All language subtitles for Results of the challenge

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,400 --> 00:00:01,240 Hello friends, how are you? 2 00:00:01,320 --> 00:00:01,800 How is everything going? 3 00:00:02,040 --> 00:00:03,180 I hope the best possible. 4 00:00:03,640 --> 00:00:06,360 Here you have me giving war again and 5 00:00:06,360 --> 00:00:07,940 this chapter I would like to dedicate it 6 00:00:07,940 --> 00:00:10,300 to reviewing the images that you all sent 7 00:00:10,300 --> 00:00:12,780 me for the challenge that I launched a 8 00:00:12,780 --> 00:00:13,760 couple of weeks ago. 9 00:00:14,020 --> 00:00:16,220 Remember that the challenge was to try to 10 00:00:16,220 --> 00:00:19,680 make some of the images in the state 11 00:00:19,680 --> 00:00:22,620 in which we are, that is, in confinement, 12 00:00:23,240 --> 00:00:25,340 in which you try to get out of 13 00:00:25,340 --> 00:00:29,040 your comfort zone, try to play with interesting 14 00:00:29,040 --> 00:00:30,540 lights in which you could play with your 15 00:00:30,540 --> 00:00:34,200 partner, with yourself, with your animals, your children 16 00:00:34,200 --> 00:00:38,720 and ultimately it was to find neutral backgrounds 17 00:00:38,720 --> 00:00:41,480 and if it could be with all kinds 18 00:00:41,480 --> 00:00:44,200 of primary colors or all kinds of complementary 19 00:00:44,200 --> 00:00:44,400 colors. 20 00:00:44,740 --> 00:00:48,000 So first I want to thank all of 21 00:00:48,000 --> 00:00:49,620 you who have been brave enough to send 22 00:00:49,620 --> 00:00:52,980 me photos, there are super interesting photos and 23 00:00:52,980 --> 00:00:54,740 those who do not, I understand that maybe 24 00:00:54,740 --> 00:00:56,320 you have not had time but for the 25 00:00:56,320 --> 00:00:59,600 next challenge I invite you to participate because 26 00:00:59,600 --> 00:01:02,080 it is a really important game to see 27 00:01:02,080 --> 00:01:04,180 how far our limitations go. 28 00:01:04,720 --> 00:01:06,680 So what I'm going to do now is 29 00:01:06,680 --> 00:01:11,020 just show you some of the images that 30 00:01:11,020 --> 00:01:14,340 you have been sending me, what I'm going 31 00:01:14,340 --> 00:01:17,040 to try to criticize and within all of 32 00:01:17,040 --> 00:01:18,560 them we are going to try to find 33 00:01:18,560 --> 00:01:21,080 the one that I like the most and 34 00:01:21,080 --> 00:01:23,460 remember that the one that was the winner 35 00:01:23,460 --> 00:01:24,840 or the one that was the winner is 36 00:01:24,840 --> 00:01:28,260 going to take two hours of talk with 37 00:01:28,260 --> 00:01:30,560 me in which we can talk about anything 38 00:01:30,560 --> 00:01:35,900 you want from creativity to business or whatever 39 00:01:35,900 --> 00:01:36,260 you want. 40 00:01:36,820 --> 00:01:38,360 Ok, so I don't get distracted anymore and 41 00:01:38,360 --> 00:01:39,460 we're going to get them. 42 00:01:39,840 --> 00:01:41,140 First of all I would like to show 43 00:01:41,140 --> 00:01:43,420 you the photos of our friend Jorge Sulbarán 44 00:01:43,420 --> 00:01:46,480 and although I said that one could be 45 00:01:46,480 --> 00:01:48,640 sent, but well, there have been several people 46 00:01:48,640 --> 00:01:52,400 who have sent several, so well, I'm going 47 00:01:52,400 --> 00:01:54,240 to have fun with them too and I'm 48 00:01:54,240 --> 00:01:55,680 going to criticize them or I'm going to 49 00:01:55,680 --> 00:01:56,540 analyze them a little bit, ok? 50 00:01:56,680 --> 00:01:58,040 I would like to show you the photos 51 00:01:58,040 --> 00:01:59,640 that Jorge sent me. 52 00:01:59,820 --> 00:02:01,720 Sincerely, out of the four, I think the 53 00:02:01,720 --> 00:02:03,820 one that could fit me the most could 54 00:02:03,820 --> 00:02:06,200 be this one, but I would have to 55 00:02:06,200 --> 00:02:09,120 analyze it a little more consciously, although it 56 00:02:09,120 --> 00:02:12,580 is also quite good, but what I would 57 00:02:12,580 --> 00:02:18,600 have done would be, well, move that mirror 58 00:02:18,600 --> 00:02:22,320 to the other side and I would have 59 00:02:22,320 --> 00:02:23,920 done quite well with what was, for example, 60 00:02:25,080 --> 00:02:26,460 with what was the reflection and with what 61 00:02:26,460 --> 00:02:28,380 were also, for example, the hands, I want 62 00:02:28,380 --> 00:02:29,680 to think that they are his hands with 63 00:02:29,680 --> 00:02:30,200 those of his partner. 64 00:02:30,500 --> 00:02:32,260 The mistake that I see here is that 65 00:02:32,260 --> 00:02:34,180 the hands touch, perhaps it would have worked 66 00:02:34,180 --> 00:02:37,120 better in which the hands had not touched, 67 00:02:37,260 --> 00:02:37,400 right? 68 00:02:37,400 --> 00:02:39,800 It is just the moment before they touch, 69 00:02:40,020 --> 00:02:40,160 right? 70 00:02:40,540 --> 00:02:42,860 Do you remember the painting of the Sistine 71 00:02:42,860 --> 00:02:42,960 Chapel? 72 00:02:43,440 --> 00:02:44,860 Ok, that is, it would have been good 73 00:02:44,860 --> 00:02:47,320 that they were almost about to touch, but 74 00:02:47,320 --> 00:02:49,840 without reaching it and also, as you can 75 00:02:49,840 --> 00:02:51,640 see, if they had not touched, the shadow 76 00:02:51,640 --> 00:02:53,520 that is projected, because it would not have 77 00:02:53,520 --> 00:02:55,860 touched and it would have been a little 78 00:02:55,860 --> 00:02:56,640 more interesting. 79 00:02:57,240 --> 00:02:59,220 I also see that the mirror, what I 80 00:02:59,220 --> 00:03:01,180 would have done, correct the perspective a bit 81 00:03:01,180 --> 00:03:03,980 in Photoshop or in post-production so that 82 00:03:03,980 --> 00:03:05,740 the mirror, instead of having this effect, would 83 00:03:05,740 --> 00:03:07,280 have been completely straight, okay? 84 00:03:08,020 --> 00:03:09,200 If we already move on to the next 85 00:03:09,200 --> 00:03:11,740 image, I like how Jorge has played with 86 00:03:11,740 --> 00:03:16,400 his hands, how he holds, for me it 87 00:03:16,400 --> 00:03:18,760 ends up convincing is that again he touches 88 00:03:18,760 --> 00:03:21,620 his girl kissing, I think it would have 89 00:03:21,620 --> 00:03:23,900 worked better if he had not touched her, 90 00:03:24,040 --> 00:03:25,380 that he was about to kiss. 91 00:03:26,460 --> 00:03:28,500 Remember that something fundamental is to play with 92 00:03:28,500 --> 00:03:30,900 our spectator and at the moment that there 93 00:03:30,900 --> 00:03:33,220 are two people kissing, the action has already 94 00:03:33,220 --> 00:03:35,860 been finished, that is why it is good 95 00:03:35,860 --> 00:03:38,900 that they are about to always touch, so 96 00:03:38,900 --> 00:03:41,080 that there is a game with that spectator, 97 00:03:41,080 --> 00:03:41,280 okay? 98 00:03:43,440 --> 00:03:46,320 This photo, you see, it works but there 99 00:03:46,320 --> 00:03:47,820 are already things that distract me a lot, 100 00:03:47,980 --> 00:03:51,300 like that line that cuts Jorge right in 101 00:03:51,300 --> 00:03:53,000 the back, it also gets a little in 102 00:03:53,000 --> 00:03:55,340 the head and makes it not finish working, 103 00:03:55,480 --> 00:03:58,020 also that line is not entirely straight and 104 00:03:58,020 --> 00:04:01,100 notice that Jorge is also touching the mirror 105 00:04:01,100 --> 00:04:03,320 with his left arm and it does not 106 00:04:03,320 --> 00:04:07,020 finish working either, his girl's knee, sorry, is 107 00:04:07,020 --> 00:04:09,240 also touching that imaginary line of the mirror, 108 00:04:09,320 --> 00:04:11,120 with which it does not finish either. 109 00:04:11,540 --> 00:04:13,380 You see that the idea is very good, 110 00:04:13,580 --> 00:04:15,540 all the ideas that Jorge is having are 111 00:04:15,540 --> 00:04:18,519 quite good, but he does not finish executing 112 00:04:18,519 --> 00:04:20,839 them perfectly, it is only a matter of 113 00:04:20,839 --> 00:04:22,300 time and it is a matter of looking 114 00:04:22,300 --> 00:04:25,320 a little more and seeing what those little 115 00:04:25,320 --> 00:04:26,300 mistakes have been, okay? 116 00:04:26,760 --> 00:04:28,140 We are already going for the last one, 117 00:04:28,360 --> 00:04:31,040 which I think I would have re-squared 118 00:04:31,040 --> 00:04:35,240 a little more and above all that window 119 00:04:35,240 --> 00:04:38,280 in which we can see that intrusive light 120 00:04:38,280 --> 00:04:41,400 that is above the couple, possibly I would 121 00:04:41,400 --> 00:04:43,080 have darkened it and also what I would 122 00:04:43,080 --> 00:04:44,160 have done, I would have removed all the 123 00:04:44,160 --> 00:04:47,520 lines, both vertical and horizontal, in the case 124 00:04:47,520 --> 00:04:48,960 of the horizontal ones, they work very well 125 00:04:48,960 --> 00:04:51,140 but it seems that the vertical ones are 126 00:04:51,140 --> 00:04:53,620 wobbling a little so I would have corrected 127 00:04:53,620 --> 00:04:53,960 them, right? 128 00:04:54,520 --> 00:04:56,840 Congratulations to our friend Jorge because he has 129 00:04:56,840 --> 00:04:57,640 worked hard enough. 130 00:04:57,760 --> 00:04:59,780 We are going to go for another colleague, 131 00:04:59,940 --> 00:05:00,060 okay? 132 00:05:00,520 --> 00:05:02,840 A colleague that I know, Rafa Bichero, congratulations 133 00:05:02,840 --> 00:05:05,400 Rafa for having sent us, I thank you 134 00:05:05,400 --> 00:05:07,620 and the photos that Rafa has sent us 135 00:05:07,620 --> 00:05:14,420 are this, this and this, okay? 136 00:05:14,740 --> 00:05:16,820 Here we can see that we even have 137 00:05:16,820 --> 00:05:18,540 a couple here, who has put on a 138 00:05:18,540 --> 00:05:21,400 mask, but hey, I think the most interesting 139 00:05:21,400 --> 00:05:23,140 photo could be this, it is the one 140 00:05:23,140 --> 00:05:27,340 that plays, I suppose it will be his 141 00:05:27,340 --> 00:05:29,160 daughter or his son, I think his daughter, 142 00:05:29,720 --> 00:05:29,880 okay? 143 00:05:30,320 --> 00:05:32,460 And I like how he played with the 144 00:05:32,460 --> 00:05:34,900 light but it does not convince me, right? 145 00:05:35,000 --> 00:05:35,480 Why? 146 00:05:36,000 --> 00:05:38,280 Notice that the neutral background is perfect but 147 00:05:38,280 --> 00:05:42,600 it has an illumination above what the girl 148 00:05:42,600 --> 00:05:44,280 is, for example, with which I would recommend 149 00:05:44,280 --> 00:05:47,800 to overexpose a little less, perhaps a step 150 00:05:47,800 --> 00:05:50,940 of diaphragm or even two to get that 151 00:05:50,940 --> 00:05:52,840 light to be below and already in post 152 00:05:52,840 --> 00:05:55,940 -production, which would raise the girl a little, 153 00:05:56,220 --> 00:05:56,420 okay? 154 00:05:57,160 --> 00:05:59,520 I especially like the one that plays with, 155 00:05:59,880 --> 00:06:00,840 well, with the girl, right? 156 00:06:00,840 --> 00:06:03,520 That it looks like her right arm, you 157 00:06:03,520 --> 00:06:04,580 see that it looks like it is running 158 00:06:04,580 --> 00:06:05,880 and that it gives it a certain movement, 159 00:06:06,020 --> 00:06:06,120 right? 160 00:06:06,980 --> 00:06:09,300 Yes, I like the dark light game, right? 161 00:06:09,360 --> 00:06:10,660 But as I tell you, for me it 162 00:06:10,660 --> 00:06:13,900 is overexposed a step at least, okay? 163 00:06:14,800 --> 00:06:16,640 We are going to the second and notice 164 00:06:16,640 --> 00:06:18,900 how already not having a neutral background, that 165 00:06:18,900 --> 00:06:21,660 rock background or that stone background no longer 166 00:06:21,660 --> 00:06:22,520 ends up working. 167 00:06:23,060 --> 00:06:24,680 Yes, it is true that I find that 168 00:06:24,680 --> 00:06:27,860 triangle game interesting, but it is about time. 169 00:06:27,940 --> 00:06:30,720 Like Jorge Sulbarán, they are very good ideas 170 00:06:30,720 --> 00:06:34,120 but they are not fully executed to perfection. 171 00:06:34,640 --> 00:06:37,500 And finally, we go for another photo. 172 00:06:37,660 --> 00:06:39,640 The idea is good and the truth is 173 00:06:39,640 --> 00:06:41,380 that I appreciate that you have, well, that 174 00:06:41,380 --> 00:06:43,180 you have messed up or that you have 175 00:06:43,180 --> 00:06:48,540 convinced a couple, but look at the place 176 00:06:48,540 --> 00:06:50,700 where the neutral background was. 177 00:06:50,780 --> 00:06:53,620 The neutral background is found in this box 178 00:06:53,620 --> 00:06:55,520 that we have here and you have not 179 00:06:55,520 --> 00:06:56,800 worked perfectly. 180 00:06:57,240 --> 00:07:00,060 Notice that if we had avoided or if 181 00:07:00,060 --> 00:07:02,400 we had cropped the couple a little by 182 00:07:02,400 --> 00:07:04,200 the waist, the truth is that it would 183 00:07:04,200 --> 00:07:05,280 have worked well, right? 184 00:07:05,860 --> 00:07:09,660 And also notice that the column or the 185 00:07:09,660 --> 00:07:11,200 line that I am marking now does not 186 00:07:11,200 --> 00:07:16,640 finish working, it is with which it does 187 00:07:16,640 --> 00:07:17,160 not work either. 188 00:07:17,560 --> 00:07:20,020 The images are correct but there are small 189 00:07:20,020 --> 00:07:22,280 nuances, small things that do not end up 190 00:07:22,280 --> 00:07:25,960 working and that is missing a little bit 191 00:07:25,960 --> 00:07:26,740 to get there, okay? 192 00:07:26,920 --> 00:07:29,940 We are going to go for other images 193 00:07:29,940 --> 00:07:32,540 of our friend Joe Macas. 194 00:07:32,740 --> 00:07:34,080 I would like to show you this first, 195 00:07:34,680 --> 00:07:37,300 I think it is a pretty, pretty, pretty 196 00:07:37,300 --> 00:07:37,580 pretty photo. 197 00:07:38,160 --> 00:07:40,620 Notice how well the light works here, that 198 00:07:40,620 --> 00:07:42,600 is, if I have these lights, right? 199 00:07:42,620 --> 00:07:44,260 That work so well that they go from 200 00:07:44,260 --> 00:07:46,320 left to right that you can almost touch 201 00:07:46,320 --> 00:07:46,520 them. 202 00:07:46,900 --> 00:07:49,700 They are very, very plastic lights, very, very 203 00:07:49,700 --> 00:07:50,120 interesting. 204 00:07:51,060 --> 00:07:53,320 And what we see, I suppose it will 205 00:07:53,320 --> 00:07:57,520 be Joe's wife, here also later with her 206 00:07:57,520 --> 00:07:59,220 child, with the Batman shirt. 207 00:07:59,600 --> 00:08:02,900 And well, I love that the child is 208 00:08:02,900 --> 00:08:05,380 right between the legs, for example, because of 209 00:08:05,380 --> 00:08:05,800 his mother. 210 00:08:06,380 --> 00:08:09,740 How well the hands work, for example, how 211 00:08:09,740 --> 00:08:12,080 the feet also work and it is a 212 00:08:12,080 --> 00:08:15,600 super, super, super natural image, which is very, 213 00:08:15,700 --> 00:08:16,420 very good, okay? 214 00:08:16,560 --> 00:08:17,940 It is quite good. 215 00:08:18,460 --> 00:08:20,180 Well, and as we are seeing, I think 216 00:08:20,180 --> 00:08:21,740 we have to congratulate him. 217 00:08:22,620 --> 00:08:25,500 I don't know if this image is from 218 00:08:25,500 --> 00:08:27,480 your previous child, is it the one you 219 00:08:27,480 --> 00:08:28,100 are waiting for? 220 00:08:28,540 --> 00:08:29,800 I think it is the one you are 221 00:08:29,800 --> 00:08:32,520 waiting for because the photograph has a current 222 00:08:32,520 --> 00:08:35,240 date, so Joe, congratulations, okay? 223 00:08:35,460 --> 00:08:36,740 You are going to be a father again 224 00:08:36,740 --> 00:08:38,480 of one or two. 225 00:08:39,419 --> 00:08:42,080 Well, and speaking, for example, of this image, 226 00:08:42,600 --> 00:08:44,000 what I must tell you is that the 227 00:08:44,000 --> 00:08:46,420 light is super interesting, how it plays with 228 00:08:46,420 --> 00:08:49,560 the hands and, above all, with the language 229 00:08:49,560 --> 00:08:53,160 or with the information that it is giving 230 00:08:53,160 --> 00:08:55,360 us, so nothing, congratulations, really. 231 00:08:55,780 --> 00:08:58,860 Okay, well, let's talk about the next photographer 232 00:08:58,860 --> 00:09:00,020 who sent us images. 233 00:09:00,120 --> 00:09:03,040 I'm talking about Francesca and Francesca sent us 234 00:09:03,040 --> 00:09:06,320 three photos and I want us to see 235 00:09:06,320 --> 00:09:06,500 them. 236 00:09:06,800 --> 00:09:12,400 This first one, this one, and this one 237 00:09:12,400 --> 00:09:12,700 too. 238 00:09:13,580 --> 00:09:18,120 Honestly, my favorite is this one because the 239 00:09:18,120 --> 00:09:21,220 neutral background is simply formed by that amount 240 00:09:21,220 --> 00:09:24,360 of droplets that the child is throwing at 241 00:09:24,360 --> 00:09:26,280 us and I think that, that is, it 242 00:09:26,280 --> 00:09:30,060 catches a lot and I don't know, there 243 00:09:30,060 --> 00:09:31,920 is something that worries me and, above all, 244 00:09:32,040 --> 00:09:33,940 it reminds me of summer, of the happiness 245 00:09:33,940 --> 00:09:35,720 of the children, of how they throw water 246 00:09:35,720 --> 00:09:37,860 and all these things and I think it 247 00:09:37,860 --> 00:09:38,500 is quite good. 248 00:09:38,800 --> 00:09:42,400 Then we have these images that are interesting 249 00:09:42,400 --> 00:09:44,440 but no longer reach the power that the 250 00:09:44,440 --> 00:09:48,400 first one had and look at how the 251 00:09:48,400 --> 00:09:51,160 background here no longer works so well, the 252 00:09:51,160 --> 00:09:56,060 intrusive lights are everywhere and I think the 253 00:09:56,060 --> 00:09:58,540 background should have worked more or it should 254 00:09:58,540 --> 00:10:00,560 have, for example, been cut, but of course, 255 00:10:00,700 --> 00:10:03,460 if we cut it, the background no longer 256 00:10:03,460 --> 00:10:07,380 begins to work because we would carry the 257 00:10:07,380 --> 00:10:10,020 foot of the child on the left or 258 00:10:10,020 --> 00:10:12,100 the child on the right, so we would 259 00:10:12,100 --> 00:10:16,400 have to look or simply darken the sky 260 00:10:16,400 --> 00:10:19,640 a little and also the light that hits 261 00:10:19,640 --> 00:10:23,620 the ground to direct all the gaze towards 262 00:10:23,620 --> 00:10:24,060 the children. 263 00:10:25,420 --> 00:10:28,400 If we go to this one, it also 264 00:10:28,400 --> 00:10:29,920 seems very interesting to me how it has 265 00:10:29,920 --> 00:10:31,300 been played with the colors, how it has 266 00:10:31,300 --> 00:10:33,360 been played with the lights, but notice that 267 00:10:33,360 --> 00:10:34,760 there are lines that do not end up 268 00:10:34,760 --> 00:10:36,520 convincing, for example, like the one I am 269 00:10:36,520 --> 00:10:40,320 pointing out now, that makes it not end 270 00:10:40,320 --> 00:10:42,340 up working and the line that we are 271 00:10:42,340 --> 00:10:45,200 seeing horizontally does not end up convincing me 272 00:10:45,200 --> 00:10:47,760 either, but the rest works quite well. 273 00:10:48,340 --> 00:10:50,160 I have to remember that Francesca was the 274 00:10:50,160 --> 00:10:53,640 winner of the edition contest in which the 275 00:10:53,640 --> 00:10:59,740 presets were won, so well, first congratulations for 276 00:10:59,740 --> 00:11:02,460 the prize and second congratulations also for sending 277 00:11:02,460 --> 00:11:04,020 me this piece of images. 278 00:11:04,100 --> 00:11:06,880 Ok Francesca, let's go for the next one 279 00:11:06,880 --> 00:11:08,920 and we are going to go for the 280 00:11:08,920 --> 00:11:10,780 crazy Alfonso Wassmer. 281 00:11:11,260 --> 00:11:14,420 Alfonso, creativity surely that you do not lack 282 00:11:14,420 --> 00:11:20,360 at all and the images that Alfonso has 283 00:11:20,360 --> 00:11:21,400 sent us, I want us to take a 284 00:11:21,400 --> 00:11:25,060 look, we are talking about how he played 285 00:11:25,060 --> 00:11:28,340 with these marionettes or these figurines. 286 00:11:28,560 --> 00:11:31,440 For me, I think the most interesting could 287 00:11:31,440 --> 00:11:35,160 be this one, in which it is not 288 00:11:35,160 --> 00:11:37,380 a hard light but it is an interesting 289 00:11:37,380 --> 00:11:40,920 light, that is, remember that the day may 290 00:11:40,920 --> 00:11:46,680 come out cloudy or foggy or a very 291 00:11:46,680 --> 00:11:47,400 very strong sun does not come out, but 292 00:11:47,400 --> 00:11:49,440 the most important thing is to find an 293 00:11:49,440 --> 00:11:51,420 interesting light, it is the starting point for 294 00:11:51,420 --> 00:11:54,100 everything and the rest we will already play. 295 00:11:54,420 --> 00:11:57,760 As you are seeing Alfonso here, well, he 296 00:11:57,760 --> 00:11:59,820 has played as if the couple were a 297 00:11:59,820 --> 00:12:00,680 couple of marionettes. 298 00:12:01,120 --> 00:12:03,580 I see that the bride or the girl, 299 00:12:03,660 --> 00:12:06,020 for example, in this case lost her left 300 00:12:06,020 --> 00:12:09,200 hand, so well, nothing happens. 301 00:12:10,000 --> 00:12:11,620 Let's go for the second one, okay? 302 00:12:12,080 --> 00:12:15,060 Although it is a vertical photo and you 303 00:12:15,060 --> 00:12:17,140 already know that vertical photos sometimes do not 304 00:12:17,140 --> 00:12:19,300 convince me, because they have to have a 305 00:12:19,300 --> 00:12:23,200 higher power and it is also super complicated 306 00:12:23,200 --> 00:12:29,220 to find the composition in them, but I 307 00:12:29,220 --> 00:12:30,200 would like to talk to you, for example, 308 00:12:30,280 --> 00:12:30,580 about it. 309 00:12:30,940 --> 00:12:32,680 The biggest mistake or the main mistake I 310 00:12:32,680 --> 00:12:35,440 see is this, in which, notice that the 311 00:12:35,440 --> 00:12:37,820 left arm of the figure is touching, or 312 00:12:37,820 --> 00:12:39,560 the left arm of the boy is touching 313 00:12:39,560 --> 00:12:42,840 the girl's left leg, so that does not 314 00:12:42,840 --> 00:12:43,920 end up working. 315 00:12:44,840 --> 00:12:46,560 I love that continuous light with which you 316 00:12:46,560 --> 00:12:47,820 have played with the girl, I think it 317 00:12:47,820 --> 00:12:48,680 is very very interesting. 318 00:12:49,380 --> 00:12:51,280 I would dare to say that it is 319 00:12:51,280 --> 00:12:54,000 a LED light and it works very well, 320 00:12:54,120 --> 00:12:55,760 that is, how you have also directed her 321 00:12:55,760 --> 00:12:58,220 hands and how you have placed the boy. 322 00:12:58,640 --> 00:13:01,220 Perhaps the boy would have worked better if 323 00:13:01,220 --> 00:13:02,880 he had not looked at us, but if 324 00:13:02,880 --> 00:13:04,580 he had looked well to the left or 325 00:13:04,580 --> 00:13:06,800 well to the right, but hey, it works 326 00:13:06,800 --> 00:13:09,560 quite well and above all the idea is 327 00:13:09,560 --> 00:13:10,880 very good, okay? 328 00:13:11,500 --> 00:13:13,720 And we are going for the last one. 329 00:13:14,740 --> 00:13:16,420 The truth is that the idea again is 330 00:13:16,420 --> 00:13:19,060 good, but as always, it lacks a little 331 00:13:19,060 --> 00:13:20,640 degree of execution, right? 332 00:13:21,060 --> 00:13:23,320 And what I mean is that, notice that 333 00:13:23,320 --> 00:13:26,420 the neutral blue background is perfect, but the 334 00:13:26,420 --> 00:13:29,440 line that cuts through the boy's head does 335 00:13:29,440 --> 00:13:31,740 not end up working and also it does 336 00:13:31,740 --> 00:13:33,820 not end up working for me at all, 337 00:13:34,080 --> 00:13:37,480 that the left foot and the right foot 338 00:13:37,480 --> 00:13:40,420 of him are mutilated, with which we should 339 00:13:40,420 --> 00:13:43,640 have picked up those legs a little or 340 00:13:43,640 --> 00:13:46,760 have taken a small step back so that 341 00:13:46,760 --> 00:13:48,100 everything would have fitted perfectly. 342 00:13:49,020 --> 00:13:51,980 So nothing, Alfonso, it was just not good. 343 00:13:52,180 --> 00:13:55,020 You have a very, very interesting job, but 344 00:13:55,020 --> 00:13:57,040 just as I was saying, for example, to 345 00:13:57,040 --> 00:14:01,240 Jorge Sulbaran and, for example, to Rafa Vicheros, 346 00:14:01,240 --> 00:14:03,160 you just have to think a little more 347 00:14:03,160 --> 00:14:05,620 and you just have to breathe deeply and 348 00:14:05,620 --> 00:14:08,720 know, I mean, before pressing the click, think 349 00:14:08,720 --> 00:14:11,520 about what is at all ends of my 350 00:14:11,520 --> 00:14:13,680 frame and see how we can correct it. 351 00:14:13,900 --> 00:14:16,140 At the moment you look at all ends 352 00:14:16,140 --> 00:14:17,900 and see what there is, I assure you 353 00:14:17,900 --> 00:14:22,960 that the photograph will change, but totally, okay? 354 00:14:23,520 --> 00:14:24,000 Very good guys. 355 00:14:24,600 --> 00:14:26,960 Ok, well, let's look at some more, okay? 356 00:14:27,580 --> 00:14:29,600 And above all, some very, very crazy, like 357 00:14:29,600 --> 00:14:31,040 the ones you are seeing now, from our 358 00:14:31,040 --> 00:14:35,400 friend Andrés Montoya, who titles this image as 359 00:14:35,400 --> 00:14:37,880 the cage, in allegory, right? 360 00:14:37,940 --> 00:14:39,480 To the times that, well, that is, because 361 00:14:39,480 --> 00:14:41,560 we are living and I must say that, 362 00:14:42,600 --> 00:14:44,900 kid, your head has gone very well, with 363 00:14:44,900 --> 00:14:47,160 the head of a dead bird and the 364 00:14:47,160 --> 00:14:48,880 background is all reddish. 365 00:14:49,220 --> 00:14:52,060 But hey, just analyzing, I see that there 366 00:14:52,060 --> 00:14:53,980 is a very, very, very interesting light, because 367 00:14:53,980 --> 00:14:56,780 it comes from the right, in which it 368 00:14:56,780 --> 00:14:59,400 is bathing in a very cold temperature, which 369 00:14:59,400 --> 00:15:01,780 is, I think it will be Andrés, in 370 00:15:01,780 --> 00:15:03,400 which it will have been put on by 371 00:15:03,400 --> 00:15:06,520 the mask, and notice how well that neutral 372 00:15:06,520 --> 00:15:06,800 background works, right? 373 00:15:07,600 --> 00:15:09,060 I always say that they seem very, very 374 00:15:09,060 --> 00:15:10,880 interesting to me, that is, the contrast, right? 375 00:15:10,900 --> 00:15:13,440 Between colors that have a warm temperature and 376 00:15:13,440 --> 00:15:15,240 colors that have a cold temperature, right? 377 00:15:15,320 --> 00:15:17,560 Very good, but your head has gone, huh? 378 00:15:18,500 --> 00:15:22,080 Ok, let's go for our friend Diego Tabango, 379 00:15:22,600 --> 00:15:25,560 I love this type of edition and I 380 00:15:25,560 --> 00:15:27,460 also love how you have positioned yourself there, 381 00:15:27,960 --> 00:15:28,060 okay? 382 00:15:28,440 --> 00:15:31,500 Perfect, Diego, perfect for how you came out 383 00:15:31,500 --> 00:15:36,240 of your comfort zone and how you have 384 00:15:36,240 --> 00:15:39,860 photographed yourself in a very, very interesting location, 385 00:15:40,120 --> 00:15:40,240 right? 386 00:15:40,520 --> 00:15:43,060 How did you play with the geometry, which 387 00:15:43,060 --> 00:15:44,360 was something that I had forgotten to comment 388 00:15:44,360 --> 00:15:47,620 on, which is also something fundamental, and above 389 00:15:47,620 --> 00:15:48,160 all, right? 390 00:15:48,160 --> 00:15:49,580 With the neutral background of the sky and 391 00:15:49,580 --> 00:15:51,660 with the geometry in a circular way, very 392 00:15:51,660 --> 00:15:52,060 interesting. 393 00:15:53,140 --> 00:15:56,020 Let's go for our friend Manuel García, who 394 00:15:56,020 --> 00:15:58,320 plays with his daughter, look at what an 395 00:15:58,320 --> 00:16:00,320 interesting light too, look at how he played 396 00:16:00,320 --> 00:16:02,440 with all the balls, I want to think 397 00:16:02,440 --> 00:16:06,100 that you raised or played with all the 398 00:16:06,100 --> 00:16:08,720 balls, and well, and with the girl with 399 00:16:08,720 --> 00:16:10,240 those glasses, so interesting, right? 400 00:16:10,480 --> 00:16:13,180 Let's also go for our friend Andrea Cazziola, 401 00:16:13,740 --> 00:16:16,140 I have known Andrea for a long time, 402 00:16:16,840 --> 00:16:22,380 for several years, he has attended several of 403 00:16:22,380 --> 00:16:24,800 my workshops, he lives in southern Italy and 404 00:16:24,800 --> 00:16:26,620 is an incredible person, in addition to being 405 00:16:26,620 --> 00:16:28,720 a photographer, because as you are seeing, super 406 00:16:28,720 --> 00:16:29,300 interesting. 407 00:16:29,540 --> 00:16:30,360 Congratulate him, right? 408 00:16:30,460 --> 00:16:33,480 For how he has played with that master 409 00:16:33,480 --> 00:16:36,040 line that cuts in half, which seems super 410 00:16:36,040 --> 00:16:37,820 interesting to me, how he has played with 411 00:16:37,820 --> 00:16:39,440 the greens, with the blues ... 412 00:16:39,440 --> 00:16:41,180 Notice that in addition, both the green and 413 00:16:41,180 --> 00:16:44,200 the blue are colors, that is, they are 414 00:16:44,200 --> 00:16:46,900 cold colors, but notice that in this photograph, 415 00:16:47,600 --> 00:16:50,200 what Andrea has achieved, that the cold colors 416 00:16:50,200 --> 00:16:51,440 are warm colors, right? 417 00:16:51,500 --> 00:16:52,920 So it seems very, very interesting to me, 418 00:16:53,060 --> 00:16:54,460 well, how he has played, okay? 419 00:16:54,600 --> 00:16:56,720 Well, congratulations Andrea, perfect, and continue like this, 420 00:16:56,760 --> 00:16:58,560 please, don't stop, don't stop creating. 421 00:16:59,400 --> 00:17:02,200 Ok, well, let's go with Xeni León, I 422 00:17:02,200 --> 00:17:04,000 have to congratulate you Xeni, your portrait is 423 00:17:04,000 --> 00:17:04,440 incredible. 424 00:17:04,859 --> 00:17:07,060 I always say that the people that I 425 00:17:07,060 --> 00:17:08,319 portray, who do not look at the camera, 426 00:17:08,319 --> 00:17:11,020 unless they have an incredible look or a 427 00:17:11,020 --> 00:17:13,060 very interesting look, as is the case, right? 428 00:17:13,440 --> 00:17:15,900 I mean, look, for example, the penetrating look 429 00:17:15,900 --> 00:17:17,740 that the boy has, for example, right? 430 00:17:17,859 --> 00:17:22,079 It works perfectly, and how, after seeing his 431 00:17:22,079 --> 00:17:24,420 look, I am going to entertain myself or 432 00:17:24,420 --> 00:17:28,460 observe the rest of the image and I 433 00:17:28,460 --> 00:17:28,980 already see, right? 434 00:17:29,040 --> 00:17:31,120 How the girl is playing and the girl 435 00:17:31,120 --> 00:17:33,400 is bathed with an incredible light, it works 436 00:17:33,400 --> 00:17:36,880 perfectly, and also look at how well that 437 00:17:36,880 --> 00:17:40,260 neutral background works, it is completely black, okay? 438 00:17:40,480 --> 00:17:42,300 But it is a perfect light-dark game, 439 00:17:42,400 --> 00:17:42,980 right? 440 00:17:43,100 --> 00:17:45,760 And it reminds me of a painting, so 441 00:17:45,760 --> 00:17:49,360 Xeni, congratulations, it seems very, very interesting to 442 00:17:49,360 --> 00:17:49,460 me. 443 00:17:49,520 --> 00:17:51,460 Let's go for another image of our friend 444 00:17:51,460 --> 00:17:52,500 Alex Torres. 445 00:17:53,240 --> 00:17:55,260 Sincerely, when I saw the image of Alex 446 00:17:55,260 --> 00:17:56,540 Torres, I wondered, right? 447 00:17:56,620 --> 00:17:58,540 That it had been done during this quarantine, 448 00:17:58,640 --> 00:18:00,780 that despite seeing that in the metadata the 449 00:18:00,780 --> 00:18:03,020 image was shot in the days that I 450 00:18:03,020 --> 00:18:05,520 told you it should be photographed, I asked 451 00:18:05,520 --> 00:18:06,060 Alex, right? 452 00:18:06,160 --> 00:18:08,320 And I said, Alex, have you photographed this 453 00:18:08,320 --> 00:18:09,080 in these days? 454 00:18:09,180 --> 00:18:10,740 And he clearly said yes, right? 455 00:18:11,220 --> 00:18:15,220 So congratulations, one, for convincing a couple in 456 00:18:15,220 --> 00:18:17,720 these days, which surely was not easy to 457 00:18:17,720 --> 00:18:20,300 convince them, so congratulations. 458 00:18:20,660 --> 00:18:23,180 And already, a little by analyzing it, I 459 00:18:23,180 --> 00:18:24,880 have to congratulate you because you have played 460 00:18:24,880 --> 00:18:27,620 perfectly with light, with interesting light, with neutral 461 00:18:27,620 --> 00:18:31,000 backgrounds, with little hands, you have played with 462 00:18:31,000 --> 00:18:32,580 the couple, although they do not look at 463 00:18:32,580 --> 00:18:36,020 each other, there is a complicity thanks to 464 00:18:36,020 --> 00:18:38,080 the hands, great, great. 465 00:18:38,560 --> 00:18:42,660 But there is another little detail that I 466 00:18:42,660 --> 00:18:45,320 would like to point out, which is that 467 00:18:45,320 --> 00:18:47,420 hand that is cut off from the boy. 468 00:18:47,940 --> 00:18:51,260 Those small mistakes make a photograph that could 469 00:18:51,260 --> 00:18:54,640 be outstanding, or noteworthy. 470 00:18:55,620 --> 00:19:01,200 So, please, always, once again, remember, before you 471 00:19:01,200 --> 00:19:05,400 press, before you click, that is, think, the 472 00:19:05,400 --> 00:19:08,380 bastard of Spanish who told me, before pressing 473 00:19:08,380 --> 00:19:10,880 the click, we are going to observe the 474 00:19:10,880 --> 00:19:12,980 ends of the frame to see if everything 475 00:19:12,980 --> 00:19:13,400 works. 476 00:19:13,980 --> 00:19:17,260 If it doesn't work, guys, that hand goes 477 00:19:17,260 --> 00:19:17,360 up. 478 00:19:17,560 --> 00:19:19,000 And if it works, clack clack. 479 00:19:19,460 --> 00:19:19,760 Yes? 480 00:19:20,140 --> 00:19:20,340 Ok. 481 00:19:20,620 --> 00:19:21,780 Well, let's go for another image. 482 00:19:21,920 --> 00:19:26,140 I'm talking about our friend Vicente Pastor and 483 00:19:26,140 --> 00:19:27,900 what I like is how Vicente has played 484 00:19:27,900 --> 00:19:29,840 with those primary colors in which it could 485 00:19:29,840 --> 00:19:33,460 be a reddish purple, a blue of the 486 00:19:33,460 --> 00:19:36,060 sky and a white that, in turn, both 487 00:19:36,060 --> 00:19:38,100 the white and the blue and, in a 488 00:19:38,100 --> 00:19:40,000 certain way, that reddish color is the same 489 00:19:40,000 --> 00:19:41,920 color that, for example, the boy has, right? 490 00:19:42,320 --> 00:19:46,260 So everything works well, except, again, a part 491 00:19:46,260 --> 00:19:49,940 that is mutilated and, surely, you don't need 492 00:19:49,940 --> 00:19:51,100 me to tell you what it is, right? 493 00:19:51,480 --> 00:19:53,140 That little leg that cuts around here. 494 00:19:53,360 --> 00:19:57,020 Those little mistakes make our images not be 495 00:19:57,020 --> 00:19:58,100 perfectly closed. 496 00:19:58,380 --> 00:20:00,900 So remember, correct them well, please. 497 00:20:01,600 --> 00:20:01,760 Okay? 498 00:20:01,940 --> 00:20:03,320 And we're going for the last one. 499 00:20:03,720 --> 00:20:05,260 And it's not because it's the best, but 500 00:20:05,260 --> 00:20:06,800 it's going to be the winner for me 501 00:20:06,800 --> 00:20:09,360 and what also for Erika, because, well, I 502 00:20:09,360 --> 00:20:10,300 asked her, right? 503 00:20:10,440 --> 00:20:12,840 I say, which one, which one, which one? 504 00:20:13,160 --> 00:20:14,200 I mean, which one do we choose, right? 505 00:20:14,680 --> 00:20:16,840 And the truth is that we were thinking 506 00:20:16,840 --> 00:20:20,960 between this one, especially Andrea's, we thought about 507 00:20:20,960 --> 00:20:23,920 Xeni too, which could be very, very interesting. 508 00:20:24,860 --> 00:20:28,880 We were also thinking about Alfonso's creativity, right? 509 00:20:28,880 --> 00:20:30,780 About how he had played, okay? 510 00:20:31,240 --> 00:20:34,200 And of course, we were also thinking, for 511 00:20:34,200 --> 00:20:37,940 example, about Jorge Sulbarán, because he took out 512 00:20:37,940 --> 00:20:40,660 a room, a lot of creative resources to 513 00:20:40,660 --> 00:20:44,500 which we must praise, we must congratulate, but 514 00:20:44,500 --> 00:20:46,520 in all these images there were small mistakes 515 00:20:46,520 --> 00:20:49,840 and, honestly, the one that transmitted us a 516 00:20:49,840 --> 00:20:52,500 better vibe, a better atmosphere, and how he 517 00:20:52,500 --> 00:20:56,000 had played with those primary colors, neutral backgrounds, 518 00:20:56,260 --> 00:20:59,820 hard light or very interesting light, had been 519 00:20:59,820 --> 00:21:02,600 Marcelo Domiciano, from Brazil. 520 00:21:03,400 --> 00:21:09,680 So, congratulations, Marcelo, the photo is really interesting, 521 00:21:10,140 --> 00:21:12,940 although I should also say that there are 522 00:21:12,940 --> 00:21:14,080 small mistakes, right? 523 00:21:14,240 --> 00:21:18,120 Like that line that he is mutilating by 524 00:21:18,120 --> 00:21:22,120 hand, right here of the boy, notice that 525 00:21:22,120 --> 00:21:24,400 that does not make it end up working 526 00:21:24,400 --> 00:21:27,380 so well, and I, perhaps, the approach would 527 00:21:27,380 --> 00:21:30,220 have directed it towards him and not towards 528 00:21:30,220 --> 00:21:30,500 her. 529 00:21:30,820 --> 00:21:31,500 You have been with us for a couple 530 00:21:31,500 --> 00:21:34,820 of hours, and we can talk about whatever 531 00:21:34,820 --> 00:21:35,320 you want, right? 532 00:21:36,180 --> 00:21:41,460 About creativity, editing, or business, although I think 533 00:21:41,460 --> 00:21:43,120 we know very little about business, although very 534 00:21:43,120 --> 00:21:44,840 soon you will have a good chapter on 535 00:21:44,840 --> 00:21:45,340 it. 536 00:21:45,860 --> 00:21:50,080 So, well, I mean, congratulations to everyone, okay? 537 00:21:50,400 --> 00:21:53,720 Again, thank you very much, and see you 538 00:21:53,720 --> 00:21:55,400 in a chapter that you will surely like 539 00:21:55,400 --> 00:21:57,460 even more. 540 00:21:57,720 --> 00:21:58,180 Bye, bye. 541 00:21:58,500 --> 00:21:59,020 Take care, friends. 38879

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.