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(START MOVIN'PLAYING)

Sal Mineo, the actor who often portrayed young toughs,

was stabbed to death during the night

in an alley outside of his Los Angeles apartment.

Witnesses said they heard him scream,

and saw a man with long, blonde hair running from the alley.

Mineo was 37 years old, and he'd twice been nominated for Academy Awards

for his movie roles in Exodus and in Rebel Without a Cause.

As for the weather, it might as well be spring...

(BREATHING HEAVILY)

(GRUNTS)

(PANTING)

(GRUNTING)

(YELLING)

BELASCO: All right. McCaffery.

SAL: McCaffery. (BANGING ON TABLE)

BELASCO: How we doing on it?

Script is in top form. It looks great.

I've, uh, got my storyboards ready.

I mean, I'm ready to shoot. If we're gonna pick up the cameras tomorrow,

I'm ready to shoot.

It's gonna be fabulous. It's gonna be something that, uh,

from my experience, has never, ever been seen before.

It's gonna be a story...

What do you mean by, "It's never, ever been seen before?"

I just feel like, uh...

I mean, we're starting to evolve a little bit,

but I feel like, the way I wanna make this film,

no one's had the balls to make it the way I wanna make it.

And how do you wanna make it? Out of curiosity.

I wanna make it realistic.

Slick? Realistic!

(LAUGHING) Slick?

Realistic.

(LAUGHING) Oh, sorry, realistic.

Give me realistic. I need to know what realistic means to you.

That actually kind of scares me, the realistic part.

I wanna hear it from you.

The book is nothing but gritty, beautiful, realistic truth.

Okay.

And I feel like

a lot of movies are being made

about horrifying situations and circumstances,

but when they're being shown,

and when the stories are being told,

they're all of a sudden watered down.

Everything is all of a sudden soft,

and you're talking about something horrifying,

but you're looking at it, and it's not so horrifying anymore.

It's actually quite pleasant.

Okay. I just have a few concerns.

Um, that the studio may not want to do something, like,

as graphic, or as raw.

I don't know if they're...

If they are ready for that type of thing.

So I just think we might...

We might wanna consider, sort of, when we go in there to talk to them,

that instead of laying it all out on the, you know, line,

maybe we have a plan B.

Sort of... We don't wanna tell them how graphic and raw it's gonna be.

Oh, we... I just have...

I have a feeling they're gonna be a little bit, um,

shy about that type of thing.

So, I think we... We don't have to talk about it.

We should come up with a different plan.

How about we just don't talk about it with them altogether?

I mean, it's not something that, you know,

I have to bring up.

At some point you're gonna have to bring it up.

Oh, you think they'll ask?

They'll definitely ask. They've already asked about it.

Oh, they have? They have.

About that specific scene?

Not that specific scene,

but, just, they've asked about

how you're thinking about shooting it.

What we're gonna be doing during that, um...

I mean, they have a few concerns.

They have a few concerns about that.

Nothing that we can't overcome.

All right.

But they do have concerns.

Concerns?

They're just thinking about...

Not that big of a deal, but...

They're thinking about, um,

maybe

rewriting some of that part.

Some of that stuff. Nothing big.

Rewriting? Yeah.

(LAUGHING) Nothing huge!

It's nothing huge! It's a little fucking

rewrite session that they're thinking about having, and that's it.

It's nothing big, Sal, seriously.

It's nothing that... It's not that big.

Do not take this seriously. We just...

It's the game, we're playing the game.

Mmm-hmm. Hey, we're playing the game! We're playing the game!

It's the Hollywood Game! The game!

Yes! (LAUGHS) Oh, the Hollywood Game!

We have to do something!

We gotta assuage their fears somehow.

It's not a movie about homosexuality.

It doesn't depict homosexuals in a bad way.

Just... Homosexuals are human beings.

There are scumbags, and there are good people.

There are good homosexuals, there are bad homosexuals.

That's not what the movie's about.

It's about the loss of innocence,

and the rape and torture of America's youth at the end of the day.

That's what the movie's about.

And if we don't see this boy,

not man, not Charlton Heston,

not Burt Reynolds, not some 30-year-old...

This is so fucking boring. Jesus Christ. All right.

Are you fucking kidding me? No, I'm in. I'm in, I'm in, I'm in.

Go ahead, keep going. I'm in. I'm fucking in!

I've been pitching this shit for two weeks now. Let's go! I'm in.

I swear to God. (LAUGHING) I'm so in.

Listen, you don't give a fuck about what this story's about! Let's fucking do this

Crime and Punishmentshit. I swear to God. That's for sure.

What? What? You don't care what this script is about.

I fucking care. Or the story. You just want the deal to work.

I know you, and I can appreciate it. The deal's gonna work,

no matter what. The deal's gonna fucking work.

No script doctor, Billy.

The script? Look, all right. Let's just...

No script doctor, Billy.

How about we get this Dostoevsky fucking dude...

You're un-fucking-believable. Whatever the fuck... He'll be the script doctor!

(CHUCKLING)

There's nothing soft or sweet about a 17-year-old boy who gets

pummeled in his ass by homosexual predators for cash.

It sounds hot.

I'm not gonna kid you. I will not kid you.

It fucking sounds hot as fuck.

You fucking scumbag.

I mean, shit...

I'm gonna tell you what.

Get that fucking waiter over here. You tell me what?

I'll tell you what, Billy. (LAUGHING)

Billy. What?

I'll walk away. Don't... Fuck, come on!

Listen to me. Sal, what the fuck? All right, all right.

I'll go back to London. All right! No fucking script doctors.

No script doctors. None! I... I half promise.

All right, no, I whole promise.

Fucking McCaffery, man. Fucking McCaffery! Done!

(POP MUSIC PLAYING)

(SIRENS WAILING)

(URINE TRICKLING)

(SIRENS WAILING)

(BURPS)

Hey, ACB, talk to me.

Oh, you know. Another night out with the boys in the band.

You would have loved it.

Oh, yeah.

Yeah, I had the meeting with, uh, Billy last night.

I got the deal, and I'm set to direct McCaffery!

(SOBBING)

It's crazy, Court. It's crazy!

It's like, one minute you can't get arrested, the next, boom-boom-boom!

Dreams come true.

I know, it's crazy. It's crazy, it's...

We gotta celebrate.

And we're gonna celebrate! I'm gonna tell you what, I got rehearsal till 9:00,

and, uh, I'll pick you up right after, I'll just come straight to the...

You're kidding!

Who calls a meeting on the same day? That's crazy!

Well, they better have some good news about the Dream Girlsoption,

because, uh, it's gonna cost us a penalty to,

you know, reschedule the flight.

I guess so. You're right.

You know what, it's for the best.

We're in crunch time with rehearsals,

and, um, I was afraid I wasn't going to be able to pay enough attention to you.

Play's coming along great. I mean, it's fabulous,

it's amazing, I gotta tell you.

And the theater house, oh, wait till you see it. It's gorgeous.

Far cry from dinner theater, I'll tell you that.

But, um...

This actor, this fucking guy, Court,

this fucking Keir Dullea. Son of a bitch.

Nothing, he's a good enough guy, you gotta love him,

but he can't memorize four lines in a row,

much less the lead in a play.

It's...

Yeah, I'm busting his balls some, but, you know, I feel bad.

I'll lay you odds they're not gonna take him along for the Broadway run,

I'll tell you that.

Keir Dullea, gone tomorrow.

Yeah, it's looking good for Broadway.

It's looking really good for Broadway, which is perfect

because, you know, once we go out there,

I, uh, I got Billy looking into the film rights for P.S.

So, we'll go to Broadway, we'll do the play,

I'm gonna do McCaffery, then jump right back into P.S.,

act and direct this time, and then, um,

while we're there we could do the Dream Girls, we can get it off the ground.

It's a circus, I'm telling you, and it's fabulous.

It's a freakin' circus, I'm telling you. It's crazy.

It's crazy.

Hey, hurry up and get your ass out here, will you?

Don't worry, I'm not jealous.

'Cause in New York I am not but eight inches they have not!

I love you too, Court. I'll see you.

(WHISTLES)

Ray! Hey!

My man! Sal.

How's the garden? Oh, looking good.

You know, nice day. Figured I'd work on this.

You got that plant that I asked for in there?

Yeah, you know it. Little later?

Yeah, absolutely. All right.

You're coming to my play next week, right?

You know it. Bring a date!

(CAR ENGINE STARTS)

(SLOW JAZZ PLAYING)

(WHISTLES)

(HONKING)

Hey, Mikey! Move your ass, will you?

Hey, Sal.

Ready for your vitamins?

What are you laughing about?

Oh, nothing.

No, come on.

The other day I go to get a pack of smokes, I was at my place.

Yeah.

I noticed this guy jaywalking.

Good-looking.

So I told him "Hey, you shouldn't jaywalk.

"You know, it's bad for you" or something.

(CHUCKLES) What a line.

(CHUCKLES)

Turns out, uh, he likes, you know, to smoke a little grass.

So I invite him back to my place to smoke some grass and...

I forget what happened but somehow

I found myself without pants, and so did he.

So we commenced screwing around.

And finally the moment comes.

(CHUCKLES)

No pun intended. Yeah, no, no, that was...

And all I heard is...

And I didn't realize at first,

I was shocked as to what the sound was.

And I realized it was the sound

of his cum splattering against the wall.

And when I say splattering, I mean, this guy,

he could have broken the dry wall with the pressure and the amount.

And it sounded like a... (CHUCKLING)

when it hit the wall, it smacked it like a...

So I couldn't take it. You just stopped?

No, I couldn't take it. We finished, but I kept him there.

I said we have to do this again,

so I fed him a couple of bananas,

hung out for a while, and I called up Gordon.

Yeah?

And I said, "You gotta listen to this."

Dick.

NURSE: All right, you ready?

SAL: Yeah.

Okay, here we go. Ready?

Here's the med, there you go!

Any reason why it couldn't be a shot in the arm?

Why, did it hurt?

Wait, here's your bandage.

There you go.

All right, you're good to go! Thank you, nurse.

God, that was awful.

Hey, Sal?

SAL: Yes, dear? Hey.

You actually have a balance from last month that you haven't paid yet.

Oh, okay, well, what is it?

$221.65.

(CHUCKLES)

What? I'm sorry.

I'm going to have to pay you next week, Mary-Ann.

Is that okay? I promise I'll pay you next week. Okay.

I don't have it.

All right, I guess so.

All right. See you next week.

Bye.

(SAL GROANS)

My ass still hurts.

Yeah, you don't know what it feels like, do you?

Oh, shit.

What a day, huh?

Unbelievable, it's gorgeous.

Your play goes up soon, doesn't it?

Yeah.

Geez, how long have you been rehearsing that?

Goes up in two weeks.

Ah.

Been on that forever. Yeah.

Well, we did it in Frisco,

so this is like round two for me.

Ah, that's right.

I can't wait, it's fabulous.

It's going to be... It's going to be fabulous.

(LAUGHS)

Put your legs up like this.

Then we're gonna go upside down.

All right. All right?

Hold your nose and ears like this.

Feeling strong?

I feel exhausted. What did you do to me in that pool?

I know, that was crazy.

You know who used to bring me up here?

Who?

Jimmy Dean.

That's one crazy fucker.

He'd pick me up everyday when we were doing Rebel.

He'd pick me up and take me to set and bring me back,

I was 16 years old.

And he'd come up here, after work.

And I would just shit my pants. He would take these corners.

I could swear, I mean, it a long time ago,

but I could swear he was taking these corners at 50.

This one right here?

(ASHTRAY CLATTERS)

Fuck.

WOMAN: Hello?

The mess in this house.

Paper everywhere.

Mabel, my love!

Ow! (KISSES)

Don't. Get off me. How are you doing?

I'd be a lot better if you take care of yourself.

Ain't a lick of food in this house.

Gorgeous, what are you talking about? Ashtrays all over the house,

and how many times have I told you to take the garbage out once in a while?

I swear I meant to get that, I just don't know where you hide the broom.

Oh, you don't know?

Oh, you see? You're gonna go put it in the closet,

how am I supposed to find it?

How are you doing, gorgeous?

Be a lot better if you take care of yourself, this is ridiculous.

Hmm. Stuff everywhere!

See now I feel bad. You don't got to take care of me, Mabel.

And if I don't, who will?

Well, you know, I'm sure I could find somebody.

(SNICKERS) Please. To do it right?

Well, no, if that's what you're after, then no, it can only be you.

That's what I thought.

What have you eaten today?

Uh... Never mind.

You spoil me!

Thank you, Mabel. Don't. Get out of here.

What is this today? Turkey.

Mmm!

Would you go and get out of here so I can do my business?

This is an amazing sandwich.

And take a napkin with you, go! Yes, ma'am.

Don't try and sweet-talk me.

No Forrester police show.

You saw that? Stupid police show.

You gotta see me in this play, Mabel.

I wouldn't miss it.

I got you two seats right up front, and, uh, you're gonna love it.

I promise you're gonna love it.

I always do.

I love you, Mabel.

I love you.

Your silly self.

(CLEARS THROAT)

Hi, sweets, it's Sal.

What are you wearing?

(SNICKERS)

Yeah, I'll be naked in the play. So you coming or what?

Great. Fabulous.

Should I put the reservation under Cher or Spector?

Frank, it's Sal!

How you doing, buddy?

I'm good. Not too much.

P.S.is opening next week and I figured, uh,

I need to fill up the house, so I call you.

You gonna come down and see me?

I do.

That's why I'm... That's why I'm calling you.

I don't think you'd come otherwise.

Hiya, Nick, it's Sal.

How you doin'?

I'm good, buddy. I hadn't heard back from you.

I was just wondering if you're going to make it to the opening of my play.

No, there's not going to be food.

It's not dinner theater, it's at a legit playhouse this time.

It's at the Westwood Playhouse.

Yeah, nice cushy seats and everything.

Huh?

Yeah.

No, there's no food. If you want to eat,

bring a fucking sandwich, you prick.

Yeah, I got this play. You heard about it?

P.S. Your Cat Is Dead. That's right.

We open in a couple weeks. I'd love to have you there.

Yeah.

Well, picture it.

New Year's Eve, the worst night of this poor fucker's life.

He's broke, out of work.

Girl leaves him for another guy.

Top it off, his cat dies.

Guy comes home to wallow in his own stink

and catches a certain thief robbing his place.

Yeah, that's right. He loses it.

Gets the thief by the balls and, uh, chaos ensues,

changing the both of them,

uh, forever, and ever, and ever.

I've thought about being a pitchman.

They won't have me, what can I do?

Fabulous.

Yeah, Westwood...

Westwood Playhouse, that's right.

Get 'em while they're hot.

All right, you take care now.

I'll see you.

(IN PLAYFUL VOICE) Who is that?

Who is that?

Who's at the door?

Is that... What?

Ah! Got you! Good girl! (LAUGHING)

Every time. Hi.

Hi, Nancy.

Hi, Sal. Hi, Bella!

Bella had to come and say hello.

Oh, she's such a good girl. She insisted.

Yeah, she's real good. I missed her.

Hi, good girl.

Except that she's lost her collar again.

Oh, yeah? Well, she's a free bird. Aren't you?

I know. I thought maybe she took it off over here.

No collars for her, she's a good girl. (LAUGHING)

She's a free bird. She looks hungry to me.

Does she look hungry to you?

Uh, no. Not even a little bit. No. No?

Bella. Bella, bark if you're not hungry.

That's not really fair.

(MAKES PLAYFUL NOISES)

Yeah. Uh-huh.

She gets a roast beef sandwich. (LAUGHS)

Now, what are these red bows here? I think they're a little bit racy.

Don't you think? No, no, no, I think red is definitely her color.

She's that kind of girl.

I don't think she's that kind of girl.

How would you... I think a nice baby pink.

No. No. No. No pink. Not ever. No.

Bella, are you a racy girl?

She has her moments.

She's a woman of mystery. How about that?

She's got her secrets. I think she's a sensitive soul,

and I think she's pure.

Well, she can be that, too, but she can also have a little fun.

She looks beautiful, I got to say.

Good girl.

Yeah, she hates the roast beef, that's for sure.

I think she loves her some roast beef.

Yeah, you know, it's because of you that

she's getting a little chubby there.

Are you kidding me? Look at this.

Look at this beautiful body.

(LAUGHING) Look at this.

I think we all wish we had a stomach like this.

Okay, tell me. Tell me, what's this play?

It's called P.S. Your Cat Is Dead.

Your cat is dead? Yeah.

All right. It's about this down and out actor.

Okay. At the bottom of the barrel.

And his girlfriend leaves him, he loses his job.

Okay.

Two jobs. (CHUCKLES) Okay.

And he's just nowhere and he's shit out of luck.

And he comes home and catches a thief robbing him.

The same thief who's been robbing him. Okay.

Twice before.

And this guy just loses his shit and chaos ensues.

It's great. Wait till you see it.

You're gonna love it. I can't wait.

We'll go and get drinks after and do a little party afterwards.

So, you just be ready for a wild night.

Perfect, I love it.

And you... You, fancy girl.

Well, like I said...

Gonna have to wait for the New York run.

She's definitely in for that.

I know. Did you see that?

I know. I know. All right, we're gonna get out of your hair.

Okay.

We just wanted to say hi. Well, we'll see you later, Nancy.

All right, you have a good day and... Perfect. I'll get her stuff.

We'll see you. Ah, no, no, no. (CHUCKLES)

This one's coming with me.

How about this, you walk us all the way to the door. All right.

Perfect.

You're a good girl. I know, I know.

All right, Sal, you take care.

All right. You get one, too.

Aw, thank you. All right. I'll see you later.

Come on, here we go, say bye-bye. Bye-bye. Bye, Bella.

Uncle Sal loves you.

Bye, Nancy. Bye.

Hiya, Jillie, what's up, gorgeous?

Listen, I'm wondering if you know where I can get some coke out here in LA.

Um, Court's coming out and I wanted to surprise him with it at bedtime.

You're Jill Haworth, I thought you knew people.

All right, all right, I'll figure it out.

Are you okay?

You don't sound fine.

What's going on, Jillie? Talk to me.

Mmm.

It's the pill that's making you feel nauseous, isn't it?

No, I don't know. That's why I'm asking.

Talk to me.

If you're fucking this guy, Jill, I want you to take care of yourself.

You can talk to me, I'm not jealous.

Maybe I'm a little jealous, but you can still talk to me.

Mmm. I don't think so.

I will worry about you, big girl or not, because I love you

and that's the way it is. So, talk to me.

You're not fine.

This pill is making you feel nauseous and I know you're going to quit taking 'em.

Jill, I'm not kidding.

Okay, then quit being a baby and talk to me.

Okay, you know what, I want you to get an IUD.

The other gynecologist...

Never mind, I have a gynecologist in New York and I want you to go see him.

Don't worry how I know... Listen to me.

I want you to go see him.

Now promise me you're going to go see him.

No, no, no, don't change the subject, Jillie.

Don't change it.

It's... Let's not move on and it's not a dead subject.

Now, I want you to promise me that you're going to go see him.

You promise?

Good girl.

No, I haven't talked to my mom in...

I don't know, maybe a month, month and a half.

I think it was for my birthday.

She didn't give it to her, did she?

Jillie, tell your mom to not give my mom any more money.

She always sounds like she needs it and she can never have enough.

She has two other sons and a daughter

and I've been carrying all of them for half my life

and I can't do it anymore

and they're going to have to learn to take care of themselves, Jillie.

Now promise me that you're not going to give her any more money.

Far out.

You gonna make it out to my play before it closes, or what?

All right, good girl. I love you, Jillie.

All right, I'll talk to you later.

(PHONE RINGING)

(RINGING CONTINUES)

(PHONE RINGING)

Uh, hello.

Hey, Mikey. I'm on my way.

What?

You've got to be kidding me.

You're gonna make me eat alone, huh?

Nah, don't worry about it, it's all right.

You go ahead, I'll, uh... Yeah, I'll see you tomorrow.

All right.

You too, man, I'll see you.

(SNIFFS)

(TALKING GIBBERISH)

(ENGINE STARTS)

(SLOW JAZZ PLAYING)

(WHISTLING)

(KNOCKING ON DOOR)

(KNOCKING CONTINUES)

Boyd!

What are you doing here this early, Sal? Sorry, I, uh...

I was supposed to have dinner. I got stood up.

(CHUCKLES)

Can you believe it?

It happens.

Hey Boyd, do mind if I use the theater?

It's all yours, Sal, go ahead.

Thank you, buddy.

(SAL WHISTLING)

(PAPER RUSTLING)

(CLEARS THROAT)

(IN HIGH VOICE) Boy, what I wouldn't give for a shot at you.

I'd fucking total you.

Boy, what I wouldn't give for a shot at you. I'd fucking total you.

I think you're flipping.

(IN DEEP VOICE) Of course I'm flipping.

You don't seem to be able to follow me.

What does that tell us about you?

(IN HIGH VOICE) I never saw nothing like you for me.

Eating in front of a person.

I'm hungry. Give me something to eat.

I'm hungry.

(IN DEEP VOICE) Should've thought of that before you...

Yeah, what do you think?

There's a little something for you.

You like garlic?

(IN HIGH VOICE) You kiddin'? It's our national flower.

(IN DEEP VOICE) Mangia. Mangia.

(IN HIGH VOICE) Grazie. Grazie.

(CLEARS THROAT) Grazie. Grazie.

(IN HIGH VOICE) No, I didn't lie.

No, honest, I didn't.

(IN DEEP VOICE) Yes, you did. Yes, you did.

(IN HIGH VOICE) Okay, I did. Lay off.

SAL: Uh, no. I'm good. Maybe we can keep knees-down free?

If he wants a little bit of...

MAN: Like here? Sure.

You know, we could tie my ankles together.

MAN: That's what we're doing. Oh, nice.

You like that?

WOMAN: (CHUCKLES) How's this?

Is that good?

MILTON: Maybe a little tighter.

And then...

How does that work? That won't come up.

It's not perfect right now.

Just make sure it will stay a little bit.

KEIR: And Milton, bear with me on the words, too. I'm finding them.

I just wanna read the scene.

Milt, you wanna take it from his entrance or from when I wake up?

No, from when you wake up.

Okay, let's clear back a little bit.

Uh...

All right, let's try it.

Whenever you're ready.

(IN HIGH VOICE) Jesus.

Hey!

What is this?

Hey!

Hey, uh...

What's your name? Jimmy? Hey, Jimmy!

Oh, Vito, baby.

You really done it this time.

On New Year's Eve too. Jesus.

Hey!

Hey.

(WHISTLING)

Hey.

Hey, what did you tie me up for?

(CONTINUES WHISTLING)

Hey, come on, answer me. What did you tie me up for?

Let's do groceries in the kitchen, eh?

Hey, you didn't call the cops, did you?

Did you?

All right, listen. Listen. Listen to me.

Listen to this. Don't worry, don't worry.

I got 27 bucks.

In my pocket.

And... And you can...

You can have that.

Listen to me.

Listen. And, and...

I got two ounces of some really good stuff.

The strongest ever.

Senegalese thunderfuck, they call it.

And, uh...

Here, do that on the... Do that on the thing.

Put your groceries right there.

Here? Yeah, yeah.

KEIR: Or if you'd like I can make it with hot water.

Okay, Vito.

Vito what?

Vito Antonucci.

And you remember to watch the way that you talk to me.

You're not exactly in the...

What does this mean, "The cat-bird seat"? I...

What does that mean?

The hot seat? You're not in control?

MILTON: Like, you know, cat-bird seat is like, uh...

You know, the throne.

He's not the king of this cat.

Like, you're not in a good position is what you're saying.

Right. Like the cat-bird seat is I guess like the cat

that can like eat the canary or whatever.

You know what I mean? He's not in control.

You're not sitting pretty right now is what you're saying.

Right. So watch how... You're saying, like,

"I don't know why you have this attitude with me."

Yeah. Remember, watch the way that you talk to me too,

because you're not in the cat-bird seat.

Well. That's not... It's terrible.

Fruitcake.

Eighty-six the booze for you.

Wouldn't it be me... My luck, I had to go and get mixed up with a nut.

Your luck, Vito baby. Nobody invited you here. Who invited you here?

MILTON: Line.

WOMAN: So pay the consequences.

Nobody invited you here. So now you pay the consequences, you crumb.

Don't call me a crumb.

MILTON: Get another bottle.

Another bottle.

MILTON: I don't know why, I mean, I just...

We'll just...

It's fine, just use that old bottle.

Yeah. Maybe another glass.

What, uh, don't call you crumb, crummy crumb?

MAN: Don't call me a crumb. Crummy, crummy, crumb, crumb, crumb.

Crummy crumb.

Don't call me a crumb!

You're a crummy crumb.

MILTON: A crummy crumb?

Crummy crumb.

MILTON: Where is...

WOMAN: "Yeah, but what would you do?"

Oh, what are you going to do? You can't even...

MILTON: Give him the whole line.

I don't need the whole... Okay.

SAL: Yes, you do.

MILTON: There's no "crummy crumb" in the fucking script.

WOMAN: "Yeah, but what would you do? You couldn't tie your show license now."

MILTON: Shoe laces. WOMAN: Shoe laces.

WOMAN: "You crumb. You couldn't even pick up your nose, which is something..."

MILTON: Pick your... Pick your nose! (LAUGHING)

Which is something...

MILTON: No wonder you can't remember your fucking lines!

I'm gonna need someone to do the lines and someone to translate.

MILTON: Iris, read the lines.

WOMAN: Okay, reading the lines.

"Yeah, oh, what would you do?

"You couldn't tie your show... Shoelaces now.

"You crumb. You couldn't even pick up your nose.

"Which is something you are..."

MILTON: Adept.

WOMAN: Undoubtedly?

Iris, I think you sound beautiful when you read. WOMAN: Extremely adept.

WOMAN: What? You sound beautiful when you read.

MILTON: All right, you're beautiful.

I just want to hear the lines so Keir can say the fucking lines.

(KEIR LAUGHS)

WOMAN: "Oh, lord, crumbs..." MILTON: Are you listening?

I think Iris should play the part.

WOMAN: "Ah, lord, crumb bum." He's offended.

MILTON: Right, but first... But this line starts with,

"You can't even tie your shoelaces." WOMAN: Yeah.

MILTON: You're being crazy with him.

Ah, I'm enjoying my... I can do anything.

I'm crazy, I've been pushed to the edge.

I'll do whatever. MILTON: Right.

But to her, who, you know...

KEIR: Yeah. Business as usual.

So you're playing... You're doing a role for her too. Do you know what I mean?

Right. So, you're doing both.

To her, like, "Hey, yeah, I got a burglar here, you know?"

Do this whole bit again.

No, do it from where you are right now.

But I'm just telling you in general.

Yeah, yeah, yup. Okay.

All right. Good.

Uh...

So, Kate, his name is Vito.

I don't know. Well, I guess, uh...

Maybe I could chop him up into little pieces and then distribute his body all

throughout the garbage cans in the city. VITO: Take it easy!

Take it easy!

You remember, Kate, you remember that was very en vogue.

Well then, why don't you just call me after your ski trip.

MILTON: You say, "No, I'm fine."

Because she's saying, "Are you okay?"

Because you're acting crazy. Do you know what I mean?

I do, but... So it's gotta be like...

"Yeah, maybe I'll just deposit him around various garbage cans in the city,

"you remember when that was en vogue."

It was never en fucking vogue, do you know? It's like...

Well, I know that.

But you've gotta be playing it up like

you're like a serial killer or something. You know what I mean?

Mmm-hmm. So then you can say...

So then she can say, "Are you okay?"

Right. You say, "Yeah, no, I'm fine."

Do you know what I mean? Right.

Okay. Well, I'm not getting that. I'm getting it like...

Like you actually do... Like it was en vogue at some point.

Then there's not two different people that I'm doing something with.

I'm being crazy with him and crazy with her.

Yeah, but you have a relationship with her, so...

So it's different.

Whatever. But yeah, you're playing the crazy guy for both of them.

Good. Good. Yeah.

Come on, fella.

Look! It's starting to sting!

No, I'm okay. I don't need to go. You go without me. Go ahead.

What, in the sink?

That's dirty. It's dirty in the sink.

Well, it's my sink. What do you care?

It's my clothes!

Not my clothes.

Hey.

Sorry, but would you at least give me a hand?

(LAUGHS) What? I'm going to give you a hand?

Come on! What, are you afraid you might like it?

Oh, my...

Is it a language problem, Vito baby?

Jimmy... What is it a language problem, Jimmy baby?

Help me fire up a shot.

Come on, give me a hand.

No, no, no.

No, no, no. You're... You're not a...

You're not a queer, are you?

What, are you taking a census?

God almighty, no! No! Not on top of everything else!

I finally catch a burglar and it turns out to be Tinker Bell.

On top of everything else tonight!

Oh, you're kidding me. Tell me you're not.

You're not. I'm going to tell you what. All right?

Why don't you go and unzip me... Uh-huh.

Take it out. If it starts to grow, you got your answer.

Then, if yours starts to grow, I got myself a little buddy.

A goomba. Come on! You're a cretin.

God damn it. You're disgusting.

Oh! Oh! What, did I hit a nerve?

Did I hit a nerve? Huh?

Don't tell me you don't swing both ways.

I ain't never met an actor yet that didn't swing.

If you're not going to call the cops, what are you going to do?

I don't know. I'm going to put my thinking cap on.

(LAUGHS) You like that?

(BOTH HUMMING)

Another night.

I think we'll get it.

Are you kidding me? We'll have to get it.

There's no other way. We're going to get it.

I think so. I think it's coming along great.

We're going to have a fabulous opening night. Yeah.

You're doing wonderful stuff in there.

Well, so are you, Keir. Don't worry about it.

Keir Dullea, gone tomorrow.

We never know.

Good night. I'll see you tomorrow.

(HUMMING)

(TIRES SCREECHING)

(SLOW JAZZ PLAYING)

Hiya, Ed.

How you doing, Sal, how are you?

Good. Good, good, good.

Can I have a pack of smokes, please. And, uh... Sure.

A feast for a king.

That's it? Yeah, buddy.

All right.

$1.16.

And, uh...

(COINS CLATTERING)

Shit.

All right. You okay today?

What's that? Are you okay?

Yeah, I'm better now.

60, 64...

68, 69.

That's it. Thank you very much.

Thanks, buddy. You're welcome.

And one of these, uh... I got it.

(PAPER BAG RUSTLING)

How's the wife?

Okay. Good to hear.

Thank you.

All right, well, uh, I'll see you later. Good night. See you.

Hey, Steven, how you doing, buddy? How are you, Sal?

Help, help! Somebody...

(DOG BARKING)

Sal?

Sal? Sal!

God! Sal! Sal!

Ray?

Oh, shit!

Call a fucking ambulance, call an ambulance!

Sal!

Ray?

Come here! Come here! Come, come, come!

Put some pressure there. Just hold it.

Push hard, okay? Yeah, I got it, I got it.

Sal? Sal? Sal? Sal? Sal?

RAY: Come on, Sal!

(FRANTIC BREATHING)

Shit, Sal! Sal!

Hello, everybody. Actor Sal Mineo

was knifed to death last night in the rear of

the apartment building where he lived in Los Angeles.

Mineo was 37 years old, and a native New Yorker.

Here's a report on his slaying.

Mineo was stabbed in the chest at about 9:30 last night

in an alley outside his West Hollywood apartment,

just off the Sunset Strip.

Mineo cried out several times. Neighbors heard him.

They called the police, and rushed to help.

RAY: Well, I heard him screaming and he said,

"Oh, my God! Help! Help, help!

"Oh, no!" And at that point I ran out

and ran down the steps, and I ran to the end here.

And I saw Sal lying on his side.

And, uh, it appeared that there was blood coming from his head.

But then I turned him over on his back

and I could see that it was on his left side.

And I could see his face was starting to go ash white.

So I started to give him mouth to mouth resuscitation.

REPORTER: Did you see him die?

RAY: Yeah.

REPORTER: There was at least one witness to the stabbing.

Police questioned him and are now looking for

a young man with blonde hair

that they say was seen running out

of the alley moments after the stabbing.

Police say there is no known motive for the killing

but have ruled out robbery.

"Right on. Cool."

That's what Calhoun County Sheriff Roger Dean says the 21-year-old

murder suspect had to say in his jail cell

when advised of his charges last night.

And it was that calm and cool attitude

that prevailed at today's extradition hearing

in the circuit courtroom of Judge Creighton Coleman.

Williams waived extradition to California

after learning it would take $100 of the $180

he got for his birthday to help pay for a court-appointed attorney.

So the next step is to get the suspect back to California

to face a first-degree murder charge.

The transfer should take place in the next couple of days.

Sheriff Dean says Williams allegedly discussed

the Mineo slaying with fellow inmates.

Tape recordings made in the suspect's cell

gave investigators what they needed.

Los Angeles County Sheriff Peter Pitchess was asked

what led to the arrest of Williams after two years.

PITCHESS: Information that was received

in the course of this pretty intensive investigation.

As I said, we didn't let up in the past two years.

We had some witnesses who gave us a description.

Uh, and it was a number of things.

The immediate source of the information

I'm not in a position to reveal at this time.

WOMAN: Is he a friend of yours?

Yeah.

Yeah, he's my best friend.

What's he like?

Oh. I don't know.

You have to get to know him.

He doesn't say much but...

But when he does you know he means it.

He's sincere.

Well, that's the main thing.

You wanna flip? Yeah, go ahead.

Heads.

Maybe next time he's going to take me hunting with him.

And fishing.

I want him to teach me how because I know he won't get mad if I goof.

His name's Jim.

It's really James but he likes Jim more.

The people he really likes, he lets them call him Jamie.

Jamie?

(START MOVIN'PLAYING)