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These are the user uploaded subtitles that are being translated: 1 00:00:09,316 --> 00:00:10,884 [MAN] ONCE UPON A TIME, 2 00:00:10,884 --> 00:00:16,090 THERE WAS A LITTLE BOY WHO DREAMED OF A MAGICAL CITY. 3 00:00:16,090 --> 00:00:21,095 HE DREAMED OF A CITY WHERE EVERYONE WAS A LITTLE BOY-- 4 00:00:21,095 --> 00:00:23,664 BOYS WHO LIKED TO PARTY, 5 00:00:23,664 --> 00:00:25,966 BOYS WHO LOVED THE SUNSHINE, 6 00:00:25,966 --> 00:00:30,804 BOYS WHO WERE INTERESTED IN EACH OTHER. 7 00:00:30,804 --> 00:00:34,041 THIS BOY DREAMED OF A GAY WORLD, 8 00:00:34,041 --> 00:00:37,845 A NEVER-NEVER LAND OF BOYS WHO NEVER GREW UP. 9 00:00:39,513 --> 00:00:42,916 AND THEN I MOVED THERE, 10 00:00:42,916 --> 00:00:45,653 TO WEST HOLLYWOOD, CALIFORNIA, 11 00:00:45,653 --> 00:00:48,555 IN THE MIDDLE OF LOS ANGELES, 12 00:00:48,555 --> 00:00:52,259 A MAGICAL CITY INSIDE OF A DREAM LAND. 13 00:00:52,259 --> 00:00:56,864 I WATCHED AS EACH GENERATION ARRIVED BY THE BUSLOAD. 14 00:00:56,864 --> 00:00:59,700 BUT I’M NOT THE MAIN CHARACTER IN THIS STORY. 15 00:00:59,700 --> 00:01:04,371 I’M MERELY A FRIEND, AN OBSERVER, A NEIGHBOR, 16 00:01:04,371 --> 00:01:09,877 THERE TO DISPENSE ADVICE AND HIGH-END MARIJUANA. 17 00:01:09,877 --> 00:01:14,648 THIS IS THE STORY OF THREE YOUNG MEN WHO COME TO THIS CITY, 18 00:01:14,648 --> 00:01:17,851 AND ALTOGETHER THEY MAKE A WISH. 19 00:01:17,851 --> 00:01:19,987 WILL THEY GET THEIR WISH? 20 00:01:19,987 --> 00:01:22,489 WILL THEY ACHIEVE THEIR DREAMS? 21 00:01:22,489 --> 00:01:28,829 WILL THEY CRASH AND BURN IN THIS DESPERATELY DIFFICULT CITY? 22 00:01:28,829 --> 00:01:31,365 WELL, THAT’S THE STORY YOU ARE ABOUT TO SEE. 23 00:01:52,419 --> 00:01:53,554 HI. 24 00:01:53,554 --> 00:01:56,457 OH. I MADE IT. 25 00:01:56,457 --> 00:01:58,559 WELCOME TO YOUR NEW HOME. 26 00:01:58,559 --> 00:01:59,893 THANK YOU. 27 00:01:59,893 --> 00:02:02,162 OH, MY GOD. L.A.’S SO MUCH HOTTER. 28 00:02:02,162 --> 00:02:05,032 SO DID YOU EVER THINK YOU WERE GOING TO MOVE TO LOS ANGELES? 29 00:02:05,032 --> 00:02:06,667 NO. 30 00:02:06,667 --> 00:02:09,069 IN FACT, I KIND OF FIGURED IT WAS THE LAST PLACE I’D MOVE. 31 00:02:09,069 --> 00:02:12,005 YEAH. NO ONE EVER THINKS THEY’RE GOING TO MOVE TO L.A. 32 00:02:12,005 --> 00:02:14,842 DREAMS AND FANTASIES LEAD PEOPLE HERE, 33 00:02:14,842 --> 00:02:17,878 LIKE SWALLOWS COMING HOME TO ROOST. 34 00:02:17,878 --> 00:02:19,546 OH YOU’RE GONNA LOVE WEST HOLLYWOOD. 35 00:02:19,546 --> 00:02:21,982 IT’S PRETTY MUCH LIKE HOW WE WERE IN COLLEGE, 36 00:02:21,982 --> 00:02:24,218 EXCEPT FOR MORE BLACKOUTS, BAD DECISIONS, 37 00:02:24,218 --> 00:02:25,352 BUT WITH MORE SUNSHINE. 38 00:02:25,352 --> 00:02:27,521 IT’S AMAZING! 39 00:02:27,521 --> 00:02:28,989 SPEAKING OF BAD DECISIONS, 40 00:02:28,989 --> 00:02:31,325 I THINK WE NEED TO WATCH TROOP BEVERLY HILLS 41 00:02:31,325 --> 00:02:32,593 FOR OLD TIMES SAKE. 42 00:02:32,593 --> 00:02:34,795 YEAH, WE HAVE TO PLAY THE GAME 43 00:02:34,795 --> 00:02:36,864 WHERE AFTER EVERY COSTUME CHANGE, WE HAVE TO TAKE A DRINK. 44 00:02:36,864 --> 00:02:38,699 MM-HM. ♪ BECAUSE IT’S COOKIE TIME ♪ 45 00:02:38,699 --> 00:02:41,435 [TOGETHER] ♪ IT’S COOKIE TIME, IT’S COOKIE TIME ♪ 46 00:02:41,435 --> 00:02:43,070 ♪ IT’S COOKIE TIME ♪ 47 00:02:43,070 --> 00:02:45,272 OOH, YOU’VE BEEN WORKING ON THAT. HUH? 48 00:02:45,272 --> 00:02:47,908 I HATE TO BE ALL HOITY-TOITY AND BE ALL L.A. ON YOU, 49 00:02:47,908 --> 00:02:51,278 BUT WE HAVE TO TALK ABOUT WHAT YOU’RE GONNA DO TO MAKE ENDS MEET, 50 00:02:51,278 --> 00:02:52,613 AND HUSTLING DOESN’T COUNT. 51 00:02:52,613 --> 00:02:53,647 REALLY? I CAN’T? 52 00:02:53,647 --> 00:02:54,681 [CHUCKLES] 53 00:02:54,681 --> 00:02:55,983 I FIGURE WORST COMES TO WORST, 54 00:02:55,983 --> 00:02:57,684 I CAN, I DON’T KNOW, TEACH STEP 55 00:02:57,684 --> 00:02:59,253 OR YOGA BOOTIE BALLET 56 00:02:59,253 --> 00:03:00,854 OR SOMETHING AWFUL 57 00:03:00,854 --> 00:03:02,856 THAT WILL BRING IN THE RENT 58 00:03:02,856 --> 00:03:06,360 AND HELP ME PAY FOR DANCE CLASS. 59 00:03:06,360 --> 00:03:09,196 AND GAS AND BILLS AND WATER 60 00:03:09,196 --> 00:03:11,365 AND TRASH AND PARKING. 61 00:03:11,365 --> 00:03:13,967 NO REALLY, I’LL BE FINE. 62 00:03:13,967 --> 00:03:15,969 OKAY. JUST LOOKING OUT FOR YOU. 63 00:03:17,137 --> 00:03:19,740 WHY AM I THE ONLY ONE DRINKING? 64 00:03:19,740 --> 00:03:23,243 CHEERS. THANK YOU. GOD, JOIN ME. 65 00:03:23,243 --> 00:03:24,778 TO A SUMMER OF SHENANIGANS. 66 00:03:24,778 --> 00:03:26,547 SHENANIGANS AND HOOLIGANS. 67 00:03:26,547 --> 00:03:28,782 ALL RIGHT, BOYS, 68 00:03:28,782 --> 00:03:31,685 WE THREE ARE GOING TO MAKE A WISH. 69 00:03:31,685 --> 00:03:33,453 AND WHAT ARE WE WISHING FOR? 70 00:03:33,453 --> 00:03:35,055 MONEY? NO. 71 00:03:35,055 --> 00:03:36,256 GREAT JOBS. 72 00:03:36,256 --> 00:03:37,524 I DON’T THINK SO. 73 00:03:37,524 --> 00:03:39,126 WORLD PEACE. 74 00:03:39,126 --> 00:03:40,327 THAT’S NICE, TOO, 75 00:03:40,327 --> 00:03:42,596 BUT AREN’T WE ALL LOOKING FOR LOVE? 76 00:03:44,698 --> 00:03:46,767 SO NOT SEX, NOT HOT LOVERS, 77 00:03:46,767 --> 00:03:50,904 NOT TORRID AFFAIRS, JUST HONEST-TO-GOODNESS LOVE? 78 00:03:50,904 --> 00:03:52,873 WHAT ELSE IS THERE TO HOPE FOR 79 00:03:52,873 --> 00:03:54,875 IN THE MIDDLE OF THE COLLAPSE OF THE WORLD’S ECONOMY, 80 00:03:54,875 --> 00:03:58,278 MASSIVE UNEMPLOYMENT, AND THE RETURN OF 90S FASHION? 81 00:04:00,514 --> 00:04:02,916 ALL RIGHT, PENNY. 82 00:04:02,916 --> 00:04:04,551 ONE FOR YOU. THANK YOU. 83 00:04:04,551 --> 00:04:05,986 PENNY. THANK YOU. 84 00:04:05,986 --> 00:04:08,021 A PENNY FULL OF HAPPINESS. 85 00:04:19,533 --> 00:04:23,303 SO YOU ACTUALLY THINK THAT EVERYBODY IS LOOKING FOR LOVE? 86 00:04:23,303 --> 00:04:26,340 WELL, WE DID THROW THE COINS IN THE FOUNTAIN. 87 00:04:26,340 --> 00:04:29,343 THE REST IS HOLLYWOOD MAGIC. 88 00:04:29,343 --> 00:04:33,480 HOLLYWOOD’S ALREADY STARTING TO FUCK WITH ME. 89 00:04:33,480 --> 00:04:34,848 HOW SO? 90 00:04:34,848 --> 00:04:37,184 WELL, I’VE BEEN HERE A WEEK, 91 00:04:37,184 --> 00:04:39,219 AND I ALREADY FEEL LIKE A DIFFERENT PERSON. 92 00:04:39,219 --> 00:04:42,089 LOOK, AM I GOING TO HAVE TO DRAG YOU OUT OF THE CLOSET? 93 00:04:42,089 --> 00:04:43,257 EXCUSE ME? 94 00:04:43,257 --> 00:04:46,159 WE HAVE BEEN SUSPICIOUS ABOUT YOU SINCE COLLEGE. 95 00:04:46,159 --> 00:04:47,294 REALLY? 96 00:04:47,294 --> 00:04:49,062 YOU AND JESSICA? 97 00:04:49,062 --> 00:04:50,330 I LOVE HER, TOO, 98 00:04:50,330 --> 00:04:53,567 BUT THAT WAS NOT A SEXUAL CONNECTION BETWEEN YOU TWO. 99 00:04:53,567 --> 00:04:55,903 WE WERE AS CLOSE AS TWO CAN BE. 100 00:04:55,903 --> 00:04:58,772 LISTEN, YOUR TWO BEST FRIENDS NOW ARE GAY. 101 00:04:58,772 --> 00:05:00,607 YOU CRY WHEN YOU WATCH SWAN LAKE, 102 00:05:00,607 --> 00:05:03,143 AND I CAN SEE YOU CHECKING OUT GUYS. 103 00:05:03,143 --> 00:05:04,378 YOU CAN? 104 00:05:04,378 --> 00:05:05,612 MM-HM. 105 00:05:05,612 --> 00:05:06,613 SO WHAT’S HOLDING YOU BACK? 106 00:05:06,613 --> 00:05:10,284 I DON’T KNOW. 107 00:05:10,284 --> 00:05:15,522 MY FAMILY. PEOPLE’S EXPECTATIONS OF ME. 108 00:05:15,522 --> 00:05:16,723 I’M SCARED. 109 00:05:16,723 --> 00:05:18,558 I MEAN, LOOK, 110 00:05:18,558 --> 00:05:22,396 I JUST WISH I DIDN’T CARE WHAT OTHER PEOPLE THOUGHT. 111 00:05:22,396 --> 00:05:23,630 AND, WHAT IF WHAT IF... 112 00:05:23,630 --> 00:05:25,032 WHAT IF WHAT? 113 00:05:25,032 --> 00:05:27,100 I MEAN, YOU DON’T CARE WHAT OTHER PEOPLE THINK. 114 00:05:27,100 --> 00:05:28,135 THAT’S RIGHT. 115 00:05:28,135 --> 00:05:29,569 I DON’T CARE WHAT PEOPLE THINK. 116 00:05:29,569 --> 00:05:31,238 AND WE’RE ALL HAPPIER FOR IT. 117 00:05:31,238 --> 00:05:34,341 YEAH. WE ARE. 118 00:05:34,341 --> 00:05:37,010 THAT PERFORMANCE PIECE YOU DID IN COLLEGE 119 00:05:37,010 --> 00:05:41,315 WHERE YOU HAD EVERYBODY SHAVE YOU ONE BY ONE WHILE YOU WERE NAKED. 120 00:05:41,315 --> 00:05:44,017 YOU COULDN’T HAVE DONE THAT IF YOU CARED WHAT OTHER PEOPLE THINK. 121 00:05:44,017 --> 00:05:45,652 IT’S ABOUT IDENTITY. 122 00:05:45,652 --> 00:05:49,289 THAT’S WHAT ALL MY WORK DEALS WITH. 123 00:05:49,289 --> 00:05:50,691 WHO AM I? 124 00:05:50,691 --> 00:05:52,426 AND WHO ARE YOU? 125 00:05:52,426 --> 00:05:56,063 NOBODY, AND EVERYBODY. 126 00:05:56,063 --> 00:05:59,099 THE ILLUSION OF THE SELF IS JUST A PERFORMANCE. 127 00:06:00,267 --> 00:06:01,802 AND YOU’RE GAY. 128 00:06:01,802 --> 00:06:03,737 DO YOU FIND DATING IN L.A. DIFFERENT THAN DATING IN-- 129 00:06:03,737 --> 00:06:05,672 I DON’T REALLY DATE VERY MUCH BECAUSE I KIND OF HAVE A BOYFRIEND. 130 00:06:05,672 --> 00:06:08,275 DOES ANYBODY LIKE L.A.? I’M STUCK HERE. I CAN’T LEAVE. 131 00:06:08,275 --> 00:06:09,810 I JUST COULDN’T SHOW YOU TO DADDY. 132 00:06:09,810 --> 00:06:11,144 YOU’D BE MY DIRTY SECRET. 133 00:06:11,144 --> 00:06:12,813 YOU KNOW WHO LOVES SALADS? MY EX-BOYFRIEND PAUL. 134 00:06:12,813 --> 00:06:14,414 I DID SUGGEST IT, 135 00:06:14,414 --> 00:06:16,450 BUT I DIDN’T ASSUME YOU WERE GOING TO ORDER CARB-BASED-- 136 00:06:16,450 --> 00:06:18,685 DO YOU EVER WEAR JOCK STRAPS AND THINGS LIKE THAT? 137 00:06:18,685 --> 00:06:19,686 BECAUSE I LOVE A LITTLE-- 138 00:06:19,686 --> 00:06:21,054 DO YOU HAVE A BIG DICK? 139 00:06:21,054 --> 00:06:22,556 IT’S JUST SOMETHING I WANT TO PURSUE. 140 00:06:22,556 --> 00:06:24,224 BEN, LISTEN. SHH. YOU’RE PRETTY, BUT DON’T TALK. 141 00:06:24,224 --> 00:06:25,959 A LOT OF PEOPLE THINK THAT JUST BECAUSE YOU’RE GAY 142 00:06:25,959 --> 00:06:27,794 YOU CAN’T BE RACIST. THAT’S NOT TRUE. 143 00:06:27,794 --> 00:06:30,864 I JUST DON’T REALLY FEEL IT, LIKE I FEEL IT RIGHT NOW WITH ME AND YOU. 144 00:06:30,864 --> 00:06:33,033 YOU’RE SO NAIVE, YOU’RE SO PRETTY, BUT YOU’RE SO DUMB. 145 00:06:33,033 --> 00:06:35,102 I HATE A LOT OF DIFFERENT PEOPLE. I HATE ASIAN PEOPLE. 146 00:06:35,102 --> 00:06:36,470 I HAVE TOO MUCH LOVE TO GIVE. 147 00:06:36,470 --> 00:06:37,471 I ACTUALLY HATE GAY PEOPLE. 148 00:06:37,471 --> 00:06:38,538 YOU SHOULD LIVE WITH ME. 149 00:06:38,538 --> 00:06:39,773 I AM WAITING FOR SOMETHING SMART 150 00:06:39,773 --> 00:06:41,241 TO COME OUT OF YOUR MOUTH. I THOUGHT-- 151 00:06:41,241 --> 00:06:42,743 YOU SAY THE WORD, AND HE’S OUT. 152 00:06:42,743 --> 00:06:44,478 I’M FLABBERGASTED AT THIS. 153 00:06:44,478 --> 00:06:45,779 I’M ACTUALLY NOT GAY MYSELF. 154 00:06:45,779 --> 00:06:46,813 I’M HERE IN THE BELLY OF THE BEAST. 155 00:06:46,813 --> 00:06:47,981 YOU’RE NOT GAY? 156 00:06:47,981 --> 00:06:50,083 NO, I’LL SLEEP WITH YOU, THOUGH. 157 00:06:50,083 --> 00:06:52,185 [BEN] NO, IT’S NOT THAT I MIND BEING GAY. 158 00:06:52,185 --> 00:06:54,654 IT’S THE GAY WORLD I DON’T LIKE. 159 00:06:54,654 --> 00:06:57,024 [JASON] THERE’S A LOT OF SHADY BITCHES OUT THERE 160 00:06:57,024 --> 00:06:59,226 AND A LOT OF SHADY BITCHES THAT NEED TO GET CUT. 161 00:06:59,226 --> 00:07:01,061 [IMITATES SWITCHBLADE OPENING] 162 00:07:01,061 --> 00:07:02,729 LOOK, I MEAN, THERE’S THAT SIDE TO IT. 163 00:07:02,729 --> 00:07:04,765 BUT LOOK AT THE OTHER SIDE. 164 00:07:04,765 --> 00:07:06,299 I MEAN, IF YOU THINK ABOUT IT, 165 00:07:06,299 --> 00:07:07,901 THERE’S SOMETHING VERY BEAUTIFUL 166 00:07:07,901 --> 00:07:11,038 ABOUT THE GAY EXPERIENCE. 167 00:07:11,038 --> 00:07:13,140 THERE’S SOMETHING VERY COURAGEOUS ABOUT IT. 168 00:07:13,140 --> 00:07:14,641 HOW? 169 00:07:14,641 --> 00:07:18,645 TAKE, FOR EXAMPLE, TWO MEN HOLDING HANDS IN PUBLIC. 170 00:07:18,645 --> 00:07:23,917 THAT’S MORE THAN JUST TWO MEN SHOWING THEIR AFFECTION. 171 00:07:23,917 --> 00:07:26,686 THEY’RE TAKING A STAND AGAINST SOCIETY, 172 00:07:26,686 --> 00:07:28,488 FOR WHAT THEY BELIEVE AND HOW THEY FEEL. 173 00:07:28,488 --> 00:07:31,224 I MEAN, WHAT COULD BE MORE ROMANTIC THAN THAT? 174 00:07:31,224 --> 00:07:33,226 OR MORE BEAUTIFUL? 175 00:07:33,226 --> 00:07:34,294 TRUE. 176 00:07:34,294 --> 00:07:37,197 AND STILL, I DON’T BELIEVE THAT GAYNESS 177 00:07:37,197 --> 00:07:40,901 SHOULD NECESSARILY BE THE CENTER OF ONE’S IDENTITY. 178 00:07:40,901 --> 00:07:43,403 NO, BUT IT IS DEFINITELY A PART OF WHO YOU ARE. 179 00:07:43,403 --> 00:07:44,771 IT’S DEFINITELY PART OF YOUR IDENTITY. 180 00:07:44,771 --> 00:07:46,606 I MEAN, THINK ABOUT IT. 181 00:07:46,606 --> 00:07:48,975 IT’S KIND OF LIBERATING IN SOME RESPECTS. ISN’T IT? 182 00:07:48,975 --> 00:07:52,579 ONCE YOU’RE OUT, I MEAN, LIKE, YOU KNOW, I MEAN, 183 00:07:52,579 --> 00:07:55,148 BEFORE YOU’RE OUT, YOU WORRY ABOUT EVERYBODY JUDGING YOU. 184 00:07:55,148 --> 00:07:58,251 AND THEN ONCE YOU ARE, YOU’RE ALREADY GOING AGAINST ALL OF THAT. 185 00:07:58,251 --> 00:08:00,220 WHO GIVES A FUCK IF ANYBODY JUDGES YOU? 186 00:08:00,220 --> 00:08:01,721 WELL, BUT THAT’S THE POINT. 187 00:08:01,721 --> 00:08:04,224 ONCE YOU’RE OUT AND YOU’VE DONE ALL THAT, 188 00:08:04,224 --> 00:08:05,559 YOU DON’T REALLY CARE 189 00:08:05,559 --> 00:08:07,761 ABOUT WHAT SOMEBODY ELSE THINKS OF YOUR CLOTHES 190 00:08:07,761 --> 00:08:09,196 OR SOMETHING ELSE STUPID LIKE THAT. 191 00:08:09,196 --> 00:08:10,597 SO IN SOME RESPECTS, IT’S LIBERATING. 192 00:08:10,597 --> 00:08:12,132 IT IS LIBERATING. 193 00:08:12,132 --> 00:08:15,268 I KNOW FOR A FACT WHEN I GET UP ON STAGE AND I DO MY THING, 194 00:08:15,268 --> 00:08:17,003 IT’S NOT A MATTER OF "OH, HI, I’M GAY. 195 00:08:17,003 --> 00:08:18,605 YOU’RE GOING TO SEE A GAY PERSON NOW." 196 00:08:18,605 --> 00:08:21,108 IT’S MORE LIKE "THIS IS WHAT I DO. 197 00:08:21,108 --> 00:08:23,877 AND IF YOU DON’T LIKE, THEN GO FUCK YOURSELF." 198 00:08:23,877 --> 00:08:25,579 I DON’T CARE. 199 00:08:25,579 --> 00:08:27,981 YOU’RE WASTING MY TIME AND YOU’RE WASTING YOUR TIME. 200 00:08:27,981 --> 00:08:29,282 IT’S NOT WHO I AM. 201 00:08:29,282 --> 00:08:32,052 IT JUST HAPPENS TO BE WHAT I AM. 202 00:08:32,052 --> 00:08:35,756 AND THAT’S HOW I FEEL. AND I’M DONE. 203 00:08:35,756 --> 00:08:36,890 OH, MY GOD. 204 00:08:36,890 --> 00:08:39,025 WE’RE SERIOUSLY TALKING 205 00:08:39,025 --> 00:08:40,994 ABOUT GAY RIGHTS AND DEEP STUFF 206 00:08:40,994 --> 00:08:42,329 WHILE WE’RE AT THE BEACH. 207 00:08:42,329 --> 00:08:43,763 LET’S FORGET THIS. LET’S GO FOR A SWIM. 208 00:08:43,763 --> 00:08:45,298 NO. COME ON. SWIM. 209 00:08:45,298 --> 00:08:46,933 NO. I’M MADE OF SUGAR. I’LL MELT. 210 00:08:46,933 --> 00:08:48,068 SWIM SWIM SWIM! 211 00:08:48,068 --> 00:08:50,403 YOU’RE RUINING MY SUNSHINE. 212 00:08:50,403 --> 00:08:51,505 NO! 213 00:09:25,705 --> 00:09:27,807 I HAVE BEEN TOLD THAT I LOOK LIKE SOME CELEBRITIES LATELY. 214 00:09:27,807 --> 00:09:29,442 I DON’T KNOW ABOUT YOU GUYS, 215 00:09:29,442 --> 00:09:31,378 BUT I GUESS THAT’S THE THING TO DO OUT HERE IN L.A. 216 00:09:31,378 --> 00:09:34,047 EVERYBODY LOOKS LIKE SOMEBODY. 217 00:09:34,047 --> 00:09:35,882 HOWEVER, I DON’T WANT TO BE TOLD 218 00:09:35,882 --> 00:09:38,485 THAT I LOOK LIKE CERTAIN PEOPLE. 219 00:09:38,485 --> 00:09:39,953 FOR EXAMPLE, 220 00:09:39,953 --> 00:09:41,354 I WAS AT TARGET THE OTHER DAY, 221 00:09:41,354 --> 00:09:43,190 AND I WAS JUST GOING DOWN THE AISLE, 222 00:09:43,190 --> 00:09:45,292 YOU KNOW, BUYING MY NECESSITIES, 223 00:09:45,292 --> 00:09:47,561 YOU KNOW, TOILETRIES, LUBE. 224 00:09:47,561 --> 00:09:51,331 AND THIS LITTLE GIRL CAME UP TO ME 225 00:09:51,331 --> 00:09:53,066 IN THE LUBE SECTION. NO. 226 00:09:53,066 --> 00:09:55,302 AND SHE SAID, "DO YOU KNOW WHO LOOK LIKE?" 227 00:09:55,302 --> 00:09:56,670 AND I WAS LIKE, "WOW, WHAT A MAGICAL MOMENT." 228 00:09:56,670 --> 00:09:58,371 NO ONE’S EVER ASKED ME THAT BEFORE. 229 00:09:58,371 --> 00:10:00,040 I’M THINKING TO MYSELF, OH, I DON’T KNOW. 230 00:10:00,040 --> 00:10:01,575 I’VE NEVER REALLY THOUGHT ABOUT THIS-- 231 00:10:01,575 --> 00:10:03,610 JOHN MAYER, ASHTON KUTCHER, YOUNG PATRICK SWAYZE. 232 00:10:03,610 --> 00:10:06,112 AND SHE SAYS, "NO, YOU LOOK LIKE FRANKENSTEIN" 233 00:10:06,112 --> 00:10:07,214 AND RAN AWAY. 234 00:10:07,214 --> 00:10:09,149 [AUDIENCE MEMBER] AW. I KNOW. 235 00:10:09,149 --> 00:10:13,486 AND I THOUGHT TO MYSELF FIRST, A, WHAT A BITCH. 236 00:10:13,486 --> 00:10:15,222 SHE WAS FIVE. 237 00:10:15,222 --> 00:10:16,590 AND THEN I THINK TO MYSELF, 238 00:10:16,590 --> 00:10:17,824 IS THAT WHAT I LOOK LIKE? 239 00:10:17,824 --> 00:10:20,393 AM I GUY IN THE BAR WITH MY FRIENDS, JUST LIKE 240 00:10:20,393 --> 00:10:21,862 [GROWLING] 241 00:10:21,862 --> 00:10:24,464 "CRUSH CAN. 242 00:10:24,464 --> 00:10:25,999 DROWN CHILD." 243 00:10:31,571 --> 00:10:33,907 HEY, WHAT ARE YOU READING? ARE YOU READING A MAGAZINE? OH, NOTHING. 244 00:10:33,907 --> 00:10:35,809 NO, I WAS JUST FILING SOMETHING. THAT’S FINE. 245 00:10:35,809 --> 00:10:37,210 I DON’T KNOW HOW THAT GOT THERE. 246 00:10:37,210 --> 00:10:38,678 IT’S NOT MINE, BUT YOU CAN READ IT. 247 00:10:38,678 --> 00:10:40,480 IT’S FINE IF YOU WANT TO READ A MAGAZINE. 248 00:10:40,480 --> 00:10:42,182 READING A MAGAZINE? OKAY, HI, JASON. 249 00:10:42,182 --> 00:10:43,984 WHAT ARE YOU DOING? WHAT ARE YOU WORKING ON RIGHT NOW? 250 00:10:43,984 --> 00:10:47,220 I WAS JUST SENDING OUT THE COVER LETTER FOR THAT AUDITION. 251 00:10:47,220 --> 00:10:48,855 OH, YEAH, I REALLY WANT TO GET THAT AUDITION. 252 00:10:48,855 --> 00:10:51,758 I REALLY GOT TO GET IN THERE. NOT WITHOUT THE MOON. 253 00:10:51,758 --> 00:10:53,827 I THINK THIS IS THE ONE. 254 00:10:53,827 --> 00:10:56,396 UM, MY GOD. ANYWAY, THIS IS HARD. 255 00:10:56,396 --> 00:10:57,864 THIS IS WEIRD. 256 00:10:57,864 --> 00:10:59,933 I THOUGHT THIS WOULD BE A LOT EASIER, BUT IT’S REALLY HARD. 257 00:10:59,933 --> 00:11:01,735 WE, UM-- JASON, WE REALLY LIKE YOU. 258 00:11:01,735 --> 00:11:05,605 BUT WE-- WE DON’T REALLY HAVE A LOT OF MONEY. 259 00:11:05,605 --> 00:11:08,141 SO WE’RE, LIKE, GOING TO NOT BE ABLE TO PAY YOU ANYMORE, 260 00:11:08,141 --> 00:11:09,676 AND WE’RE, LIKE, LOSING THE OFFICE. 261 00:11:09,676 --> 00:11:11,011 WOW. 262 00:11:11,011 --> 00:11:12,012 NOT SAYING ANYTHING RIGHT NOW, WHICH IS WEIRD. 263 00:11:12,012 --> 00:11:14,281 WELL, I’M A LITTLE IN SHOCK. 264 00:11:14,281 --> 00:11:15,582 I’M SORRY. THIS IS WEIRD. 265 00:11:15,582 --> 00:11:18,652 WE REALLY LIKE YOU. MY MOM REALLY LIKES YOU. 266 00:11:18,652 --> 00:11:21,221 WELL, SHE USED TO. AM I LOSING MY JOB TO COCKTAILS? 267 00:11:21,221 --> 00:11:23,223 WE DID WAIT FOR YOU FOR, LIKE, 20 MINUTES. 268 00:11:23,223 --> 00:11:24,891 I’M SORRY. I HAVE BETTER THINGS TO DO 269 00:11:24,891 --> 00:11:26,726 THAN HANG OUT WITH A 75-YEAR-OLD WOMAN AT BRUNCH. 270 00:11:26,726 --> 00:11:28,828 THAT 75-YEAR-OLD WOMAN HAPPENS TO HAVE A NAME, 271 00:11:28,828 --> 00:11:31,598 AND IT’S BARBARA, BUT SHE GOES BY BARBIE GIRL BECAUSE SHE’S AWESOME. 272 00:11:31,598 --> 00:11:32,999 AND THAT 75-YEAR-OLD WOMAN 273 00:11:32,999 --> 00:11:36,569 DRINKS MOJITOS AND LISTENS TO RIHANNA, SO BACK OFF. OKAY? 274 00:11:36,569 --> 00:11:39,406 ALSO, THIS NEED TO BE REFILLED. IT’S OUT. THIS IS OUT OF WATER. 275 00:11:39,406 --> 00:11:41,107 LOOK THERE’S LIKE BARELY ANY WATER IN HERE. 276 00:11:41,107 --> 00:11:42,709 I’M THIRSTY. I’M STARVING! 277 00:11:42,709 --> 00:11:45,078 I GUESS YOU’LL HAVE TO FIND SOMEBODY TO FILL IT UP 278 00:11:45,078 --> 00:11:46,513 BECAUSE I DON’T WORKING HERE ANYMORE. 279 00:11:46,513 --> 00:11:48,048 YOU CAN’T DO IT BEFORE YOU LEAVE? 280 00:11:48,048 --> 00:11:49,215 NO! 281 00:11:49,215 --> 00:11:50,583 BARBIE GIRL WAS SO RIGHT ABOUT YOU. 282 00:11:50,583 --> 00:11:52,419 SHE SAID YOU’RE A TERRIBLE PERSON. 283 00:11:52,419 --> 00:11:54,087 AND I SAID, "NO, HE’S NOT. HE’S GREAT," 284 00:11:54,087 --> 00:11:55,689 BUT NOW I’M WRONG. I’M ALWAYS WRONG. 285 00:11:55,689 --> 00:11:57,023 THAT’S JUST WEIRD TO ME. 286 00:11:57,023 --> 00:11:58,358 WHY ARE YOU SUCH A HORRIBLE PERSON? 287 00:11:58,358 --> 00:12:00,093 SO YOU CAN GO FUCK YOURSELF. HAVE A GREAT TIME. 288 00:12:00,093 --> 00:12:02,595 OH, MY GOD. FUCK YOU SO HARD. 289 00:12:03,663 --> 00:12:06,599 HEY, LOOK. 290 00:12:06,599 --> 00:12:08,401 [COREY] YOU KNOW WHOSE HOUSE THAT WAS? 291 00:12:08,401 --> 00:12:11,671 [JASON] YO MAMA’S? [LAUGHS] CLOSE. 292 00:12:11,671 --> 00:12:13,273 THAT WAS MERV GRIFFIN’S. 293 00:12:13,273 --> 00:12:15,742 THE TV TALK SHOW HOST? 294 00:12:15,742 --> 00:12:17,344 MORE THAN THAT. 295 00:12:17,344 --> 00:12:19,579 HE WAS ONE OF THE MOST POWERFUL MEN IN HOLLYWOOD. 296 00:12:19,579 --> 00:12:20,647 REALLY? YEAH. 297 00:12:20,647 --> 00:12:22,349 AND A GAY MAN. 298 00:12:22,349 --> 00:12:26,086 SLEEPING AROUND WITH THE LIKES OF BURT LANCASTER AND MONTY CLIFT 299 00:12:26,086 --> 00:12:29,823 ANY OTHER HEARTTHROB AROUND. 300 00:12:29,823 --> 00:12:33,059 STILL, IN A TIME WHERE IT WAS SO UNDERGROUND, 301 00:12:33,059 --> 00:12:36,730 AN ENTIRE CAREER COULD BE KILLED WITH JUST ONE MISSTEP. 302 00:12:36,730 --> 00:12:38,998 OH, MY GOD. 303 00:12:38,998 --> 00:12:41,368 LET’S GO UP THERE, PLEASE. 304 00:12:41,368 --> 00:12:42,836 OKAY. ALL RIGHT. 305 00:12:42,836 --> 00:12:44,104 LET’S GO. HOLD ME. 306 00:12:44,104 --> 00:12:46,072 [GROANS] 307 00:12:46,072 --> 00:12:51,011 WHO DO YOU THINK IS THE MOST POWERFUL GAY MAN IN HOLLYWOOD RIGHT NOW? 308 00:12:51,011 --> 00:12:55,115 THAT WOULD HAVE TO BE DAVID GEFFEN. 309 00:12:55,115 --> 00:12:59,152 DAVID GEFFEN. DAVID GEFFEN. 310 00:12:59,152 --> 00:13:01,321 IS HE MARRIED? 311 00:13:01,321 --> 00:13:02,956 NO. I DON’T THINK SO. 312 00:13:02,956 --> 00:13:04,657 REALLY. YEAH. 313 00:13:04,657 --> 00:13:10,263 SO HE COULD POTENTIALLY MAKE MY ENTIRE CAREER HAPPEN FOR ME 314 00:13:10,263 --> 00:13:15,135 WITH JUST A FEW PHONE CALLS MADE? 315 00:13:15,135 --> 00:13:18,104 IT’S MACHIAVELLI GOES TO HOLLYWOOD. 316 00:13:18,104 --> 00:13:20,140 ♪♪ [HUMMING] 317 00:13:20,140 --> 00:13:21,841 LEAVE YOUR HEARTS AT THE DOOR 318 00:13:21,841 --> 00:13:23,843 AND FORGE BRAVELY ONWARD 319 00:13:23,843 --> 00:13:25,345 TO ULTIMATE POWER. 320 00:13:25,345 --> 00:13:28,448 YOU SAY THAT LIKE IT’S A BAD THING. 321 00:13:28,448 --> 00:13:31,284 WELL, LOVE, FOR SOME MEN, 322 00:13:31,284 --> 00:13:33,119 IF IT EXISTS AT ALL, 323 00:13:33,119 --> 00:13:34,988 IS ALWAYS WRAPPED UP IN PRESTIGE. 324 00:13:34,988 --> 00:13:37,524 UGH. COREY, SPARE ME, PLEASE. 325 00:13:37,524 --> 00:13:40,760 THERE’S A RECESSION ON. DADDY NEEDS NEW SHOES. 326 00:13:40,760 --> 00:13:42,061 AND YOU WILL BE... 327 00:13:42,061 --> 00:13:44,464 OH, I KNOW WHAT I’LL BE. 328 00:13:44,464 --> 00:13:49,836 I’LL BE RICH, POWERFUL, AND A COMPLETE SUCCESS. 329 00:13:49,836 --> 00:13:51,838 [ECHOING] 330 00:13:54,340 --> 00:13:56,443 CAN I ASK YOU A QUESTION? 331 00:13:56,443 --> 00:13:58,545 WHY IS THAT PEOPLE WORSHIP CELEBRITIES, DO YOU THINK? 332 00:13:58,545 --> 00:14:00,580 BECAUSE JESUS IS SO BORING. 333 00:14:00,580 --> 00:14:03,550 IF WE WEREN’T IN SUCH A MONOTHEISTIC MESS, 334 00:14:03,550 --> 00:14:05,885 THE CUP ALWAYS HALF EMPTY, 335 00:14:05,885 --> 00:14:08,755 MAYBE PEOPLE WOULD HAVE COME UP WITH SOME MORE INTERESTING GODS, 336 00:14:08,755 --> 00:14:10,924 YOU KNOW, SOMETHING WORTH WORSHIPPING. 337 00:14:10,924 --> 00:14:15,261 I MEAN, YOU KNOW, I’M SURE CELEBRITIES ARE PERFECTLY NICE PEOPLE, 338 00:14:15,261 --> 00:14:17,597 BUT DO THEY REALLY DESERVE OUR WORSHIP? 339 00:14:17,597 --> 00:14:22,302 I’M TRYING TO SLEEP WITH DAVID GEFFEN, 340 00:14:22,302 --> 00:14:24,704 AND I’M WONDERING IF YOU CAN HELP ME. 341 00:14:24,704 --> 00:14:27,607 WHY? 342 00:14:29,008 --> 00:14:32,312 TO BE FAMOUS. HELLO. 343 00:14:32,312 --> 00:14:33,413 I THOUGHT YOU KNEW THIS. 344 00:14:33,413 --> 00:14:35,014 IT’S JUST A WEIRD GOAL. 345 00:14:35,014 --> 00:14:37,750 I MEAN, DO YOU REALLY WANT TO SLEEP WITH DAVID GEFFEN? 346 00:14:37,750 --> 00:14:40,320 YEAH. I MEAN, THAT’S WHY I’M OUT HERE. 347 00:14:40,320 --> 00:14:41,521 THAT’S WHY I’M DOING THIS. 348 00:14:41,521 --> 00:14:43,022 I DON’T KNOW IF I CAN HELP YOU 349 00:14:43,022 --> 00:14:45,024 ON THE GETTING INTO BED WITH DAVID GEFFEN. 350 00:14:45,024 --> 00:14:47,861 THERE’S OTHER PEOPLE I SUPPOSE YOU COULD SLEEP WITH, 351 00:14:47,861 --> 00:14:49,629 BUT YOU MIGHT HAVE TO SLEEP WITH A LOT. 352 00:14:49,629 --> 00:14:51,631 WELL, THEN THAT WOULD MAKE ME A WHORE. 353 00:14:51,631 --> 00:14:54,033 I FEEL LIKE, SINCE I’VE BEEN OUT HERE, 354 00:14:54,033 --> 00:14:56,503 I CAN’T TALK TO ANYBODY 355 00:14:56,503 --> 00:14:58,071 WITHOUT THEM WANTING TO KNOW WHAT I DO. 356 00:14:58,071 --> 00:15:00,273 AND I DON’T MEAN, LIKE, BECAUSE THEY’RE INTERESTED 357 00:15:00,273 --> 00:15:02,575 OR CURIOUS ABOUT WHAT MY PERSONALITY’S LIKE. 358 00:15:02,575 --> 00:15:04,944 I FEEL LIKE THEY’RE LIKE, "WELL, IF I FUCK YOU, 359 00:15:04,944 --> 00:15:06,779 AM I GONNA GET SOMETHING?" 360 00:15:06,779 --> 00:15:09,749 REALITY IS NOBODY REALLY GIVES A SHIT ABOUT ANYBODY OUT HERE, 361 00:15:09,749 --> 00:15:12,685 SO JUST WORK YOUR GAME, GET WHAT YOU WANT, AND GO. 362 00:15:12,685 --> 00:15:15,488 OKAY, BUT LOVE? 363 00:15:15,488 --> 00:15:18,258 MY GOD, YOU’RE SO MUSHY. 364 00:15:18,258 --> 00:15:19,626 YOU SAY I’M MUSHY, 365 00:15:19,626 --> 00:15:21,794 BUT DO YOU REALLY WANT, JUST, LIKE, ALL THE TIME, 366 00:15:21,794 --> 00:15:25,098 JUST GUY TO GUY, MOVE UP, MOVE UP? 367 00:15:25,098 --> 00:15:26,833 I MEAN, DO YOU EVER WANT ANYTHING MORE? 368 00:15:26,833 --> 00:15:31,538 IF YOU WANT LOVE, IT’LL COME AROUND EVENTUALLY, 369 00:15:31,538 --> 00:15:35,074 MAYBE WHEN YOU’RE A LOT-- A LOT, OLDER. 370 00:15:35,074 --> 00:15:40,013 I FEEL LIKE GAY OR STRAIGHT, WE’RE BUILT TO NEED LOVE. 371 00:15:40,013 --> 00:15:41,281 NO? REALLY? 372 00:15:41,281 --> 00:15:43,716 YOU DON’T EVER WANT ANYBODY TO, LIKE, 373 00:15:43,716 --> 00:15:47,820 TAKE CARE OF YOU WHEN YOU’RE HAVING THOSE HARD TIMES? 374 00:15:47,820 --> 00:15:50,957 IT’S JUST SUCH A TIME COMMITMENT. 375 00:15:50,957 --> 00:15:54,861 IT’S JUST LIKE, "HI, IT’S YOU AGAIN. 376 00:15:54,861 --> 00:15:56,362 YOU’RE OLD NOW." 377 00:15:56,362 --> 00:16:00,199 NO, BUT I MEAN, WHAT ABOUT-- 378 00:16:00,199 --> 00:16:02,502 OKAY, NOT JUST NECESSARILY THE BAD TIMES, 379 00:16:02,502 --> 00:16:03,870 BUT THE GOOD TIMES AS, TOO. 380 00:16:03,870 --> 00:16:06,372 YOU WANT TO SHARE THAT SORT OF STUFF WITH PEOPLE. 381 00:16:06,372 --> 00:16:08,641 THAT’S WHY PEOPLE HAVE DOGS. 382 00:16:09,909 --> 00:16:11,878 HEY, UM, GREAT CLASS. 383 00:16:11,878 --> 00:16:12,912 THANKS. 384 00:16:12,912 --> 00:16:14,247 DO YOU ONLY TEACH PILATES? 385 00:16:14,247 --> 00:16:17,250 NO. I TEACH A LITTLE BIT OF YOGA. 386 00:16:17,250 --> 00:16:21,354 AND, I DON’T KNOW, SOME HIP-HOP OR SOMETHING LIKE THAT, BUT-- 387 00:16:21,354 --> 00:16:23,122 YOU’RE A DANCER. 388 00:16:23,122 --> 00:16:27,994 YEAH, NOT REALLY A HIP-HOP DANCER, ACTUALLY. 389 00:16:27,994 --> 00:16:29,195 HOW DID YOU KNOW? 390 00:16:29,195 --> 00:16:30,430 I CAN TELL. 391 00:16:30,430 --> 00:16:32,231 THE WAY YOU TAUGHT THE CLASS 392 00:16:32,231 --> 00:16:35,835 AND YOUR EXPLANATION OF LINE AND FORM 393 00:16:35,835 --> 00:16:37,103 AND FOLLOWING THROUGH. 394 00:16:37,103 --> 00:16:39,772 I TAKE IT YOU’RE A DANCER, THEN, YOURSELF. 395 00:16:39,772 --> 00:16:41,207 I AM A DANCER. 396 00:16:41,207 --> 00:16:43,409 HUH. WHAT KIND? 397 00:16:43,409 --> 00:16:46,279 I DO WHATEVER PAYS THE RENT, IF THAT MAKES SENSE. 398 00:16:46,279 --> 00:16:47,614 YEAH, I THINK SO. 399 00:16:47,614 --> 00:16:48,982 A LITTLE OF EVERYTHING. 400 00:16:48,982 --> 00:16:50,083 YEAH? 401 00:16:50,083 --> 00:16:51,484 YOU DO BALLET. 402 00:16:51,484 --> 00:16:57,190 I DO, AND YOU DO E.S.P., RIGHT? 403 00:16:57,190 --> 00:16:59,158 I MEAN, HOW DID YOU KNOW? 404 00:16:59,158 --> 00:17:01,394 I CAN JUST TELL. IT’S BEAUTIFUL, 405 00:17:01,394 --> 00:17:02,562 YOUR BODY AND YOUR LINES. 406 00:17:02,562 --> 00:17:04,564 YOU DON’T THINK IT READ TOO-- 407 00:17:04,564 --> 00:17:06,466 I FEEL LIKE SOMETIMES I CAN’T SEPARATE THE DANCE FROM THE TEACHING. 408 00:17:06,466 --> 00:17:08,167 OH, NO. NO, NO, NO. 409 00:17:08,167 --> 00:17:10,903 I THOUGHT IT WAS ABSOLUTELY LOVELY. 410 00:17:10,903 --> 00:17:14,307 GOOD. I’M REALLY HAPPY TO HEAR THAT. 411 00:17:14,307 --> 00:17:16,109 DO YOU EVER-- 412 00:17:16,109 --> 00:17:18,244 I MEAN, WHAT’S YOUR FAVORITE STYLES OF DANCE? 413 00:17:18,244 --> 00:17:19,779 I KNOW YOU SAID YOU DO EVERYTHING, BUT-- 414 00:17:19,779 --> 00:17:21,781 I LOVE CONTEMPORARY. UH-HUH. 415 00:17:21,781 --> 00:17:24,450 BUT I LOVE THE OLD HOLLYWOOD MUSICALS. 416 00:17:24,450 --> 00:17:25,818 REALLY? GENE KELLY AND FRED ASTAIRE. 417 00:17:25,818 --> 00:17:27,353 OF COURSE. 418 00:17:27,353 --> 00:17:30,990 AND I’M ALWAYS TRYING TO FIND A WAY TO MARRY THE TWO TOGETHER. 419 00:17:30,990 --> 00:17:34,093 AND I FEEL LIKE THE EMPHASIS IS ON A VERY DIFFERENT TYPE OF DANCE HERE. 420 00:17:34,093 --> 00:17:36,429 YEAH. ONE OF MY FAVORITE CHOREOGRAPHERS-- 421 00:17:36,429 --> 00:17:38,431 I’M SO UPSET. SHE ACTUALLY DIED TODAY. 422 00:17:38,431 --> 00:17:40,433 UM, PINA BAUSCH. DO YOU KNOW? 423 00:17:40,433 --> 00:17:42,101 THE IRREVERENT GERMAN CHOREOGRAPHER, 424 00:17:42,101 --> 00:17:45,805 CHANGED THE FACE OF THIS HISTORY OF MODERN DANCE. 425 00:17:45,805 --> 00:17:47,106 OH, WOW. 426 00:17:47,106 --> 00:17:48,808 SHE USED TO DO THESE DANCES 427 00:17:48,808 --> 00:17:51,711 WHERE PEOPLE WOULD JUST WALK AROUND THE STAGE DOING NOTHING, 428 00:17:51,711 --> 00:17:54,480 AND THEN SUDDENLY JUST BREAK OUT 429 00:17:54,480 --> 00:17:58,518 INTO THESE CRAZY SPASTIC MOVEMENTS AND STUFF. YOU KNOW WHAT I MEAN? 430 00:17:58,518 --> 00:18:00,520 AND SHE WOULD ASK ALL OF HER DANCERS 431 00:18:00,520 --> 00:18:01,988 ABOUT THEIR PERSONAL LIVES, 432 00:18:01,988 --> 00:18:04,791 ABOUT THEIR PAIN AND THEIR ROMANCE AND EVERYTHING ELSE. 433 00:18:04,791 --> 00:18:06,893 AND THEN SHE WOULD INCLUDE IT. 434 00:18:06,893 --> 00:18:10,363 AND THEN THE DANCES WOULD GROW OUT OF THAT. 435 00:18:10,363 --> 00:18:13,332 YOU DON’T FEEL ANYTHING ELSE WHEN YOU’RE DANCING? 436 00:18:13,332 --> 00:18:15,702 YOU DON’T LIKE TO INCLUDE THOSE THINGS AT ALL? 437 00:18:15,702 --> 00:18:18,771 I THINK THAT I FEEL TERRIBLE MOST OF THE TIME 438 00:18:18,771 --> 00:18:21,541 EXCEPT WHEN I’M DANCING. 439 00:18:21,541 --> 00:18:24,811 WELL, PINA BAUSCH 440 00:18:24,811 --> 00:18:29,482 USED THOSE FEELINGS TO CREATE SOMETHING BEAUTIFUL, 441 00:18:29,482 --> 00:18:33,953 FROM UNDERNEATH, OUT INTO HER ART. 442 00:18:33,953 --> 00:18:35,655 THIS IS LOS ANGELES. 443 00:18:35,655 --> 00:18:38,391 WE USE OUR ART TO CREATE FANTASY. 444 00:18:38,391 --> 00:18:41,260 TO WHAT END? I MEAN... 445 00:18:41,260 --> 00:18:42,795 I DON’T KNOW. 446 00:18:45,465 --> 00:18:48,101 [CRAIG] LOOK, SWAN LAKE. 447 00:18:48,101 --> 00:18:53,573 WELL, THOSE ARE GEESE. 448 00:18:58,978 --> 00:19:00,146 WHAT? 449 00:19:00,146 --> 00:19:02,148 I THOUGHT WE WERE ON THE SAME PAGE HERE. 450 00:19:02,148 --> 00:19:05,551 WE ARE. I LIKE YOU. 451 00:19:05,551 --> 00:19:07,220 I LIKE YOU, TOO. 452 00:19:07,220 --> 00:19:09,822 SO, WHAT’S THE PROBLEM? 453 00:19:11,390 --> 00:19:14,360 I’M JUST STRESSED OUT RIGHT NOW. 454 00:19:14,360 --> 00:19:15,595 IT’S NOT A GOOD TIME. 455 00:19:15,595 --> 00:19:17,597 THAT’S OKAY. 456 00:19:17,597 --> 00:19:19,966 I KNOW PLENTY OF WAYS TO DE-STRESS A GUY. 457 00:19:22,368 --> 00:19:23,970 I KNOW. 458 00:19:23,970 --> 00:19:27,039 I’VE BEEN ASKED TO BE A PART OF A DANCE CONCERT COMING UP, 459 00:19:27,039 --> 00:19:31,611 AND I THOUGH MAYBE WE COULD CHOREOGRAPH A PIECE TOGETHER. 460 00:19:31,611 --> 00:19:33,179 YEAH, I’D LOVE THAT. 461 00:19:33,179 --> 00:19:34,347 I MEAN, I WOULD LOVE THAT, 462 00:19:34,347 --> 00:19:36,682 BUT WHY CAN’T WE DO BOTH? 463 00:20:03,276 --> 00:20:04,444 YOU OKAY? 464 00:20:04,444 --> 00:20:06,078 THAT WAS SOME SERIOUS MOMENTUM? 465 00:20:06,078 --> 00:20:08,648 TELL ME, HAVE YOU EVER DONE A PAS DE DEUX WITH ANOTHER GUY? 466 00:20:08,648 --> 00:20:12,251 YEAH. I MEAN, YES AND NO. 467 00:20:12,251 --> 00:20:14,353 I’VE DONE SOME-- 468 00:20:14,353 --> 00:20:15,855 I’VE DONE PIECES WITH, LIKE, 469 00:20:15,855 --> 00:20:17,490 TWO GUYS AND A GIRL 470 00:20:17,490 --> 00:20:19,959 NO, I MEAN, I’VE DONE A COUPLE OF THINGS 471 00:20:19,959 --> 00:20:23,095 WHERE IT’S JUST A GUY AND THEY WORK IT IN, 472 00:20:23,095 --> 00:20:24,931 SOME LIFTS WITH GUYS, THINGS LIKE THAT, 473 00:20:24,931 --> 00:20:26,799 BUT IT’S REALLY DIFFERENT. 474 00:20:26,799 --> 00:20:29,602 IT’S THE WEIGHT. 475 00:20:29,602 --> 00:20:30,970 YOU’RE STRONG ENOUGH, 476 00:20:30,970 --> 00:20:33,539 BUT THE FULCRUM POINTS ARE DIFFERENT. 477 00:20:33,539 --> 00:20:34,574 THE BALANCE POINTS ARE DIFFERENT. 478 00:20:34,574 --> 00:20:37,210 YEAH. 479 00:20:37,210 --> 00:20:40,179 IF YOU’RE LIFTING ME, WHAT’S YOUR EXPERIENCE WITH LIFTING? 480 00:20:40,179 --> 00:20:43,549 DO YOU DO-- HAVE YOU DONE A LOT OF THAT? 481 00:20:43,549 --> 00:20:46,752 I MEAN, I’VE DONE A LOT-- I’VE DONE SOME PARTNERING. 482 00:20:46,752 --> 00:20:47,987 I’VE DONE A LOT OF PARTNERING 483 00:20:47,987 --> 00:20:50,590 BUT NEVER WITH, I GUESS, ANOTHER GUY. 484 00:20:50,590 --> 00:20:52,525 OKAY. IT IS DIFFERENT. 485 00:20:52,525 --> 00:20:54,460 THERE’S PROBABLY GONNA BE SOME SORT OF A LEARNING CURVE HERE. 486 00:20:54,460 --> 00:20:55,895 I WOULD IMAGINE. YEAH. 487 00:20:55,895 --> 00:20:57,630 [COREY] THIS DOESN’T LOOK TOO BAD. 488 00:20:57,630 --> 00:21:02,134 WHAT IS IT? PERSONAL ASSISTANT. 489 00:21:02,134 --> 00:21:03,769 WHAT ARE YOU DOING? 490 00:21:03,769 --> 00:21:05,738 WHY ARE YOU SUDDENLY SEARCHING FOR A JOB? 491 00:21:05,738 --> 00:21:07,139 YOU HAVEN’T WORKED A DAY IN YOUR LIFE. 492 00:21:07,139 --> 00:21:09,308 WORK IS IMPORTANT? 493 00:21:09,308 --> 00:21:11,177 NOT IF YOU HAVE A TRUST FUND. 494 00:21:11,177 --> 00:21:13,346 OKAY, JIG IS UP. 495 00:21:13,346 --> 00:21:15,147 NO MORE TRUST FUND. 496 00:21:15,147 --> 00:21:16,415 IT’S GONE. 497 00:21:16,415 --> 00:21:17,817 AND I NEED TO GET A JOB, 498 00:21:17,817 --> 00:21:20,453 BUT I WANT SOMETHING WHERE I CAN FURTHER MY CAREER 499 00:21:20,453 --> 00:21:21,487 AS A PERFORMANCE ARTIST. 500 00:21:21,487 --> 00:21:23,589 SO, PERSONAL ASSISTANT. 501 00:21:23,589 --> 00:21:25,157 CHECK THAT OUT. 502 00:21:25,157 --> 00:21:26,025 LET’S SEE. 503 00:21:26,025 --> 00:21:27,593 YOU NEED TO LOVE ANIMALS, 504 00:21:27,593 --> 00:21:28,694 NOT WEAR FUR, 505 00:21:28,694 --> 00:21:30,162 BE ABLE TO MAKE YOUR OWN YOGURT, 506 00:21:30,162 --> 00:21:32,899 AND KNOW THE HISTORY OF TELEVISION. 507 00:21:32,899 --> 00:21:34,467 CAN YOU MAKE YOUR OWN YOGURT? 508 00:21:34,467 --> 00:21:35,835 I MIGHT BE WRONG, 509 00:21:35,835 --> 00:21:39,672 BUT IT SOUNDS LIKE THIS COULD BE MARY REYNOLDS. 510 00:21:40,740 --> 00:21:42,108 RIGHT, OF COURSE. 511 00:21:42,108 --> 00:21:43,142 MARY WHO? 512 00:21:43,142 --> 00:21:44,110 MARY REYNOLDS? 513 00:21:44,110 --> 00:21:45,711 YOU KNOW, AQUA GIRL? FROM THE ’70s? 514 00:21:45,711 --> 00:21:48,114 YOU NEVER WATCHED THAT AS A KID? SORRY. 515 00:21:48,114 --> 00:21:49,615 SHE WAS MY HERO. 516 00:21:49,615 --> 00:21:51,884 SHE WAS TRANSFORMING, 517 00:21:51,884 --> 00:21:53,686 TURNING INTO WHATEVER SHE WANTED, 518 00:21:53,686 --> 00:21:55,121 LOTS OF COSTUME CHANGES. 519 00:21:55,121 --> 00:21:58,958 SHE WAS LIKE ALL POWERFUL AND CRAZY SEXY. 520 00:21:58,958 --> 00:22:00,059 OKAY. 521 00:22:00,059 --> 00:22:01,727 YOU DO KNOW THAT THE REAL ACTRESS 522 00:22:01,727 --> 00:22:03,629 ISN’T GOING TO BE ANYTHING LIKE THIS CHARACTER, THOUGH. RIGHT? 523 00:22:03,629 --> 00:22:04,931 IT DOESN’T MATTER. 524 00:22:04,931 --> 00:22:06,999 SHE’S A CULTURAL ICON. 525 00:22:13,406 --> 00:22:16,575 [RINGS DOORBELL] 526 00:22:16,575 --> 00:22:18,344 [WOMAN] THE DOOR’S OPEN. 527 00:22:35,928 --> 00:22:38,798 OF THE 3,000 RESPONSES I GOT ON CRAIGSLIST, 528 00:22:38,798 --> 00:22:40,466 YOU ARE NOW ONE OF THE TOP THREE. 529 00:22:40,466 --> 00:22:41,600 DO YOU KNOW WHY? 530 00:22:41,600 --> 00:22:42,635 NO. 531 00:22:42,635 --> 00:22:44,770 BECAUSE YOU KNOW WHO I AM 532 00:22:44,770 --> 00:22:48,941 AND YOU UNDERSTAND THE BRILLIANCE OF MY CONTRIBUTION TO SOCIETY. 533 00:22:48,941 --> 00:22:51,744 I’M SO EXCITED TO BE HERE. 534 00:22:51,744 --> 00:22:53,613 I HARDLY KNOW WHAT TO SAY. 535 00:22:53,613 --> 00:22:54,880 DON’T SAY ANYTHING. 536 00:22:54,880 --> 00:22:56,916 ARE YOU PREPARED TO DEDICATE YOUR ENTIRE LIFE 537 00:22:56,916 --> 00:22:58,351 IN SERVICE TO ME? 538 00:22:58,351 --> 00:22:59,352 YES. 539 00:22:59,352 --> 00:23:00,820 WILL YOU RUN ANY ERRAND, 540 00:23:00,820 --> 00:23:03,289 ANY HOUR OF THE DAY OR NIGHT, SEVEN DAYS A WEEK? 541 00:23:03,289 --> 00:23:04,123 YES. 542 00:23:04,123 --> 00:23:06,192 WILL YOU FAMILIARIZE YOURSELF 543 00:23:06,192 --> 00:23:09,028 WITH EVERY IMPORTANT PERSON IN THE TELEVISION INDUSTRY 544 00:23:09,028 --> 00:23:10,296 WHO MIGHT BE CALLING ME, 545 00:23:10,296 --> 00:23:12,732 KNOW THEIR BIOGRAPHY, PERTINENT INFORMATION, 546 00:23:12,732 --> 00:23:14,433 AND THE KIND OF BOTTLED WATER THEY DRINK? 547 00:23:14,433 --> 00:23:15,701 ABSOLUTELY. 548 00:23:15,701 --> 00:23:17,503 WILL YOU MEMORIZE ALL OF THIS INFORMATION 549 00:23:17,503 --> 00:23:21,440 BECAUSE THERE WILL BE ABSOLUTELY NO GOOGLING PEOPLE 550 00:23:21,440 --> 00:23:22,808 WHILE THEY ARE ON THE PHONE? 551 00:23:22,808 --> 00:23:24,276 DO YOU UNDERSTAND? 552 00:23:24,276 --> 00:23:25,478 YOU CAN COUNT ON ME. 553 00:23:25,478 --> 00:23:27,113 WELL THEN, YOUNG LADY, 554 00:23:27,113 --> 00:23:29,382 WHAT DO YOU HAVE TO SAY FOR YOURSELF? 555 00:23:29,382 --> 00:23:32,018 I SO RESPECT YOUR WORK IN FILM AND TELEVISION 556 00:23:32,018 --> 00:23:35,087 THAT NO ACT OF SERVITUDE WOULD BE BENEATH ME. 557 00:23:35,087 --> 00:23:39,492 I EXIST SOLELY TO BE YOUR HUMBLE AND LOYAL SERVANT. 558 00:23:39,492 --> 00:23:41,160 YOU’RE HIRED. 559 00:23:41,160 --> 00:23:44,730 I ALSO HAVE ANOTHER ROOMMATE WHO LIKES TO DRESS UP. 560 00:23:44,730 --> 00:23:46,465 HE WEARS NICE LITTLE COSTUMES, 561 00:23:46,465 --> 00:23:52,004 YOU KNOW, HARMLESS COSTUMES, LIKE, ONE DAY HE’S RONALD MCDONALD. 562 00:23:52,004 --> 00:23:54,073 KIDS LOVE RONALD MCDONALD. 563 00:23:54,073 --> 00:23:57,710 THE NEXT DAY HE’S HITLER. 564 00:23:57,710 --> 00:23:59,945 KIDS LOVE HITLER. 565 00:23:59,945 --> 00:24:02,681 TOMORROW HE MAY BE OPRAH. 566 00:24:02,681 --> 00:24:04,750 MAYBE HE’LL GIVE ME FREE SHIT. 567 00:24:04,750 --> 00:24:06,085 [MARY REYNOLDS] COREY? 568 00:24:06,085 --> 00:24:07,053 YES. 569 00:24:07,053 --> 00:24:08,721 CALL PETA ABOUT THE BENEFIT. 570 00:24:08,721 --> 00:24:09,755 CHECK. 571 00:24:09,755 --> 00:24:11,590 TAKE MY CAR IN FOR DETAILING. 572 00:24:11,590 --> 00:24:13,125 CHECK. 573 00:24:13,125 --> 00:24:15,428 FIND ME SOME UNPASTEURIZED GOATS MILK YOGURT. 574 00:24:15,428 --> 00:24:17,196 WHERE WOULD I FIND THAT? 575 00:24:17,196 --> 00:24:19,031 IF I KNEW, WOULD I BE SENDING YOU OUT? 576 00:24:19,031 --> 00:24:20,566 CALL EVERY GROCERY STORE, 577 00:24:20,566 --> 00:24:22,868 CALL EVERY HEALTH STORE IN LA COUNTY AND FIND IT. 578 00:24:22,868 --> 00:24:25,104 GO TO A GOAT FARM IF YOU HAVE TO. 579 00:24:25,104 --> 00:24:26,238 CHECK. 580 00:24:26,238 --> 00:24:28,007 THERE’S SOMETHING YOU SHOULD KNOW. 581 00:24:28,007 --> 00:24:31,043 I HAVE A CAUSE. 582 00:24:31,043 --> 00:24:32,411 YES? 583 00:24:32,411 --> 00:24:36,615 I AM VEHEMENTLY OPPOSED TO THE WEARING OF FUR. 584 00:24:36,615 --> 00:24:38,250 I EXPECT YOU TO UNDERSTAND 585 00:24:38,250 --> 00:24:40,319 THE CRUELTY AND THE SUFFERING 586 00:24:40,319 --> 00:24:44,056 THAT IS PERPETRATED ACROSS THESE POOR DEFENSELESS CREATURES. 587 00:24:44,056 --> 00:24:47,093 I NEED YOU TO DEDICATE YOURSELF 588 00:24:47,093 --> 00:24:49,128 AND TO JOIN ME IN MY CRUSADE. 589 00:24:49,128 --> 00:24:51,363 I NEED YOU TO COMMIT TO THAT. 590 00:24:51,363 --> 00:24:52,631 I AGREE COMPLETELY. 591 00:24:52,631 --> 00:24:56,602 THE NEEDLESS SUFFERING OF ANIMALS MUST BE STOPPED. 592 00:24:56,602 --> 00:24:58,104 RIGHT. 593 00:24:58,104 --> 00:24:59,105 WE’VE GOT TO DO SOMETHING. 594 00:24:59,105 --> 00:25:01,340 OKAY. GET TO WORK. 595 00:25:07,113 --> 00:25:09,982 I’VE BEEN NOTICING EVERY DAY, LATELY, IN THE MORNING 596 00:25:09,982 --> 00:25:13,319 THAT YOU’VE BEEN LEAVING AS A WOMAN, EACH TIME. 597 00:25:13,319 --> 00:25:16,388 YOU ONLY GOING TO WORK AS A WOMAN THESE DAYS? 598 00:25:16,388 --> 00:25:22,495 THIS JOB PARTICULARLY BECAUSE MARY WAS ONLY HIRING A WOMAN. 599 00:25:22,495 --> 00:25:24,463 HOW’S THAT MAKE YOU FEEL? 600 00:25:24,463 --> 00:25:27,766 I JUST THINK THAT OUR LIVES HAVE A HIGHER PURPOSE 601 00:25:27,766 --> 00:25:30,035 THAN TO JUST BE SO CAUGHT UP 602 00:25:30,035 --> 00:25:33,005 AND HAVE OUR IDENTITIES SO DEEPLY ENTRENCHED 603 00:25:33,005 --> 00:25:35,741 IN GENDER POLITICS 604 00:25:35,741 --> 00:25:40,412 AND WHAT OTHER PEOPLE THINK. 605 00:25:40,412 --> 00:25:42,848 WHAT KIND OF REACTION ARE YOU GETTING? 606 00:25:42,848 --> 00:25:46,986 UM, MOSTLY SOME STARES, YOU KNOW, FROM PEOPLE. 607 00:25:46,986 --> 00:25:48,988 YEAH. A FEW THUMBS UP, YOU KNOW. 608 00:25:48,988 --> 00:25:51,123 I DID A ROUND THROUGH THE 99 CENT STORE, 609 00:25:51,123 --> 00:25:52,825 AND IT MADE SOME PEOPLE HAPPY, I THINK. 610 00:25:52,825 --> 00:25:54,059 OH, THAT’S GOOD. 611 00:25:54,059 --> 00:25:55,127 PEOPLE APPRECIATE THE EFFORT. 612 00:25:55,127 --> 00:25:56,428 OH, YEAH. NO, THEY DO. 613 00:25:56,428 --> 00:25:58,264 WOW. IS ANYBODY ASKING FOR MIRACLES? 614 00:25:58,264 --> 00:26:01,700 ANY HEALINGS REQUESTED? 615 00:26:01,700 --> 00:26:03,102 NO. NOTHING FANCY. 616 00:26:04,436 --> 00:26:06,438 [SOBBING] 617 00:26:12,211 --> 00:26:13,879 MARY, WHAT’S THE MATTER? 618 00:26:13,879 --> 00:26:15,748 THE LOBSTERS! 619 00:26:15,748 --> 00:26:17,616 THE LOBSTERS? 620 00:26:17,616 --> 00:26:19,752 OH, GOD. AAH! 621 00:26:19,752 --> 00:26:21,053 DAMN IT. 622 00:26:21,053 --> 00:26:23,122 LOBSTERS DO NOT HAVE 623 00:26:23,122 --> 00:26:26,125 AN AUTOMATED NERVOUS SYSTEM LIKE WE DO 624 00:26:26,125 --> 00:26:28,327 THAT PUTS THEM INTO A STATE OF SHOCK 625 00:26:28,327 --> 00:26:30,896 WHEN PAIN IS INFLICTED ON THEM. 626 00:26:30,896 --> 00:26:32,965 DO YOU UNDERSTAND? 627 00:26:32,965 --> 00:26:35,000 CAN YOU IMAGINE WHAT IT WOULD BE LIKE 628 00:26:35,000 --> 00:26:38,237 TO BE BOILED TO DEATH? 629 00:26:38,237 --> 00:26:40,472 OH, GOD, THE THOUGHT OF IT. 630 00:26:40,472 --> 00:26:44,977 A SEARING, VIOLENT, FEROCIOUS PAIN 631 00:26:44,977 --> 00:26:48,547 TO EVERY SINGLE CELL IN THEIR BODIES 632 00:26:48,547 --> 00:26:52,151 SO THAT WE CAN EAT THEM. 633 00:26:52,151 --> 00:26:54,086 IT’S TERRIBLE. 634 00:26:54,086 --> 00:26:55,854 I CAN’T STAND THE THOUGHT 635 00:26:55,854 --> 00:26:58,157 OF ALL OF THOSE LOBSTER TANKS 636 00:26:58,157 --> 00:27:02,328 AT ALL OF THOSE RESTAURANTS 637 00:27:02,328 --> 00:27:05,397 ALL OVER LOS ANGELES COUNTY. 638 00:27:12,004 --> 00:27:13,806 IT’S OKAY, MARY. 639 00:27:13,806 --> 00:27:15,040 NO IT’S NOT OKAY. 640 00:27:15,040 --> 00:27:16,942 NO, IT’S OKAY. IT’S OKAY. 641 00:27:16,942 --> 00:27:20,012 WE’LL FIGHT FOR THEIR RIGHTS. 642 00:27:20,012 --> 00:27:21,247 YEAH? 643 00:27:21,247 --> 00:27:24,650 YES. IS THERE ANYTHING THAT I CAN DO NOW? 644 00:27:27,586 --> 00:27:28,787 YES. 645 00:27:28,787 --> 00:27:30,322 WHAT ABOUT MY LUNCH? 646 00:27:30,322 --> 00:27:33,225 I HAVE THAT SCHEDULED, UH, 1:00. 647 00:27:33,225 --> 00:27:34,593 DON’T BE LATE ON THAT. 648 00:27:34,593 --> 00:27:38,063 YESTERDAY IT DIDN’T COME UNTIL 1:05. 649 00:27:38,063 --> 00:27:39,365 I’M REALLY SORRY ABOUT THAT. 650 00:27:39,365 --> 00:27:42,034 I WAS ANSWERING YOUR PHONE AT THE SAME TIME. 651 00:27:42,034 --> 00:27:44,203 WHAT DO I PAY YOU FOR, 652 00:27:44,203 --> 00:27:48,407 YOU LOUSY, UNGRATEFUL, INCOMPETENT PIECE OF SHIT? 653 00:27:48,407 --> 00:27:50,276 DON’T EVER BE LATE WITH MY LUNCH AGAIN. 654 00:27:50,276 --> 00:27:51,910 DO YOU UNDERSTAND THAT? 655 00:27:51,910 --> 00:27:53,545 YES. 656 00:27:53,545 --> 00:27:55,314 YOU MAY GO. 657 00:27:57,349 --> 00:27:59,251 DARLING SWEETIE. SWEETIE DARLING. 658 00:27:59,251 --> 00:28:02,054 I LOVE IT, LOVE ME A LITTLE BIT OF CHARDONNAY. 659 00:28:02,054 --> 00:28:04,990 HAVE YOU HAD ENOUGH, PATS? 660 00:28:04,990 --> 00:28:08,360 UH, HAD A LITTLE BIT TOO MUCH, I THINK. 661 00:28:08,360 --> 00:28:09,795 YEAH, JUST LITTLE BIT. 662 00:28:09,795 --> 00:28:11,263 JUST A LITTLE BIT MORE. 663 00:28:11,263 --> 00:28:12,731 YOU KNOW ACTUALLY, THIS IS A BIT DISTURBING. 664 00:28:12,731 --> 00:28:14,700 ALL YOU’VE DONE SINCE YOU LOST YOUR JOB 665 00:28:14,700 --> 00:28:17,636 WAS SIT HERE ON THIS PATIO AND DRINK. 666 00:28:17,636 --> 00:28:19,738 I LOST MY JOB. THAT’S WHAT YOU’RE SUPPOSED TO DO. 667 00:28:19,738 --> 00:28:22,508 YOU’RE SUPPOSED TO DRINK AND BE SAD AND WHATNOT. 668 00:28:22,508 --> 00:28:24,009 SHUT UP. 669 00:28:24,009 --> 00:28:27,980 WHAT IF THE THREE OF US TOGETHER WENT TO AN AA MEETING? 670 00:28:27,980 --> 00:28:29,515 WHY WOULD I DO THAT? IT’S NOT FUN. 671 00:28:29,515 --> 00:28:32,384 BECAUSE YOU’RE KIND OF, LIKE, SLIDING 672 00:28:32,384 --> 00:28:33,652 DOWN THE SLIPPERY SLOPE OF VICE. 673 00:28:33,652 --> 00:28:35,054 I DON’T KNOW WHERE YOU’RE HEADED. 674 00:28:35,054 --> 00:28:36,922 THAT WAS TOO MUCH ALLITERATION, QUENTIN. 675 00:28:36,922 --> 00:28:39,224 YOU HAVE BEEN DRINKING A LOT. 676 00:28:39,224 --> 00:28:40,559 WHAT ARE YOU, A&E NOW? 677 00:28:40,559 --> 00:28:42,294 LIKE, IS THIS MY INTERVENTION OR SOMETHING? 678 00:28:42,294 --> 00:28:43,796 IT’LL BE LIKE THEATER. 679 00:28:43,796 --> 00:28:45,898 I HATE THEATER. NO, NO, WAIT. IT’S FREE. 680 00:28:45,898 --> 00:28:47,166 THERE’S COOKIES. 681 00:28:47,166 --> 00:28:48,367 AND THERE’S CELEBRITIES. 682 00:28:48,367 --> 00:28:49,768 I DON’T WANT TO HANG OUT 683 00:28:49,768 --> 00:28:51,270 WITH A BUNCH OF SAD, LONELY, 684 00:28:51,270 --> 00:28:54,073 "OH, LOOK AT ME, I LOST EVERYTHING, 685 00:28:54,073 --> 00:28:56,241 "AND NOW I HAVE TO SHOP AT WAL-MART 686 00:28:56,241 --> 00:28:57,643 "AND DRINK LISTERINE 687 00:28:57,643 --> 00:28:59,678 BECAUSE MY HUSBAND HIDES AWAY MY VODKA," 688 00:28:59,678 --> 00:29:01,880 SO, YEAH, I DON’T WANT TO DO THAT. 689 00:29:01,880 --> 00:29:04,850 THEY’RE ALL SAD, PATHETIC LOSERS, AND I’M NOT LIKE THAT. 690 00:29:04,850 --> 00:29:06,552 LOOK, I HAVE A SWIVEL STRAW. 691 00:29:06,552 --> 00:29:09,254 [TOGETHER] GOD, GRANT ME THE SERENITY 692 00:29:09,254 --> 00:29:12,191 TO ACCEPT THE THINGS I CANNOT CHANGE, 693 00:29:12,191 --> 00:29:15,227 THE COURAGE TO CHANGE THE THINGS I CAN, 694 00:29:15,227 --> 00:29:18,364 AND THE WISDOM TO KNOW THE DIFFERENCE. 695 00:29:18,364 --> 00:29:20,933 GOOD EVENING, GUYS, I AM DAN AND I AM AN ALCOHOLIC. 696 00:29:20,933 --> 00:29:22,634 [GROUP] HI, DAN. 697 00:29:22,634 --> 00:29:26,405 WELCOME TO THE GAY MEN’S STAG AA MEETING, 7:00 T0 8:00. 698 00:29:26,405 --> 00:29:30,075 I DRINK TO HIDE THE FACT THAT I HAVE A HUMONGOUS PENIS. 699 00:29:30,075 --> 00:29:32,978 I WAS THE ONE KICKING PUPPIES AND TELLING MY FRIENDS THEY WERE FAT. 700 00:29:32,978 --> 00:29:37,216 WHEN I DRINK, I GET REALLY REALLY FUN AND ATTRACTIVE. 701 00:29:37,216 --> 00:29:39,551 I WOKE UP IN LISA LAMPANELLI’S BED, 702 00:29:39,551 --> 00:29:41,320 STARING AT WHAT I THOUGHT WAS HER CLEAVAGE 703 00:29:41,320 --> 00:29:42,821 BUT IT WAS ACTUALLY HER BACK FAT. 704 00:29:42,821 --> 00:29:45,224 I JUST WANT TO BE THAT FIVE-YEAR-OLD LITTLE BOY, 705 00:29:45,224 --> 00:29:47,192 PLAYING LITTLE LEAGUE AGAIN. 706 00:29:47,192 --> 00:29:48,694 THE DEVIL MADE ME DO IT. 707 00:29:48,694 --> 00:29:51,864 HAVE YOU EVER HAD A TWO-HOUR BINGE ON YUENGLING, 708 00:29:51,864 --> 00:29:56,435 AND THEN YOU REDECORATE YOUR MOTHER’S LIVING ROOM WITH MAUVE ACETATE? 709 00:29:56,435 --> 00:29:57,803 THE COFFEE SUCKS HERE. 710 00:29:57,803 --> 00:30:01,073 WHEN I CAME AND I MADE THE FUCKING COFFEE, 711 00:30:01,073 --> 00:30:04,576 IT WAS GOOD, AND IT WAS ON TIME. 712 00:30:04,576 --> 00:30:06,512 WHY DON’T WE JUST HAVE NEWCOMERS RAISE YOUR HAND AND-- 713 00:30:06,512 --> 00:30:08,447 HI, I’D LIKE TO BEGIN. I’D LIKE TO START. 714 00:30:08,447 --> 00:30:09,948 I’LL GO FIRST. I’D LIKE TO START THIS. 715 00:30:09,948 --> 00:30:13,685 HI, MY NAME IS JAKE DELONGPRE, AND MY LIFE IS SHIT. 716 00:30:13,685 --> 00:30:18,524 I CAN BE FOUND IN RANDOM GUTTERS AROUND WEST HOLLYWOOD. 717 00:30:18,524 --> 00:30:20,759 I DON’T MEAN THAT AS A JOKE. THAT’S THE TRUTH. 718 00:30:20,759 --> 00:30:24,029 MY MOM, BARBIE-- IF YOU GUYS KNOW BARBIE, THAT’S MY MOM. 719 00:30:24,029 --> 00:30:26,098 SHE’S A ROCKIN’ BITCH, AND SHE’S MY BEST FRIEND. 720 00:30:26,098 --> 00:30:30,536 SHE FINDS ME A LOT, AND I’VE BEEN DRINKING QUITE A BIT. 721 00:30:30,536 --> 00:30:34,106 MAINLY BECAUSE I’M IN A RELATIONSHIP WITH SOMEONE 722 00:30:34,106 --> 00:30:36,909 WHO DOESN’T KNOW THAT WE’RE IN A RELATIONSHIP. 723 00:30:36,909 --> 00:30:38,410 SO SOME PEOPLE SAY, 724 00:30:38,410 --> 00:30:39,545 "OH JAKE, YOU’RE A STALKER," 725 00:30:39,545 --> 00:30:41,079 AND I SAY, "OH, FUCK YOU. 726 00:30:41,079 --> 00:30:42,581 GIVE ME ANOTHER MOJITO." 727 00:30:42,581 --> 00:30:44,183 CAN WE SAY THAT HERE? CAN WE GET HONEST? 728 00:30:44,183 --> 00:30:45,984 BECAUSE I JUST WANT TO BE HONEST. 729 00:30:45,984 --> 00:30:50,956 YOU LOOK LIKE SOMEONE I’VE HAD A HORRIBLE NIGHT WITH. 730 00:30:50,956 --> 00:30:52,791 THAT WAS BRUTAL. AWFUL. 731 00:30:52,791 --> 00:30:54,126 JUST SAYING. 732 00:30:54,126 --> 00:30:57,262 HEY, REMEMBER DAN FROM THE MEETING? 733 00:30:57,262 --> 00:30:59,298 DAN FROM THE MEETING? NO. 734 00:30:59,298 --> 00:31:00,599 WHICH ONE. 735 00:31:00,599 --> 00:31:02,167 THE ONE WHO IS STANDING UP THERE. 736 00:31:02,167 --> 00:31:03,702 DO YOU KNOW WHO HE IS? 737 00:31:03,702 --> 00:31:04,970 NO. SHOULD I? 738 00:31:04,970 --> 00:31:06,438 UH, YEAH. 739 00:31:06,438 --> 00:31:08,507 WHO IS IT? COME HERE. 740 00:31:12,911 --> 00:31:14,346 REALLY? MM-HM. 741 00:31:14,346 --> 00:31:15,781 WELL, EXCUSE ME, FELLAS. 742 00:31:15,781 --> 00:31:19,318 I HAVE SOME IMPORTANT BUSINESS TO ATTEND TO. 743 00:31:19,318 --> 00:31:20,986 GOOD DAY, SIR. 744 00:31:20,986 --> 00:31:22,588 [DAN] OKAY, I’LL BE THERE IN FIVE MINUTES. 745 00:31:22,588 --> 00:31:25,958 HEY. THAT WAS A REALLY GOOD SHARE IN THERE. 746 00:31:25,958 --> 00:31:27,960 OH, THANKS. NEWCOMER? 747 00:31:27,960 --> 00:31:29,328 YEAH. WELCOME. 748 00:31:29,328 --> 00:31:30,596 NAME’S JASON, BY THE WAY. 749 00:31:30,596 --> 00:31:31,663 JASON. DAN. 750 00:31:31,663 --> 00:31:33,532 NICE TO MEET YOU, DAN. NICE TO MEET YOU. 751 00:31:33,532 --> 00:31:35,868 SO COULD I ASK YOU A QUESTION? JUST BETWEEN ME AND YOU. 752 00:31:35,868 --> 00:31:37,369 UH, YES. 753 00:31:37,369 --> 00:31:39,605 OKAY, I DON’T KNOW HOW TO SAY THIS, 754 00:31:39,605 --> 00:31:42,241 BUT HAVE YOU EVER HIT ROCK BOTTOM? 755 00:31:42,241 --> 00:31:45,077 YES. THAT’S WHY I’M HERE. 756 00:31:45,077 --> 00:31:46,612 HAVE YOU? 757 00:31:46,612 --> 00:31:47,813 HAS YOUR LIFE BECOME UNMANAGEABLE? 758 00:31:47,813 --> 00:31:49,615 I DON’T KNOW. I THINK SO. 759 00:31:49,615 --> 00:31:51,950 I MEAN, I DON’T HAVE A CAR, I DON’T HAVE A JOB, 760 00:31:51,950 --> 00:31:54,286 I HAVEN’T PAID RENT IN THREE MONTHS, 761 00:31:54,286 --> 00:31:55,854 AND YOU KNOW I DRINK EVERY DAY, 762 00:31:55,854 --> 00:31:57,956 SO BUT YOU KNOW THE GOOD IS THAT I LIVE IN LOS ANGELES, 763 00:31:57,956 --> 00:32:00,192 SO MY CAREER’S GOING TO TAKE OFF ANY MOMENT NOW. 764 00:32:00,192 --> 00:32:01,593 IT IS THE LAND OF DREAMS. 765 00:32:01,593 --> 00:32:04,029 FROM MY EXPERIENCE, JASON, EVERYTHING YOU LISTED 766 00:32:04,029 --> 00:32:07,332 MEANS THAT YOUR LIFE HAS BECOME A BIT UNMANAGEABLE. 767 00:32:07,332 --> 00:32:09,835 YES. AND I’M HOPING THAT YOU’VE COME HERE 768 00:32:09,835 --> 00:32:14,506 TO TURN YOUR LIFE OVER TO THE CARE OF GOD OF YOUR UNDERSTANDING. 769 00:32:14,506 --> 00:32:16,542 YEAH, I GUESS SO. 770 00:32:16,542 --> 00:32:19,077 I’M JUST NOT REALLY BIG INTO THE WHOLE GOD THING. 771 00:32:19,077 --> 00:32:20,779 JUST REMEMBER ONE DAY AT A TIME, 772 00:32:20,779 --> 00:32:22,281 AND IT’LL WORK. 773 00:32:22,281 --> 00:32:23,982 YEAH, THAT’S WHAT I’VE BEEN SAYING ALL ALONG. 774 00:32:23,982 --> 00:32:26,118 MY MOTTO IS ONE DAY AT A TIME, RIGHT? 775 00:32:26,118 --> 00:32:27,419 IT IS THE MOTTO. 776 00:32:27,419 --> 00:32:28,954 IT’S GOTTEN ME HERE FOR FOUR YEARS. 777 00:32:28,954 --> 00:32:30,222 YEAH? YEAH. 778 00:32:30,222 --> 00:32:32,224 WELL, IT’S NICE MEETING YOU. 779 00:32:32,224 --> 00:32:33,325 NICE MEETING YOU, TOO. 780 00:32:33,325 --> 00:32:35,027 YEAH. YOU’RE VERY INSPIRING. 781 00:32:35,027 --> 00:32:37,362 THANK YOU. 782 00:32:37,362 --> 00:32:38,964 YOU KNOW WHAT. 783 00:32:40,766 --> 00:32:45,270 WHY DON’T YOU GIVE ME A CALL? 784 00:32:45,270 --> 00:32:48,006 SURE, I’D LIKE THAT A LOT... 785 00:32:48,006 --> 00:32:50,742 DAN. 786 00:32:50,742 --> 00:32:51,577 NICE MEETING YOU. 787 00:32:51,577 --> 00:32:53,312 YEAH, SEE YOU AROUND. 788 00:33:05,891 --> 00:33:07,192 BINGO. 789 00:33:07,192 --> 00:33:10,629 AND THAT IS HOW WE ROLL. 790 00:33:10,629 --> 00:33:11,530 WE ROLL? 791 00:33:11,530 --> 00:33:13,465 MM-HM. WELL, I DO. 792 00:33:13,465 --> 00:33:14,866 YOU NEED TO CATCH UP. 793 00:33:14,866 --> 00:33:18,937 I’D LIKE TO DO SOME SORT OF LIFT RIGHT THERE, 794 00:33:18,937 --> 00:33:21,473 LIKE MAYBE A-- LIKE A HIP, 795 00:33:21,473 --> 00:33:22,975 LIKE UP SIDEWAYS? 796 00:33:22,975 --> 00:33:24,009 SOMETHING LIKE THAT. 797 00:33:24,009 --> 00:33:25,077 OKAY. 798 00:33:25,077 --> 00:33:27,446 YOU KNOW, POP YOU UP THERE. 799 00:33:27,446 --> 00:33:28,847 I DO AGREE. 800 00:33:28,847 --> 00:33:31,583 THERE SHOULD BE A LIFT RIGHT THERE. 801 00:33:31,583 --> 00:33:32,918 WHAT’S THE PROBLEM? 802 00:33:32,918 --> 00:33:34,586 I DON’T LIKE TO BE LIFTED, THOUGH. 803 00:33:34,586 --> 00:33:37,155 CAN I LIFT YOU? 804 00:33:37,155 --> 00:33:42,728 OKAY, YOU DO KNOW I LIFT PEOPLE FOR A LIVING, RIGHT? 805 00:33:42,728 --> 00:33:44,696 I DON’T LIKE TO BE IN THE AIR. 806 00:33:44,696 --> 00:33:46,498 IT’S A CONTROL THING. 807 00:33:46,498 --> 00:33:53,171 I FEEL LIKE IT’S A TRUST ISSUE MORE THAN A CONTROL ISSUE. 808 00:33:53,171 --> 00:33:55,007 ALL RIGHT. FINE. FINE. 809 00:33:55,007 --> 00:33:56,141 YOU KNOW WHAT. 810 00:33:56,141 --> 00:33:57,175 I’LL TRY SOMETHING. 811 00:33:57,175 --> 00:33:58,577 AND YOU CAN LIFT ME. 812 00:33:58,577 --> 00:34:00,812 SO I’LL TRUST YOU. 813 00:34:00,812 --> 00:34:02,114 OKAY. 814 00:34:02,114 --> 00:34:05,117 AND WE’LL SEE. 815 00:34:05,117 --> 00:34:07,986 OKAY. 816 00:34:07,986 --> 00:34:10,822 SO LET’S MARK THIS FOR A SECOND. 817 00:34:10,822 --> 00:34:12,924 LIKE THIS? YES, YES. 818 00:34:12,924 --> 00:34:15,460 OKAY. YOUR ARM NEEDS TO GO UP HERE, THOUGH. 819 00:34:15,460 --> 00:34:16,561 HERE. YES. 820 00:34:16,561 --> 00:34:19,064 SO LIKE HOLD ON, DON’T TURN ME. 821 00:34:21,533 --> 00:34:23,402 YOU OKAY? 822 00:34:23,402 --> 00:34:25,103 REALLY? 823 00:34:25,103 --> 00:34:27,039 YOU’RE NOT TRUSTING. 824 00:34:27,039 --> 00:34:30,642 WELL I CAN’T MEET ANY HOT GUYS LIKE THAT. 825 00:34:30,642 --> 00:34:32,544 WHY NOT? WHERE ARE YOU LOOKING? 826 00:34:32,544 --> 00:34:34,479 I DON’T KNOW. I’M GOING TO THE BARS. 827 00:34:34,479 --> 00:34:36,948 I MEAN, I’M SEEING THEM, I’M JUST NOT MEETING THEM. 828 00:34:36,948 --> 00:34:40,152 HAVE YOU THOUGHT ABOUT LOOKING SOMEWHERE ELSE? 829 00:34:40,152 --> 00:34:44,656 HMM... LIKE ON LINE. 830 00:34:44,656 --> 00:34:46,291 I HAVEN’T DONE THE INTERNET THING. 831 00:34:46,291 --> 00:34:49,061 WHAT? WHY NOT? 832 00:34:49,061 --> 00:34:50,962 BECAUSE WE WERE LIVING IN A SMALL TOWN, 833 00:34:50,962 --> 00:34:55,167 AND I WAS STILL BISEXUAL AND STILL DATING WOMEN. 834 00:34:55,167 --> 00:34:58,103 GOD YOU WERE SO CUTE AND SAD. 835 00:34:58,103 --> 00:34:59,438 SO LIKE, WHAT DO YOU WANT? 836 00:34:59,438 --> 00:35:01,606 YOU WANT TO MEET A GUY THAT, WHAT? 837 00:35:01,606 --> 00:35:03,341 I DON’T KNOW. 838 00:35:03,341 --> 00:35:06,311 A GUY I CAN BRING HOME TO MOM AND DAD OF COURSE. 839 00:35:06,311 --> 00:35:07,713 YEAH, I FIGURED AS MUCH, 840 00:35:07,713 --> 00:35:09,581 AND I KINDA JUST THREW UP IN MY MOUTH A LITTLE BIT. 841 00:35:09,581 --> 00:35:12,784 OKAY, DO YOU WANT SEX NOW, IN A COUPLE OF MINUTES? DO YOU WANT IT IN HOURS? 842 00:35:12,784 --> 00:35:15,787 DO YOU WANT TO GET ON I.M. AND G-CHAT ABOUT IT FOR A WHILE AND THEN MEET UP LATER? 843 00:35:15,787 --> 00:35:17,389 DO YOU WANT TO GO ON A COUPLE OF DATES, 844 00:35:17,389 --> 00:35:19,725 THEN HAVE PROMISCUOUS SEX, WHICH EVENTUALLY LEADS TO NOWHERE? 845 00:35:19,725 --> 00:35:21,026 LET’S GO. [SNAPPING FINGERS] 846 00:35:21,026 --> 00:35:22,160 I DON’T KNOW. 847 00:35:22,160 --> 00:35:24,129 OKAY, WHAT SITE DO YOU WANT? 848 00:35:24,129 --> 00:35:27,165 I’VE HEARD OF, WHAT IS IT, ADAM4ADAM? WHAT ELSE IS THERE? 849 00:35:27,165 --> 00:35:30,368 THERE’S MANHUNT, THERE’S "SIT ON MY FACEBOOK.COM." 850 00:35:30,368 --> 00:35:32,003 THERE’S "BACKYARD BARNYARD FUN." 851 00:35:32,003 --> 00:35:36,241 [BLEATS] THERE’S "BLACK MONGOLOID COCK.COM," 852 00:35:36,241 --> 00:35:38,643 THERE’S "OH MY GOD WHAT IS THAT IN MY ASS.COM," 853 00:35:38,643 --> 00:35:40,746 WHICH IS ALWAYS A HIT WITH THE KIDS. 854 00:35:40,746 --> 00:35:42,714 THERE’S "REACH AROUND RANCH.COM." 855 00:35:42,714 --> 00:35:44,249 AH, REACH AROUND RANCH. 856 00:35:44,249 --> 00:35:46,017 WHY DON’T WE START WITH SOMETHING SIMPLE? 857 00:35:46,017 --> 00:35:49,488 LIKE, I DON’T KNOW, JUST TRYING TO FIND A DATE. 858 00:35:49,488 --> 00:35:50,922 OKAY, FINE. 859 00:35:50,922 --> 00:35:53,358 IT’S TOO BAD BECAUSE THE OTHER SITES ARE WAY FUN. 860 00:35:53,358 --> 00:35:54,993 ARE YOU A TOP OR A BOTTOM? 861 00:35:54,993 --> 00:35:56,228 UM. 862 00:35:56,228 --> 00:35:59,631 [TYPING] VERSATILE FOR NOW. 863 00:35:59,631 --> 00:36:01,833 OKAY. ALL RIGHT. 864 00:36:01,833 --> 00:36:03,301 SO, LET’S TAKE SOME NAKED PICTURES. 865 00:36:03,301 --> 00:36:04,603 WHAT? 866 00:36:04,603 --> 00:36:05,704 C’MON. NO. 867 00:36:05,704 --> 00:36:06,872 IT’LL BE FUN. NO. 868 00:36:06,872 --> 00:36:08,306 YOU DON’T HAVE ANY NAKED PICTURES? 869 00:36:08,306 --> 00:36:10,942 NO. LET’S TAKE SOME. 870 00:36:10,942 --> 00:36:12,410 NO. 871 00:36:12,410 --> 00:36:13,612 OH, COME ON. WE’RE BEST GIRLFRIENDS. 872 00:36:13,612 --> 00:36:15,013 LET’S DO IT. IT’LL BE FUN. 873 00:36:15,013 --> 00:36:16,882 WE NEVER DID ANYTHING LIKE THIS IN COLLEGE. 874 00:36:16,882 --> 00:36:18,750 BECAUSE YOU’VE COME A LONG WAY FROM OHIO. OKAY. 875 00:36:18,750 --> 00:36:20,418 NOW THAT YOU’RE OUT HERE 876 00:36:20,418 --> 00:36:22,788 YOU’RE GONNA HAVE SUCH A VARIETY OF PEOPLE TO CHOOSE FROM. 877 00:36:22,788 --> 00:36:25,357 IT’S GONNA BLOW YOUR MIND. 878 00:36:25,357 --> 00:36:27,425 C’MON, GET UP, GET UP GET UP. GIMME YOUR CAMERA. 879 00:36:27,425 --> 00:36:28,794 I NEED A CAMERA. I’M ON FIRE HERE. 880 00:36:28,794 --> 00:36:29,828 LET’S DO THIS. LET’S DO IT. 881 00:36:29,828 --> 00:36:31,129 HERE. GOOD. PERFECT. 882 00:36:31,129 --> 00:36:32,330 OKAY, GOOD. 883 00:36:32,330 --> 00:36:33,365 NOW WHAT? 884 00:36:33,365 --> 00:36:35,033 NOW, TAKE OFF YOUR SHIRT. 885 00:36:35,033 --> 00:36:36,601 YOU CAUGHT ME OUT OF THE SHOWER. 886 00:36:36,601 --> 00:36:39,204 LOOK, I’M SURPRISED. FLEX IT, I SAID FLEX IT! 887 00:36:39,204 --> 00:36:41,606 GET THE PILLOW OUT OF YOUR CROTCH. WE DON’T WANT TO SEE THAT. 888 00:36:41,606 --> 00:36:43,275 MAKE OUT WITH YOURSELF. ADD SOME TONGUE. 889 00:36:43,275 --> 00:36:44,543 GRAB THAT BUTT. 890 00:36:44,543 --> 00:36:45,544 COPPERTONE BABY. 891 00:36:45,544 --> 00:36:46,778 GIMME THAT LITTLE BUBBLE BUTT. 892 00:36:46,778 --> 00:36:48,680 GIMME SEXY EIGHT-YEAR-OLD MACAULAY CULKIN. 893 00:36:48,680 --> 00:36:51,683 FUCK THE BULL. FUCK THE BULL. 894 00:36:51,683 --> 00:36:54,119 YEAH. WORK. YEAH. HOT. OH. 895 00:36:59,324 --> 00:37:00,525 SO... 896 00:37:00,525 --> 00:37:04,296 HAVE YOU EVER BOTTOMED? 897 00:37:04,296 --> 00:37:06,231 NO. 898 00:37:06,231 --> 00:37:12,070 ACTUALLY IT’S NOT REALLY SOMETHING I NORMALLY DO. 899 00:37:12,070 --> 00:37:14,439 I’M USUALLY A TOP. 900 00:37:14,439 --> 00:37:16,241 TODAY’S YOUR LUCKY DAY. 901 00:37:23,181 --> 00:37:25,150 CAN I SEE YOU AGAIN? 902 00:37:25,150 --> 00:37:27,152 SURE. 903 00:37:27,152 --> 00:37:28,353 LET’S UH... 904 00:37:28,353 --> 00:37:30,021 WHEN? 905 00:37:30,021 --> 00:37:34,125 LET’S SEE. HOW ABOUT TOMORROW NIGHT 906 00:37:34,125 --> 00:37:36,928 7:00, KITANO? 907 00:37:36,928 --> 00:37:38,563 SOUNDS GOOD. 908 00:37:38,563 --> 00:37:39,831 I’LL HAVE TO GET YOUR NUMBER FROM YOU 909 00:37:39,831 --> 00:37:42,434 BEFORE I LEAVE, FOR SURE. OKAY. 910 00:37:42,434 --> 00:37:45,971 HE USED TO BE A LITTLE INNOCENT, AND NOW HE’S A BIG WHORE. 911 00:37:45,971 --> 00:37:47,272 WE’LL GO OUT IN PUBLIC, 912 00:37:47,272 --> 00:37:50,675 AND I’LL INTRODUCE HIM TO SOMEONE, 913 00:37:50,675 --> 00:37:52,844 AND IT’S LITERALLY LIKE A DOG HUMPING A LEG. 914 00:37:52,844 --> 00:37:55,247 HE’S IN HEAT. I NEED TO GET HIM NEUTERED. 915 00:37:55,247 --> 00:37:57,582 IT’S LIKE, "HEY HOW’S IT GOING?" 916 00:37:57,582 --> 00:37:59,317 "I’M GOOD." "HOW YOU DOIN’?" 917 00:37:59,317 --> 00:38:02,254 "ALL RIGHT." "YOU LIKE THAT?" 918 00:38:02,254 --> 00:38:06,424 SO I CUT HIS BALLS OFF THIS MORNING. 919 00:38:06,424 --> 00:38:07,592 HOW LONG-- 920 00:38:07,592 --> 00:38:12,530 [SPEAKING SPANISH] 921 00:38:12,530 --> 00:38:14,799 ...UNITED STATES? 922 00:38:14,799 --> 00:38:17,903 [SPEAKING SPANISH] 923 00:38:17,903 --> 00:38:20,472 I DON’T KNOW IF YOU JUST SAID A YEAR OR A WEEK, 924 00:38:20,472 --> 00:38:22,240 BUT IT DIDN’T SOUND LIKE LONG. 925 00:38:27,145 --> 00:38:31,683 [SPEAKING SPANISH] 926 00:38:33,285 --> 00:38:34,819 YEAH? 927 00:38:43,328 --> 00:38:46,097 FAMILY? YOU SAID FAMILY? 928 00:38:46,097 --> 00:38:47,866 SI, MI FAMILIA. OH,FAMILIA. 929 00:38:47,866 --> 00:38:49,801 YOU HAVE A BROTHER, SISTER? 930 00:38:49,801 --> 00:38:52,103 [SPEAKING SPANISH] 931 00:38:52,103 --> 00:38:53,638 NO, NO, NO... 932 00:39:02,948 --> 00:39:05,216 [SPEAKING SPANISH] 933 00:39:07,018 --> 00:39:09,187 OH. 934 00:39:09,187 --> 00:39:11,056 [SPEAKS SPANISH] 935 00:39:14,793 --> 00:39:17,162 IN THE WORDS OF DONNA SUMMER, AND I QUOTE, 936 00:39:17,162 --> 00:39:19,431 ♪ ENOUGH IS ENOUGH IS ENOUGH ♪ 937 00:39:19,431 --> 00:39:20,799 ♪ I CAN’T GO ON ♪ 938 00:39:20,799 --> 00:39:23,101 ♪ I CAN’T GO ON WITHOUT YOU ♪ 939 00:39:23,101 --> 00:39:25,170 ♪ ENOUGH IS ENOUGH IS ENOUGH ♪ 940 00:39:25,170 --> 00:39:27,639 [PANTING] 941 00:39:27,639 --> 00:39:29,741 YOU KNOW THE REST. I’M DONE. 942 00:39:29,741 --> 00:39:31,843 I THINK WHAT JASON IS TRYING TO TELL YOU, 943 00:39:31,843 --> 00:39:34,446 AND I’M BACKING HIM UP HERE. 944 00:39:34,446 --> 00:39:36,948 WE NEVER SEE YOU. 945 00:39:36,948 --> 00:39:39,651 EVER SINCE YOU GOT HERE, 946 00:39:39,651 --> 00:39:42,454 YOU’VE BEEN EITHER OFF HAVING SEX 947 00:39:42,454 --> 00:39:44,756 OR BUSY LOOKING FOR IT. 948 00:39:44,756 --> 00:39:47,892 AND WE NEVER GET ANY BEN TIME. 949 00:39:47,892 --> 00:39:49,494 WE’VE BEEN FRIENDS FOR YEARS, 950 00:39:49,494 --> 00:39:51,863 AND I FEEL LIKE I DON’T EVEN KNOW YOU ANY MORE. 951 00:39:51,863 --> 00:39:55,800 WELL MAYBE THIS IS A MORE REALISTIC BEN. 952 00:39:55,800 --> 00:39:57,902 MAYBE THE "LOVE" BEN 953 00:39:57,902 --> 00:40:00,405 IS BEFORE L.A., BEFORE I LEARNED SOME THINGS. 954 00:40:00,405 --> 00:40:03,141 EVERY TIME YOU SLEEP WITH ANOTHER GUY 955 00:40:03,141 --> 00:40:05,043 WHO DOESN’T GIVE A SHIT ABOUT YOU, 956 00:40:05,043 --> 00:40:07,045 YOU LOSE A PIECE OF YOURSELF. 957 00:40:07,045 --> 00:40:09,714 WHAT ABOUT THE FOUNTAIN-WISHING BEN? 958 00:40:11,549 --> 00:40:12,984 YOU’RE NOT JUST HAVING FUN. 959 00:40:12,984 --> 00:40:15,220 YOU WANT MORE THAN THAT. 960 00:40:16,354 --> 00:40:17,889 MAYBE YOU’RE RIGHT. 961 00:40:19,758 --> 00:40:23,762 SO I HAVE KIND OF A WEIRD QUESTION FOR YOU. 962 00:40:23,762 --> 00:40:25,864 YOU EVER GO ON ANY OF THOSE SITES, 963 00:40:25,864 --> 00:40:30,769 LIKE MANHUNT, OR ADAM4ADAM? 964 00:40:30,769 --> 00:40:32,704 I’VE NEVER BEEN ON MANHUNT. 965 00:40:32,704 --> 00:40:34,339 I’VE BEEN ON, WHAT, CRAIGSLIST, 966 00:40:34,339 --> 00:40:38,209 AND I DON’T KNOW, I GUESS I WAS ON GAY.COM ONCE. 967 00:40:38,209 --> 00:40:41,780 WELL, WHEN YOU MEET PEOPLE AND YOU HOOK UP WITH THEM, 968 00:40:41,780 --> 00:40:45,183 DOES ANYONE EVER CALL YOU BACK? 969 00:40:45,183 --> 00:40:48,319 YOU DON’T GO TO THE GROCERY STORE TO BUY A CAR, 970 00:40:48,319 --> 00:40:51,990 SO YOU DON’T GO TO A SEX LINE TO LOOK FOR MARRIAGE. 971 00:40:51,990 --> 00:40:55,060 I THINK, YOU WANT A BIG RELATIONSHIP, 972 00:40:55,060 --> 00:40:58,229 YOU GOTTA GO TO RELATIONSHIP.COM OR-- 973 00:40:58,229 --> 00:41:00,498 BUT, LIKE, THE OTHER NIGHT, IT WENT SO WELL. 974 00:41:00,498 --> 00:41:02,400 WHY CAN’T I EXPECT TO HEAR FROM THIS GUY AGAIN? 975 00:41:02,400 --> 00:41:05,470 BECAUSE IT’S A SEX LINE, DUDE. WHAT DO YOU THINK? 976 00:41:05,470 --> 00:41:06,971 BUT IT WASN’T JUST SEX. 977 00:41:06,971 --> 00:41:09,908 WE GOT ALONG. THE RAPPORT WAS GREAT. 978 00:41:09,908 --> 00:41:11,609 MAYBE HE JUST THOUGHT YOU WERE COOL, AND IT WAS GREAT, 979 00:41:11,609 --> 00:41:13,478 AND IT WAS SEX, AND HE’S DONE. 980 00:41:13,478 --> 00:41:15,713 IF YOU’RE GONNA SET IT UP, I’LL FUCK YOU, 981 00:41:15,713 --> 00:41:17,682 BUT ONLY IF YOU’LL TAKE ME ON A DATE ON TUESDAY. 982 00:41:17,682 --> 00:41:20,552 WELL, MAYBE YOU’LL GET A DATE ON TUESDAY, 983 00:41:20,552 --> 00:41:23,688 BUT IF YOU’RE JUST HAVING SEX AND EXPECTING HIM TO CALL YOU TOMORROW, 984 00:41:23,688 --> 00:41:24,923 I MEAN, I’M SO SURE. 985 00:41:24,923 --> 00:41:26,458 THIS IS LOS ANGELES. 986 00:41:26,458 --> 00:41:28,626 [BONG GURGLING] 987 00:41:28,626 --> 00:41:31,396 I WASN’T REALLY EXPECTING TO MEET ANYONE THERE, 988 00:41:31,396 --> 00:41:36,000 AT LEAST, NOT ANYONE I’D EVER TAKE ON A DATE. 989 00:41:36,000 --> 00:41:37,235 I KNOW WHAT YOU MEAN. 990 00:41:37,235 --> 00:41:39,404 SOMEHOW CALLING IT A GANG BANG 991 00:41:39,404 --> 00:41:42,173 DOESN’T REALLY HELP THE ROMANCE ANY. 992 00:41:42,173 --> 00:41:44,843 YOU KNOW, IT WASN’T PLANNED AS A GANG BANG. 993 00:41:44,843 --> 00:41:46,411 IT JUST HAPPENED TO BE 994 00:41:46,411 --> 00:41:49,981 THAT THERE WERE EIGHT TOPS THERE AND ONLY ONE BOTTOM. 995 00:41:49,981 --> 00:41:54,052 GO FIGURE. 996 00:41:54,052 --> 00:41:57,122 YOU THINK ANYBODY EVER MEETS THEIR PARTNER AT A SEX PARTY? 997 00:41:57,122 --> 00:41:59,357 YEAH I KNOW A BUNCH LIKE THAT. 998 00:41:59,357 --> 00:42:01,392 REALLY? 999 00:42:01,392 --> 00:42:03,995 YEAH, WHAT’S WRONG WITH MEETING SOMEBODY 1000 00:42:03,995 --> 00:42:05,864 AT A GREAT SEXUAL ENCOUNTER? 1001 00:42:05,864 --> 00:42:08,867 I MEAN, MEN FUCK AND MEN FALL IN LOVE. 1002 00:42:08,867 --> 00:42:10,969 WHY CAN’T YOU MEET SOMEBODY? 1003 00:42:10,969 --> 00:42:13,805 I THINK IT’S A GREAT WAY TO MEET GUYS. 1004 00:42:13,805 --> 00:42:16,474 I GUESS SOMETIMES THERE’S A CONNECTION. 1005 00:42:16,474 --> 00:42:19,477 YEAH, AND IF THERE ISN’T, IT’S LIKE PLAYING A SPORT. 1006 00:42:19,477 --> 00:42:25,383 I MEAN, I GO TO THE GYM, I PLAY VOLLEYBALL, I HAVE SEX. 1007 00:42:25,383 --> 00:42:28,586 REALLY? HUH. 1008 00:42:28,586 --> 00:42:30,588 YOU SEEM SO DIFFERENT 1009 00:42:30,588 --> 00:42:32,791 FROM MOST OF THE GUYS I MEET AT THESE THINGS. 1010 00:42:32,791 --> 00:42:34,859 YOU DO, TOO. 1011 00:42:34,859 --> 00:42:38,496 I MEAN, YOU JUST SEEM SO NEW TO ALL OF THIS. 1012 00:42:38,496 --> 00:42:41,432 I AM. 1013 00:42:41,432 --> 00:42:44,202 [JASON] SO WHAT DOES HE DO? 1014 00:42:44,202 --> 00:42:45,570 HE’S ACTUALLY GOT A GREAT JOB. 1015 00:42:45,570 --> 00:42:47,038 HE’S WORKING FOR FRONTIERS MAGAZINE. 1016 00:42:47,038 --> 00:42:48,439 HE’S ACTUALLY ONE OF THEIR HEAD WRITERS. 1017 00:42:48,439 --> 00:42:54,078 AND BECAUSE OF IT, HE KNOWS EVERYONE. 1018 00:42:54,078 --> 00:42:57,081 WE GET IN EVERYWHERE. 1019 00:42:57,081 --> 00:42:59,217 HE’S A SWEETHEART. 1020 00:42:59,217 --> 00:43:00,652 YOU KNOW. 1021 00:43:00,652 --> 00:43:01,753 HE CAN EVEN DANCE WELL. 1022 00:43:01,753 --> 00:43:03,054 YEAH. YEAH. 1023 00:43:03,054 --> 00:43:04,522 WELL, YOU KNOW WHAT THE PROBLEM IS? 1024 00:43:04,522 --> 00:43:07,625 WHAT? HE’S A PROFESSIONAL HOMOSEXUAL. 1025 00:43:07,625 --> 00:43:10,161 HE’S KING OF WEST HOLLYWOOD. 1026 00:43:10,161 --> 00:43:12,297 HE WRITES FOR A GAY NEWSPAPER. 1027 00:43:12,297 --> 00:43:14,832 HE HAS NO WOMEN FRIENDS, I’M ASSUMING. 1028 00:43:14,832 --> 00:43:18,102 AND HE GOES OUT EVERY NIGHT LIKE IT’S HIS CAREER. 1029 00:43:18,102 --> 00:43:19,971 HE’S JUST GAY GAY GAY GAY GAY GAY GAY. 1030 00:43:19,971 --> 00:43:25,376 HE’D PROBABLY MAKE LIZA MINNELLI SAY, "HEY, CALM DOWN." 1031 00:43:25,376 --> 00:43:27,011 [BEN] SO WHEN DID YOU COME OUT? 1032 00:43:27,011 --> 00:43:29,314 AROUND THE NINTH GRADE. IT WASN’T A BIG DEAL. 1033 00:43:29,314 --> 00:43:30,782 YEAH. WHAT ABOUT YOURSELF? 1034 00:43:30,782 --> 00:43:34,452 I WAS A LITTLE BIT MORE COMPLICATED THAN THAT. 1035 00:43:34,452 --> 00:43:36,187 I’M FROM A JEWISH BACKGROUND. 1036 00:43:36,187 --> 00:43:38,356 NOT LIKE HARD-LINE ORTHODOX OR ANYTHING LIKE THAT, 1037 00:43:38,356 --> 00:43:42,660 BUT STILL MY FATHER’S A RABBI. 1038 00:43:42,660 --> 00:43:44,529 OH. YEAH. 1039 00:43:44,529 --> 00:43:45,964 INTERESTING. YEAH. 1040 00:43:45,964 --> 00:43:49,334 AND I WAS PRETTY SURE I WAS BISEXUAL FOR A LONG TIME. 1041 00:43:49,334 --> 00:43:50,902 I EVEN HAD A GIRLFRIEND IN COLLEGE. 1042 00:43:50,902 --> 00:43:53,371 DID YOU HAVE SEX WITH HER? 1043 00:43:53,371 --> 00:43:56,107 YEAH, 1044 00:43:56,107 --> 00:43:57,942 BUT-- IT WAS PRETTY COOL. 1045 00:43:57,942 --> 00:43:59,410 SHE WAS REALLY SUPPORTIVE, 1046 00:43:59,410 --> 00:44:01,012 AND SHE’S LIKE MY BEST FRIEND. 1047 00:44:01,012 --> 00:44:02,714 I GET ALONG WITH GIRLS PRETTY WELL. 1048 00:44:02,714 --> 00:44:04,382 YEAH. I CAN SEE THAT. 1049 00:44:04,382 --> 00:44:06,384 YOU? 1050 00:44:06,384 --> 00:44:07,619 NOT REALLY. 1051 00:44:07,619 --> 00:44:11,222 I MEAN, I HAVE A COUPLE OF LESBIAN FRIENDS FROM WORK 1052 00:44:11,222 --> 00:44:13,691 AND FROM THE SCENE AND SO ON, BUT-- 1053 00:44:13,691 --> 00:44:14,993 THE SCENE? 1054 00:44:14,993 --> 00:44:17,595 YEAH, YOU KNOW, GOING OUT. 1055 00:44:17,595 --> 00:44:20,365 SO YOU DATE A LOT, DON’T YOU? 1056 00:44:20,365 --> 00:44:23,835 NO. I MEAN, I HAD A BOYFRIEND LAST YEAR. 1057 00:44:23,835 --> 00:44:25,169 AND? 1058 00:44:25,169 --> 00:44:28,439 HE’S JUST KIND OF CRAZY 1059 00:44:28,439 --> 00:44:29,874 AND AN ASSHOLE. 1060 00:44:29,874 --> 00:44:31,476 HOW LONG WERE YOU GUYS TOGETHER? 1061 00:44:31,476 --> 00:44:32,610 EIGHT MONTHS, 1062 00:44:32,610 --> 00:44:34,145 BUT AROUND MONTH SIX, 1063 00:44:34,145 --> 00:44:36,581 HE WAS ALREADY TALKING ABOUT MOVING IN TOGETHER. 1064 00:44:36,581 --> 00:44:40,385 AND HE WAS UPSET THAT HE COULDN’T GET MARRIED, 1065 00:44:40,385 --> 00:44:42,287 AFTER THE WHOLE GAY MARRIAGE THING HAPPENED. 1066 00:44:42,287 --> 00:44:43,655 IT WAS JUST A LITTLE CRAZY. 1067 00:44:43,655 --> 00:44:45,223 ESPECIALLY IN THIS TOWN, 1068 00:44:45,223 --> 00:44:47,959 YOU’RE INTERESTING UNTIL YOU’RE TOO INTERESTED. 1069 00:44:47,959 --> 00:44:50,228 SO, YOU GOTTA BE CAREFUL. 1070 00:44:51,362 --> 00:44:52,497 HM. 1071 00:44:55,333 --> 00:44:57,268 WHAT? YOU GOTTA FLEX IT. 1072 00:44:57,268 --> 00:44:59,671 IT’S FLEXED. NO, THAT’S BETWEEN POINTE AND FLEX. 1073 00:44:59,671 --> 00:45:03,308 BUT THEN IT’S JUST THIS-- IT LOOKS LIKE A LAZY POINTE. 1074 00:45:05,209 --> 00:45:07,912 UM, I DON’T MEAN TO BE RUDE, 1075 00:45:07,912 --> 00:45:11,749 BUT I’M PRETTY SURE POINTED LOOKS BETTER. 1076 00:45:11,749 --> 00:45:15,553 I LOOK LIKE A CLOWN. LOOK. 1077 00:45:15,553 --> 00:45:19,257 CAN YOU GIVE ME SOME COOL CONTEMPORARY WAY TO LAND, 1078 00:45:19,257 --> 00:45:21,626 SO I DON’T LOOK LIKE I’M JUST LIKE-- 1079 00:45:21,626 --> 00:45:23,995 I JUST FEEL LIKE NOW I LOOK LIKE A BALLET DANCER 1080 00:45:23,995 --> 00:45:25,797 WHO FORGOT TO POINT HIS FOOT. 1081 00:45:25,797 --> 00:45:27,932 THEN POINT YOUR FOOT. I THINK YOU SHOULD POINT YOUR FOOT. 1082 00:45:27,932 --> 00:45:29,100 I’LL FLEX IT FOR YOU. 1083 00:45:29,100 --> 00:45:31,436 JUST GIVE ME SOMETHING THAT FOLLOWS-- 1084 00:45:31,436 --> 00:45:32,804 I THINK YOU SHOULD POINT YOUR FOOT. 1085 00:45:32,804 --> 00:45:36,074 I THINK, IF THAT’S WHAT YOU WANT TO DO... 1086 00:45:36,074 --> 00:45:37,542 I RECENTLY LOST MY JOB, 1087 00:45:37,542 --> 00:45:39,744 AND I’VE BEEN GOING OUT AND TRYING TO FIND WORK 1088 00:45:39,744 --> 00:45:41,679 BECAUSE APPARENTLY YOU HAVE TO PAY BILLS, 1089 00:45:41,679 --> 00:45:44,248 AND I WAS FILLING OUT SOME PAPERWORK, 1090 00:45:44,248 --> 00:45:45,516 AND ONE OF THE GUYS FROM THE KITCHEN 1091 00:45:45,516 --> 00:45:47,285 AT THIS RESTAURANT THAT I WAS WORKING AT-- 1092 00:45:47,285 --> 00:45:48,753 OR WANTING TO WORK AT-- 1093 00:45:48,753 --> 00:45:50,455 HE CAME UP TO ME RANDOMLY, 1094 00:45:50,455 --> 00:45:52,990 AND HE WAS LIKE, "HEY MAN, YOU KNOW WHO YOU LOOK LIKE?" 1095 00:45:52,990 --> 00:45:54,892 AND I’M LIKE, "OH, AGAIN." 1096 00:45:54,892 --> 00:45:57,528 JOHN MAYER, ASHTON KUTCHER, YOUNG PATRICK SWAYZE. 1097 00:45:57,528 --> 00:45:59,597 HE’S LIKE, "NO, FUCKER, YOU LOOK LIKE LURCH." 1098 00:46:03,468 --> 00:46:08,339 AND I THOUGHT TO MYSELF, WELL, AT LEAST I DON’T LOOK ILLEGAL. 1099 00:46:08,339 --> 00:46:12,343 AFTER THE ENTIRE KITCHEN STAFF GANG-BANGED MY MOUTH, 1100 00:46:12,343 --> 00:46:15,546 I REALIZED THAT I SHOULDN’T SAY THINGS LIKE THAT. 1101 00:46:15,546 --> 00:46:17,281 OH, MEXICANS. 1102 00:46:19,117 --> 00:46:21,586 [JASON] SO HOW DID YOU BECOME SO SUCCESSFUL? 1103 00:46:21,586 --> 00:46:24,822 [DAN] OH. YOU KNOW WHAT? I SUFFERED. 1104 00:46:24,822 --> 00:46:27,392 I WAS AT THE DARKEST POINT OF MY LIFE, 1105 00:46:27,392 --> 00:46:31,262 AND FAMILY, FRIENDS, JOB. HORRIBLE. 1106 00:46:31,262 --> 00:46:34,198 WITH YOUR SOBRIETY. 1107 00:46:34,198 --> 00:46:35,933 WELL, YEAH. MY SOBRIETY. 1108 00:46:35,933 --> 00:46:37,335 AND A FRIEND OF MINE WAS SOBER, 1109 00:46:37,335 --> 00:46:39,103 AND I CALLED HIM. 1110 00:46:39,103 --> 00:46:41,239 AND I WAS ON MY KNEES, AND I JUST SAID, "I NEED YOUR HELP." 1111 00:46:41,239 --> 00:46:42,673 AND HE MET ME AT MY FIRST MEETING. 1112 00:46:42,673 --> 00:46:45,543 AND HERE I AM, FOUR YEARS LATER, 1113 00:46:45,543 --> 00:46:48,346 FROM MY HIGHER POWER TO COMMITMENTS 1114 00:46:48,346 --> 00:46:49,714 TO DOING THE STEPS 1115 00:46:49,714 --> 00:46:52,750 TO BEING OF SERVICE TO DOING EVERYTHING, 1116 00:46:52,750 --> 00:46:53,818 TO THE BIG BOOK, YEAH. 1117 00:46:53,818 --> 00:46:55,119 I WOULDN’T BE HERE-- 1118 00:46:55,119 --> 00:46:56,687 AND THAT’S WHAT GOT YOU THROUGH ALL THIS. 1119 00:46:56,687 --> 00:46:59,090 OH, YEAH, MAKING AMENDS, CLEANING UP MY PAST, ALL OF IT. 1120 00:46:59,090 --> 00:47:00,691 OH, YEAH. I KNOW ABOUT THAT. 1121 00:47:00,691 --> 00:47:04,796 I HAD TO MAKE AMENDS WITH SOME OF THE STUFF THAT I MESSED UP 1122 00:47:04,796 --> 00:47:07,098 BACK IN THE DAYS. ONE DAY AT A TIME. 1123 00:47:07,098 --> 00:47:08,266 YEAH. 1124 00:47:08,266 --> 00:47:11,469 SO, IF YOU DON’T MIND ME ASKING, 1125 00:47:11,469 --> 00:47:14,806 HOW DID YOU BECOME SO SUCCESSFUL WITH YOUR SHOWS THEN? 1126 00:47:14,806 --> 00:47:17,175 OH, THOSE. I-- 1127 00:47:17,175 --> 00:47:19,677 YOU KNOW WHAT? I ACTUALLY SURRENDERED TO THE OUTCOME. 1128 00:47:19,677 --> 00:47:20,978 HUH. 1129 00:47:20,978 --> 00:47:23,247 I SUITED UP AND I SHOWED UP, AND I WORKED REALLY HARD, 1130 00:47:23,247 --> 00:47:27,285 AND I ASKED FORGIVENESS OF PEOPLE THAT I HAD HURT IN THE PAST, 1131 00:47:27,285 --> 00:47:29,086 AND INTEGRITY. 1132 00:47:29,086 --> 00:47:30,855 I SHOWED UP WITH AN INTEGRITY, 1133 00:47:30,855 --> 00:47:33,391 AND THEY BELIEVED ME, AND THEY TRUSTED ME, 1134 00:47:33,391 --> 00:47:36,360 AND ONE STEP AT A TIME, 1135 00:47:36,360 --> 00:47:38,696 AND HERE I AM. 1136 00:47:38,696 --> 00:47:42,233 THE SEX IS AMAZING, AND HE SAYS WE’RE DATING, 1137 00:47:42,233 --> 00:47:44,101 BUT-- BUT? 1138 00:47:44,101 --> 00:47:46,671 BUT I DON’T KNOW. 1139 00:47:46,671 --> 00:47:49,073 I FEEL LIKE I’M GETTING LOST IN EVERYTHING, 1140 00:47:49,073 --> 00:47:51,375 LIKE I CAN’T GET HIM TO FOCUS. 1141 00:47:51,375 --> 00:47:53,377 DOES HE HAVE A.D.D.? 1142 00:47:53,377 --> 00:47:56,080 WELL, EVERYBODY DOES, I THINK, THESE DAYS. 1143 00:47:56,080 --> 00:47:58,316 I DON’T. OKAY, LOOK. 1144 00:47:58,316 --> 00:48:00,618 I FEEL LIKE-- 1145 00:48:00,618 --> 00:48:02,320 LIKE HE’S PUTTING ME-- 1146 00:48:02,320 --> 00:48:05,389 LIKE I’M GETTING SQUEEZED BETWEEN ALL OF HIS ACTIVITIES. 1147 00:48:05,389 --> 00:48:07,658 HAVE YOU SAID ANYTHING, 1148 00:48:07,658 --> 00:48:09,527 YOU KNOW, LIKE, INTIMATE, TO HIM? 1149 00:48:09,527 --> 00:48:11,996 I DON’T KNOW. I MEAN, I LOVE HIM. 1150 00:48:11,996 --> 00:48:13,431 OH, GOD, YOU SAID THAT? 1151 00:48:13,431 --> 00:48:15,366 NO, I DIDN’T TELL HIM. 1152 00:48:15,366 --> 00:48:17,068 I’M NOT THAT NAIVE. 1153 00:48:17,068 --> 00:48:19,837 I WAS THINKING WE’D GO TO A SEX PARTY ON THE WEST SIDE. 1154 00:48:19,837 --> 00:48:22,306 I SENT THE GUYS OUR PICTURES, AND SURPRISE, 1155 00:48:22,306 --> 00:48:23,374 THEY’RE INTERESTED. 1156 00:48:23,374 --> 00:48:25,343 THE GUYS ARE REALLY HOT. 1157 00:48:25,343 --> 00:48:26,844 OF COURSE THEY ARE. 1158 00:48:26,844 --> 00:48:29,280 LOOK, I WAS JUST THINKING MAYBE WE COULD DO SOMETHING, 1159 00:48:29,280 --> 00:48:31,148 JUST, YOU KNOW, MAYBE JUST THE TWO OF US. 1160 00:48:31,148 --> 00:48:32,583 TONIGHT? 1161 00:48:32,583 --> 00:48:35,019 THAT DOESN’T SOUND VERY FUN OR EXCITING. 1162 00:48:35,019 --> 00:48:36,454 THIS IS WEST HOLLYWOOD. 1163 00:48:36,454 --> 00:48:38,823 THERE’S PARTIES, SEX, AND FUN TO BE HAD. 1164 00:48:38,823 --> 00:48:43,361 YES. AND THERE’S PARTIES, SEX, AND FUN TO BE HAD EVERY NIGHT. 1165 00:48:43,361 --> 00:48:48,266 LOOK, I’M JUST SAYING THAT MAYBE NOT TONIGHT. 1166 00:48:48,266 --> 00:48:51,469 I’M NOT REALLY COMFORTABLE DOING THAT SORT OF THING RIGHT NOW. 1167 00:48:51,469 --> 00:48:54,138 YOU WERE COMFORTABLE WITH IT BEFORE. 1168 00:48:54,138 --> 00:48:59,443 WELL, YOU KNOW. MAYBE JUST NOT TOGETHER. 1169 00:48:59,443 --> 00:49:01,479 OKAY? NOT RIGHT NOW. 1170 00:49:01,479 --> 00:49:05,616 THAT’S EXACTLY HOW BORING STRAIGHT PEOPLE ARE. 1171 00:49:07,785 --> 00:49:10,888 I DON’T KNOW THAT JUST FUCKING ISN’T HOLY TO BEGIN WITH, 1172 00:49:10,888 --> 00:49:14,225 BUT YOU’RE THE ONE WHO IS GOING TO DECIDE WHAT’S SACRED. 1173 00:49:14,225 --> 00:49:18,563 IS THERE SOME SORT OF GAY ETIQUETTE FOR THESE SORT OF THINGS? 1174 00:49:18,563 --> 00:49:21,732 WE’RE TALKING ABOUT A GAY RELATIONSHIP HERE. 1175 00:49:21,732 --> 00:49:23,701 THIS IS NOT-- WE’RE NOT DEALING 1176 00:49:23,701 --> 00:49:26,470 WITH 2,000 YEARS OF HETEROSEXUAL CONFORMITY. 1177 00:49:26,470 --> 00:49:27,972 I JUST ALWAYS THINK IT’S WEIRD 1178 00:49:27,972 --> 00:49:30,207 THAT GAY PEOPLE WANT TO ACT LIKE STRAIGHT PEOPLE. 1179 00:49:30,207 --> 00:49:31,409 I FEEL LIKE, YOU KNOW, 1180 00:49:31,409 --> 00:49:32,843 DEFINE IT HOWEVER YOU WANT, 1181 00:49:32,843 --> 00:49:34,512 BUT YOU HAVE THE FREEDOM TO DEFINE IT. 1182 00:49:34,512 --> 00:49:36,981 YOU DON’T HAVE ANY RULES SET UP FOR YOU. 1183 00:49:36,981 --> 00:49:39,350 IF I CAN’T EXPECT ANYTHING ELSE OUT OF THIS, 1184 00:49:39,350 --> 00:49:43,321 THEN WHY AM I DOING IT? 1185 00:49:43,321 --> 00:49:44,388 WHAT DO YOU WANT? 1186 00:49:44,388 --> 00:49:46,457 I DON’T KNOW. 1187 00:49:46,457 --> 00:49:47,758 IT’S JUST LIKE ANYTHING ELSE-- 1188 00:49:47,758 --> 00:49:50,194 HAPPINESS, OR DANCE, OR WHATEVER. 1189 00:49:50,194 --> 00:49:51,829 IT’S GONNA BE A DAILY THING. 1190 00:49:51,829 --> 00:49:54,065 YOU WANT MONOGAMY, YOU’RE GONNA WORK ON MONOGAMY. 1191 00:49:54,065 --> 00:49:55,366 AND THEN YOU’RE GONNA RENEGOTIATE, 1192 00:49:55,366 --> 00:49:57,034 AND YOU’RE GONNA DEAL WITH IT, 1193 00:49:57,034 --> 00:49:59,103 AND YOU’RE GONNA BE TURNED ON BY EVERYBODY EVERY DAY. 1194 00:49:59,103 --> 00:50:00,938 IT’S GOING TO BE AN INTERESTING SERIES OF CHALLENGES, 1195 00:50:00,938 --> 00:50:04,342 BUT, YOU KNOW, SO’S EVERY FUCKING THING ELSE. 1196 00:50:04,342 --> 00:50:07,678 LOOK, JUST DO THE WALK WITH ME, OKAY? 1197 00:50:07,678 --> 00:50:08,846 I’LL DO THE JUMP. 1198 00:50:08,846 --> 00:50:11,315 I’VE TURNED OFF. I DON’T KNOW. 1199 00:50:11,315 --> 00:50:12,683 COULD WE CALL IT A DAY? 1200 00:50:12,683 --> 00:50:14,385 NO. WE NEED TO GET THROUGH THIS. 1201 00:50:14,385 --> 00:50:15,519 ALL RIGHT, DO IT. DO IT. 1202 00:50:15,519 --> 00:50:17,321 GO. FINE. 1203 00:50:17,321 --> 00:50:18,322 READY? YEAH. 1204 00:50:18,322 --> 00:50:20,758 FIVE, SIX, SEVEN, EIGHT. 1205 00:50:24,462 --> 00:50:26,464 PLANNING ON HELPING ME ON THE LIFT? 1206 00:50:26,464 --> 00:50:28,332 LOOK AT ME WHEN WE DANCE. 1207 00:50:30,768 --> 00:50:32,003 YOU REALLY KNOW DAVID GEFFEN? 1208 00:50:32,003 --> 00:50:33,304 OF COURSE I KNOW GEFFEN. 1209 00:50:33,304 --> 00:50:34,705 I WENT TO HIS PARTY IN THE HAMPTONS. 1210 00:50:34,705 --> 00:50:36,474 THAT’S AWESOME. I WAS JUST GOING TO-- 1211 00:50:36,474 --> 00:50:40,378 OH, I’M SORRY. BEN THIS IS JOE. JOE, BEN, MY ROOMMATE. 1212 00:50:40,378 --> 00:50:43,414 JOE, HUH? 1213 00:50:43,414 --> 00:50:44,715 THAT’S INTERESTING. 1214 00:50:44,715 --> 00:50:45,916 DO YOU GUYS KNOW EACH OTHER? 1215 00:50:45,916 --> 00:50:48,619 I THINK, UM-- I THINK WE DO. 1216 00:50:48,619 --> 00:50:50,054 HI, ADAM. HOW ARE YOU? 1217 00:50:50,054 --> 00:50:54,925 ACTUALLY, MY FULL NAME IS ADAM JOSEPH LANDAU. 1218 00:50:54,925 --> 00:50:56,060 IS IT? YEAH. 1219 00:50:56,060 --> 00:50:57,595 THAT’S WEIRD. 1220 00:50:57,595 --> 00:51:00,197 YOU SPENT THE EVENING WITH THIS GENTLEMAN? 1221 00:51:00,197 --> 00:51:02,133 UH, MAYBE. HM? YEAH? 1222 00:51:02,133 --> 00:51:03,668 WHY? OH, I DON’T KNOW. 1223 00:51:03,668 --> 00:51:05,436 I WAS JUST THINKING ABOUT, UH, YOU REMEMBER, 1224 00:51:05,436 --> 00:51:09,907 OH I DON’T KNOW, A LONG TIME AGO, A TUESDAY NIGHT, 7:00 PM, 1225 00:51:09,907 --> 00:51:11,542 DATE THAT I WAS SUPPOSED TO HAVE. 1226 00:51:11,542 --> 00:51:14,111 AND SOMEBODY, OH, MAYBE, STOOD ME UP. 1227 00:51:14,111 --> 00:51:15,112 ACTUALLY BEN, I CAN EXPLAIN-- 1228 00:51:15,112 --> 00:51:16,547 AND NEVER CALLED. 1229 00:51:16,547 --> 00:51:18,282 I CAN EXPLAIN-- GAVE ME THE WRONG NUMBER. 1230 00:51:18,282 --> 00:51:19,650 THIS IS WHAT HAPPENED. 1231 00:51:19,650 --> 00:51:21,652 I HAD A FRIEND, THEY HE HAD A REACTION, 1232 00:51:21,652 --> 00:51:23,254 I HAD TO BRING HIM TO THE HOSPITAL, 1233 00:51:23,254 --> 00:51:25,723 I COULDN’T MAKE THE DATE, AND I LOST YOUR NUMBER. 1234 00:51:25,723 --> 00:51:28,125 OH, MY GOD, DID YOU HEAR? THAT’S HORRIBLE. 1235 00:51:28,125 --> 00:51:29,593 YEAH, IT’S TERRIBLE. 1236 00:51:29,593 --> 00:51:31,162 THAT’S WHY YOU NEVER CALLED AGAIN, RIGHT? 1237 00:51:31,162 --> 00:51:33,297 YOU NEVER CALLED TO TELL ME. 1238 00:51:33,297 --> 00:51:35,366 THAT WOULD HAVE BEEN TOO HARD, FOR SURE. 1239 00:51:35,366 --> 00:51:38,069 YOU’RE STILL A PRODUCER, RIGHT? 1240 00:51:38,069 --> 00:51:39,737 YOU KNOW, THAT’S INTERESTING. 1241 00:51:39,737 --> 00:51:41,338 I REMEMBER ACCOUNTANT. 1242 00:51:41,338 --> 00:51:42,907 WHAT? YEAH. 1243 00:51:42,907 --> 00:51:44,241 OH, I DO BOOKS. 1244 00:51:44,241 --> 00:51:45,810 I WORK WITH PEOPLES’ MONEY. 1245 00:51:45,810 --> 00:51:47,178 YEAH, I DO BOOKS FOR MOVIES. 1246 00:51:47,178 --> 00:51:48,646 I HAVE LOTS OF MONEY. 1247 00:51:48,646 --> 00:51:50,147 I DO BOOKS FOR MOTION PICTURES. HM, CALL ME. 1248 00:51:50,147 --> 00:51:51,949 I LIVE IN HOLLYWOOD. 1249 00:51:51,949 --> 00:51:54,618 YOU TOLD ME YOU LIVED IN THE VALLEY. 1250 00:51:54,618 --> 00:51:56,687 [MARY] COREY! 1251 00:52:01,525 --> 00:52:03,360 WHAT’S THIS? 1252 00:52:03,360 --> 00:52:06,497 HOW DARE YOU LEAVE THE TOILET SEAT UP IN MY HOUSE. 1253 00:52:06,497 --> 00:52:08,065 DO YOU KNOW THAT PEOPLE ARE FIRED 1254 00:52:08,065 --> 00:52:11,068 AND HAVE THEIR CAREERS CUT SHORT FOR LESS THAN THIS? 1255 00:52:11,068 --> 00:52:12,737 I’M SORRY. 1256 00:52:12,737 --> 00:52:16,941 I MUST HAVE BEEN ON THE PHONE WHILE I WAS PEEING. 1257 00:52:16,941 --> 00:52:19,844 YOU PEE STANDING UP? 1258 00:52:19,844 --> 00:52:21,011 YES, I DO. 1259 00:52:21,011 --> 00:52:25,449 DO YOU WANT TO BE A WOMAN OR NOT? 1260 00:52:25,449 --> 00:52:26,784 [SIGHS] 1261 00:52:29,720 --> 00:52:34,058 TO BE PERFECTLY HONEST, NO, I DON’T. 1262 00:52:34,058 --> 00:52:35,192 DO TELL. 1263 00:52:35,192 --> 00:52:37,728 I’M HAPPY BEING WHO I AM. 1264 00:52:37,728 --> 00:52:43,167 I LIKE ADOPTING THE GUISE OF A MAN OR A WOMAN IN PUBLIC, 1265 00:52:43,167 --> 00:52:46,470 BUT IN REALITY, I FEEL THAT I’M NEITHER. 1266 00:52:48,239 --> 00:52:51,041 I DIDN’T KNOW. 1267 00:52:51,041 --> 00:52:52,543 YOU NEVER ASKED ME. 1268 00:52:52,543 --> 00:52:56,113 WELL DO YOU SLEEP WITH MEN OR WOMEN? 1269 00:52:56,113 --> 00:52:58,582 NEITHER. NEITHER. 1270 00:52:58,582 --> 00:53:00,985 I DON’T BELIEVE IN SEX. 1271 00:53:00,985 --> 00:53:03,587 I FEEL LIKE IT WOULD BE A DISTRACTION. 1272 00:53:06,290 --> 00:53:08,325 I SEE. I GOT IT. 1273 00:53:08,325 --> 00:53:10,227 THAT’S WHY YOU’RE SO PROFICIENT. 1274 00:53:10,227 --> 00:53:11,829 THAT’S WHY YOUR SO PRODUCTIVE. 1275 00:53:13,998 --> 00:53:17,134 COREY, YOU’RE ABSOLUTELY FASCINATING. 1276 00:53:17,134 --> 00:53:21,005 YOU DON’T USE YOUR FEMININITY TO MANIPULATE MEN OR WOMEN. 1277 00:53:21,005 --> 00:53:23,440 YOU DON’T SEEM TO WANT ANYBODY OR ANYTHING. 1278 00:53:23,440 --> 00:53:26,010 IT’S REMARKABLE. 1279 00:53:26,010 --> 00:53:32,883 I FEEL THAT I COULD ABSOLUTELY TRUST YOU WITH ANYTHING. 1280 00:53:34,151 --> 00:53:41,292 YOU ARE SO PURE AND UTTERLY UNSELFISH. 1281 00:53:41,292 --> 00:53:44,562 IT’S VERY RARE IN THIS TOWN. 1282 00:53:49,800 --> 00:53:51,168 WHAT ARE YOU DOING? 1283 00:53:51,168 --> 00:53:53,237 HOLD ON. 1284 00:53:53,237 --> 00:53:57,575 [TEXTING] BIG DEAL. 1285 00:53:57,575 --> 00:53:59,877 WHAT’S IT ABOUT? WAIT, WAIT, WAIT. 1286 00:54:04,281 --> 00:54:06,317 OKAY. 1287 00:54:06,317 --> 00:54:08,118 SENT? SENT. 1288 00:54:08,118 --> 00:54:09,420 CAN I SEE IT? 1289 00:54:09,420 --> 00:54:10,688 YOU CAN. 1290 00:54:12,590 --> 00:54:13,991 IT’S REALLY NICE? 1291 00:54:13,991 --> 00:54:15,292 THANKS. 1292 00:54:15,292 --> 00:54:16,560 WHAT ARE YOU DOING? 1293 00:54:16,560 --> 00:54:17,628 TURNING IT OFF. 1294 00:54:17,628 --> 00:54:18,863 WAIT-- YOU NEED TO RELAX. 1295 00:54:18,863 --> 00:54:20,397 I KNOW, BUT YOU CAN’T DO THAT. 1296 00:54:20,397 --> 00:54:22,299 WHAT IF SOMEONE NEEDS ME? 1297 00:54:22,299 --> 00:54:24,468 WELL, THEN THEY’LL HAVE TO CALL YOU BACK. 1298 00:54:24,468 --> 00:54:26,670 BUT I DON’T WANT THEM TO CALL ME BACK. WELL YOU’RE GONNA HAVE TO 1299 00:54:26,670 --> 00:54:28,505 BECAUSE YOU’RE HERE WITH ME NOW. 1300 00:54:28,505 --> 00:54:33,444 WHOEVER NEEDS TO GET IN TOUCH WITH YOU CAN GET IN TOUCH WITH YOU LATER. 1301 00:54:33,444 --> 00:54:35,646 SEE. HI. HI. 1302 00:54:35,646 --> 00:54:37,314 I’M HERE. 1303 00:54:37,314 --> 00:54:40,050 JUST RELAX. COME HERE. 1304 00:54:40,050 --> 00:54:45,122 YOU HAVE BEEN TENSE ALL THE TIME I HAVE BEEN HERE. 1305 00:54:45,122 --> 00:54:46,457 [EXHALES] 1306 00:54:46,457 --> 00:54:47,858 NOW, LET’S SEE. 1307 00:54:47,858 --> 00:54:50,661 WHAT ELSE DO YOU DO BESIDES ALL THIS CRAZY STUFF? 1308 00:54:50,661 --> 00:54:52,596 CRAZY STUFF. 1309 00:54:52,596 --> 00:54:55,332 UH, I USED TO PLAY TENNIS. 1310 00:54:55,332 --> 00:54:57,902 TENNIS IS GOOD. 1311 00:54:57,902 --> 00:55:00,905 A LOT OF BOARD GAMES WITH MY BROTHERS. 1312 00:55:00,905 --> 00:55:02,539 BASEBALL. YEAH. 1313 00:55:02,539 --> 00:55:07,678 YOU? UP HERE. WHAT DO YOU DO? 1314 00:55:07,678 --> 00:55:11,115 LOTS OF SPORTS. 1315 00:55:11,115 --> 00:55:15,819 AND I GO RUNNING. 1316 00:55:15,819 --> 00:55:17,588 YOU KNOW WHAT? 1317 00:55:17,588 --> 00:55:20,057 BACKGAMMON. I LOVE MY BACKGAMMON. 1318 00:55:20,057 --> 00:55:22,826 ARE YOU KIDDING? I USED TO LOVE BACKGAMMON AS A KID. 1319 00:55:22,826 --> 00:55:25,529 STOP IT. NO, I’M SERIOUS. 1320 00:55:25,529 --> 00:55:27,398 OKAY, CLOSE YOUR EYES. 1321 00:55:27,398 --> 00:55:28,933 CLOSED? MM-HM. 1322 00:55:28,933 --> 00:55:31,402 OKAY. 1323 00:55:31,402 --> 00:55:34,138 OKAY, OPEN YOUR EYES. 1324 00:55:34,138 --> 00:55:35,906 DO YOU HAVE ANY MONEY? UH-- 1325 00:55:35,906 --> 00:55:38,842 MY BROTHERS AND I PUT DOWN SOME GOOD DOLLARS. 1326 00:55:38,842 --> 00:55:40,678 CAN I PAY YOU BACK LATER? 1327 00:55:40,678 --> 00:55:42,079 AN I.O.U. 1328 00:55:42,079 --> 00:55:43,213 I HAVE ORANGES. 1329 00:55:43,213 --> 00:55:44,848 THOSE ARE MY-- THEY’RE MY ORANGES. 1330 00:55:46,517 --> 00:55:47,618 OKAY, READY? 1331 00:55:47,618 --> 00:55:50,254 YEAH. 1332 00:55:50,254 --> 00:55:51,422 I LOVE TO WIN. 1333 00:55:51,422 --> 00:55:54,858 UH, I LOVE TO WIN. 1334 00:55:54,858 --> 00:55:57,528 YOU’RE ON. 1335 00:55:57,528 --> 00:56:01,732 HONESTLY, L.A. DANCERS KIND OF LOOK AT THOSE DANCERS AND GO, 1336 00:56:01,732 --> 00:56:04,368 "WHY ARE YOU DOING THIS TO YOURSELVES?" 1337 00:56:04,368 --> 00:56:08,205 REALLY? I FEEL LIKE IT’S A GREAT CAREER STARTER, AND-- 1338 00:56:08,205 --> 00:56:10,441 NO, NO. THEY MAKE A BUNCH OF MONEY. 1339 00:56:10,441 --> 00:56:11,909 NO. 1340 00:56:11,909 --> 00:56:15,846 AND, I DON’T KNOW, AND THEY... 1341 00:56:15,846 --> 00:56:17,514 THEY’RE EXPLOITED. 1342 00:56:17,514 --> 00:56:20,017 THEY DON’T-- YOU DON’T MAKE MONEY UNLESS YOU REALLY WIN 1343 00:56:20,017 --> 00:56:22,619 AND MAYBE IF YOU GET ON THE TOUR. 1344 00:56:22,619 --> 00:56:24,655 BUT IT’S-- THINK ABOUT IT. 1345 00:56:24,655 --> 00:56:26,991 BUT SO MANY PEOPLE FROM L.A. HAVE BEEN IN IT, THOUGH. 1346 00:56:26,991 --> 00:56:28,592 HAVEN’T THEY? 1347 00:56:28,592 --> 00:56:30,561 YEAH, BUT THEY DON’T WIND UP WORKING IN THE DANCE WORLD. 1348 00:56:30,561 --> 00:56:31,929 REALLY? NO. 1349 00:56:31,929 --> 00:56:33,764 BECAUSE EVERY CHOREOGRAPHER WHO IS WATCHING, 1350 00:56:33,764 --> 00:56:35,332 THEY GO, "THAT PERSON CAN’T DO THIS, 1351 00:56:35,332 --> 00:56:37,468 THAT PERSON CAN’T DO THIS, THAT PERSON CAN’T DO THIS," 1352 00:56:37,468 --> 00:56:40,871 WHEREAS YOU GET THE CHOICE IN THIS DANCE BUSINESS 1353 00:56:40,871 --> 00:56:43,440 TO DECIDE THIS IS WHAT JOBS I’M GOING TO GO OUT FOR 1354 00:56:43,440 --> 00:56:44,675 BECAUSE THIS IS MY STRENGTH. 1355 00:56:44,675 --> 00:56:46,010 RIGHT. 1356 00:56:46,010 --> 00:56:48,078 AND WE ALL SEE YOUR WEAKNESSES ON THAT SHOW. 1357 00:56:48,078 --> 00:56:50,881 AND YOUR FLAWS AS A HUMAN BEING 1358 00:56:50,881 --> 00:56:52,182 BECAUSE THEY EDIT YOU. 1359 00:56:52,182 --> 00:56:53,417 BECAUSE IT’S A REALITY SHOW. 1360 00:56:53,417 --> 00:56:54,485 RIGHT. YEAH. 1361 00:56:54,485 --> 00:56:56,453 I NEVER THOUGHT ABOUT THAT. 1362 00:56:57,921 --> 00:57:01,125 WHAT DO YOUR TATTOOS MEAN? 1363 00:57:01,125 --> 00:57:03,394 OH, THEY-- I DID THOSE FOR MY FAMILY. 1364 00:57:03,394 --> 00:57:05,262 OH, YEAH, YOU PRETTY CLOSE WITH YOUR FAMILY? 1365 00:57:05,262 --> 00:57:06,930 I LOVE MY FAMILY. 1366 00:57:06,930 --> 00:57:09,900 WELL, ACTUALLY WHEN I WAS DRINKING. 1367 00:57:09,900 --> 00:57:11,368 WHEN YOU WERE DRINKING, YOU LOVED YOUR FAMILY? 1368 00:57:11,368 --> 00:57:13,270 I LOVED EVERYBODY WHEN I WAS DRINKING, 1369 00:57:13,270 --> 00:57:15,672 BUT WHEN I WAS DRINKING, I MESSED UP WITH MY FAMILY, 1370 00:57:15,672 --> 00:57:17,007 AND I SPENT YEARS CLEANING IT UP, 1371 00:57:17,007 --> 00:57:18,375 BUT THAT ONE RIGHT THERE-- 1372 00:57:18,375 --> 00:57:21,345 THAT ONE MEANS THE BREATH OF GOD TO MOM, 1373 00:57:21,345 --> 00:57:25,082 AND THAT ONE RIGHT THERE IS FOR MY BROTHER. 1374 00:57:25,082 --> 00:57:27,818 HE’S MY HEART. 1375 00:57:27,818 --> 00:57:29,720 AND THEN ON THE OTHER SIDE, 1376 00:57:29,720 --> 00:57:31,422 RESPECT FOR DAD. 1377 00:57:31,422 --> 00:57:35,592 AND I HAVE AN OLDER BROTHER, AND THAT MEANS "HERO TO BIG BROTHER." 1378 00:57:35,592 --> 00:57:37,528 HUH. YEAH. 1379 00:57:37,528 --> 00:57:38,562 THAT’S NICE. 1380 00:57:38,562 --> 00:57:39,797 YOU? YOUR FAMILY? 1381 00:57:39,797 --> 00:57:41,131 I HAVE A SISTER. 1382 00:57:41,131 --> 00:57:42,266 CLOSE? 1383 00:57:42,266 --> 00:57:43,901 YEAH. 1384 00:57:43,901 --> 00:57:46,703 SHE’S MARRIED. 1385 00:57:46,703 --> 00:57:48,539 SHE HAS A BABY. 1386 00:57:48,539 --> 00:57:50,674 SO YOU’RE AN UNCLE. 1387 00:57:50,674 --> 00:57:51,708 YEAH. 1388 00:57:51,708 --> 00:57:53,610 ARE YOU NOT A GOOD UNCLE? 1389 00:57:53,610 --> 00:57:55,579 I’M A GOOD UNCLE, I GUESS. 1390 00:57:55,579 --> 00:57:58,482 I JUST DON’T-- I DON’T KNOW. 1391 00:57:58,482 --> 00:57:59,650 DO YOU WANT KIDS? 1392 00:57:59,650 --> 00:58:02,553 NO. 1393 00:58:02,553 --> 00:58:03,587 DO YOU? 1394 00:58:03,587 --> 00:58:04,621 I DO. 1395 00:58:04,621 --> 00:58:06,190 REALLY? 1396 00:58:06,190 --> 00:58:07,524 I DO. 1397 00:58:07,524 --> 00:58:10,594 WHY? 1398 00:58:10,594 --> 00:58:15,099 BECAUSE THEY ARE UNCONDITIONAL LOVE TO ME. 1399 00:58:15,099 --> 00:58:16,500 HUH. 1400 00:58:16,500 --> 00:58:21,538 WHAT IF YOU GET ONE OF THOSE EVIL BAD-SEED CHILDREN, 1401 00:58:21,538 --> 00:58:23,807 LIKE THE ANTICHRIST? 1402 00:58:23,807 --> 00:58:25,242 ARE YOU AN EVIL BAD SEED? 1403 00:58:25,242 --> 00:58:26,443 IS THAT WHAT YOU’RE TELLING ME? 1404 00:58:26,443 --> 00:58:27,911 NO, NO, I’M AN ANGEL. 1405 00:58:27,911 --> 00:58:31,315 OH, I SEE SOME HORNS A LITTLE BIT. 1406 00:58:31,315 --> 00:58:34,451 [MEOWING] 1407 00:58:35,519 --> 00:58:38,922 [COREY] MARY? 1408 00:58:38,922 --> 00:58:44,695 COREY, YOU COME GIVE MARY A LITTLE NECK RUB? 1409 00:58:44,695 --> 00:58:46,230 NECK RUB? 1410 00:58:46,230 --> 00:58:48,565 YES. 1411 00:58:48,565 --> 00:58:50,534 [MOANS] 1412 00:58:50,534 --> 00:58:54,004 ALL RIGHT. 1413 00:58:54,004 --> 00:58:55,906 LOSHEY, LOSHEY. 1414 00:58:59,943 --> 00:59:03,247 [MEOWS] OOH, AAH. 1415 00:59:03,247 --> 00:59:07,885 COREY. OH, IT FEELS SO GOOD. 1416 00:59:07,885 --> 00:59:09,620 NOW COME DOWN A LITTLE LOWER. 1417 00:59:09,620 --> 00:59:12,823 [MEOWS] 1418 00:59:12,823 --> 00:59:14,925 OH, COREY. 1419 00:59:14,925 --> 00:59:17,227 OH, MY GOD. 1420 00:59:17,227 --> 00:59:19,029 OH. 1421 00:59:19,029 --> 00:59:22,633 AND DOWN TO THE ASS. 1422 00:59:22,633 --> 00:59:28,272 AS I SAID IN THERE, JAKE, I LIVED BEYOND MY MEANS. 1423 00:59:28,272 --> 00:59:30,140 YOU HAD REALLY GOOD MEANS. I HAD GREAT MEANS. 1424 00:59:30,140 --> 00:59:31,575 HANK AND HAZEL. I LOVED THAT SHOW. 1425 00:59:31,575 --> 00:59:33,043 HANK AND HAZEL. I LOVED THAT SHOW. 1426 00:59:33,043 --> 00:59:34,878 IT WAS REALLY GREAT. 1427 00:59:34,878 --> 00:59:36,713 YOU SEE WHAT HAPPENED WAS I GOT SO WRAPPED UP IN ALL OF THAT-- 1428 00:59:36,713 --> 00:59:38,115 I’M AN ACTOR AND A WRITER. 1429 00:59:38,115 --> 00:59:40,417 I WROTE A SCRIPT, A SCREENPLAY OF MYSELF, 1430 00:59:40,417 --> 00:59:42,352 WHERE I’M PLAY LIKE A REALLY SEXY CHARACTER, 1431 00:59:42,352 --> 00:59:44,388 AND I’M WILLING TO DO ANYTHING, I JUST NEED A PRODUCER. 1432 00:59:44,388 --> 00:59:46,023 AND SO I’M LIKE WILLING TO, UH 1433 00:59:46,023 --> 00:59:47,791 OKAY, BUT THAT’S NOT-- 1434 00:59:47,791 --> 00:59:49,493 THAT’S GREAT, BUT THAT’S NOT THE PROMISE OF THIS PROGRAM 1435 00:59:49,493 --> 00:59:51,061 BECAUSE YOU ASKED ME TO-- I LOVE HANK AND HAZEL. 1436 00:59:51,061 --> 00:59:52,362 YOU TALKED TO ME ABOUT SPONSORING. 1437 00:59:52,362 --> 00:59:54,097 ARE YOU GOING TO BE MY SPONSOR? BE MY SPONSOR. 1438 00:59:54,097 --> 00:59:56,133 PRODUCING MY-- SO LET ME JUST-- OKAY, WHAT YOU NEED TO-- 1439 00:59:56,133 --> 00:59:57,568 OKAY, IT’S A SCRIPT. 1440 00:59:57,568 --> 00:59:58,569 YOU MADE A COMMENT, JAKE. 1441 00:59:58,569 --> 00:59:59,903 I PUT IT IN A BLUE FOLDER. 1442 00:59:59,903 --> 01:00:01,438 IT’S A NICE FOLDER. 1443 01:00:01,438 --> 01:00:03,040 JAKE, STOP. 1444 01:00:03,040 --> 01:00:04,575 SPONSORSHIP-- 1445 01:00:04,575 --> 01:00:05,709 ROCK BOTTOM. 1446 01:00:05,709 --> 01:00:06,977 YOU SAID TO ME IN THE MEETING-- 1447 01:00:06,977 --> 01:00:08,278 YEAH, THIS MORNING I HIT ROCK BOTTOM. 1448 01:00:08,278 --> 01:00:10,080 I HAD, LIKE, A ROCK BOTTOM MOMENT THIS MORNING. 1449 01:00:10,080 --> 01:00:12,082 SO WHAT HAPPENED? I OVERSLEPT. 1450 01:00:12,082 --> 01:00:14,318 MY ALARM WENT OFF, AND I DIDN’T LISTEN TO IT, 1451 01:00:14,318 --> 01:00:17,154 AND MY MOM WAS LIKE, "UH, OH YOU OVERSLEPT, YOU HIT ROCK BOTTOM." 1452 01:00:17,154 --> 01:00:19,122 GOTTA HAVE A MEETING. GOTTA GO TO A MEETING. 1453 01:00:19,122 --> 01:00:20,257 AND I FIGURE YOU COULD BE MY SPONSOR. 1454 01:00:20,257 --> 01:00:21,692 OKAY, YOU LIVE WITH YOUR MOM? 1455 01:00:21,692 --> 01:00:23,327 BECAUSE YOU’RE WITH JASON. 1456 01:00:23,327 --> 01:00:24,761 HOW DO YOU KNOW THAT I’M WITH JASON? 1457 01:00:24,761 --> 01:00:26,997 WELL, I WAS WATCHING YOU GUYS-- 1458 01:00:26,997 --> 01:00:28,432 WAIT, WAIT, WAIT, YOU’RE WATCHING. THIS IS A-- 1459 01:00:28,432 --> 01:00:30,133 THIS IS A YEAH, I SAW YOU GUYS AT MACARONI GRILL, 1460 01:00:30,133 --> 01:00:31,368 AND I WAS LIKE, OH-- 1461 01:00:31,368 --> 01:00:33,537 WHAT ABOUT THE-- STOP! STOP. 1462 01:00:33,537 --> 01:00:35,339 ENOUGH, JAKE-- YOU HAVE NICE HANDS. 1463 01:00:35,339 --> 01:00:37,975 JASON. JAKE-- JAKE-- 1464 01:00:37,975 --> 01:00:39,710 JAKE. I’M JAKE. JAKE, JAKE, JAKE. 1465 01:00:39,710 --> 01:00:41,778 BUT JASON’S GREAT. HE’S ON MY MIND, TOO, ALL THE TIME. 1466 01:00:41,778 --> 01:00:43,780 [GIGGLES] 1467 01:00:43,780 --> 01:00:46,250 I THINK ABOUT JASON ALL THE TIME, TOO, SO IT’S CRAZY. 1468 01:00:46,250 --> 01:00:48,452 I DON’T THINK THIS IS GOING TO REALLY WORK, 1469 01:00:48,452 --> 01:00:50,287 SO HERE’S THE THING. YOU STOPPED ME. CALL ME. 1470 01:00:50,287 --> 01:00:51,788 IS THAT ACID? YOU’RE GIVING ME ACID? 1471 01:00:51,788 --> 01:00:55,559 IF YOU NEED ANYTHING-- NO, IT’S NOT-- STOP. 1472 01:00:55,559 --> 01:00:57,127 THIS IS NOT GOING TO WORK-- SPONSORSHIP. 1473 01:00:57,127 --> 01:00:59,162 CALL ME IF YOU NEED ANYTHING, 1474 01:00:59,162 --> 01:01:01,865 I’M SURE THERE’S SOMEONE ELSE IN THE ROOMS THAT WILL HELP YOU. 1475 01:01:01,865 --> 01:01:04,668 WOW. WOW, WOW, WOW... 1476 01:01:06,737 --> 01:01:09,072 THERE’S NO NUMBER ON HERE. 1477 01:01:09,072 --> 01:01:11,575 SO YOU’VE BEEN STALKED BEFORE, HUH? 1478 01:01:11,575 --> 01:01:16,913 YEAH. I MEAN, THERE’S THE MYSPACE PEOPLE AND THE FACEBOOK PEOPLE. 1479 01:01:16,913 --> 01:01:21,551 YOU DO HAVE QUITE THE FOLLOWING ON THERE. 1480 01:01:21,551 --> 01:01:24,755 YOU HAVE TO TAKE IT SERIOUSLY ONLY TO A CERTAIN EXTENT. 1481 01:01:24,755 --> 01:01:26,456 I MEAN, IT’S FLATTERING, 1482 01:01:26,456 --> 01:01:29,760 BUT WHEN SOMEONE SAYS THAT THEY LOVE ME, 1483 01:01:29,760 --> 01:01:32,229 I DON’T BELIEVE IT. 1484 01:01:32,229 --> 01:01:34,564 I THINK IT HAPPENS SO MUCH IN THE DATING WORLD, TOO. 1485 01:01:34,564 --> 01:01:36,600 YOU MEAN THAT YOU HAD THE COMPLETE WRONG IDEA 1486 01:01:36,600 --> 01:01:37,834 OF WHO THEY WERE 1487 01:01:37,834 --> 01:01:40,971 BECAUSE YOU JUST PUT A PICTURE OF THEM AHEAD OF YOU. 1488 01:01:40,971 --> 01:01:43,807 YOU HAD THIS IDEA OF THEM AND NOT NECESSARILY WHAT THEY WERE. 1489 01:01:43,807 --> 01:01:45,075 TOTALLY. 1490 01:01:45,075 --> 01:01:47,411 THEY WANT YOU TO LIKE THEM, TOO. 1491 01:01:47,411 --> 01:01:51,748 BECAUSE PEOPLE ALWAYS WANT TO BE BETTER THAN WHAT THEY ARE. 1492 01:01:53,283 --> 01:01:56,086 SO, HOW WAS THE PARTY? 1493 01:01:56,086 --> 01:01:57,587 THE USUAL. 1494 01:01:57,587 --> 01:01:58,889 AND THE ONE BEFORE THAT? 1495 01:01:58,889 --> 01:02:00,757 BEFORE THAT? OH, MONDAY NIGHT? 1496 01:02:00,757 --> 01:02:02,259 WE WENT TO-- 1497 01:02:02,259 --> 01:02:03,960 WE WENT DOWNTOWN TO MOUSTACHE MONDAYS, 1498 01:02:03,960 --> 01:02:06,363 AND THEN CAME BACK TO WEHO 1499 01:02:06,363 --> 01:02:08,031 AND WENT TO THE STANDARD FOR A COUPLE OF HOURS, 1500 01:02:08,031 --> 01:02:11,068 THEN WENT TO AN AFTER PARTY IN THE HILLS. 1501 01:02:11,068 --> 01:02:12,602 IT WAS AMAZING. 1502 01:02:12,602 --> 01:02:13,637 AMAZING. YEAH. 1503 01:02:13,637 --> 01:02:16,306 GOOD. 1504 01:02:16,306 --> 01:02:19,176 YOU’RE NOT EVEN GONNA ASK ME ABOUT MY WEEK, ARE YOU? 1505 01:02:19,176 --> 01:02:21,244 OH, UM, SURE. 1506 01:02:21,244 --> 01:02:23,280 DO ANYTHING FOR FUN LATELY? 1507 01:02:23,280 --> 01:02:25,415 YEAH, ACTUALLY. 1508 01:02:25,415 --> 01:02:27,918 I STARTED REHEARSING MY NEW DANCE PIECE. 1509 01:02:27,918 --> 01:02:29,419 OH, YEAH, COOL. 1510 01:02:29,419 --> 01:02:31,755 YOU SHOULD TRY OUT FOR SO YOU THINK YOU CAN DANCE. 1511 01:02:31,755 --> 01:02:33,123 I HAVE. 1512 01:02:33,123 --> 01:02:37,327 OH. 1513 01:02:37,327 --> 01:02:40,430 LOOK. YOU KNOW HOW MUCH I LIKE YOU. RIGHT? 1514 01:02:40,430 --> 01:02:41,665 YEAH. 1515 01:02:41,665 --> 01:02:42,999 I LIKE YOU, TOO. 1516 01:02:42,999 --> 01:02:47,904 THAT’S FUNNY BECAUSE I’M NOT FEELING IT FROM YOU. 1517 01:02:47,904 --> 01:02:52,376 IT’S LIKE YOUR FACEBOOK PAGE. 1518 01:02:52,376 --> 01:02:54,378 YOU GOT ALL THESE PICTURES OF EVERYBODY ON THERE. 1519 01:02:54,378 --> 01:02:57,247 YOU GO TO ALL THESE PARTIES. I GO WITH YOU. 1520 01:02:57,247 --> 01:02:59,716 I DON’T SEE A PICTURE OF MYSELF EVER. 1521 01:02:59,716 --> 01:03:02,819 THERE’S AN AUDIENCE FOR MY FACEBOOK PAGE, 1522 01:03:02,819 --> 01:03:04,621 AND THEY DON’T EVEN KNOW YOU. 1523 01:03:04,621 --> 01:03:07,858 RELAX. IT’S NOT A BIG DEAL. 1524 01:03:07,858 --> 01:03:09,860 IT IS TO ME. 1525 01:03:09,860 --> 01:03:12,396 LOOK, WE HANG OUT. WE HAVE FUN. 1526 01:03:12,396 --> 01:03:14,364 WHY ARE YOU TRYING TO CREATE DRAMA? 1527 01:03:14,364 --> 01:03:21,371 I’M NOT CREATING DRAMA. 1528 01:03:21,371 --> 01:03:23,507 I’M JUST SAYING-- 1529 01:03:23,507 --> 01:03:27,144 LOOK, I DON’T THINK WE CAN DO THIS ANYMORE. 1530 01:03:27,144 --> 01:03:29,446 I DON’T THINK I CAN SEE YOU. 1531 01:03:29,446 --> 01:03:31,782 OKAY. 1532 01:03:31,782 --> 01:03:33,917 OH, REALLY? "OKAY"? THAT’S IT? 1533 01:03:33,917 --> 01:03:36,420 YOU’RE NOT EVEN GONNA TRY TO SAVE IT? NOTHING? 1534 01:03:36,420 --> 01:03:38,655 NOT AN "OH, BEN, I’LL MISS YOU" 1535 01:03:38,655 --> 01:03:40,390 OR A "HEY LET’S TRY." NOTHING. 1536 01:03:40,390 --> 01:03:41,558 WHAT ARE YOU LOOKING FOR? 1537 01:03:41,558 --> 01:03:44,394 OH, BEN. I’LL MISS YOU TERRIBLY. 1538 01:03:44,394 --> 01:03:45,896 I CAN’T LIVE WITHOUT YOU. 1539 01:03:45,896 --> 01:03:47,130 I NEED YOU IN MY LIFE. 1540 01:03:47,130 --> 01:03:48,899 IS THAT WHAT YOU WANT FROM ME? 1541 01:03:48,899 --> 01:03:50,634 YOU’RE SUCH AN ASSHOLE. 1542 01:03:50,634 --> 01:03:51,802 LOOK. 1543 01:03:51,802 --> 01:03:54,871 WHAT MORE DO YOU WANT? 1544 01:03:54,871 --> 01:03:56,339 I DON’T KNOW, 1545 01:03:56,339 --> 01:03:58,175 BUT I DON’T WANT IT WITH YOU. 1546 01:04:11,988 --> 01:04:15,892 MARY, THERE’S SOMETHING I NEED TO TELL YOU. 1547 01:04:15,892 --> 01:04:17,928 YES? 1548 01:04:17,928 --> 01:04:19,796 I’M QUITTING. 1549 01:04:19,796 --> 01:04:21,231 NO, YOU’RE NOT. 1550 01:04:21,231 --> 01:04:24,868 YES, I AM. 1551 01:04:24,868 --> 01:04:26,937 BUT WHY? 1552 01:04:26,937 --> 01:04:31,741 WELL, THIS EXPERIMENT HAS COME TO AN END, 1553 01:04:31,741 --> 01:04:36,079 AND I NEED TO START A NEW CHAPTER IN MY LIFE. 1554 01:04:36,079 --> 01:04:39,216 WELL, WHAT ABOUT ME? 1555 01:04:39,216 --> 01:04:41,618 YOU NEED TO START A NEW CHAPTER IN YOUR LIFE, TOO. 1556 01:04:41,618 --> 01:04:43,553 NO, I DON’T. 1557 01:04:43,553 --> 01:04:45,889 YES, YOU DO. 1558 01:04:45,889 --> 01:04:48,525 WELL, IF THAT’S THE WAY YOU FEEL, GET OUT. 1559 01:04:55,932 --> 01:04:57,367 GOODBYE, MARY. 1560 01:05:05,242 --> 01:05:07,744 [JASON] I’M JUST WAITING TO HEAR SOMETHING FROM YOU. 1561 01:05:07,744 --> 01:05:09,579 WAITING FOR WHAT? FOR ONE, YOU PROMISED ME 1562 01:05:09,579 --> 01:05:11,681 THAT YOU WERE GOING TO HELP ME GET MY OWN SHOW. 1563 01:05:11,681 --> 01:05:13,750 WAIT, WAIT, WHAT DID I PROMISE YOU? 1564 01:05:13,750 --> 01:05:16,453 I CAN’T PROMISE THAT I’M GOING TO HELP YOU PITCH A SHOW IDEA. 1565 01:05:16,453 --> 01:05:19,322 WELL, THAT’S WHAT YOU SAID. I CAN’T DO THAT. 1566 01:05:19,322 --> 01:05:21,658 WHAT EXPERIENCE DO YOU HAVE PRODUCING, 1567 01:05:21,658 --> 01:05:24,394 MUCH LESS STARRING, DIRECTING, AND ACTING IN YOUR OWN SHOW? 1568 01:05:24,394 --> 01:05:26,062 ARE YOU KIDDING ME, I WOULD BE GREAT. 1569 01:05:26,062 --> 01:05:27,197 OF COURSE YOU’D BE GREAT. 1570 01:05:27,197 --> 01:05:28,698 BUT NO ONE IS GOING TO GO OUT 1571 01:05:28,698 --> 01:05:30,534 AND GIVE YOU YOUR OWN SHOW RIGHT OUT OF THE GATE, 1572 01:05:30,534 --> 01:05:31,902 JASON, IT DOESN’T HAPPEN THAT WAY. 1573 01:05:31,902 --> 01:05:34,170 WELL, THANK YOU SO MUCH FOR THAT CONFIDENCE LEVEL. 1574 01:05:34,170 --> 01:05:35,472 STOP IT. 1575 01:05:35,472 --> 01:05:36,773 I BELIEVE IN YOU. I DO. YOU’RE-- 1576 01:05:36,773 --> 01:05:39,042 LOOK AT ME. YOU HAVE SOMETHING. 1577 01:05:39,042 --> 01:05:41,745 YOU’RE HANDSOME, YOU’RE TALENTED, YOU’RE FUNNY. 1578 01:05:41,745 --> 01:05:43,380 THANK YOU. 1579 01:05:43,380 --> 01:05:45,982 JASON, EVERYONE HAS SOME SORT OF TALENT. 1580 01:05:45,982 --> 01:05:47,784 YOU JUST HAVE TO LEARN WHAT THAT IS. 1581 01:05:47,784 --> 01:05:49,619 WELL, I KNOW WHAT TO DO WITH IT. 1582 01:05:49,619 --> 01:05:51,321 I JUST WANT TO GET PAID FOR WHAT I’M DOING. 1583 01:05:51,321 --> 01:05:53,857 WHY DO YOU CONSTANTLY NEED MY VALIDATION? 1584 01:05:53,857 --> 01:05:56,359 BECAUSE YOU’RE THE ONLY ONE THAT CAN REALLY HELP ME. 1585 01:05:56,359 --> 01:05:57,627 ALL RIGHT. 1586 01:05:57,627 --> 01:05:59,563 YOU’RE THE FIRST PERSON IN LOS ANGELES 1587 01:05:59,563 --> 01:06:02,699 THAT I’VE ACTUALLY MET THAT ACTUALLY HELP ME DO SOMETHING WITH MY CAREER. 1588 01:06:02,699 --> 01:06:06,403 WAIT, I THOUGHT WE WERE WORKING ON A RELATIONSHIP. 1589 01:06:06,403 --> 01:06:10,340 BUT OBVIOUSLY THIS IS A BUSINESS PARTNERSHIP FOR YOU. 1590 01:06:10,340 --> 01:06:11,408 I GET IT. 1591 01:06:11,408 --> 01:06:12,609 DAN, COME HERE. 1592 01:06:12,609 --> 01:06:13,843 YOU KNOW THAT’S NOT WHAT I MEANT. 1593 01:06:13,843 --> 01:06:15,345 THEN WHAT DID YOU MEAN, JASON? 1594 01:06:15,345 --> 01:06:19,716 IF WE WEREN’T IN A RELATIONSHIP, 1595 01:06:19,716 --> 01:06:23,820 WOULD YOU STILL BELIEVE IN ME? 1596 01:06:23,820 --> 01:06:26,056 OF COURSE I WOULD. COME HERE. 1597 01:06:26,056 --> 01:06:28,058 THAT’S WHAT I WANT TO KNOW. 1598 01:06:28,058 --> 01:06:29,726 COME HERE. 1599 01:06:37,667 --> 01:06:39,536 [CRAIG] YOU KNOW, I THINK ABOUT IT IN TERMS OF THIS. 1600 01:06:39,536 --> 01:06:41,237 ANY TIME THERE’S SOME SORT OF ISOLATION, 1601 01:06:41,237 --> 01:06:44,107 LIKE LOOKING, I’M NOT THINKING RIGHT, LEFT. 1602 01:06:44,107 --> 01:06:46,142 I’M THINKING CONNECT, CONNECT, CONNECT. 1603 01:06:46,142 --> 01:06:47,711 SO CONNECT TO ME AT THAT MOMENT. 1604 01:06:47,711 --> 01:06:51,681 SIX, SEVEN, EIGHT, SHARP, LIKE BOOM, EYE TO EYE. 1605 01:06:51,681 --> 01:06:53,316 OKAY. AND I THINK THAT EVEN HELPS, 1606 01:06:53,316 --> 01:06:54,884 LIKE, INTENTION. 1607 01:06:54,884 --> 01:06:58,121 I DON’T KNOW IF IT’LL LOOK GOOD FLAT TO THE AUDIENCE. 1608 01:06:58,121 --> 01:07:00,790 TWO, THREE, LIKE THAT? 1609 01:07:00,790 --> 01:07:04,327 IF YOU TAKE YOUR RIGHT LEG BACK. 1610 01:07:04,327 --> 01:07:06,830 SIX, SEVEN, EIGHT, SHARP ONE, 1611 01:07:06,830 --> 01:07:09,265 SO THE LINE IS SOFT, BUT WE GET THERE FAST. 1612 01:07:09,265 --> 01:07:10,500 LIKE THIS. 1613 01:07:10,500 --> 01:07:12,168 YES, HIT THE ACCENT. 1614 01:07:12,168 --> 01:07:14,204 SO GIVE ME SEVEN, EIGHT. 1615 01:07:14,204 --> 01:07:16,573 SIX, SEVEN, EIGHT, SHARP ONE. 1616 01:07:16,573 --> 01:07:18,541 THAT’S IT. 1617 01:07:18,541 --> 01:07:22,512 OKAY I KIND OF HAVE A CONFESSION TO MAKE. 1618 01:07:22,512 --> 01:07:23,813 OOH. OOH. 1619 01:07:23,813 --> 01:07:26,082 I’M PREGNANT. 1620 01:07:26,082 --> 01:07:27,817 AGAIN? I KNOW, RIGHT? 1621 01:07:27,817 --> 01:07:30,253 IS IT A GEFFEN? SHUT UP. 1622 01:07:30,253 --> 01:07:31,554 NO, I’M BEING SERIOUS. 1623 01:07:31,554 --> 01:07:34,057 I DON’T REALLY THINK I’M AN ALCOHOLIC. 1624 01:07:34,057 --> 01:07:36,660 YOU MADE A COMMITMENT. THAT’S SERIOUS. 1625 01:07:36,660 --> 01:07:38,061 AA SAVES PEOPLE’S LIVES, 1626 01:07:38,061 --> 01:07:39,896 AND YOU’RE TOTALLY DISRESPECTING IT. 1627 01:07:39,896 --> 01:07:42,265 I JUST DON’T THINK MY LIFE NEEDS SAVING. 1628 01:07:42,265 --> 01:07:45,969 I MEAN, I DON’T REALLY THINK THAT I’M LIKE THOSE PEOPLE 1629 01:07:45,969 --> 01:07:47,137 WHO GO INTO THOSE MEETINGS 1630 01:07:47,137 --> 01:07:49,973 AND TALK ABOUT BEING UNMANAGEABLE 1631 01:07:49,973 --> 01:07:52,642 AND RECKLESS AND DESTROYING EVERYTHING 1632 01:07:52,642 --> 01:07:55,211 AND JUST HAVE ABSOLUTELY HIT ROCK BOTTOM. 1633 01:07:55,211 --> 01:07:56,880 I’M NOT LIKE THAT. 1634 01:07:56,880 --> 01:07:58,882 WELL, THEN WHY DO YOU KEEP GOING BACK? 1635 01:07:58,882 --> 01:08:01,217 IT’S REALLY INTERESTING AND KIND OF TOUCHING 1636 01:08:01,217 --> 01:08:06,656 TO HEAR HOW IT HAS CHANGED THOSE PEOPLES’ LIVES. 1637 01:08:06,656 --> 01:08:08,858 OKAY, I HAVE AN IDEA. 1638 01:08:08,858 --> 01:08:11,327 WHAT? 1639 01:08:11,327 --> 01:08:13,363 YOU GUYS ARE MY BEST FRIENDS. 1640 01:08:13,363 --> 01:08:16,299 WELL, OKAY, YOU’RE MORE LIKE MY FAMILY, 1641 01:08:16,299 --> 01:08:20,403 BUT I KIND OF WANT TO KNOW 1642 01:08:20,403 --> 01:08:23,106 IF YOU WOULD BE INTERESTED IN, 1643 01:08:23,106 --> 01:08:25,675 I DON’T KNOW, POSSIBLY GOING TO A BAR WITH ME? 1644 01:08:25,675 --> 01:08:29,245 LET’S HAVE A DRINK, JUST ONE DRINK, 1645 01:08:29,245 --> 01:08:31,514 ONE DRINK, AND THAT’S IT. 1646 01:08:31,514 --> 01:08:32,716 [COREY] THIS IS THE BIG IDEA? 1647 01:08:32,716 --> 01:08:34,384 YES, LET’S JUST HAVE ONE DRINK, 1648 01:08:34,384 --> 01:08:35,452 AND THEN WE’LL GO HOME, 1649 01:08:35,452 --> 01:08:37,220 AND IF I CAN NOT HAVE A DRINK 1650 01:08:37,220 --> 01:08:38,788 FOR ABOUT A WEEK, 1651 01:08:38,788 --> 01:08:40,924 THEN I HONESTLY DON’T THINK THAT I NEED AA. 1652 01:08:40,924 --> 01:08:42,992 YOU THINK ONE DRINK IS GONNA TELL YOU THAT? 1653 01:08:42,992 --> 01:08:44,994 WELL, YEAH, JUST ONE. THAT’S ALL I NEED. 1654 01:08:44,994 --> 01:08:46,663 YOU’RE HAVING ONE. 1655 01:08:46,663 --> 01:08:48,098 YEAH, BUT I’LL PROBABLY HAVE ONE TOMORROW, 1656 01:08:48,098 --> 01:08:50,467 AND THAT DOESN’T MEAN THAT I NEED TO BE IN AA. 1657 01:08:50,467 --> 01:08:52,001 I KNOW. THAT’S WHAT I’M SAYING. 1658 01:08:52,001 --> 01:08:53,636 YEAH, BUT YOU WERE HAVING MORE THAN ONE. 1659 01:08:53,636 --> 01:08:55,638 YOU WERE HAVING A BOTTLE OF JACK. 1660 01:08:55,638 --> 01:08:57,307 I’VE BEEN GOING FOR THREE MONTHS, 1661 01:08:57,307 --> 01:08:58,475 SO I THINK I CAN, 1662 01:08:58,475 --> 01:08:59,943 I THINK I HAVE A LITTLE RESTRAINT NOW. 1663 01:08:59,943 --> 01:09:02,278 IT SOUNDS LIKE IT’S BEEN WORKING FOR YOU. 1664 01:09:02,278 --> 01:09:05,315 OKAY. 1665 01:09:05,315 --> 01:09:06,816 HERE GOES NOTHING. 1666 01:09:08,017 --> 01:09:11,221 NOW, REMEMBER TO SIP SLOWLY. 1667 01:09:11,221 --> 01:09:13,156 THANK YOU, MISS MANNERS. 1668 01:09:20,964 --> 01:09:23,032 SEE, NOT BAD. 1669 01:09:23,032 --> 01:09:25,235 GOD, I ALMOST FORGOT HOW GOOD THAT TASTES. 1670 01:09:25,235 --> 01:09:28,905 SO GOOD. 1671 01:09:28,905 --> 01:09:30,173 OH, SHIT. 1672 01:09:31,508 --> 01:09:32,976 CAN YOU GIVE ME A SECOND? 1673 01:09:32,976 --> 01:09:34,911 GIVE ME YOUR JACKET. GIVE ME YOUR JACKET, NOW! 1674 01:09:34,911 --> 01:09:37,947 JASON. HI. 1675 01:09:37,947 --> 01:09:40,250 HEY. 1676 01:09:40,250 --> 01:09:41,851 WHAT ARE YOU DOING HERE? 1677 01:09:44,721 --> 01:09:47,357 I DON’T KNOW. I WAS GOING TO ASK YOU THE SAME THING. 1678 01:09:47,357 --> 01:09:48,758 WHAT ARE YOU DOING HERE? 1679 01:09:48,758 --> 01:09:51,461 I’M HERE HAVING A MEETING. YOU? 1680 01:09:51,461 --> 01:09:53,730 THAT’S SO WEIRD BECAUSE I’M HAVING A MEETING, TOO. 1681 01:09:53,730 --> 01:09:55,298 AND YOU’RE DRINKING. 1682 01:09:55,298 --> 01:09:56,833 ACTUALLY THIS ISN’T MINE. THIS IS MY FRIEND’S. 1683 01:09:56,833 --> 01:09:59,769 ACTUALLY IT IS YOURS. I JUST SAW YOU DRINK IT. 1684 01:10:01,070 --> 01:10:03,439 AH. GOOD ONE. 1685 01:10:03,439 --> 01:10:06,810 I’M JUST SURPRISED TO SEE YOU HERE. 1686 01:10:06,810 --> 01:10:09,045 COULD WE POSSIBLY TALK ABOUT THIS ANOTHER TIME? 1687 01:10:09,045 --> 01:10:10,280 ACTUALLY WE CAN’T 1688 01:10:10,280 --> 01:10:12,448 BECAUSE THAT WILL JUST GIVE YOU A LITTLE MORE TIME 1689 01:10:12,448 --> 01:10:14,651 TO CREATE SOME MORE LIES. 1690 01:10:14,651 --> 01:10:17,520 OKAY, OUR PROGRAM IS ABOUT ANONYMITY, 1691 01:10:17,520 --> 01:10:18,922 AND RIGHT NOW WE’RE IN PUBLIC. 1692 01:10:18,922 --> 01:10:20,723 SHUT UP. 1693 01:10:20,723 --> 01:10:27,030 YOU’RE JUST HERE TO SLEEP YOUR WAY TO GET YOUR WHAT, YOUR SO-CALLED BIG BREAK? 1694 01:10:27,030 --> 01:10:28,398 FIRST OF ALL, JASON, 1695 01:10:28,398 --> 01:10:34,270 YOU DON’T HAVE THE TALENT TO CREATE A SO-CALLED SERIES 1696 01:10:34,270 --> 01:10:36,272 BECAUSE THAT WOULD MEAN YOU WOULD HAVE TO WORK, 1697 01:10:36,272 --> 01:10:37,607 AND IF YOU HAVE TO WORK, 1698 01:10:37,607 --> 01:10:40,109 THAT MEANS SEEING SOMETHING TO COME TO FRUITION, 1699 01:10:40,109 --> 01:10:43,279 WHICH MEANS YOU WOULD HAVE TO HAVE INTEGRITY. 1700 01:10:43,279 --> 01:10:46,516 AND YOU DON’T EVEN KNOW WHAT INTEGRITY MEANS. 1701 01:10:46,516 --> 01:10:49,452 MY GOD, YOU’RE IN A BAR DRINKING. 1702 01:10:49,452 --> 01:10:51,254 YOU’VE BEEN LYING TO ME. 1703 01:10:51,254 --> 01:10:55,558 ALL THESE MONTHS YOU’VE BEEN LYING TO ME. 1704 01:10:55,558 --> 01:10:58,728 I THOUGHT YOU WERE SOBER. 1705 01:10:58,728 --> 01:11:01,097 I KNEW YOU WEREN’T SOBER. 1706 01:11:01,097 --> 01:11:05,134 AS FAR AS YOUR DREAMS, 1707 01:11:05,134 --> 01:11:07,303 THEY ARE NOT HAPPENING, 1708 01:11:07,303 --> 01:11:08,638 NOT WITH ME. 1709 01:11:08,638 --> 01:11:10,240 WELL I’LL FIND THEM WITH SOMEONE ELSE, THEN. 1710 01:11:12,709 --> 01:11:14,577 I’M SO SORRY. LET’S JUST GO. 1711 01:11:23,453 --> 01:11:25,989 I WAS GOING-- I WAS WALKING DOWN THE STREET OVER IN HOLLYWOOD, 1712 01:11:25,989 --> 01:11:28,024 AND I SAW THIS HOMELESS WOMAN TAKING A PISS 1713 01:11:28,024 --> 01:11:29,792 LIKE THERE WAS NO TOMORROW, 1714 01:11:29,792 --> 01:11:31,427 IN BROAD DAYLIGHT, I MIGHT ADD. 1715 01:11:31,427 --> 01:11:33,062 SHE WAS FIERCE. 1716 01:11:33,062 --> 01:11:34,864 AND I’M WALKING DOWN THE STREET, 1717 01:11:34,864 --> 01:11:36,799 AND SHE JUST LOOKS OVER AT ME, 1718 01:11:36,799 --> 01:11:38,801 YOU KNOW, WHILE SHE’S POPPING HER SQUAT, 1719 01:11:38,801 --> 01:11:40,904 "HEY DRACULA." 1720 01:11:44,374 --> 01:11:48,077 I LOOK LIKE THREE DEAD PEOPLE. 1721 01:11:48,077 --> 01:11:50,413 ONE OF THEM JUST HAPPENS TO BE IMMORTAL, 1722 01:11:50,413 --> 01:11:51,814 WHICH IS GREAT. 1723 01:12:09,465 --> 01:12:10,934 [COREY] I HAVE NEVER IN MY LIFE 1724 01:12:10,934 --> 01:12:14,103 RECEIVED A TEXT LIKE THAT BEFORE. 1725 01:12:14,103 --> 01:12:16,439 "GOODBYE FOREVER"? 1726 01:12:16,439 --> 01:12:21,044 WHAT WERE YOU THINKING? 1727 01:12:21,044 --> 01:12:23,913 THAT I COULDN’T LIVE WITHOUT YOU. 1728 01:12:23,913 --> 01:12:28,051 OF COURSE YOU CAN LIVE WITHOUT ME. 1729 01:12:28,051 --> 01:12:30,286 WHAT I WANT TO KNOW IS, WHO CALLED 911? 1730 01:12:30,286 --> 01:12:33,389 I DID, OF COURSE, WHO ELSE WAS HERE? 1731 01:12:33,389 --> 01:12:37,226 I’M HAPPY TO SAY THEY CAME RIGHT AWAY. 1732 01:12:37,226 --> 01:12:38,928 YOU COULD HAVE CALLED ME, YOU KNOW. 1733 01:12:38,928 --> 01:12:40,697 THAT’S JUST IT. 1734 01:12:40,697 --> 01:12:42,632 YOU WEREN’T HERE. 1735 01:12:43,833 --> 01:12:45,768 WELL, I’M HERE NOW. 1736 01:12:49,205 --> 01:12:51,441 OH, COREY. 1737 01:12:51,441 --> 01:12:55,778 I HAD THE MOST HORRIBLE DREAM. 1738 01:12:55,778 --> 01:12:58,281 MY FATHER LEFT WHEN I WAS EIGHT YEARS OLD, 1739 01:12:58,281 --> 01:13:00,283 ME AND MY MOTHER, 1740 01:13:00,283 --> 01:13:03,686 AND BEFORE HE LEFT, HE WAS VERY CRUEL, 1741 01:13:03,686 --> 01:13:07,090 AND HE WAS ABSENT MOST OF THE TIME ANYWAY. 1742 01:13:07,090 --> 01:13:12,762 ANYWAY, AFTER 60 YEARS, HE CAME BACK. 1743 01:13:12,762 --> 01:13:15,898 THERE HE IS, CLEAR AS DAY, 1744 01:13:15,898 --> 01:13:18,067 AND HE HANDS ME THIS NOTE. 1745 01:13:18,067 --> 01:13:21,270 AND I-- 1746 01:13:21,270 --> 01:13:23,539 I TRY AND OPEN IT, AND I CAN’T. 1747 01:13:23,539 --> 01:13:31,014 AND I LOOK UP, AND HE SAYS, "MARY, I LOVE YOU." 1748 01:13:31,014 --> 01:13:33,950 AND THEN HE WENT AWAY. 1749 01:13:36,352 --> 01:13:39,689 AND I CAME TO THE REALIZATION THAT... 1750 01:13:41,391 --> 01:13:47,463 I’VE BEEN AN EMPTY SHELL FOR A LONG TIME. 1751 01:13:47,463 --> 01:13:49,999 I’VE BEEN LIVING MY LIFE 1752 01:13:49,999 --> 01:13:51,534 GOING THROUGH THE MOTIONS, 1753 01:13:51,534 --> 01:13:56,139 BUT THERE HASN’T BEEN ANY REALITY TO IT. 1754 01:13:56,139 --> 01:14:00,643 IT’S BEEN INAUTHENTIC. 1755 01:14:00,643 --> 01:14:05,415 YOU’VE REACHED A PLACE OF EMPTINESS, 1756 01:14:05,415 --> 01:14:11,487 AND THAT’S OKAY, MARY. 1757 01:14:11,487 --> 01:14:14,924 THERE’S A BEAUTY TO THAT. 1758 01:14:14,924 --> 01:14:17,427 THIS IS WHERE YOUR LIFE REALLY BEGINS. 1759 01:14:19,529 --> 01:14:23,332 I’M VERY TIRED. 1760 01:14:23,332 --> 01:14:25,601 I DON’T WANT TO BE A BURDEN ON ANYBODY. 1761 01:14:25,601 --> 01:14:27,403 OH, MARY. 1762 01:14:27,403 --> 01:14:29,939 IT’S NEVER TOO LATE TO START AGAIN. 1763 01:14:29,939 --> 01:14:32,341 YOU HAVE EVERYTHING. 1764 01:14:32,341 --> 01:14:35,044 MILLIONS OF PEOPLE AROUND THE WORLD ADORE YOU. 1765 01:14:35,044 --> 01:14:37,847 THEY ADORE HER, THE ONE ONSCREEN. 1766 01:14:37,847 --> 01:14:43,086 DO YOU KNOW THAT YOU WERE THE ONLY AUTHENTIC RELATIONSHIP 1767 01:14:43,086 --> 01:14:45,154 I’VE EVER HAD IN MY LIFE? 1768 01:14:45,154 --> 01:14:49,892 WELL, WE’RE THE PERFECT COUPLE. 1769 01:15:05,541 --> 01:15:07,510 OH, COREY. 1770 01:15:07,510 --> 01:15:09,112 OH, HEY. 1771 01:15:09,112 --> 01:15:11,614 SORRY, I THINK SOME OF MY STUFF GOT MIXED UP IN YOUR LAUNDRY. 1772 01:15:11,614 --> 01:15:13,883 THAT’S COOL, MAN. WHAT’S GOING ON? 1773 01:15:17,153 --> 01:15:20,723 UH, CAN I ASK YOU FOR A FAVOR? 1774 01:15:20,723 --> 01:15:22,859 SURE. THANKS. 1775 01:15:22,859 --> 01:15:28,331 UM, I THINK I JUST-- 1776 01:15:28,331 --> 01:15:30,766 WILL YOU JUST HOLD ME FOR A MINUTE? 1777 01:15:30,766 --> 01:15:32,235 YEAH, OF COURSE. 1778 01:15:32,235 --> 01:15:33,369 THANKS. 1779 01:15:37,306 --> 01:15:41,644 YOU OKAY, MAN? HAD A STRESSFUL DAY AT WORK? 1780 01:15:41,644 --> 01:15:43,312 NO, IT’S NOT THAT. 1781 01:15:43,312 --> 01:15:46,215 IT’S JUST... 1782 01:15:46,215 --> 01:15:52,755 I HAVEN’T SEEN ANOTHER BODY IN FRONT OF ME IN SO LONG THAT IT JUST-- 1783 01:15:52,755 --> 01:15:56,459 WHEN I SAW YOU, I WAS JUST TAKEN FOR A SECOND. 1784 01:15:56,459 --> 01:16:02,031 I THINK I JUST NEED TO BE HELD. 1785 01:16:02,031 --> 01:16:03,633 IT’S OKAY. 1786 01:16:03,633 --> 01:16:07,770 WHY DON’T YOU JUST GO OUT AND HAVE SOME SEX? 1787 01:16:07,770 --> 01:16:10,106 NO. I DON’T WANT SEX. 1788 01:16:10,106 --> 01:16:13,776 THAT’S-- SEX IS DARK. 1789 01:16:13,776 --> 01:16:16,012 I JUST I DON’T WANT THAT. 1790 01:16:16,012 --> 01:16:17,914 IT DOESN’T HAVE TO BE DARK. 1791 01:16:17,914 --> 01:16:21,951 IT CAN ACTUALLY BE REALLY LOVING IF IT’S WITH THE RIGHT PERSON. 1792 01:16:21,951 --> 01:16:23,319 I KNOW. 1793 01:16:23,319 --> 01:16:26,189 I JUST I DON’T EVEN WANT THE RIGHT PERSON. 1794 01:16:26,189 --> 01:16:28,858 I’M TOO INDEPENDENT. I DON’T WANT ANYBODY. 1795 01:16:28,858 --> 01:16:30,326 I JUST-- 1796 01:16:33,129 --> 01:16:35,498 I JUST WANT THIS. 1797 01:16:35,498 --> 01:16:36,632 OKAY. 1798 01:16:38,601 --> 01:16:42,672 YOU KNOW, YOU’VE GOT TO BE THE EASIEST GAY MAN TO PLEASE. 1799 01:16:42,672 --> 01:16:45,808 AU CONTRAIRE, MY FRIEND. 1800 01:16:45,808 --> 01:16:47,577 I THINK I’M THE HARDEST. 1801 01:16:52,682 --> 01:16:54,050 WHAT IF-- 1802 01:16:54,050 --> 01:16:57,653 WHAT IF YOU PUT YOUR HAND ON MY HEART, MY CHEST? 1803 01:16:57,653 --> 01:16:59,088 OKAY. OKAY. 1804 01:16:59,088 --> 01:17:01,757 IT MAKES ME WANT TO GO LIKE THIS. 1805 01:17:01,757 --> 01:17:04,427 IT DOES, DOES IT? REACH-- YES. 1806 01:17:04,427 --> 01:17:05,528 CHOREOGRAPHICALLY. 1807 01:17:05,528 --> 01:17:06,829 OH, OKAY. 1808 01:17:06,829 --> 01:17:08,631 WHAT IF WE GRAB-- HERE? 1809 01:17:08,631 --> 01:17:10,566 NO. THAT ISN’T-- 1810 01:17:10,566 --> 01:17:13,436 I’M DEALING WITH A BALLET DANCER. THAT’S RIGHT. 1811 01:17:13,436 --> 01:17:14,503 SHOULD I DO THAT? 1812 01:17:14,503 --> 01:17:15,404 YES. OKAY. 1813 01:17:15,404 --> 01:17:16,806 IT’S BETTER FOR THE LINE. 1814 01:17:16,806 --> 01:17:18,140 YOU’RE RIGHT. YOU’RE SO RIGHT. 1815 01:17:18,140 --> 01:17:19,508 LOOK AT THAT IN THE MIRROR. 1816 01:17:19,508 --> 01:17:20,443 OKAY. OKAY. 1817 01:17:20,443 --> 01:17:22,411 WHAT IF WE PULL EACH OTHER THROUGH? 1818 01:17:22,411 --> 01:17:25,181 HERE? HERE? 1819 01:17:25,181 --> 01:17:26,983 YES. YEAH, THAT’S GREAT. 1820 01:17:26,983 --> 01:17:30,586 I FEEL CONNECTED TO YOU IN THIS. 1821 01:17:30,586 --> 01:17:34,891 MY QUESTION IS, SO WE’RE ON THE SAME PAGE, 1822 01:17:34,891 --> 01:17:36,525 WHAT IS THIS ABOUT? 1823 01:17:36,525 --> 01:17:40,963 WHAT STORY ARE WE TRYING TO TELL? 1824 01:17:40,963 --> 01:17:42,565 I DON’T KNOW. 1825 01:17:42,565 --> 01:17:44,567 I GUESS IT’S JUST KIND OF WRITTEN ITSELF, HASN’T IT? 1826 01:17:44,567 --> 01:17:47,603 YEAH. AND I THINK I KNOW, AND I THINK YOU KNOW, 1827 01:17:47,603 --> 01:17:49,305 BUT I THINK MAYBE WE SHOULD JUST... 1828 01:17:49,305 --> 01:17:51,040 SAY IT? SAY IT. 1829 01:17:51,040 --> 01:17:55,945 I THINK IT’S DEFINITELY ABOUT A RELATIONSHIP BETWEEN TWO PEOPLE. 1830 01:17:55,945 --> 01:17:57,113 YES. 1831 01:17:57,113 --> 01:17:59,115 YOU KNOW IN JUDAISM 1832 01:17:59,115 --> 01:18:01,284 WE HAVE A BELIEF 1833 01:18:01,284 --> 01:18:04,353 THAT WHEN BEFORE YOU’RE EVEN BORN, 1834 01:18:04,353 --> 01:18:06,455 THAT YOU HAVE ANOTHER HALF. 1835 01:18:06,455 --> 01:18:08,691 I MEAN, YOU KNOW, LIKE A SOUL MATE SORT OF THING. A SOUL MATE. 1836 01:18:08,691 --> 01:18:10,860 BUT ACTUALLY THE PERSON THAT YOU’RE-- 1837 01:18:10,860 --> 01:18:12,461 THE PERSON THAT COMPLETES YOU. 1838 01:18:12,461 --> 01:18:15,865 I KNOW IT SOUNDS SO CLICHé, 1839 01:18:15,865 --> 01:18:21,304 BUT THAT REALLY FULFILLS THE PARTS THAT YOU ARE MISSING. 1840 01:18:21,304 --> 01:18:22,605 YOU KNOW WHAT I MEAN? 1841 01:18:22,605 --> 01:18:24,140 SURE. 1842 01:18:24,140 --> 01:18:27,109 AND THAT PART OF YOUR JOURNEY IN LIFE IS TO FIND THAT PERSON. 1843 01:18:27,109 --> 01:18:29,478 AND YOU FIND THEM IN THE RIGHT TIME AND EVERYTHING LIKE THAT. 1844 01:18:29,478 --> 01:18:32,481 IS THERE ANYTHING LIKE THAT IN THE MORMON BACKGROUND, 1845 01:18:32,481 --> 01:18:35,051 OR DO YOU PERSONALLY BELIEVE IN THAT? 1846 01:18:35,051 --> 01:18:37,787 THERE’S SOMETHING KIND OF IN THAT VEIN, 1847 01:18:37,787 --> 01:18:41,290 BUT KIND OF WITHOUT THE ROMANTICISM AND THE LOVE PART. 1848 01:18:41,290 --> 01:18:43,159 AND HOW DO YOU FEEL? 1849 01:18:43,159 --> 01:18:45,828 I MEAN, DO YOU STILL BELIEVE THAT? 1850 01:18:45,828 --> 01:18:48,331 I’M DISCOVERING THAT, YES. 1851 01:18:48,331 --> 01:18:49,999 YOU KNOW WHEN I MOVED OUT TO LOS ANGELES, 1852 01:18:49,999 --> 01:18:53,102 WITHOUT GOING INTO ANY DETAIL, 1853 01:18:53,102 --> 01:18:56,005 I WENT A LITTLE HOG WILD. 1854 01:18:56,005 --> 01:19:00,843 AND I THINK I STEPPED AWAY FROM THAT NOTION, 1855 01:19:00,843 --> 01:19:03,179 BUT I’M COMING AROUND 1856 01:19:03,179 --> 01:19:06,415 TO THE IDEA THAT THERE IS SOMEONE MEANT FOR US. 1857 01:19:06,415 --> 01:19:09,251 I’D LIKE TO BELIEVE THAT THERE’S SOMEONE THAT’S GONNA COMPLETE ME. 1858 01:19:09,251 --> 01:19:13,589 I THINK I KNOW WHAT YOU’RE TALKING ABOUT. 1859 01:19:23,065 --> 01:19:26,168 I WANT TO MAKE LOVE TO YOU. 1860 01:19:26,168 --> 01:19:28,771 I’D LIKE THAT. 1861 01:19:28,771 --> 01:19:31,140 WHAT’S YOUR STATUS? 1862 01:19:31,140 --> 01:19:33,876 I’M POSITIVE. 1863 01:19:33,876 --> 01:19:35,077 OH. 1864 01:19:35,077 --> 01:19:37,213 AND YOU? 1865 01:19:37,213 --> 01:19:42,852 I’M NEGATIVE, AS FAR AS I KNOW. 1866 01:19:42,852 --> 01:19:44,453 IS THAT A DEAL BREAKER? 1867 01:19:44,453 --> 01:19:46,055 NO. 1868 01:19:46,055 --> 01:19:47,690 BUMP IN THE ROAD? 1869 01:19:47,690 --> 01:19:51,961 WELL, YEAH. 1870 01:19:51,961 --> 01:19:59,935 I’M ALWAYS GOING TO WORRY ABOUT MYSELF AND YOU AND CONDOMS. 1871 01:19:59,935 --> 01:20:05,107 I WOULDN’T BLAME YOU IF YOU JUST WANTED TO BE FRIENDS. 1872 01:20:05,107 --> 01:20:07,676 I JUST WANT TO KNOW MORE ABOUT YOUR HISTORY 1873 01:20:07,676 --> 01:20:10,346 AND HOW YOU’VE BEEN HANDLING ALL OF THIS. 1874 01:20:10,346 --> 01:20:12,281 IT’S OKAY. 1875 01:20:14,984 --> 01:20:17,920 WHEN DID YOU FIND OUT? 1876 01:20:17,920 --> 01:20:19,822 A YEAR AGO, 1877 01:20:19,822 --> 01:20:21,824 ON MY 26TH BIRTHDAY. 1878 01:20:21,824 --> 01:20:24,393 OH, SHITTY BIRTHDAY PRESENT. 1879 01:20:24,393 --> 01:20:27,430 YEAH, TELL ME ABOUT IT. 1880 01:20:27,430 --> 01:20:31,834 I KNEW I WOULD NEVER HAVE SEX AGAIN. 1881 01:20:31,834 --> 01:20:36,906 YEAH, BUT, IF WE MEET IN OUR HEARTS LIKE WE DO, 1882 01:20:36,906 --> 01:20:39,442 I MEAN, REALLY. 1883 01:20:39,442 --> 01:20:44,847 DOESN’T IT GO BEYOND THE PHYSICAL? 1884 01:20:44,847 --> 01:20:48,317 I WOULD LIKE TO BELIEVE THAT THERE’S MORE, 1885 01:20:48,317 --> 01:20:50,686 ESPECIALLY FOR A GAY MAN. 1886 01:20:50,686 --> 01:20:52,054 CAN THERE BE MORE? 1887 01:20:52,054 --> 01:20:53,522 THE CHANCES ARE UP TO YOU GUYS. 1888 01:20:53,522 --> 01:20:55,458 WHAT ARE THE CHANCES AT ANY POINT? 1889 01:20:55,458 --> 01:20:59,528 THIS IS NOT A WORLD WHERE YOU CAN BET ON RELATIONSHIP. 1890 01:20:59,528 --> 01:21:01,730 YOU JUST HAVE TO DO RELATIONSHIP. 1891 01:21:01,730 --> 01:21:03,399 IT’S A YOGA. 1892 01:21:03,399 --> 01:21:04,934 YOU KNOW? EVERY DAY. 1893 01:21:04,934 --> 01:21:07,303 THAT’S THE GAME. 1894 01:21:07,303 --> 01:21:08,871 THERE’S PLENTY OF GOOD CHANCES. 1895 01:21:08,871 --> 01:21:10,739 EVERYBODY’S FALLING IN LOVE RIGHT AND LEFT, 1896 01:21:10,739 --> 01:21:14,543 BUT WHAT IS IT, 75% OF MARRIAGES END IN DIVORCE? 1897 01:21:14,543 --> 01:21:17,480 SO THERE’S CHALLENGES TO THE GAME. 1898 01:21:17,480 --> 01:21:23,752 SEX AND LOVE DON’T GO TOGETHER FOR GAY MEN, DO THEY? 1899 01:21:23,752 --> 01:21:24,854 MAYBE NOT. 1900 01:21:24,854 --> 01:21:26,589 GOD KNOWS I’VE THOUGHT IT BEFORE, 1901 01:21:26,589 --> 01:21:30,893 BUT I FEEL LIKE IT’S DIFFERENT WITH US. 1902 01:21:30,893 --> 01:21:32,528 I FEEL COMFORTABLE WITH YOU. 1903 01:21:32,528 --> 01:21:34,663 WHEN I DANCE WITH YOU, I FEEL AMAZING. 1904 01:21:37,600 --> 01:21:40,736 OKAY, SO WHAT DO WE DO NOW? 1905 01:21:40,736 --> 01:21:44,240 I DON’T KNOW. 1906 01:21:44,240 --> 01:21:46,208 MAYBE PARTNERSHIP. 1907 01:21:46,208 --> 01:21:48,577 BUT WE HAVE THAT CREATIVELY. 1908 01:21:48,577 --> 01:21:50,779 YEAH, WE DO. 1909 01:21:50,779 --> 01:21:53,315 WHY CAN’T WE HAVE IT ROMANTICALLY, TOO? 1910 01:22:03,859 --> 01:22:05,895 ♪ OOH, OOH ♪ 1911 01:22:08,063 --> 01:22:10,332 ♪ MM, MM, MM, MM ♪ 1912 01:22:17,940 --> 01:22:19,808 ♪ MAKE A WISH ♪ 1913 01:22:19,808 --> 01:22:25,147 ♪ TEST WHAT FATE HAS PLANNED FOR YOU ♪ 1914 01:22:25,147 --> 01:22:27,616 ♪ LOOK FOR LOVE ♪ 1915 01:22:27,616 --> 01:22:31,420 ♪ YOU CAN HOPE TO FIND ♪ 1916 01:22:32,721 --> 01:22:34,590 ♪ OUR HOPES GET CRUSHED ♪ 1917 01:22:34,590 --> 01:22:39,061 ♪ AND THEN YOU ARE THERE AGAIN ♪ 1918 01:22:39,061 --> 01:22:41,096 ♪ LOOKING FOR THE ONE ♪ 1919 01:22:41,096 --> 01:22:48,370 ♪ WHO WILL BE YOUR DREAM COME TRUE ♪ 1920 01:22:48,370 --> 01:22:50,639 ♪ THROW A COIN ♪ 1921 01:22:50,639 --> 01:22:55,778 ♪ A PENNY FULL OF HAPPINESS ♪ 1922 01:22:55,778 --> 01:22:58,180 ♪ NOTHING’S REAL ♪ 1923 01:22:58,180 --> 01:23:02,918 ♪ LIFE’S A MOVIE PLOT ♪ 1924 01:23:02,918 --> 01:23:07,022 ♪ A WISH IS NOT A PROMISE ♪ 1925 01:23:07,022 --> 01:23:09,792 ♪ NO GUARANTEES ♪ 1926 01:23:09,792 --> 01:23:13,462 ♪ IN THE LAND OF MAKE BELIEVE ♪ 1927 01:23:13,462 --> 01:23:16,999 ♪ TAKE WHAT YOU CAN GET ♪ 1928 01:23:18,901 --> 01:23:22,471 ♪ DREAMERS IN THE DREAMLAND ♪ 1929 01:23:22,471 --> 01:23:26,575 ♪ SOMETIMES LOSE THEIR WAY ♪ 1930 01:23:26,575 --> 01:23:30,145 ♪ WHAT IS THERE TO CLING TO? ♪ 1931 01:23:30,145 --> 01:23:31,747 ♪ TO LOVE ♪ 1932 01:23:31,747 --> 01:23:33,849 ♪ THERE’S ONLY LOVE ♪ 1933 01:23:33,849 --> 01:23:36,018 ♪ THERE’S SOMETHING ♪ 1934 01:23:36,018 --> 01:23:37,519 ♪ MM ♪ 1935 01:23:37,519 --> 01:23:39,421 ♪ MAKE A WISH ♪ 1936 01:23:39,421 --> 01:23:41,490 ♪ MM ♪ 1937 01:23:41,490 --> 01:23:43,392 ♪ DREAM A DREAM ♪ 1938 01:23:53,235 --> 01:23:55,237 ♪ WALKING ON ♪ 1939 01:23:55,237 --> 01:24:00,476 ♪ BOULEVARD OF BROKEN DREAMS ♪ 1940 01:24:00,476 --> 01:24:02,811 ♪ NO ONE WINS ♪ 1941 01:24:02,811 --> 01:24:07,850 ♪ BUT ALONG THE WAY ♪ 1942 01:24:07,850 --> 01:24:11,687 ♪ LOVE UNFOLDS AND FILLS THEIR HEARTS ♪ 1943 01:24:11,687 --> 01:24:14,356 ♪ WITH FANTASIES ♪ 1944 01:24:14,356 --> 01:24:17,760 ♪ LEAVING THEM TO REALLY SEE ♪ 1945 01:24:17,760 --> 01:24:21,330 ♪ JUST WHAT LIFE IS LIKE ♪ 1946 01:24:37,146 --> 01:24:39,615 [NO AUDIBLE DIALOGUE] 1947 01:24:49,692 --> 01:24:55,130 [NO AUDIBLE DIALOGUE] 1948 01:25:48,450 --> 01:25:51,587 THAT WAS AN INTERESTING SUMMER, BOYS. 1949 01:25:51,587 --> 01:25:55,023 YEAH, I WONDER WHAT’S NEXT. 1950 01:25:55,023 --> 01:25:57,493 WELL, I THINK WE SHOULD ALL MAKE ANOTHER WISH. 1951 01:25:57,493 --> 01:25:59,094 OH, MY GOD. [CHUCKLES] 1952 01:25:59,094 --> 01:26:00,295 BEN, LET ME GUESS. 1953 01:26:00,295 --> 01:26:01,930 LET’S WISH FOR LOVE. 1954 01:26:01,930 --> 01:26:04,233 NOT JUST LOVE. 1955 01:26:04,233 --> 01:26:07,136 SOMETHING THAT EACH OF US LOVE. 1956 01:26:07,136 --> 01:26:10,038 I LOVE COCK. [LAUGHS] 1957 01:26:10,038 --> 01:26:11,540 HM. 1958 01:26:11,540 --> 01:26:15,544 HOW ABOUT A PENNY FULL OF HAPPINESS? 1959 01:26:19,381 --> 01:26:20,516 YEAH. 142129

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