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Hello, hello!
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How are you?
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How are things going?
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Are you ready for the next video?
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Don't worry, I haven't gone crazy, but almost.
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In today's video, and it's worth the redundancy,
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I would like to share with you one
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of the experiences, or the last experience we
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had with Erika, photographing one of our last
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weddings, specifically the last wedding we photographed in
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Barcelona, which was last weekend.
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I would like to do a little analysis
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of the whole wedding, I would like to
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show you some of the best images, I
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would like to stop in some of those
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points that I think are important, I would
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like to give you some advice, or simply
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on the march, you will hear them, and
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I think this video can be interesting because
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some of the things I'm going to tell
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you, many of you will feel reflected and
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you will connect with some of the things
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that I'm going to share with you.
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So, what I'm going to do, so as
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not to entertain myself more, is to go
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a little, analyzing or summarizing a little how
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the wedding was and what things we did,
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and you're going to see how I'm going
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to move forward.
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First of all, I have to say that
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it was a wedding of a couple, really,
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which, from here, I don't think they see
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me, but I want to thank them, because
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they were brave to get married in these
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times when everything is still a little uncertain.
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In fact, it was the couple who hired
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antigens for all their guests, so that they
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could celebrate a wedding with guarantees, or with
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more guarantees than there are at the moment.
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We must also thank them for hiring us
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and for giving us the opportunity to work
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and, after all, to let us work many
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times as we like to work.
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It is also true that there were times
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when it was quite difficult for us, but
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it is also true that you have to
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understand a young couple who get married for
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the first time and that sometimes the nerves
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accumulate and everything goes very fast, but I
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think that is part of all weddings and
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I'm sure many of you already know what
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I'm talking about.
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So we had that incredible couple from Barcelona
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and, like all weddings, the day before we
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wanted to take a look at the church
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and the hacienda where they were going to
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celebrate the wedding.
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Although, as I say, we had several meetings
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with the grooms and the grooms told us
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that the church was very beautiful, they also
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told us that there was a second floor
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where we could go up because they already
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knew us by our style and they knew
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that type of photos that we like, and
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they also told us that the farm was
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very beautiful and that we should visit it
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and meet the organizer of the farm and
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all this.
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So we went there on Friday to take
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a look and luckily we went because, although
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the farm was correct, we could say that
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sometimes it was a little humble, a little
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basic and why not say it?
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For us it was not that favorite farm.
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Why?
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Because it did not have those creative resources
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that we, photographic resources, sorry, that we usually
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like.
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I'm talking about, you know, places where there
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are clean backgrounds, where the light shines in
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an incredible way, where we can develop those
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little things or those photographic elements that we
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like so much.
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But weddings are like that, we had to
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adapt, of course.
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So on Friday we saw that the farm
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was not to our liking, even though we
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analyzed a little all the nearby areas, I
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mean, to see if there was something nearby,
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I mean, a few meters away, where there
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was, for example, an old abandoned house, an
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abandoned wall, something interesting to be able to
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photograph near the farm.
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Because, although the groom had told us with
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all the love in the world that next
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to the farm there was a very interesting
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vineyard, the truth is that, when the groom
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said that there was an incredible vineyard, I
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thought, or I imagined, that the vineyard was
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the typical one, like the vineyards of, for
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example, California, which are on a hill, which
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are lost on the horizon at sunset.
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Yes, like that, I have that imagination.
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Well, no, the vineyard was this one, so
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you see that things were not as I
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had imagined and that is why it is
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so important that on Friday, well, we took
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a look at everything, so we quickly saw
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or understood with Erika that that farm was
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not going to photographically facilitate the things of
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being able to easily create an incredible photograph,
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so we were going to have to work
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hard and use creative resources, now yes, creative
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resources that we have been acquiring over the
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years, I mean, the experience of a photographer
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gives him to have that sufficient baggage to
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be able to create images in places that
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do not accommodate their interests or tastes, I
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mean, although we like to play with master
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lines, with hard lights, if we do not
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have them, we have to know that we
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can play with other resources such as a
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flash, in fact, in this case it was
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that, because the farm did not attract me,
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you understand me, so vineyards either, so I
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had to create an atmosphere, I had to
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create a underworld in my head or abstract
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myself from all that and create this, that
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is, create an image that, as you are
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seeing, well, you don't see a vineyard, you
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don't see the farm, but I like it
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and it is the most important thing, I
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also think that the couple will also like
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it, or I hope so, but you see
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a little of what it is about, if
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that does not work for me, I will
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find another formula to get ahead and it
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is not my style to play with flashes,
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but I know how to use them perfectly
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and I can get ahead, you understand me,
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that's why I think that 1.
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Expectations, 2.
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Independently, whether you like to use the flash
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or not, I think it is very good
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that you know how to use it because
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you never know what is going to happen,
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in situations like this, you see that it
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helped a lot, and 3.
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You have to learn from all this type
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of experiences so that they don't make you
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come down, you understand me, that is, the
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expectation usually leads if it is not conducted
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well that you come down and all that
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you have to master it enough, okay?
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Something similar happened in the church, in principle,
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we could not see it from the inside,
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but from the outside we checked it a
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little, we checked all the streets and the
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thing is that there was nothing interesting, there
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was nothing that we liked, so everything was
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on standby and the day before at night,
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having dinner with Erika, I told her, Erika,
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at today's wedding, at tomorrow's wedding, things may
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not be as easy as they seemed to
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be, because we are going to have to
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get oil from where there is not, and
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Erika told me, well, like so many times,
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how many times have we had an incredible
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couple or a good couple, but the farm
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has not accompanied and the church has not
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accompanied either, but what have we delved into?
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I say, yes, of course, in couples, in
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people, in the moment that everything that surrounds
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the couple does not end up being as
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beautiful as we would like it to be,
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we have to delve into the couple, in
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what?
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In feelings, it is what is going to
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be differentiated for example by weddings, because at
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the end of the day we all get
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married in the same places, what is different
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or what makes a wedding different from another
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is that, it is always the couple, what
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we capture from her, those real moments are
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the ones that are going to be totally
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different and in those real moments were what
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we were going to focus on or what
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we planned on Friday, to say, okay, let's
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focus on them, they are going to show
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us who they are and who is their
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wedding and how they are going to prepare
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or organize them, so that's how it was.
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The first mission was to always capture real
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moments, for us the fundamental thing was to
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capture feelings, that is something that Nika and
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I know at all times and the truth
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is that although there were not as many
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personal moments as we would have liked, but
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we were working, we were doing little things
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and the truth is that we are happy
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with some of the photos captured, especially the
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photos that we capture, for example, of the
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groom and at his house, because in fact
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there were also things that, although I have
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a lot of affection for the groom, at
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that moment it was to kill him.
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Why do I say this?
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Because look what we warn you, hey Joan,
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until Erika arrives, don't be dressed, don't dress
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up, no, no, no, calm down, Erika arrived
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and she was dressed, completely.
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What happened?
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That Erika continued working, of course, at first
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you say, fuck man, look what we warn
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you, but you say, you can't do anything,
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you're going to get angry, it's the worst
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thing you can do, not only for the
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couple, but also for you, and Erika started
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working and for me her gallery of what
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is the getting ready of the groom, for
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my taste, is much better than my own
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gallery, because in my case it was not
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easy either, in my case it was not
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easy, it was not difficult either, but it
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was not the typical house that I love,
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but why do I say this?
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Because there were too many elements, on the
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floor there were sometimes some little things, and
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well, and the make-up artist, I think
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she was a little slow, I hope the
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bride doesn't hear me, she was a little
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slow and she didn't leave me as much
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time as I would have liked to have,
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I mean, everything was getting complicated and the
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place where the bride ended up dressing was
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a room not very big, in which she
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dressed between the window and the bed that
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was 0.70 cm or a maximum meter,
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so it was like quite complicated for me
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to do a job that for my taste
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seemed exquisite to me, obviously I worked everything
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I could at all times, but these were
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some of the photos that I have been
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showing you.
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I have been talking about feelings all the
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time and Erika, I think she did her
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job, but for my taste yes, I also
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did my job, be careful, but like her,
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in the cocktail she told me, look Victor
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I have these photos, I think they are
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well captured boom boom boom, I mean, her
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part of the boyfriend with his family she
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had it very well, covered, however I, with
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the bride, had it in half, why do
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I say this?
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because I knew that behind the bride was
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hiding a beautiful story, or depending on how
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you say it, sad maybe, or beautiful, in
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which the bride lost her mother and with
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which I imagined that there could be a
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special bond with her father, I mean the
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bride with her father, right?
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and my job, among many others was to
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try to capture those feelings between the father
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or that connection, sorry, between the father and
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his daughter the story is that I think
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the bride was a little nervous and that
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prevented the best that from the first moment
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to exteriorize, but both her and him but
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my job was to be there close, close,
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there were moments that she lacked very little
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to get excited, for example I remember perfectly
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in what was the car, for example, on
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the way to the church and such, but
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they did not finish letting go, in the
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cocktail there were also moments, but neither this
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and they had already danced, for example the
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boyfriends, and I told her Erika, girl, I
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mean I still don't have a hug between
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the father and the bride and Erika tells
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me, well, let's stay a little longer and
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I say, yes, let's see if with a
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little alcohol people get a little more and
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we have that luck that suddenly the father
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dances with the bride and there is a
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little more connection, father and daughter and as
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it was, in fact, we stayed an hour
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and a half more just waiting for something
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to happen and finally it happened finally the
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father and the daughter danced, there was a
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hug there was a connection, there were those
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sharp looks, that's what we were looking for
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at all times, or what I thought that
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my reportage was great.
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After all, as I told you a few
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minutes ago all weddings are the same it
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is obvious that a very beautiful farm or
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an incredible farm can help us, an amazing
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church can help us but what matters is
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the couple although we were lucky and in
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the part in the second floor of the
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church we could make a portrait after the
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ceremony, a beautiful portrait that I like but
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what I really like are the moments those
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are what that couple is going to take
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forever from us and it is what they
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are going to make unique, because beautiful photos
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everyone is going to have them, but unique
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moments not everyone is going to have them
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and that was one of the points that
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I also wanted to share with all of
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you and especially what I wanted to share
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or in summary of all this was 1.
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Expectations, 0 always friends, that is, do not
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come up with things that maybe you have
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to see them the day before to be
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prepared 2.
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Respect I can tell you that the farm
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was not to my liking that the bride's
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house sometimes there were things on the floor
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or it was complicated because there were things
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everywhere that is, paintings, elements and such but
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we have to respect them we are working,
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it is our job like so many other
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weddings, friends and that they get excited, that
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they do not get excited that they do
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the wedding that we would have wanted or
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that we would have done so it is
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their wedding and we are their photographers respect
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before everything and 3 and last and I
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finish with everything, feelings real moments, it is
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what is going to make us unique who
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tells us that a posada is not going
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to be fashionable a real moment, no and
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calm, patience if the photos do not arrive,
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you have to fight for them and maybe
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at this wedding they would not have arrived,
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they arrived but they will arrive if not
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for the next you understand me?
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and everything comes from the evil of expectations
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but hey, that's another story this is what
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I wanted to share with you surely I
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have left something but I hope you liked
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it sure many of you you have felt
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connected with some of the things I have
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said and that's what it's about so you
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can see that we also sometimes we visit
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places that make us give for the best
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of us and give an over-effort for
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reach the height that we have promised to
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the couple and to our clients that we
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will continue to give them for their wedding
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day I hope you liked it be good
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and keep hiring weddings
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