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Hello friends, how are you?
How are things going?
Welcome to a new episode.
As always, I want to send you all
all the positive energy.
In today's video I want to share with
you a very, very short tip, but surely
very effective, okay?
So I promise you that I'm going to
steal you a little time.
And all this comes because I've been receiving
for a couple of weeks more than one
email in which you ask me what is
the maximum ISO that I usually use and
all these things.
In addition, it coincides with the fact that
recently we had a one-to-one course
in which a kid from Panama came here
and I realized that he also had those
doubts and, in fact, he is not the
first person to ask me about it in
the last few months.
So I thought, well, I think it will
be interesting to share this with you, right?
And it is that last week, oh sorry,
last week, in one of the previous videos
I already commented something like that, a piece
of the phrase in which, if I'm not
mistaken, I think it was made by Kappa
or Ansel Adams, now I have my doubts,
but it was something like that, there is
nothing worse than a clear image of a
blurry concept.
What do I mean by this?
It is very easy, in quotes, to take
images with good brightness or with interesting light
conditions, as it could be during the day,
right?
In which the ISO can be adjusted to
100 ISO quietly or to a very low
value.
We can adjust the camera levels in a
perfect way and it is super simple, in
quotes, to shoot, right?
But of course, what happens when we are
working under very complicated light conditions in indoor
places, at night parties, what happens, right?
What I want to get to, and I'm
going to finish quickly with all this, is
that gentlemen, the cameras that we have are
already prepared to work with really incredible ISOs,
okay?
Therefore, it does not hurt you if at
some point you have to go up to
8000 ISO.
Be careful, everyone knows that I am always
in favor of working with the lowest possible
ISO and in fact, in a church with
very little light, or at a party with
very little light, I do not like to
go over 4500 ISO.
But if at any given moment I am
in a small hermitage, I am in a
place that to take that photo forward, that
is, to be able to photograph it correctly,
more or less, I have to raise the
ISO as far as necessary, I'm going to
do it.
And let's see, have something very clear, where
is that shot going to be exposed?
Let's say 10,000 ISO.
Do you think it will be exposed in
the MOMA?
Maybe in the future, who knows?
But do you remember the photos, or do
you remember the photos of the landing in
Normandy, in the Second World War, the films
that were negative and on top of that
they were forced?
And they are works of art, that is,
those photographers, all masterful, or the vast majority,
forced the film, for what?
To be able to take a graphic document
forward.
We, the same, I do not want to
compare the wedding photograph with the day of
the landing, okay?
But that's what I want to get to,
okay?
And I do not neglect, as I say,
to upload or do whatever is necessary to
get ahead.
And remember, it is more than likely that
that photograph ends up printed on an album,
at most, size like this, that is, 20
-30, or on an Instagram that is going
to be small.
Although you give a couple a photo at
8,000 ISO, do you think it will
increase it?
And he's going to tell you, hey guys,
this is at 8,000 ISO.
No, fuck, let's be a little spooked for
this, right?
I already tell you that, as you know,
I am not a supporter, or it is
not very common in my case, that we
upload neither Erika nor I of 4,000
and 5,000 ISO, okay?
But having said that, I should clarify it.
Then, to settle all this very clearly, I'm
going to show you a few images.
They are one of my best images, all
of them, all of them, or they are
moved, or they are out of focus, or
they are trepidated.
But, as I said at the beginning, the
pithy phrase.
There is nothing worse than a clear image
of a blurry concept.
Do you understand?
I mean, it does not matter that the
image is a little out of focus if
the concept is brutal.
Come on?
Yes?
Is it clear?
I'm going to show you this first image
so you can take a look at it,
for example.
As you can see, I want it to
be ...
Well, if we get closer, as you can
see, the groom's hand is moved, right?
And look, it had an interesting light condition,
but I do not care if it is
moved.
The important thing is the concept, right?
The important thing is the image itself, how
it really works, okay?
Let's go for another image, completely out of
focus.
Well, not completely out of focus, but a
little out of focus.
Gentlemen, it is one of my favorite images.
I do not care if the bride's face
is not perfectly focused or all this.
The important thing was the moment.
I was inside a church with very little
light, but I thought that even if it
was out of focus, it was a good
photo for me.
And take a look at the groom's feet.
They are mutilated, that is a very big
mistake for me.
But for me, the moment as such or
the meaning of the mere image is more
important than technical aspects.
But if we go for this pose, for
example, it is not out of focus either,
I mean.
And look, the light conditions were not bad
either.
But I suppose that the nerves of the
moment, the pressure of the moment, makes that,
like every human being, the pulse trembles or
the thing does not finish working.
But nevertheless, if we go to this party
photo in which I was possibly shooting, shooting
at 4 or 5mm, the same thing happened.
I suppose that, in addition to the movement,
in addition to the little light that I
had there, well, it does not finish being
fully focused.
And if we zoom in, for example, to
the bride's face, you will see that the
grain is quite severe, but nothing happens.
As with one of the photos or my
favorite photos throughout history.
I have to admit, I mean, if we
zoom in on the hands, they are also
out of focus.
But I do not worry.
I mean, I had to shoot at a
very, very low speed, I had to adjust
the ISO very, very high.
We were talking about a place where there
was almost no light.
Nothing happens, gentlemen.
Like this one at the party.
There was almost no light either and I
had to manage it.
I mean, this moment emerged almost out of
nowhere, running, I had to get this forward
as I could, even though I was able
to bounce a flash, but the photo came
out moving.
Does it worry me?
No, not at all.
I think it clearly represents the intensity and
the party of that moment.
And let's go for the last image, one
of my most iconic images.
Let's bring the shot a little closer to
the bride's hand or the bride's face.
Believe me, when I saw it on the
screen, I said, no, no, how can you
focus this?
But no!
I'm a human being like all of you.
Look, the conditions there were favorable.
Although you see the black background, I mean,
I was shooting at 100 ISO, the stream
of natural light fell to death through that
church door.
I mean, everything was in my favor, but
I had my coccyx broken, I had an
incredible pain, the nerves of the moment, I
had to crouch and I almost couldn't.
Well, excuses like the ones of everyone.
In the end, what did I do?
De-focus a little.
They are in my opening of the web
along with the one of the hands.
I mean, are they out of focus?
Yes.
Does it worry me at the moment?
Yes.
Does it worry me now?
The only thing I think is, fuck, Víctor,
you could have focused, right?
So that the image was already round.
But does it transmit what I want to
transmit?
Yes.
It's over.
Ok, it's clear.
So I don't roll anymore.
I said I wanted to make a short
video, I don't know if I did it,
but it seemed interesting to me to talk
about that.
And above all, how important it is to
save the photo at any price.
Regardless of whether the ISO is above, it
is a little moved, it is a little
out of focus, they are the photographers' mental
straws, okay?
So nothing else, friends, be good, take care,
and keep hiring weddings.
Assholes.
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