Original subtitles

So we will start with both of you

laughing at my camera.

Yes, both laughing at my camera.

Amazing, I love it.

Go back.

One time in this camera.

Okay, now just stand next to each other,

like hand in hand.

Now we will do a cool one.

Yeah, we will take a cool photo.

Get a little closer, yes.

Get a little closer together.

Yes, perfect.

Now you can turn to Flo.

Okay, please don't laugh.

Stop that, Greg.

You can do that.

One, two, three.

Flo, maybe you can put one hand in

your pocket.

You can put one hand in your pocket.

Maybe this way, yeah.

Okay, now look at my camera again.

Now we will take some sweet pictures.

To do this, hold each other by the

hand.

Pull away a bit from each other.

Yeah, and then come back together again.

Yes, and repeat.

Very nice.

You're doing great.

Yes, come really close.

Back and forth.

Now, yes, put both arms around her and

hold her tight.

Perfect.

That's amazing, guys.

Love it.

I want them to swap sides.

Now you can swap sides.

Yes, just change sides.

Now hold hands again and just look at

each other.

Perfect, perfect.

That's cool.

Okay, Flo, you can open your arms a

little and Lucy comes up to you.

Very nice.

Now have a look at each other.

Get a little closer together.

Closer, closer.

Perfect, perfect.

Love it.

Awesome.

I can finally take my picture.

He's already angry.

I like another photo where Lucy just cuddles

on Flo's shoulder.

Yes, yes, yes.

Beautiful.

And Lucy, turn a bit in our direction.

Yes, I love it.

Now poke him a bit with your nose.

And Flo, you can also put your hand

around Lucy's hips.

Yes, that's great.

Feel free.

Now put your arms around her and lay

your hand on his neck and give him

a kiss.

Perfect.

Perfect.

I love it.

So now we'll do a motion shot.

You have to walk towards us a little.

Lucy, you can also turn around once and

take both hands.

Okay, just walk towards us.

Yes, yes, yes.

And Lucy's a little bit in the front.

Just walk, yeah.

Just start.

Just look at each other.

Look at each other.

I love it.

Awesome, guys.

I love it.

Very nice.

Now come towards us again.

Yes, yes, yes.

You can go right past us.

You can't do anything wrong.

Just walk towards us.

Very nice.

Perfect.

I love it.

Everything alright?

Now walk in front of him and give

him both hands.

Yes, amazing.

Come closer.

Perfect.

I love it.

Cuddling is good.

You're doing great.

The rain got a little less heavy immediately

after the group photos.

We had been waiting for that.

Yeah, we immediately started with a few couple

shots.

When it rains at the wedding you sometimes

have to be a bit more spontaneous.

Yeah, the bridal couple knew and hoped for

a slot without rain.

When we visited the location in the morning,

we had already decided on a few photos

in front of the wooden wall.

Yeah, we just love the rustic surface of

the wooden wall.

And of course, we also wanted to take

pictures behind the tipi.

We always choose our locations for couple photos

according to specific criteria.

Of course, you're a bit limited at a

wedding and we try to take a couple

photos in the immediate vicinity.

If you have bought the section with the

couple shoot, you can find out more about

location choice.

We also elaborate more specifically on the subject

of couple photography.

For us, it's important for the location search

that the background is nice and clean.

Also, the location should match the style of

the wedding.

Here, for example, it was great to take

some pictures with a tender background.

Yeah, and also with this barn look.

It's perfect.

We had previously searched for clearing in the

forest, but didn't find anything suitable.

So, we decided to take the couple photos

in the immediate vicinity.

Of course, it always depends on the weather

to some extent.

It is also important to us that you

can move around well at the location.

That's what gives life to our portraits.

As you saw, we started with some static

pictures in front of the wall and then

moved around more and more.

Since it soon started raining again, we decided

to go back to the wedding location to

take some pictures.

Especially in such difficult conditions, the challenge is

of course to get as much as possible

done in the shortest possible time and also

to have variety in the portraits.

But see for yourselves.

Everything looks great.

I love it.

Now smile towards me.

Lovely.

Now hold hands again and pull away from

each other.

Push and pull.

Yes.

Are you ready?

Now pull her towards you and swing a

little with your hips.

Yes.

Shake your hips.

You can dance a little.

Okay.

I'll take a full body photo.

Yes.

Now dance again and pull together again.

Good.

Beautiful.

You're doing great, guys.

I love it.

As I said, we went back inside because

of the rain and made a few portraits

in front of the wedding background.

We didn't know if the weather would improve

again.

That was the only opportunity to take a

few pictures in the dry.

Of course we hoped that there would be

another slot without rain.

But then we went back into the tent

and the dinner had started.

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In the tent, the speeches and the first

two courses of the dinner had started.

First, the crew made a speech.

During the speeches we worked partly with flash

and partly with eye.

This is the time where you can capture

the atmosphere in the tent very well.

When the guests are toasting with their glasses,

talking and so on.

In these speeches, it is often the case

that one of us is behind the crew

or among the guests, focusing on them to

get their reactions, their emotions and their laughter.

The bride and groom sat next to each

other when the best man made his speech.

There were some special moments that we managed

to capture.

Because the space was very tight in the

tent, we were always very close to the

action and that was great.

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coming from there.

Let's go over here.

What are you doing?

Want to catch that?

That was just a joke, but it was

so cute.

I love it.

Come towards me like mates.

Yes, put an arm around her shoulders.

Yeah, and you can keep the dress up.

Very cool.

Turn towards me a little.

Now give her a kiss on the cheek.

Very good.

Perfect.

You're sweet.

Now Lucy, hold up the dress a little

bit so you can hop around.

Maybe it's a bit hard from the ground.

I don't know.

You can hop a little.

We'll show you.

Like this.

Like horses.

Don't need to look at the camera though.

Look at each other, smile, be happy, right

at each other, not into the camera.

Just have fun, guys.

Amazing.

You're doing great.

I love it.

We have to do it again.

Now walk towards us and lift her up

in the same movement.

Let's go.

Now pick her up and turn.

You are so sweet.

Now come towards me again.

Very cool.

You're doing great.

Yes.

Walk cool in my direction.

Yes, I love it.

The tippies in the background.

Now look at each other.

I'd like to do some peaceful and intimate

shots.

Lucy, turn your head back to Flo.

No, just turn around Flo.

And Flo, just wrap your arms around her

very tightly from behind.

You don't have to look at the camera.

It's more like turn to Lucy.

And Lucy, turn a little bit more to

Flo.

Perfect.

Open your mouth a little, smiley Lucy.

You look awesome.

Swing your hips.

Beautiful.

Relax your shoulders.

That's perfect, guys.

And you can also just stroke up and

down her arm and tickle her a little.

And you can hug her very tight.

Perfect.

Okay, Lucy, now look into my camera.

Yes, you're doing great.

Now Lucy, turn once more towards Flo.

Perfect.

Very nice.

Come even closer.

Perfect.

You're so sweet.

Lucy, you put your arms around Flo's neck.

Yes.

Amazing.

Get a little closer.

We always say you have to cuddle a

bit like the kittens.

Yes, like the cuddling cats.

The nose is like the kittens.

Just like with the forehead.

Yes.

Lucy, you can stroke Flo's neck.

Yes, just stroke up and down her back.

Beautiful.

Beautiful.

Amazing, guys.

You're doing very well.

You guys are too cute.

One kiss.

Yeah.

Great.

And even though it had started to get

dark, we got them out for the photo

shoot again.

Unfortunately, it was still raining a bit, but

the two of them really wanted to scurry

back out with us.

But we knew that we wouldn't plan for

more than 10 minutes.

So we waited for a short break between

the courses and used that time.

Yeah.

And we included the tent again in the

photos.

Then we made a few photos with movement.

We love that.

Yeah.

We always like to do something with lots

of movement.

Something where he picks her up and turns

around.

Yeah.

In these moments, when the couple is moving,

they don't think about how they are looking.

And often you get the most beautiful moments

then.

Moments where you can catch real laughter.

Yeah.

Because we want to create very natural photos.

Yeah.

And this works especially well if you give

them small tasks.

Like when we asked them to hop towards

us and he had to lift her in

the same movement and then turn her around.

Yeah.

Here we like to give rough instructions to

the couples and tell them what to do.

But not in any great detail.

So they do it in their own way.

So we try to create these moments.

And of course, it is important that you

stay awake to capture the real moments.

Yeah.

So you should never stop taking photos.

Even if the pose is already over.

Yeah.

If you have bought the couple shoot part,

then you can take a closer look at

how we work in couple shoots.

But also here, I think you can see

very well how we approach a couple shoot.

Yeah.

Of course, we also do some classic photos

where the couple looks into the camera.

In general, you can always build in some

movement to get the mood relaxed.

That works in every pose.

Yeah.

We always tell them to swing their hips

a bit.

And yeah.

It's also important that you always give positive

feedback.

Yeah.

Lots of praise and encouragement.

When we had finished, we went back into

the tent.

Yeah.

During the couple shoot, it was really dark.

And you will see in the editing part

how difficult the lighting situation was.

Yeah.

Nevertheless, we are overjoyed with the results.

Yeah.

The two were just super sweet with each

other.

When we got back, there were more speeches.

And yeah.

All the pictures you have just seen were

taken without flash.

Yeah.

We think this is great.

The ISO was already at 4000.

But the pictures are still very good quality.

Without flash, you can capture the mood very

nicely.

Yeah.

My favorite pictures are always without flash.

Yeah.

Mine too.

A flash is always a safe option.

But if you compare an ambient light photo

with good light, like here with the fairy

lights, with a flash light photo, then it

is always more atmospheric without flash.

Yeah.

With such beautiful light in the evening, it

definitely makes sense to shoot without flash.

And we are not afraid to push the

ISO to 6400 or more.

Yeah.

That's why in our wedding guide, we suggest

to our couples to use the right lighting

in the evening.

Yeah.

For example, many warm light sources.

Fairy lights, candles.

Yeah.

Sparklers.

Yeah.

No colored spotlights.

Yeah.

Yes.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

Yeah.

By the way, the dinner was a table

buffet, which is always very cool because then

there is just such a nice communication by

the tables.

And that allows you to take great photos.

When dinner was over it was time for

the cake cutting and of course we always

make a few detail photos of the cake

too.

Since the cake was directly in front of

the yellow tippy wall we use the flash

again.

Yeah it was just too dark in that

corner and not enough light sources there were

not a lot enough light sources available.

For the cake cutting we shoot it from

two different angles and we try to get

the guests in the pic as well if

it's possible.

So the mood was awesome the entire day

that's what we talked about in the branding

part.

If you are capturing a wedding of your

dream clients then you have lots of fun

together.

We also always tell our couples that they

shouldn't let the weather take away their joy.

And these two weren't in the least troubled

by it.

Yeah that was just pretty cool.

In this part we where the pineapple and

the avocado were smashed.

Chris used direct flashlight and I use indirect

flash and partially photograph without flash.

Yeah we always try to have different looks

so that we end up with the more

varied pictures.

Now we'll explain which flash we use and

the two different ways how we use our

flash and which camera settings to use here.

So here we have the Canon EX-RT

600.

This is a speed light from Canon.

This flash also has Master and Sleight modes

and you can sync multiple flashes together.

We used to do that in the past

but now we only use simple flash because

we believe that this old-school look is

pretty cool.

Yeah when we use indirect flash Chris always

works in manual mode and here you can

adjust the strength of the flash and we

always direct the flash at the ceiling when

we are working with indirect flash.

Yeah as I said you can vary the

strength of the flash here.

We'll need that later when we use direct

flash.

Yeah with indirect flash we include enough ambient

light.

So here for example in the Tibidend we

used ISO 2000.

That way you catch the mood and lights

in the room and then you use a

soft flash against the ceiling or even slightly

backwards just to brighten things up a bit

from the front.

Yeah if for example the ceiling is very

dark so that it no longer reflects light

or the room is very high then it

makes sense to get the white card out.

This reflects some light from the front onto

the object.

Yeah.

I'm a bit lazy when I use indirect

flash and then I just set the flash

to ETTL.

In this mode the flash actually sets itself

completely.

In addition the flash knows as you can

see here that it is flashing the ceiling.

So it automatically calculates the power setting for

the shoot.

Here you can see very well the infrared

light that we mentioned earlier and this infrared

light helps to focus in the evening without

really looking through the viewfinder.

Sometimes we rotate the flash completely backwards as

if we were not going to use it.

The infrared helps us focus better in the

evening.

We use this trick often when we use

indirect flash but don't really want to create

a flash mode.

This makes it much easier for you to

focus in the dark.

At the party we use a hard flashlight.

That means we flash directly.

When you use direct flash we turn the

flash forward and point it directly at the

person.

Yeah.

We leave the flash as it is and

don't cover it with anything.

Yes.

Here you can see the infrared again.

With direct flash we always set everything manually.

For example here we can focus a flash.

That depends on the focal length.

In order to illuminate everything well with a

35mm lens you would have to set the

zoom of the flash to 35mm.

We almost always use a 35mm lens at

the party in the evening but we like

to focus a flash to 70 or 85mm.

That way we get a very narrow beam

of light and a nice dark edge which

we like.

When we use direct flash we set a

flash to the low setting because the light

comes out very directionally and otherwise your pictures

get very bright.

We would now set the ISO value to

160 and we might set the aperture to

3.5 at the party.

Yeah.

To have a deeper focus area.

These are the settings and this is the

setting for the flash.

Yeah.

You can see it here.

This kind of flash can do a lot

and we don't use all its functions.

We are very happy with this flash and

we hope that helps you and that you

learn something about how we work in the

evenings and at parties.

I am ready.

I am ready.

I am ready.

I am.

To be starting tomorrow.

I am ready.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

I am.

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I am.

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I am.

I am.

I am.

I am.

I am.

I

and

I'm Be on that track that I wanna

let it go There's no way I can

face that I'm losing all control Ch-ch

-ch-ch-chill up my girl Mouth and

talk Look at her dick Good night, that

tonight's gonna be good Good night, that tonight's

gonna be good Good, good, do it, do

it, do it Do it, do it, do

it, do it Here we go, here we

go You better hop, hop, hop, hop Here

we go, here we go Tell me you'll

count, count, count Until it's shot, all you

got Fuck it, don't stop, fuck it, don't

stop Fuck it, don't stop, fuck it, don't

stop Don't run, don't run, don't run Ch

-ch-ch-ch-chill up my girl Mouth

and talk Look at her dick Good night,

that tonight's gonna be good Good night, that

tonight's gonna be good You ain't even there

Everybody's watching with their eyes wide open Good

girl Good girl

I know you want it You're soft and

plastic Talk about your plastic Good night I

know you want it I know you want

it At

the first dance you saw that Tris was

using indirect flash most of the time while

I sometimes used my flash and sometimes only

available light.

Of course we both always had the flash

available and that's why it sometimes seems like

Ruth is just pretending to work and forgets

to trigger the camera.

Yeah, for sure.

In those moments of course she wasn't using

her flash.

So as always it's also important for us

to try different things for the first dance

like for example with flash, without flash and

using different lenses.

Just to get varied shots.

And after the first dance which was so

sweet they went straight to the party and

during the party we used the direct harsh

flashlight the entire time as we just explained.

Maybe you also saw us using the infrared

to focus.

For that we always keep the focus point

exactly in the middle and when we then

see the red light blinking on the person

we know exactly that that's the middle and

that's where the focus is.

And that works really great.

So now you've been to a wedding with

us.

For us this project was really exciting and

we are also really grateful that the newlyweds

and also Fabien supported us and allowed us

to do this.

We just want to thank you again from

the bottom of our hearts.

It's such a private event and not something

that we can take for granted.

But Lucy and Flo are just super cool

and again thank you so much Fabien for

the great planning, organization and everything you've done.

We hope you guys got a lot out

of this workshop and also that you had

fun with us or at our expense.

But it's not over yet.

Now you can see the results and the

editing part.

Have fun seeing how we edit the image

and give the pictures a special look.

And if you also bought the cover shoot

then you're lucky because there are still some

things to learn that we could not show

you at this wedding edition.

So we're looking forward to it and see

you soon.