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Hello friends, how are you?
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How is everything going?
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I hope the best possible.
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Here you have me giving war again and
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this chapter I would like to dedicate it
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to reviewing the images that you all sent
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me for the challenge that I launched a
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couple of weeks ago.
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Remember that the challenge was to try to
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make some of the images in the state
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in which we are, that is, in confinement,
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in which you try to get out of
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your comfort zone, try to play with interesting
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lights in which you could play with your
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partner, with yourself, with your animals, your children
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and ultimately it was to find neutral backgrounds
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and if it could be with all kinds
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of primary colors or all kinds of complementary
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colors.
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So first I want to thank all of
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you who have been brave enough to send
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me photos, there are super interesting photos and
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those who do not, I understand that maybe
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you have not had time but for the
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next challenge I invite you to participate because
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it is a really important game to see
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how far our limitations go.
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So what I'm going to do now is
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just show you some of the images that
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you have been sending me, what I'm going
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to try to criticize and within all of
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them we are going to try to find
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the one that I like the most and
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remember that the one that was the winner
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or the one that was the winner is
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going to take two hours of talk with
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me in which we can talk about anything
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you want from creativity to business or whatever
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you want.
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Ok, so I don't get distracted anymore and
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we're going to get them.
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First of all I would like to show
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you the photos of our friend Jorge Sulbarán
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and although I said that one could be
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sent, but well, there have been several people
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who have sent several, so well, I'm going
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to have fun with them too and I'm
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going to criticize them or I'm going to
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analyze them a little bit, ok?
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I would like to show you the photos
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that Jorge sent me.
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Sincerely, out of the four, I think the
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one that could fit me the most could
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be this one, but I would have to
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analyze it a little more consciously, although it
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is also quite good, but what I would
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have done would be, well, move that mirror
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to the other side and I would have
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done quite well with what was, for example,
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with what was the reflection and with what
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were also, for example, the hands, I want
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to think that they are his hands with
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those of his partner.
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The mistake that I see here is that
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the hands touch, perhaps it would have worked
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better in which the hands had not touched,
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right?
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It is just the moment before they touch,
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right?
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Do you remember the painting of the Sistine
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Chapel?
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Ok, that is, it would have been good
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that they were almost about to touch, but
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without reaching it and also, as you can
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see, if they had not touched, the shadow
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that is projected, because it would not have
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touched and it would have been a little
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more interesting.
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I also see that the mirror, what I
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would have done, correct the perspective a bit
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in Photoshop or in post-production so that
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the mirror, instead of having this effect, would
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have been completely straight, okay?
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If we already move on to the next
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image, I like how Jorge has played with
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his hands, how he holds, for me it
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ends up convincing is that again he touches
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his girl kissing, I think it would have
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worked better if he had not touched her,
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that he was about to kiss.
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Remember that something fundamental is to play with
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our spectator and at the moment that there
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are two people kissing, the action has already
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been finished, that is why it is good
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that they are about to always touch, so
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that there is a game with that spectator,
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okay?
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This photo, you see, it works but there
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are already things that distract me a lot,
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like that line that cuts Jorge right in
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the back, it also gets a little in
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the head and makes it not finish working,
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also that line is not entirely straight and
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notice that Jorge is also touching the mirror
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with his left arm and it does not
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finish working either, his girl's knee, sorry, is
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also touching that imaginary line of the mirror,
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with which it does not finish either.
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You see that the idea is very good,
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all the ideas that Jorge is having are
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quite good, but he does not finish executing
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them perfectly, it is only a matter of
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time and it is a matter of looking
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a little more and seeing what those little
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mistakes have been, okay?
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We are already going for the last one,
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which I think I would have re-squared
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a little more and above all that window
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in which we can see that intrusive light
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that is above the couple, possibly I would
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have darkened it and also what I would
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have done, I would have removed all the
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lines, both vertical and horizontal, in the case
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of the horizontal ones, they work very well
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but it seems that the vertical ones are
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wobbling a little so I would have corrected
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them, right?
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Congratulations to our friend Jorge because he has
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worked hard enough.
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We are going to go for another colleague,
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okay?
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A colleague that I know, Rafa Bichero, congratulations
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Rafa for having sent us, I thank you
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and the photos that Rafa has sent us
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are this, this and this, okay?
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Here we can see that we even have
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a couple here, who has put on a
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mask, but hey, I think the most interesting
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photo could be this, it is the one
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that plays, I suppose it will be his
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daughter or his son, I think his daughter,
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okay?
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And I like how he played with the
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light but it does not convince me, right?
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Why?
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Notice that the neutral background is perfect but
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it has an illumination above what the girl
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is, for example, with which I would recommend
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to overexpose a little less, perhaps a step
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of diaphragm or even two to get that
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light to be below and already in post
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-production, which would raise the girl a little,
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okay?
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I especially like the one that plays with,
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well, with the girl, right?
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That it looks like her right arm, you
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see that it looks like it is running
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and that it gives it a certain movement,
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right?
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Yes, I like the dark light game, right?
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But as I tell you, for me it
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is overexposed a step at least, okay?
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We are going to the second and notice
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how already not having a neutral background, that
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rock background or that stone background no longer
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ends up working.
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Yes, it is true that I find that
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triangle game interesting, but it is about time.
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Like Jorge Sulbarán, they are very good ideas
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but they are not fully executed to perfection.
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And finally, we go for another photo.
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The idea is good and the truth is
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that I appreciate that you have, well, that
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you have messed up or that you have
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convinced a couple, but look at the place
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where the neutral background was.
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The neutral background is found in this box
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that we have here and you have not
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worked perfectly.
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Notice that if we had avoided or if
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we had cropped the couple a little by
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the waist, the truth is that it would
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have worked well, right?
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And also notice that the column or the
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line that I am marking now does not
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finish working, it is with which it does
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not work either.
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The images are correct but there are small
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nuances, small things that do not end up
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working and that is missing a little bit
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to get there, okay?
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We are going to go for other images
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of our friend Joe Macas.
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I would like to show you this first,
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I think it is a pretty, pretty, pretty
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pretty photo.
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Notice how well the light works here, that
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is, if I have these lights, right?
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That work so well that they go from
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left to right that you can almost touch
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them.
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They are very, very plastic lights, very, very
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interesting.
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And what we see, I suppose it will
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be Joe's wife, here also later with her
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child, with the Batman shirt.
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And well, I love that the child is
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right between the legs, for example, because of
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his mother.
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How well the hands work, for example, how
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the feet also work and it is a
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super, super, super natural image, which is very,
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very good, okay?
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It is quite good.
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Well, and as we are seeing, I think
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we have to congratulate him.
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I don't know if this image is from
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your previous child, is it the one you
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are waiting for?
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I think it is the one you are
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waiting for because the photograph has a current
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date, so Joe, congratulations, okay?
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You are going to be a father again
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of one or two.
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Well, and speaking, for example, of this image,
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what I must tell you is that the
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light is super interesting, how it plays with
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the hands and, above all, with the language
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or with the information that it is giving
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us, so nothing, congratulations, really.
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Okay, well, let's talk about the next photographer
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who sent us images.
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I'm talking about Francesca and Francesca sent us
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three photos and I want us to see
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them.
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This first one, this one, and this one
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too.
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Honestly, my favorite is this one because the
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neutral background is simply formed by that amount
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of droplets that the child is throwing at
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us and I think that, that is, it
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catches a lot and I don't know, there
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is something that worries me and, above all,
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it reminds me of summer, of the happiness
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of the children, of how they throw water
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and all these things and I think it
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is quite good.
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Then we have these images that are interesting
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but no longer reach the power that the
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first one had and look at how the
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background here no longer works so well, the
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intrusive lights are everywhere and I think the
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background should have worked more or it should
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have, for example, been cut, but of course,
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if we cut it, the background no longer
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begins to work because we would carry the
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foot of the child on the left or
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the child on the right, so we would
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have to look or simply darken the sky
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a little and also the light that hits
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the ground to direct all the gaze towards
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the children.
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If we go to this one, it also
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seems very interesting to me how it has
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been played with the colors, how it has
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been played with the lights, but notice that
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there are lines that do not end up
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convincing, for example, like the one I am
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pointing out now, that makes it not end
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up working and the line that we are
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00:10:42,340 --> 00:10:45,200
seeing horizontally does not end up convincing me
272
00:10:45,200 --> 00:10:47,760
either, but the rest works quite well.
273
00:10:48,340 --> 00:10:50,160
I have to remember that Francesca was the
274
00:10:50,160 --> 00:10:53,640
winner of the edition contest in which the
275
00:10:53,640 --> 00:10:59,740
presets were won, so well, first congratulations for
276
00:10:59,740 --> 00:11:02,460
the prize and second congratulations also for sending
277
00:11:02,460 --> 00:11:04,020
me this piece of images.
278
00:11:04,100 --> 00:11:06,880
Ok Francesca, let's go for the next one
279
00:11:06,880 --> 00:11:08,920
and we are going to go for the
280
00:11:08,920 --> 00:11:10,780
crazy Alfonso Wassmer.
281
00:11:11,260 --> 00:11:14,420
Alfonso, creativity surely that you do not lack
282
00:11:14,420 --> 00:11:20,360
at all and the images that Alfonso has
283
00:11:20,360 --> 00:11:21,400
sent us, I want us to take a
284
00:11:21,400 --> 00:11:25,060
look, we are talking about how he played
285
00:11:25,060 --> 00:11:28,340
with these marionettes or these figurines.
286
00:11:28,560 --> 00:11:31,440
For me, I think the most interesting could
287
00:11:31,440 --> 00:11:35,160
be this one, in which it is not
288
00:11:35,160 --> 00:11:37,380
a hard light but it is an interesting
289
00:11:37,380 --> 00:11:40,920
light, that is, remember that the day may
290
00:11:40,920 --> 00:11:46,680
come out cloudy or foggy or a very
291
00:11:46,680 --> 00:11:47,400
very strong sun does not come out, but
292
00:11:47,400 --> 00:11:49,440
the most important thing is to find an
293
00:11:49,440 --> 00:11:51,420
interesting light, it is the starting point for
294
00:11:51,420 --> 00:11:54,100
everything and the rest we will already play.
295
00:11:54,420 --> 00:11:57,760
As you are seeing Alfonso here, well, he
296
00:11:57,760 --> 00:11:59,820
has played as if the couple were a
297
00:11:59,820 --> 00:12:00,680
couple of marionettes.
298
00:12:01,120 --> 00:12:03,580
I see that the bride or the girl,
299
00:12:03,660 --> 00:12:06,020
for example, in this case lost her left
300
00:12:06,020 --> 00:12:09,200
hand, so well, nothing happens.
301
00:12:10,000 --> 00:12:11,620
Let's go for the second one, okay?
302
00:12:12,080 --> 00:12:15,060
Although it is a vertical photo and you
303
00:12:15,060 --> 00:12:17,140
already know that vertical photos sometimes do not
304
00:12:17,140 --> 00:12:19,300
convince me, because they have to have a
305
00:12:19,300 --> 00:12:23,200
higher power and it is also super complicated
306
00:12:23,200 --> 00:12:29,220
to find the composition in them, but I
307
00:12:29,220 --> 00:12:30,200
would like to talk to you, for example,
308
00:12:30,280 --> 00:12:30,580
about it.
309
00:12:30,940 --> 00:12:32,680
The biggest mistake or the main mistake I
310
00:12:32,680 --> 00:12:35,440
see is this, in which, notice that the
311
00:12:35,440 --> 00:12:37,820
left arm of the figure is touching, or
312
00:12:37,820 --> 00:12:39,560
the left arm of the boy is touching
313
00:12:39,560 --> 00:12:42,840
the girl's left leg, so that does not
314
00:12:42,840 --> 00:12:43,920
end up working.
315
00:12:44,840 --> 00:12:46,560
I love that continuous light with which you
316
00:12:46,560 --> 00:12:47,820
have played with the girl, I think it
317
00:12:47,820 --> 00:12:48,680
is very very interesting.
318
00:12:49,380 --> 00:12:51,280
I would dare to say that it is
319
00:12:51,280 --> 00:12:54,000
a LED light and it works very well,
320
00:12:54,120 --> 00:12:55,760
that is, how you have also directed her
321
00:12:55,760 --> 00:12:58,220
hands and how you have placed the boy.
322
00:12:58,640 --> 00:13:01,220
Perhaps the boy would have worked better if
323
00:13:01,220 --> 00:13:02,880
he had not looked at us, but if
324
00:13:02,880 --> 00:13:04,580
he had looked well to the left or
325
00:13:04,580 --> 00:13:06,800
well to the right, but hey, it works
326
00:13:06,800 --> 00:13:09,560
quite well and above all the idea is
327
00:13:09,560 --> 00:13:10,880
very good, okay?
328
00:13:11,500 --> 00:13:13,720
And we are going for the last one.
329
00:13:14,740 --> 00:13:16,420
The truth is that the idea again is
330
00:13:16,420 --> 00:13:19,060
good, but as always, it lacks a little
331
00:13:19,060 --> 00:13:20,640
degree of execution, right?
332
00:13:21,060 --> 00:13:23,320
And what I mean is that, notice that
333
00:13:23,320 --> 00:13:26,420
the neutral blue background is perfect, but the
334
00:13:26,420 --> 00:13:29,440
line that cuts through the boy's head does
335
00:13:29,440 --> 00:13:31,740
not end up working and also it does
336
00:13:31,740 --> 00:13:33,820
not end up working for me at all,
337
00:13:34,080 --> 00:13:37,480
that the left foot and the right foot
338
00:13:37,480 --> 00:13:40,420
of him are mutilated, with which we should
339
00:13:40,420 --> 00:13:43,640
have picked up those legs a little or
340
00:13:43,640 --> 00:13:46,760
have taken a small step back so that
341
00:13:46,760 --> 00:13:48,100
everything would have fitted perfectly.
342
00:13:49,020 --> 00:13:51,980
So nothing, Alfonso, it was just not good.
343
00:13:52,180 --> 00:13:55,020
You have a very, very interesting job, but
344
00:13:55,020 --> 00:13:57,040
just as I was saying, for example, to
345
00:13:57,040 --> 00:14:01,240
Jorge Sulbaran and, for example, to Rafa Vicheros,
346
00:14:01,240 --> 00:14:03,160
you just have to think a little more
347
00:14:03,160 --> 00:14:05,620
and you just have to breathe deeply and
348
00:14:05,620 --> 00:14:08,720
know, I mean, before pressing the click, think
349
00:14:08,720 --> 00:14:11,520
about what is at all ends of my
350
00:14:11,520 --> 00:14:13,680
frame and see how we can correct it.
351
00:14:13,900 --> 00:14:16,140
At the moment you look at all ends
352
00:14:16,140 --> 00:14:17,900
and see what there is, I assure you
353
00:14:17,900 --> 00:14:22,960
that the photograph will change, but totally, okay?
354
00:14:23,520 --> 00:14:24,000
Very good guys.
355
00:14:24,600 --> 00:14:26,960
Ok, well, let's look at some more, okay?
356
00:14:27,580 --> 00:14:29,600
And above all, some very, very crazy, like
357
00:14:29,600 --> 00:14:31,040
the ones you are seeing now, from our
358
00:14:31,040 --> 00:14:35,400
friend Andrés Montoya, who titles this image as
359
00:14:35,400 --> 00:14:37,880
the cage, in allegory, right?
360
00:14:37,940 --> 00:14:39,480
To the times that, well, that is, because
361
00:14:39,480 --> 00:14:41,560
we are living and I must say that,
362
00:14:42,600 --> 00:14:44,900
kid, your head has gone very well, with
363
00:14:44,900 --> 00:14:47,160
the head of a dead bird and the
364
00:14:47,160 --> 00:14:48,880
background is all reddish.
365
00:14:49,220 --> 00:14:52,060
But hey, just analyzing, I see that there
366
00:14:52,060 --> 00:14:53,980
is a very, very, very interesting light, because
367
00:14:53,980 --> 00:14:56,780
it comes from the right, in which it
368
00:14:56,780 --> 00:14:59,400
is bathing in a very cold temperature, which
369
00:14:59,400 --> 00:15:01,780
is, I think it will be Andrés, in
370
00:15:01,780 --> 00:15:03,400
which it will have been put on by
371
00:15:03,400 --> 00:15:06,520
the mask, and notice how well that neutral
372
00:15:06,520 --> 00:15:06,800
background works, right?
373
00:15:07,600 --> 00:15:09,060
I always say that they seem very, very
374
00:15:09,060 --> 00:15:10,880
interesting to me, that is, the contrast, right?
375
00:15:10,900 --> 00:15:13,440
Between colors that have a warm temperature and
376
00:15:13,440 --> 00:15:15,240
colors that have a cold temperature, right?
377
00:15:15,320 --> 00:15:17,560
Very good, but your head has gone, huh?
378
00:15:18,500 --> 00:15:22,080
Ok, let's go for our friend Diego Tabango,
379
00:15:22,600 --> 00:15:25,560
I love this type of edition and I
380
00:15:25,560 --> 00:15:27,460
also love how you have positioned yourself there,
381
00:15:27,960 --> 00:15:28,060
okay?
382
00:15:28,440 --> 00:15:31,500
Perfect, Diego, perfect for how you came out
383
00:15:31,500 --> 00:15:36,240
of your comfort zone and how you have
384
00:15:36,240 --> 00:15:39,860
photographed yourself in a very, very interesting location,
385
00:15:40,120 --> 00:15:40,240
right?
386
00:15:40,520 --> 00:15:43,060
How did you play with the geometry, which
387
00:15:43,060 --> 00:15:44,360
was something that I had forgotten to comment
388
00:15:44,360 --> 00:15:47,620
on, which is also something fundamental, and above
389
00:15:47,620 --> 00:15:48,160
all, right?
390
00:15:48,160 --> 00:15:49,580
With the neutral background of the sky and
391
00:15:49,580 --> 00:15:51,660
with the geometry in a circular way, very
392
00:15:51,660 --> 00:15:52,060
interesting.
393
00:15:53,140 --> 00:15:56,020
Let's go for our friend Manuel García, who
394
00:15:56,020 --> 00:15:58,320
plays with his daughter, look at what an
395
00:15:58,320 --> 00:16:00,320
interesting light too, look at how he played
396
00:16:00,320 --> 00:16:02,440
with all the balls, I want to think
397
00:16:02,440 --> 00:16:06,100
that you raised or played with all the
398
00:16:06,100 --> 00:16:08,720
balls, and well, and with the girl with
399
00:16:08,720 --> 00:16:10,240
those glasses, so interesting, right?
400
00:16:10,480 --> 00:16:13,180
Let's also go for our friend Andrea Cazziola,
401
00:16:13,740 --> 00:16:16,140
I have known Andrea for a long time,
402
00:16:16,840 --> 00:16:22,380
for several years, he has attended several of
403
00:16:22,380 --> 00:16:24,800
my workshops, he lives in southern Italy and
404
00:16:24,800 --> 00:16:26,620
is an incredible person, in addition to being
405
00:16:26,620 --> 00:16:28,720
a photographer, because as you are seeing, super
406
00:16:28,720 --> 00:16:29,300
interesting.
407
00:16:29,540 --> 00:16:30,360
Congratulate him, right?
408
00:16:30,460 --> 00:16:33,480
For how he has played with that master
409
00:16:33,480 --> 00:16:36,040
line that cuts in half, which seems super
410
00:16:36,040 --> 00:16:37,820
interesting to me, how he has played with
411
00:16:37,820 --> 00:16:39,440
the greens, with the blues ...
412
00:16:39,440 --> 00:16:41,180
Notice that in addition, both the green and
413
00:16:41,180 --> 00:16:44,200
the blue are colors, that is, they are
414
00:16:44,200 --> 00:16:46,900
cold colors, but notice that in this photograph,
415
00:16:47,600 --> 00:16:50,200
what Andrea has achieved, that the cold colors
416
00:16:50,200 --> 00:16:51,440
are warm colors, right?
417
00:16:51,500 --> 00:16:52,920
So it seems very, very interesting to me,
418
00:16:53,060 --> 00:16:54,460
well, how he has played, okay?
419
00:16:54,600 --> 00:16:56,720
Well, congratulations Andrea, perfect, and continue like this,
420
00:16:56,760 --> 00:16:58,560
please, don't stop, don't stop creating.
421
00:16:59,400 --> 00:17:02,200
Ok, well, let's go with Xeni León, I
422
00:17:02,200 --> 00:17:04,000
have to congratulate you Xeni, your portrait is
423
00:17:04,000 --> 00:17:04,440
incredible.
424
00:17:04,859 --> 00:17:07,060
I always say that the people that I
425
00:17:07,060 --> 00:17:08,319
portray, who do not look at the camera,
426
00:17:08,319 --> 00:17:11,020
unless they have an incredible look or a
427
00:17:11,020 --> 00:17:13,060
very interesting look, as is the case, right?
428
00:17:13,440 --> 00:17:15,900
I mean, look, for example, the penetrating look
429
00:17:15,900 --> 00:17:17,740
that the boy has, for example, right?
430
00:17:17,859 --> 00:17:22,079
It works perfectly, and how, after seeing his
431
00:17:22,079 --> 00:17:24,420
look, I am going to entertain myself or
432
00:17:24,420 --> 00:17:28,460
observe the rest of the image and I
433
00:17:28,460 --> 00:17:28,980
already see, right?
434
00:17:29,040 --> 00:17:31,120
How the girl is playing and the girl
435
00:17:31,120 --> 00:17:33,400
is bathed with an incredible light, it works
436
00:17:33,400 --> 00:17:36,880
perfectly, and also look at how well that
437
00:17:36,880 --> 00:17:40,260
neutral background works, it is completely black, okay?
438
00:17:40,480 --> 00:17:42,300
But it is a perfect light-dark game,
439
00:17:42,400 --> 00:17:42,980
right?
440
00:17:43,100 --> 00:17:45,760
And it reminds me of a painting, so
441
00:17:45,760 --> 00:17:49,360
Xeni, congratulations, it seems very, very interesting to
442
00:17:49,360 --> 00:17:49,460
me.
443
00:17:49,520 --> 00:17:51,460
Let's go for another image of our friend
444
00:17:51,460 --> 00:17:52,500
Alex Torres.
445
00:17:53,240 --> 00:17:55,260
Sincerely, when I saw the image of Alex
446
00:17:55,260 --> 00:17:56,540
Torres, I wondered, right?
447
00:17:56,620 --> 00:17:58,540
That it had been done during this quarantine,
448
00:17:58,640 --> 00:18:00,780
that despite seeing that in the metadata the
449
00:18:00,780 --> 00:18:03,020
image was shot in the days that I
450
00:18:03,020 --> 00:18:05,520
told you it should be photographed, I asked
451
00:18:05,520 --> 00:18:06,060
Alex, right?
452
00:18:06,160 --> 00:18:08,320
And I said, Alex, have you photographed this
453
00:18:08,320 --> 00:18:09,080
in these days?
454
00:18:09,180 --> 00:18:10,740
And he clearly said yes, right?
455
00:18:11,220 --> 00:18:15,220
So congratulations, one, for convincing a couple in
456
00:18:15,220 --> 00:18:17,720
these days, which surely was not easy to
457
00:18:17,720 --> 00:18:20,300
convince them, so congratulations.
458
00:18:20,660 --> 00:18:23,180
And already, a little by analyzing it, I
459
00:18:23,180 --> 00:18:24,880
have to congratulate you because you have played
460
00:18:24,880 --> 00:18:27,620
perfectly with light, with interesting light, with neutral
461
00:18:27,620 --> 00:18:31,000
backgrounds, with little hands, you have played with
462
00:18:31,000 --> 00:18:32,580
the couple, although they do not look at
463
00:18:32,580 --> 00:18:36,020
each other, there is a complicity thanks to
464
00:18:36,020 --> 00:18:38,080
the hands, great, great.
465
00:18:38,560 --> 00:18:42,660
But there is another little detail that I
466
00:18:42,660 --> 00:18:45,320
would like to point out, which is that
467
00:18:45,320 --> 00:18:47,420
hand that is cut off from the boy.
468
00:18:47,940 --> 00:18:51,260
Those small mistakes make a photograph that could
469
00:18:51,260 --> 00:18:54,640
be outstanding, or noteworthy.
470
00:18:55,620 --> 00:19:01,200
So, please, always, once again, remember, before you
471
00:19:01,200 --> 00:19:05,400
press, before you click, that is, think, the
472
00:19:05,400 --> 00:19:08,380
bastard of Spanish who told me, before pressing
473
00:19:08,380 --> 00:19:10,880
the click, we are going to observe the
474
00:19:10,880 --> 00:19:12,980
ends of the frame to see if everything
475
00:19:12,980 --> 00:19:13,400
works.
476
00:19:13,980 --> 00:19:17,260
If it doesn't work, guys, that hand goes
477
00:19:17,260 --> 00:19:17,360
up.
478
00:19:17,560 --> 00:19:19,000
And if it works, clack clack.
479
00:19:19,460 --> 00:19:19,760
Yes?
480
00:19:20,140 --> 00:19:20,340
Ok.
481
00:19:20,620 --> 00:19:21,780
Well, let's go for another image.
482
00:19:21,920 --> 00:19:26,140
I'm talking about our friend Vicente Pastor and
483
00:19:26,140 --> 00:19:27,900
what I like is how Vicente has played
484
00:19:27,900 --> 00:19:29,840
with those primary colors in which it could
485
00:19:29,840 --> 00:19:33,460
be a reddish purple, a blue of the
486
00:19:33,460 --> 00:19:36,060
sky and a white that, in turn, both
487
00:19:36,060 --> 00:19:38,100
the white and the blue and, in a
488
00:19:38,100 --> 00:19:40,000
certain way, that reddish color is the same
489
00:19:40,000 --> 00:19:41,920
color that, for example, the boy has, right?
490
00:19:42,320 --> 00:19:46,260
So everything works well, except, again, a part
491
00:19:46,260 --> 00:19:49,940
that is mutilated and, surely, you don't need
492
00:19:49,940 --> 00:19:51,100
me to tell you what it is, right?
493
00:19:51,480 --> 00:19:53,140
That little leg that cuts around here.
494
00:19:53,360 --> 00:19:57,020
Those little mistakes make our images not be
495
00:19:57,020 --> 00:19:58,100
perfectly closed.
496
00:19:58,380 --> 00:20:00,900
So remember, correct them well, please.
497
00:20:01,600 --> 00:20:01,760
Okay?
498
00:20:01,940 --> 00:20:03,320
And we're going for the last one.
499
00:20:03,720 --> 00:20:05,260
And it's not because it's the best, but
500
00:20:05,260 --> 00:20:06,800
it's going to be the winner for me
501
00:20:06,800 --> 00:20:09,360
and what also for Erika, because, well, I
502
00:20:09,360 --> 00:20:10,300
asked her, right?
503
00:20:10,440 --> 00:20:12,840
I say, which one, which one, which one?
504
00:20:13,160 --> 00:20:14,200
I mean, which one do we choose, right?
505
00:20:14,680 --> 00:20:16,840
And the truth is that we were thinking
506
00:20:16,840 --> 00:20:20,960
between this one, especially Andrea's, we thought about
507
00:20:20,960 --> 00:20:23,920
Xeni too, which could be very, very interesting.
508
00:20:24,860 --> 00:20:28,880
We were also thinking about Alfonso's creativity, right?
509
00:20:28,880 --> 00:20:30,780
About how he had played, okay?
510
00:20:31,240 --> 00:20:34,200
And of course, we were also thinking, for
511
00:20:34,200 --> 00:20:37,940
example, about Jorge Sulbarán, because he took out
512
00:20:37,940 --> 00:20:40,660
a room, a lot of creative resources to
513
00:20:40,660 --> 00:20:44,500
which we must praise, we must congratulate, but
514
00:20:44,500 --> 00:20:46,520
in all these images there were small mistakes
515
00:20:46,520 --> 00:20:49,840
and, honestly, the one that transmitted us a
516
00:20:49,840 --> 00:20:52,500
better vibe, a better atmosphere, and how he
517
00:20:52,500 --> 00:20:56,000
had played with those primary colors, neutral backgrounds,
518
00:20:56,260 --> 00:20:59,820
hard light or very interesting light, had been
519
00:20:59,820 --> 00:21:02,600
Marcelo Domiciano, from Brazil.
520
00:21:03,400 --> 00:21:09,680
So, congratulations, Marcelo, the photo is really interesting,
521
00:21:10,140 --> 00:21:12,940
although I should also say that there are
522
00:21:12,940 --> 00:21:14,080
small mistakes, right?
523
00:21:14,240 --> 00:21:18,120
Like that line that he is mutilating by
524
00:21:18,120 --> 00:21:22,120
hand, right here of the boy, notice that
525
00:21:22,120 --> 00:21:24,400
that does not make it end up working
526
00:21:24,400 --> 00:21:27,380
so well, and I, perhaps, the approach would
527
00:21:27,380 --> 00:21:30,220
have directed it towards him and not towards
528
00:21:30,220 --> 00:21:30,500
her.
529
00:21:30,820 --> 00:21:31,500
You have been with us for a couple
530
00:21:31,500 --> 00:21:34,820
of hours, and we can talk about whatever
531
00:21:34,820 --> 00:21:35,320
you want, right?
532
00:21:36,180 --> 00:21:41,460
About creativity, editing, or business, although I think
533
00:21:41,460 --> 00:21:43,120
we know very little about business, although very
534
00:21:43,120 --> 00:21:44,840
soon you will have a good chapter on
535
00:21:44,840 --> 00:21:45,340
it.
536
00:21:45,860 --> 00:21:50,080
So, well, I mean, congratulations to everyone, okay?
537
00:21:50,400 --> 00:21:53,720
Again, thank you very much, and see you
538
00:21:53,720 --> 00:21:55,400
in a chapter that you will surely like
539
00:21:55,400 --> 00:21:57,460
even more.
540
00:21:57,720 --> 00:21:58,180
Bye, bye.
541
00:21:58,500 --> 00:21:59,020
Take care, friends.
38879
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