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Hello friends, how are you?
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How are things going?
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I hope everything goes as best as possible
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and welcome again to one more video.
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As always, I want to thank everyone for
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being there, for your support and everyone who
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is trusting in us and ends up signing
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up on this platform called Patreon.
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Ok, we are going to talk today about
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an off-camera, about a pre-wedding session
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that we carry out with one of our
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partners that we are going to photograph this
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year, at the end of July.
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We hope that the wedding can be done
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because there are recent changes from last minute
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with other couples, but this couple is convinced
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that they are going to get married in
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the last week of July.
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So we made a pre-wedding report just
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two weeks ago and I would like to
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share with you how we made some of
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the best images of that session.
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So, as always, with the off-cameras we
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are going to create a couple of videos,
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one first, which is this video, and a
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second that you will see in a very
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short time.
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The images that I have selected for today
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are really, well, I think, it is not
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right for me to say it, they are
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really interesting or at least I like them
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because mainly, sorry, it is not what I
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have been doing lately because at the moment
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I am not suffering a crisis but I
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begin to think that the formula for taking
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portraits began to be a bit repetitive and
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the truth is that there are many colleagues
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who begin to do something similar and therefore
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already at the moment that this happens, you
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have to take a step forward and try
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a little bit to improve or give it
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a more personal touch and something more different.
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So I won't entertain myself anymore and we're
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going to start talking about the first image.
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It was almost practically one of the first
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photos I took, I'm talking about this image
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and well, first of all, I would like
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to start by telling you a little bit
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about what attracted me to this location and
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why I chose it, that is, the spot,
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I mean, what I wanted to show you
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for that is the RAW, that is, the
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original file so that you understand even better
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and I would like you to see how
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my head understood how all the lines were
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formed, for example, both the two triangles above
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that we have right there but also for
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me the most important thing was that the
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couple was right in the center respecting that
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shadow that I am marking now, you see
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that shadow for me as if they were
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master lines that although they were not lines
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of the building they were in the light
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I mean in the shadow in this case
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with which the couple had to be perfectly
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embedded in that part and later well that's
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when I started to play with them, surprise
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of the good ones at the moment that
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I told them, hey, just yasmina, I want
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your back to lean right on his chest
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and it was to ask him that and
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say, fuck, they are working perfectly, you know
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that there are couples that sometimes there is
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no way that they look good and there
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are others that you don't know why you
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tell them to get together and fuck the
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photo is done of course at the moment
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that I already had this good image that
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I already told them that the thing is
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that they get together not that they get
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together and that they start to look a
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little that they caressed each other that there
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was complicity that above all they laughed that
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jokes were told, that is to say, I
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immediately saw that the couple was a couple
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with a lot of energy with a lot
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of empathy and also the two of them
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were perfectly connected, not with which and what
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I did, that is, instead of throwing or
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instead of ending in the location that I
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was working with a shot in quotes a
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bit of a distant cold because as you
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can see the distance between them and me
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is still very large but remember that it
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was the first photo that we took with
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which I always keep those small distances but
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when I understood that the camera worked so
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well quickly I thought no I have to
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go forward and I got closer you see
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that well to me this image although it
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is classic although it seems simple that I
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think it is super beautiful and the black
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and white sits in this brutal image and
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above all not if I like something about
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this image is how jasmine's hair moves, it
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is worth how diego is perfectly fitted in
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what would be jasmine's body and notice how
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well that jasmine's hand works, you see that
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at the moment that we are, for example,
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posing couples in such basic elements as putting
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a hand and I no longer say that,
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that is, that the hand, for example, ends
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here, but simply that it is supported, that
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is, that the hand is supported on the
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chest of the other, that is, for example,
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diego in this case makes the connection work
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very well and we add those elements such
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as the hands that you already know that
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I like them so much, so this was
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the second image of course when I was
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there when we were so close I already
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understood that the couple was not afraid at
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all to what was a camera of photos
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with which I already thought ok today we
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are going to change the registry today I
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am going to make completely close shots these
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guys are super active super positive whatever I
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tell them but they are going to do
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it so let's go for it no and
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then I thought it could be interesting not
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to start getting closer more and more to
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give a touch the most personal and at
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the same time as crazy as possible it
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is not like that next to where we
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were there was a set of columns like
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the ones you are seeing now in the
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video in which I found it interesting to
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ask them to place Diego in a position
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in which he would only show me part
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of his face and then what I asked
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him, for example, to look at me, you
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know that I don't usually like it or
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it doesn't go with me at all in
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which the couples who look at me on
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camera, except when people have an incredible look,
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they are very beautiful, well, not beautiful, they
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just have an incredible look and for me
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jasmine had some very interesting eyes and that
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was the reason why I told her to
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look at me when I had this image
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I thought it was fine but I noticed
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that something else was missing so then I
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supported myself from what was just the column
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that you are seeing is that there is
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a distance more or less or the columns
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are a few centimeters because I told both
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jasmine to stand right here looking at me
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and diego here looking at me and what
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I was worried about making a super closed
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portrait you see that if I asked for
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this if I made a portrait so closed
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it was because their two faces are understood
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to be part of the beauty canons that
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we currently have in 2021 with which that
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was the reason why I closed the plane
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so much and also by converting it to
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black and white that depends on that it
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was to try to hide as much as
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possible this pillar that was just or this
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column that was right in the center because
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in color the column gained a blue touch
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and did not finish working and it was
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too noticeable that it was a column and
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it did not work that is why in
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black and white as I tell you I
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was going to fucking mother I already felt
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that the couple was I had won it
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was in my pocket completely not so then
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I told them ok now that what you
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are going to do is that you are
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going to place each other face to face
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and my intention was with the tilts and
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it is worth getting as close as possible
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to what their mouths were, for example, and
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what I told them then that they would
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start to try to try to kiss but
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not getting to kiss, that is, simply because
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touching, for example, what they were lips and
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at the same time that, for example, I
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started to say nonsense like I want you
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to breathe but I want you to breathe
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one on top of the other I want
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you to look into each other's eyes until
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you cross your eyes and say I started
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to say nonsense well I don't know nonsense
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but to try a little to drag them
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for me and create that connection that environment
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of such a good roll and that they
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started, for example, to laugh, I assure you
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that possibly many images may shoot, I can
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assure you that they fell like a few
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until in the end I stayed with this
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one and it was the one that I
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really liked, you see that if we already
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stopped a little, there would be a little
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because selecting or joining, that is, we could
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say that the starting point was this one,
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then I got closer, I found out what
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the couple was like and I already changed
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to a record like this image and then
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like this image with which you see that
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from a distance I have been getting closer
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to making only lips be seen and there
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is something really interesting, well, as I had
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told you, the couple was really crazy there
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and well and it seemed interesting to me
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to continue playing with them, do you remember
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that recently I showed you a photographer named
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Kenran who was a boy from Russia, do
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you remember that I showed you one of
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those videos one of his videos in which
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he played with one of the models and
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asked him to move his hair like that?
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Well, the idea of this image comes from
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there, we had already taken some photos and
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I already had, as I tell you, the
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hot couple and that is when we found
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this location and I thought it could be
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a bit interesting for him to ask Yasmina
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to come forward and ask Diego to go
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back.
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The idea was that if in the previous
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images he had taken images with a very
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closed plane in which he had only captured
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faces or lips, now he wanted or wanted
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something different, not to get a more visual
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language and that not all the photos were
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the same, you understand me?
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So then I already had Yasmina right in
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front of me, I had Diego right in
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front of me, the glass of the building,
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the same glass, made it look in a
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certain way as you are seeing the reflection,
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you see that it is super important that
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when you arrive, for example, to the places
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that you are going to photograph, do not
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think that you have to shoot, for example,
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a postcard, but think, okay, this is the
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building, okay, well, there I have an interesting
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corner, there I have another and always think,
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okay, well, if there is, for example, a
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glass, there may be a reflection, I am
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going to hit the camera as hard as
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I can to see what happens and I
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have this, okay?
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You see that they are formulas that are
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repeated or they are patterns that are repeated
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in many reports and that helps you to
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always find new images, right?
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When I had both Yasmina and Diego there,
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I just shot.
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I already tell you that I asked Yasmina,
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for example, to do it several times.
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At the beginning I didn't give her much
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strength, but I already told her, I want
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you to scream, I want you to scream
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like that, right?
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And in the end, so much screaming, you
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see this image in which you can see
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his face perfectly and you see Diego, that
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Diego, so that it does not seem like
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something like that, like inert, that he was
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with a stick, what I told him to
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do was simply to support his, that is,
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the back of his head and that he
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tried to create like a straight angle like
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that, why?
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To create movement, so that it was not
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so static, since she was moving, well, Diego
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right on the other side and I thought
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that could seem interesting and in fact it
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was one of the images that also calls
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me the attention of the report, for that,
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for the energy it transmits and for the
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good vibes, right?
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And finally I would like to stop in
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the last image of all, in which I
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want to talk today, I am talking about
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this image, in which, well, simply what I
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was thinking or what I did was to
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keep playing with them at all times.
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This image I must say that I took
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it almost at the end, almost of the
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session and the session I started it very
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well, with a lot of energy, with very
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good ideas, but the last part, in the
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last 30 minutes, I assure you that I
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did not have such fresh ideas, with which
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I had to throw resources.
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What is one of the resources that I
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usually use when I have no ideas?
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That they play, for example, between them.
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How do they play?
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Well, if she had, for example, a hat,
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say okay, well now you put it on
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him, now you take it off, now you
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hold it to her, now you tickle her,
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I explained all this to them and I
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told them what I needed.
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And I already knew that in one of
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those, in one of those photos, or in
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one of those moments, surely a good image
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would flow.
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So, I sat down here and started shooting.
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I assure you that I put a little
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flash at 45 degrees of the couple because
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I wanted to raise everything a little bit,
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because the light, to my liking, was too
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flat and with a very, very soft touch,
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with a touch of flash, to get to
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have something more, more strength.
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And as you can see, well, it doesn't
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stop shooting, I think it would shoot almost
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sure that, well, a hundred images at least,
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until finally, clonk, I kept this one and
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it was the one you are seeing now.
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So nothing else, friends, I hope you liked
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it and see you very soon with the
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second part.
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Be good and see you next time.
24173
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