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These are the user uploaded subtitles that are being translated: 1 00:00:00,200 --> 00:00:01,080 I hope things are well. 2 00:00:01,600 --> 00:00:06,360 So, today I'm going to just touch on... 3 00:00:07,520 --> 00:00:09,820 Okay, so back all that up. 4 00:00:11,160 --> 00:00:14,080 In the develop group, there was a thing 5 00:00:14,080 --> 00:00:17,340 going around this week about the faceless portrait, 6 00:00:17,640 --> 00:00:19,660 faceless week is what they were posting in 7 00:00:19,660 --> 00:00:20,260 the Facebook group. 8 00:00:22,820 --> 00:00:25,600 I posted on Instagram the other day about 9 00:00:25,600 --> 00:00:29,980 how to me, to me the faceless portrait 10 00:00:29,980 --> 00:00:31,759 is something that I've done for years. 11 00:00:31,860 --> 00:00:33,920 It's something that I don't know if it's 12 00:00:33,920 --> 00:00:36,940 like a personal thing or like a self 13 00:00:36,940 --> 00:00:42,400 -conscious issue, but I find taking away the 14 00:00:42,400 --> 00:00:45,540 visual of how someone looks and just focusing 15 00:00:45,540 --> 00:00:50,220 on say the hands, it really showcases to 16 00:00:50,220 --> 00:00:53,920 me, I think the connection between a couple 17 00:00:53,920 --> 00:00:58,300 without bringing into light what someone looks like. 18 00:00:58,460 --> 00:01:02,980 And I feel at times just human nature 19 00:01:02,980 --> 00:01:07,300 is to perhaps either subconsciously or consciously judge 20 00:01:07,300 --> 00:01:08,940 a couple on appearance. 21 00:01:08,940 --> 00:01:12,000 And at times that can become distracting and 22 00:01:12,000 --> 00:01:15,420 take away from what we as photographers are 23 00:01:15,420 --> 00:01:18,860 really trying to showcase and to focus on, 24 00:01:18,920 --> 00:01:22,940 which is connection and emotion and the love 25 00:01:22,940 --> 00:01:25,100 and the feeling that we're trying to get 26 00:01:25,100 --> 00:01:26,060 across in our work. 27 00:01:26,380 --> 00:01:32,820 And again, showing faces or someone's appearance, we 28 00:01:32,820 --> 00:01:34,940 may look at or the viewer may look 29 00:01:34,940 --> 00:01:37,620 at the photo and feel like, wow, there's 30 00:01:37,620 --> 00:01:38,780 a beautiful connection there. 31 00:01:39,520 --> 00:01:43,140 But again, it's not a conscious thing at 32 00:01:43,140 --> 00:01:46,960 times, but they subconsciously look at how they 33 00:01:46,960 --> 00:01:49,420 look, how their makeup is, their hair, maybe 34 00:01:49,420 --> 00:01:53,260 do they have a double chin, the lipstick, 35 00:01:54,620 --> 00:01:56,900 the size of their nose, bags under their 36 00:01:56,900 --> 00:02:00,240 eyes, all these things that we as humans, 37 00:02:01,060 --> 00:02:03,480 like it or not, we sometimes judge what 38 00:02:03,480 --> 00:02:04,260 people look like. 39 00:02:04,400 --> 00:02:08,259 So for me, the faceless portrait is something 40 00:02:08,259 --> 00:02:11,800 I've really for years, I remember like probably 41 00:02:11,800 --> 00:02:16,140 10 years ago, I got an email from 42 00:02:16,140 --> 00:02:18,680 a bride saying, we love your work, but 43 00:02:18,680 --> 00:02:21,920 my mom wants to make sure she's gonna 44 00:02:21,920 --> 00:02:23,640 be able to see us in the photos 45 00:02:23,640 --> 00:02:27,120 because a lot of your work has their 46 00:02:27,120 --> 00:02:27,920 heads cut off. 47 00:02:29,500 --> 00:02:34,100 And so I really, now every wedding, I 48 00:02:34,100 --> 00:02:37,880 try to make at least two to three, 49 00:02:38,160 --> 00:02:44,580 four, quote, faceless portraits along with the mom 50 00:02:44,580 --> 00:02:44,900 photo. 51 00:02:45,060 --> 00:02:46,880 And obviously, they do wanna see their face, 52 00:02:46,920 --> 00:02:47,380 who doesn't? 53 00:02:47,380 --> 00:02:49,000 They wanna see what they look like in 54 00:02:49,000 --> 00:02:50,320 their hair and makeup and all this stuff, 55 00:02:50,460 --> 00:02:55,920 but I really have challenged myself to focus 56 00:02:55,920 --> 00:03:00,980 on showing connection without showing someone's appearance. 57 00:03:05,240 --> 00:03:08,100 I find if you guys can go into 58 00:03:08,100 --> 00:03:12,500 it and challenge yourself, say your next shoot 59 00:03:12,500 --> 00:03:15,200 or your next wedding, and really try to 60 00:03:15,200 --> 00:03:19,400 focus in on taking away the visual of 61 00:03:19,400 --> 00:03:22,440 appearance and focus on hands or the squeeze 62 00:03:22,440 --> 00:03:26,540 or a touch and try to kind of 63 00:03:26,540 --> 00:03:28,560 build on that, go into every wedding and 64 00:03:28,560 --> 00:03:33,260 focus on today at this shoot, this connection 65 00:03:33,260 --> 00:03:36,040 session, I'm gonna make two pictures that focus 66 00:03:36,040 --> 00:03:36,820 just on hands. 67 00:03:37,340 --> 00:03:38,820 And then the next wedding, I challenge you, 68 00:03:39,580 --> 00:03:43,520 this wedding, I'm gonna focus on just the 69 00:03:43,520 --> 00:03:44,960 way and embrace. 70 00:03:47,110 --> 00:03:50,240 Yeah, to me, it's super powerful. 71 00:03:50,780 --> 00:03:56,180 To me, I love creating that. 72 00:03:57,320 --> 00:04:00,820 I love the feeling that I can portray 73 00:04:00,820 --> 00:04:03,780 in my work when I take away someone's 74 00:04:03,780 --> 00:04:04,360 appearance. 75 00:04:06,740 --> 00:04:09,300 The flip side to this or in addition 76 00:04:09,300 --> 00:04:11,820 to this would be, I think we've all 77 00:04:11,820 --> 00:04:14,140 had it, I still have it. 78 00:04:14,220 --> 00:04:15,560 And I know when I started, I still 79 00:04:15,560 --> 00:04:15,959 had it. 80 00:04:16,079 --> 00:04:18,880 It was couples maybe that didn't have like 81 00:04:18,880 --> 00:04:21,500 the perfect connection, right? 82 00:04:21,780 --> 00:04:25,760 Like, we're looking at everyone else's feeds and 83 00:04:25,760 --> 00:04:27,620 we're like, well, their couples are like so 84 00:04:27,620 --> 00:04:29,140 incredible and they just get it and they 85 00:04:29,140 --> 00:04:29,560 connect. 86 00:04:29,780 --> 00:04:32,140 And my couples are kind of goofy and 87 00:04:32,140 --> 00:04:35,160 maybe a little more awkward and there's all 88 00:04:35,160 --> 00:04:36,640 those things that we talk about and I'm 89 00:04:36,640 --> 00:04:38,600 gonna talk about in my next video about 90 00:04:38,600 --> 00:04:42,540 cues and things to say, but if they 91 00:04:42,540 --> 00:04:45,860 are maybe goofy here in the visual on 92 00:04:45,860 --> 00:04:48,040 their face and their appearance, because a lot 93 00:04:48,040 --> 00:04:49,340 of times they laugh and they make funny 94 00:04:49,340 --> 00:04:51,840 faces, which is all fine and it creates 95 00:04:51,840 --> 00:04:55,520 funny work, but maybe it's not what you're 96 00:04:55,520 --> 00:04:56,600 looking for in that moment. 97 00:04:56,920 --> 00:04:59,740 So what I was doing was I was 98 00:04:59,740 --> 00:05:03,060 starting to, it kind of almost came out 99 00:05:03,060 --> 00:05:05,620 of necessity to capture connection with couples that 100 00:05:05,620 --> 00:05:08,640 weren't getting it, was I was cutting people's 101 00:05:08,640 --> 00:05:11,460 heads off and really every couple that we 102 00:05:11,460 --> 00:05:14,740 work with can hold each other, right? 103 00:05:14,840 --> 00:05:16,080 Every couple can hold each other. 104 00:05:16,180 --> 00:05:19,640 Every couple can tickle hands, right? 105 00:05:19,960 --> 00:05:23,300 Tickle the palm of her hand, tickle fingertips, 106 00:05:23,720 --> 00:05:25,180 tell each other how much you love each 107 00:05:25,180 --> 00:05:29,140 other just by touch, the way you squeeze 108 00:05:29,140 --> 00:05:29,640 them in. 109 00:05:29,640 --> 00:05:33,500 And then really shoot that wide, shoot that 110 00:05:33,500 --> 00:05:35,780 with a 35 or whatever or 50 and 111 00:05:35,780 --> 00:05:39,540 step back and shoot that moment happening, head 112 00:05:39,540 --> 00:05:42,620 to toe, top to bottom, but then start 113 00:05:42,620 --> 00:05:46,920 to walk in, start to focus in and 114 00:05:46,920 --> 00:05:50,640 maybe it's instead of head to toe, now 115 00:05:50,640 --> 00:05:52,800 it's head to waist and then the next 116 00:05:52,800 --> 00:05:55,440 shot you're in even closer and it's head 117 00:05:55,440 --> 00:05:58,000 to chest and then maybe now it's just 118 00:05:58,000 --> 00:06:00,160 focused on hands and really what you can 119 00:06:00,160 --> 00:06:04,460 see is as they move around in that 120 00:06:04,460 --> 00:06:07,220 pose or in that moment, you start to 121 00:06:07,220 --> 00:06:09,860 focus in on different things and for me 122 00:06:09,860 --> 00:06:11,840 personally, a lot of my favorite work comes 123 00:06:11,840 --> 00:06:14,660 from when I started back, but it ends 124 00:06:14,660 --> 00:06:16,580 when I get really close, when I get 125 00:06:16,580 --> 00:06:20,200 just the hands, just the touch, just the 126 00:06:20,200 --> 00:06:22,420 hand on the bottom of his chin kind 127 00:06:22,420 --> 00:06:23,640 of guiding him into her. 128 00:06:24,020 --> 00:06:27,000 So again, guys, the faceless portrait, it is 129 00:06:27,000 --> 00:06:28,820 something that I feel we can all kind 130 00:06:28,820 --> 00:06:31,140 of throw into our, you know, for lack 131 00:06:31,140 --> 00:06:33,480 of a better term, our bag of tricks. 132 00:06:35,120 --> 00:06:39,080 It's something that I challenge you guys to 133 00:06:39,080 --> 00:06:42,080 try at your next wedding, like consciously really 134 00:06:42,080 --> 00:06:44,640 try to focus in on, can I make 135 00:06:44,640 --> 00:06:48,480 something with a lot of feeling and mood 136 00:06:48,480 --> 00:06:52,260 and emotion and connection without focusing on the 137 00:06:52,260 --> 00:06:52,640 face? 138 00:06:52,640 --> 00:06:58,220 Can I, you know, portray visually an intense 139 00:06:58,220 --> 00:07:01,600 connection just by touch, just by hands, just 140 00:07:01,600 --> 00:07:04,680 by squeeze, just, you know, whatever that may 141 00:07:04,680 --> 00:07:06,960 be, but just focus in and try to 142 00:07:06,960 --> 00:07:09,380 focus in on, focus in on not focusing 143 00:07:09,380 --> 00:07:11,480 on the face is really, you know, but 144 00:07:11,480 --> 00:07:13,440 like I said, I challenge you guys, you 145 00:07:13,440 --> 00:07:14,480 know, to do it. 146 00:07:14,680 --> 00:07:16,320 I'd love to see your guys' work. 147 00:07:17,340 --> 00:07:20,540 You know, if you guys do try it 148 00:07:20,540 --> 00:07:22,420 at your next shoot, you know, definitely send 149 00:07:22,420 --> 00:07:23,460 me an email, send me a message. 150 00:07:23,580 --> 00:07:24,560 I'd love to see it. 151 00:07:24,960 --> 00:07:26,900 You know, I'd love to, you know what, 152 00:07:27,020 --> 00:07:29,500 if you guys do try it and maybe 153 00:07:29,500 --> 00:07:31,740 at your next shoot or whatever, I'll take, 154 00:07:32,040 --> 00:07:35,460 you know, five or six photos from you 155 00:07:35,460 --> 00:07:40,280 guys of your next faceless portrait, and I'll 156 00:07:40,280 --> 00:07:43,360 do an editing video of, you know, your 157 00:07:43,360 --> 00:07:45,100 guys' work and I'll edit it. 158 00:07:45,480 --> 00:07:48,020 But yeah, I wanna see, and I challenge 159 00:07:48,020 --> 00:07:51,320 you guys to really focus in on the 160 00:07:51,320 --> 00:07:55,360 faceless portrait, creating mood without the visual of 161 00:07:55,360 --> 00:07:55,840 appearance. 162 00:07:56,420 --> 00:07:58,440 All right, guys, I'm gonna be in touch 163 00:07:58,440 --> 00:08:01,240 soon, working on the next video, and yeah, 164 00:08:01,320 --> 00:08:03,320 it should be out shortly, the behind the 165 00:08:03,320 --> 00:08:03,560 scenes. 166 00:08:04,020 --> 00:08:06,300 All right, guys, take care, and I will 167 00:08:06,300 --> 00:08:07,840 talk to you guys soon, all right. 11968

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