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These are the user uploaded subtitles that are being translated: 1 00:00:00,900 --> 00:00:03,640 As I said, we only use fixed lenses. 2 00:00:04,200 --> 00:00:06,340 When we started, we also had some zoom 3 00:00:06,340 --> 00:00:06,780 lenses. 4 00:00:07,220 --> 00:00:09,640 As we all do at the beginning and 5 00:00:09,640 --> 00:00:13,260 we quickly realized that the fixed focal length 6 00:00:13,260 --> 00:00:17,180 simply provides a much better quality and the 7 00:00:17,180 --> 00:00:20,140 end result is simply a giant difference to 8 00:00:20,140 --> 00:00:21,060 the zoom lens. 9 00:00:21,320 --> 00:00:23,760 Yeah, with a zoom lens, for example, you 10 00:00:23,760 --> 00:00:25,980 don't have the option of working with an 11 00:00:25,980 --> 00:00:26,860 open aperture. 12 00:00:27,780 --> 00:00:32,380 Accordingly, one has completely different possibilities even in 13 00:00:32,380 --> 00:00:34,200 situations with poor light. 14 00:00:34,600 --> 00:00:37,820 Yeah, for example, at the live wedding, we 15 00:00:37,820 --> 00:00:41,440 worked all day with an ISO of 1600 16 00:00:41,440 --> 00:00:44,980 almost of the day and despite the open 17 00:00:44,980 --> 00:00:45,460 aperture. 18 00:00:46,440 --> 00:00:49,800 With zoom lenses, we would not have had 19 00:00:49,800 --> 00:00:52,120 the chance to capture the mood so well. 20 00:00:52,960 --> 00:00:55,700 In general, we are always friends of taking 21 00:00:55,700 --> 00:00:57,300 pictures without flash. 22 00:00:57,360 --> 00:00:59,680 Also in the evenings, but you will learn 23 00:00:59,680 --> 00:01:01,420 more about this at the live wedding. 24 00:01:04,480 --> 00:01:07,020 I think we would not want to miss 25 00:01:07,020 --> 00:01:09,520 any of the four fixed focal lengths. 26 00:01:09,660 --> 00:01:13,400 Yes, previously we have discussed which lens we 27 00:01:13,400 --> 00:01:18,160 could do without, but we find that every 28 00:01:18,160 --> 00:01:21,240 lens has its strength and we agreed that 29 00:01:21,240 --> 00:01:23,600 we need all the four different lenses. 30 00:01:23,840 --> 00:01:25,780 Yeah, this was a hard discussion. 31 00:01:26,360 --> 00:01:29,140 This is simply because you often capture the 32 00:01:29,140 --> 00:01:31,360 light and the location in their very own 33 00:01:31,360 --> 00:01:32,840 way with the right lens. 34 00:01:33,340 --> 00:01:36,000 We would like to make optimal use of 35 00:01:36,000 --> 00:01:39,360 the different strengths that the lenses have in 36 00:01:39,360 --> 00:01:42,080 different light situations or actions with a lot 37 00:01:42,080 --> 00:01:43,460 of movement and so on. 38 00:01:43,640 --> 00:01:46,460 Yeah, we will use some examples to explain 39 00:01:46,460 --> 00:01:49,480 this in more detail to you and we 40 00:01:49,480 --> 00:01:51,960 will start with a 24 millimeter lens. 41 00:01:52,140 --> 00:01:54,980 Yeah, this lens is used exclusively by Chris, 42 00:01:55,760 --> 00:01:58,440 so I cannot say much about it. 43 00:01:58,660 --> 00:02:01,660 Yeah, we bought the lens relatively early and 44 00:02:01,660 --> 00:02:03,820 for the first two years it was actually 45 00:02:03,820 --> 00:02:05,360 just left in the bag. 46 00:02:05,880 --> 00:02:08,160 We first had to find out how we 47 00:02:08,160 --> 00:02:09,759 could best use it. 48 00:02:10,450 --> 00:02:12,420 What do we use this lens for? 49 00:02:13,480 --> 00:02:16,340 We use this lens mostly for couple photos, 50 00:02:16,800 --> 00:02:20,200 sometimes also in the report, but that is 51 00:02:20,200 --> 00:02:21,320 relatively rarely. 52 00:02:22,660 --> 00:02:26,800 We practically don't use the lens in rooms 53 00:02:26,800 --> 00:02:27,280 at all. 54 00:02:27,720 --> 00:02:30,020 For example, I would never use it during 55 00:02:30,020 --> 00:02:33,560 getting ready because I don't like how it 56 00:02:33,560 --> 00:02:34,880 distorts lines. 57 00:02:34,880 --> 00:02:37,700 Yeah, it is great for a portrait shot 58 00:02:37,700 --> 00:02:39,880 because it allows you to create a very 59 00:02:39,880 --> 00:02:40,840 dynamic picture. 60 00:02:41,320 --> 00:02:43,580 Yeah, you just have the feeling of being 61 00:02:43,580 --> 00:02:46,260 right in the middle of things and you 62 00:02:46,260 --> 00:02:48,700 still catch so much of the surroundings. 63 00:02:49,520 --> 00:02:52,200 Yeah, we use it for full body shots 64 00:02:52,200 --> 00:02:55,120 as you can see here in this photo. 65 00:02:56,620 --> 00:02:58,660 In addition, we like to use it with 66 00:02:58,660 --> 00:02:59,640 seated photos. 67 00:03:00,200 --> 00:03:02,220 We very often place a couple in the 68 00:03:02,220 --> 00:03:05,520 center and do not cut anything so as 69 00:03:05,520 --> 00:03:07,740 not to distort the persons. 70 00:03:09,140 --> 00:03:12,300 With a 24 millimeter lens we would anyway 71 00:03:12,300 --> 00:03:15,600 recommend not to cut any heads and always 72 00:03:15,600 --> 00:03:17,380 place the couple in the center. 73 00:03:19,320 --> 00:03:21,860 Here it is just very cool that you 74 00:03:21,860 --> 00:03:25,340 don't cut anything and if the edges get 75 00:03:25,340 --> 00:03:28,840 distorted a bit the picture becomes even more 76 00:03:28,840 --> 00:03:29,260 dynamic. 77 00:03:29,700 --> 00:03:33,420 Yeah, so we especially like it if you 78 00:03:33,420 --> 00:03:36,780 get very close with a 24 millimeter and 79 00:03:36,780 --> 00:03:40,080 in this picture we have again made sure 80 00:03:40,080 --> 00:03:42,160 that the couple is in the center and 81 00:03:42,160 --> 00:03:43,680 we don't cut anything. 82 00:03:44,040 --> 00:03:47,460 Yeah, because we are so close to it 83 00:03:47,460 --> 00:03:49,700 you just have the feeling that you're in 84 00:03:49,700 --> 00:03:52,660 the water with them and yeah with another 85 00:03:52,660 --> 00:03:55,220 lens you would not have captured much of 86 00:03:55,220 --> 00:03:58,220 the water on your picture from that distance. 87 00:03:58,620 --> 00:04:03,600 Here we have again a full body photo. 88 00:04:04,380 --> 00:04:08,080 Also here nothing is cut and here's a 89 00:04:08,080 --> 00:04:12,500 slightly different approach upper body landscape format. 90 00:04:12,820 --> 00:04:13,800 Very nice look. 91 00:04:14,520 --> 00:04:17,200 Here again a real close-up but you 92 00:04:17,200 --> 00:04:19,279 can see again that we did not cut 93 00:04:19,279 --> 00:04:19,740 anything. 94 00:04:20,380 --> 00:04:24,480 Yeah, and again the scenery is captured in 95 00:04:24,480 --> 00:04:27,360 a very beautiful way but still the focus 96 00:04:27,360 --> 00:04:28,240 is on the couple. 97 00:04:29,120 --> 00:04:31,160 Yeah, we also make sure that the background 98 00:04:31,160 --> 00:04:33,140 is very clean when we use the 24 99 00:04:33,140 --> 00:04:37,260 millimeter lens and here for example we use 100 00:04:37,260 --> 00:04:39,460 the 24 millimeter lens to get some more 101 00:04:39,460 --> 00:04:40,740 dynamic into the picture. 102 00:04:41,320 --> 00:04:44,260 Here again a seated photo again full body 103 00:04:44,260 --> 00:04:47,380 for us a typical 24 millimeter photo we 104 00:04:47,380 --> 00:04:49,120 best like to use it for that. 105 00:04:50,000 --> 00:04:52,500 Of course we continue to try something new 106 00:04:52,500 --> 00:04:55,340 but these are just the things where we 107 00:04:55,340 --> 00:04:58,340 know that's where it's well suited. 108 00:04:58,880 --> 00:05:01,200 Now we come to the next lens that's 109 00:05:01,200 --> 00:05:02,880 the 35 millimeter lens. 110 00:05:03,060 --> 00:05:05,460 For us that's actually the lens that we 111 00:05:05,460 --> 00:05:07,640 could use the whole day at a wedding. 112 00:05:08,240 --> 00:05:11,780 It is actually suitable for any situation and 113 00:05:11,780 --> 00:05:14,340 you can take photos very close to the 114 00:05:14,340 --> 00:05:16,580 person but also full body. 115 00:05:16,880 --> 00:05:19,800 You can shoot upright as well as landscape 116 00:05:19,800 --> 00:05:23,060 and also you can cut heads. 117 00:05:23,520 --> 00:05:26,240 If we had to opt for a single 118 00:05:26,240 --> 00:05:28,520 lens then it would be the 35 millimeter 119 00:05:28,520 --> 00:05:28,940 lens. 120 00:05:29,160 --> 00:05:32,280 We both have a 35 millimeter lens each 121 00:05:32,280 --> 00:05:35,580 and here's a nice example of a close 122 00:05:35,580 --> 00:05:38,620 -up photo during a portrait shoot and in 123 00:05:38,620 --> 00:05:41,000 the close-up the background is very soft. 124 00:05:41,800 --> 00:05:44,580 Here we also cut the hair and yeah 125 00:05:44,580 --> 00:05:46,380 it's perfect. 126 00:05:46,780 --> 00:05:48,960 The next photo is now a full body 127 00:05:48,960 --> 00:05:51,400 photo quite far away but still with a 128 00:05:51,400 --> 00:05:52,720 very nice sharpness. 129 00:05:53,120 --> 00:05:55,680 Also it is photographed with a 1.4 130 00:05:55,680 --> 00:05:58,660 aperture and that's what we love about this 131 00:05:58,660 --> 00:05:59,040 lens. 132 00:06:00,020 --> 00:06:02,400 We also love to take pictures in portrait 133 00:06:02,400 --> 00:06:03,620 format with it. 134 00:06:04,660 --> 00:06:06,940 We especially like these half-cut ones as 135 00:06:06,940 --> 00:06:08,120 in the photo on the right. 136 00:06:08,580 --> 00:06:11,440 In addition I especially like that during couple 137 00:06:11,440 --> 00:06:14,160 shooting you have a certain closeness to the 138 00:06:14,160 --> 00:06:17,880 couple because I'm still mostly very close to 139 00:06:17,880 --> 00:06:18,380 the couple. 140 00:06:19,240 --> 00:06:21,500 Now we have here again a full body 141 00:06:21,500 --> 00:06:25,520 photo with a great backdrop and immediately afterwards 142 00:06:25,520 --> 00:06:28,700 a super close one with a very soft 143 00:06:28,700 --> 00:06:29,260 background. 144 00:06:35,560 --> 00:06:39,020 The variety offered by the lens fascinates us 145 00:06:39,020 --> 00:06:40,060 again and again. 146 00:06:40,460 --> 00:06:42,540 Also for pictures with a lot of movement 147 00:06:42,540 --> 00:06:45,080 we like to use this lens very much. 148 00:06:45,320 --> 00:06:48,200 This gives us a good scope to capture 149 00:06:48,200 --> 00:06:48,760 the movement. 150 00:06:49,120 --> 00:06:51,940 Here again a comparison photo of the same 151 00:06:51,940 --> 00:06:55,500 situation photographed with exactly the same settings. 152 00:06:56,300 --> 00:06:58,380 Once a whole body and once a close 153 00:06:58,380 --> 00:06:58,660 -up. 154 00:07:00,020 --> 00:07:02,680 In rooms such as during the getting ready 155 00:07:02,680 --> 00:07:04,400 it is perfectly suited. 156 00:07:05,280 --> 00:07:07,380 As I said you could actually use it 157 00:07:07,380 --> 00:07:08,620 in any situation. 158 00:07:08,980 --> 00:07:11,660 Again a picture of the woman's getting ready. 159 00:07:12,400 --> 00:07:13,880 On the left a detail photo. 160 00:07:14,320 --> 00:07:16,860 We do that exclusively with a 35 millimeter 161 00:07:16,860 --> 00:07:19,780 and also on the right a very nice 162 00:07:19,780 --> 00:07:20,840 picture of the getting ready. 163 00:07:21,480 --> 00:07:24,700 I like to use 35 millimeter and 85 164 00:07:24,700 --> 00:07:27,580 millimeter during the getting ready depending on the 165 00:07:27,580 --> 00:07:28,220 room size. 166 00:07:28,680 --> 00:07:32,080 For smaller rooms I sometimes use 35 millimeter 167 00:07:32,080 --> 00:07:33,080 and 50 millimeter. 168 00:07:35,280 --> 00:07:39,420 Here's another example with a comparison close up 169 00:07:39,420 --> 00:07:40,600 and far away. 170 00:07:40,680 --> 00:07:43,480 Two completely different looks with the same lens. 171 00:07:46,580 --> 00:07:49,880 This is a typical 35 millimeter picture for 172 00:07:49,880 --> 00:07:50,100 me. 173 00:07:50,960 --> 00:07:55,360 This over the shoulder thing probably does not 174 00:07:55,360 --> 00:07:57,560 work so well with any other lens and 175 00:07:57,560 --> 00:07:59,360 we love it for such situations. 176 00:08:00,020 --> 00:08:02,560 It's just perfect to tell the story and 177 00:08:02,560 --> 00:08:04,420 also here during the way out of the 178 00:08:04,420 --> 00:08:04,820 church. 179 00:08:05,060 --> 00:08:06,900 I use it again and again. 180 00:08:07,260 --> 00:08:10,020 In this case when taking the photo upright 181 00:08:10,020 --> 00:08:12,820 you just have the great opportunity to also 182 00:08:12,820 --> 00:08:16,900 capture the confetti and at that moment you 183 00:08:16,900 --> 00:08:20,120 can capture the whole atmosphere with a 35 184 00:08:20,120 --> 00:08:20,980 millimeter lens. 185 00:08:21,740 --> 00:08:24,440 Also in the evening we use it very 186 00:08:24,440 --> 00:08:27,260 much and even if the space is very 187 00:08:27,260 --> 00:08:29,560 tight you can work with it very easily. 188 00:08:30,120 --> 00:08:31,940 I think you also love the 85. 189 00:08:32,640 --> 00:08:36,020 And especially at the party both of us 190 00:08:36,020 --> 00:08:39,080 shoot actually only 35 millimeter lens. 191 00:08:39,559 --> 00:08:41,659 We use a very hard flash to capture 192 00:08:41,659 --> 00:08:43,620 the mood very well. 193 00:08:44,160 --> 00:08:46,480 Now we come to the 50 millimeter lens. 194 00:08:46,920 --> 00:08:49,760 We use both Canon and Sigma and find 195 00:08:49,760 --> 00:08:51,640 both lenses equally good. 196 00:08:51,640 --> 00:08:54,100 So I think I could have saved just 197 00:08:54,100 --> 00:08:55,240 under 500 euro. 198 00:08:55,960 --> 00:08:59,060 If you're considering buying a 50 millimeter lens 199 00:08:59,060 --> 00:09:02,560 the quality of Sigma will definitely be enough. 200 00:09:03,000 --> 00:09:06,140 For us the 50 millimeter lens is something 201 00:09:06,140 --> 00:09:09,380 like the little sister of the 85 millimeter 202 00:09:09,380 --> 00:09:09,900 lens. 203 00:09:10,460 --> 00:09:13,780 Nevertheless of course it has its own merits. 204 00:09:14,560 --> 00:09:17,440 In this case for example we first wanted 205 00:09:17,440 --> 00:09:19,640 to take the picture with the 85 millimeter. 206 00:09:20,140 --> 00:09:22,220 We thought that this would make the background 207 00:09:22,220 --> 00:09:22,620 bigger. 208 00:09:23,360 --> 00:09:25,000 And when we tried it out the mountain 209 00:09:25,000 --> 00:09:26,340 was much too blurred. 210 00:09:26,580 --> 00:09:30,740 So you did not even recognize the background 211 00:09:30,740 --> 00:09:31,440 any longer. 212 00:09:31,680 --> 00:09:33,680 Yeah we shot it then with a 50 213 00:09:33,680 --> 00:09:34,560 millimeter lens. 214 00:09:35,080 --> 00:09:37,320 As you can see the background is very 215 00:09:37,320 --> 00:09:41,160 recognizable and in this case it is the 216 00:09:41,160 --> 00:09:42,220 ideal solution. 217 00:09:43,520 --> 00:09:46,000 The mountains are still very visible. 218 00:09:46,340 --> 00:09:49,500 With a 35 millimeter lens for example you 219 00:09:49,500 --> 00:09:52,220 could not see much of the mountains anymore. 220 00:09:52,920 --> 00:09:55,940 For us the 50 millimeter lens is also 221 00:09:55,940 --> 00:09:57,460 an around lens. 222 00:09:57,600 --> 00:09:59,580 We also like to use it during the 223 00:09:59,580 --> 00:10:00,720 getting ready at weddings. 224 00:10:01,080 --> 00:10:04,200 Also for single portraits it is very nice. 225 00:10:04,660 --> 00:10:06,920 Here again a nice example of a full 226 00:10:06,920 --> 00:10:08,460 body photo with landscapes. 227 00:10:09,160 --> 00:10:12,020 The 50 millimeter lens pulls the background in 228 00:10:12,020 --> 00:10:14,620 a bit and makes the dune look bigger. 229 00:10:15,400 --> 00:10:18,280 So with this lens you have no rear 230 00:10:18,280 --> 00:10:21,220 blinds and it's pretty much exactly how you 231 00:10:21,220 --> 00:10:22,540 see something with the eye. 232 00:10:23,320 --> 00:10:26,200 At this table setting picture you can also 233 00:10:26,200 --> 00:10:28,580 see how everything is captured very nicely. 234 00:10:29,360 --> 00:10:32,020 For example with a 35 millimeter the deco 235 00:10:32,020 --> 00:10:34,760 would probably have been less effective than it 236 00:10:34,760 --> 00:10:35,100 is. 237 00:10:36,080 --> 00:10:39,140 Even for group pictures the 50 millimeter lens 238 00:10:39,140 --> 00:10:41,180 is actually our favorite lens. 239 00:10:41,840 --> 00:10:44,420 Often you do not have the most beautiful 240 00:10:44,420 --> 00:10:48,120 location available for group photos and then it's 241 00:10:48,120 --> 00:10:50,300 nice if you work with a 50 millimeter 242 00:10:50,300 --> 00:10:53,520 lens and the people thus are cropped a 243 00:10:53,520 --> 00:10:54,180 bit more. 244 00:10:54,540 --> 00:10:57,560 Yeah the whole picture looks a bit softer 245 00:10:57,560 --> 00:11:00,340 and also the bouquet is more beautiful. 246 00:11:01,180 --> 00:11:03,200 That's why we like to use this lens 247 00:11:03,200 --> 00:11:04,200 in group photos. 248 00:11:04,820 --> 00:11:08,100 So here's another example of a group photo. 249 00:11:08,580 --> 00:11:11,420 Here too the 50 millimeter lens makes the 250 00:11:11,420 --> 00:11:13,620 tree in the background a bit soft. 251 00:11:14,500 --> 00:11:17,440 And here's an example of a nice indoor 252 00:11:17,440 --> 00:11:17,920 photo. 253 00:11:18,760 --> 00:11:21,200 Yeah again you can see how beautifully soft 254 00:11:21,200 --> 00:11:24,420 the background becomes with a 50 millimeter lens. 255 00:11:24,960 --> 00:11:27,520 The lines in the room are nicely displayed 256 00:11:27,520 --> 00:11:28,900 and not distorted. 257 00:11:29,300 --> 00:11:32,620 Yeah the ideal solution for this situation. 258 00:11:33,280 --> 00:11:35,620 We also use it very often at weddings 259 00:11:35,620 --> 00:11:38,860 in the evening, during dinner and during the 260 00:11:38,860 --> 00:11:39,420 speeches. 261 00:11:39,980 --> 00:11:42,280 Even more than the 35 millimeter lens. 262 00:11:42,360 --> 00:11:44,640 In this case for example we didn't want 263 00:11:44,640 --> 00:11:47,620 to get too close to not disturb the 264 00:11:47,620 --> 00:11:50,320 guests and the the bridal couple. 265 00:11:50,600 --> 00:11:53,160 So here it's just perfect to capture the 266 00:11:53,160 --> 00:11:54,040 mood and the light. 267 00:11:54,840 --> 00:11:57,540 Now we come to the 85 millimeter lens. 268 00:11:58,160 --> 00:12:01,420 We like specifically about this lens that the 269 00:12:01,420 --> 00:12:03,560 persons are so cropped. 270 00:12:04,560 --> 00:12:07,780 Yeah that's that way the background is shown 271 00:12:07,780 --> 00:12:11,560 very softly besides it has this beautiful observer 272 00:12:11,560 --> 00:12:12,020 look. 273 00:12:12,660 --> 00:12:15,060 In this case it was a landscape format. 274 00:12:15,360 --> 00:12:17,340 Actually we like to use the lens very 275 00:12:17,340 --> 00:12:20,160 much for full body pictures in portrait format. 276 00:12:20,620 --> 00:12:22,340 Yeah you can see that in the next 277 00:12:22,340 --> 00:12:22,920 example. 278 00:12:23,540 --> 00:12:27,300 These pictures are typical 85 millimeter photos for 279 00:12:27,300 --> 00:12:27,580 us. 280 00:12:27,720 --> 00:12:29,980 Yeah you would not get this special look 281 00:12:29,980 --> 00:12:31,080 with any other lens. 282 00:12:31,600 --> 00:12:34,600 When we look at these photos one always 283 00:12:34,600 --> 00:12:36,820 has the feeling that time stands still. 284 00:12:37,020 --> 00:12:40,460 Yeah the look is just so dreamy. 285 00:12:40,680 --> 00:12:44,060 Sure the 35 millimeter is definitely more modern 286 00:12:44,060 --> 00:12:47,240 but for the right moment the 85 millimeter 287 00:12:47,240 --> 00:12:48,500 is unbeatable. 288 00:12:49,040 --> 00:12:51,800 Here's a nice example again full body. 289 00:12:52,520 --> 00:12:54,700 The next one shows you the kiss at 290 00:12:54,700 --> 00:12:55,180 the wedding. 291 00:12:55,680 --> 00:12:59,680 I always photograph with the 85 millimeter lens 292 00:12:59,680 --> 00:13:00,500 from the aisle. 293 00:13:00,980 --> 00:13:03,060 Yeah also during the getting ready we like 294 00:13:03,060 --> 00:13:04,100 to use this lens. 295 00:13:04,600 --> 00:13:07,140 Of course this always depends on the size 296 00:13:07,140 --> 00:13:09,240 of the room as well but it is 297 00:13:09,240 --> 00:13:11,840 well suited for portraits as in this example. 298 00:13:12,360 --> 00:13:14,480 You can also use it to hide the 299 00:13:14,480 --> 00:13:16,740 room a bit if it's not very nice. 300 00:13:17,300 --> 00:13:19,880 Chris also likes to use this lens in 301 00:13:19,880 --> 00:13:21,740 the evening as in this example. 302 00:13:22,120 --> 00:13:23,880 Yeah it's a great way to capture the 303 00:13:23,880 --> 00:13:24,480 emotions. 304 00:13:25,520 --> 00:13:29,460 Yeah I actually only use the 85 millimeter 305 00:13:29,460 --> 00:13:32,060 lens during the getting ready and sometimes for 306 00:13:32,060 --> 00:13:35,280 the wedding ceremony and during the portrait session 307 00:13:35,280 --> 00:13:37,860 Chris takes all 85 millimeter photos. 308 00:13:39,280 --> 00:13:42,660 Here we have a comparison between the 35 309 00:13:42,660 --> 00:13:45,240 and the 85 where you can see the 310 00:13:45,240 --> 00:13:47,660 strength of the 85 very well. 311 00:13:48,400 --> 00:13:52,020 You often hear that photographers work exclusively with 312 00:13:52,020 --> 00:13:55,460 wide angle lenses so here are a few 313 00:13:55,460 --> 00:13:58,020 examples why we would by no means want 314 00:13:58,020 --> 00:13:59,420 to forgo this lens. 315 00:13:59,860 --> 00:14:02,780 Yeah this example is exactly the same variation 316 00:14:02,780 --> 00:14:06,740 that we photographed in parallel so you can 317 00:14:06,740 --> 00:14:09,240 see very clearly that the background in the 318 00:14:09,240 --> 00:14:13,360 last picture is very restless especially with busy 319 00:14:13,360 --> 00:14:16,260 backgrounds you still get a very nice cropping 320 00:14:16,260 --> 00:14:18,180 with the 85 millimeter lens. 321 00:14:19,020 --> 00:14:20,160 And the soft background. 322 00:14:20,880 --> 00:14:20,980 Yeah. 323 00:14:21,480 --> 00:14:23,620 Thus the focus is much more on the 324 00:14:23,620 --> 00:14:26,540 couple and you will not be distracted as 325 00:14:26,540 --> 00:14:27,040 a viewer. 326 00:14:28,060 --> 00:14:30,740 So yeah in this situation the 85 millimeter 327 00:14:30,740 --> 00:14:31,700 lens wins. 328 00:14:32,680 --> 00:14:35,680 Also in our next example you can see 329 00:14:35,680 --> 00:14:37,580 a comparison again. 330 00:14:38,860 --> 00:14:41,520 Again the pictures were taken in exactly the 331 00:14:41,520 --> 00:14:42,560 same situation. 332 00:14:43,320 --> 00:14:46,600 On the left side a 35 millimeter and 333 00:14:46,600 --> 00:14:49,560 on the right side a 85 millimeter photo. 334 00:14:50,020 --> 00:14:52,320 Yeah you can clearly see that the left 335 00:14:52,320 --> 00:14:55,600 picture does not capture the location as softly 336 00:14:55,600 --> 00:14:58,200 and dreamily as the right picture. 337 00:14:58,640 --> 00:15:00,900 Yeah in the right photo the light is 338 00:15:00,900 --> 00:15:02,440 captured much more nicely. 339 00:15:03,080 --> 00:15:05,680 In addition the background is softer and the 340 00:15:05,680 --> 00:15:07,320 bokeh is more beautiful. 341 00:15:07,720 --> 00:15:10,020 Yeah due to the fact that at this 342 00:15:10,020 --> 00:15:13,980 location the background was again extremely busy the 343 00:15:13,980 --> 00:15:16,940 85 millimeter lens is a much better solution 344 00:15:16,940 --> 00:15:17,340 here. 345 00:15:18,300 --> 00:15:21,980 Here's another example 35 versus 85 in which 346 00:15:21,980 --> 00:15:24,760 we do not find that 35 millimeter photo 347 00:15:24,760 --> 00:15:27,880 nearly as beautiful as the 85 millimeter photo. 348 00:15:28,380 --> 00:15:30,740 In the right picture the focus is just 349 00:15:30,740 --> 00:15:33,340 so strongly on the couple that it takes 350 00:15:33,340 --> 00:15:34,900 in the viewer much more. 351 00:15:35,420 --> 00:15:38,640 The right picture conveys thereby much more feeling. 352 00:15:39,020 --> 00:15:39,120 Yeah. 353 00:15:39,280 --> 00:15:42,480 In the left photo the background distracts us 354 00:15:42,480 --> 00:15:46,840 much more because the stones are so restless. 355 00:15:47,440 --> 00:15:47,540 Yeah. 356 00:15:47,680 --> 00:15:49,820 Also in the right picture the light is 357 00:15:49,820 --> 00:15:53,900 captured much more softly and creates this dreamy 358 00:15:53,900 --> 00:15:54,160 look. 359 00:15:54,600 --> 00:15:56,880 Yeah in this situation you could have gotten 360 00:15:56,880 --> 00:15:59,860 even closer with the 35 millimeter lens. 361 00:16:00,340 --> 00:16:02,840 Then one would have been able to capture 362 00:16:02,840 --> 00:16:06,360 the whole scenery even more beautifully because then 363 00:16:06,360 --> 00:16:08,720 the background would have become softer. 364 00:16:09,560 --> 00:16:10,020 Yeah. 365 00:16:10,660 --> 00:16:12,720 And here's our last example. 366 00:16:13,340 --> 00:16:17,140 Here we actually find both pictures equally good. 367 00:16:17,640 --> 00:16:20,320 Yeah the 35 millimeter on the left captures 368 00:16:20,320 --> 00:16:21,960 the location very nicely. 369 00:16:22,560 --> 00:16:24,700 It is very nice how richly the colors 370 00:16:24,700 --> 00:16:27,620 are displayed and also the sea is crisp 371 00:16:27,620 --> 00:16:28,340 and sharp. 372 00:16:28,620 --> 00:16:30,920 Yeah in the right photo the background is 373 00:16:30,920 --> 00:16:34,280 much softer again and as a result the 374 00:16:34,280 --> 00:16:36,440 focus is again more on the couple. 375 00:16:36,840 --> 00:16:40,280 But we find both pictures equally strong here. 376 00:16:40,700 --> 00:16:43,040 You saw that all the examples were portrait 377 00:16:43,040 --> 00:16:43,480 photos. 378 00:16:43,940 --> 00:16:46,680 Surely the 35 millimeter lens is a lot 379 00:16:46,680 --> 00:16:49,000 stronger than the 85 millimeter lens in the 380 00:16:49,000 --> 00:16:50,860 report area to tell the story. 381 00:16:51,260 --> 00:16:54,080 But especially with the portraits you should not 382 00:16:54,080 --> 00:16:56,660 underestimate the 85 millimeter lens. 383 00:16:56,880 --> 00:16:59,580 Yeah we think some photographers should use this 384 00:16:59,580 --> 00:17:01,200 lens more often for portraits. 385 00:17:02,060 --> 00:17:03,859 Yeah we hope you enjoyed it and you 386 00:17:03,859 --> 00:17:06,260 could learn some info tips and tricks. 387 00:17:06,540 --> 00:17:08,920 Yeah as you have seen we have also 388 00:17:08,920 --> 00:17:11,560 always provided the photo information with the photos 389 00:17:11,560 --> 00:17:12,640 and I hope you like it. 390 00:17:12,720 --> 00:17:15,680 It was tons of work and yeah. 391 00:17:15,960 --> 00:17:18,060 Then we'll see each other again on the 392 00:17:18,060 --> 00:17:19,140 subject light. 393 00:17:19,380 --> 00:17:20,579 Yeah see you soon. 394 00:17:20,700 --> 00:17:21,319 See you soon. 27350

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