All language subtitles for Results of the challenge
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,400 --> 00:00:01,240
Hello friends, how are you?
2
00:00:01,320 --> 00:00:01,800
How is everything going?
3
00:00:02,040 --> 00:00:03,180
I hope the best possible.
4
00:00:03,640 --> 00:00:06,360
Here you have me giving war again and
5
00:00:06,360 --> 00:00:07,940
this chapter I would like to dedicate it
6
00:00:07,940 --> 00:00:10,300
to reviewing the images that you all sent
7
00:00:10,300 --> 00:00:12,780
me for the challenge that I launched a
8
00:00:12,780 --> 00:00:13,760
couple of weeks ago.
9
00:00:14,020 --> 00:00:16,220
Remember that the challenge was to try to
10
00:00:16,220 --> 00:00:19,680
make some of the images in the state
11
00:00:19,680 --> 00:00:22,620
in which we are, that is, in confinement,
12
00:00:23,240 --> 00:00:25,340
in which you try to get out of
13
00:00:25,340 --> 00:00:29,040
your comfort zone, try to play with interesting
14
00:00:29,040 --> 00:00:30,540
lights in which you could play with your
15
00:00:30,540 --> 00:00:34,200
partner, with yourself, with your animals, your children
16
00:00:34,200 --> 00:00:38,720
and ultimately it was to find neutral backgrounds
17
00:00:38,720 --> 00:00:41,480
and if it could be with all kinds
18
00:00:41,480 --> 00:00:44,200
of primary colors or all kinds of complementary
19
00:00:44,200 --> 00:00:44,400
colors.
20
00:00:44,740 --> 00:00:48,000
So first I want to thank all of
21
00:00:48,000 --> 00:00:49,620
you who have been brave enough to send
22
00:00:49,620 --> 00:00:52,980
me photos, there are super interesting photos and
23
00:00:52,980 --> 00:00:54,740
those who do not, I understand that maybe
24
00:00:54,740 --> 00:00:56,320
you have not had time but for the
25
00:00:56,320 --> 00:00:59,600
next challenge I invite you to participate because
26
00:00:59,600 --> 00:01:02,080
it is a really important game to see
27
00:01:02,080 --> 00:01:04,180
how far our limitations go.
28
00:01:04,720 --> 00:01:06,680
So what I'm going to do now is
29
00:01:06,680 --> 00:01:11,020
just show you some of the images that
30
00:01:11,020 --> 00:01:14,340
you have been sending me, what I'm going
31
00:01:14,340 --> 00:01:17,040
to try to criticize and within all of
32
00:01:17,040 --> 00:01:18,560
them we are going to try to find
33
00:01:18,560 --> 00:01:21,080
the one that I like the most and
34
00:01:21,080 --> 00:01:23,460
remember that the one that was the winner
35
00:01:23,460 --> 00:01:24,840
or the one that was the winner is
36
00:01:24,840 --> 00:01:28,260
going to take two hours of talk with
37
00:01:28,260 --> 00:01:30,560
me in which we can talk about anything
38
00:01:30,560 --> 00:01:35,900
you want from creativity to business or whatever
39
00:01:35,900 --> 00:01:36,260
you want.
40
00:01:36,820 --> 00:01:38,360
Ok, so I don't get distracted anymore and
41
00:01:38,360 --> 00:01:39,460
we're going to get them.
42
00:01:39,840 --> 00:01:41,140
First of all I would like to show
43
00:01:41,140 --> 00:01:43,420
you the photos of our friend Jorge Sulbarán
44
00:01:43,420 --> 00:01:46,480
and although I said that one could be
45
00:01:46,480 --> 00:01:48,640
sent, but well, there have been several people
46
00:01:48,640 --> 00:01:52,400
who have sent several, so well, I'm going
47
00:01:52,400 --> 00:01:54,240
to have fun with them too and I'm
48
00:01:54,240 --> 00:01:55,680
going to criticize them or I'm going to
49
00:01:55,680 --> 00:01:56,540
analyze them a little bit, ok?
50
00:01:56,680 --> 00:01:58,040
I would like to show you the photos
51
00:01:58,040 --> 00:01:59,640
that Jorge sent me.
52
00:01:59,820 --> 00:02:01,720
Sincerely, out of the four, I think the
53
00:02:01,720 --> 00:02:03,820
one that could fit me the most could
54
00:02:03,820 --> 00:02:06,200
be this one, but I would have to
55
00:02:06,200 --> 00:02:09,120
analyze it a little more consciously, although it
56
00:02:09,120 --> 00:02:12,580
is also quite good, but what I would
57
00:02:12,580 --> 00:02:18,600
have done would be, well, move that mirror
58
00:02:18,600 --> 00:02:22,320
to the other side and I would have
59
00:02:22,320 --> 00:02:23,920
done quite well with what was, for example,
60
00:02:25,080 --> 00:02:26,460
with what was the reflection and with what
61
00:02:26,460 --> 00:02:28,380
were also, for example, the hands, I want
62
00:02:28,380 --> 00:02:29,680
to think that they are his hands with
63
00:02:29,680 --> 00:02:30,200
those of his partner.
64
00:02:30,500 --> 00:02:32,260
The mistake that I see here is that
65
00:02:32,260 --> 00:02:34,180
the hands touch, perhaps it would have worked
66
00:02:34,180 --> 00:02:37,120
better in which the hands had not touched,
67
00:02:37,260 --> 00:02:37,400
right?
68
00:02:37,400 --> 00:02:39,800
It is just the moment before they touch,
69
00:02:40,020 --> 00:02:40,160
right?
70
00:02:40,540 --> 00:02:42,860
Do you remember the painting of the Sistine
71
00:02:42,860 --> 00:02:42,960
Chapel?
72
00:02:43,440 --> 00:02:44,860
Ok, that is, it would have been good
73
00:02:44,860 --> 00:02:47,320
that they were almost about to touch, but
74
00:02:47,320 --> 00:02:49,840
without reaching it and also, as you can
75
00:02:49,840 --> 00:02:51,640
see, if they had not touched, the shadow
76
00:02:51,640 --> 00:02:53,520
that is projected, because it would not have
77
00:02:53,520 --> 00:02:55,860
touched and it would have been a little
78
00:02:55,860 --> 00:02:56,640
more interesting.
79
00:02:57,240 --> 00:02:59,220
I also see that the mirror, what I
80
00:02:59,220 --> 00:03:01,180
would have done, correct the perspective a bit
81
00:03:01,180 --> 00:03:03,980
in Photoshop or in post-production so that
82
00:03:03,980 --> 00:03:05,740
the mirror, instead of having this effect, would
83
00:03:05,740 --> 00:03:07,280
have been completely straight, okay?
84
00:03:08,020 --> 00:03:09,200
If we already move on to the next
85
00:03:09,200 --> 00:03:11,740
image, I like how Jorge has played with
86
00:03:11,740 --> 00:03:16,400
his hands, how he holds, for me it
87
00:03:16,400 --> 00:03:18,760
ends up convincing is that again he touches
88
00:03:18,760 --> 00:03:21,620
his girl kissing, I think it would have
89
00:03:21,620 --> 00:03:23,900
worked better if he had not touched her,
90
00:03:24,040 --> 00:03:25,380
that he was about to kiss.
91
00:03:26,460 --> 00:03:28,500
Remember that something fundamental is to play with
92
00:03:28,500 --> 00:03:30,900
our spectator and at the moment that there
93
00:03:30,900 --> 00:03:33,220
are two people kissing, the action has already
94
00:03:33,220 --> 00:03:35,860
been finished, that is why it is good
95
00:03:35,860 --> 00:03:38,900
that they are about to always touch, so
96
00:03:38,900 --> 00:03:41,080
that there is a game with that spectator,
97
00:03:41,080 --> 00:03:41,280
okay?
98
00:03:43,440 --> 00:03:46,320
This photo, you see, it works but there
99
00:03:46,320 --> 00:03:47,820
are already things that distract me a lot,
100
00:03:47,980 --> 00:03:51,300
like that line that cuts Jorge right in
101
00:03:51,300 --> 00:03:53,000
the back, it also gets a little in
102
00:03:53,000 --> 00:03:55,340
the head and makes it not finish working,
103
00:03:55,480 --> 00:03:58,020
also that line is not entirely straight and
104
00:03:58,020 --> 00:04:01,100
notice that Jorge is also touching the mirror
105
00:04:01,100 --> 00:04:03,320
with his left arm and it does not
106
00:04:03,320 --> 00:04:07,020
finish working either, his girl's knee, sorry, is
107
00:04:07,020 --> 00:04:09,240
also touching that imaginary line of the mirror,
108
00:04:09,320 --> 00:04:11,120
with which it does not finish either.
109
00:04:11,540 --> 00:04:13,380
You see that the idea is very good,
110
00:04:13,580 --> 00:04:15,540
all the ideas that Jorge is having are
111
00:04:15,540 --> 00:04:18,519
quite good, but he does not finish executing
112
00:04:18,519 --> 00:04:20,839
them perfectly, it is only a matter of
113
00:04:20,839 --> 00:04:22,300
time and it is a matter of looking
114
00:04:22,300 --> 00:04:25,320
a little more and seeing what those little
115
00:04:25,320 --> 00:04:26,300
mistakes have been, okay?
116
00:04:26,760 --> 00:04:28,140
We are already going for the last one,
117
00:04:28,360 --> 00:04:31,040
which I think I would have re-squared
118
00:04:31,040 --> 00:04:35,240
a little more and above all that window
119
00:04:35,240 --> 00:04:38,280
in which we can see that intrusive light
120
00:04:38,280 --> 00:04:41,400
that is above the couple, possibly I would
121
00:04:41,400 --> 00:04:43,080
have darkened it and also what I would
122
00:04:43,080 --> 00:04:44,160
have done, I would have removed all the
123
00:04:44,160 --> 00:04:47,520
lines, both vertical and horizontal, in the case
124
00:04:47,520 --> 00:04:48,960
of the horizontal ones, they work very well
125
00:04:48,960 --> 00:04:51,140
but it seems that the vertical ones are
126
00:04:51,140 --> 00:04:53,620
wobbling a little so I would have corrected
127
00:04:53,620 --> 00:04:53,960
them, right?
128
00:04:54,520 --> 00:04:56,840
Congratulations to our friend Jorge because he has
129
00:04:56,840 --> 00:04:57,640
worked hard enough.
130
00:04:57,760 --> 00:04:59,780
We are going to go for another colleague,
131
00:04:59,940 --> 00:05:00,060
okay?
132
00:05:00,520 --> 00:05:02,840
A colleague that I know, Rafa Bichero, congratulations
133
00:05:02,840 --> 00:05:05,400
Rafa for having sent us, I thank you
134
00:05:05,400 --> 00:05:07,620
and the photos that Rafa has sent us
135
00:05:07,620 --> 00:05:14,420
are this, this and this, okay?
136
00:05:14,740 --> 00:05:16,820
Here we can see that we even have
137
00:05:16,820 --> 00:05:18,540
a couple here, who has put on a
138
00:05:18,540 --> 00:05:21,400
mask, but hey, I think the most interesting
139
00:05:21,400 --> 00:05:23,140
photo could be this, it is the one
140
00:05:23,140 --> 00:05:27,340
that plays, I suppose it will be his
141
00:05:27,340 --> 00:05:29,160
daughter or his son, I think his daughter,
142
00:05:29,720 --> 00:05:29,880
okay?
143
00:05:30,320 --> 00:05:32,460
And I like how he played with the
144
00:05:32,460 --> 00:05:34,900
light but it does not convince me, right?
145
00:05:35,000 --> 00:05:35,480
Why?
146
00:05:36,000 --> 00:05:38,280
Notice that the neutral background is perfect but
147
00:05:38,280 --> 00:05:42,600
it has an illumination above what the girl
148
00:05:42,600 --> 00:05:44,280
is, for example, with which I would recommend
149
00:05:44,280 --> 00:05:47,800
to overexpose a little less, perhaps a step
150
00:05:47,800 --> 00:05:50,940
of diaphragm or even two to get that
151
00:05:50,940 --> 00:05:52,840
light to be below and already in post
152
00:05:52,840 --> 00:05:55,940
-production, which would raise the girl a little,
153
00:05:56,220 --> 00:05:56,420
okay?
154
00:05:57,160 --> 00:05:59,520
I especially like the one that plays with,
155
00:05:59,880 --> 00:06:00,840
well, with the girl, right?
156
00:06:00,840 --> 00:06:03,520
That it looks like her right arm, you
157
00:06:03,520 --> 00:06:04,580
see that it looks like it is running
158
00:06:04,580 --> 00:06:05,880
and that it gives it a certain movement,
159
00:06:06,020 --> 00:06:06,120
right?
160
00:06:06,980 --> 00:06:09,300
Yes, I like the dark light game, right?
161
00:06:09,360 --> 00:06:10,660
But as I tell you, for me it
162
00:06:10,660 --> 00:06:13,900
is overexposed a step at least, okay?
163
00:06:14,800 --> 00:06:16,640
We are going to the second and notice
164
00:06:16,640 --> 00:06:18,900
how already not having a neutral background, that
165
00:06:18,900 --> 00:06:21,660
rock background or that stone background no longer
166
00:06:21,660 --> 00:06:22,520
ends up working.
167
00:06:23,060 --> 00:06:24,680
Yes, it is true that I find that
168
00:06:24,680 --> 00:06:27,860
triangle game interesting, but it is about time.
169
00:06:27,940 --> 00:06:30,720
Like Jorge Sulbarán, they are very good ideas
170
00:06:30,720 --> 00:06:34,120
but they are not fully executed to perfection.
171
00:06:34,640 --> 00:06:37,500
And finally, we go for another photo.
172
00:06:37,660 --> 00:06:39,640
The idea is good and the truth is
173
00:06:39,640 --> 00:06:41,380
that I appreciate that you have, well, that
174
00:06:41,380 --> 00:06:43,180
you have messed up or that you have
175
00:06:43,180 --> 00:06:48,540
convinced a couple, but look at the place
176
00:06:48,540 --> 00:06:50,700
where the neutral background was.
177
00:06:50,780 --> 00:06:53,620
The neutral background is found in this box
178
00:06:53,620 --> 00:06:55,520
that we have here and you have not
179
00:06:55,520 --> 00:06:56,800
worked perfectly.
180
00:06:57,240 --> 00:07:00,060
Notice that if we had avoided or if
181
00:07:00,060 --> 00:07:02,400
we had cropped the couple a little by
182
00:07:02,400 --> 00:07:04,200
the waist, the truth is that it would
183
00:07:04,200 --> 00:07:05,280
have worked well, right?
184
00:07:05,860 --> 00:07:09,660
And also notice that the column or the
185
00:07:09,660 --> 00:07:11,200
line that I am marking now does not
186
00:07:11,200 --> 00:07:16,640
finish working, it is with which it does
187
00:07:16,640 --> 00:07:17,160
not work either.
188
00:07:17,560 --> 00:07:20,020
The images are correct but there are small
189
00:07:20,020 --> 00:07:22,280
nuances, small things that do not end up
190
00:07:22,280 --> 00:07:25,960
working and that is missing a little bit
191
00:07:25,960 --> 00:07:26,740
to get there, okay?
192
00:07:26,920 --> 00:07:29,940
We are going to go for other images
193
00:07:29,940 --> 00:07:32,540
of our friend Joe Macas.
194
00:07:32,740 --> 00:07:34,080
I would like to show you this first,
195
00:07:34,680 --> 00:07:37,300
I think it is a pretty, pretty, pretty
196
00:07:37,300 --> 00:07:37,580
pretty photo.
197
00:07:38,160 --> 00:07:40,620
Notice how well the light works here, that
198
00:07:40,620 --> 00:07:42,600
is, if I have these lights, right?
199
00:07:42,620 --> 00:07:44,260
That work so well that they go from
200
00:07:44,260 --> 00:07:46,320
left to right that you can almost touch
201
00:07:46,320 --> 00:07:46,520
them.
202
00:07:46,900 --> 00:07:49,700
They are very, very plastic lights, very, very
203
00:07:49,700 --> 00:07:50,120
interesting.
204
00:07:51,060 --> 00:07:53,320
And what we see, I suppose it will
205
00:07:53,320 --> 00:07:57,520
be Joe's wife, here also later with her
206
00:07:57,520 --> 00:07:59,220
child, with the Batman shirt.
207
00:07:59,600 --> 00:08:02,900
And well, I love that the child is
208
00:08:02,900 --> 00:08:05,380
right between the legs, for example, because of
209
00:08:05,380 --> 00:08:05,800
his mother.
210
00:08:06,380 --> 00:08:09,740
How well the hands work, for example, how
211
00:08:09,740 --> 00:08:12,080
the feet also work and it is a
212
00:08:12,080 --> 00:08:15,600
super, super, super natural image, which is very,
213
00:08:15,700 --> 00:08:16,420
very good, okay?
214
00:08:16,560 --> 00:08:17,940
It is quite good.
215
00:08:18,460 --> 00:08:20,180
Well, and as we are seeing, I think
216
00:08:20,180 --> 00:08:21,740
we have to congratulate him.
217
00:08:22,620 --> 00:08:25,500
I don't know if this image is from
218
00:08:25,500 --> 00:08:27,480
your previous child, is it the one you
219
00:08:27,480 --> 00:08:28,100
are waiting for?
220
00:08:28,540 --> 00:08:29,800
I think it is the one you are
221
00:08:29,800 --> 00:08:32,520
waiting for because the photograph has a current
222
00:08:32,520 --> 00:08:35,240
date, so Joe, congratulations, okay?
223
00:08:35,460 --> 00:08:36,740
You are going to be a father again
224
00:08:36,740 --> 00:08:38,480
of one or two.
225
00:08:39,419 --> 00:08:42,080
Well, and speaking, for example, of this image,
226
00:08:42,600 --> 00:08:44,000
what I must tell you is that the
227
00:08:44,000 --> 00:08:46,420
light is super interesting, how it plays with
228
00:08:46,420 --> 00:08:49,560
the hands and, above all, with the language
229
00:08:49,560 --> 00:08:53,160
or with the information that it is giving
230
00:08:53,160 --> 00:08:55,360
us, so nothing, congratulations, really.
231
00:08:55,780 --> 00:08:58,860
Okay, well, let's talk about the next photographer
232
00:08:58,860 --> 00:09:00,020
who sent us images.
233
00:09:00,120 --> 00:09:03,040
I'm talking about Francesca and Francesca sent us
234
00:09:03,040 --> 00:09:06,320
three photos and I want us to see
235
00:09:06,320 --> 00:09:06,500
them.
236
00:09:06,800 --> 00:09:12,400
This first one, this one, and this one
237
00:09:12,400 --> 00:09:12,700
too.
238
00:09:13,580 --> 00:09:18,120
Honestly, my favorite is this one because the
239
00:09:18,120 --> 00:09:21,220
neutral background is simply formed by that amount
240
00:09:21,220 --> 00:09:24,360
of droplets that the child is throwing at
241
00:09:24,360 --> 00:09:26,280
us and I think that, that is, it
242
00:09:26,280 --> 00:09:30,060
catches a lot and I don't know, there
243
00:09:30,060 --> 00:09:31,920
is something that worries me and, above all,
244
00:09:32,040 --> 00:09:33,940
it reminds me of summer, of the happiness
245
00:09:33,940 --> 00:09:35,720
of the children, of how they throw water
246
00:09:35,720 --> 00:09:37,860
and all these things and I think it
247
00:09:37,860 --> 00:09:38,500
is quite good.
248
00:09:38,800 --> 00:09:42,400
Then we have these images that are interesting
249
00:09:42,400 --> 00:09:44,440
but no longer reach the power that the
250
00:09:44,440 --> 00:09:48,400
first one had and look at how the
251
00:09:48,400 --> 00:09:51,160
background here no longer works so well, the
252
00:09:51,160 --> 00:09:56,060
intrusive lights are everywhere and I think the
253
00:09:56,060 --> 00:09:58,540
background should have worked more or it should
254
00:09:58,540 --> 00:10:00,560
have, for example, been cut, but of course,
255
00:10:00,700 --> 00:10:03,460
if we cut it, the background no longer
256
00:10:03,460 --> 00:10:07,380
begins to work because we would carry the
257
00:10:07,380 --> 00:10:10,020
foot of the child on the left or
258
00:10:10,020 --> 00:10:12,100
the child on the right, so we would
259
00:10:12,100 --> 00:10:16,400
have to look or simply darken the sky
260
00:10:16,400 --> 00:10:19,640
a little and also the light that hits
261
00:10:19,640 --> 00:10:23,620
the ground to direct all the gaze towards
262
00:10:23,620 --> 00:10:24,060
the children.
263
00:10:25,420 --> 00:10:28,400
If we go to this one, it also
264
00:10:28,400 --> 00:10:29,920
seems very interesting to me how it has
265
00:10:29,920 --> 00:10:31,300
been played with the colors, how it has
266
00:10:31,300 --> 00:10:33,360
been played with the lights, but notice that
267
00:10:33,360 --> 00:10:34,760
there are lines that do not end up
268
00:10:34,760 --> 00:10:36,520
convincing, for example, like the one I am
269
00:10:36,520 --> 00:10:40,320
pointing out now, that makes it not end
270
00:10:40,320 --> 00:10:42,340
up working and the line that we are
271
00:10:42,340 --> 00:10:45,200
seeing horizontally does not end up convincing me
272
00:10:45,200 --> 00:10:47,760
either, but the rest works quite well.
273
00:10:48,340 --> 00:10:50,160
I have to remember that Francesca was the
274
00:10:50,160 --> 00:10:53,640
winner of the edition contest in which the
275
00:10:53,640 --> 00:10:59,740
presets were won, so well, first congratulations for
276
00:10:59,740 --> 00:11:02,460
the prize and second congratulations also for sending
277
00:11:02,460 --> 00:11:04,020
me this piece of images.
278
00:11:04,100 --> 00:11:06,880
Ok Francesca, let's go for the next one
279
00:11:06,880 --> 00:11:08,920
and we are going to go for the
280
00:11:08,920 --> 00:11:10,780
crazy Alfonso Wassmer.
281
00:11:11,260 --> 00:11:14,420
Alfonso, creativity surely that you do not lack
282
00:11:14,420 --> 00:11:20,360
at all and the images that Alfonso has
283
00:11:20,360 --> 00:11:21,400
sent us, I want us to take a
284
00:11:21,400 --> 00:11:25,060
look, we are talking about how he played
285
00:11:25,060 --> 00:11:28,340
with these marionettes or these figurines.
286
00:11:28,560 --> 00:11:31,440
For me, I think the most interesting could
287
00:11:31,440 --> 00:11:35,160
be this one, in which it is not
288
00:11:35,160 --> 00:11:37,380
a hard light but it is an interesting
289
00:11:37,380 --> 00:11:40,920
light, that is, remember that the day may
290
00:11:40,920 --> 00:11:46,680
come out cloudy or foggy or a very
291
00:11:46,680 --> 00:11:47,400
very strong sun does not come out, but
292
00:11:47,400 --> 00:11:49,440
the most important thing is to find an
293
00:11:49,440 --> 00:11:51,420
interesting light, it is the starting point for
294
00:11:51,420 --> 00:11:54,100
everything and the rest we will already play.
295
00:11:54,420 --> 00:11:57,760
As you are seeing Alfonso here, well, he
296
00:11:57,760 --> 00:11:59,820
has played as if the couple were a
297
00:11:59,820 --> 00:12:00,680
couple of marionettes.
298
00:12:01,120 --> 00:12:03,580
I see that the bride or the girl,
299
00:12:03,660 --> 00:12:06,020
for example, in this case lost her left
300
00:12:06,020 --> 00:12:09,200
hand, so well, nothing happens.
301
00:12:10,000 --> 00:12:11,620
Let's go for the second one, okay?
302
00:12:12,080 --> 00:12:15,060
Although it is a vertical photo and you
303
00:12:15,060 --> 00:12:17,140
already know that vertical photos sometimes do not
304
00:12:17,140 --> 00:12:19,300
convince me, because they have to have a
305
00:12:19,300 --> 00:12:23,200
higher power and it is also super complicated
306
00:12:23,200 --> 00:12:29,220
to find the composition in them, but I
307
00:12:29,220 --> 00:12:30,200
would like to talk to you, for example,
308
00:12:30,280 --> 00:12:30,580
about it.
309
00:12:30,940 --> 00:12:32,680
The biggest mistake or the main mistake I
310
00:12:32,680 --> 00:12:35,440
see is this, in which, notice that the
311
00:12:35,440 --> 00:12:37,820
left arm of the figure is touching, or
312
00:12:37,820 --> 00:12:39,560
the left arm of the boy is touching
313
00:12:39,560 --> 00:12:42,840
the girl's left leg, so that does not
314
00:12:42,840 --> 00:12:43,920
end up working.
315
00:12:44,840 --> 00:12:46,560
I love that continuous light with which you
316
00:12:46,560 --> 00:12:47,820
have played with the girl, I think it
317
00:12:47,820 --> 00:12:48,680
is very very interesting.
318
00:12:49,380 --> 00:12:51,280
I would dare to say that it is
319
00:12:51,280 --> 00:12:54,000
a LED light and it works very well,
320
00:12:54,120 --> 00:12:55,760
that is, how you have also directed her
321
00:12:55,760 --> 00:12:58,220
hands and how you have placed the boy.
322
00:12:58,640 --> 00:13:01,220
Perhaps the boy would have worked better if
323
00:13:01,220 --> 00:13:02,880
he had not looked at us, but if
324
00:13:02,880 --> 00:13:04,580
he had looked well to the left or
325
00:13:04,580 --> 00:13:06,800
well to the right, but hey, it works
326
00:13:06,800 --> 00:13:09,560
quite well and above all the idea is
327
00:13:09,560 --> 00:13:10,880
very good, okay?
328
00:13:11,500 --> 00:13:13,720
And we are going for the last one.
329
00:13:14,740 --> 00:13:16,420
The truth is that the idea again is
330
00:13:16,420 --> 00:13:19,060
good, but as always, it lacks a little
331
00:13:19,060 --> 00:13:20,640
degree of execution, right?
332
00:13:21,060 --> 00:13:23,320
And what I mean is that, notice that
333
00:13:23,320 --> 00:13:26,420
the neutral blue background is perfect, but the
334
00:13:26,420 --> 00:13:29,440
line that cuts through the boy's head does
335
00:13:29,440 --> 00:13:31,740
not end up working and also it does
336
00:13:31,740 --> 00:13:33,820
not end up working for me at all,
337
00:13:34,080 --> 00:13:37,480
that the left foot and the right foot
338
00:13:37,480 --> 00:13:40,420
of him are mutilated, with which we should
339
00:13:40,420 --> 00:13:43,640
have picked up those legs a little or
340
00:13:43,640 --> 00:13:46,760
have taken a small step back so that
341
00:13:46,760 --> 00:13:48,100
everything would have fitted perfectly.
342
00:13:49,020 --> 00:13:51,980
So nothing, Alfonso, it was just not good.
343
00:13:52,180 --> 00:13:55,020
You have a very, very interesting job, but
344
00:13:55,020 --> 00:13:57,040
just as I was saying, for example, to
345
00:13:57,040 --> 00:14:01,240
Jorge Sulbaran and, for example, to Rafa Vicheros,
346
00:14:01,240 --> 00:14:03,160
you just have to think a little more
347
00:14:03,160 --> 00:14:05,620
and you just have to breathe deeply and
348
00:14:05,620 --> 00:14:08,720
know, I mean, before pressing the click, think
349
00:14:08,720 --> 00:14:11,520
about what is at all ends of my
350
00:14:11,520 --> 00:14:13,680
frame and see how we can correct it.
351
00:14:13,900 --> 00:14:16,140
At the moment you look at all ends
352
00:14:16,140 --> 00:14:17,900
and see what there is, I assure you
353
00:14:17,900 --> 00:14:22,960
that the photograph will change, but totally, okay?
354
00:14:23,520 --> 00:14:24,000
Very good guys.
355
00:14:24,600 --> 00:14:26,960
Ok, well, let's look at some more, okay?
356
00:14:27,580 --> 00:14:29,600
And above all, some very, very crazy, like
357
00:14:29,600 --> 00:14:31,040
the ones you are seeing now, from our
358
00:14:31,040 --> 00:14:35,400
friend Andrés Montoya, who titles this image as
359
00:14:35,400 --> 00:14:37,880
the cage, in allegory, right?
360
00:14:37,940 --> 00:14:39,480
To the times that, well, that is, because
361
00:14:39,480 --> 00:14:41,560
we are living and I must say that,
362
00:14:42,600 --> 00:14:44,900
kid, your head has gone very well, with
363
00:14:44,900 --> 00:14:47,160
the head of a dead bird and the
364
00:14:47,160 --> 00:14:48,880
background is all reddish.
365
00:14:49,220 --> 00:14:52,060
But hey, just analyzing, I see that there
366
00:14:52,060 --> 00:14:53,980
is a very, very, very interesting light, because
367
00:14:53,980 --> 00:14:56,780
it comes from the right, in which it
368
00:14:56,780 --> 00:14:59,400
is bathing in a very cold temperature, which
369
00:14:59,400 --> 00:15:01,780
is, I think it will be Andrés, in
370
00:15:01,780 --> 00:15:03,400
which it will have been put on by
371
00:15:03,400 --> 00:15:06,520
the mask, and notice how well that neutral
372
00:15:06,520 --> 00:15:06,800
background works, right?
373
00:15:07,600 --> 00:15:09,060
I always say that they seem very, very
374
00:15:09,060 --> 00:15:10,880
interesting to me, that is, the contrast, right?
375
00:15:10,900 --> 00:15:13,440
Between colors that have a warm temperature and
376
00:15:13,440 --> 00:15:15,240
colors that have a cold temperature, right?
377
00:15:15,320 --> 00:15:17,560
Very good, but your head has gone, huh?
378
00:15:18,500 --> 00:15:22,080
Ok, let's go for our friend Diego Tabango,
379
00:15:22,600 --> 00:15:25,560
I love this type of edition and I
380
00:15:25,560 --> 00:15:27,460
also love how you have positioned yourself there,
381
00:15:27,960 --> 00:15:28,060
okay?
382
00:15:28,440 --> 00:15:31,500
Perfect, Diego, perfect for how you came out
383
00:15:31,500 --> 00:15:36,240
of your comfort zone and how you have
384
00:15:36,240 --> 00:15:39,860
photographed yourself in a very, very interesting location,
385
00:15:40,120 --> 00:15:40,240
right?
386
00:15:40,520 --> 00:15:43,060
How did you play with the geometry, which
387
00:15:43,060 --> 00:15:44,360
was something that I had forgotten to comment
388
00:15:44,360 --> 00:15:47,620
on, which is also something fundamental, and above
389
00:15:47,620 --> 00:15:48,160
all, right?
390
00:15:48,160 --> 00:15:49,580
With the neutral background of the sky and
391
00:15:49,580 --> 00:15:51,660
with the geometry in a circular way, very
392
00:15:51,660 --> 00:15:52,060
interesting.
393
00:15:53,140 --> 00:15:56,020
Let's go for our friend Manuel García, who
394
00:15:56,020 --> 00:15:58,320
plays with his daughter, look at what an
395
00:15:58,320 --> 00:16:00,320
interesting light too, look at how he played
396
00:16:00,320 --> 00:16:02,440
with all the balls, I want to think
397
00:16:02,440 --> 00:16:06,100
that you raised or played with all the
398
00:16:06,100 --> 00:16:08,720
balls, and well, and with the girl with
399
00:16:08,720 --> 00:16:10,240
those glasses, so interesting, right?
400
00:16:10,480 --> 00:16:13,180
Let's also go for our friend Andrea Cazziola,
401
00:16:13,740 --> 00:16:16,140
I have known Andrea for a long time,
402
00:16:16,840 --> 00:16:22,380
for several years, he has attended several of
403
00:16:22,380 --> 00:16:24,800
my workshops, he lives in southern Italy and
404
00:16:24,800 --> 00:16:26,620
is an incredible person, in addition to being
405
00:16:26,620 --> 00:16:28,720
a photographer, because as you are seeing, super
406
00:16:28,720 --> 00:16:29,300
interesting.
407
00:16:29,540 --> 00:16:30,360
Congratulate him, right?
408
00:16:30,460 --> 00:16:33,480
For how he has played with that master
409
00:16:33,480 --> 00:16:36,040
line that cuts in half, which seems super
410
00:16:36,040 --> 00:16:37,820
interesting to me, how he has played with
411
00:16:37,820 --> 00:16:39,440
the greens, with the blues ...
412
00:16:39,440 --> 00:16:41,180
Notice that in addition, both the green and
413
00:16:41,180 --> 00:16:44,200
the blue are colors, that is, they are
414
00:16:44,200 --> 00:16:46,900
cold colors, but notice that in this photograph,
415
00:16:47,600 --> 00:16:50,200
what Andrea has achieved, that the cold colors
416
00:16:50,200 --> 00:16:51,440
are warm colors, right?
417
00:16:51,500 --> 00:16:52,920
So it seems very, very interesting to me,
418
00:16:53,060 --> 00:16:54,460
well, how he has played, okay?
419
00:16:54,600 --> 00:16:56,720
Well, congratulations Andrea, perfect, and continue like this,
420
00:16:56,760 --> 00:16:58,560
please, don't stop, don't stop creating.
421
00:16:59,400 --> 00:17:02,200
Ok, well, let's go with Xeni León, I
422
00:17:02,200 --> 00:17:04,000
have to congratulate you Xeni, your portrait is
423
00:17:04,000 --> 00:17:04,440
incredible.
424
00:17:04,859 --> 00:17:07,060
I always say that the people that I
425
00:17:07,060 --> 00:17:08,319
portray, who do not look at the camera,
426
00:17:08,319 --> 00:17:11,020
unless they have an incredible look or a
427
00:17:11,020 --> 00:17:13,060
very interesting look, as is the case, right?
428
00:17:13,440 --> 00:17:15,900
I mean, look, for example, the penetrating look
429
00:17:15,900 --> 00:17:17,740
that the boy has, for example, right?
430
00:17:17,859 --> 00:17:22,079
It works perfectly, and how, after seeing his
431
00:17:22,079 --> 00:17:24,420
look, I am going to entertain myself or
432
00:17:24,420 --> 00:17:28,460
observe the rest of the image and I
433
00:17:28,460 --> 00:17:28,980
already see, right?
434
00:17:29,040 --> 00:17:31,120
How the girl is playing and the girl
435
00:17:31,120 --> 00:17:33,400
is bathed with an incredible light, it works
436
00:17:33,400 --> 00:17:36,880
perfectly, and also look at how well that
437
00:17:36,880 --> 00:17:40,260
neutral background works, it is completely black, okay?
438
00:17:40,480 --> 00:17:42,300
But it is a perfect light-dark game,
439
00:17:42,400 --> 00:17:42,980
right?
440
00:17:43,100 --> 00:17:45,760
And it reminds me of a painting, so
441
00:17:45,760 --> 00:17:49,360
Xeni, congratulations, it seems very, very interesting to
442
00:17:49,360 --> 00:17:49,460
me.
443
00:17:49,520 --> 00:17:51,460
Let's go for another image of our friend
444
00:17:51,460 --> 00:17:52,500
Alex Torres.
445
00:17:53,240 --> 00:17:55,260
Sincerely, when I saw the image of Alex
446
00:17:55,260 --> 00:17:56,540
Torres, I wondered, right?
447
00:17:56,620 --> 00:17:58,540
That it had been done during this quarantine,
448
00:17:58,640 --> 00:18:00,780
that despite seeing that in the metadata the
449
00:18:00,780 --> 00:18:03,020
image was shot in the days that I
450
00:18:03,020 --> 00:18:05,520
told you it should be photographed, I asked
451
00:18:05,520 --> 00:18:06,060
Alex, right?
452
00:18:06,160 --> 00:18:08,320
And I said, Alex, have you photographed this
453
00:18:08,320 --> 00:18:09,080
in these days?
454
00:18:09,180 --> 00:18:10,740
And he clearly said yes, right?
455
00:18:11,220 --> 00:18:15,220
So congratulations, one, for convincing a couple in
456
00:18:15,220 --> 00:18:17,720
these days, which surely was not easy to
457
00:18:17,720 --> 00:18:20,300
convince them, so congratulations.
458
00:18:20,660 --> 00:18:23,180
And already, a little by analyzing it, I
459
00:18:23,180 --> 00:18:24,880
have to congratulate you because you have played
460
00:18:24,880 --> 00:18:27,620
perfectly with light, with interesting light, with neutral
461
00:18:27,620 --> 00:18:31,000
backgrounds, with little hands, you have played with
462
00:18:31,000 --> 00:18:32,580
the couple, although they do not look at
463
00:18:32,580 --> 00:18:36,020
each other, there is a complicity thanks to
464
00:18:36,020 --> 00:18:38,080
the hands, great, great.
465
00:18:38,560 --> 00:18:42,660
But there is another little detail that I
466
00:18:42,660 --> 00:18:45,320
would like to point out, which is that
467
00:18:45,320 --> 00:18:47,420
hand that is cut off from the boy.
468
00:18:47,940 --> 00:18:51,260
Those small mistakes make a photograph that could
469
00:18:51,260 --> 00:18:54,640
be outstanding, or noteworthy.
470
00:18:55,620 --> 00:19:01,200
So, please, always, once again, remember, before you
471
00:19:01,200 --> 00:19:05,400
press, before you click, that is, think, the
472
00:19:05,400 --> 00:19:08,380
bastard of Spanish who told me, before pressing
473
00:19:08,380 --> 00:19:10,880
the click, we are going to observe the
474
00:19:10,880 --> 00:19:12,980
ends of the frame to see if everything
475
00:19:12,980 --> 00:19:13,400
works.
476
00:19:13,980 --> 00:19:17,260
If it doesn't work, guys, that hand goes
477
00:19:17,260 --> 00:19:17,360
up.
478
00:19:17,560 --> 00:19:19,000
And if it works, clack clack.
479
00:19:19,460 --> 00:19:19,760
Yes?
480
00:19:20,140 --> 00:19:20,340
Ok.
481
00:19:20,620 --> 00:19:21,780
Well, let's go for another image.
482
00:19:21,920 --> 00:19:26,140
I'm talking about our friend Vicente Pastor and
483
00:19:26,140 --> 00:19:27,900
what I like is how Vicente has played
484
00:19:27,900 --> 00:19:29,840
with those primary colors in which it could
485
00:19:29,840 --> 00:19:33,460
be a reddish purple, a blue of the
486
00:19:33,460 --> 00:19:36,060
sky and a white that, in turn, both
487
00:19:36,060 --> 00:19:38,100
the white and the blue and, in a
488
00:19:38,100 --> 00:19:40,000
certain way, that reddish color is the same
489
00:19:40,000 --> 00:19:41,920
color that, for example, the boy has, right?
490
00:19:42,320 --> 00:19:46,260
So everything works well, except, again, a part
491
00:19:46,260 --> 00:19:49,940
that is mutilated and, surely, you don't need
492
00:19:49,940 --> 00:19:51,100
me to tell you what it is, right?
493
00:19:51,480 --> 00:19:53,140
That little leg that cuts around here.
494
00:19:53,360 --> 00:19:57,020
Those little mistakes make our images not be
495
00:19:57,020 --> 00:19:58,100
perfectly closed.
496
00:19:58,380 --> 00:20:00,900
So remember, correct them well, please.
497
00:20:01,600 --> 00:20:01,760
Okay?
498
00:20:01,940 --> 00:20:03,320
And we're going for the last one.
499
00:20:03,720 --> 00:20:05,260
And it's not because it's the best, but
500
00:20:05,260 --> 00:20:06,800
it's going to be the winner for me
501
00:20:06,800 --> 00:20:09,360
and what also for Erika, because, well, I
502
00:20:09,360 --> 00:20:10,300
asked her, right?
503
00:20:10,440 --> 00:20:12,840
I say, which one, which one, which one?
504
00:20:13,160 --> 00:20:14,200
I mean, which one do we choose, right?
505
00:20:14,680 --> 00:20:16,840
And the truth is that we were thinking
506
00:20:16,840 --> 00:20:20,960
between this one, especially Andrea's, we thought about
507
00:20:20,960 --> 00:20:23,920
Xeni too, which could be very, very interesting.
508
00:20:24,860 --> 00:20:28,880
We were also thinking about Alfonso's creativity, right?
509
00:20:28,880 --> 00:20:30,780
About how he had played, okay?
510
00:20:31,240 --> 00:20:34,200
And of course, we were also thinking, for
511
00:20:34,200 --> 00:20:37,940
example, about Jorge Sulbarán, because he took out
512
00:20:37,940 --> 00:20:40,660
a room, a lot of creative resources to
513
00:20:40,660 --> 00:20:44,500
which we must praise, we must congratulate, but
514
00:20:44,500 --> 00:20:46,520
in all these images there were small mistakes
515
00:20:46,520 --> 00:20:49,840
and, honestly, the one that transmitted us a
516
00:20:49,840 --> 00:20:52,500
better vibe, a better atmosphere, and how he
517
00:20:52,500 --> 00:20:56,000
had played with those primary colors, neutral backgrounds,
518
00:20:56,260 --> 00:20:59,820
hard light or very interesting light, had been
519
00:20:59,820 --> 00:21:02,600
Marcelo Domiciano, from Brazil.
520
00:21:03,400 --> 00:21:09,680
So, congratulations, Marcelo, the photo is really interesting,
521
00:21:10,140 --> 00:21:12,940
although I should also say that there are
522
00:21:12,940 --> 00:21:14,080
small mistakes, right?
523
00:21:14,240 --> 00:21:18,120
Like that line that he is mutilating by
524
00:21:18,120 --> 00:21:22,120
hand, right here of the boy, notice that
525
00:21:22,120 --> 00:21:24,400
that does not make it end up working
526
00:21:24,400 --> 00:21:27,380
so well, and I, perhaps, the approach would
527
00:21:27,380 --> 00:21:30,220
have directed it towards him and not towards
528
00:21:30,220 --> 00:21:30,500
her.
529
00:21:30,820 --> 00:21:31,500
You have been with us for a couple
530
00:21:31,500 --> 00:21:34,820
of hours, and we can talk about whatever
531
00:21:34,820 --> 00:21:35,320
you want, right?
532
00:21:36,180 --> 00:21:41,460
About creativity, editing, or business, although I think
533
00:21:41,460 --> 00:21:43,120
we know very little about business, although very
534
00:21:43,120 --> 00:21:44,840
soon you will have a good chapter on
535
00:21:44,840 --> 00:21:45,340
it.
536
00:21:45,860 --> 00:21:50,080
So, well, I mean, congratulations to everyone, okay?
537
00:21:50,400 --> 00:21:53,720
Again, thank you very much, and see you
538
00:21:53,720 --> 00:21:55,400
in a chapter that you will surely like
539
00:21:55,400 --> 00:21:57,460
even more.
540
00:21:57,720 --> 00:21:58,180
Bye, bye.
541
00:21:58,500 --> 00:21:59,020
Take care, friends.
38879
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.