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So, the beautiful speech of Valerie.
Teddy, you are my best friend.
You are the only person I have.
One thing is that I have this fantastic
speech, but in this occasion I miss a
lot the relationship between the sister and the
bride.
So, I have no video of them together,
and this is a problem.
This I find a little bit problematic.
I'm thinking now, it's something that I didn't
thought yesterday when I shot, because, you know,
now we are planning a wedding, but normally
it's something that happens really much, but there
are moments, it's enough a hug or something
like this, or in the getting ready when
she helps to close the dress or something
like this.
These are all shots that could help you
to show the relationship between the sister and
the bride.
In this occasion I feel a little bit
that I miss this part.
Also, because I don't have so much footage,
and this could be really a problem in
this kind of situation, because I would like
she is speaking really good, really nice, but
in this kind of situation it seems that
she is coming from another place.
It has nothing to do with the wedding.
Okay.
And when you met Marcel, I was afraid
at first.
The guy with the white smile, the guy
who seems like the perfect man, super charming,
always happy.
There must be something wrong, I thought.
I didn't want him to get close to
you, because I was afraid to break your
heart.
But how wrong was I?
Marcel, I knew she did not only find
a man who cares for her, I knew
she found the love of her life.
Someone who is full of life, just like
her.
Marcel, I knew she did not only find
a man who cares for her, I knew
she found the love of her life.
There is already something.
But she is speaking about Marcel here.
I take it this way.
Marcel, I knew she did not only find
a man who cares for her, I knew
she found the love of her life.
Someone who is full of life, just like
her.
Thank you for proving that there are good
men out there.
Marcel, thank you for taking care of my
little princess, my everything.
She is the healthiest, best version of herself
when she is with you.
And I know that you two have waited
your whole life for this special moment, for
this day when you are marrying the love
of your life.
You have waited your whole life.
And here we are today.
Look at you.
You two shine brighter than anything.
Please keep the happiness in your heart forever.
Let's raise our glasses to Marcel.
Look at you.
I like this part.
To the end.
Okay, now we have enough material to try
to build the film.
So let's try to build the film.
I go here.
I make a new project.
I have a new project.
The project, I have a small thing that
I took from Wikipedia.
This is a different kind of format of
videos.
There is the classical.
This is 1969.
This is 1920.
My 1080.
And then we go down, down, down, down,
until something more cinematic, that is more cinema
scope.
I went until 1920 minus 787.
So really, really.
But already 1920 minus 817.
It's pretty good.
This is what I like mostly.
Let's make this one.
1920 minus 787.
So I make here.
I go here.
Custom.
Okay.
And I call it film one.
Because there will be 20.
Frame I choose 24.
But I can choose what I want.
But I want 24.
Okay.
So we see here.
And now what I do normally.
You say, Torsten, that you make favorite.
And you will have all your clips here
up.
What's the favorite?
I, for my way to think, and because
I'm not a very older guy, I like
chaos.
I make this way.
That I take getting ready.
Command R.
Command copy.
I copy them all.
And I bring it in the film.
Then I go to the.
Ah, we forgot to draw a shot.
I take Ronin.
Command R.
Command copy.
And I bring it.
This part.
Then we have.
The shooting.
Command R.
Command copy.
And I bring it here.
Let's bring one second drawn.
It's only one shot.
One video.
And after we bring the speeches.
And we begin to build a film.
So don't.
Oh, it's not the beginning.
I would take this one.
This one.
And I like.
This one.
Okay.
Two shots of the drone.
I divide them.
A little bit.
This.
To recognize them after.
And so.
Ceremony.
All the speeches.
There we are.
From the moment.
I only put them on the timeline.
Where I want to make the film.
Evening sync.
Valerie.
Okay.
Now.
I could.
Let's see if I can close the.
Because normally I work with all this part
on the second display.
And I have every time only the video.
And.
Workspace.
Organize.
It's already good.
Before to think about the color.
We begin to think about to build a
little bit.
The film.
As I say.
Here I have everything.
Everything what I need.
To build.
My film.
Normally I have.
In the most of the waiting.
I have 25.
Till 40 minutes.
Of useful.
Shot and clips.
And speeches.
To build a film.
Here I see that I've got two less.
I have less than 10 minutes.
Of material.
To try to build a film.
So it means that our film.
It will be not full.
It will not be completely.
And complete.
I could make a film complete.
But I need a little bit more time.
To think how to feel.
And how to make it.
But you would understand how to build it.
How to build it.
I choose already a music.
But I find it.
That is a good music.
Where is the music?
Here.
Sorry guys.
It's because I have every time.
In the second display.
And I don't know here.
So let's take the music.
And it's steady.
This one.
And let's go to the workspace.
So located now.
We have some questions.
I don't know.
I don't know.
Because I am thinking about.
My camera.
And I know that my camera.
If I choose the 24 frames per second.
It's every time 23.
Maybe you have an answer.
About this.
23.9 is like the American format.
Like NTSC.
We are pilots.
So we would be normally 24 or 25.
It's the standard American format.
But I remember when I choose.
In the 5D Mark III.
And I choose 24 frames per second.
It automatically.
It will be 23.
And so for this reason.
Only because of this reason.
And I say to you.
I don't know everything.
This is the reason what I am doing.
But in the 5D Mark III.
If you see.
It's in PAL the camera.
And I can choose 25.
50 frames per second.
And 24.
But this 24 frames per second.
Is 23.98. Let's see one second.
The music.
It's okay music.
Beautiful.
This tone is beautiful.
Already the music.
It goes a little bit in the stomach.
Maybe the butterfly.
It's nice.
And we have a nice moment.
Where you can put.
A small speech.
Something that it begins.
This music.
I took this music.
Because.
To think about this moment.
This moment here.
Let's try to hear.
What happened there.
Okay.
You feel it.
You feel the music.
You got to feel it.
When you feel it.
Then you can begin to build it.
And this music.
Has something really strong.
To say here.
In this moment.
Here was something really.
Really strong that happened.
So let's try.
To put a little bit.
Of speeches.
I take them all.
And I bring it.
Over.
I put it a little bit down.
Wait one second.
First I want to hear.
Hear this moment.
And be aware.
That you are taking another big step.
On your journey.
Here there must be.
Something that introduces them.
So I think.
Hey guys.
If you got questions.
Ask.
So let's hear.
Father Marcel.
Marcel.
In you she did not only find.
A man who cares for her.
In you she found.
The love of her life.
Marcel.
In you she did not only.
Find a man who cares for her.
In you she found.
The love of her life.
Marcel.
In you she found.
The love of her life.
This moment.
And be aware.
That you are taking another.
This moment.
Feel this moment.
And be aware.
That you are taking another big step.
On your shared path.
This part.
Marcel.
I find this.
That it could fit.
Really good.
To this moment.
Be careful.
Be careful.
Feel this moment.
And be aware.
That you are on your shared path.
Be careful.
It's like this.
You get to play with the music.
And the speeches.
Find first of all.
The most important.
The most emotional moment.
And after when you find them.
Then it goes all the rest.
Feel this moment.
It's coming.
It's coming.
You get to find.
Some other cool.
What we could put there.
So.
Now.
I would like to hear only the voice.
Of she.
And go on with them.
Can you split the audio from the clips?
Yes.
What do you mean?
I can make like this.
I can make like this.
Now I've done something.
But I don't know what it is.
I want to make this moment.
Really cool.
In this moment.
But I don't know.
If it's cool to have.
See.
Feel this moment.
And be aware.
Now okay.
I can let this picture also.
It fits.
It fits.
I go on.
With some speeches.
Gesundheit.
Gesundheit.
Boom.
It's working.
Yes.
It's already perfect.
We can already.
Put a little bit.
How it could look.
138.
Copy.
All this clip.
Only the scale.
Not the volume.
Feel this moment.
And be aware.
Okay.
I spend really much time.
To make this part.
Because really.
This part is really important.
As I said.
There are 2 or 3 points of the
film.
Where you put much energy.
To recreate something.
Something that goes in the stomach.
When it comes to this moment.
You got to be really.
Nice.
I feel good.
It's a nice story.
When it comes to this moment.
In the film.
You got to have almost.
Okay.
Some questions.
Now.
It's slow.
Yes.
Because.
It isn't anymore.
In 1920.
It's now.
Here it isn't.
It's a 1080.
It's a 787.
And it makes this visual.
Yes.
Exactly.
Exactly.
I don't need anymore to.
If you see here.
All the films.
When I open them.
They are already.
Cut.
For example this one.
It's cut like this.
Yes.
For example here.
I see that I'm cutting a little bit.
The head.
I can go here.
And I can put it down.
You can play a little bit.
Let's think again.
What I can put after.
Before.
Let's put something before.
Kelly.
I want you here one second.
No one else but you.
I can travel the whole world.
Without arguing.
In single time.
Having fun with the nature.
Enjoying our holidays.
You touch my heart.
And soul.
But you are loving.
You take away all my worries.
By taking me close.
Into your arms.
Into your arms.
And then she's going to him.
So.
Put it exactly.
In the place.
Where it will be the boom.
Boom.
Let's hear it.
Perfect.
Why did you show it on full screen?
Because I didn't scale it.
But I don't like this.
Prospective.
Seems raining.
No one else.
But you.
Yeah.
She's speaking about him.
Let's try to put some.
Getting ready in shot.
Of him.
Maybe you try to find a nice shot.
When he put the jacket.
Let's see.
Let's see if we can make this shot.
Looking interesting.
This is maybe.
It could become interesting.
After with the color grading.
Spin.
Spin it there.
And here he has the jacket up.
Jacket up.
This movement.
I can use.
Not so much.
I can use.
Before.
All okay guys.
I'm making too much.
Too many things.
And to put a little bit.
Of interest.
I make a small zoom.
Inside of this shot.
So I make a key framing.
So I go.
At the beginning of the shot.
To the scale.
This one.
I put a key frame.
I only press there.
I go to the end of the shot.
And I put.
A small.
A small scale.
Like this.
It will not disturb so much.
From the.
From the quality.
But.
I think that it could be.
It's interesting to see it.
As we hear.
The music is really too loud.
For this part.
Guys.
If I'm telling too much.
If you have a question.
Just say it.
Yeah.
Now
I
select.
With R.
If I press R.
I can select a part.
A section.
I make it a little bit bigger.
You can see.
Now it's this.
I can see a little bit more.
The sound.
Now I select this part.
And I can only.
With dragging a little bit down.
It produce already.
Some key frame.
And it goes already down.
Here you see.
Without.
Making anything.
So I have.
2K frame and here.
The music it goes again up.
I can choose it.
Like this.
Like this the music.
It goes down there.
Back home.
On a perfect day.
You and I.
We have the most fun.
And I just feel silly.
And don't.
The speech is really too long.
For this part.
Now after I will cut it.
But only to.
Build something.
Just feeling around.
With no one else.
But you.
I can travel.
The whole world.
Let's try to find.
Another shot.
Where you see not so much.
But it could be interesting.
When they are together.
Maybe in the middle of the smoke.
Or something like this.
Like this.
You see too much.
It's really shaky.
This shot.
Sorry guys.
But I think that I can use it.
Let's see.
And I make.
Let's see if it is already.
Slow.
And I make a small.
Transition before.
And after.
But it's coming inside.
And goes outside.
Really soft.
So I make a show.
Video animation.
I go here to.
The opacity part.
I open opacity part.
And make a small.
Things like this.
And it's a small.
Coming inside.
And it goes outside soft.
Okay.
Let's see.
I would make also from here.
Show video animation.
The same things.
Okay.
Video animation.
Okay.
It's becoming interesting.
No.
No.
Many people.
They are only thinking.
About all the shots.
Because if I take here.
Many people are working.
Only like this.
This is how work.
Many many people.
Yeah.
But this is.
Many many people.
They use it like highlights film.
Yes.
There are a lot of people.
That work like this.
They only choose nice shots.
It was beautiful.
It wasn't beautiful.
No story.
No story.
No building of emotion.
Yeah sure.
It's beautiful.
But it's only beautiful.
It's only beautiful.
You will never remember this film.
You see.
It was beautiful.
It was a nice sensation to watch it.
Because the pictures were nice.
There are some pictures.
I take one minute.
And I put it away.
But look how long time I took.
To make this part.
How long time I took it.
And how long time I took to make
this one.
How is the situation?
It's good.
Too much?
It's okay.
How you find the video till now?
You can't say that it's awful.
Interesting.
Okay.
I make.
One second.
A small break from the editing.
We go a little bit to the color.
Like this.
We are sure.
That we touch everything.
This kind of way.
To build.
It's from all the film.
Sometimes I take really short.
Sometimes I take longer.
In this case.
In this kind of video.
I would really need much time.
Because I don't have much material.
I don't have much footage.
And this is.
It's more difficult.
To build something.
You could miss many things.
Or you make a really short.
Film.
Or.
It's difficult.
You get to think a lot.
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