL ALONG.
774
00:32:23,982 --> 00:32:26,118
MY MOTTO IS ONE DAY AT A TIME,
RIGHT?
775
00:32:26,118 --> 00:32:27,419
IT IS THE MOTTO.
776
00:32:27,419 --> 00:32:28,954
IT’S GOTTEN ME HERE
FOR FOUR YEARS.
777
00:32:28,954 --> 00:32:30,222
YEAH?
YEAH.
778
00:32:30,222 --> 00:32:32,224
WELL, IT’S NICE MEETING YOU.
779
00:32:32,224 --> 00:32:33,325
NICE MEETING YOU, TOO.
780
00:32:33,325 --> 00:32:35,027
YEAH. YOU’RE VERY INSPIRING.
781
00:32:35,027 --> 00:32:37,362
THANK YOU.
782
00:32:37,362 --> 00:32:38,964
YOU KNOW WHAT.
783
00:32:40,766 --> 00:32:45,270
WHY DON’T YOU GIVE ME A CALL?
784
00:32:45,270 --> 00:32:48,006
SURE, I’D LIKE THAT A LOT...
785
00:32:48,006 --> 00:32:50,742
DAN.
786
00:32:50,742 --> 00:32:51,577
NICE MEETING YOU.
787
00:32:51,577 --> 00:32:53,312
YEAH, SEE YOU AROUND.
788
00:33:05,891 --> 00:33:07,192
BINGO.
789
00:33:07,192 --> 00:33:10,629
AND THAT IS HOW WE ROLL.
790
00:33:10,629 --> 00:33:11,530
WE ROLL?
791
00:33:11,530 --> 00:33:13,465
MM-HM. WELL, I DO.
792
00:33:13,465 --> 00:33:14,866
YOU NEED TO CATCH UP.
793
00:33:14,866 --> 00:33:18,937
I’D LIKE TO DO
SOME SORT OF LIFT RIGHT THERE,
794
00:33:18,937 --> 00:33:21,473
LIKE MAYBE A-- LIKE A HIP,
795
00:33:21,473 --> 00:33:22,975
LIKE UP SIDEWAYS?
796
00:33:22,975 --> 00:33:24,009
SOMETHING LIKE THAT.
797
00:33:24,009 --> 00:33:25,077
OKAY.
798
00:33:25,077 --> 00:33:27,446
YOU KNOW, POP YOU UP THERE.
799
00:33:27,446 --> 00:33:28,847
I DO AGREE.
800
00:33:28,847 --> 00:33:31,583
THERE SHOULD BE
A LIFT RIGHT THERE.
801
00:33:31,583 --> 00:33:32,918
WHAT’S THE PROBLEM?
802
00:33:32,918 --> 00:33:34,586
I DON’T LIKE TO BE LIFTED,
THOUGH.
803
00:33:34,586 --> 00:33:37,155
CAN I LIFT YOU?
804
00:33:37,155 --> 00:33:42,728
OKAY, YOU DO KNOW I LIFT PEOPLE
FOR A LIVING, RIGHT?
805
00:33:42,728 --> 00:33:44,696
I DON’T LIKE TO BE IN THE AIR.
806
00:33:44,696 --> 00:33:46,498
IT’S A CONTROL THING.
807
00:33:46,498 --> 00:33:53,171
I FEEL LIKE IT’S A TRUST ISSUE
MORE THAN A CONTROL ISSUE.
808
00:33:53,171 --> 00:33:55,007
ALL RIGHT. FINE. FINE.
809
00:33:55,007 --> 00:33:56,141
YOU KNOW WHAT.
810
00:33:56,141 --> 00:33:57,175
I’LL TRY SOMETHING.
811
00:33:57,175 --> 00:33:58,577
AND YOU CAN LIFT ME.
812
00:33:58,577 --> 00:34:00,812
SO I’LL TRUST YOU.
813
00:34:00,812 --> 00:34:02,114
OKAY.
814
00:34:02,114 --> 00:34:05,117
AND WE’LL SEE.
815
00:34:05,117 --> 00:34:07,986
OKAY.
816
00:34:07,986 --> 00:34:10,822
SO LET’S MARK THIS
FOR A SECOND.
817
00:34:10,822 --> 00:34:12,924
LIKE THIS?
YES, YES.
818
00:34:12,924 --> 00:34:15,460
OKAY.
YOUR ARM NEEDS TO GO
UP HERE, THOUGH.
819
00:34:15,460 --> 00:34:16,561
HERE.
YES.
820
00:34:16,561 --> 00:34:19,064
SO LIKE HOLD ON,
DON’T TURN ME.
821
00:34:21,533 --> 00:34:23,402
YOU OKAY?
822
00:34:23,402 --> 00:34:25,103
REALLY?
823
00:34:25,103 --> 00:34:27,039
YOU’RE NOT TRUSTING.
824
00:34:27,039 --> 00:34:30,642
WELL I CAN’T MEET
ANY HOT GUYS LIKE THAT.
825
00:34:30,642 --> 00:34:32,544
WHY NOT?
WHERE ARE YOU LOOKING?
826
00:34:32,544 --> 00:34:34,479
I DON’T KNOW.
I’M GOING TO THE BARS.
827
00:34:34,479 --> 00:34:36,948
I MEAN, I’M SEEING THEM,
I’M JUST NOT MEETING THEM.
828
00:34:36,948 --> 00:34:40,152
HAVE YOU THOUGHT
ABOUT LOOKING SOMEWHERE ELSE?
829
00:34:40,152 --> 00:34:44,656
HMM... LIKE ON LINE.
830
00:34:44,656 --> 00:34:46,291
I HAVEN’T DONE
THE INTERNET THING.
831
00:34:46,291 --> 00:34:49,061
WHAT? WHY NOT?
832
00:34:49,061 --> 00:34:50,962
BECAUSE WE WERE LIVING
IN A SMALL TOWN,
833
00:34:50,962 --> 00:34:55,167
AND I WAS STILL BISEXUAL
AND STILL DATING WOMEN.
834
00:34:55,167 --> 00:34:58,103
GOD YOU WERE SO CUTE AND SAD.
835
00:34:58,103 --> 00:34:59,438
SO LIKE, WHAT DO YOU WANT?
836
00:34:59,438 --> 00:35:01,606
YOU WANT TO MEET A GUY THAT,
WHAT?
837
00:35:01,606 --> 00:35:03,341
I DON’T KNOW.
838
00:35:03,341 --> 00:35:06,311
A GUY I CAN BRING HOME
TO MOM AND DAD OF COURSE.
839
00:35:06,311 --> 00:35:07,713
YEAH, I FIGURED AS MUCH,
840
00:35:07,713 --> 00:35:09,581
AND I KINDA JUST THREW UP
IN MY MOUTH A LITTLE BIT.
841
00:35:09,581 --> 00:35:12,784
OKAY, DO YOU WANT SEX NOW,
IN A COUPLE OF MINUTES?
DO YOU WANT IT IN HOURS?
842
00:35:12,784 --> 00:35:15,787
DO YOU WANT TO GET ON I.M.
AND G-CHAT ABOUT IT FOR A WHILE
AND THEN MEET UP LATER?
843
00:35:15,787 --> 00:35:17,389
DO YOU WANT TO GO
ON A COUPLE OF DATES,
844
00:35:17,389 --> 00:35:19,725
THEN HAVE PROMISCUOUS SEX,
WHICH EVENTUALLY LEADS
TO NOWHERE?
845
00:35:19,725 --> 00:35:21,026
LET’S GO.
[SNAPPING FINGERS]
846
00:35:21,026 --> 00:35:22,160
I DON’T KNOW.
847
00:35:22,160 --> 00:35:24,129
OKAY, WHAT SITE DO YOU WANT?
848
00:35:24,129 --> 00:35:27,165
I’VE HEARD OF,
WHAT IS IT, ADAM4ADAM?
WHAT ELSE IS THERE?
849
00:35:27,165 --> 00:35:30,368
THERE’S MANHUNT, THERE’S
"SIT ON MY FACEBOOK.COM."
850
00:35:30,368 --> 00:35:32,003
THERE’S
"BACKYARD BARNYARD FUN."
851
00:35:32,003 --> 00:35:36,241
[BLEATS]
THERE’S
"BLACK MONGOLOID COCK.COM,"
852
00:35:36,241 --> 00:35:38,643
THERE’S "OH MY GOD WHAT
IS THAT IN MY ASS.COM,"
853
00:35:38,643 --> 00:35:40,746
WHICH IS ALWAYS A HIT
WITH THE KIDS.
854
00:35:40,746 --> 00:35:42,714
THERE’S
"REACH AROUND RANCH.COM."
855
00:35:42,714 --> 00:35:44,249
AH, REACH AROUND RANCH.
856
00:35:44,249 --> 00:35:46,017
WHY DON’T WE START
WITH SOMETHING SIMPLE?
857
00:35:46,017 --> 00:35:49,488
LIKE, I DON’T KNOW,
JUST TRYING TO FIND A DATE.
858
00:35:49,488 --> 00:35:50,922
OKAY, FINE.
859
00:35:50,922 --> 00:35:53,358
IT’S TOO BAD BECAUSE
THE OTHER SITES ARE WAY FUN.
860
00:35:53,358 --> 00:35:54,993
ARE YOU A TOP OR A BOTTOM?
861
00:35:54,993 --> 00:35:56,228
UM.
862
00:35:56,228 --> 00:35:59,631
[TYPING]
VERSATILE FOR NOW.
863
00:35:59,631 --> 00:36:01,833
OKAY. ALL RIGHT.
864
00:36:01,833 --> 00:36:03,301
SO, LET’S TAKE
SOME NAKED PICTURES.
865
00:36:03,301 --> 00:36:04,603
WHAT?
866
00:36:04,603 --> 00:36:05,704
C’MON. NO.
867
00:36:05,704 --> 00:36:06,872
IT’LL BE FUN. NO.
868
00:36:06,872 --> 00:36:08,306
YOU DON’T HAVE
ANY NAKED PICTURES?
869
00:36:08,306 --> 00:36:10,942
NO.
LET’S TAKE SOME.
870
00:36:10,942 --> 00:36:12,410
NO.
871
00:36:12,410 --> 00:36:13,612
OH, COME ON.
WE’RE BEST GIRLFRIENDS.
872
00:36:13,612 --> 00:36:15,013
LET’S DO IT.
IT’LL BE FUN.
873
00:36:15,013 --> 00:36:16,882
WE NEVER DID ANYTHING
LIKE THIS IN COLLEGE.
874
00:36:16,882 --> 00:36:18,750
BECAUSE YOU’VE COME
A LONG WAY FROM OHIO.
OKAY.
875
00:36:18,750 --> 00:36:20,418
NOW THAT YOU’RE OUT HERE
876
00:36:20,418 --> 00:36:22,788
YOU’RE GONNA HAVE
SUCH A VARIETY OF PEOPLE
TO CHOOSE FROM.
877
00:36:22,788 --> 00:36:25,357
IT’S GONNA BLOW YOUR MIND.
878
00:36:25,357 --> 00:36:27,425
C’MON, GET UP, GET UP GET UP.
GIMME YOUR CAMERA.
879
00:36:27,425 --> 00:36:28,794
I NEED A CAMERA.
I’M ON FIRE HERE.
880
00:36:28,794 --> 00:36:29,828
LET’S DO THIS.
LET’S DO IT.
881
00:36:29,828 --> 00:36:31,129
HERE.
GOOD. PERFECT.
882
00:36:31,129 --> 00:36:32,330
OKAY, GOOD.
883
00:36:32,330 --> 00:36:33,365
NOW WHAT?
884
00:36:33,365 --> 00:36:35,033
NOW, TAKE OFF YOUR SHIRT.
885
00:36:35,033 --> 00:36:36,601
YOU CAUGHT ME
OUT OF THE SHOWER.
886
00:36:36,601 --> 00:36:39,204
LOOK, I’M SURPRISED.
FLEX IT, I SAID FLEX IT!
887
00:36:39,204 --> 00:36:41,606
GET THE PILLOW
OUT OF YOUR CROTCH.
WE DON’T WANT TO SEE THAT.
888
00:36:41,606 --> 00:36:43,275
MAKE OUT WITH YOURSELF.
ADD SOME TONGUE.
889
00:36:43,275 --> 00:36:44,543
GRAB THAT BUTT.
890
00:36:44,543 --> 00:36:45,544
COPPERTONE BABY.
891
00:36:45,544 --> 00:36:46,778
GIMME THAT LITTLE BUBBLE BUTT.
892
00:36:46,778 --> 00:36:48,680
GIMME SEXY EIGHT-YEAR-OLD
MACAULAY CULKIN.
893
00:36:48,680 --> 00:36:51,683
FUCK THE BULL.
FUCK THE BULL.
894
00:36:51,683 --> 00:36:54,119
YEAH. WORK.
YEAH. HOT. OH.
895
00:36:59,324 --> 00:37:00,525
SO...
896
00:37:00,525 --> 00:37:04,296
HAVE YOU EVER BOTTOMED?
897
00:37:04,296 --> 00:37:06,231
NO.
898
00:37:06,231 --> 00:37:12,070
ACTUALLY IT’S NOT REALLY
SOMETHING I NORMALLY DO.
899
00:37:12,070 --> 00:37:14,439
I’M USUALLY A TOP.
900
00:37:14,439 --> 00:37:16,241
TODAY’S YOUR LUCKY DAY.
901
00:37:23,181 --> 00:37:25,150
CAN I SEE YOU AGAIN?
902
00:37:25,150 --> 00:37:27,152
SURE.
903
00:37:27,152 --> 00:37:28,353
LET’S UH...
904
00:37:28,353 --> 00:37:30,021
WHEN?
905
00:37:30,021 --> 00:37:34,125
LET’S SEE.
HOW ABOUT TOMORROW NIGHT
906
00:37:34,125 --> 00:37:36,928
7:00, KITANO?
907
00:37:36,928 --> 00:37:38,563
SOUNDS GOOD.
908
00:37:38,563 --> 00:37:39,831
I’LL HAVE TO GET
YOUR NUMBER FROM YOU
909
00:37:39,831 --> 00:37:42,434
BEFORE I LEAVE, FOR SURE.
OKAY.
910
00:37:42,434 --> 00:37:45,971
HE USED TO BE
A LITTLE INNOCENT,
AND NOW HE’S A BIG WHORE.
911
00:37:45,971 --> 00:37:47,272
WE’LL GO OUT IN PUBLIC,
912
00:37:47,272 --> 00:37:50,675
AND I’LL INTRODUCE
HIM TO SOMEONE,
913
00:37:50,675 --> 00:37:52,844
AND IT’S LITERALLY LIKE
A DOG HUMPING A LEG.
914
00:37:52,844 --> 00:37:55,247
HE’S IN HEAT.
I NEED TO GET HIM NEUTERED.
915
00:37:55,247 --> 00:37:57,582
IT’S LIKE,
"HEY HOW’S IT GOING?"
916
00:37:57,582 --> 00:37:59,317
"I’M GOOD."
"HOW YOU DOIN’?"
917
00:37:59,317 --> 00:38:02,254
"ALL RIGHT."
"YOU LIKE THAT?"
918
00:38:02,254 --> 00:38:06,424
SO I CUT HIS BALLS OFF
THIS MORNING.
919
00:38:06,424 --> 00:38:07,592
HOW LONG--
920
00:38:07,592 --> 00:38:12,530
[SPEAKING SPANISH]
921
00:38:12,530 --> 00:38:14,799
...UNITED STATES?
922
00:38:14,799 --> 00:38:17,903
[SPEAKING SPANISH]
923
00:38:17,903 --> 00:38:20,472
I DON’T KNOW IF YOU JUST SAID
A YEAR OR A WEEK,
924
00:38:20,472 --> 00:38:22,240
BUT IT DIDN’T SOUND LIKE LONG.
925
00:38:27,145 --> 00:38:31,683
[SPEAKING SPANISH]
926
00:38:33,285 --> 00:38:34,819
YEAH?
927
00:38:43,328 --> 00:38:46,097
FAMILY?
YOU SAID FAMILY?
928
00:38:46,097 --> 00:38:47,866
SI, MI FAMILIA.
OH,FAMILIA.
929
00:38:47,866 --> 00:38:49,801
YOU HAVE A BROTHER, SISTER?
930
00:38:49,801 --> 00:38:52,103
[SPEAKING SPANISH]
931
00:38:52,103 --> 00:38:53,638
NO, NO, NO...
932
00:39:02,948 --> 00:39:05,216
[SPEAKING SPANISH]
933
00:39:07,018 --> 00:39:09,187
OH.
934
00:39:09,187 --> 00:39:11,056
[SPEAKS SPANISH]
935
00:39:14,793 --> 00:39:17,162
IN THE WORDS OF DONNA SUMMER,
AND I QUOTE,
936
00:39:17,162 --> 00:39:19,431
♪ ENOUGH IS ENOUGH IS ENOUGH ♪
937
00:39:19,431 --> 00:39:20,799
♪ I CAN’T GO ON ♪
938
00:39:20,799 --> 00:39:23,101
♪ I CAN’T GO ON
WITHOUT YOU ♪
939
00:39:23,101 --> 00:39:25,170
♪ ENOUGH IS ENOUGH IS ENOUGH ♪
940
00:39:25,170 --> 00:39:27,639
[PANTING]
941
00:39:27,639 --> 00:39:29,741
YOU KNOW THE REST.
I’M DONE.
942
00:39:29,741 --> 00:39:31,843
I THINK WHAT JASON
IS TRYING TO TELL YOU,
943
00:39:31,843 --> 00:39:34,446
AND I’M BACKING HIM UP HERE.
944
00:39:34,446 --> 00:39:36,948
WE NEVER SEE YOU.
945
00:39:36,948 --> 00:39:39,651
EVER SINCE YOU GOT HERE,
946
00:39:39,651 --> 00:39:42,454
YOU’VE BEEN EITHER
OFF HAVING SEX
947
00:39:42,454 --> 00:39:44,756
OR BUSY LOOKING FOR IT.
948
00:39:44,756 --> 00:39:47,892
AND WE NEVER GET
ANY BEN TIME.
949
00:39:47,892 --> 00:39:49,494
WE’VE BEEN FRIENDS FOR YEARS,
950
00:39:49,494 --> 00:39:51,863
AND I FEEL LIKE I DON’T EVEN
KNOW YOU ANY MORE.
951
00:39:51,863 --> 00:39:55,800
WELL MAYBE THIS
IS A MORE REALISTIC BEN.
952
00:39:55,800 --> 00:39:57,902
MAYBE THE "LOVE" BEN
953
00:39:57,902 --> 00:40:00,405
IS BEFORE L.A.,
BEFORE I LEARNED SOME THINGS.
954
00:40:00,405 --> 00:40:03,141
EVERY TIME YOU SLEEP
WITH ANOTHER GUY
955
00:40:03,141 --> 00:40:05,043
WHO DOESN’T GIVE
A SHIT ABOUT YOU,
956
00:40:05,043 --> 00:40:07,045
YOU LOSE A PIECE OF YOURSELF.
957
00:40:07,045 --> 00:40:09,714
WHAT ABOUT
THE FOUNTAIN-WISHING BEN?
958
00:40:11,549 --> 00:40:12,984
YOU’RE NOT JUST HAVING FUN.
959
00:40:12,984 --> 00:40:15,220
YOU WANT MORE THAN THAT.
960
00:40:16,354 --> 00:40:17,889
MAYBE YOU’RE RIGHT.
961
00:40:19,758 --> 00:40:23,762
SO I HAVE KIND OF A
WEIRD QUESTION FOR YOU.
962
00:40:23,762 --> 00:40:25,864
YOU EVER GO ON
ANY OF THOSE SITES,
963
00:40:25,864 --> 00:40:30,769
LIKE MANHUNT, OR ADAM4ADAM?
964
00:40:30,769 --> 00:40:32,704
I’VE NEVER BEEN ON MANHUNT.
965
00:40:32,704 --> 00:40:34,339
I’VE BEEN ON, WHAT, CRAIGSLIST,
966
00:40:34,339 --> 00:40:38,209
AND I DON’T KNOW,
I GUESS I WAS ON GAY.COM ONCE.
967
00:40:38,209 --> 00:40:41,780
WELL, WHEN YOU MEET PEOPLE
AND YOU HOOK UP WITH THEM,
968
00:40:41,780 --> 00:40:45,183
DOES ANYONE
EVER CALL YOU BACK?
969
00:40:45,183 --> 00:40:48,319
YOU DON’T GO TO THE GROCERY
STORE TO BUY A CAR,
970
00:40:48,319 --> 00:40:51,990
SO YOU DON’T GO TO A SEX LINE
TO LOOK FOR MARRIAGE.
971
00:40:51,990 --> 00:40:55,060
I THINK,
YOU WANT A BIG RELATIONSHIP,
972
00:40:55,060 --> 00:40:58,229
YOU GOTTA GO
TO RELATIONSHIP.COM OR--
973
00:40:58,229 --> 00:41:00,498
BUT, LIKE, THE OTHER NIGHT,
IT WENT SO WELL.
974
00:41:00,498 --> 00:41:02,400
WHY CAN’T I EXPECT TO HEAR
FROM THIS GUY AGAIN?
975
00:41:02,400 --> 00:41:05,470
BECAUSE IT’S A SEX LINE, DUDE.
WHAT DO YOU THINK?
976
00:41:05,470 --> 00:41:06,971
BUT IT WASN’T JUST SEX.
977
00:41:06,971 --> 00:41:09,908
WE GOT ALONG.
THE RAPPORT WAS GREAT.
978
00:41:09,908 --> 00:41:11,609
MAYBE HE JUST THOUGHT YOU
WERE COOL, AND IT WAS GREAT,
979
00:41:11,609 --> 00:41:13,478
AND IT WAS SEX, AND HE’S DONE.
980
00:41:13,478 --> 00:41:15,713
IF YOU’RE GONNA SET IT UP,
I’LL FUCK YOU,
981
00:41:15,713 --> 00:41:17,682
BUT ONLY IF YOU’LL TAKE ME
ON A DATE ON TUESDAY.
982
00:41:17,682 --> 00:41:20,552
WELL, MAYBE YOU’LL GET A DATE
ON TUESDAY,
983
00:41:20,552 --> 00:41:23,688
BUT IF YOU’RE JUST HAVING SEX
AND EXPECTING HIM TO CALL YOU
TOMORROW,
984
00:41:23,688 --> 00:41:24,923
I MEAN, I’M SO SURE.
985
00:41:24,923 --> 00:41:26,458
THIS IS LOS ANGELES.
986
00:41:26,458 --> 00:41:28,626
[BONG GURGLING]
987
00:41:28,626 --> 00:41:31,396
I WASN’T REALLY EXPECTING
TO MEET ANYONE THERE,
988
00:41:31,396 --> 00:41:36,000
AT LEAST, NOT ANYONE
I’D EVER TAKE ON A DATE.
989
00:41:36,000 --> 00:41:37,235
I KNOW WHAT YOU MEAN.
990
00:41:37,235 --> 00:41:39,404
SOMEHOW CALLING IT A GANG BANG
991
00:41:39,404 --> 00:41:42,173
DOESN’T REALLY HELP
THE ROMANCE ANY.
992
00:41:42,173 --> 00:41:44,843
YOU KNOW, IT WASN’T PLANNED
AS A GANG BANG.
993
00:41:44,843 --> 00:41:46,411
IT JUST HAPPENED TO BE
994
00:41:46,411 --> 00:41:49,981
THAT THERE WERE EIGHT TOPS
THERE AND ONLY ONE BOTTOM.
995
00:41:49,981 --> 00:41:54,052
GO FIGURE.
996
00:41:54,052 --> 00:41:57,122
YOU THINK ANYBODY EVER MEETS
THEIR PARTNER AT A SEX PARTY?
997
00:41:57,122 --> 00:41:59,357
YEAH I KNOW A BUNCH LIKE THAT.
998
00:41:59,357 --> 00:42:01,392
REALLY?
999
00:42:01,392 --> 00:42:03,995
YEAH, WHAT’S WRONG
WITH MEETING SOMEBODY
1000
00:42:03,995 --> 00:42:05,864
AT A GREAT SEXUAL ENCOUNTER?
1001
00:42:05,864 --> 00:42:08,867
I MEAN, MEN FUCK
AND MEN FALL IN LOVE.
1002
00:42:08,867 --> 00:42:10,969
WHY CAN’T YOU MEET SOMEBODY?
1003
00:42:10,969 --> 00:42:13,805
I THINK IT’S A GREAT WAY
TO MEET GUYS.
1004
00:42:13,805 --> 00:42:16,474
I GUESS SOMETIMES
THERE’S A CONNECTION.
1005
00:42:16,474 --> 00:42:19,477
YEAH, AND IF THERE ISN’T,
IT’S LIKE PLAYING A SPORT.
1006
00:42:19,477 --> 00:42:25,383
I MEAN, I GO TO THE GYM,
I PLAY VOLLEYBALL, I HAVE SEX.
1007
00:42:25,383 --> 00:42:28,586
REALLY? HUH.
1008
00:42:28,586 --> 00:42:30,588
YOU SEEM SO DIFFERENT
1009
00:42:30,588 --> 00:42:32,791
FROM MOST OF THE GUYS I MEET
AT THESE THINGS.
1010
00:42:32,791 --> 00:42:34,859
YOU DO, TOO.
1011
00:42:34,859 --> 00:42:38,496
I MEAN, YOU JUST SEEM SO NEW
TO ALL OF THIS.
1012
00:42:38,496 --> 00:42:41,432
I AM.
1013
00:42:41,432 --> 00:42:44,202
[JASON]
SO WHAT DOES HE DO?
1014
00:42:44,202 --> 00:42:45,570
HE’S ACTUALLY GOT A GREAT JOB.
1015
00:42:45,570 --> 00:42:47,038
HE’S WORKING
FOR FRONTIERS MAGAZINE.
1016
00:42:47,038 --> 00:42:48,439
HE’S ACTUALLY
ONE OF THEIR HEAD WRITERS.
1017
00:42:48,439 --> 00:42:54,078
AND BECAUSE OF IT,
HE KNOWS EVERYONE.
1018
00:42:54,078 --> 00:42:57,081
WE GET IN EVERYWHERE.
1019
00:42:57,081 --> 00:42:59,217
HE’S A SWEETHEART.
1020
00:42:59,217 --> 00:43:00,652
YOU KNOW.
1021
00:43:00,652 --> 00:43:01,753
HE CAN EVEN DANCE WELL.
1022
00:43:01,753 --> 00:43:03,054
YEAH.
YEAH.
1023
00:43:03,054 --> 00:43:04,522
WELL, YOU KNOW WHAT
THE PROBLEM IS?
1024
00:43:04,522 --> 00:43:07,625
WHAT?
HE’S A PROFESSIONAL
HOMOSEXUAL.
1025
00:43:07,625 --> 00:43:10,161
HE’S KING OF WEST HOLLYWOOD.
1026
00:43:10,161 --> 00:43:12,297
HE WRITES FOR A GAY NEWSPAPER.
1027
00:43:12,297 --> 00:43:14,832
HE HAS NO WOMEN FRIENDS,
I’M ASSUMING.
1028
00:43:14,832 --> 00:43:18,102
AND HE GOES OUT EVERY NIGHT
LIKE IT’S HIS CAREER.
1029
00:43:18,102 --> 00:43:19,971
HE’S JUST GAY GAY GAY
GAY GAY GAY GAY.
1030
00:43:19,971 --> 00:43:25,376
HE’D PROBABLY MAKE
LIZA MINNELLI SAY,
"HEY, CALM DOWN."
1031
00:43:25,376 --> 00:43:27,011
[BEN]
SO WHEN DID YOU COME OUT?
1032
00:43:27,011 --> 00:43:29,314
AROUND THE NINTH GRADE.
IT WASN’T A BIG DEAL.
1033
00:43:29,314 --> 00:43:30,782
YEAH.
WHAT ABOUT YOURSELF?
1034
00:43:30,782 --> 00:43:34,452
I WAS A LITTLE BIT MORE
COMPLICATED THAN THAT.
1035
00:43:34,452 --> 00:43:36,187
I’M FROM A JEWISH BACKGROUND.
1036
00:43:36,187 --> 00:43:38,356
NOT LIKE HARD-LINE ORTHODOX
OR ANYTHING LIKE THAT,
1037
00:43:38,356 --> 00:43:42,660
BUT STILL MY FATHER’S
A RABBI.
1038
00:43:42,660 --> 00:43:44,529
OH. YEAH.
1039
00:43:44,529 --> 00:43:45,964
INTERESTING. YEAH.
1040
00:43:45,964 --> 00:43:49,334
AND I WAS PRETTY SURE I WAS
BISEXUAL FOR A LONG TIME.
1041
00:43:49,334 --> 00:43:50,902
I EVEN HAD A GIRLFRIEND
IN COLLEGE.
1042
00:43:50,902 --> 00:43:53,371
DID YOU HAVE SEX WITH HER?
1043
00:43:53,371 --> 00:43:56,107
YEAH,
1044
00:43:56,107 --> 00:43:57,942
BUT-- IT WAS PRETTY COOL.
1045
00:43:57,942 --> 00:43:59,410
SHE WAS REALLY SUPPORTIVE,
1046
00:43:59,410 --> 00:44:01,012
AND SHE’S LIKE MY BEST FRIEND.
1047
00:44:01,012 --> 00:44:02,714
I GET ALONG WITH GIRLS
PRETTY WELL.
1048
00:44:02,714 --> 00:44:04,382
YEAH. I CAN SEE THAT.
1049
00:44:04,382 --> 00:44:06,384
YOU?
1050
00:44:06,384 --> 00:44:07,619
NOT REALLY.
1051
00:44:07,619 --> 00:44:11,222
I MEAN, I HAVE A COUPLE OF
LESBIAN FRIENDS FROM WORK
1052
00:44:11,222 --> 00:44:13,691
AND FROM THE SCENE AND SO ON,
BUT--
1053
00:44:13,691 --> 00:44:14,993
THE SCENE?
1054
00:44:14,993 --> 00:44:17,595
YEAH, YOU KNOW,
GOING OUT.
1055
00:44:17,595 --> 00:44:20,365
SO YOU DATE A LOT,
DON’T YOU?
1056
00:44:20,365 --> 00:44:23,835
NO. I MEAN, I HAD
A BOYFRIEND LAST YEAR.
1057
00:44:23,835 --> 00:44:25,169
AND?
1058
00:44:25,169 --> 00:44:28,439
HE’S JUST KIND OF CRAZY
1059
00:44:28,439 --> 00:44:29,874
AND AN ASSHOLE.
1060
00:44:29,874 --> 00:44:31,476
HOW LONG
WERE YOU GUYS TOGETHER?
1061
00:44:31,476 --> 00:44:32,610
EIGHT MONTHS,
1062
00:44:32,610 --> 00:44:34,145
BUT AROUND MONTH SIX,
1063
00:44:34,145 --> 00:44:36,581
HE WAS ALREADY TALKING
ABOUT MOVING IN TOGETHER.
1064
00:44:36,581 --> 00:44:40,385
AND HE WAS UPSET THAT
HE COULDN’T GET MARRIED,
1065
00:44:40,385 --> 00:44:42,287
AFTER THE WHOLE
GAY MARRIAGE THING HAPPENED.
1066
00:44:42,287 --> 00:44:43,655
IT WAS JUST A LITTLE CRAZY.
1067
00:44:43,655 --> 00:44:45,223
ESPECIALLY IN THIS TOWN,
1068
00:44:45,223 --> 00:44:47,959
YOU’RE INTERESTING
UNTIL YOU’RE TOO INTERESTED.
1069
00:44:47,959 --> 00:44:50,228
SO, YOU GOTTA BE CAREFUL.
1070
00:44:51,362 --> 00:44:52,497
HM.
1071
00:44:55,333 --> 00:44:57,268
WHAT?
YOU GOTTA FLEX IT.
1072
00:44:57,268 --> 00:44:59,671
IT’S FLEXED.
NO, THAT’S
BETWEEN POINTE AND FLEX.
1073
00:44:59,671 --> 00:45:03,308
BUT THEN IT’S JUST THIS--
IT LOOKS LIKE A LAZY POINTE.
1074
00:45:05,209 --> 00:45:07,912
UM, I DON’T MEAN TO BE
RUDE,
1075
00:45:07,912 --> 00:45:11,749
BUT I’M PRETTY SURE POINTED
LOOKS BETTER.
1076
00:45:11,749 --> 00:45:15,553
I LOOK LIKE A CLOWN.
LOOK.
1077
00:45:15,553 --> 00:45:19,257
CAN YOU GIVE ME SOME COOL
CONTEMPORARY WAY TO LAND,
1078
00:45:19,257 --> 00:45:21,626
SO I DON’T LOOK LIKE
I’M JUST LIKE--
1079
00:45:21,626 --> 00:45:23,995
I JUST FEEL LIKE NOW I LOOK
LIKE A BALLET DANCER
1080
00:45:23,995 --> 00:45:25,797
WHO FORGOT TO POINT HIS FOOT.
1081
00:45:25,797 --> 00:45:27,932
THEN POINT YOUR FOOT.
I THINK YOU SHOULD POINT YOUR
FOOT.
1082
00:45:27,932 --> 00:45:29,100
I’LL FLEX IT FOR YOU.
1083
00:45:29,100 --> 00:45:31,436
JUST GIVE ME
SOMETHING THAT FOLLOWS--
1084
00:45:31,436 --> 00:45:32,804
I THINK YOU SHOULD POINT
YOUR FOOT.
1085
00:45:32,804 --> 00:45:36,074
I THINK, IF THAT’S
WHAT YOU WANT TO DO...
1086
00:45:36,074 --> 00:45:37,542
I RECENTLY LOST MY JOB,
1087
00:45:37,542 --> 00:45:39,744
AND I’VE BEEN GOING OUT
AND TRYING TO FIND WORK
1088
00:45:39,744 --> 00:45:41,679
BECAUSE APPARENTLY YOU HAVE
TO PAY BILLS,
1089
00:45:41,679 --> 00:45:44,248
AND I WAS FILLING OUT
SOME PAPERWORK,
1090
00:45:44,248 --> 00:45:45,516
AND ONE OF THE GUYS
FROM THE KITCHEN
1091
00:45:45,516 --> 00:45:47,285
AT THIS RESTAURANT
THAT I WAS WORKING AT--
1092
00:45:47,285 --> 00:45:48,753
OR WANTING TO WORK AT--
1093
00:45:48,753 --> 00:45:50,455
HE CAME UP TO ME RANDOMLY,
1094
00:45:50,455 --> 00:45:52,990
AND HE WAS LIKE, "HEY MAN,
YOU KNOW WHO YOU LOOK LIKE?"
1095
00:45:52,990 --> 00:45:54,892
AND I’M LIKE, "OH, AGAIN."
1096
00:45:54,892 --> 00:45:57,528
JOHN MAYER, ASHTON KUTCHER,
YOUNG PATRICK SWAYZE.
1097
00:45:57,528 --> 00:45:59,597
HE’S LIKE, "NO, FUCKER,
YOU LOOK LIKE LURCH."
1098
00:46:03,468 --> 00:46:08,339
AND I THOUGHT TO MYSELF,
WELL, AT LEAST
I DON’T LOOK ILLEGAL.
1099
00:46:08,339 --> 00:46:12,343
AFTER THE ENTIRE KITCHEN STAFF
GANG-BANGED MY MOUTH,
1100
00:46:12,343 --> 00:46:15,546
I REALIZED THAT I SHOULDN’T
SAY THINGS LIKE THAT.
1101
00:46:15,546 --> 00:46:17,281
OH, MEXICANS.
1102
00:46:19,117 --> 00:46:21,586
[JASON]
SO HOW DID YOU BECOME
SO SUCCESSFUL?
1103
00:46:21,586 --> 00:46:24,822
[DAN]
OH. YOU KNOW WHAT?
I SUFFERED.
1104
00:46:24,822 --> 00:46:27,392
I WAS AT THE DARKEST POINT
OF MY LIFE,
1105
00:46:27,392 --> 00:46:31,262
AND FAMILY, FRIENDS, JOB.
HORRIBLE.
1106
00:46:31,262 --> 00:46:34,198
WITH YOUR SOBRIETY.
1107
00:46:34,198 --> 00:46:35,933
WELL, YEAH.
MY SOBRIETY.
1108
00:46:35,933 --> 00:46:37,335
AND A FRIEND OF MINE
WAS SOBER,
1109
00:46:37,335 --> 00:46:39,103
AND I CALLED HIM.
1110
00:46:39,103 --> 00:46:41,239
AND I WAS ON MY KNEES,
AND I JUST SAID,
"I NEED YOUR HELP."
1111
00:46:41,239 --> 00:46:42,673
AND HE MET ME
AT MY FIRST MEETING.
1112
00:46:42,673 --> 00:46:45,543
AND HERE I AM,
FOUR YEARS LATER,
1113
00:46:45,543 --> 00:46:48,346
FROM MY HIGHER POWER
TO COMMITMENTS
1114
00:46:48,346 --> 00:46:49,714
TO DOING THE STEPS
1115
00:46:49,714 --> 00:46:52,750
TO BEING OF SERVICE
TO DOING EVERYTHING,
1116
00:46:52,750 --> 00:46:53,818
TO THE BIG BOOK, YEAH.
1117
00:46:53,818 --> 00:46:55,119
I WOULDN’T BE HERE--
1118
00:46:55,119 --> 00:46:56,687
AND THAT’S WHAT GOT YOU
THROUGH ALL THIS.
1119
00:46:56,687 --> 00:46:59,090
OH, YEAH, MAKING AMENDS,
CLEANING UP MY PAST,
ALL OF IT.
1120
00:46:59,090 --> 00:47:00,691
OH, YEAH.
I KNOW ABOUT THAT.
1121
00:47:00,691 --> 00:47:04,796
I HAD TO MAKE AMENDS
WITH SOME OF THE STUFF
THAT I MESSED UP
1122
00:47:04,796 --> 00:47:07,098
BACK IN THE DAYS.
ONE DAY AT A TIME.
1123
00:47:07,098 --> 00:47:08,266
YEAH.
1124
00:47:08,266 --> 00:47:11,469
SO, IF YOU DON’T MIND
ME ASKING,
1125
00:47:11,469 --> 00:47:14,806
HOW DID YOU BECOME
SO SUCCESSFUL
WITH YOUR SHOWS THEN?
1126
00:47:14,806 --> 00:47:17,175
OH, THOSE.
I--
1127
00:47:17,175 --> 00:47:19,677
YOU KNOW WHAT?
I ACTUALLY SURRENDERED
TO THE OUTCOME.
1128
00:47:19,677 --> 00:47:20,978
HUH.
1129
00:47:20,978 --> 00:47:23,247
I SUITED UP AND I SHOWED UP,
AND I WORKED REALLY HARD,
1130
00:47:23,247 --> 00:47:27,285
AND I ASKED FORGIVENESS
OF PEOPLE THAT I HAD HURT
IN THE PAST,
1131
00:47:27,285 --> 00:47:29,086
AND INTEGRITY.
1132
00:47:29,086 --> 00:47:30,855
I SHOWED UP WITH
AN INTEGRITY,
1133
00:47:30,855 --> 00:47:33,391
AND THEY BELIEVED ME,
AND THEY TRUSTED ME,
1134
00:47:33,391 --> 00:47:36,360
AND ONE STEP AT A TIME,
1135
00:47:36,360 --> 00:47:38,696
AND HERE I AM.
1136
00:47:38,696 --> 00:47:42,233
THE SEX IS AMAZING,
AND HE SAYS WE’RE DATING,
1137
00:47:42,233 --> 00:47:44,101
BUT--
BUT?
1138
00:47:44,101 --> 00:47:46,671
BUT I DON’T KNOW.
1139
00:47:46,671 --> 00:47:49,073
I FEEL LIKE I’M GETTING LOST
IN EVERYTHING,
1140
00:47:49,073 --> 00:47:51,375
LIKE I CAN’T GET HIM
TO FOCUS.
1141
00:47:51,375 --> 00:47:53,377
DOES HE HAVE A.D.D.?
1142
00:47:53,377 --> 00:47:56,080
WELL, EVERYBODY DOES,
I THINK, THESE DAYS.
1143
00:47:56,080 --> 00:47:58,316
I DON’T.
OKAY, LOOK.
1144
00:47:58,316 --> 00:48:00,618
I FEEL LIKE--
1145
00:48:00,618 --> 00:48:02,320
LIKE HE’S PUTTING ME--
1146
00:48:02,320 --> 00:48:05,389
LIKE I’M GETTING SQUEEZED
BETWEEN ALL OF HIS ACTIVITIES.
1147
00:48:05,389 --> 00:48:07,658
HAVE YOU SAID ANYTHING,
1148
00:48:07,658 --> 00:48:09,527
YOU KNOW, LIKE, INTIMATE,
TO HIM?
1149
00:48:09,527 --> 00:48:11,996
I DON’T KNOW.
I MEAN, I LOVE HIM.
1150
00:48:11,996 --> 00:48:13,431
OH, GOD,
YOU SAID THAT?
1151
00:48:13,431 --> 00:48:15,366
NO, I DIDN’T TELL HIM.
1152
00:48:15,366 --> 00:48:17,068
I’M NOT THAT NAIVE.
1153
00:48:17,068 --> 00:48:19,837
I WAS THINKING WE’D GO TO
A SEX PARTY ON THE WEST SIDE.
1154
00:48:19,837 --> 00:48:22,306
I SENT THE GUYS OUR PICTURES,
AND SURPRISE,
1155
00:48:22,306 --> 00:48:23,374
THEY’RE INTERESTED.
1156
00:48:23,374 --> 00:48:25,343
THE GUYS ARE REALLY HOT.
1157
00:48:25,343 --> 00:48:26,844
OF COURSE THEY ARE.
1158
00:48:26,844 --> 00:48:29,280
LOOK, I WAS JUST THINKING MAYBE
WE COULD DO SOMETHING,
1159
00:48:29,280 --> 00:48:31,148
JUST, YOU KNOW,
MAYBE JUST THE TWO OF US.
1160
00:48:31,148 --> 00:48:32,583
TONIGHT?
1161
00:48:32,583 --> 00:48:35,019
THAT DOESN’T SOUND
VERY FUN OR EXCITING.
1162
00:48:35,019 --> 00:48:36,454
THIS IS WEST HOLLYWOOD.
1163
00:48:36,454 --> 00:48:38,823
THERE’S PARTIES, SEX,
AND FUN TO BE HAD.
1164
00:48:38,823 --> 00:48:43,361
YES. AND THERE’S PARTIES, SEX,
AND FUN TO BE HAD EVERY NIGHT.
1165
00:48:43,361 --> 00:48:48,266
LOOK, I’M JUST SAYING
THAT MAYBE NOT TONIGHT.
1166
00:48:48,266 --> 00:48:51,469
I’M NOT REALLY COMFORTABLE
DOING THAT SORT
OF THING RIGHT NOW.
1167
00:48:51,469 --> 00:48:54,138
YOU WERE COMFORTABLE
WITH IT BEFORE.
1168
00:48:54,138 --> 00:48:59,443
WELL, YOU KNOW.
MAYBE JUST NOT TOGETHER.
1169
00:48:59,443 --> 00:49:01,479
OKAY? NOT RIGHT NOW.
1170
00:49:01,479 --> 00:49:05,616
THAT’S EXACTLY HOW BORING
STRAIGHT PEOPLE ARE.
1171
00:49:07,785 --> 00:49:10,888
I DON’T KNOW THAT JUST FUCKING
ISN’T HOLY TO BEGIN WITH,
1172
00:49:10,888 --> 00:49:14,225
BUT YOU’RE THE
ONE WHO IS GOING TO DECIDE
WHAT’S SACRED.
1173
00:49:14,225 --> 00:49:18,563
IS THERE SOME SORT
OF GAY ETIQUETTE
FOR THESE SORT OF THINGS?
1174
00:49:18,563 --> 00:49:21,732
WE’RE TALKING
ABOUT A GAY RELATIONSHIP HERE.
1175
00:49:21,732 --> 00:49:23,701
THIS IS NOT-- WE’RE NOT DEALING
1176
00:49:23,701 --> 00:49:26,470
WITH 2,000 YEARS
OF HETEROSEXUAL CONFORMITY.
1177
00:49:26,470 --> 00:49:27,972
I JUST ALWAYS THINK IT’S WEIRD
1178
00:49:27,972 --> 00:49:30,207
THAT GAY PEOPLE WANT TO ACT
LIKE STRAIGHT PEOPLE.
1179
00:49:30,207 --> 00:49:31,409
I FEEL LIKE, YOU KNOW,
1180
00:49:31,409 --> 00:49:32,843
DEFINE IT HOWEVER YOU WANT,
1181
00:49:32,843 --> 00:49:34,512
BUT YOU HAVE THE FREEDOM
TO DEFINE IT.
1182
00:49:34,512 --> 00:49:36,981
YOU DON’T HAVE ANY RULES
SET UP FOR YOU.
1183
00:49:36,981 --> 00:49:39,350
IF I CAN’T EXPECT
ANYTHING ELSE OUT OF THIS,
1184
00:49:39,350 --> 00:49:43,321
THEN WHY AM I DOING IT?
1185
00:49:43,321 --> 00:49:44,388
WHAT DO YOU WANT?
1186
00:49:44,388 --> 00:49:46,457
I DON’T KNOW.
1187
00:49:46,457 --> 00:49:47,758
IT’S JUST LIKE ANYTHING ELSE--
1188
00:49:47,758 --> 00:49:50,194
HAPPINESS, OR DANCE,
OR WHATEVER.
1189
00:49:50,194 --> 00:49:51,829
IT’S GONNA BE
A DAILY THING.
1190
00:49:51,829 --> 00:49:54,065
YOU WANT MONOGAMY,
YOU’RE GONNA WORK ON MONOGAMY.
1191
00:49:54,065 --> 00:49:55,366
AND THEN YOU’RE
GONNA RENEGOTIATE,
1192
00:49:55,366 --> 00:49:57,034
AND YOU’RE GONNA DEAL WITH IT,
1193
00:49:57,034 --> 00:49:59,103
AND YOU’RE GONNA BE TURNED ON
BY EVERYBODY EVERY DAY.
1194
00:49:59,103 --> 00:50:00,938
IT’S GOING TO BE
AN INTERESTING SERIES
OF CHALLENGES,
1195
00:50:00,938 --> 00:50:04,342
BUT, YOU KNOW,
SO’S EVERY FUCKING THING ELSE.
1196
00:50:04,342 --> 00:50:07,678
LOOK, JUST DO THE WALK
WITH ME, OKAY?
1197
00:50:07,678 --> 00:50:08,846
I’LL DO THE JUMP.
1198
00:50:08,846 --> 00:50:11,315
I’VE TURNED OFF.
I DON’T KNOW.
1199
00:50:11,315 --> 00:50:12,683
COULD WE CALL IT A DAY?
1200
00:50:12,683 --> 00:50:14,385
NO. WE NEED TO GET
THROUGH THIS.
1201
00:50:14,385 --> 00:50:15,519
ALL RIGHT, DO IT.
DO IT.
1202
00:50:15,519 --> 00:50:17,321
GO.
FINE.
1203
00:50:17,321 --> 00:50:18,322
READY?
YEAH.
1204
00:50:18,322 --> 00:50:20,758
FIVE, SIX, SEVEN, EIGHT.
1205
00:50:24,462 --> 00:50:26,464
PLANNING ON HELPING ME
ON THE LIFT?
1206
00:50:26,464 --> 00:50:28,332
LOOK AT ME WHEN WE DANCE.
1207
00:50:30,768 --> 00:50:32,003
YOU REALLY KNOW DAVID GEFFEN?
1208
00:50:32,003 --> 00:50:33,304
OF COURSE I KNOW GEFFEN.
1209
00:50:33,304 --> 00:50:34,705
I WENT TO HIS PARTY
IN THE HAMPTONS.
1210
00:50:34,705 --> 00:50:36,474
THAT’S AWESOME.
I WAS JUST GOING TO--
1211
00:50:36,474 --> 00:50:40,378
OH, I’M SORRY.
BEN THIS IS JOE.
JOE, BEN, MY ROOMMATE.
1212
00:50:40,378 --> 00:50:43,414
JOE, HUH?
1213
00:50:43,414 --> 00:50:44,715
THAT’S INTERESTING.
1214
00:50:44,715 --> 00:50:45,916
DO YOU GUYS KNOW
EACH OTHER?
1215
00:50:45,916 --> 00:50:48,619
I THINK, UM--
I THINK WE DO.
1216
00:50:48,619 --> 00:50:50,054
HI, ADAM.
HOW ARE YOU?
1217
00:50:50,054 --> 00:50:54,925
ACTUALLY, MY FULL NAME
IS ADAM JOSEPH LANDAU.
1218
00:50:54,925 --> 00:50:56,060
IS IT? YEAH.
1219
00:50:56,060 --> 00:50:57,595
THAT’S WEIRD.
1220
00:50:57,595 --> 00:51:00,197
YOU SPENT THE EVENING
WITH THIS GENTLEMAN?
1221
00:51:00,197 --> 00:51:02,133
UH, MAYBE.
HM? YEAH?
1222
00:51:02,133 --> 00:51:03,668
WHY?
OH, I DON’T KNOW.
1223
00:51:03,668 --> 00:51:05,436
I WAS JUST THINKING ABOUT,
UH, YOU REMEMBER,
1224
00:51:05,436 --> 00:51:09,907
OH I DON’T KNOW, A LONG TIME
AGO, A TUESDAY NIGHT, 7:00 PM,
1225
00:51:09,907 --> 00:51:11,542
DATE THAT
I WAS SUPPOSED TO HAVE.
1226
00:51:11,542 --> 00:51:14,111
AND SOMEBODY, OH, MAYBE,
STOOD ME UP.
1227
00:51:14,111 --> 00:51:15,112
ACTUALLY BEN, I CAN EXPLAIN--
1228
00:51:15,112 --> 00:51:16,547
AND NEVER CALLED.
1229
00:51:16,547 --> 00:51:18,282
I CAN EXPLAIN--
GAVE ME
THE WRONG NUMBER.
1230
00:51:18,282 --> 00:51:19,650
THIS IS WHAT HAPPENED.
1231
00:51:19,650 --> 00:51:21,652
I HAD A FRIEND,
THEY HE HAD A REACTION,
1232
00:51:21,652 --> 00:51:23,254
I HAD TO BRING HIM
TO THE HOSPITAL,
1233
00:51:23,254 --> 00:51:25,723
I COULDN’T MAKE THE DATE,
AND I LOST YOUR NUMBER.
1234
00:51:25,723 --> 00:51:28,125
OH, MY GOD, DID YOU HEAR?
THAT’S HORRIBLE.
1235
00:51:28,125 --> 00:51:29,593
YEAH, IT’S TERRIBLE.
1236
00:51:29,593 --> 00:51:31,162
THAT’S WHY YOU NEVER CALLED
AGAIN, RIGHT?
1237
00:51:31,162 --> 00:51:33,297
YOU NEVER CALLED
TO TELL ME.
1238
00:51:33,297 --> 00:51:35,366
THAT WOULD HAVE BEEN
TOO HARD, FOR SURE.
1239
00:51:35,366 --> 00:51:38,069
YOU’RE STILL A PRODUCER,
RIGHT?
1240
00:51:38,069 --> 00:51:39,737
YOU KNOW,
THAT’S INTERESTING.
1241
00:51:39,737 --> 00:51:41,338
I REMEMBER ACCOUNTANT.
1242
00:51:41,338 --> 00:51:42,907
WHAT?
YEAH.
1243
00:51:42,907 --> 00:51:44,241
OH, I DO BOOKS.
1244
00:51:44,241 --> 00:51:45,810
I WORK
WITH PEOPLES’ MONEY.
1245
00:51:45,810 --> 00:51:47,178
YEAH, I DO BOOKS FOR MOVIES.
1246
00:51:47,178 --> 00:51:48,646
I HAVE LOTS OF MONEY.
1247
00:51:48,646 --> 00:51:50,147
I DO BOOKS
FOR MOTION PICTURES.
HM, CALL ME.
1248
00:51:50,147 --> 00:51:51,949
I LIVE IN HOLLYWOOD.
1249
00:51:51,949 --> 00:51:54,618
YOU TOLD ME YOU LIVED
IN THE VALLEY.
1250
00:51:54,618 --> 00:51:56,687
[MARY] COREY!
1251
00:52:01,525 --> 00:52:03,360
WHAT’S THIS?
1252
00:52:03,360 --> 00:52:06,497
HOW DARE YOU LEAVE
THE TOILET SEAT UP IN MY HOUSE.
1253
00:52:06,497 --> 00:52:08,065
DO YOU KNOW
THAT PEOPLE ARE FIRED
1254
00:52:08,065 --> 00:52:11,068
AND HAVE THEIR CAREERS
CUT SHORT FOR LESS THAN THIS?
1255
00:52:11,068 --> 00:52:12,737
I’M SORRY.
1256
00:52:12,737 --> 00:52:16,941
I MUST HAVE BEEN ON THE PHONE
WHILE I WAS PEEING.
1257
00:52:16,941 --> 00:52:19,844
YOU PEE STANDING UP?
1258
00:52:19,844 --> 00:52:21,011
YES, I DO.
1259
00:52:21,011 --> 00:52:25,449
DO YOU WANT TO BE A WOMAN
OR NOT?
1260
00:52:25,449 --> 00:52:26,784
[SIGHS]
1261
00:52:29,720 --> 00:52:34,058
TO BE PERFECTLY HONEST,
NO, I DON’T.
1262
00:52:34,058 --> 00:52:35,192
DO TELL.
1263
00:52:35,192 --> 00:52:37,728
I’M HAPPY BEING WHO I AM.
1264
00:52:37,728 --> 00:52:43,167
I LIKE ADOPTING THE GUISE
OF A MAN OR A WOMAN IN PUBLIC,
1265
00:52:43,167 --> 00:52:46,470
BUT IN REALITY, I FEEL
THAT I’M NEITHER.
1266
00:52:48,239 --> 00:52:51,041
I DIDN’T KNOW.
1267
00:52:51,041 --> 00:52:52,543
YOU NEVER ASKED ME.
1268
00:52:52,543 --> 00:52:56,113
WELL DO YOU SLEEP
WITH MEN OR WOMEN?
1269
00:52:56,113 --> 00:52:58,582
NEITHER.
NEITHER.
1270
00:52:58,582 --> 00:53:00,985
I DON’T BELIEVE IN SEX.
1271
00:53:00,985 --> 00:53:03,587
I FEEL LIKE IT WOULD BE
A DISTRACTION.
1272
00:53:06,290 --> 00:53:08,325
I SEE.
I GOT IT.
1273
00:53:08,325 --> 00:53:10,227
THAT’S WHY
YOU’RE SO PROFICIENT.
1274
00:53:10,227 --> 00:53:11,829
THAT’S WHY
YOUR SO PRODUCTIVE.
1275
00:53:13,998 --> 00:53:17,134
COREY, YOU’RE ABSOLUTELY
FASCINATING.
1276
00:53:17,134 --> 00:53:21,005
YOU DON’T USE YOUR FEMININITY
TO MANIPULATE MEN OR WOMEN.
1277
00:53:21,005 --> 00:53:23,440
YOU DON’T SEEM TO WANT
ANYBODY OR ANYTHING.
1278
00:53:23,440 --> 00:53:26,010
IT’S REMARKABLE.
1279
00:53:26,010 --> 00:53:32,883
I FEEL THAT I COULD ABSOLUTELY
TRUST YOU WITH ANYTHING.
1280
00:53:34,151 --> 00:53:41,292
YOU ARE SO PURE
AND UTTERLY UNSELFISH.
1281
00:53:41,292 --> 00:53:44,562
IT’S VERY RARE IN THIS TOWN.
1282
00:53:49,800 --> 00:53:51,168
WHAT ARE YOU DOING?
1283
00:53:51,168 --> 00:53:53,237
HOLD ON.
1284
00:53:53,237 --> 00:53:57,575
[TEXTING]
BIG DEAL.
1285
00:53:57,575 --> 00:53:59,877
WHAT’S IT ABOUT?
WAIT, WAIT, WAIT.
1286
00:54:04,281 --> 00:54:06,317
OKAY.
1287
00:54:06,317 --> 00:54:08,118
SENT?
SENT.
1288
00:54:08,118 --> 00:54:09,420
CAN I SEE IT?
1289
00:54:09,420 --> 00:54:10,688
YOU CAN.
1290
00:54:12,590 --> 00:54:13,991
IT’S REALLY NICE?
1291
00:54:13,991 --> 00:54:15,292
THANKS.
1292
00:54:15,292 --> 00:54:16,560
WHAT ARE YOU DOING?
1293
00:54:16,560 --> 00:54:17,628
TURNING IT OFF.
1294
00:54:17,628 --> 00:54:18,863
WAIT--
YOU NEED TO RELAX.
1295
00:54:18,863 --> 00:54:20,397
I KNOW,
BUT YOU CAN’T DO THAT.
1296
00:54:20,397 --> 00:54:22,299
WHAT IF SOMEONE NEEDS ME?
1297
00:54:22,299 --> 00:54:24,468
WELL, THEN THEY’LL HAVE
TO CALL YOU BACK.
1298
00:54:24,468 --> 00:54:26,670
BUT I DON’T WANT THEM
TO CALL ME BACK.
WELL YOU’RE GONNA HAVE TO
1299
00:54:26,670 --> 00:54:28,505
BECAUSE YOU’RE HERE
WITH ME NOW.
1300
00:54:28,505 --> 00:54:33,444
WHOEVER NEEDS TO GET IN TOUCH
WITH YOU CAN GET IN TOUCH
WITH YOU LATER.
1301
00:54:33,444 --> 00:54:35,646
SEE. HI.
HI.
1302
00:54:35,646 --> 00:54:37,314
I’M HERE.
1303
00:54:37,314 --> 00:54:40,050
JUST RELAX.
COME HERE.
1304
00:54:40,050 --> 00:54:45,122
YOU HAVE BEEN TENSE
ALL THE TIME I HAVE BEEN HERE.
1305
00:54:45,122 --> 00:54:46,457
[EXHALES]
1306
00:54:46,457 --> 00:54:47,858
NOW, LET’S SEE.
1307
00:54:47,858 --> 00:54:50,661
WHAT ELSE DO YOU DO BESIDES
ALL THIS CRAZY STUFF?
1308
00:54:50,661 --> 00:54:52,596
CRAZY STUFF.
1309
00:54:52,596 --> 00:54:55,332
UH, I USED TO PLAY TENNIS.
1310
00:54:55,332 --> 00:54:57,902
TENNIS IS GOOD.
1311
00:54:57,902 --> 00:55:00,905
A LOT OF BOARD GAMES
WITH MY BROTHERS.
1312
00:55:00,905 --> 00:55:02,539
BASEBALL.
YEAH.
1313
00:55:02,539 --> 00:55:07,678
YOU? UP HERE.
WHAT DO YOU DO?
1314
00:55:07,678 --> 00:55:11,115
LOTS OF SPORTS.
1315
00:55:11,115 --> 00:55:15,819
AND I GO RUNNING.
1316
00:55:15,819 --> 00:55:17,588
YOU KNOW WHAT?
1317
00:55:17,588 --> 00:55:20,057
BACKGAMMON.
I LOVE MY BACKGAMMON.
1318
00:55:20,057 --> 00:55:22,826
ARE YOU KIDDING?
I USED TO LOVE BACKGAMMON
AS A KID.
1319
00:55:22,826 --> 00:55:25,529
STOP IT.
NO, I’M SERIOUS.
1320
00:55:25,529 --> 00:55:27,398
OKAY, CLOSE YOUR EYES.
1321
00:55:27,398 --> 00:55:28,933
CLOSED?
MM-HM.
1322
00:55:28,933 --> 00:55:31,402
OKAY.
1323
00:55:31,402 --> 00:55:34,138
OKAY, OPEN YOUR EYES.
1324
00:55:34,138 --> 00:55:35,906
DO YOU HAVE ANY MONEY?
UH--
1325
00:55:35,906 --> 00:55:38,842
MY BROTHERS AND I PUT DOWN
SOME GOOD DOLLARS.
1326
00:55:38,842 --> 00:55:40,678
CAN I PAY YOU BACK LATER?
1327
00:55:40,678 --> 00:55:42,079
AN I.O.U.
1328
00:55:42,079 --> 00:55:43,213
I HAVE ORANGES.
1329
00:55:43,213 --> 00:55:44,848
THOSE ARE MY--
THEY’RE MY ORANGES.
1330
00:55:46,517 --> 00:55:47,618
OKAY, READY?
1331
00:55:47,618 --> 00:55:50,254
YEAH.
1332
00:55:50,254 --> 00:55:51,422
I LOVE TO WIN.
1333
00:55:51,422 --> 00:55:54,858
UH, I LOVE TO WIN.
1334
00:55:54,858 --> 00:55:57,528
YOU’RE ON.
1335
00:55:57,528 --> 00:56:01,732
HONESTLY, L.A. DANCERS KIND OF
LOOK AT THOSE DANCERS AND GO,
1336
00:56:01,732 --> 00:56:04,368
"WHY ARE YOU DOING THIS
TO YOURSELVES?"
1337
00:56:04,368 --> 00:56:08,205
REALLY? I FEEL LIKE IT’S
A GREAT CAREER STARTER, AND--
1338
00:56:08,205 --> 00:56:10,441
NO, NO.
THEY MAKE A BUNCH OF MONEY.
1339
00:56:10,441 --> 00:56:11,909
NO.
1340
00:56:11,909 --> 00:56:15,846
AND, I DON’T KNOW,
AND THEY...
1341
00:56:15,846 --> 00:56:17,514
THEY’RE EXPLOITED.
1342
00:56:17,514 --> 00:56:20,017
THEY DON’T--
YOU DON’T MAKE MONEY
UNLESS YOU REALLY WIN
1343
00:56:20,017 --> 00:56:22,619
AND MAYBE IF YOU GET
ON THE TOUR.
1344
00:56:22,619 --> 00:56:24,655
BUT IT’S-- THINK ABOUT IT.
1345
00:56:24,655 --> 00:56:26,991
BUT SO MANY PEOPLE
FROM L.A. HAVE BEEN IN IT,
THOUGH.
1346
00:56:26,991 --> 00:56:28,592
HAVEN’T THEY?
1347
00:56:28,592 --> 00:56:30,561
YEAH, BUT THEY DON’T WIND UP
WORKING IN THE DANCE WORLD.
1348
00:56:30,561 --> 00:56:31,929
REALLY?
NO.
1349
00:56:31,929 --> 00:56:33,764
BECAUSE EVERY CHOREOGRAPHER
WHO IS WATCHING,
1350
00:56:33,764 --> 00:56:35,332
THEY GO,
"THAT PERSON CAN’T DO THIS,
1351
00:56:35,332 --> 00:56:37,468
THAT PERSON CAN’T DO THIS,
THAT PERSON CAN’T DO THIS,"
1352
00:56:37,468 --> 00:56:40,871
WHEREAS YOU GET THE CHOICE
IN THIS DANCE BUSINESS
1353
00:56:40,871 --> 00:56:43,440
TO DECIDE THIS IS WHAT JOBS
I’M GOING TO GO OUT FOR
1354
00:56:43,440 --> 00:56:44,675
BECAUSE THIS IS MY STRENGTH.
1355
00:56:44,675 --> 00:56:46,010
RIGHT.
1356
00:56:46,010 --> 00:56:48,078
AND WE ALL SEE YOUR WEAKNESSES
ON THAT SHOW.
1357
00:56:48,078 --> 00:56:50,881
AND YOUR FLAWS
AS A HUMAN BEING
1358
00:56:50,881 --> 00:56:52,182
BECAUSE THEY EDIT YOU.
1359
00:56:52,182 --> 00:56:53,417
BECAUSE IT’S A REALITY SHOW.
1360
00:56:53,417 --> 00:56:54,485
RIGHT.
YEAH.
1361
00:56:54,485 --> 00:56:56,453
I NEVER THOUGHT ABOUT THAT.
1362
00:56:57,921 --> 00:57:01,125
WHAT DO YOUR TATTOOS MEAN?
1363
00:57:01,125 --> 00:57:03,394
OH, THEY--
I DID THOSE FOR MY FAMILY.
1364
00:57:03,394 --> 00:57:05,262
OH, YEAH, YOU PRETTY CLOSE
WITH YOUR FAMILY?
1365
00:57:05,262 --> 00:57:06,930
I LOVE MY FAMILY.
1366
00:57:06,930 --> 00:57:09,900
WELL, ACTUALLY
WHEN I WAS DRINKING.
1367
00:57:09,900 --> 00:57:11,368
WHEN YOU WERE DRINKING,
YOU LOVED YOUR FAMILY?
1368
00:57:11,368 --> 00:57:13,270
I LOVED EVERYBODY
WHEN I WAS DRINKING,
1369
00:57:13,270 --> 00:57:15,672
BUT WHEN I WAS DRINKING,
I MESSED UP WITH MY FAMILY,
1370
00:57:15,672 --> 00:57:17,007
AND I SPENT YEARS
CLEANING IT UP,
1371
00:57:17,007 --> 00:57:18,375
BUT THAT ONE RIGHT THERE--
1372
00:57:18,375 --> 00:57:21,345
THAT ONE MEANS
THE BREATH OF GOD TO MOM,
1373
00:57:21,345 --> 00:57:25,082
AND THAT ONE RIGHT THERE
IS FOR MY BROTHER.
1374
00:57:25,082 --> 00:57:27,818
HE’S MY HEART.
1375
00:57:27,818 --> 00:57:29,720
AND THEN ON THE OTHER SIDE,
1376
00:57:29,720 --> 00:57:31,422
RESPECT FOR DAD.
1377
00:57:31,422 --> 00:57:35,592
AND I HAVE AN OLDER BROTHER,
AND THAT MEANS
"HERO TO BIG BROTHER."
1378
00:57:35,592 --> 00:57:37,528
HUH. YEAH.
1379
00:57:37,528 --> 00:57:38,562
THAT’S NICE.
1380
00:57:38,562 --> 00:57:39,797
YOU? YOUR FAMILY?
1381
00:57:39,797 --> 00:57:41,131
I HAVE A SISTER.
1382
00:57:41,131 --> 00:57:42,266
CLOSE?
1383
00:57:42,266 --> 00:57:43,901
YEAH.
1384
00:57:43,901 --> 00:57:46,703
SHE’S MARRIED.
1385
00:57:46,703 --> 00:57:48,539
SHE HAS A BABY.
1386
00:57:48,539 --> 00:57:50,674
SO YOU’RE AN UNCLE.
1387
00:57:50,674 --> 00:57:51,708
YEAH.
1388
00:57:51,708 --> 00:57:53,610
ARE YOU NOT A GOOD UNCLE?
1389
00:57:53,610 --> 00:57:55,579
I’M A GOOD UNCLE, I GUESS.
1390
00:57:55,579 --> 00:57:58,482
I JUST DON’T-- I DON’T KNOW.
1391
00:57:58,482 --> 00:57:59,650
DO YOU WANT KIDS?
1392
00:57:59,650 --> 00:58:02,553
NO.
1393
00:58:02,553 --> 00:58:03,587
DO YOU?
1394
00:58:03,587 --> 00:58:04,621
I DO.
1395
00:58:04,621 --> 00:58:06,190
REALLY?
1396
00:58:06,190 --> 00:58:07,524
I DO.
1397
00:58:07,524 --> 00:58:10,594
WHY?
1398
00:58:10,594 --> 00:58:15,099
BECAUSE THEY ARE
UNCONDITIONAL LOVE TO ME.
1399
00:58:15,099 --> 00:58:16,500
HUH.
1400
00:58:16,500 --> 00:58:21,538
WHAT IF YOU GET ONE OF THOSE
EVIL BAD-SEED CHILDREN,
1401
00:58:21,538 --> 00:58:23,807
LIKE THE ANTICHRIST?
1402
00:58:23,807 --> 00:58:25,242
ARE YOU AN EVIL BAD SEED?
1403
00:58:25,242 --> 00:58:26,443
IS THAT WHAT YOU’RE TELLING ME?
1404
00:58:26,443 --> 00:58:27,911
NO, NO, I’M AN ANGEL.
1405
00:58:27,911 --> 00:58:31,315
OH, I SEE SOME HORNS
A LITTLE BIT.
1406
00:58:31,315 --> 00:58:34,451
[MEOWING]
1407
00:58:35,519 --> 00:58:38,922
[COREY] MARY?
1408
00:58:38,922 --> 00:58:44,695
COREY, YOU COME GIVE MARY
A LITTLE NECK RUB?
1409
00:58:44,695 --> 00:58:46,230
NECK RUB?
1410
00:58:46,230 --> 00:58:48,565
YES.
1411
00:58:48,565 --> 00:58:50,534
[MOANS]
1412
00:58:50,534 --> 00:58:54,004
ALL RIGHT.
1413
00:58:54,004 --> 00:58:55,906
LOSHEY, LOSHEY.
1414
00:58:59,943 --> 00:59:03,247
[MEOWS]
OOH, AAH.
1415
00:59:03,247 --> 00:59:07,885
COREY. OH, IT FEELS SO GOOD.
1416
00:59:07,885 --> 00:59:09,620
NOW COME DOWN A LITTLE LOWER.
1417
00:59:09,620 --> 00:59:12,823
[MEOWS]
1418
00:59:12,823 --> 00:59:14,925
OH, COREY.
1419
00:59:14,925 --> 00:59:17,227
OH, MY GOD.
1420
00:59:17,227 --> 00:59:19,029
OH.
1421
00:59:19,029 --> 00:59:22,633
AND DOWN TO THE ASS.
1422
00:59:22,633 --> 00:59:28,272
AS I SAID IN THERE, JAKE,
I LIVED BEYOND MY MEANS.
1423
00:59:28,272 --> 00:59:30,140
YOU HAD REALLY GOOD MEANS.
I HAD GREAT MEANS.
1424
00:59:30,140 --> 00:59:31,575
HANK AND HAZEL.
I LOVED THAT SHOW.
1425
00:59:31,575 --> 00:59:33,043
HANK AND HAZEL.
I LOVED THAT SHOW.
1426
00:59:33,043 --> 00:59:34,878
IT WAS REALLY GREAT.
1427
00:59:34,878 --> 00:59:36,713
YOU SEE WHAT HAPPENED
WAS I GOT SO WRAPPED UP
IN ALL OF THAT--
1428
00:59:36,713 --> 00:59:38,115
I’M AN ACTOR AND A WRITER.
1429
00:59:38,115 --> 00:59:40,417
I WROTE A SCRIPT,
A SCREENPLAY OF MYSELF,
1430
00:59:40,417 --> 00:59:42,352
WHERE I’M PLAY LIKE
A REALLY SEXY CHARACTER,
1431
00:59:42,352 --> 00:59:44,388
AND I’M WILLING TO DO ANYTHING,
I JUST NEED A PRODUCER.
1432
00:59:44,388 --> 00:59:46,023
AND SO I’M LIKE WILLING TO,
UH
1433
00:59:46,023 --> 00:59:47,791
OKAY, BUT THAT’S NOT--
1434
00:59:47,791 --> 00:59:49,493
THAT’S GREAT, BUT THAT’S NOT
THE PROMISE OF THIS PROGRAM
1435
00:59:49,493 --> 00:59:51,061
BECAUSE YOU ASKED ME TO--
I LOVE HANK AND HAZEL.
1436
00:59:51,061 --> 00:59:52,362
YOU TALKED TO ME
ABOUT SPONSORING.
1437
00:59:52,362 --> 00:59:54,097
ARE YOU GOING TO BE MY SPONSOR?
BE MY SPONSOR.
1438
00:59:54,097 --> 00:59:56,133
PRODUCING MY--
SO LET ME JUST--
OKAY, WHAT YOU NEED TO--
1439
00:59:56,133 --> 00:59:57,568
OKAY, IT’S A SCRIPT.
1440
00:59:57,568 --> 00:59:58,569
YOU MADE A COMMENT, JAKE.
1441
00:59:58,569 --> 00:59:59,903
I PUT IT IN A BLUE FOLDER.
1442
00:59:59,903 --> 01:00:01,438
IT’S A NICE FOLDER.
1443
01:00:01,438 --> 01:00:03,040
JAKE, STOP.
1444
01:00:03,040 --> 01:00:04,575
SPONSORSHIP--
1445
01:00:04,575 --> 01:00:05,709
ROCK BOTTOM.
1446
01:00:05,709 --> 01:00:06,977
YOU SAID TO ME
IN THE MEETING--
1447
01:00:06,977 --> 01:00:08,278
YEAH, THIS MORNING
I HIT ROCK BOTTOM.
1448
01:00:08,278 --> 01:00:10,080
I HAD, LIKE, A ROCK BOTTOM
MOMENT THIS MORNING.
1449
01:00:10,080 --> 01:00:12,082
SO WHAT HAPPENED?
I OVERSLEPT.
1450
01:00:12,082 --> 01:00:14,318
MY ALARM WENT OFF,
AND I DIDN’T LISTEN TO IT,
1451
01:00:14,318 --> 01:00:17,154
AND MY MOM WAS LIKE,
"UH, OH YOU OVERSLEPT,
YOU HIT ROCK BOTTOM."
1452
01:00:17,154 --> 01:00:19,122
GOTTA HAVE A MEETING.
GOTTA GO TO A MEETING.
1453
01:00:19,122 --> 01:00:20,257
AND I FIGURE
YOU COULD BE MY SPONSOR.
1454
01:00:20,257 --> 01:00:21,692
OKAY, YOU LIVE WITH YOUR MOM?
1455
01:00:21,692 --> 01:00:23,327
BECAUSE YOU’RE WITH JASON.
1456
01:00:23,327 --> 01:00:24,761
HOW DO YOU KNOW THAT I’M
WITH JASON?
1457
01:00:24,761 --> 01:00:26,997
WELL, I WAS WATCHING YOU GUYS--
1458
01:00:26,997 --> 01:00:28,432
WAIT, WAIT, WAIT, YOU’RE
WATCHING. THIS IS A--
1459
01:00:28,432 --> 01:00:30,133
THIS IS A YEAH, I SAW YOU GUYS
AT MACARONI GRILL,
1460
01:00:30,133 --> 01:00:31,368
AND I WAS LIKE, OH--
1461
01:00:31,368 --> 01:00:33,537
WHAT ABOUT THE-- STOP!
STOP.
1462
01:00:33,537 --> 01:00:35,339
ENOUGH, JAKE--
YOU HAVE NICE HANDS.
1463
01:00:35,339 --> 01:00:37,975
JASON. JAKE--
JAKE--
1464
01:00:37,975 --> 01:00:39,710
JAKE. I’M JAKE.
JAKE, JAKE, JAKE.
1465
01:00:39,710 --> 01:00:41,778
BUT JASON’S GREAT.
HE’S ON MY MIND, TOO,
ALL THE TIME.
1466
01:00:41,778 --> 01:00:43,780
[GIGGLES]
1467
01:00:43,780 --> 01:00:46,250
I THINK ABOUT JASON
ALL THE TIME, TOO,
SO IT’S CRAZY.
1468
01:00:46,250 --> 01:00:48,452
I DON’T THINK
THIS IS GOING TO REALLY WORK,
1469
01:00:48,452 --> 01:00:50,287
SO HERE’S THE THING.
YOU STOPPED ME.
CALL ME.
1470
01:00:50,287 --> 01:00:51,788
IS THAT ACID?
YOU’RE GIVING ME ACID?
1471
01:00:51,788 --> 01:00:55,559
IF YOU NEED ANYTHING--
NO, IT’S NOT-- STOP.
1472
01:00:55,559 --> 01:00:57,127
THIS IS NOT GOING TO WORK--
SPONSORSHIP.
1473
01:00:57,127 --> 01:00:59,162
CALL ME IF YOU NEED ANYTHING,
1474
01:00:59,162 --> 01:01:01,865
I’M SURE THERE’S
SOMEONE ELSE IN THE ROOMS
THAT WILL HELP YOU.
1475
01:01:01,865 --> 01:01:04,668
WOW. WOW, WOW, WOW...
1476
01:01:06,737 --> 01:01:09,072
THERE’S NO NUMBER ON HERE.
1477
01:01:09,072 --> 01:01:11,575
SO YOU’VE BEEN STALKED BEFORE,
HUH?
1478
01:01:11,575 --> 01:01:16,913
YEAH. I MEAN, THERE’S
THE MYSPACE PEOPLE
AND THE FACEBOOK PEOPLE.
1479
01:01:16,913 --> 01:01:21,551
YOU DO HAVE QUITE
THE FOLLOWING ON THERE.
1480
01:01:21,551 --> 01:01:24,755
YOU HAVE TO TAKE IT SERIOUSLY
ONLY TO A CERTAIN EXTENT.
1481
01:01:24,755 --> 01:01:26,456
I MEAN, IT’S FLATTERING,
1482
01:01:26,456 --> 01:01:29,760
BUT WHEN SOMEONE SAYS
THAT THEY LOVE ME,
1483
01:01:29,760 --> 01:01:32,229
I DON’T BELIEVE IT.
1484
01:01:32,229 --> 01:01:34,564
I THINK IT HAPPENS SO MUCH
IN THE DATING WORLD, TOO.
1485
01:01:34,564 --> 01:01:36,600
YOU MEAN THAT YOU HAD
THE COMPLETE WRONG IDEA
1486
01:01:36,600 --> 01:01:37,834
OF WHO THEY WERE
1487
01:01:37,834 --> 01:01:40,971
BECAUSE YOU JUST PUT A PICTURE
OF THEM AHEAD OF YOU.
1488
01:01:40,971 --> 01:01:43,807
YOU HAD THIS IDEA OF THEM
AND NOT NECESSARILY
WHAT THEY WERE.
1489
01:01:43,807 --> 01:01:45,075
TOTALLY.
1490
01:01:45,075 --> 01:01:47,411
THEY WANT YOU
TO LIKE THEM, TOO.
1491
01:01:47,411 --> 01:01:51,748
BECAUSE PEOPLE
ALWAYS WANT TO BE BETTER
THAN WHAT THEY ARE.
1492
01:01:53,283 --> 01:01:56,086
SO, HOW WAS THE PARTY?
1493
01:01:56,086 --> 01:01:57,587
THE USUAL.
1494
01:01:57,587 --> 01:01:58,889
AND THE ONE BEFORE THAT?
1495
01:01:58,889 --> 01:02:00,757
BEFORE THAT?
OH, MONDAY NIGHT?
1496
01:02:00,757 --> 01:02:02,259
WE WENT TO--
1497
01:02:02,259 --> 01:02:03,960
WE WENT DOWNTOWN
TO MOUSTACHE MONDAYS,
1498
01:02:03,960 --> 01:02:06,363
AND THEN CAME BACK TO WEHO
1499
01:02:06,363 --> 01:02:08,031
AND WENT TO THE STANDARD
FOR A COUPLE OF HOURS,
1500
01:02:08,031 --> 01:02:11,068
THEN WENT TO AN AFTER PARTY
IN THE HILLS.
1501
01:02:11,068 --> 01:02:12,602
IT WAS AMAZING.
1502
01:02:12,602 --> 01:02:13,637
AMAZING.
YEAH.
1503
01:02:13,637 --> 01:02:16,306
GOOD.
1504
01:02:16,306 --> 01:02:19,176
YOU’RE NOT EVEN GONNA ASK ME
ABOUT MY WEEK, ARE YOU?
1505
01:02:19,176 --> 01:02:21,244
OH, UM, SURE.
1506
01:02:21,244 --> 01:02:23,280
DO ANYTHING FOR FUN LATELY?
1507
01:02:23,280 --> 01:02:25,415
YEAH, ACTUALLY.
1508
01:02:25,415 --> 01:02:27,918
I STARTED REHEARSING
MY NEW DANCE PIECE.
1509
01:02:27,918 --> 01:02:29,419
OH, YEAH, COOL.
1510
01:02:29,419 --> 01:02:31,755
YOU SHOULD TRY OUT FOR
SO YOU THINK YOU CAN DANCE.
1511
01:02:31,755 --> 01:02:33,123
I HAVE.
1512
01:02:33,123 --> 01:02:37,327
OH.
1513
01:02:37,327 --> 01:02:40,430
LOOK. YOU KNOW
HOW MUCH I LIKE YOU.
RIGHT?
1514
01:02:40,430 --> 01:02:41,665
YEAH.
1515
01:02:41,665 --> 01:02:42,999
I LIKE YOU, TOO.
1516
01:02:42,999 --> 01:02:47,904
THAT’S FUNNY BECAUSE
I’M NOT FEELING IT FROM YOU.
1517
01:02:47,904 --> 01:02:52,376
IT’S LIKE YOUR FACEBOOK PAGE.
1518
01:02:52,376 --> 01:02:54,378
YOU GOT ALL THESE PICTURES OF
EVERYBODY ON THERE.
1519
01:02:54,378 --> 01:02:57,247
YOU GO TO ALL THESE PARTIES.
I GO WITH YOU.
1520
01:02:57,247 --> 01:02:59,716
I DON’T SEE A PICTURE
OF MYSELF EVER.
1521
01:02:59,716 --> 01:03:02,819
THERE’S AN AUDIENCE
FOR MY FACEBOOK PAGE,
1522
01:03:02,819 --> 01:03:04,621
AND THEY DON’T EVEN KNOW YOU.
1523
01:03:04,621 --> 01:03:07,858
RELAX.
IT’S NOT A BIG DEAL.
1524
01:03:07,858 --> 01:03:09,860
IT IS TO ME.
1525
01:03:09,860 --> 01:03:12,396
LOOK, WE HANG OUT.
WE HAVE FUN.
1526
01:03:12,396 --> 01:03:14,364
WHY ARE YOU TRYING
TO CREATE DRAMA?
1527
01:03:14,364 --> 01:03:21,371
I’M NOT CREATING DRAMA.
1528
01:03:21,371 --> 01:03:23,507
I’M JUST SAYING--
1529
01:03:23,507 --> 01:03:27,144
LOOK, I DON’T THINK WE CAN
DO THIS ANYMORE.
1530
01:03:27,144 --> 01:03:29,446
I DON’T THINK I CAN SEE YOU.
1531
01:03:29,446 --> 01:03:31,782
OKAY.
1532
01:03:31,782 --> 01:03:33,917
OH, REALLY?
"OKAY"? THAT’S IT?
1533
01:03:33,917 --> 01:03:36,420
YOU’RE NOT EVEN GONNA
TRY TO SAVE IT?
NOTHING?
1534
01:03:36,420 --> 01:03:38,655
NOT AN "OH, BEN,
I’LL MISS YOU"
1535
01:03:38,655 --> 01:03:40,390
OR A "HEY LET’S TRY."
NOTHING.
1536
01:03:40,390 --> 01:03:41,558
WHAT ARE YOU LOOKING FOR?
1537
01:03:41,558 --> 01:03:44,394
OH, BEN.
I’LL MISS YOU TERRIBLY.
1538
01:03:44,394 --> 01:03:45,896
I CAN’T LIVE WITHOUT YOU.
1539
01:03:45,896 --> 01:03:47,130
I NEED YOU IN MY LIFE.
1540
01:03:47,130 --> 01:03:48,899
IS THAT WHAT YOU WANT FROM ME?
1541
01:03:48,899 --> 01:03:50,634
YOU’RE SUCH AN ASSHOLE.
1542
01:03:50,634 --> 01:03:51,802
LOOK.
1543
01:03:51,802 --> 01:03:54,871
WHAT MORE DO YOU WANT?
1544
01:03:54,871 --> 01:03:56,339
I DON’T KNOW,
1545
01:03:56,339 --> 01:03:58,175
BUT I DON’T WANT IT WITH YOU.
1546
01:04:11,988 --> 01:04:15,892
MARY, THERE’S SOMETHING
I NEED TO TELL YOU.
1547
01:04:15,892 --> 01:04:17,928
YES?
1548
01:04:17,928 --> 01:04:19,796
I’M QUITTING.
1549
01:04:19,796 --> 01:04:21,231
NO, YOU’RE NOT.
1550
01:04:21,231 --> 01:04:24,868
YES, I AM.
1551
01:04:24,868 --> 01:04:26,937
BUT WHY?
1552
01:04:26,937 --> 01:04:31,741
WELL, THIS EXPERIMENT
HAS COME TO AN END,
1553
01:04:31,741 --> 01:04:36,079
AND I NEED TO START
A NEW CHAPTER IN MY LIFE.
1554
01:04:36,079 --> 01:04:39,216
WELL, WHAT ABOUT ME?
1555
01:04:39,216 --> 01:04:41,618
YOU NEED TO START
A NEW CHAPTER IN YOUR LIFE,
TOO.
1556
01:04:41,618 --> 01:04:43,553
NO, I DON’T.
1557
01:04:43,553 --> 01:04:45,889
YES, YOU DO.
1558
01:04:45,889 --> 01:04:48,525
WELL, IF THAT’S THE WAY YOU
FEEL, GET OUT.
1559
01:04:55,932 --> 01:04:57,367
GOODBYE, MARY.
1560
01:05:05,242 --> 01:05:07,744
[JASON]
I’M JUST WAITING TO HEAR
SOMETHING FROM YOU.
1561
01:05:07,744 --> 01:05:09,579
WAITING FOR WHAT?
FOR ONE, YOU PROMISED ME
1562
01:05:09,579 --> 01:05:11,681
THAT YOU WERE GOING TO HELP ME
GET MY OWN SHOW.
1563
01:05:11,681 --> 01:05:13,750
WAIT, WAIT,
WHAT DID I PROMISE YOU?
1564
01:05:13,750 --> 01:05:16,453
I CAN’T PROMISE THAT I’M GOING
TO HELP YOU PITCH A SHOW IDEA.
1565
01:05:16,453 --> 01:05:19,322
WELL, THAT’S WHAT YOU SAID.
I CAN’T DO THAT.
1566
01:05:19,322 --> 01:05:21,658
WHAT EXPERIENCE DO YOU HAVE
PRODUCING,
1567
01:05:21,658 --> 01:05:24,394
MUCH LESS STARRING, DIRECTING,
AND ACTING IN YOUR OWN SHOW?
1568
01:05:24,394 --> 01:05:26,062
ARE YOU KIDDING ME,
I WOULD BE GREAT.
1569
01:05:26,062 --> 01:05:27,197
OF COURSE YOU’D BE GREAT.
1570
01:05:27,197 --> 01:05:28,698
BUT NO ONE IS GOING TO GO OUT
1571
01:05:28,698 --> 01:05:30,534
AND GIVE YOU YOUR OWN SHOW
RIGHT OUT OF THE GATE,
1572
01:05:30,534 --> 01:05:31,902
JASON,
IT DOESN’T HAPPEN THAT WAY.
1573
01:05:31,902 --> 01:05:34,170
WELL, THANK YOU SO MUCH
FOR THAT CONFIDENCE LEVEL.
1574
01:05:34,170 --> 01:05:35,472
STOP IT.
1575
01:05:35,472 --> 01:05:36,773
I BELIEVE IN YOU.
I DO. YOU’RE--
1576
01:05:36,773 --> 01:05:39,042
LOOK AT ME.
YOU HAVE SOMETHING.
1577
01:05:39,042 --> 01:05:41,745
YOU’RE HANDSOME, YOU’RE
TALENTED, YOU’RE FUNNY.
1578
01:05:41,745 --> 01:05:43,380
THANK YOU.
1579
01:05:43,380 --> 01:05:45,982
JASON, EVERYONE HAS
SOME SORT OF TALENT.
1580
01:05:45,982 --> 01:05:47,784
YOU JUST HAVE TO LEARN
WHAT THAT IS.
1581
01:05:47,784 --> 01:05:49,619
WELL,
I KNOW WHAT TO DO WITH IT.
1582
01:05:49,619 --> 01:05:51,321
I JUST WANT TO GET PAID
FOR WHAT I’M DOING.
1583
01:05:51,321 --> 01:05:53,857
WHY DO YOU CONSTANTLY NEED
MY VALIDATION?
1584
01:05:53,857 --> 01:05:56,359
BECAUSE YOU’RE THE ONLY ONE
THAT CAN REALLY HELP ME.
1585
01:05:56,359 --> 01:05:57,627
ALL RIGHT.
1586
01:05:57,627 --> 01:05:59,563
YOU’RE THE FIRST PERSON
IN LOS ANGELES
1587
01:05:59,563 --> 01:06:02,699
THAT I’VE ACTUALLY MET THAT
ACTUALLY HELP ME DO SOMETHING
WITH MY CAREER.
1588
01:06:02,699 --> 01:06:06,403
WAIT, I THOUGHT WE WERE WORKING
ON A RELATIONSHIP.
1589
01:06:06,403 --> 01:06:10,340
BUT OBVIOUSLY THIS IS
A BUSINESS PARTNERSHIP
FOR YOU.
1590
01:06:10,340 --> 01:06:11,408
I GET IT.
1591
01:06:11,408 --> 01:06:12,609
DAN, COME HERE.
1592
01:06:12,609 --> 01:06:13,843
YOU KNOW
THAT’S NOT WHAT I MEANT.
1593
01:06:13,843 --> 01:06:15,345
THEN WHAT DID YOU MEAN,
JASON?
1594
01:06:15,345 --> 01:06:19,716
IF WE WEREN’T
IN A RELATIONSHIP,
1595
01:06:19,716 --> 01:06:23,820
WOULD YOU STILL BELIEVE IN ME?
1596
01:06:23,820 --> 01:06:26,056
OF COURSE I WOULD.
COME HERE.
1597
01:06:26,056 --> 01:06:28,058
THAT’S WHAT I WANT TO KNOW.
1598
01:06:28,058 --> 01:06:29,726
COME HERE.
1599
01:06:37,667 --> 01:06:39,536
[CRAIG]
YOU KNOW, I THINK ABOUT IT
IN TERMS OF THIS.
1600
01:06:39,536 --> 01:06:41,237
ANY TIME THERE’S
SOME SORT OF ISOLATION,
1601
01:06:41,237 --> 01:06:44,107
LIKE LOOKING,
I’M NOT THINKING RIGHT, LEFT.
1602
01:06:44,107 --> 01:06:46,142
I’M THINKING CONNECT,
CONNECT, CONNECT.
1603
01:06:46,142 --> 01:06:47,711
SO CONNECT TO ME
AT THAT MOMENT.
1604
01:06:47,711 --> 01:06:51,681
SIX, SEVEN, EIGHT, SHARP,
LIKE BOOM, EYE TO EYE.
1605
01:06:51,681 --> 01:06:53,316
OKAY.
AND I THINK THAT EVEN HELPS,
1606
01:06:53,316 --> 01:06:54,884
LIKE, INTENTION.
1607
01:06:54,884 --> 01:06:58,121
I DON’T KNOW IF IT’LL LOOK GOOD
FLAT TO THE AUDIENCE.
1608
01:06:58,121 --> 01:07:00,790
TWO, THREE, LIKE THAT?
1609
01:07:00,790 --> 01:07:04,327
IF YOU TAKE
YOUR RIGHT LEG BACK.
1610
01:07:04,327 --> 01:07:06,830
SIX, SEVEN, EIGHT, SHARP ONE,
1611
01:07:06,830 --> 01:07:09,265
SO THE LINE IS SOFT,
BUT WE GET THERE FAST.
1612
01:07:09,265 --> 01:07:10,500
LIKE THIS.
1613
01:07:10,500 --> 01:07:12,168
YES, HIT THE ACCENT.
1614
01:07:12,168 --> 01:07:14,204
SO GIVE ME SEVEN, EIGHT.
1615
01:07:14,204 --> 01:07:16,573
SIX, SEVEN, EIGHT, SHARP ONE.
1616
01:07:16,573 --> 01:07:18,541
THAT’S IT.
1617
01:07:18,541 --> 01:07:22,512
OKAY I KIND OF HAVE
A CONFESSION TO MAKE.
1618
01:07:22,512 --> 01:07:23,813
OOH. OOH.
1619
01:07:23,813 --> 01:07:26,082
I’M PREGNANT.
1620
01:07:26,082 --> 01:07:27,817
AGAIN?
I KNOW, RIGHT?
1621
01:07:27,817 --> 01:07:30,253
IS IT A GEFFEN?
SHUT UP.
1622
01:07:30,253 --> 01:07:31,554
NO, I’M BEING SERIOUS.
1623
01:07:31,554 --> 01:07:34,057
I DON’T REALLY THINK
I’M AN ALCOHOLIC.
1624
01:07:34,057 --> 01:07:36,660
YOU MADE A COMMITMENT.
THAT’S SERIOUS.
1625
01:07:36,660 --> 01:07:38,061
AA SAVES PEOPLE’S LIVES,
1626
01:07:38,061 --> 01:07:39,896
AND YOU’RE TOTALLY
DISRESPECTING IT.
1627
01:07:39,896 --> 01:07:42,265
I JUST DON’T THINK
MY LIFE NEEDS SAVING.
1628
01:07:42,265 --> 01:07:45,969
I MEAN, I DON’T REALLY THINK
THAT I’M LIKE THOSE PEOPLE
1629
01:07:45,969 --> 01:07:47,137
WHO GO INTO THOSE MEETINGS
1630
01:07:47,137 --> 01:07:49,973
AND TALK ABOUT BEING
UNMANAGEABLE
1631
01:07:49,973 --> 01:07:52,642
AND RECKLESS
AND DESTROYING EVERYTHING
1632
01:07:52,642 --> 01:07:55,211
AND JUST HAVE ABSOLUTELY HIT
ROCK BOTTOM.
1633
01:07:55,211 --> 01:07:56,880
I’M NOT LIKE THAT.
1634
01:07:56,880 --> 01:07:58,882
WELL, THEN WHY DO YOU
KEEP GOING BACK?
1635
01:07:58,882 --> 01:08:01,217
IT’S REALLY INTERESTING
AND KIND OF TOUCHING
1636
01:08:01,217 --> 01:08:06,656
TO HEAR HOW IT HAS CHANGED
THOSE PEOPLES’ LIVES.
1637
01:08:06,656 --> 01:08:08,858
OKAY, I HAVE AN IDEA.
1638
01:08:08,858 --> 01:08:11,327
WHAT?
1639
01:08:11,327 --> 01:08:13,363
YOU GUYS ARE MY BEST FRIENDS.
1640
01:08:13,363 --> 01:08:16,299
WELL, OKAY,
YOU’RE MORE LIKE MY FAMILY,
1641
01:08:16,299 --> 01:08:20,403
BUT I KIND OF WANT TO KNOW
1642
01:08:20,403 --> 01:08:23,106
IF YOU WOULD BE INTERESTED IN,
1643
01:08:23,106 --> 01:08:25,675
I DON’T KNOW, POSSIBLY GOING
TO A BAR WITH ME?
1644
01:08:25,675 --> 01:08:29,245
LET’S HAVE A DRINK,
JUST ONE DRINK,
1645
01:08:29,245 --> 01:08:31,514
ONE DRINK, AND THAT’S IT.
1646
01:08:31,514 --> 01:08:32,716
[COREY]
THIS IS THE BIG IDEA?
1647
01:08:32,716 --> 01:08:34,384
YES, LET’S JUST HAVE ONE DRINK,
1648
01:08:34,384 --> 01:08:35,452
AND THEN WE’LL GO HOME,
1649
01:08:35,452 --> 01:08:37,220
AND IF I CAN NOT HAVE A DRINK
1650
01:08:37,220 --> 01:08:38,788
FOR ABOUT A WEEK,
1651
01:08:38,788 --> 01:08:40,924
THEN I HONESTLY DON’T
THINK THAT I NEED AA.
1652
01:08:40,924 --> 01:08:42,992
YOU THINK ONE DRINK
IS GONNA TELL YOU THAT?
1653
01:08:42,992 --> 01:08:44,994
WELL, YEAH, JUST ONE.
THAT’S ALL I NEED.
1654
01:08:44,994 --> 01:08:46,663
YOU’RE HAVING ONE.
1655
01:08:46,663 --> 01:08:48,098
YEAH, BUT I’LL PROBABLY HAVE
ONE TOMORROW,
1656
01:08:48,098 --> 01:08:50,467
AND THAT DOESN’T MEAN
THAT I NEED TO BE IN AA.
1657
01:08:50,467 --> 01:08:52,001
I KNOW.
THAT’S WHAT I’M SAYING.
1658
01:08:52,001 --> 01:08:53,636
YEAH, BUT YOU WERE HAVING
MORE THAN ONE.
1659
01:08:53,636 --> 01:08:55,638
YOU WERE HAVING
A BOTTLE OF JACK.
1660
01:08:55,638 --> 01:08:57,307
I’VE BEEN GOING
FOR THREE MONTHS,
1661
01:08:57,307 --> 01:08:58,475
SO I THINK I CAN,
1662
01:08:58,475 --> 01:08:59,943
I THINK I HAVE
A LITTLE RESTRAINT NOW.
1663
01:08:59,943 --> 01:09:02,278
IT SOUNDS LIKE
IT’S BEEN WORKING FOR YOU.
1664
01:09:02,278 --> 01:09:05,315
OKAY.
1665
01:09:05,315 --> 01:09:06,816
HERE GOES NOTHING.
1666
01:09:08,017 --> 01:09:11,221
NOW, REMEMBER
TO SIP SLOWLY.
1667
01:09:11,221 --> 01:09:13,156
THANK YOU, MISS MANNERS.
1668
01:09:20,964 --> 01:09:23,032
SEE, NOT BAD.
1669
01:09:23,032 --> 01:09:25,235
GOD, I ALMOST FORGOT
HOW GOOD THAT TASTES.
1670
01:09:25,235 --> 01:09:28,905
SO GOOD.
1671
01:09:28,905 --> 01:09:30,173
OH, SHIT.
1672
01:09:31,508 --> 01:09:32,976
CAN YOU GIVE ME A SECOND?
1673
01:09:32,976 --> 01:09:34,911
GIVE ME YOUR JACKET.
GIVE ME YOUR JACKET, NOW!
1674
01:09:34,911 --> 01:09:37,947
JASON. HI.
1675
01:09:37,947 --> 01:09:40,250
HEY.
1676
01:09:40,250 --> 01:09:41,851
WHAT ARE YOU DOING HERE?
1677
01:09:44,721 --> 01:09:47,357
I DON’T KNOW.
I WAS GOING TO ASK YOU
THE SAME THING.
1678
01:09:47,357 --> 01:09:48,758
WHAT ARE YOU DOING HERE?
1679
01:09:48,758 --> 01:09:51,461
I’M HERE HAVING A MEETING.
YOU?
1680
01:09:51,461 --> 01:09:53,730
THAT’S SO WEIRD BECAUSE
I’M HAVING A MEETING, TOO.
1681
01:09:53,730 --> 01:09:55,298
AND YOU’RE DRINKING.
1682
01:09:55,298 --> 01:09:56,833
ACTUALLY THIS ISN’T MINE.
THIS IS MY FRIEND’S.
1683
01:09:56,833 --> 01:09:59,769
ACTUALLY IT IS YOURS.
I JUST SAW YOU DRINK IT.
1684
01:10:01,070 --> 01:10:03,439
AH. GOOD ONE.
1685
01:10:03,439 --> 01:10:06,810
I’M JUST SURPRISED
TO SEE YOU HERE.
1686
01:10:06,810 --> 01:10:09,045
COULD WE POSSIBLY TALK
ABOUT THIS ANOTHER TIME?
1687
01:10:09,045 --> 01:10:10,280
ACTUALLY WE CAN’T
1688
01:10:10,280 --> 01:10:12,448
BECAUSE THAT WILL JUST GIVE
YOU A LITTLE MORE TIME
1689
01:10:12,448 --> 01:10:14,651
TO CREATE SOME MORE LIES.
1690
01:10:14,651 --> 01:10:17,520
OKAY, OUR PROGRAM
IS ABOUT ANONYMITY,
1691
01:10:17,520 --> 01:10:18,922
AND RIGHT NOW WE’RE IN PUBLIC.
1692
01:10:18,922 --> 01:10:20,723
SHUT UP.
1693
01:10:20,723 --> 01:10:27,030
YOU’RE JUST HERE TO SLEEP
YOUR WAY TO GET YOUR WHAT,
YOUR SO-CALLED BIG BREAK?
1694
01:10:27,030 --> 01:10:28,398
FIRST OF ALL, JASON,
1695
01:10:28,398 --> 01:10:34,270
YOU DON’T HAVE THE TALENT
TO CREATE A SO-CALLED SERIES
1696
01:10:34,270 --> 01:10:36,272
BECAUSE THAT WOULD MEAN
YOU WOULD HAVE TO WORK,
1697
01:10:36,272 --> 01:10:37,607
AND IF YOU HAVE TO WORK,
1698
01:10:37,607 --> 01:10:40,109
THAT MEANS SEEING SOMETHING
TO COME TO FRUITION,
1699
01:10:40,109 --> 01:10:43,279
WHICH MEANS YOU WOULD
HAVE TO HAVE INTEGRITY.
1700
01:10:43,279 --> 01:10:46,516
AND YOU DON’T EVEN KNOW
WHAT INTEGRITY MEANS.
1701
01:10:46,516 --> 01:10:49,452
MY GOD,
YOU’RE IN A BAR DRINKING.
1702
01:10:49,452 --> 01:10:51,254
YOU’VE BEEN LYING TO ME.
1703
01:10:51,254 --> 01:10:55,558
ALL THESE MONTHS
YOU’VE BEEN LYING TO ME.
1704
01:10:55,558 --> 01:10:58,728
I THOUGHT YOU WERE SOBER.
1705
01:10:58,728 --> 01:11:01,097
I KNEW YOU WEREN’T SOBER.
1706
01:11:01,097 --> 01:11:05,134
AS FAR AS YOUR DREAMS,
1707
01:11:05,134 --> 01:11:07,303
THEY ARE NOT HAPPENING,
1708
01:11:07,303 --> 01:11:08,638
NOT WITH ME.
1709
01:11:08,638 --> 01:11:10,240
WELL I’LL FIND THEM
WITH SOMEONE ELSE, THEN.
1710
01:11:12,709 --> 01:11:14,577
I’M SO SORRY.
LET’S JUST GO.
1711
01:11:23,453 --> 01:11:25,989
I WAS GOING--
I WAS WALKING DOWN THE STREET
OVER IN HOLLYWOOD,
1712
01:11:25,989 --> 01:11:28,024
AND I SAW THIS
HOMELESS WOMAN TAKING A PISS
1713
01:11:28,024 --> 01:11:29,792
LIKE THERE WAS NO TOMORROW,
1714
01:11:29,792 --> 01:11:31,427
IN BROAD DAYLIGHT,
I MIGHT ADD.
1715
01:11:31,427 --> 01:11:33,062
SHE WAS FIERCE.
1716
01:11:33,062 --> 01:11:34,864
AND I’M WALKING
DOWN THE STREET,
1717
01:11:34,864 --> 01:11:36,799
AND SHE JUST LOOKS OVER AT ME,
1718
01:11:36,799 --> 01:11:38,801
YOU KNOW,
WHILE SHE’S POPPING HER SQUAT,
1719
01:11:38,801 --> 01:11:40,904
"HEY DRACULA."
1720
01:11:44,374 --> 01:11:48,077
I LOOK LIKE THREE DEAD PEOPLE.
1721
01:11:48,077 --> 01:11:50,413
ONE OF THEM JUST HAPPENS
TO BE IMMORTAL,
1722
01:11:50,413 --> 01:11:51,814
WHICH IS GREAT.
1723
01:12:09,465 --> 01:12:10,934
[COREY]
I HAVE NEVER IN MY LIFE
1724
01:12:10,934 --> 01:12:14,103
RECEIVED A TEXT
LIKE THAT BEFORE.
1725
01:12:14,103 --> 01:12:16,439
"GOODBYE FOREVER"?
1726
01:12:16,439 --> 01:12:21,044
WHAT WERE YOU THINKING?
1727
01:12:21,044 --> 01:12:23,913
THAT I COULDN’T LIVE
WITHOUT YOU.
1728
01:12:23,913 --> 01:12:28,051
OF COURSE YOU CAN LIVE
WITHOUT ME.
1729
01:12:28,051 --> 01:12:30,286
WHAT I WANT TO KNOW IS,
WHO CALLED 911?
1730
01:12:30,286 --> 01:12:33,389
I DID, OF COURSE,
WHO ELSE WAS HERE?
1731
01:12:33,389 --> 01:12:37,226
I’M HAPPY TO SAY
THEY CAME RIGHT AWAY.
1732
01:12:37,226 --> 01:12:38,928
YOU COULD HAVE CALLED ME,
YOU KNOW.
1733
01:12:38,928 --> 01:12:40,697
THAT’S JUST IT.
1734
01:12:40,697 --> 01:12:42,632
YOU WEREN’T HERE.
1735
01:12:43,833 --> 01:12:45,768
WELL, I’M HERE NOW.
1736
01:12:49,205 --> 01:12:51,441
OH, COREY.
1737
01:12:51,441 --> 01:12:55,778
I HAD THE MOST HORRIBLE DREAM.
1738
01:12:55,778 --> 01:12:58,281
MY FATHER LEFT
WHEN I WAS EIGHT YEARS OLD,
1739
01:12:58,281 --> 01:13:00,283
ME AND MY MOTHER,
1740
01:13:00,283 --> 01:13:03,686
AND BEFORE HE LEFT,
HE WAS VERY CRUEL,
1741
01:13:03,686 --> 01:13:07,090
AND HE WAS ABSENT
MOST OF THE TIME ANYWAY.
1742
01:13:07,090 --> 01:13:12,762
ANYWAY, AFTER 60 YEARS,
HE CAME BACK.
1743
01:13:12,762 --> 01:13:15,898
THERE HE IS, CLEAR AS DAY,
1744
01:13:15,898 --> 01:13:18,067
AND HE HANDS ME THIS NOTE.
1745
01:13:18,067 --> 01:13:21,270
AND I--
1746
01:13:21,270 --> 01:13:23,539
I TRY AND OPEN IT,
AND I CAN’T.
1747
01:13:23,539 --> 01:13:31,014
AND I LOOK UP, AND HE SAYS,
"MARY, I LOVE YOU."
1748
01:13:31,014 --> 01:13:33,950
AND THEN HE WENT AWAY.
1749
01:13:36,352 --> 01:13:39,689
AND I CAME
TO THE REALIZATION THAT...
1750
01:13:41,391 --> 01:13:47,463
I’VE BEEN AN EMPTY SHELL
FOR A LONG TIME.
1751
01:13:47,463 --> 01:13:49,999
I’VE BEEN LIVING MY LIFE
1752
01:13:49,999 --> 01:13:51,534
GOING THROUGH THE MOTIONS,
1753
01:13:51,534 --> 01:13:56,139
BUT THERE HASN’T BEEN
ANY REALITY TO IT.
1754
01:13:56,139 --> 01:14:00,643
IT’S BEEN INAUTHENTIC.
1755
01:14:00,643 --> 01:14:05,415
YOU’VE REACHED
A PLACE OF EMPTINESS,
1756
01:14:05,415 --> 01:14:11,487
AND THAT’S OKAY, MARY.
1757
01:14:11,487 --> 01:14:14,924
THERE’S A BEAUTY TO THAT.
1758
01:14:14,924 --> 01:14:17,427
THIS IS WHERE YOUR LIFE
REALLY BEGINS.
1759
01:14:19,529 --> 01:14:23,332
I’M VERY TIRED.
1760
01:14:23,332 --> 01:14:25,601
I DON’T WANT TO BE
A BURDEN ON ANYBODY.
1761
01:14:25,601 --> 01:14:27,403
OH, MARY.
1762
01:14:27,403 --> 01:14:29,939
IT’S NEVER TOO LATE
TO START AGAIN.
1763
01:14:29,939 --> 01:14:32,341
YOU HAVE EVERYTHING.
1764
01:14:32,341 --> 01:14:35,044
MILLIONS OF PEOPLE
AROUND THE WORLD ADORE YOU.
1765
01:14:35,044 --> 01:14:37,847
THEY ADORE HER,
THE ONE ONSCREEN.
1766
01:14:37,847 --> 01:14:43,086
DO YOU KNOW THAT YOU WERE
THE ONLY AUTHENTIC RELATIONSHIP
1767
01:14:43,086 --> 01:14:45,154
I’VE EVER HAD IN MY LIFE?
1768
01:14:45,154 --> 01:14:49,892
WELL,
WE’RE THE PERFECT COUPLE.
1769
01:15:05,541 --> 01:15:07,510
OH, COREY.
1770
01:15:07,510 --> 01:15:09,112
OH, HEY.
1771
01:15:09,112 --> 01:15:11,614
SORRY, I THINK SOME OF MY STUFF
GOT MIXED UP IN YOUR LAUNDRY.
1772
01:15:11,614 --> 01:15:13,883
THAT’S COOL, MAN.
WHAT’S GOING ON?
1773
01:15:17,153 --> 01:15:20,723
UH, CAN I ASK YOU FOR A FAVOR?
1774
01:15:20,723 --> 01:15:22,859
SURE.
THANKS.
1775
01:15:22,859 --> 01:15:28,331
UM, I THINK I JUST--
1776
01:15:28,331 --> 01:15:30,766
WILL YOU JUST HOLD ME
FOR A MINUTE?
1777
01:15:30,766 --> 01:15:32,235
YEAH, OF COURSE.
1778
01:15:32,235 --> 01:15:33,369
THANKS.
1779
01:15:37,306 --> 01:15:41,644
YOU OKAY, MAN?
HAD A STRESSFUL DAY AT WORK?
1780
01:15:41,644 --> 01:15:43,312
NO, IT’S NOT THAT.
1781
01:15:43,312 --> 01:15:46,215
IT’S JUST...
1782
01:15:46,215 --> 01:15:52,755
I HAVEN’T SEEN ANOTHER BODY
IN FRONT OF ME IN SO LONG
THAT IT JUST--
1783
01:15:52,755 --> 01:15:56,459
WHEN I SAW YOU,
I WAS JUST TAKEN FOR A SECOND.
1784
01:15:56,459 --> 01:16:02,031
I THINK I JUST NEED
TO BE HELD.
1785
01:16:02,031 --> 01:16:03,633
IT’S OKAY.
1786
01:16:03,633 --> 01:16:07,770
WHY DON’T YOU JUST GO OUT
AND HAVE SOME SEX?
1787
01:16:07,770 --> 01:16:10,106
NO. I DON’T WANT SEX.
1788
01:16:10,106 --> 01:16:13,776
THAT’S-- SEX IS DARK.
1789
01:16:13,776 --> 01:16:16,012
I JUST I DON’T WANT THAT.
1790
01:16:16,012 --> 01:16:17,914
IT DOESN’T HAVE TO BE DARK.
1791
01:16:17,914 --> 01:16:21,951
IT CAN ACTUALLY BE
REALLY LOVING IF IT’S
WITH THE RIGHT PERSON.
1792
01:16:21,951 --> 01:16:23,319
I KNOW.
1793
01:16:23,319 --> 01:16:26,189
I JUST I DON’T EVEN WANT
THE RIGHT PERSON.
1794
01:16:26,189 --> 01:16:28,858
I’M TOO INDEPENDENT.
I DON’T WANT ANYBODY.
1795
01:16:28,858 --> 01:16:30,326
I JUST--
1796
01:16:33,129 --> 01:16:35,498
I JUST WANT THIS.
1797
01:16:35,498 --> 01:16:36,632
OKAY.
1798
01:16:38,601 --> 01:16:42,672
YOU KNOW, YOU’VE GOT TO BE
THE EASIEST GAY MAN TO PLEASE.
1799
01:16:42,672 --> 01:16:45,808
AU CONTRAIRE, MY FRIEND.
1800
01:16:45,808 --> 01:16:47,577
I THINK I’M THE HARDEST.
1801
01:16:52,682 --> 01:16:54,050
WHAT IF--
1802
01:16:54,050 --> 01:16:57,653
WHAT IF YOU PUT YOUR HAND
ON MY HEART, MY CHEST?
1803
01:16:57,653 --> 01:16:59,088
OKAY.
OKAY.
1804
01:16:59,088 --> 01:17:01,757
IT MAKES ME WANT TO GO
LIKE THIS.
1805
01:17:01,757 --> 01:17:04,427
IT DOES, DOES IT?
REACH-- YES.
1806
01:17:04,427 --> 01:17:05,528
CHOREOGRAPHICALLY.
1807
01:17:05,528 --> 01:17:06,829
OH, OKAY.
1808
01:17:06,829 --> 01:17:08,631
WHAT IF WE GRAB-- HERE?
1809
01:17:08,631 --> 01:17:10,566
NO. THAT ISN’T--
1810
01:17:10,566 --> 01:17:13,436
I’M DEALING
WITH A BALLET DANCER.
THAT’S RIGHT.
1811
01:17:13,436 --> 01:17:14,503
SHOULD I DO THAT?
1812
01:17:14,503 --> 01:17:15,404
YES.
OKAY.
1813
01:17:15,404 --> 01:17:16,806
IT’S BETTER FOR THE LINE.
1814
01:17:16,806 --> 01:17:18,140
YOU’RE RIGHT.
YOU’RE SO RIGHT.
1815
01:17:18,140 --> 01:17:19,508
LOOK AT THAT IN THE MIRROR.
1816
01:17:19,508 --> 01:17:20,443
OKAY. OKAY.
1817
01:17:20,443 --> 01:17:22,411
WHAT IF WE PULL EACH
OTHER THROUGH?
1818
01:17:22,411 --> 01:17:25,181
HERE? HERE?
1819
01:17:25,181 --> 01:17:26,983
YES. YEAH, THAT’S GREAT.
1820
01:17:26,983 --> 01:17:30,586
I FEEL CONNECTED
TO YOU IN THIS.
1821
01:17:30,586 --> 01:17:34,891
MY QUESTION IS,
SO WE’RE ON THE SAME PAGE,
1822
01:17:34,891 --> 01:17:36,525
WHAT IS THIS ABOUT?
1823
01:17:36,525 --> 01:17:40,963
WHAT STORY
ARE WE TRYING TO TELL?
1824
01:17:40,963 --> 01:17:42,565
I DON’T KNOW.
1825
01:17:42,565 --> 01:17:44,567
I GUESS IT’S JUST KIND OF
WRITTEN ITSELF, HASN’T IT?
1826
01:17:44,567 --> 01:17:47,603
YEAH. AND I THINK I KNOW,
AND I THINK YOU KNOW,
1827
01:17:47,603 --> 01:17:49,305
BUT I THINK MAYBE
WE SHOULD JUST...
1828
01:17:49,305 --> 01:17:51,040
SAY IT?
SAY IT.
1829
01:17:51,040 --> 01:17:55,945
I THINK IT’S DEFINITELY
ABOUT A RELATIONSHIP
BETWEEN TWO PEOPLE.
1830
01:17:55,945 --> 01:17:57,113
YES.
1831
01:17:57,113 --> 01:17:59,115
YOU KNOW IN JUDAISM
1832
01:17:59,115 --> 01:18:01,284
WE HAVE A BELIEF
1833
01:18:01,284 --> 01:18:04,353
THAT WHEN
BEFORE YOU’RE EVEN BORN,
1834
01:18:04,353 --> 01:18:06,455
THAT YOU HAVE ANOTHER HALF.
1835
01:18:06,455 --> 01:18:08,691
I MEAN, YOU KNOW,
LIKE A SOUL MATE SORT OF THING.
A SOUL MATE.
1836
01:18:08,691 --> 01:18:10,860
BUT ACTUALLY THE PERSON
THAT YOU’RE--
1837
01:18:10,860 --> 01:18:12,461
THE PERSON THAT COMPLETES YOU.
1838
01:18:12,461 --> 01:18:15,865
I KNOW IT SOUNDS SO CLICHé,
1839
01:18:15,865 --> 01:18:21,304
BUT THAT REALLY FULFILLS
THE PARTS THAT YOU ARE MISSING.
1840
01:18:21,304 --> 01:18:22,605
YOU KNOW WHAT I MEAN?
1841
01:18:22,605 --> 01:18:24,140
SURE.
1842
01:18:24,140 --> 01:18:27,109
AND THAT PART OF YOUR JOURNEY
IN LIFE IS TO FIND THAT PERSON.
1843
01:18:27,109 --> 01:18:29,478
AND YOU FIND THEM IN THE RIGHT
TIME AND EVERYTHING LIKE THAT.
1844
01:18:29,478 --> 01:18:32,481
IS THERE ANYTHING LIKE THAT
IN THE MORMON BACKGROUND,
1845
01:18:32,481 --> 01:18:35,051
OR DO YOU PERSONALLY BELIEVE
IN THAT?
1846
01:18:35,051 --> 01:18:37,787
THERE’S SOMETHING
KIND OF IN THAT VEIN,
1847
01:18:37,787 --> 01:18:41,290
BUT KIND OF WITHOUT
THE ROMANTICISM
AND THE LOVE PART.
1848
01:18:41,290 --> 01:18:43,159
AND HOW DO YOU FEEL?
1849
01:18:43,159 --> 01:18:45,828
I MEAN,
DO YOU STILL BELIEVE THAT?
1850
01:18:45,828 --> 01:18:48,331
I’M DISCOVERING THAT, YES.
1851
01:18:48,331 --> 01:18:49,999
YOU KNOW WHEN I MOVED OUT
TO LOS ANGELES,
1852
01:18:49,999 --> 01:18:53,102
WITHOUT GOING INTO ANY DETAIL,
1853
01:18:53,102 --> 01:18:56,005
I WENT A LITTLE HOG WILD.
1854
01:18:56,005 --> 01:19:00,843
AND I THINK I STEPPED
AWAY FROM THAT NOTION,
1855
01:19:00,843 --> 01:19:03,179
BUT I’M COMING AROUND
1856
01:19:03,179 --> 01:19:06,415
TO THE IDEA THAT THERE
IS SOMEONE MEANT FOR US.
1857
01:19:06,415 --> 01:19:09,251
I’D LIKE TO BELIEVE
THAT THERE’S SOMEONE
THAT’S GONNA COMPLETE ME.
1858
01:19:09,251 --> 01:19:13,589
I THINK I KNOW
WHAT YOU’RE TALKING ABOUT.
1859
01:19:23,065 --> 01:19:26,168
I WANT TO MAKE LOVE TO YOU.
1860
01:19:26,168 --> 01:19:28,771
I’D LIKE THAT.
1861
01:19:28,771 --> 01:19:31,140
WHAT’S YOUR STATUS?
1862
01:19:31,140 --> 01:19:33,876
I’M POSITIVE.
1863
01:19:33,876 --> 01:19:35,077
OH.
1864
01:19:35,077 --> 01:19:37,213
AND YOU?
1865
01:19:37,213 --> 01:19:42,852
I’M NEGATIVE,
AS FAR AS I KNOW.
1866
01:19:42,852 --> 01:19:44,453
IS THAT A DEAL BREAKER?
1867
01:19:44,453 --> 01:19:46,055
NO.
1868
01:19:46,055 --> 01:19:47,690
BUMP IN THE ROAD?
1869
01:19:47,690 --> 01:19:51,961
WELL, YEAH.
1870
01:19:51,961 --> 01:19:59,935
I’M ALWAYS GOING TO WORRY
ABOUT MYSELF AND YOU
AND CONDOMS.
1871
01:19:59,935 --> 01:20:05,107
I WOULDN’T BLAME YOU IF YOU
JUST WANTED TO BE FRIENDS.
1872
01:20:05,107 --> 01:20:07,676
I JUST WANT TO KNOW
MORE ABOUT YOUR HISTORY
1873
01:20:07,676 --> 01:20:10,346
AND HOW YOU’VE BEEN HANDLING
ALL OF THIS.
1874
01:20:10,346 --> 01:20:12,281
IT’S OKAY.
1875
01:20:14,984 --> 01:20:17,920
WHEN DID YOU FIND OUT?
1876
01:20:17,920 --> 01:20:19,822
A YEAR AGO,
1877
01:20:19,822 --> 01:20:21,824
ON MY 26TH BIRTHDAY.
1878
01:20:21,824 --> 01:20:24,393
OH, SHITTY BIRTHDAY PRESENT.
1879
01:20:24,393 --> 01:20:27,430
YEAH, TELL ME ABOUT IT.
1880
01:20:27,430 --> 01:20:31,834
I KNEW I WOULD NEVER HAVE
SEX AGAIN.
1881
01:20:31,834 --> 01:20:36,906
YEAH, BUT, IF WE MEET
IN OUR HEARTS LIKE WE DO,
1882
01:20:36,906 --> 01:20:39,442
I MEAN, REALLY.
1883
01:20:39,442 --> 01:20:44,847
DOESN’T IT GO
BEYOND THE PHYSICAL?
1884
01:20:44,847 --> 01:20:48,317
I WOULD LIKE TO BELIEVE
THAT THERE’S MORE,
1885
01:20:48,317 --> 01:20:50,686
ESPECIALLY FOR A GAY MAN.
1886
01:20:50,686 --> 01:20:52,054
CAN THERE BE MORE?
1887
01:20:52,054 --> 01:20:53,522
THE CHANCES ARE UP TO YOU GUYS.
1888
01:20:53,522 --> 01:20:55,458
WHAT ARE THE CHANCES
AT ANY POINT?
1889
01:20:55,458 --> 01:20:59,528
THIS IS NOT A WORLD
WHERE YOU CAN BET
ON RELATIONSHIP.
1890
01:20:59,528 --> 01:21:01,730
YOU JUST HAVE TO DO
RELATIONSHIP.
1891
01:21:01,730 --> 01:21:03,399
IT’S A YOGA.
1892
01:21:03,399 --> 01:21:04,934
YOU KNOW?
EVERY DAY.
1893
01:21:04,934 --> 01:21:07,303
THAT’S THE GAME.
1894
01:21:07,303 --> 01:21:08,871
THERE’S PLENTY
OF GOOD CHANCES.
1895
01:21:08,871 --> 01:21:10,739
EVERYBODY’S FALLING IN LOVE
RIGHT AND LEFT,
1896
01:21:10,739 --> 01:21:14,543
BUT WHAT IS IT,
75% OF MARRIAGES
END IN DIVORCE?
1897
01:21:14,543 --> 01:21:17,480
SO THERE’S CHALLENGES
TO THE GAME.
1898
01:21:17,480 --> 01:21:23,752
SEX AND LOVE DON’T GO TOGETHER
FOR GAY MEN, DO THEY?
1899
01:21:23,752 --> 01:21:24,854
MAYBE NOT.
1900
01:21:24,854 --> 01:21:26,589
GOD KNOWS
I’VE THOUGHT IT BEFORE,
1901
01:21:26,589 --> 01:21:30,893
BUT I FEEL LIKE
IT’S DIFFERENT WITH US.
1902
01:21:30,893 --> 01:21:32,528
I FEEL COMFORTABLE WITH YOU.
1903
01:21:32,528 --> 01:21:34,663
WHEN I DANCE WITH YOU,
I FEEL AMAZING.
1904
01:21:37,600 --> 01:21:40,736
OKAY, SO WHAT DO WE DO NOW?
1905
01:21:40,736 --> 01:21:44,240
I DON’T KNOW.
1906
01:21:44,240 --> 01:21:46,208
MAYBE PARTNERSHIP.
1907
01:21:46,208 --> 01:21:48,577
BUT WE HAVE THAT CREATIVELY.
1908
01:21:48,577 --> 01:21:50,779
YEAH, WE DO.
1909
01:21:50,779 --> 01:21:53,315
WHY CAN’T WE HAVE IT
ROMANTICALLY, TOO?
1910
01:22:03,859 --> 01:22:05,895
♪ OOH, OOH ♪
1911
01:22:08,063 --> 01:22:10,332
♪ MM, MM, MM, MM ♪
1912
01:22:17,940 --> 01:22:19,808
♪ MAKE A WISH ♪
1913
01:22:19,808 --> 01:22:25,147
♪ TEST WHAT FATE
HAS PLANNED FOR YOU ♪
1914
01:22:25,147 --> 01:22:27,616
♪ LOOK FOR LOVE ♪
1915
01:22:27,616 --> 01:22:31,420
♪ YOU CAN HOPE TO FIND ♪
1916
01:22:32,721 --> 01:22:34,590
♪ OUR HOPES GET CRUSHED ♪
1917
01:22:34,590 --> 01:22:39,061
♪ AND THEN YOU
ARE THERE AGAIN ♪
1918
01:22:39,061 --> 01:22:41,096
♪ LOOKING FOR THE ONE ♪
1919
01:22:41,096 --> 01:22:48,370
♪ WHO WILL BE
YOUR DREAM COME TRUE ♪
1920
01:22:48,370 --> 01:22:50,639
♪ THROW A COIN ♪
1921
01:22:50,639 --> 01:22:55,778
♪ A PENNY FULL OF HAPPINESS ♪
1922
01:22:55,778 --> 01:22:58,180
♪ NOTHING’S REAL ♪
1923
01:22:58,180 --> 01:23:02,918
♪ LIFE’S A MOVIE PLOT ♪
1924
01:23:02,918 --> 01:23:07,022
♪ A WISH IS NOT A PROMISE ♪
1925
01:23:07,022 --> 01:23:09,792
♪ NO GUARANTEES ♪
1926
01:23:09,792 --> 01:23:13,462
♪ IN THE LAND
OF MAKE BELIEVE ♪
1927
01:23:13,462 --> 01:23:16,999
♪ TAKE WHAT YOU CAN GET ♪
1928
01:23:18,901 --> 01:23:22,471
♪ DREAMERS IN THE DREAMLAND ♪
1929
01:23:22,471 --> 01:23:26,575
♪ SOMETIMES LOSE THEIR WAY ♪
1930
01:23:26,575 --> 01:23:30,145
♪ WHAT IS THERE TO CLING TO? ♪
1931
01:23:30,145 --> 01:23:31,747
♪ TO LOVE ♪
1932
01:23:31,747 --> 01:23:33,849
♪ THERE’S ONLY LOVE ♪
1933
01:23:33,849 --> 01:23:36,018
♪ THERE’S SOMETHING ♪
1934
01:23:36,018 --> 01:23:37,519
♪ MM ♪
1935
01:23:37,519 --> 01:23:39,421
♪ MAKE A WISH ♪
1936
01:23:39,421 --> 01:23:41,490
♪ MM ♪
1937
01:23:41,490 --> 01:23:43,392
♪ DREAM A DREAM ♪
1938
01:23:53,235 --> 01:23:55,237
♪ WALKING ON ♪
1939
01:23:55,237 --> 01:24:00,476
♪ BOULEVARD OF BROKEN DREAMS ♪
1940
01:24:00,476 --> 01:24:02,811
♪ NO ONE WINS ♪
1941
01:24:02,811 --> 01:24:07,850
♪ BUT ALONG THE WAY ♪
1942
01:24:07,850 --> 01:24:11,687
♪ LOVE UNFOLDS
AND FILLS THEIR HEARTS ♪
1943
01:24:11,687 --> 01:24:14,356
♪ WITH FANTASIES ♪
1944
01:24:14,356 --> 01:24:17,760
♪ LEAVING THEM TO REALLY SEE ♪
1945
01:24:17,760 --> 01:24:21,330
♪ JUST WHAT LIFE IS LIKE ♪
1946
01:24:37,146 --> 01:24:39,615
[NO AUDIBLE DIALOGUE]
1947
01:24:49,692 --> 01:24:55,130
[NO AUDIBLE DIALOGUE]
1948
01:25:48,450 --> 01:25:51,587
THAT WAS AN INTERESTING
SUMMER, BOYS.
1949
01:25:51,587 --> 01:25:55,023
YEAH,
I WONDER WHAT’S NEXT.
1950
01:25:55,023 --> 01:25:57,493
WELL, I THINK WE SHOULD
ALL MAKE ANOTHER WISH.
1951
01:25:57,493 --> 01:25:59,094
OH, MY GOD.
[CHUCKLES]
1952
01:25:59,094 --> 01:26:00,295
BEN, LET ME GUESS.
1953
01:26:00,295 --> 01:26:01,930
LET’S WISH FOR LOVE.
1954
01:26:01,930 --> 01:26:04,233
NOT JUST LOVE.
1955
01:26:04,233 --> 01:26:07,136
SOMETHING THAT EACH
OF US LOVE.
1956
01:26:07,136 --> 01:26:10,038
I LOVE COCK.
[LAUGHS]
1957
01:26:10,038 --> 01:26:11,540
HM.
1958
01:26:11,540 --> 01:26:15,544
HOW ABOUT A PENNY FULL
OF HAPPINESS?
1959
01:26:19,381 --> 01:26:20,516
YEAH.
142129
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