Original subtitles

When I come to the location, I look

where is the table number one and where

is the bride and the groom who are

sitting, and I look for a position where

I think that the speech is good, where

the speech could be.

When I find this place, I try to

position my light that it will be on

only when somebody is going to speak, so

it isn't that this light will stay all

the time on.

I put the dedolight in that position in

front of the one who is speaking.

I watch where the bride and the groom

are sitting, and I try to put somewhere,

when I have time and if I have

luck, this other light in front of them,

to have them with a little bit of

light.

I try to think how I'm shooting the

one who is speaking.

In this moment, for the reason that they

will speak in this direction, I know that

I will be somewhere there to take the

one who is speaking, and I would like

that my assistant is taking the reactions.

In this moment, I don't know if you

can take some reaction, but it's enough for

one shot, not so much.

But this light, it will help to have

the light of the main person.

Normally, there's the bride and groom and the

most important people out there in the near,

and this is not a focused light.

It takes a little bit of a soft

light everywhere.

I would try to speak with the groom

and say, hey, I would like that everybody

is going to speak there, because I have

a light there that would look more beautiful.

It's good if they use the microphone.

If there's somebody, hey, my father don't want

to use the microphone.

Okay, no problem.

Then I go to the father and I

put this one.

But I want to have the audio.

I want to have the audio of the

speeches.

Stop.

This is the most important thing.

Very, very often, there's a wireless receiver.

It's something like this with the two antennas.

You see it every time.

Look for this and ask, hey, Gaio, is

this the one for the microphone?

Yes, it's this.

This one, most of the time, it has

an unbalanced output.

The most of the time, there's unbalanced output.

With that one, you put your XLR cable

and you have a really clean output where

you don't have to care about what the

DJ do.

If he put up the volume or if

he put down.

In this occasion, Anthony, it seems that he

don't have this kind of wireless receiver.

So I've got to use the output from

the console.

So I've got to trust the level what

the DJ make.

We try the microphone.

Hey, please don't change the volume too much.

Please stay in that level.

Because if he put up the volume, you

could have a really distorted audio and you

can't use it anymore.

You can't put it away.

It's better a little bit more down that

you can play a little bit.

But if you have a picking that is

going away, it's away the audio.

It's disturbing.

You can put it down after, but you

will hear every time.

Important thing is thinking about this.

Think about the audio.

Think how you can get a good audio.

In this moment, when you see that somebody

is going to take a speech, you've got

to be ready.

You can't come when it's already begin.

Try to be ready.

Because it's a moment that you need it.

For sure, the audio is the most important

part.

But if you've got the video, it's better.

So I check the focus.

It's beautiful.

Perfect.

Kelly, you are my best friend, my little

sister, my everything.

You are the only person I can fight

with, dance on the bed with, call in

the middle of the night and cry with.

You are a part of me.

You always have been and you always will.

And as a part of me, I'm trying

my hardest to protect you.

Protect you from spiders, from the dark, and

above all, from men.

From men who could break your heart.

And when you've met Marcel, I was afraid

at first.

The guy with the whitest smile, the guy

who seems like the perfect man, super charming,

always happy.

There must be something wrong, I thought.

I didn't want him to get close to

you because I was afraid he might hurt

you, break your heart.

But how wrong was I?

Marcel, in you, she did not only find

a man who cares for her.

In you, she found the love of her

life.

Someone who is full of life, just like

her.

Thank you for proving me that there are

good men out there.

Thank you for taking care of my little

sister, my everything.

She's the happiest, best version of herself when

she's with you.

And I know that you too have waited

your whole life for this special moment, for

this day when you're marrying the love of

your life.

You've waited your whole life and here we

are today.

Look at you.

You too shine brighter than anything.

Please keep this happiness in your heart forever.

Let's raise our glasses to my beautiful sister

Kelly and my new brother Marcel.

It was a good speech.

Already when you hear something like this, you

already think, wow, this is good.

Be already a good beginning for the film.

And this is good.

This was really good.

Thank you, Vala.

It was really good.

Really, really good.

Okay, now we go on with the last

part.

This is the first dance.

And after we are finished for today.

What I do for the first dance, I

bring my dedolight.

I ask every time to the DJ to

put off the lights, but we can hold

this.

It's okay on the ground.

The couple, they will dance in this place.

Normally you know where they are dancing.

I love to have the dedolight and to

play against.

So in this direction, I never play with

the light.

Only sometime if I've got to turn around

them and I put the dedolight as high

as possible.

Because like this you put the shadow down

and maybe you don't see the shadow of

the people that are there.

This time I put this light also because

I saw that in this corner it was

a little bit too dark.

For example, in the video of Annie and

Kazu, I had the luck that this light,

it caged on a big mirror.

And so it done a double light.

This time I used this one that helped

me a little bit to see something in

this part.

And what I do normally is me and

my second shooter.

My second shooter, he has the 50 millimeter

lens or the 135.

It depends how big it is the room.

In this case, it's really small.

A 50 millimeter I find really good.

And he take details.

So he takes this part of them together

or something like this.

And I stay with the glide cam and

I make a small movement.

I try to go near to find a

little bit of movement in the dance.

I know that he is there, so I've

got to be a little bit careful.

And yes, this is what I'm doing.

Be careful,

Ilya.

Back to your

camera.

Don't go too near.

Okay.

Normally when we have the first dancer, what

I need after normally in the waiting day,

it's really the first 10 minutes of the

party and I am done.

I don't need to stay three hours of

the party.

This is what I say to the couple.

If they want to save money, save time

on the party and take me to the

getting ready.

Because the getting ready is what it gives

me content.

And here I will have the first 10

minutes.

I can have 10 minutes of shots of

the party, of the people dancing.

I will have again my dedolight on.

I make some shots of the people dancing.

I try to catch the most people what

I can and it's done.

It's finished.

I don't need to stay two hours there.

It's useless.

Unuseful.

Okay.

Okay.

Thanks to you guys.