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When I come to the location, I look
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where is the table number one and where
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is the bride and the groom who are
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sitting, and I look for a position where
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I think that the speech is good, where
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the speech could be.
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When I find this place, I try to
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position my light that it will be on
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only when somebody is going to speak, so
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it isn't that this light will stay all
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the time on.
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I put the dedolight in that position in
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front of the one who is speaking.
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I watch where the bride and the groom
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are sitting, and I try to put somewhere,
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when I have time and if I have
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luck, this other light in front of them,
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to have them with a little bit of
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light.
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I try to think how I'm shooting the
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one who is speaking.
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In this moment, for the reason that they
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will speak in this direction, I know that
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I will be somewhere there to take the
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one who is speaking, and I would like
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that my assistant is taking the reactions.
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In this moment, I don't know if you
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can take some reaction, but it's enough for
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one shot, not so much.
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But this light, it will help to have
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the light of the main person.
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Normally, there's the bride and groom and the
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most important people out there in the near,
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and this is not a focused light.
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It takes a little bit of a soft
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light everywhere.
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I would try to speak with the groom
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and say, hey, I would like that everybody
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is going to speak there, because I have
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a light there that would look more beautiful.
41
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It's good if they use the microphone.
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If there's somebody, hey, my father don't want
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to use the microphone.
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Okay, no problem.
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Then I go to the father and I
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put this one.
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But I want to have the audio.
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I want to have the audio of the
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speeches.
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Stop.
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This is the most important thing.
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Very, very often, there's a wireless receiver.
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It's something like this with the two antennas.
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You see it every time.
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Look for this and ask, hey, Gaio, is
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this the one for the microphone?
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Yes, it's this.
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This one, most of the time, it has
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an unbalanced output.
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The most of the time, there's unbalanced output.
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With that one, you put your XLR cable
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and you have a really clean output where
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you don't have to care about what the
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DJ do.
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If he put up the volume or if
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he put down.
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In this occasion, Anthony, it seems that he
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don't have this kind of wireless receiver.
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So I've got to use the output from
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the console.
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So I've got to trust the level what
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the DJ make.
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We try the microphone.
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Hey, please don't change the volume too much.
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Please stay in that level.
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Because if he put up the volume, you
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could have a really distorted audio and you
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can't use it anymore.
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You can't put it away.
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It's better a little bit more down that
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you can play a little bit.
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But if you have a picking that is
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going away, it's away the audio.
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It's disturbing.
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You can put it down after, but you
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will hear every time.
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Important thing is thinking about this.
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Think about the audio.
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Think how you can get a good audio.
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In this moment, when you see that somebody
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is going to take a speech, you've got
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to be ready.
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You can't come when it's already begin.
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Try to be ready.
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Because it's a moment that you need it.
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For sure, the audio is the most important
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part.
98
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But if you've got the video, it's better.
99
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So I check the focus.
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It's beautiful.
101
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Perfect.
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Kelly, you are my best friend, my little
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sister, my everything.
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You are the only person I can fight
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with, dance on the bed with, call in
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the middle of the night and cry with.
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You are a part of me.
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You always have been and you always will.
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And as a part of me, I'm trying
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my hardest to protect you.
111
00:05:03,470 --> 00:05:08,390
Protect you from spiders, from the dark, and
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above all, from men.
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From men who could break your heart.
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And when you've met Marcel, I was afraid
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at first.
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The guy with the whitest smile, the guy
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who seems like the perfect man, super charming,
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always happy.
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There must be something wrong, I thought.
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I didn't want him to get close to
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you because I was afraid he might hurt
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you, break your heart.
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But how wrong was I?
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Marcel, in you, she did not only find
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a man who cares for her.
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In you, she found the love of her
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life.
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Someone who is full of life, just like
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her.
130
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Thank you for proving me that there are
131
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good men out there.
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Thank you for taking care of my little
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sister, my everything.
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She's the happiest, best version of herself when
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she's with you.
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And I know that you too have waited
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your whole life for this special moment, for
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this day when you're marrying the love of
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your life.
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You've waited your whole life and here we
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are today.
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Look at you.
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You too shine brighter than anything.
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Please keep this happiness in your heart forever.
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Let's raise our glasses to my beautiful sister
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Kelly and my new brother Marcel.
147
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It was a good speech.
148
00:07:07,550 --> 00:07:09,790
Already when you hear something like this, you
149
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already think, wow, this is good.
150
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Be already a good beginning for the film.
151
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And this is good.
152
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This was really good.
153
00:07:18,490 --> 00:07:19,270
Thank you, Vala.
154
00:07:19,390 --> 00:07:20,250
It was really good.
155
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Really, really good.
156
00:07:22,370 --> 00:07:26,030
Okay, now we go on with the last
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part.
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This is the first dance.
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00:07:28,670 --> 00:07:32,030
And after we are finished for today.
160
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What I do for the first dance, I
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00:07:37,780 --> 00:07:39,900
bring my dedolight.
162
00:07:40,780 --> 00:07:43,880
I ask every time to the DJ to
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00:07:43,880 --> 00:07:47,740
put off the lights, but we can hold
164
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this.
165
00:07:48,280 --> 00:07:49,500
It's okay on the ground.
166
00:07:49,860 --> 00:07:54,040
The couple, they will dance in this place.
167
00:07:54,520 --> 00:07:57,560
Normally you know where they are dancing.
168
00:08:00,000 --> 00:08:04,060
I love to have the dedolight and to
169
00:08:04,060 --> 00:08:05,280
play against.
170
00:08:06,210 --> 00:08:12,340
So in this direction, I never play with
171
00:08:12,340 --> 00:08:12,900
the light.
172
00:08:13,060 --> 00:08:15,440
Only sometime if I've got to turn around
173
00:08:15,440 --> 00:08:18,240
them and I put the dedolight as high
174
00:08:18,240 --> 00:08:19,020
as possible.
175
00:08:19,640 --> 00:08:23,800
Because like this you put the shadow down
176
00:08:23,800 --> 00:08:27,040
and maybe you don't see the shadow of
177
00:08:27,040 --> 00:08:28,740
the people that are there.
178
00:08:29,960 --> 00:08:33,340
This time I put this light also because
179
00:08:33,340 --> 00:08:35,419
I saw that in this corner it was
180
00:08:35,419 --> 00:08:36,480
a little bit too dark.
181
00:08:36,760 --> 00:08:40,460
For example, in the video of Annie and
182
00:08:40,460 --> 00:08:43,860
Kazu, I had the luck that this light,
183
00:08:43,860 --> 00:08:46,540
it caged on a big mirror.
184
00:08:46,920 --> 00:08:49,920
And so it done a double light.
185
00:08:50,220 --> 00:08:52,700
This time I used this one that helped
186
00:08:52,700 --> 00:08:55,340
me a little bit to see something in
187
00:08:55,340 --> 00:08:56,420
this part.
188
00:08:57,060 --> 00:08:59,700
And what I do normally is me and
189
00:08:59,700 --> 00:09:00,980
my second shooter.
190
00:09:01,460 --> 00:09:05,640
My second shooter, he has the 50 millimeter
191
00:09:06,420 --> 00:09:10,120
lens or the 135.
192
00:09:10,980 --> 00:09:13,260
It depends how big it is the room.
193
00:09:13,520 --> 00:09:15,280
In this case, it's really small.
194
00:09:15,680 --> 00:09:17,520
A 50 millimeter I find really good.
195
00:09:17,760 --> 00:09:19,160
And he take details.
196
00:09:19,480 --> 00:09:23,660
So he takes this part of them together
197
00:09:23,660 --> 00:09:24,940
or something like this.
198
00:09:25,060 --> 00:09:27,520
And I stay with the glide cam and
199
00:09:27,520 --> 00:09:29,340
I make a small movement.
200
00:09:30,200 --> 00:09:32,740
I try to go near to find a
201
00:09:32,740 --> 00:09:35,740
little bit of movement in the dance.
202
00:09:36,020 --> 00:09:38,620
I know that he is there, so I've
203
00:09:38,620 --> 00:09:40,000
got to be a little bit careful.
204
00:09:41,160 --> 00:09:43,980
And yes, this is what I'm doing.
205
00:10:04,940 --> 00:10:38,270
Be careful,
206
00:10:38,470 --> 00:10:38,590
Ilya.
207
00:10:38,790 --> 00:10:59,760
Back to your
208
00:10:59,760 --> 00:11:00,180
camera.
209
00:11:07,640 --> 00:11:08,640
Don't go too near.
210
00:11:27,480 --> 00:11:28,140
Okay.
211
00:12:34,100 --> 00:12:37,920
Normally when we have the first dancer, what
212
00:12:37,920 --> 00:12:41,380
I need after normally in the waiting day,
213
00:12:41,760 --> 00:12:44,480
it's really the first 10 minutes of the
214
00:12:44,480 --> 00:12:46,060
party and I am done.
215
00:12:46,760 --> 00:12:49,180
I don't need to stay three hours of
216
00:12:49,180 --> 00:12:49,800
the party.
217
00:12:50,160 --> 00:12:51,560
This is what I say to the couple.
218
00:12:52,200 --> 00:12:55,080
If they want to save money, save time
219
00:12:55,080 --> 00:12:57,740
on the party and take me to the
220
00:12:57,740 --> 00:12:58,360
getting ready.
221
00:12:58,760 --> 00:13:01,640
Because the getting ready is what it gives
222
00:13:01,640 --> 00:13:02,400
me content.
223
00:13:03,220 --> 00:13:06,140
And here I will have the first 10
224
00:13:06,140 --> 00:13:06,500
minutes.
225
00:13:06,640 --> 00:13:10,820
I can have 10 minutes of shots of
226
00:13:10,820 --> 00:13:12,980
the party, of the people dancing.
227
00:13:13,480 --> 00:13:16,440
I will have again my dedolight on.
228
00:13:16,780 --> 00:13:19,440
I make some shots of the people dancing.
229
00:13:19,660 --> 00:13:22,020
I try to catch the most people what
230
00:13:22,020 --> 00:13:24,660
I can and it's done.
231
00:13:24,820 --> 00:13:25,360
It's finished.
232
00:13:25,560 --> 00:13:27,620
I don't need to stay two hours there.
233
00:13:28,220 --> 00:13:30,800
It's useless.
234
00:13:31,220 --> 00:13:31,840
Unuseful.
235
00:13:33,060 --> 00:13:33,680
Okay.
236
00:13:34,480 --> 00:13:34,720
Okay.
237
00:13:35,440 --> 00:13:36,800
Thanks to you guys.
15310
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