All language subtitles for Episode 121º Talk about my last photos

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These are the user uploaded subtitles that are being translated: 1 00:00:01,100 --> 00:00:03,100 Hello friends, how are you? 2 00:00:03,180 --> 00:00:03,780 How are things going? 3 00:00:04,060 --> 00:00:06,600 Here we are, as always, like all of 4 00:00:06,600 --> 00:00:07,980 you, with a thousand open fronts. 5 00:00:08,900 --> 00:00:10,540 And today I want to talk to you 6 00:00:10,540 --> 00:00:13,580 about a few photos that I took at 7 00:00:13,580 --> 00:00:14,120 the last wedding. 8 00:00:14,380 --> 00:00:16,600 They are photos that were taken with flash, 9 00:00:16,680 --> 00:00:18,680 here I have the flash, here I have 10 00:00:18,680 --> 00:00:20,560 the lens with which they were taken, which 11 00:00:20,560 --> 00:00:21,320 is a 20mm. 12 00:00:22,260 --> 00:00:24,480 But before we talk about all that, before 13 00:00:24,480 --> 00:00:27,360 we talk, I would like to simply show 14 00:00:27,360 --> 00:00:30,840 them to you, because I am happy, because 15 00:00:30,840 --> 00:00:33,820 I already have the album with me, in 16 00:00:33,820 --> 00:00:36,540 which we prepare every year, of our son 17 00:00:36,540 --> 00:00:36,820 Leo. 18 00:00:37,620 --> 00:00:39,320 And it is a gift that always goes 19 00:00:39,320 --> 00:00:42,760 for the grandparents, I mean, for my parents 20 00:00:42,760 --> 00:00:45,820 and for my in-laws, and that we 21 00:00:45,820 --> 00:00:49,800 always end up giving away on Christmas Eve. 22 00:00:51,020 --> 00:00:52,680 And here we have it, right? 23 00:00:52,800 --> 00:00:55,960 It is a good memory, well, it is 24 00:00:55,960 --> 00:00:59,980 a great memory, of our son, right? 25 00:01:02,240 --> 00:01:05,540 And it is not just a gift for 26 00:01:05,540 --> 00:01:09,620 the grandparents, but because when I was a 27 00:01:09,620 --> 00:01:12,100 child, I remember that my father, well, who 28 00:01:12,100 --> 00:01:13,540 is not a photographer, but he is a 29 00:01:13,540 --> 00:01:16,060 lover of photography, I remember how both my 30 00:01:16,060 --> 00:01:19,620 brother and I were constantly photographed, and that, 31 00:01:20,020 --> 00:01:21,460 to this day, I still think it has 32 00:01:21,460 --> 00:01:24,440 an incalculable value, and that is where we 33 00:01:24,440 --> 00:01:24,600 are, right? 34 00:01:24,780 --> 00:01:27,000 Whenever I can, I have the camera ready, 35 00:01:27,160 --> 00:01:28,920 and if Leo is doing the Mongolo, if 36 00:01:28,920 --> 00:01:31,380 he is eating, if he is doing the 37 00:01:31,380 --> 00:01:34,500 Zenutrio, well, I always try to photograph him 38 00:01:34,500 --> 00:01:38,900 and take him out in the most Iberosimile 39 00:01:38,900 --> 00:01:41,740 situations, because I trust that in the future 40 00:01:41,740 --> 00:01:43,840 he will see them as I saw them, 41 00:01:43,920 --> 00:01:45,260 or as I see them, and he will 42 00:01:45,260 --> 00:01:47,940 take a good memory, right? 43 00:01:47,940 --> 00:01:49,640 But, well, I do not want to talk 44 00:01:49,640 --> 00:01:51,000 about that today, but, as I was saying, 45 00:01:51,260 --> 00:01:54,260 and we bring this here, at the last 46 00:01:54,260 --> 00:01:56,400 wedding, at the last wedding we had in 47 00:01:56,400 --> 00:01:59,060 Zaragoza, a couple of weeks ago, a couple 48 00:01:59,060 --> 00:02:03,780 of weekends ago, I simply took a few 49 00:02:03,780 --> 00:02:06,960 photos that I find interesting when it comes 50 00:02:06,960 --> 00:02:09,419 to sharing them with you, because they are 51 00:02:09,419 --> 00:02:11,180 not the kind of photos that I usually 52 00:02:11,180 --> 00:02:15,120 take, and in the end, or finally, I 53 00:02:15,120 --> 00:02:17,460 found it a bit difficult to do them, 54 00:02:17,460 --> 00:02:21,360 because, I say difficult, because I had to 55 00:02:21,360 --> 00:02:27,080 feel, not forced, but, in a way, I 56 00:02:27,080 --> 00:02:28,440 felt that I had to do it, right? 57 00:02:28,520 --> 00:02:28,680 Why? 58 00:02:29,200 --> 00:02:34,620 Because the wedding was in a place that 59 00:02:34,620 --> 00:02:37,560 I have visited so many times, or the 60 00:02:37,560 --> 00:02:40,720 hotel where the bride was changing, or was 61 00:02:40,720 --> 00:02:44,760 getting ready, I visited it so many times 62 00:02:44,760 --> 00:02:48,200 that I considered that to get out of 63 00:02:48,200 --> 00:02:52,620 reality, that is, to hide what I had 64 00:02:52,620 --> 00:02:54,000 in front of me and that I had 65 00:02:54,000 --> 00:02:54,800 seen so many times, and that I have 66 00:02:54,800 --> 00:02:57,220 photographed so many times in the same corners, 67 00:02:57,320 --> 00:02:59,920 I am talking about both the hotel and 68 00:02:59,920 --> 00:03:00,700 the farm, okay? 69 00:03:00,880 --> 00:03:04,140 I mean, I thought that when it came 70 00:03:04,140 --> 00:03:06,900 to preparing, like when it came to taking 71 00:03:06,900 --> 00:03:11,140 some portraits, I had to get out of 72 00:03:11,140 --> 00:03:14,120 the bed that I always find, because, don't 73 00:03:14,120 --> 00:03:17,540 forget, I usually work with a 35mm, the 74 00:03:17,540 --> 00:03:20,460 flash, I don't usually use it much, it's 75 00:03:20,460 --> 00:03:21,640 not because I don't know it, it's just 76 00:03:21,640 --> 00:03:25,220 because I go through other editors, and that's 77 00:03:25,220 --> 00:03:28,220 why, I mean, to get something different, I 78 00:03:28,220 --> 00:03:32,880 had to use the 20, which is not 79 00:03:32,880 --> 00:03:34,960 the lens that I use, when I use 80 00:03:34,960 --> 00:03:36,960 it, it's not to document it, I have 81 00:03:36,960 --> 00:03:39,380 many friends, and very good friends, I hope 82 00:03:39,380 --> 00:03:41,900 you don't hear it, that when, well, they 83 00:03:41,900 --> 00:03:44,900 document weddings with 20mm, for me it doesn't 84 00:03:44,900 --> 00:03:47,620 make any sense, I respect it, they are 85 00:03:47,620 --> 00:03:50,280 my friends, or you are my friends, but 86 00:03:50,280 --> 00:03:52,880 to document with a 20mm and everything comes 87 00:03:52,880 --> 00:03:54,820 out, I mean, all the lines, all the 88 00:03:54,820 --> 00:03:58,960 deformed bodies, that escapes my aesthetic standard, it's 89 00:03:58,960 --> 00:04:00,480 just a personal habit, right? 90 00:04:01,000 --> 00:04:03,880 And the flash, as I said, it's not 91 00:04:03,880 --> 00:04:05,980 my, it's not that it's not to my 92 00:04:05,980 --> 00:04:08,080 liking, but there was a time, a stage 93 00:04:08,080 --> 00:04:09,960 in my professional career that I used it 94 00:04:09,960 --> 00:04:13,580 constantly, and now I go through other paths, 95 00:04:13,680 --> 00:04:13,800 right? 96 00:04:14,040 --> 00:04:15,540 But well, you see that I have a 97 00:04:15,540 --> 00:04:16,839 lot of fun, so I'm going to start 98 00:04:16,839 --> 00:04:20,000 by simply showing you the 3 or 4 99 00:04:20,000 --> 00:04:23,480 photos that I find a little attractive, because 100 00:04:23,480 --> 00:04:25,700 the first one I took was this one, 101 00:04:25,720 --> 00:04:28,500 it was during the preparations, I'm sure it 102 00:04:28,500 --> 00:04:31,340 doesn't surprise anyone, I'm sure most of you 103 00:04:31,340 --> 00:04:34,120 already know, or you've seen, sorry, photos like 104 00:04:34,120 --> 00:04:37,100 the one you're seeing now, but just to 105 00:04:37,100 --> 00:04:38,640 emphasize, for those of you who don't know, 106 00:04:38,800 --> 00:04:44,960 I was outside the mere room, on the 107 00:04:44,960 --> 00:04:48,460 terrace, and what, to put it in, that 108 00:04:48,460 --> 00:04:51,640 is, to make the bride be inside the 109 00:04:51,640 --> 00:04:54,200 context, I had to illuminate it with flash, 110 00:04:54,260 --> 00:04:56,420 I mean, the way I worked with it 111 00:04:56,420 --> 00:04:59,420 was simply to put the 35mm as close 112 00:04:59,420 --> 00:05:03,100 as possible to the glass, without me getting 113 00:05:03,100 --> 00:05:06,560 reflected in it, and if I hadn't, for 114 00:05:06,560 --> 00:05:09,080 example, used flash, the only thing I would 115 00:05:09,080 --> 00:05:12,760 have photographed or captured would have been the 116 00:05:12,760 --> 00:05:15,020 building behind me that would have been reflected 117 00:05:15,020 --> 00:05:17,440 in the glass in front of me. 118 00:05:17,900 --> 00:05:20,620 Of course, to win that, I mean, for 119 00:05:20,620 --> 00:05:22,900 the bride to come out, to stand out 120 00:05:22,900 --> 00:05:26,540 above the reflection that I had in front 121 00:05:26,540 --> 00:05:28,420 of me, I had to compensate for the 122 00:05:28,420 --> 00:05:31,620 light, I mean, I had to give enough 123 00:05:31,620 --> 00:05:36,260 light, of power, of flash light, to get 124 00:05:36,260 --> 00:05:42,460 the bride to be above, speaking of luminosity, 125 00:05:42,940 --> 00:05:45,180 the reflection that I had, that I had 126 00:05:45,180 --> 00:05:46,820 in front of me, right in the glass. 127 00:05:47,660 --> 00:05:53,220 And something fundamental is this tool, it's a 128 00:05:53,220 --> 00:05:54,960 beehive, or as it would be commonly called, 129 00:05:55,840 --> 00:05:59,500 in which that helps me redirect the light 130 00:05:59,500 --> 00:06:03,860 and that ultimately only goes directly to what 131 00:06:03,860 --> 00:06:07,420 was the bride, what was the bride's face, 132 00:06:07,660 --> 00:06:09,060 which for me was the important point. 133 00:06:09,840 --> 00:06:12,420 If I hadn't used this, even if I 134 00:06:12,420 --> 00:06:14,060 had corrected the zoom, I mean, even if 135 00:06:14,060 --> 00:06:17,080 I had put a super closed zoom, we 136 00:06:17,080 --> 00:06:19,020 have to take into account the limitations of 137 00:06:19,020 --> 00:06:22,380 a hand flash and that wouldn't have made 138 00:06:22,380 --> 00:06:26,340 sense, so I did use this. 139 00:06:26,740 --> 00:06:30,580 And once I photographed this, I'm sure, and 140 00:06:30,580 --> 00:06:32,740 I hope, that I don't have any mystery 141 00:06:32,740 --> 00:06:36,840 for any of you, since I had this, 142 00:06:36,880 --> 00:06:39,640 I started using that same formula, I even 143 00:06:39,640 --> 00:06:43,920 moved away a lot, I used the 20mm 144 00:06:43,920 --> 00:06:48,340 now, to photograph the entire terrace where I 145 00:06:48,340 --> 00:06:51,880 was and photograph, on the one hand, the 146 00:06:51,880 --> 00:06:55,600 city where I was, Zaragoza, and, on the 147 00:06:55,600 --> 00:07:02,420 other, the window where the bride was. 148 00:07:02,800 --> 00:07:03,680 How did I do it? 149 00:07:03,880 --> 00:07:04,860 The same as the other one. 150 00:07:05,060 --> 00:07:08,200 In this case, or in most of the 151 00:07:08,200 --> 00:07:11,980 cases, or in this particular case, sorry, what 152 00:07:11,980 --> 00:07:15,560 I did was to correctly expose the highest 153 00:07:15,560 --> 00:07:17,380 point of light, that highest point of light 154 00:07:17,380 --> 00:07:20,880 was the sky, and then I sub-exposed 155 00:07:20,880 --> 00:07:25,540 a couple of diaphragms, one or two even, 156 00:07:26,600 --> 00:07:28,860 and then I compensated the flash. 157 00:07:28,940 --> 00:07:30,400 I mean, the flash, as I told you 158 00:07:30,400 --> 00:07:33,840 at the beginning, I gave it more power 159 00:07:33,840 --> 00:07:37,560 than it had the light from the outside. 160 00:07:37,600 --> 00:07:37,900 Why? 161 00:07:37,980 --> 00:07:40,320 To compensate it, to highlight the bride in 162 00:07:40,320 --> 00:07:43,660 front of the environment that was surrounding her. 163 00:07:43,960 --> 00:07:46,720 We continue, or I want to continue, and 164 00:07:46,720 --> 00:07:48,320 I would also like to show you this 165 00:07:48,320 --> 00:07:53,600 image, it's a family photo, you can imagine 166 00:07:53,600 --> 00:07:54,820 that it's also very simple. 167 00:07:55,320 --> 00:07:58,520 The flash was on a foot, and the 168 00:07:58,520 --> 00:08:01,640 flash was above, just above, the bride's head, 169 00:08:02,160 --> 00:08:04,500 I mean, more or less at a height 170 00:08:04,500 --> 00:08:06,580 like this, using this again. 171 00:08:08,380 --> 00:08:10,040 If I didn't use this, as I told 172 00:08:10,040 --> 00:08:11,140 you at the beginning, the flash would have 173 00:08:11,140 --> 00:08:13,660 hit an incredible bomb and would have given 174 00:08:13,660 --> 00:08:16,160 all the light, and I wasn't looking for 175 00:08:16,160 --> 00:08:19,580 that, but I was looking for the parents 176 00:08:19,580 --> 00:08:21,680 and the brothers of the bride, who are 177 00:08:21,680 --> 00:08:23,940 in the background, were completely in silhouette. 178 00:08:24,140 --> 00:08:24,460 What did I do? 179 00:08:24,820 --> 00:08:27,640 I exposed the window that was outside. 180 00:08:27,920 --> 00:08:31,679 Once I exposed it correctly, I under-exposed 181 00:08:31,679 --> 00:08:34,840 a diaphragm, or even, many times, two. 182 00:08:35,120 --> 00:08:35,480 Why? 183 00:08:35,640 --> 00:08:38,559 To enhance that silhouette of the people. 184 00:08:39,020 --> 00:08:42,059 Now I just had to control the power 185 00:08:42,059 --> 00:08:43,960 of the flash, which would go to a 186 00:08:43,960 --> 00:08:45,600 medium, to 1.1, more or less. 187 00:08:46,920 --> 00:08:48,960 In the Profoto flash, I'm sure I was 188 00:08:48,960 --> 00:08:53,080 working at 9 of power, and the flash 189 00:08:53,080 --> 00:08:54,340 was above, just above the bride. 190 00:08:54,900 --> 00:08:57,520 Remembering, as I've said so many times, placing 191 00:08:57,520 --> 00:09:00,440 this makes us lose, I think, a power 192 00:09:00,440 --> 00:09:02,080 diaphragm, at least. 193 00:09:02,760 --> 00:09:06,080 But it helps to redirect the light perfectly, 194 00:09:06,380 --> 00:09:10,520 and that only that light illuminates where I 195 00:09:10,520 --> 00:09:14,280 wanted, which was the face, or the bride's 196 00:09:14,280 --> 00:09:16,780 chest, or the entire upper part of the 197 00:09:16,780 --> 00:09:17,000 bride. 198 00:09:17,740 --> 00:09:19,840 The last picture I want to show you 199 00:09:19,840 --> 00:09:22,840 is this image, and it's a portrait. 200 00:09:23,200 --> 00:09:26,180 It's a portrait that was taken in a 201 00:09:26,180 --> 00:09:30,800 very basic place, in an uninteresting place. 202 00:09:31,200 --> 00:09:33,680 Remembering, as I've said, or as I've explained 203 00:09:33,680 --> 00:09:38,060 at the beginning of this video, in which 204 00:09:38,060 --> 00:09:41,600 the wedding was photographed in a farm, in 205 00:09:41,600 --> 00:09:43,420 a restaurant, that I've visited this year, I 206 00:09:43,420 --> 00:09:44,460 think, three or four times. 207 00:09:45,780 --> 00:09:49,560 For me, it's very difficult to get oil 208 00:09:49,560 --> 00:09:52,580 in places I've visited so many times, because 209 00:09:52,580 --> 00:09:58,220 it goes against my principles to repeat pictures, 210 00:09:58,380 --> 00:09:59,860 I mean, I already know that in that 211 00:09:59,860 --> 00:10:03,080 farm, in a predetermined corner, I have a 212 00:10:03,080 --> 00:10:05,280 nice picture, I have a reflection, I can 213 00:10:05,280 --> 00:10:06,840 play with this, I can play with the 214 00:10:06,840 --> 00:10:10,280 other, but for me, making all the couples 215 00:10:10,280 --> 00:10:12,580 who pass by that farm wear absolutely the 216 00:10:12,580 --> 00:10:16,020 same, that's why I leave the wedding picture, 217 00:10:16,160 --> 00:10:17,840 because I think it would be so boring, 218 00:10:18,700 --> 00:10:20,160 and that's why it's one of the reasons 219 00:10:20,160 --> 00:10:25,120 why I don't usually hire more than two 220 00:10:25,120 --> 00:10:27,900 or three weddings in the same farm every 221 00:10:27,900 --> 00:10:30,540 year, because, in the end, my head explodes, 222 00:10:30,680 --> 00:10:32,320 I mean, I don't know about yours, but 223 00:10:32,320 --> 00:10:36,860 mine doesn't give for more, that's why I 224 00:10:36,860 --> 00:10:39,880 wanted to use first, for this picture, a 225 00:10:39,880 --> 00:10:43,640 20mm, to get out of reality, to deform, 226 00:10:44,200 --> 00:10:47,240 to interpret that reality in a different way, 227 00:10:47,920 --> 00:10:52,600 because, as I've already said, with 35mm, everything 228 00:10:52,600 --> 00:10:55,840 is sometimes too evident, too clear, and in 229 00:10:55,840 --> 00:10:58,280 that place, full of trees, full of stories, 230 00:10:58,400 --> 00:10:58,760 I didn't... 231 00:10:59,040 --> 00:11:00,560 I had to get out, I had to 232 00:11:02,500 --> 00:11:05,480 confuse reality completely, to extract myself from everything 233 00:11:05,480 --> 00:11:07,040 I had in front of me, so a 234 00:11:07,040 --> 00:11:08,080 20mm helps. 235 00:11:08,080 --> 00:11:12,160 Also, the concept of the picture was to 236 00:11:12,160 --> 00:11:15,840 simply ask the grooms to put their hands 237 00:11:15,840 --> 00:11:24,800 together, the bride's hand was here, the groom's 238 00:11:24,800 --> 00:11:25,580 hand was here, the groom's hand was below, 239 00:11:25,880 --> 00:11:27,280 and the groom only had to do this, 240 00:11:27,880 --> 00:11:31,700 a strong tap, so that the rings would 241 00:11:31,700 --> 00:11:33,780 rise just a few centimetres. 242 00:11:35,100 --> 00:11:38,540 By doing it with 20, the mission was 243 00:11:38,540 --> 00:11:43,400 to get the arm I mean, the groom's 244 00:11:43,400 --> 00:11:45,340 hands, to have them so close, so that 245 00:11:45,340 --> 00:11:48,680 the focal distance would seem enormous, so that 246 00:11:48,680 --> 00:11:51,740 the distance between the hand and the groom's 247 00:11:51,740 --> 00:11:55,600 face would seem enormous, I mean, he was 248 00:11:55,600 --> 00:12:00,100 abusing the 20mm, the deformity, the error he 249 00:12:00,100 --> 00:12:03,020 has for the 20mm. 250 00:12:03,420 --> 00:12:05,700 With a 35mm, it could be done, yes, 251 00:12:05,840 --> 00:12:08,960 but it wouldn't have the same effect, and 252 00:12:08,960 --> 00:12:10,840 with a 45mm, even less. 253 00:12:11,580 --> 00:12:17,280 Of course, also, what I did was simply 254 00:12:17,280 --> 00:12:22,140 work with a 16mm diaphragm, 16mm to have 255 00:12:22,140 --> 00:12:25,180 almost everything focused, and above all, the foreground. 256 00:12:25,880 --> 00:12:28,880 The foreground, both his hands and the rings 257 00:12:28,880 --> 00:12:32,020 floating, it was essential that everything was focused, 258 00:12:32,020 --> 00:12:37,440 and for that, nothing better than a 16mm 259 00:12:37,440 --> 00:12:37,620 diaphragm. 260 00:12:37,860 --> 00:12:40,380 Of course, why a 16mm diaphragm? 261 00:12:40,540 --> 00:12:43,000 Because I wanted to have an American night. 262 00:12:43,780 --> 00:12:45,820 What is that, an American night? 263 00:12:46,200 --> 00:12:49,360 Well, to work with daylight and make it 264 00:12:49,360 --> 00:12:51,340 look like it's practically night, why? 265 00:12:51,480 --> 00:12:53,620 Because I wanted to highlight the rings. 266 00:12:54,360 --> 00:12:57,940 If I had exposed everything correctly, the rings 267 00:12:57,940 --> 00:13:00,240 would have been barely seen, if I hadn't 268 00:13:00,240 --> 00:13:03,340 illuminated with flash, the hands wouldn't have had 269 00:13:03,340 --> 00:13:06,580 the definition they have, and the rings much 270 00:13:06,580 --> 00:13:08,380 less, and what did I do? 271 00:13:08,500 --> 00:13:10,440 Not only with one, but I worked with 272 00:13:10,440 --> 00:13:10,780 two. 273 00:13:11,500 --> 00:13:16,960 A flash almost at maximum power, illuminating the 274 00:13:16,960 --> 00:13:20,540 hands, and another flash almost at maximum power, 275 00:13:20,740 --> 00:13:25,240 illuminating the faces of the grooms, about 45 276 00:13:25,240 --> 00:13:25,660 degrees. 277 00:13:27,740 --> 00:13:29,000 And that's it. 278 00:13:29,000 --> 00:13:30,640 Well, and that's it. 279 00:13:31,080 --> 00:13:33,300 I repeated it 5 or 6 times, I 280 00:13:33,300 --> 00:13:35,540 had to remove the American night, put it 281 00:13:35,540 --> 00:13:38,660 on the ground, when I say American, I 282 00:13:38,660 --> 00:13:41,880 mean blazer, put it on the ground so 283 00:13:41,880 --> 00:13:44,700 that when the rings fell, they fell on 284 00:13:44,700 --> 00:13:48,200 this, because there was grass, imagine that it 285 00:13:48,200 --> 00:13:50,820 can happen that the rings end up falling 286 00:13:50,820 --> 00:13:52,540 on the grass and not being found. 287 00:13:53,040 --> 00:13:56,400 So, to avoid problems, to avoid madness, I 288 00:13:56,400 --> 00:13:59,320 simply put the blazer on the ground, they 289 00:13:59,320 --> 00:14:03,640 fell, they repeated, the shadows on the faces 290 00:14:03,640 --> 00:14:07,560 were not at maximum power, but I couldn't 291 00:14:07,560 --> 00:14:10,540 improve it, even though the grooms tried to 292 00:14:10,540 --> 00:14:13,120 direct their faces up, for the flash, but 293 00:14:13,740 --> 00:14:16,000 they didn't understand me well, I couldn't do 294 00:14:16,000 --> 00:14:17,880 it better either, so that was the result. 295 00:14:18,440 --> 00:14:20,880 So that was all for today, I wanted 296 00:14:20,880 --> 00:14:24,440 to show you these images that I captured 297 00:14:24,440 --> 00:14:26,500 in the last wedding and that I found 298 00:14:26,500 --> 00:14:30,040 interesting to share with you, mainly the last 299 00:14:30,040 --> 00:14:33,300 one, the last portrait, because things came together 300 00:14:33,300 --> 00:14:36,380 that I got out of my comfort zone, 301 00:14:36,500 --> 00:14:40,000 first, working with 20mm, which, as you know, 302 00:14:40,420 --> 00:14:43,260 and just to emphasize, I use it just 303 00:14:43,260 --> 00:14:48,640 to take advantage of this deformation error, and 304 00:14:48,640 --> 00:14:51,240 the flash, which is not a tool that 305 00:14:51,240 --> 00:14:53,620 I usually use, but in this case, in 306 00:14:53,620 --> 00:14:55,180 the case of the portrait, well, of the 307 00:14:55,180 --> 00:14:58,580 previous photos, it helped me a lot to 308 00:14:58,580 --> 00:15:03,480 have a very interesting result, that's why it's 309 00:15:03,480 --> 00:15:05,560 always good that we know how to use 310 00:15:05,560 --> 00:15:09,880 this, remember that the biggest enemy of photographers, 311 00:15:10,540 --> 00:15:12,140 in front of the flash, we are ourselves, 312 00:15:12,360 --> 00:15:13,800 we don't know how to handle it, after 313 00:15:13,800 --> 00:15:15,780 all, as I always say, it's a flash, 314 00:15:15,780 --> 00:15:19,340 greater power and less power, trial and error, 315 00:15:19,680 --> 00:15:22,520 that's all, and the 20mm to get out 316 00:15:22,520 --> 00:15:23,940 of the comfort zone. 317 00:15:25,440 --> 00:15:30,400 So, that's all, friends, don't laugh, be good, 318 00:15:30,780 --> 00:15:34,060 see you next time, and keep hiring weddings, 319 00:15:34,380 --> 00:15:34,800 assholes! 23133

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