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So how about we use available light or
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man-made light, light that is already existing
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in the environment?
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Well, it's not on yet, but basically what
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we have in my bathroom right now is
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this makeup area, these makeup lights.
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And they're very, very beautiful.
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They're very glamorous.
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Of course, they're tungsten.
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They're quite yellow.
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So either we want that yellow or we
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correct it afterwards.
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It just depends on what we want.
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Let's just first get Lisa in where we
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want her to be.
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I need you to come really, really close.
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Okay, stop there.
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Bring your backside right in and then tilt
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your face this way and then turn.
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Now, let's just look at her face.
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Let's just come back here for a second.
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If you look at her face right now,
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you see how it's quite masculine light.
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We've got a nice edge light.
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We've got split lighting, but the lighting is
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not nice on this side.
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So we always start from, so turn your
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face this way.
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We'd start from here and we turn her
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face and turn it until her complete eye
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socket is lit.
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Perfect.
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Lisa, tilt this way, chin up a little
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bit, and you can rest on there for
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me.
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That's right on the glass.
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Yep.
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And then if you can bring that shoulder
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back a little bit.
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Beautiful.
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Turn a bit more to the glass.
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Beautiful.
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Okay, so now I've got my 105 macro
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with my FTZ adapter and that's gonna give
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me somewhere to go here.
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I'm gonna start at 1600 ISO.
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I am gonna shoot with the tungsten white
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balance.
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So let's do that.
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And let's see if that's cleaned it up.
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It has, probably even a bit too much,
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but let's see.
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Let's lean you back a little bit.
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Good.
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Turn your face more that way.
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Gorgeous.
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Again, not too worried about expression at this
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stage.
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We're not ready for that.
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I love the fact that we can actually
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see that beautiful edge light in the environment
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there.
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It's just beautiful.
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Just composing this in a way where I
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don't get the thermostat.
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Let me see what I can do.
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We're cropping just above her brow.
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And Lisa, just want your eyes here.
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Gorgeous.
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Little hint of warmth in the eyes there.
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That's better.
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Beautiful.
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Hold it there.
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Gorgeous.
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Love that.
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Let me go in a little bit closer
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now.
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Yeah, I love that.
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That's stunning.
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I love the multiple catch lights in the
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eyes.
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It's just really pretty.
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Give me some warmth in the eyes again.
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And when I say warmth, guys, in the
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eyes, I'm basically after that hint of a
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smile without sort of being too smiley about
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it.
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This is quite dramatic, so we don't want
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to go too far.
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Gorgeous.
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Hold it there.
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Oh, I think we blinked on that.
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I just caught it just before there.
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You know what?
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I'm going to increase my depth here.
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Of course, with a 3.2 on a
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macro is going to be shallower than 3
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.2 on a different lens.
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So I'm going to give myself an F4.
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See if I can focus right on her
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eye, making sure I've got the full range.
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There we go.
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That's gorgeous.
104
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Turn your face a bit to the right.
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That's better.
106
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That's gorgeous.
107
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Hold it there for me.
108
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Eyes up again.
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Just missed that composition in the back.
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There we go.
6714
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