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How are you friends?
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How are you?
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How are things going?
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Here I am all upset with the edition
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of multiple weddings that I have accumulated and
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several Patreon videos that are taking my sleep
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away.
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Well, having said all this, welcome to a
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new chapter.
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As always, it is a pleasure to be
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here with all of you and in today's
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video I want to share with you an
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off-camera video to tell you mainly how
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to get started with a location, well, more
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or less not very interesting, but yes, thanks
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to a set of elements that are going
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to help me or helped me find an
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interesting photo in an uninteresting place, ok?
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I would like to start by telling you
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a little about what was the background of
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the location, of the place where I was,
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the couple, everything, ok?
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Because first of all I have to tell
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you that of the photos that I am
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going to talk about, it is mainly this
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one and this one.
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These two images were taken in the same
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place, only with a day apart and were
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the result of having taught two workshops in
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Mexico.
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First of all, I should tell you that,
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of course, teaching a workshop is great, it
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is very good to share with everyone, but
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the moment the practice arrives is sometimes a
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bit of a lottery because it depends on
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a thousand factors, one on the climate, two
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on the location as such, and not only
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on the location, that is, the neighborhood in
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which you are, but on the potential as
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such, because sometimes you leave the place or
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the hotel in which you are teaching and
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there is nothing that can be interesting for
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you and that is always a fear because,
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of course, you are not working for a
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couple, you are not working for twenty-something
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photographers and you have to respond, you have
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to do a good job and, in short,
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you have to surprise or at least try.
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So, that's why, first of all, although I
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was a little lucky with the location, which
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was a space that was in works, I
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mean, a building, a mall that was in
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works, and well, I was lucky that I
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was in Mexico, the light, you can imagine,
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the light in Cancun was great and then
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it allowed me to take the images that
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I have shown you, but of course, in
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this video I would like to show you
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what the creative process was so that you
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can understand me perfectly, because the first thing
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is always to check, analyze how the place
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is, as you well know, I mean, I
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can shoot anywhere, whether it is a place
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with hard, soft lights, whatever, we have to,
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in the end, fit everything together, but in
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the workshop, as it was obvious, I had
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hard light and I wanted to explain to
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all my students how to work, so in
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the first workshop, the first day, what I
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wanted to show you was that, it was,
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sorry, it was all my creative process, okay?
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As you have seen, the place is not
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a fantastic place, but it has elements that
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will help me, which elements?
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First of all, let's start with a neutral
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background, a clean background, that is the main
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thing, that is the starting point, and notice
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that I always take a photo without a
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partner, without human beings, and it is as
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if it were a white canvas, okay?
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As you can see, what I clearly notice,
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right?
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One, that the background, the clean background, sorry,
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works perfectly, and another, that the light works
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perfectly.
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Something very important is that, in that shot,
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in that first shot, in that first image,
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what I'm going to do is, I'm going
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to overexpose a little bit, for what?
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To know the dramatism of the mere space,
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I mean, I'm not going to leave the
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histogram to the right, no, no, I'm going
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to leave the histogram to the left, and
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it's going to be overexposed, almost sure that
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a step of diaphragm, that is, with which
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you have to be clear.
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Why do I do this?
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Because it is more than likely that if
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there is a white element, a wedding dress,
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when, if we adjust with hard lights, that
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is, if we expose with hard lights perfectly,
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the white dress is going to end up
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burning, that is why I always overexpose a
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point or two, and even if there were
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no white points, the wall is not white,
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but almost, with which I am going to
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overexpose, okay?
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Important with the background, there are backgrounds that
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are not going to work, concrete backgrounds, cement
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backgrounds, rock backgrounds, that is, that type of
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background does not usually work.
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What type of backgrounds usually work?
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A clean background, as you have seen, and
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in colors, in all kinds of colors, any
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color can work, okay?
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But that is, well, that is very important,
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okay?
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And then a light that crosses, as you
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have seen, the light crosses me, well, literally,
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well, to the neck.
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Once I understand all this, I have already
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exposed, remember that once the first image is
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exposed, everything is done, you no longer have
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to change the exposure, because the sun is
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very unlikely to change, unless there are clouds,
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but we are in that place because of
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that type of lighting, okay?
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So then we start working.
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The first option that I had, or that
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occurred to me, was to place my friend
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Tania in the mere light, in the pure
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ray of light, and my friend Andrés in
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the shadow.
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This photo is diluted, why?
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Because the boyfriend does not have strength, but
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he does not have strength, why?
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Because they do not give him any light,
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I mean, and there is going to be
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a shadow, there is going to be an
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element without much definition, that is why I
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told Andrés to take a step forward and
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bathe a little in light, be with that,
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with that ray of light, and that makes
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the thing start to be a little more
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interesting from my point of view, but the
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photograph is still not 100% finished.
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I mean, notice that it is also very
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important that it is very unlikely that in
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my personal case I have a brilliant idea
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and from minute one I already know that
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I am going to do that.
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No, the first thing is to always have
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a neutral background, light and the couple, which
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is the main element, of course, and start
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playing.
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I mean, once I have the couple, I
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start moving them, playing them, altering their order,
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now your point here, now your point there,
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now we go back, now we change, I
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mean, I'm going to start doing all kinds
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of games until in the end, more or
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less, the thing starts to get interesting.
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Notice that from what Andrés had said, that
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it would finally be placed there, what I
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asked for, that it would be placed on
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the other side and I already have Tania
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illuminated and Andrés in silhouette, you understand, of
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course, Andrés in direction for Tania, both are
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perfectly connected, one is illuminated, the other is
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in shadow, one has, that is, that is
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the negative side that we cannot see, for
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example, the face and the other is the
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positive side in which we can see it.
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That contrast between what we can see and
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what we cannot see makes the photo start
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to be more attractive, but it did not
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seem completely finished to me, so simply what
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I did, what I needed, is that I
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asked Andrés to come for me, I opened
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a little what the plane was for, to
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include the sky, but be careful, it was
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in a place full of buildings and the
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sky, well, sorry, on the left it was
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full of buildings and I did not want
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that to be there, why?
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Because I'm looking for clean backgrounds, if on
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the right I have a clean background, on
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the left I have to have it too,
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the blue of the sky fitted perfectly with
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what?
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With the white wall, a broken white, you
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understand, with which the white and blue are
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complementary colors, we always have to see this,
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we have to understand it, okay?
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And the reason why I asked Andrés to
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come is to clean up the whole background
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and to stay only with a space in
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blue.
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Now yes, Andrés had it in silhouette and
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Tania completely illuminated, okay?
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But I wanted to break with the above,
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that is, remember that this creative process is
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as if we were building a building and
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if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a building and if I was
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building a building and if I was building
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a building and if I was building a
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building and if I was building a building
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and if I was building a building and
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if I was building a building and if
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I was building a building and if I
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was building a simple streets without any attraction
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when I say without any attraction it means
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that they were only trees and a sidewalk
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and there was nothing that said wow there
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is a light that crosses there is something
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that is interesting no that is everything was
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in the building that is under construction so
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then again we return but of course as
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I do with my partners with my workshops
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also that I want to say with this
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that although I constantly visit a store for
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example in Zaragoza in my city although I
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visit it four times a year or three
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that gives me the same I try and
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00:10:59,720 --> 00:11:01,460
I force myself not to deliver the same
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photos in the same corners to all customers
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in the workshops the same thing means that
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is, I did not leave me to the
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second group to do the same session because
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well it is not because of them, it
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is also because of my milk, that is,
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what a boredom to be doing the same
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thing all the time, after all, that causes
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me collapse, frustration and well, it is not
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necessary that I continue that I think I
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explain to myself, that is, therefore, I had
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to find things, of course, we went taking
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photos but suddenly I went to stop in
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the same place in the same damn place
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and I already thought well, okay, what do
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00:11:40,000 --> 00:11:41,860
I do, what do I do to get
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out of the comfort zone or the result
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00:11:46,300 --> 00:11:48,520
that I did yesterday, one as you can
321
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see the line had already widened because because
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the day had already advanced more or it
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was an hour more than the day before,
324
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therefore the line was already completely different so
325
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I started to think about how I could
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00:12:04,360 --> 00:12:09,920
work, of course, you also know that in
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00:12:09,920 --> 00:12:13,080
addition to finding an interesting background, playing with
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00:12:13,080 --> 00:12:16,580
a powerful or interesting light, the following is
329
00:12:16,580 --> 00:12:22,320
the body language with which I thought of
330
00:12:22,320 --> 00:12:24,780
playing with the veil but with both hands,
331
00:12:25,280 --> 00:12:27,400
I mean, I was going to play in
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00:12:27,400 --> 00:12:29,700
that cutting pool and I was going to
333
00:12:29,700 --> 00:12:31,980
play in such a way that I asked
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00:12:31,980 --> 00:12:35,400
the boyfriend to mount his hand that he
335
00:12:35,400 --> 00:12:37,640
will place his hand on top of hers
336
00:12:37,640 --> 00:12:40,060
from Rebeca's hand and that they will start
337
00:12:40,060 --> 00:12:43,880
playing with the veil, of course, I started
338
00:12:43,880 --> 00:12:46,300
doing this but the truth is that whatever
339
00:12:46,300 --> 00:12:47,960
it was, I did not know how to
340
00:12:47,960 --> 00:12:50,700
get to an interesting result and I started
341
00:12:50,700 --> 00:12:56,020
to go, for example, playing again, I accidentally
342
00:12:56,020 --> 00:12:59,460
asked for the same pose that I asked
343
00:12:59,460 --> 00:13:05,680
my friends, Tania and Andrés, I mean, first,
344
00:13:05,900 --> 00:13:11,180
for example, I mean, the girlfriend in the
345
00:13:11,180 --> 00:13:13,820
foreground and the boyfriend in the background, I
346
00:13:13,820 --> 00:13:15,960
mean, that was the same formula that I
347
00:13:15,960 --> 00:13:19,500
used exactly one day ago, with which I
348
00:13:19,500 --> 00:13:21,580
wanted to go with everything, that is, with
349
00:13:21,580 --> 00:13:24,620
everything that was surrounding me, what did I
350
00:13:24,620 --> 00:13:25,000
do then?
351
00:13:25,640 --> 00:13:27,960
I mean, well, change the register and place
352
00:13:27,960 --> 00:13:32,220
them separately again and explain to them both
353
00:13:32,220 --> 00:13:33,840
to Tavo, who by the way is a
354
00:13:33,840 --> 00:13:37,160
great photographer, Tavo Cota, explain to Tavo in
355
00:13:37,160 --> 00:13:39,000
what place he had to place his face
356
00:13:39,000 --> 00:13:42,060
so that the sun would start right here
357
00:13:42,060 --> 00:13:45,680
to create something very powerful and I told
358
00:13:45,680 --> 00:13:47,080
her to place herself on the other side,
359
00:13:47,240 --> 00:13:50,000
but I didn't want her face, she already
360
00:13:50,000 --> 00:13:53,600
had Tavo's face, I mean, if I show
361
00:13:53,600 --> 00:13:56,700
the viewer, for example, simply by two faces,
362
00:13:57,180 --> 00:14:01,600
in the end it was ok, but sometimes
363
00:14:01,600 --> 00:14:04,300
or on that occasion I thought it was
364
00:14:04,300 --> 00:14:05,980
because it was too repetitive and that it
365
00:14:05,980 --> 00:14:08,460
did not contribute more, there it comes again,
366
00:14:08,620 --> 00:14:09,840
although you can think that it is the
367
00:14:09,840 --> 00:14:11,800
same formula but it is not the same
368
00:14:11,800 --> 00:14:15,900
image, it was to tell her, that is,
369
00:14:16,160 --> 00:14:21,160
my friend Rebeca, to throw the veil just
370
00:14:21,160 --> 00:14:24,700
so that Tavo would fall on her face,
371
00:14:24,820 --> 00:14:26,540
but on top of her face so that
372
00:14:26,540 --> 00:14:28,440
part of her face, that is, she did
373
00:14:28,440 --> 00:14:30,720
not have, that is, as little as she
374
00:14:30,720 --> 00:14:33,080
had, that is, we could hardly see her,
375
00:14:33,120 --> 00:14:35,680
for example, with her eyes, but her smile,
376
00:14:35,760 --> 00:14:40,580
I mean, body language again, so I started
377
00:14:40,580 --> 00:14:42,900
to tell her not to stop moving it,
378
00:14:42,920 --> 00:14:44,480
move it, move it, move it, move it,
379
00:14:44,480 --> 00:14:46,500
until in the end, after I don't know
380
00:14:46,500 --> 00:14:49,060
how many attempts, it came out and it
381
00:14:49,060 --> 00:14:51,180
was the image that you have seen, as
382
00:14:51,180 --> 00:14:52,720
I tell you, it has a certain similarity,
383
00:14:53,120 --> 00:14:55,700
but well, believe me that it was what
384
00:14:55,700 --> 00:14:58,600
my idea or my head took out at
385
00:14:58,600 --> 00:15:02,380
that time, not simply to finish things that
386
00:15:02,380 --> 00:15:06,440
I want to emphasize, very clean backgrounds, always
387
00:15:06,440 --> 00:15:08,440
and if it can be colored, there are
388
00:15:08,440 --> 00:15:11,480
backgrounds that will not work, such as those
389
00:15:11,480 --> 00:15:16,200
formed by cement, stones, concrete, or you understand
390
00:15:16,200 --> 00:15:18,980
me, things like that, and then something that
391
00:15:18,980 --> 00:15:20,660
I have not said is very, very important
392
00:15:20,660 --> 00:15:23,640
when we are going to cut, that is,
393
00:15:23,980 --> 00:15:27,480
sorry, when we frame again, that is, although
394
00:15:27,480 --> 00:15:29,420
what we have in front is a huge
395
00:15:29,420 --> 00:15:32,360
space with dirt everywhere, as you have seen,
396
00:15:32,360 --> 00:15:34,220
as you have seen or are seeing in
397
00:15:34,220 --> 00:15:36,680
the videos, I only stay with a small
398
00:15:36,680 --> 00:15:39,740
part, that is, what I am not interested
399
00:15:39,740 --> 00:15:43,780
in, in the same frame, I already take
400
00:15:43,780 --> 00:15:46,800
it away, that is, as I already mentally
401
00:15:46,800 --> 00:15:50,640
abstract and focus on what I need, light,
402
00:15:51,240 --> 00:15:55,480
couple and body language, the rest is sucked,
403
00:15:56,000 --> 00:15:56,200
okay?
404
00:15:56,660 --> 00:15:59,440
So that was all for today, this video
405
00:15:59,440 --> 00:16:01,740
I wanted to share with you because the
406
00:16:01,740 --> 00:16:04,660
location, as you can see, is quite, quite,
407
00:16:04,800 --> 00:16:06,740
or it was quite complex, well, complex, I
408
00:16:06,740 --> 00:16:09,200
mean complicated, but in the end, something came
409
00:16:09,200 --> 00:16:10,700
out that I think was attractive, right?
410
00:16:11,020 --> 00:16:13,080
So I wanted to share it with all
411
00:16:13,080 --> 00:16:14,980
of you, I hope you have a good
412
00:16:14,980 --> 00:16:16,740
weekend, if you have a wedding like us,
413
00:16:17,100 --> 00:16:18,380
give it a strong one, that we are
414
00:16:18,380 --> 00:16:21,820
going to the top, well, be good, have
415
00:16:21,820 --> 00:16:26,740
a good weekend and bastards, see you later!
30333
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