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I hope things are well.
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So, today I'm going to just touch on...
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Okay, so back all that up.
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In the develop group, there was a thing
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going around this week about the faceless portrait,
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faceless week is what they were posting in
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the Facebook group.
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I posted on Instagram the other day about
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how to me, to me the faceless portrait
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is something that I've done for years.
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It's something that I don't know if it's
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like a personal thing or like a self
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-conscious issue, but I find taking away the
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visual of how someone looks and just focusing
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on say the hands, it really showcases to
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me, I think the connection between a couple
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without bringing into light what someone looks like.
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And I feel at times just human nature
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is to perhaps either subconsciously or consciously judge
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a couple on appearance.
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And at times that can become distracting and
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take away from what we as photographers are
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really trying to showcase and to focus on,
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which is connection and emotion and the love
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and the feeling that we're trying to get
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across in our work.
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And again, showing faces or someone's appearance, we
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may look at or the viewer may look
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at the photo and feel like, wow, there's
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a beautiful connection there.
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But again, it's not a conscious thing at
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times, but they subconsciously look at how they
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look, how their makeup is, their hair, maybe
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do they have a double chin, the lipstick,
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the size of their nose, bags under their
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eyes, all these things that we as humans,
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like it or not, we sometimes judge what
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people look like.
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So for me, the faceless portrait is something
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I've really for years, I remember like probably
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10 years ago, I got an email from
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a bride saying, we love your work, but
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my mom wants to make sure she's gonna
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be able to see us in the photos
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because a lot of your work has their
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heads cut off.
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And so I really, now every wedding, I
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try to make at least two to three,
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four, quote, faceless portraits along with the mom
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photo.
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And obviously, they do wanna see their face,
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who doesn't?
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They wanna see what they look like in
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their hair and makeup and all this stuff,
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but I really have challenged myself to focus
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on showing connection without showing someone's appearance.
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I find if you guys can go into
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it and challenge yourself, say your next shoot
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or your next wedding, and really try to
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focus in on taking away the visual of
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appearance and focus on hands or the squeeze
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or a touch and try to kind of
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build on that, go into every wedding and
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focus on today at this shoot, this connection
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session, I'm gonna make two pictures that focus
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just on hands.
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And then the next wedding, I challenge you,
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this wedding, I'm gonna focus on just the
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way and embrace.
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Yeah, to me, it's super powerful.
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To me, I love creating that.
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I love the feeling that I can portray
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in my work when I take away someone's
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appearance.
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The flip side to this or in addition
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to this would be, I think we've all
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had it, I still have it.
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And I know when I started, I still
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had it.
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It was couples maybe that didn't have like
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the perfect connection, right?
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Like, we're looking at everyone else's feeds and
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we're like, well, their couples are like so
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incredible and they just get it and they
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connect.
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And my couples are kind of goofy and
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maybe a little more awkward and there's all
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those things that we talk about and I'm
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gonna talk about in my next video about
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cues and things to say, but if they
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are maybe goofy here in the visual on
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their face and their appearance, because a lot
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of times they laugh and they make funny
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faces, which is all fine and it creates
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funny work, but maybe it's not what you're
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looking for in that moment.
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So what I was doing was I was
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starting to, it kind of almost came out
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of necessity to capture connection with couples that
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weren't getting it, was I was cutting people's
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heads off and really every couple that we
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work with can hold each other, right?
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Every couple can hold each other.
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Every couple can tickle hands, right?
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Tickle the palm of her hand, tickle fingertips,
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tell each other how much you love each
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other just by touch, the way you squeeze
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them in.
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And then really shoot that wide, shoot that
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with a 35 or whatever or 50 and
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step back and shoot that moment happening, head
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to toe, top to bottom, but then start
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to walk in, start to focus in and
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maybe it's instead of head to toe, now
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it's head to waist and then the next
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shot you're in even closer and it's head
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to chest and then maybe now it's just
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focused on hands and really what you can
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see is as they move around in that
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pose or in that moment, you start to
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focus in on different things and for me
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personally, a lot of my favorite work comes
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from when I started back, but it ends
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when I get really close, when I get
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just the hands, just the touch, just the
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hand on the bottom of his chin kind
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of guiding him into her.
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So again, guys, the faceless portrait, it is
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something that I feel we can all kind
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of throw into our, you know, for lack
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of a better term, our bag of tricks.
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It's something that I challenge you guys to
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try at your next wedding, like consciously really
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try to focus in on, can I make
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something with a lot of feeling and mood
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and emotion and connection without focusing on the
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face?
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Can I, you know, portray visually an intense
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connection just by touch, just by hands, just
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by squeeze, just, you know, whatever that may
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be, but just focus in and try to
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focus in on, focus in on not focusing
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on the face is really, you know, but
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like I said, I challenge you guys, you
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know, to do it.
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I'd love to see your guys' work.
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You know, if you guys do try it
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at your next shoot, you know, definitely send
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me an email, send me a message.
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I'd love to see it.
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You know, I'd love to, you know what,
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if you guys do try it and maybe
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at your next shoot or whatever, I'll take,
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you know, five or six photos from you
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guys of your next faceless portrait, and I'll
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do an editing video of, you know, your
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guys' work and I'll edit it.
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But yeah, I wanna see, and I challenge
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you guys to really focus in on the
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faceless portrait, creating mood without the visual of
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appearance.
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All right, guys, I'm gonna be in touch
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soon, working on the next video, and yeah,
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it should be out shortly, the behind the
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scenes.
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All right, guys, take care, and I will
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talk to you guys soon, all right.
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