All language subtitles for Episode 55º Patreon Off Camera Yasmina Diego (Part 1)

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These are the user uploaded subtitles that are being translated: 1 00:00:00,270 --> 00:00:01,150 Hello friends, how are you? 2 00:00:01,310 --> 00:00:01,990 How are things going? 3 00:00:02,690 --> 00:00:04,030 I hope everything goes as best as possible 4 00:00:04,030 --> 00:00:05,670 and welcome again to one more video. 5 00:00:06,070 --> 00:00:09,210 As always, I want to thank everyone for 6 00:00:09,210 --> 00:00:11,190 being there, for your support and everyone who 7 00:00:11,190 --> 00:00:13,610 is trusting in us and ends up signing 8 00:00:13,610 --> 00:00:16,310 up on this platform called Patreon. 9 00:00:16,690 --> 00:00:19,370 Ok, we are going to talk today about 10 00:00:19,370 --> 00:00:22,010 an off-camera, about a pre-wedding session 11 00:00:22,010 --> 00:00:23,730 that we carry out with one of our 12 00:00:23,730 --> 00:00:25,430 partners that we are going to photograph this 13 00:00:25,430 --> 00:00:26,630 year, at the end of July. 14 00:00:27,170 --> 00:00:29,310 We hope that the wedding can be done 15 00:00:29,310 --> 00:00:32,310 because there are recent changes from last minute 16 00:00:32,310 --> 00:00:35,130 with other couples, but this couple is convinced 17 00:00:35,130 --> 00:00:36,390 that they are going to get married in 18 00:00:36,390 --> 00:00:37,630 the last week of July. 19 00:00:37,810 --> 00:00:40,370 So we made a pre-wedding report just 20 00:00:40,370 --> 00:00:43,110 two weeks ago and I would like to 21 00:00:43,110 --> 00:00:46,690 share with you how we made some of 22 00:00:46,690 --> 00:00:50,210 the best images of that session. 23 00:00:50,290 --> 00:00:52,990 So, as always, with the off-cameras we 24 00:00:52,990 --> 00:00:54,350 are going to create a couple of videos, 25 00:00:56,090 --> 00:00:58,030 one first, which is this video, and a 26 00:00:58,030 --> 00:01:00,110 second that you will see in a very 27 00:01:00,110 --> 00:01:00,750 short time. 28 00:01:01,890 --> 00:01:04,030 The images that I have selected for today 29 00:01:04,030 --> 00:01:06,450 are really, well, I think, it is not 30 00:01:06,450 --> 00:01:07,890 right for me to say it, they are 31 00:01:07,890 --> 00:01:10,710 really interesting or at least I like them 32 00:01:10,710 --> 00:01:16,230 because mainly, sorry, it is not what I 33 00:01:16,230 --> 00:01:19,770 have been doing lately because at the moment 34 00:01:19,770 --> 00:01:23,890 I am not suffering a crisis but I 35 00:01:23,890 --> 00:01:26,690 begin to think that the formula for taking 36 00:01:26,690 --> 00:01:30,630 portraits began to be a bit repetitive and 37 00:01:30,630 --> 00:01:32,770 the truth is that there are many colleagues 38 00:01:32,770 --> 00:01:35,510 who begin to do something similar and therefore 39 00:01:35,510 --> 00:01:38,430 already at the moment that this happens, you 40 00:01:38,430 --> 00:01:42,250 have to take a step forward and try 41 00:01:42,250 --> 00:01:44,310 a little bit to improve or give it 42 00:01:44,310 --> 00:01:47,310 a more personal touch and something more different. 43 00:01:47,930 --> 00:01:49,950 So I won't entertain myself anymore and we're 44 00:01:49,950 --> 00:01:51,490 going to start talking about the first image. 45 00:01:51,770 --> 00:01:54,390 It was almost practically one of the first 46 00:01:54,390 --> 00:01:56,790 photos I took, I'm talking about this image 47 00:01:56,790 --> 00:02:00,770 and well, first of all, I would like 48 00:02:00,770 --> 00:02:02,470 to start by telling you a little bit 49 00:02:02,470 --> 00:02:11,230 about what attracted me to this location and 50 00:02:11,230 --> 00:02:13,330 why I chose it, that is, the spot, 51 00:02:13,470 --> 00:02:16,050 I mean, what I wanted to show you 52 00:02:16,050 --> 00:02:18,750 for that is the RAW, that is, the 53 00:02:18,750 --> 00:02:20,810 original file so that you understand even better 54 00:02:20,810 --> 00:02:23,090 and I would like you to see how 55 00:02:23,090 --> 00:02:26,910 my head understood how all the lines were 56 00:02:26,910 --> 00:02:28,710 formed, for example, both the two triangles above 57 00:02:28,710 --> 00:02:31,290 that we have right there but also for 58 00:02:31,290 --> 00:02:33,730 me the most important thing was that the 59 00:02:33,730 --> 00:02:39,370 couple was right in the center respecting that 60 00:02:39,370 --> 00:02:41,790 shadow that I am marking now, you see 61 00:02:41,790 --> 00:02:45,570 that shadow for me as if they were 62 00:02:45,570 --> 00:02:48,610 master lines that although they were not lines 63 00:02:48,610 --> 00:02:50,550 of the building they were in the light 64 00:02:50,550 --> 00:02:52,110 I mean in the shadow in this case 65 00:02:52,110 --> 00:02:54,850 with which the couple had to be perfectly 66 00:02:54,850 --> 00:03:00,150 embedded in that part and later well that's 67 00:03:00,150 --> 00:03:04,950 when I started to play with them, surprise 68 00:03:04,950 --> 00:03:06,990 of the good ones at the moment that 69 00:03:06,990 --> 00:03:10,310 I told them, hey, just yasmina, I want 70 00:03:10,310 --> 00:03:13,030 your back to lean right on his chest 71 00:03:13,830 --> 00:03:15,790 and it was to ask him that and 72 00:03:15,790 --> 00:03:20,390 say, fuck, they are working perfectly, you know 73 00:03:20,390 --> 00:03:22,590 that there are couples that sometimes there is 74 00:03:22,590 --> 00:03:25,070 no way that they look good and there 75 00:03:25,070 --> 00:03:26,650 are others that you don't know why you 76 00:03:26,650 --> 00:03:28,850 tell them to get together and fuck the 77 00:03:28,850 --> 00:03:30,750 photo is done of course at the moment 78 00:03:30,750 --> 00:03:33,110 that I already had this good image that 79 00:03:33,110 --> 00:03:35,910 I already told them that the thing is 80 00:03:35,910 --> 00:03:37,990 that they get together not that they get 81 00:03:37,990 --> 00:03:39,570 together and that they start to look a 82 00:03:39,570 --> 00:03:41,530 little that they caressed each other that there 83 00:03:41,530 --> 00:03:45,030 was complicity that above all they laughed that 84 00:03:45,030 --> 00:03:46,950 jokes were told, that is to say, I 85 00:03:46,950 --> 00:03:49,110 immediately saw that the couple was a couple 86 00:03:49,110 --> 00:03:51,330 with a lot of energy with a lot 87 00:03:51,330 --> 00:03:53,790 of empathy and also the two of them 88 00:03:53,790 --> 00:03:57,290 were perfectly connected, not with which and what 89 00:03:57,290 --> 00:03:59,490 I did, that is, instead of throwing or 90 00:03:59,490 --> 00:04:01,710 instead of ending in the location that I 91 00:04:01,710 --> 00:04:06,390 was working with a shot in quotes a 92 00:04:06,390 --> 00:04:09,690 bit of a distant cold because as you 93 00:04:09,690 --> 00:04:13,430 can see the distance between them and me 94 00:04:13,430 --> 00:04:17,450 is still very large but remember that it 95 00:04:17,450 --> 00:04:18,990 was the first photo that we took with 96 00:04:18,990 --> 00:04:21,810 which I always keep those small distances but 97 00:04:21,810 --> 00:04:23,910 when I understood that the camera worked so 98 00:04:23,910 --> 00:04:26,630 well quickly I thought no I have to 99 00:04:26,630 --> 00:04:30,170 go forward and I got closer you see 100 00:04:30,170 --> 00:04:32,810 that well to me this image although it 101 00:04:32,810 --> 00:04:36,330 is classic although it seems simple that I 102 00:04:36,330 --> 00:04:38,210 think it is super beautiful and the black 103 00:04:38,210 --> 00:04:41,250 and white sits in this brutal image and 104 00:04:41,250 --> 00:04:42,830 above all not if I like something about 105 00:04:42,830 --> 00:04:46,830 this image is how jasmine's hair moves, it 106 00:04:46,830 --> 00:04:51,030 is worth how diego is perfectly fitted in 107 00:04:51,030 --> 00:04:53,510 what would be jasmine's body and notice how 108 00:04:53,510 --> 00:04:56,470 well that jasmine's hand works, you see that 109 00:04:56,470 --> 00:04:58,950 at the moment that we are, for example, 110 00:04:59,450 --> 00:05:04,050 posing couples in such basic elements as putting 111 00:05:04,050 --> 00:05:05,630 a hand and I no longer say that, 112 00:05:05,970 --> 00:05:07,350 that is, that the hand, for example, ends 113 00:05:07,350 --> 00:05:10,590 here, but simply that it is supported, that 114 00:05:10,590 --> 00:05:11,850 is, that the hand is supported on the 115 00:05:11,850 --> 00:05:13,350 chest of the other, that is, for example, 116 00:05:13,470 --> 00:05:17,170 diego in this case makes the connection work 117 00:05:17,170 --> 00:05:21,310 very well and we add those elements such 118 00:05:21,310 --> 00:05:22,870 as the hands that you already know that 119 00:05:22,870 --> 00:05:25,710 I like them so much, so this was 120 00:05:25,710 --> 00:05:28,590 the second image of course when I was 121 00:05:28,590 --> 00:05:31,450 there when we were so close I already 122 00:05:31,450 --> 00:05:34,910 understood that the couple was not afraid at 123 00:05:34,910 --> 00:05:37,050 all to what was a camera of photos 124 00:05:37,050 --> 00:05:39,810 with which I already thought ok today we 125 00:05:39,810 --> 00:05:42,290 are going to change the registry today I 126 00:05:42,290 --> 00:05:44,950 am going to make completely close shots these 127 00:05:44,950 --> 00:05:50,010 guys are super active super positive whatever I 128 00:05:50,010 --> 00:05:50,750 tell them but they are going to do 129 00:05:50,750 --> 00:05:52,570 it so let's go for it no and 130 00:05:52,570 --> 00:05:55,410 then I thought it could be interesting not 131 00:05:55,410 --> 00:05:58,470 to start getting closer more and more to 132 00:05:58,470 --> 00:06:01,570 give a touch the most personal and at 133 00:06:01,570 --> 00:06:04,610 the same time as crazy as possible it 134 00:06:04,610 --> 00:06:09,110 is not like that next to where we 135 00:06:09,110 --> 00:06:11,850 were there was a set of columns like 136 00:06:11,850 --> 00:06:14,010 the ones you are seeing now in the 137 00:06:14,010 --> 00:06:17,470 video in which I found it interesting to 138 00:06:17,470 --> 00:06:20,590 ask them to place Diego in a position 139 00:06:20,590 --> 00:06:22,050 in which he would only show me part 140 00:06:22,050 --> 00:06:24,870 of his face and then what I asked 141 00:06:24,870 --> 00:06:27,310 him, for example, to look at me, you 142 00:06:27,310 --> 00:06:30,150 know that I don't usually like it or 143 00:06:30,150 --> 00:06:31,450 it doesn't go with me at all in 144 00:06:31,450 --> 00:06:33,490 which the couples who look at me on 145 00:06:33,490 --> 00:06:37,410 camera, except when people have an incredible look, 146 00:06:37,850 --> 00:06:40,010 they are very beautiful, well, not beautiful, they 147 00:06:40,010 --> 00:06:43,030 just have an incredible look and for me 148 00:06:43,030 --> 00:06:46,330 jasmine had some very interesting eyes and that 149 00:06:46,330 --> 00:06:49,250 was the reason why I told her to 150 00:06:49,250 --> 00:06:52,290 look at me when I had this image 151 00:06:52,290 --> 00:06:54,550 I thought it was fine but I noticed 152 00:06:54,550 --> 00:06:57,130 that something else was missing so then I 153 00:06:57,130 --> 00:07:00,990 supported myself from what was just the column 154 00:07:00,990 --> 00:07:03,270 that you are seeing is that there is 155 00:07:03,270 --> 00:07:05,650 a distance more or less or the columns 156 00:07:05,650 --> 00:07:08,210 are a few centimeters because I told both 157 00:07:08,210 --> 00:07:11,050 jasmine to stand right here looking at me 158 00:07:11,050 --> 00:07:13,890 and diego here looking at me and what 159 00:07:13,890 --> 00:07:17,010 I was worried about making a super closed 160 00:07:17,010 --> 00:07:19,170 portrait you see that if I asked for 161 00:07:19,170 --> 00:07:22,310 this if I made a portrait so closed 162 00:07:22,310 --> 00:07:27,410 it was because their two faces are understood 163 00:07:27,410 --> 00:07:30,530 to be part of the beauty canons that 164 00:07:30,530 --> 00:07:33,890 we currently have in 2021 with which that 165 00:07:33,890 --> 00:07:36,830 was the reason why I closed the plane 166 00:07:36,830 --> 00:07:38,970 so much and also by converting it to 167 00:07:38,970 --> 00:07:41,230 black and white that depends on that it 168 00:07:41,230 --> 00:07:43,850 was to try to hide as much as 169 00:07:43,850 --> 00:07:45,690 possible this pillar that was just or this 170 00:07:45,690 --> 00:07:47,630 column that was right in the center because 171 00:07:47,630 --> 00:07:51,410 in color the column gained a blue touch 172 00:07:51,410 --> 00:07:55,030 and did not finish working and it was 173 00:07:55,030 --> 00:07:58,110 too noticeable that it was a column and 174 00:07:58,110 --> 00:07:59,690 it did not work that is why in 175 00:07:59,690 --> 00:08:01,030 black and white as I tell you I 176 00:08:01,030 --> 00:08:03,370 was going to fucking mother I already felt 177 00:08:03,370 --> 00:08:06,650 that the couple was I had won it 178 00:08:06,650 --> 00:08:09,470 was in my pocket completely not so then 179 00:08:09,470 --> 00:08:11,690 I told them ok now that what you 180 00:08:11,690 --> 00:08:13,470 are going to do is that you are 181 00:08:13,470 --> 00:08:14,910 going to place each other face to face 182 00:08:14,910 --> 00:08:17,890 and my intention was with the tilts and 183 00:08:17,890 --> 00:08:20,790 it is worth getting as close as possible 184 00:08:20,790 --> 00:08:23,390 to what their mouths were, for example, and 185 00:08:23,390 --> 00:08:24,530 what I told them then that they would 186 00:08:24,530 --> 00:08:28,070 start to try to try to kiss but 187 00:08:28,070 --> 00:08:30,430 not getting to kiss, that is, simply because 188 00:08:30,430 --> 00:08:33,289 touching, for example, what they were lips and 189 00:08:33,289 --> 00:08:34,770 at the same time that, for example, I 190 00:08:34,770 --> 00:08:37,809 started to say nonsense like I want you 191 00:08:37,809 --> 00:08:40,289 to breathe but I want you to breathe 192 00:08:40,289 --> 00:08:42,250 one on top of the other I want 193 00:08:42,250 --> 00:08:44,230 you to look into each other's eyes until 194 00:08:44,230 --> 00:08:47,390 you cross your eyes and say I started 195 00:08:47,390 --> 00:08:49,910 to say nonsense well I don't know nonsense 196 00:08:49,910 --> 00:08:52,970 but to try a little to drag them 197 00:08:52,970 --> 00:08:56,470 for me and create that connection that environment 198 00:08:56,470 --> 00:08:59,670 of such a good roll and that they 199 00:08:59,670 --> 00:09:01,770 started, for example, to laugh, I assure you 200 00:09:01,770 --> 00:09:08,790 that possibly many images may shoot, I can 201 00:09:08,790 --> 00:09:11,750 assure you that they fell like a few 202 00:09:11,750 --> 00:09:14,170 until in the end I stayed with this 203 00:09:14,170 --> 00:09:16,410 one and it was the one that I 204 00:09:16,410 --> 00:09:20,470 really liked, you see that if we already 205 00:09:20,470 --> 00:09:22,630 stopped a little, there would be a little 206 00:09:22,630 --> 00:09:25,610 because selecting or joining, that is, we could 207 00:09:25,610 --> 00:09:28,190 say that the starting point was this one, 208 00:09:28,210 --> 00:09:31,210 then I got closer, I found out what 209 00:09:31,210 --> 00:09:33,650 the couple was like and I already changed 210 00:09:33,650 --> 00:09:36,330 to a record like this image and then 211 00:09:36,330 --> 00:09:38,810 like this image with which you see that 212 00:09:38,810 --> 00:09:41,010 from a distance I have been getting closer 213 00:09:41,010 --> 00:09:45,810 to making only lips be seen and there 214 00:09:45,810 --> 00:09:48,150 is something really interesting, well, as I had 215 00:09:48,150 --> 00:09:52,110 told you, the couple was really crazy there 216 00:09:52,110 --> 00:09:54,330 and well and it seemed interesting to me 217 00:09:54,330 --> 00:09:57,070 to continue playing with them, do you remember 218 00:09:57,070 --> 00:10:00,490 that recently I showed you a photographer named 219 00:10:00,490 --> 00:10:03,990 Kenran who was a boy from Russia, do 220 00:10:03,990 --> 00:10:05,390 you remember that I showed you one of 221 00:10:05,390 --> 00:10:07,590 those videos one of his videos in which 222 00:10:07,590 --> 00:10:09,930 he played with one of the models and 223 00:10:09,930 --> 00:10:12,430 asked him to move his hair like that? 224 00:10:13,050 --> 00:10:15,530 Well, the idea of ​​this image comes from 225 00:10:15,530 --> 00:10:19,310 there, we had already taken some photos and 226 00:10:19,310 --> 00:10:20,750 I already had, as I tell you, the 227 00:10:20,750 --> 00:10:23,150 hot couple and that is when we found 228 00:10:23,150 --> 00:10:25,750 this location and I thought it could be 229 00:10:25,750 --> 00:10:28,170 a bit interesting for him to ask Yasmina 230 00:10:28,170 --> 00:10:31,690 to come forward and ask Diego to go 231 00:10:31,690 --> 00:10:32,110 back. 232 00:10:33,190 --> 00:10:36,270 The idea was that if in the previous 233 00:10:36,270 --> 00:10:39,790 images he had taken images with a very 234 00:10:39,790 --> 00:10:42,590 closed plane in which he had only captured 235 00:10:42,590 --> 00:10:45,930 faces or lips, now he wanted or wanted 236 00:10:45,930 --> 00:10:50,430 something different, not to get a more visual 237 00:10:50,430 --> 00:10:51,510 language and that not all the photos were 238 00:10:51,510 --> 00:10:52,190 the same, you understand me? 239 00:10:52,670 --> 00:10:54,690 So then I already had Yasmina right in 240 00:10:54,690 --> 00:10:56,630 front of me, I had Diego right in 241 00:10:56,630 --> 00:10:58,610 front of me, the glass of the building, 242 00:10:59,210 --> 00:11:02,130 the same glass, made it look in a 243 00:11:02,130 --> 00:11:03,570 certain way as you are seeing the reflection, 244 00:11:04,050 --> 00:11:06,990 you see that it is super important that 245 00:11:06,990 --> 00:11:09,390 when you arrive, for example, to the places 246 00:11:09,390 --> 00:11:12,330 that you are going to photograph, do not 247 00:11:12,330 --> 00:11:16,610 think that you have to shoot, for example, 248 00:11:16,690 --> 00:11:19,130 a postcard, but think, okay, this is the 249 00:11:19,130 --> 00:11:22,490 building, okay, well, there I have an interesting 250 00:11:22,490 --> 00:11:24,790 corner, there I have another and always think, 251 00:11:24,990 --> 00:11:26,570 okay, well, if there is, for example, a 252 00:11:26,570 --> 00:11:28,570 glass, there may be a reflection, I am 253 00:11:28,570 --> 00:11:30,630 going to hit the camera as hard as 254 00:11:30,630 --> 00:11:32,790 I can to see what happens and I 255 00:11:32,790 --> 00:11:33,910 have this, okay? 256 00:11:34,970 --> 00:11:36,530 You see that they are formulas that are 257 00:11:36,530 --> 00:11:39,190 repeated or they are patterns that are repeated 258 00:11:39,190 --> 00:11:42,410 in many reports and that helps you to 259 00:11:42,410 --> 00:11:44,850 always find new images, right? 260 00:11:45,250 --> 00:11:47,570 When I had both Yasmina and Diego there, 261 00:11:47,690 --> 00:11:48,590 I just shot. 262 00:11:49,210 --> 00:11:51,210 I already tell you that I asked Yasmina, 263 00:11:51,210 --> 00:11:52,230 for example, to do it several times. 264 00:11:53,130 --> 00:11:55,890 At the beginning I didn't give her much 265 00:11:55,890 --> 00:11:58,050 strength, but I already told her, I want 266 00:11:58,050 --> 00:12:00,090 you to scream, I want you to scream 267 00:12:00,090 --> 00:12:02,090 like that, right? 268 00:12:02,290 --> 00:12:04,290 And in the end, so much screaming, you 269 00:12:04,290 --> 00:12:06,090 see this image in which you can see 270 00:12:06,090 --> 00:12:08,790 his face perfectly and you see Diego, that 271 00:12:08,790 --> 00:12:12,890 Diego, so that it does not seem like 272 00:12:12,890 --> 00:12:14,770 something like that, like inert, that he was 273 00:12:14,770 --> 00:12:16,990 with a stick, what I told him to 274 00:12:16,990 --> 00:12:19,930 do was simply to support his, that is, 275 00:12:20,010 --> 00:12:22,810 the back of his head and that he 276 00:12:22,810 --> 00:12:26,170 tried to create like a straight angle like 277 00:12:26,170 --> 00:12:26,710 that, why? 278 00:12:27,130 --> 00:12:29,610 To create movement, so that it was not 279 00:12:29,610 --> 00:12:33,090 so static, since she was moving, well, Diego 280 00:12:33,090 --> 00:12:34,490 right on the other side and I thought 281 00:12:34,490 --> 00:12:36,990 that could seem interesting and in fact it 282 00:12:36,990 --> 00:12:38,930 was one of the images that also calls 283 00:12:38,930 --> 00:12:42,190 me the attention of the report, for that, 284 00:12:42,290 --> 00:12:43,990 for the energy it transmits and for the 285 00:12:43,990 --> 00:12:44,650 good vibes, right? 286 00:12:45,910 --> 00:12:48,590 And finally I would like to stop in 287 00:12:48,590 --> 00:12:50,570 the last image of all, in which I 288 00:12:50,570 --> 00:12:52,070 want to talk today, I am talking about 289 00:12:52,070 --> 00:12:57,570 this image, in which, well, simply what I 290 00:12:57,570 --> 00:13:00,530 was thinking or what I did was to 291 00:13:00,530 --> 00:13:02,490 keep playing with them at all times. 292 00:13:02,850 --> 00:13:04,510 This image I must say that I took 293 00:13:04,510 --> 00:13:06,010 it almost at the end, almost of the 294 00:13:06,010 --> 00:13:08,910 session and the session I started it very 295 00:13:08,910 --> 00:13:11,350 well, with a lot of energy, with very 296 00:13:11,350 --> 00:13:14,750 good ideas, but the last part, in the 297 00:13:14,750 --> 00:13:17,450 last 30 minutes, I assure you that I 298 00:13:17,450 --> 00:13:20,290 did not have such fresh ideas, with which 299 00:13:20,290 --> 00:13:21,730 I had to throw resources. 300 00:13:22,070 --> 00:13:23,930 What is one of the resources that I 301 00:13:23,930 --> 00:13:25,450 usually use when I have no ideas? 302 00:13:25,810 --> 00:13:27,790 That they play, for example, between them. 303 00:13:28,110 --> 00:13:28,750 How do they play? 304 00:13:29,150 --> 00:13:31,150 Well, if she had, for example, a hat, 305 00:13:31,410 --> 00:13:32,970 say okay, well now you put it on 306 00:13:32,970 --> 00:13:35,170 him, now you take it off, now you 307 00:13:35,170 --> 00:13:37,590 hold it to her, now you tickle her, 308 00:13:37,590 --> 00:13:41,990 I explained all this to them and I 309 00:13:41,990 --> 00:13:43,730 told them what I needed. 310 00:13:44,030 --> 00:13:46,030 And I already knew that in one of 311 00:13:46,030 --> 00:13:48,490 those, in one of those photos, or in 312 00:13:48,490 --> 00:13:52,270 one of those moments, surely a good image 313 00:13:52,270 --> 00:13:52,370 would flow. 314 00:13:52,470 --> 00:13:55,930 So, I sat down here and started shooting. 315 00:13:58,650 --> 00:14:01,590 I assure you that I put a little 316 00:14:01,590 --> 00:14:04,890 flash at 45 degrees of the couple because 317 00:14:04,890 --> 00:14:08,850 I wanted to raise everything a little bit, 318 00:14:09,070 --> 00:14:11,630 because the light, to my liking, was too 319 00:14:11,630 --> 00:14:14,730 flat and with a very, very soft touch, 320 00:14:14,890 --> 00:14:18,370 with a touch of flash, to get to 321 00:14:18,370 --> 00:14:19,770 have something more, more strength. 322 00:14:19,950 --> 00:14:22,150 And as you can see, well, it doesn't 323 00:14:22,150 --> 00:14:24,910 stop shooting, I think it would shoot almost 324 00:14:24,910 --> 00:14:27,770 sure that, well, a hundred images at least, 325 00:14:28,250 --> 00:14:31,470 until finally, clonk, I kept this one and 326 00:14:31,470 --> 00:14:33,410 it was the one you are seeing now. 327 00:14:34,350 --> 00:14:36,810 So nothing else, friends, I hope you liked 328 00:14:36,810 --> 00:14:38,270 it and see you very soon with the 329 00:14:38,270 --> 00:14:38,810 second part. 330 00:14:39,250 --> 00:14:40,490 Be good and see you next time. 24173

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