All language subtitles for Episode 89ºx Patreon Some fav. photos

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These are the user uploaded subtitles that are being translated: 1 00:00:00,740 --> 00:00:02,800 Patapam pam pam pam pam pam pam. 2 00:00:02,840 --> 00:00:03,360 How are you friends? 3 00:00:03,680 --> 00:00:04,320 How are things going? 4 00:00:04,580 --> 00:00:05,160 How is everything going? 5 00:00:05,180 --> 00:00:05,720 How is the summer going? 6 00:00:05,840 --> 00:00:07,020 How are those weddings going? 7 00:00:07,700 --> 00:00:10,060 As always, I send you all the positive 8 00:00:10,060 --> 00:00:11,220 energy to each of you. 9 00:00:11,600 --> 00:00:13,620 In today's video we want to incorporate, or 10 00:00:13,620 --> 00:00:14,440 in the ... 11 00:00:14,440 --> 00:00:16,000 Sorry, I explain myself badly. 12 00:00:16,500 --> 00:00:18,640 This month we want to incorporate a new 13 00:00:18,640 --> 00:00:21,400 video in which we are going to incorporate 14 00:00:21,400 --> 00:00:22,680 it every month, or we are going to 15 00:00:22,680 --> 00:00:23,800 do it every month, or we are going 16 00:00:23,800 --> 00:00:26,620 to record each month, a video where we 17 00:00:26,620 --> 00:00:30,200 explain the best images that we have taken 18 00:00:30,200 --> 00:00:30,940 the previous month. 19 00:00:31,280 --> 00:00:33,560 When I say best images I mean those 20 00:00:33,560 --> 00:00:36,960 images that we, both Erika and I, keep 21 00:00:36,960 --> 00:00:39,680 in a gallery and that we keep them 22 00:00:39,680 --> 00:00:40,800 as our favorites. 23 00:00:41,020 --> 00:00:43,320 That means that when we say good ones 24 00:00:43,320 --> 00:00:45,620 it means that we really like them and 25 00:00:45,620 --> 00:00:46,980 that they are images that are going to 26 00:00:46,980 --> 00:00:50,140 stay in our portfolio for the future, right? 27 00:00:50,440 --> 00:00:52,560 In other words, with which everything is quite 28 00:00:52,560 --> 00:00:58,960 summarized and we do not usually select photos 29 00:00:58,960 --> 00:01:00,560 that we end up liking so easily and, 30 00:01:00,660 --> 00:01:03,580 in short, every year, or in a normal 31 00:01:03,580 --> 00:01:07,320 wedding year, we usually only stay with 15 32 00:01:07,320 --> 00:01:08,680 or 20 images, no more. 33 00:01:08,780 --> 00:01:10,480 There are no more or we do not 34 00:01:10,480 --> 00:01:12,760 have more good images, that is to say, 35 00:01:12,780 --> 00:01:14,260 when I say good it means good, that 36 00:01:14,260 --> 00:01:16,880 is, that they are interesting, that is, that 37 00:01:16,880 --> 00:01:18,380 they are interesting, I mean, right? 38 00:01:18,760 --> 00:01:21,060 Of course, we do take good images, but 39 00:01:21,060 --> 00:01:23,160 well, I think you already understand that I 40 00:01:23,160 --> 00:01:23,380 get confused. 41 00:01:23,700 --> 00:01:26,080 That is why I have selected a few 42 00:01:26,080 --> 00:01:30,720 images, four that Erika took last month and 43 00:01:30,720 --> 00:01:32,380 we have selected, or I have also selected 44 00:01:32,380 --> 00:01:35,220 four of my images that I took last 45 00:01:35,220 --> 00:01:36,700 month and that I am going to share 46 00:01:36,700 --> 00:01:37,200 with you. 47 00:01:37,740 --> 00:01:39,980 I am not only going to show them 48 00:01:39,980 --> 00:01:41,060 to you, but to tell you a little 49 00:01:41,060 --> 00:01:43,100 bit about how they were taken, okay? 50 00:01:43,220 --> 00:01:45,020 The first image that I want to show 51 00:01:45,020 --> 00:01:47,000 you is from, or the first images that 52 00:01:47,000 --> 00:01:47,980 I am going to show you are from 53 00:01:47,980 --> 00:01:50,400 Erika, and the first one is this, okay? 54 00:01:50,820 --> 00:01:51,520 Why do I like it? 55 00:01:52,020 --> 00:01:54,760 Because the bride's face says it all, it 56 00:01:54,760 --> 00:01:57,060 is a brutal action, it is not the 57 00:01:57,060 --> 00:02:00,440 moment that the bride arrives at the altar, 58 00:02:00,700 --> 00:02:02,420 I mean, at the ceremony, the groom is 59 00:02:02,420 --> 00:02:04,440 waiting for her, the groom with open arms. 60 00:02:05,240 --> 00:02:07,199 Notice that when I talk about arms, I 61 00:02:07,199 --> 00:02:11,020 talk about hands, nothing is mutilated, nothing, that 62 00:02:11,020 --> 00:02:12,540 is, those arms of the groom who are 63 00:02:12,540 --> 00:02:15,820 waiting for her are perfectly in place, but 64 00:02:15,820 --> 00:02:18,920 everything is redirected towards the bride, towards her 65 00:02:18,920 --> 00:02:20,360 face, which is where she has the greatest 66 00:02:20,360 --> 00:02:23,720 weight or the greatest strength in the image, 67 00:02:23,860 --> 00:02:23,960 right? 68 00:02:24,400 --> 00:02:28,100 But not only that, notice that on the 69 00:02:28,100 --> 00:02:30,860 left side of the image we can see 70 00:02:30,860 --> 00:02:33,620 a little hand, so we can understand as 71 00:02:33,620 --> 00:02:36,820 viewers that there are more people on the 72 00:02:36,820 --> 00:02:38,760 left and we can see that there are 73 00:02:38,760 --> 00:02:41,360 also people on the right, with which we 74 00:02:41,360 --> 00:02:44,820 are contextualizing that image, but as I say, 75 00:02:45,700 --> 00:02:48,100 the force is in the bride, who is 76 00:02:48,100 --> 00:02:51,100 there, and Erika captured it perfectly, that is, 77 00:02:51,200 --> 00:02:53,020 she placed herself in the place, she knew 78 00:02:53,020 --> 00:02:54,620 how to wait, she knew how to focus 79 00:02:54,620 --> 00:02:58,460 perfectly and captured that powerful image. 80 00:02:58,860 --> 00:03:02,340 The second image, and it may be her 81 00:03:02,340 --> 00:03:04,960 favorite of last month for me, sorry, my 82 00:03:04,960 --> 00:03:08,040 favorite taken by her last month, I'm talking 83 00:03:08,040 --> 00:03:12,080 about this image, and the truth is that 84 00:03:12,080 --> 00:03:13,280 I like it for many reasons. 85 00:03:13,520 --> 00:03:15,200 One of the first, and the first is 86 00:03:15,200 --> 00:03:18,360 personal, is because at that precise moment I 87 00:03:18,360 --> 00:03:20,860 was taking a photo for the couple. 88 00:03:21,420 --> 00:03:22,540 What does this mean? 89 00:03:22,640 --> 00:03:25,680 That I was in the car, okay? 90 00:03:26,200 --> 00:03:29,920 On one side of the car taking this 91 00:03:29,920 --> 00:03:30,340 photo. 92 00:03:30,660 --> 00:03:32,660 The grooms had asked me, look Victor, we 93 00:03:32,660 --> 00:03:35,040 want you to take a photo of us, 94 00:03:35,040 --> 00:03:37,720 please, with all the guests, just when we 95 00:03:37,720 --> 00:03:39,080 go out newlyweds, making a toast. 96 00:03:39,540 --> 00:03:40,580 I said, of course, right? 97 00:03:41,000 --> 00:03:42,360 But of course, I have already told you 98 00:03:42,360 --> 00:03:44,360 many times that we are a team, while 99 00:03:44,360 --> 00:03:46,580 one does something, the other does something else. 100 00:03:47,180 --> 00:03:49,600 If I was taking that photo for our 101 00:03:49,600 --> 00:03:51,780 clients, in which I got in, as I 102 00:03:51,780 --> 00:03:56,260 say, in the car, notice that that dark 103 00:03:56,260 --> 00:03:57,980 area that is seen in the image is 104 00:03:57,980 --> 00:03:59,720 my jacket, it is my back, that I 105 00:03:59,720 --> 00:04:01,640 was, as I say, up to a door 106 00:04:01,640 --> 00:04:05,040 to capture with the 20mm, all that, that 107 00:04:05,040 --> 00:04:06,600 is, I mean, all the guests with the 108 00:04:06,600 --> 00:04:06,980 newlyweds there. 109 00:04:07,320 --> 00:04:10,260 Erika looked for life and the only possibility 110 00:04:10,260 --> 00:04:12,760 she had, and she took advantage of it, 111 00:04:12,760 --> 00:04:16,620 was this one, in which she captured from 112 00:04:16,620 --> 00:04:20,000 behind the rear window of one of the 113 00:04:20,000 --> 00:04:23,000 rear windows of the car, the reflections it 114 00:04:23,000 --> 00:04:24,540 had from behind and what it had in 115 00:04:24,540 --> 00:04:27,960 front, and also perfectly framed the couple with 116 00:04:27,960 --> 00:04:31,660 the godfather of the wedding, just pouring the 117 00:04:31,660 --> 00:04:34,340 champagne, that is, it captured that precise moment 118 00:04:34,340 --> 00:04:37,780 and not only that, notice that there are 119 00:04:37,780 --> 00:04:41,040 also layers on the lower left side, we 120 00:04:41,040 --> 00:04:43,100 can see a lady who is the mother 121 00:04:43,100 --> 00:04:45,240 of the bride, although that does not matter 122 00:04:45,240 --> 00:04:47,680 so much, but a person that we have 123 00:04:47,680 --> 00:04:49,740 there, with which we are playing with perspective, 124 00:04:50,020 --> 00:04:52,200 with layers, with action, with moment, and the 125 00:04:52,200 --> 00:04:54,260 good thing is that it is an a 126 00:04:54,260 --> 00:04:58,160 priori image with a super simple reading and 127 00:04:58,160 --> 00:05:00,200 at the same time complicated, I mean, it 128 00:05:00,200 --> 00:05:03,000 sums everything up and has a fucking color, 129 00:05:03,700 --> 00:05:07,280 also, well, the light works well, the composition, 130 00:05:07,900 --> 00:05:13,480 the layers, the action, I mean, everything works 131 00:05:13,480 --> 00:05:15,040 fucking well, okay? 132 00:05:15,660 --> 00:05:18,080 Another action, there is another action, another photo 133 00:05:18,080 --> 00:05:19,180 with a lot of force, it is this, 134 00:05:19,400 --> 00:05:21,340 it is the moment of the departure also 135 00:05:21,340 --> 00:05:24,960 of the boyfriends and it seems that Erika's 136 00:05:24,960 --> 00:05:27,740 fucking mother was coming, I always, when I 137 00:05:27,740 --> 00:05:29,740 started, for example, to teach a little bit, 138 00:05:29,980 --> 00:05:32,060 that it is not necessary to teach Erika, 139 00:05:32,220 --> 00:05:35,100 I always told her, the moment you stand 140 00:05:35,100 --> 00:05:37,600 up at the exit, you command, that is, 141 00:05:37,780 --> 00:05:39,380 no one can beat you in the chair, 142 00:05:39,600 --> 00:05:42,180 no guest can beat you, that is, I 143 00:05:42,180 --> 00:05:45,320 mean, you have to be there, you plant 144 00:05:45,320 --> 00:05:49,000 yourself like a tree, and you have to 145 00:05:49,000 --> 00:05:50,920 have your legs prepared in case you have 146 00:05:50,920 --> 00:05:52,700 to move to the left, to the right, 147 00:05:53,260 --> 00:05:56,060 and shoot, always focus with the rear button, 148 00:05:56,500 --> 00:05:59,600 and until they don't eat you, until the 149 00:05:59,600 --> 00:06:01,440 couple almost throws you to the ground, you 150 00:06:01,440 --> 00:06:04,320 keep shooting until you capture something like this, 151 00:06:04,740 --> 00:06:07,840 and that's what, well, among other things, for 152 00:06:07,840 --> 00:06:10,460 what I like, and for the energy that 153 00:06:10,460 --> 00:06:12,260 is lived, that is, you can see all 154 00:06:12,260 --> 00:06:14,160 the guests there giving it all, and the 155 00:06:14,160 --> 00:06:16,600 couple that, look at both him and especially 156 00:06:16,600 --> 00:06:19,460 her, their faces say it all, it is 157 00:06:19,460 --> 00:06:22,220 pure action, pure energy, and it is what 158 00:06:22,220 --> 00:06:25,580 I wanted, or what I told Erika, not 159 00:06:25,580 --> 00:06:26,580 at that moment, it is what I have 160 00:06:26,580 --> 00:06:28,460 always told her that you have to capture 161 00:06:28,460 --> 00:06:31,360 the essence of the wedding, the essence of 162 00:06:31,360 --> 00:06:33,660 the people, and the force of the moment, 163 00:06:33,860 --> 00:06:34,400 and so it was. 164 00:06:35,180 --> 00:06:39,560 The last image, perhaps with less force, but 165 00:06:39,560 --> 00:06:42,160 with a very interesting visual attraction, and it 166 00:06:42,160 --> 00:06:42,560 is this one. 167 00:06:42,600 --> 00:06:43,200 Why do I like it? 168 00:06:43,660 --> 00:06:45,840 Because it is a repetition of circles, which 169 00:06:45,840 --> 00:06:47,620 I have already told you, I do not 170 00:06:47,620 --> 00:06:49,400 pay so much attention to the fact that 171 00:06:49,400 --> 00:06:52,260 they are the circles, the hats of the 172 00:06:52,260 --> 00:06:55,220 girls that can be read, and that there 173 00:06:55,220 --> 00:06:57,720 is the bride, but I always focus on 174 00:06:57,720 --> 00:07:00,860 the elements, on the geometric elements, on the 175 00:07:00,860 --> 00:07:02,700 elements that are repeated and that create a 176 00:07:02,700 --> 00:07:06,020 visual attraction, like that, circle, circle, circle, circle, 177 00:07:06,140 --> 00:07:09,060 circle, and it makes this image come out, 178 00:07:09,480 --> 00:07:11,800 and also, why do I like it? 179 00:07:12,080 --> 00:07:14,560 For that girl who raises that glass, oh 180 00:07:14,560 --> 00:07:17,340 sorry, that bottle of beer, that gives it 181 00:07:17,340 --> 00:07:19,800 that point, you can say, we are at 182 00:07:19,800 --> 00:07:21,460 a party, we are at something, we are 183 00:07:21,460 --> 00:07:24,680 at an event, something is celebrated, a wedding. 184 00:07:25,400 --> 00:07:27,380 That is why those four images that I 185 00:07:27,380 --> 00:07:29,480 have shown you now were my favorites, or 186 00:07:29,480 --> 00:07:33,580 have been my favorites, that Erika has taken 187 00:07:33,580 --> 00:07:34,940 in this last month. 188 00:07:35,360 --> 00:07:37,400 There may be more, there may be more, 189 00:07:37,460 --> 00:07:38,560 but they are the ones that we remember, 190 00:07:38,900 --> 00:07:40,720 because if I say that there may be 191 00:07:40,720 --> 00:07:42,020 more, it is because we still have to 192 00:07:42,020 --> 00:07:43,340 edit all the weddings that we have not 193 00:07:43,340 --> 00:07:46,440 done, and select them, but these were the 194 00:07:46,440 --> 00:07:49,040 ones that we immediately said, those photos are 195 00:07:49,040 --> 00:07:51,720 cool, they are powerful and can be interesting, 196 00:07:52,200 --> 00:07:54,020 and that is why these are the four 197 00:07:54,020 --> 00:07:56,320 that I wanted to transmit from Erika. 198 00:07:56,460 --> 00:07:57,720 Now come mine. 199 00:07:58,520 --> 00:08:00,200 Let's go for the first one, it can 200 00:08:00,200 --> 00:08:01,840 be said that it is my favorite, maybe, 201 00:08:02,700 --> 00:08:06,540 I am talking about this image, and why 202 00:08:06,540 --> 00:08:07,220 do I like it? 203 00:08:07,940 --> 00:08:13,460 First, because technically I think everything works, if 204 00:08:13,460 --> 00:08:16,680 we talk about, for example, composition, I think 205 00:08:16,680 --> 00:08:22,160 everything works perfectly, the guests, both on one 206 00:08:22,160 --> 00:08:25,840 side and the other, make them redirect the 207 00:08:25,840 --> 00:08:28,380 moment, or the action, or the look, sorry, 208 00:08:28,620 --> 00:08:31,700 towards the couple that is right in the 209 00:08:31,700 --> 00:08:32,000 center. 210 00:08:32,520 --> 00:08:35,480 Speaking of composition, that sun that is just 211 00:08:35,480 --> 00:08:38,820 down there, believe me, I worked a lot 212 00:08:38,820 --> 00:08:44,800 to make that while the couple was dancing, 213 00:08:45,320 --> 00:08:47,140 just at the end of the ceremony, I 214 00:08:47,140 --> 00:08:50,060 was there, I was worried that at the 215 00:08:50,060 --> 00:08:52,660 moment that all the guests were dancing, the 216 00:08:52,660 --> 00:08:53,320 sun would be captured in one of those 217 00:08:53,320 --> 00:08:59,120 gaps, for me that was fundamental, because the 218 00:08:59,120 --> 00:09:02,200 sun gave it the balance on the left 219 00:09:02,200 --> 00:09:07,700 side and also showed the viewer the moment 220 00:09:07,700 --> 00:09:09,040 of the day in which it was taken. 221 00:09:09,760 --> 00:09:26,020 I shit in the sea, fuck, yes, yes, 222 00:09:26,800 --> 00:09:40,630 come on, thank you, Victor Glass, Amazon, 223 00:09:40,630 --> 00:09:44,030 I shit my life, it's getting ready to 224 00:09:44,030 --> 00:09:46,710 record a video and the Amazon kicking the 225 00:09:46,710 --> 00:09:48,790 ass, but hey, where was I? 226 00:09:48,790 --> 00:09:50,730 I was talking about the image that I 227 00:09:50,730 --> 00:09:52,730 have already lost focus of the sun, the 228 00:09:52,730 --> 00:09:56,170 sun works perfectly and the sun gives us 229 00:09:56,170 --> 00:09:58,610 that connotation that we are in the moment 230 00:09:58,610 --> 00:10:00,090 of sunset, okay? 231 00:10:00,650 --> 00:10:04,050 Also, look how well that color contrast works, 232 00:10:04,750 --> 00:10:09,150 the sky above blue and below all golden, 233 00:10:09,190 --> 00:10:12,710 those little things, those little dots, make the 234 00:10:12,710 --> 00:10:19,030 viewer feel perfectly put inside the photo, it 235 00:10:19,030 --> 00:10:20,510 attracts him, that is, to the human eye, 236 00:10:21,190 --> 00:10:24,150 one of the things that attracts him the 237 00:10:24,150 --> 00:10:27,630 most is to see photos or see the 238 00:10:27,630 --> 00:10:29,090 sunset, it is at the end of the 239 00:10:29,090 --> 00:10:32,310 day, that is why when we show photographs 240 00:10:32,310 --> 00:10:34,770 on our social networks, for example, for the 241 00:10:34,770 --> 00:10:37,570 moment, for example, of the sunset, they are 242 00:10:37,570 --> 00:10:41,550 so visual and they are so grateful when 243 00:10:41,550 --> 00:10:45,530 people or the public or customers end up 244 00:10:45,530 --> 00:10:46,750 liking them, do you understand me? 245 00:10:46,750 --> 00:10:49,710 That is why this image worked and it 246 00:10:49,710 --> 00:10:51,850 also works, and something very very important is 247 00:10:51,850 --> 00:10:53,330 that because that hand that I am marking 248 00:10:53,330 --> 00:10:56,310 now does not touch the couple and the 249 00:10:56,310 --> 00:10:57,590 other hand that I have on the left 250 00:10:57,590 --> 00:10:59,290 does not touch the couple either. 251 00:10:59,670 --> 00:11:01,030 We are talking about how I have already 252 00:11:01,030 --> 00:11:04,950 told you, technically it works quite well and 253 00:11:04,950 --> 00:11:08,110 transmits a really powerful moment, it is also 254 00:11:08,110 --> 00:11:10,790 a real moment, it was not prepared as 255 00:11:10,790 --> 00:11:12,970 you can imagine and that is why I 256 00:11:12,970 --> 00:11:14,470 like it, it is one of those images 257 00:11:14,470 --> 00:11:17,310 that today is one of my favorites from 258 00:11:17,310 --> 00:11:18,110 last month, okay? 259 00:11:18,990 --> 00:11:21,090 Let's go for another image of the same 260 00:11:21,090 --> 00:11:22,570 wedding and it is the moment that the 261 00:11:22,570 --> 00:11:27,790 bride entered, she was alone for the altar, 262 00:11:27,970 --> 00:11:29,750 that is already a positive point for me 263 00:11:29,750 --> 00:11:30,710 because you say, she is no longer going 264 00:11:30,710 --> 00:11:32,530 with her father, she is going alone, with 265 00:11:32,530 --> 00:11:35,790 which it is an attraction or it is 266 00:11:35,790 --> 00:11:38,190 one more addition, the moment that raises the 267 00:11:38,190 --> 00:11:40,750 branch, the bride that reminds me of the 268 00:11:40,750 --> 00:11:43,030 Statue of Liberty, saying I am going for 269 00:11:43,030 --> 00:11:45,930 you, it has a point that sometimes does 270 00:11:45,930 --> 00:11:48,650 not finish convincing me that you need more 271 00:11:48,650 --> 00:11:50,730 than a second to read the whole image, 272 00:11:50,950 --> 00:11:52,650 it means that it does not have such 273 00:11:52,650 --> 00:11:54,710 an easy reading but I like it for 274 00:11:54,710 --> 00:11:57,170 the energy it transmits and for what it 275 00:11:57,170 --> 00:11:57,430 reaches. 276 00:11:58,010 --> 00:12:01,410 Another point and to draw negative points, although 277 00:12:01,410 --> 00:12:03,270 this video was to talk about positive points, 278 00:12:03,270 --> 00:12:04,710 but we are going to get into it 279 00:12:04,710 --> 00:12:10,270 too, the horizon cutting through the arm, sometimes 280 00:12:10,270 --> 00:12:12,510 I think it is a good image, sometimes 281 00:12:12,510 --> 00:12:14,390 I think it is an image, do you 282 00:12:14,390 --> 00:12:14,950 understand me? 283 00:12:15,090 --> 00:12:16,690 There I go, but I wanted to transmit 284 00:12:16,690 --> 00:12:18,190 it or I wanted to share it with 285 00:12:18,190 --> 00:12:22,710 you because I thought it could be interesting. 286 00:12:23,290 --> 00:12:25,430 This past Friday, the truth is that we 287 00:12:25,430 --> 00:12:27,950 had a wedding and in one of those 288 00:12:27,950 --> 00:12:30,890 I was working there very close to the 289 00:12:30,890 --> 00:12:35,830 bride with what was the makeup and the 290 00:12:35,830 --> 00:12:39,010 makeup artist approached and first put a few 291 00:12:39,010 --> 00:12:41,470 drops in her eye and I quickly understood 292 00:12:41,470 --> 00:12:43,190 that the next eye was also going to 293 00:12:43,190 --> 00:12:45,210 drop a few drops, so I got as 294 00:12:45,210 --> 00:12:48,230 close as possible and I took this image. 295 00:12:49,310 --> 00:12:52,050 I don't know today if it seems interesting 296 00:12:52,050 --> 00:12:55,170 to you or not, but it seems really 297 00:12:55,170 --> 00:12:58,190 attractive to me, curious and shocking to see 298 00:12:58,190 --> 00:13:00,150 that drop at the precise moment that is 299 00:13:00,150 --> 00:13:02,390 about to fall on the eye. 300 00:13:02,710 --> 00:13:05,350 So this was one of the images that 301 00:13:05,350 --> 00:13:07,930 I also wanted to share with you and 302 00:13:07,930 --> 00:13:10,850 that I thought was really, I don't know 303 00:13:10,850 --> 00:13:13,550 if very, very good, but at least interesting 304 00:13:13,550 --> 00:13:15,630 and visually attractive. 305 00:13:15,950 --> 00:13:17,810 And now we are going to go for 306 00:13:17,810 --> 00:13:20,030 the last image, I am talking about this 307 00:13:20,030 --> 00:13:25,910 photograph in which I have a multitude of 308 00:13:25,910 --> 00:13:28,030 images from the outset, but this moment in 309 00:13:28,030 --> 00:13:31,790 which we see that hand, you know, it 310 00:13:31,790 --> 00:13:33,850 seems super attractive to me, the one that 311 00:13:33,850 --> 00:13:36,750 curiously may seem like a mistake that we 312 00:13:36,750 --> 00:13:40,430 do not see the face of the couple 313 00:13:40,430 --> 00:13:43,610 kissing with the confetti, with the rice, with 314 00:13:43,610 --> 00:13:46,690 the flowers falling, but that's why I like 315 00:13:46,690 --> 00:13:48,250 it and what I believe is that when 316 00:13:48,250 --> 00:13:49,910 I took a look at it the other 317 00:13:49,910 --> 00:13:51,850 day for the gallery, when I was selecting 318 00:13:51,850 --> 00:13:54,230 to see that all the photos were downloaded 319 00:13:54,230 --> 00:13:57,210 correctly, I went to see it and I 320 00:13:57,210 --> 00:14:01,730 think that sometimes when an image is good, 321 00:14:02,110 --> 00:14:04,150 it clearly stands out from the rest. 322 00:14:04,690 --> 00:14:06,910 And in fact, when Erika, I showed her 323 00:14:06,910 --> 00:14:09,150 a little bit of my favorites, she did 324 00:14:09,150 --> 00:14:11,610 like this and said, wow, that's cool, right? 325 00:14:11,990 --> 00:14:14,990 And then, after a while or a few 326 00:14:14,990 --> 00:14:18,150 minutes, when she saw it again, what she 327 00:14:18,150 --> 00:14:22,050 told me, the more times I see this 328 00:14:22,050 --> 00:14:24,890 photo, the more attractive it seems to me. 329 00:14:24,890 --> 00:14:26,110 In other words, as I have told you, 330 00:14:26,190 --> 00:14:29,110 there are a multitude of images from the 331 00:14:29,110 --> 00:14:31,530 outset, but that moment in which there is 332 00:14:31,530 --> 00:14:35,230 that hand of the boyfriend holding the girlfriend 333 00:14:35,230 --> 00:14:38,290 from behind, that everything is understood perfectly, but 334 00:14:38,290 --> 00:14:39,510 at the same time it is not understood, 335 00:14:39,590 --> 00:14:41,850 I mean, the obvious is joined with the 336 00:14:41,850 --> 00:14:44,550 obvious and everyone understands that it is the 337 00:14:44,550 --> 00:14:46,110 outset, but not in an obvious way, that 338 00:14:46,110 --> 00:14:48,570 type of images, you already know that I 339 00:14:48,570 --> 00:14:51,650 usually like them a lot, so these four 340 00:14:51,650 --> 00:14:54,590 were those photos that I liked, you see 341 00:14:54,590 --> 00:14:56,770 that from Erika's I have thrown flowers and 342 00:14:56,770 --> 00:14:58,050 in some of mine I have thrown a 343 00:14:58,050 --> 00:15:00,550 little bit of a little bit of pepper, 344 00:15:00,730 --> 00:15:00,830 right? 345 00:15:00,870 --> 00:15:04,230 Because, well, I am a person sometimes a 346 00:15:04,230 --> 00:15:07,350 little tormented with my work and always a 347 00:15:07,350 --> 00:15:10,470 little, well, I demand more than I should, 348 00:15:10,590 --> 00:15:11,390 maybe sometimes, right? 349 00:15:11,710 --> 00:15:14,070 But hey, that's all friends, those were Erika's 350 00:15:14,070 --> 00:15:21,090 four images, let's take a quick look at 351 00:15:21,090 --> 00:15:28,930 this one, this one, this one, and this 352 00:15:28,930 --> 00:15:31,230 one, those four of Erika, and let's go 353 00:15:31,230 --> 00:15:37,830 for mine, this one, this one, another one, 354 00:15:38,430 --> 00:15:40,310 and the last one. 355 00:15:40,970 --> 00:15:44,890 So nothing else friends, today's video was this 356 00:15:44,890 --> 00:15:48,770 one, so I hope you liked it, I 357 00:15:48,770 --> 00:15:51,290 assure you that this month of August I 358 00:15:51,290 --> 00:15:53,870 will try to overcome those four previous ones, 359 00:15:53,990 --> 00:15:55,830 at least me, and I hope Erika too. 360 00:15:56,230 --> 00:15:58,630 So nothing else friends, be good, behave well, 361 00:15:59,370 --> 00:16:01,810 and keep hiring weddings, cabrones! 362 00:16:02,590 --> 00:16:03,430 Until next time! 26297

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