All language subtitles for MWAL 10 - Window Light

So guys, I'm here in a bedroom and

what I like to do is actually turn

off all lights, shut the blinds, close the

shadows and we're ready to rock because I

want to create the light where I want

it and one by one I'll open up

everything and see what I find.

In this case, this is my bedroom, I

actually know the lighting here pretty well.

I love this because I've got this beautiful

light that I can open up and as

you can see, it works really well.

So I'm going to get Lisa right here

and take some really cool portraits using window

light which is one of the easiest lights

to use because it's big, it's broad, you

can shape it just simply by changing your

angle and it's a great place to start

because you can get so many photographs under

your belt without changing a single thing.

So let's do that, let's come back a

few little shuffles, a few little shuffles this

way and turn your body this way a

bit more and I want this toe point

towards me, right out, slide the heel back

in, bend the shoulders back and lean the

chest forward and now turn your face right

in there, that's stunning.

Gorgeous and I'm going to shoot three-quarter

here so this is not as important per

se to make perfect on the bottom but

we certainly will have some fun.

I quite like the way you're doing that

with your hands, that's gorgeous.

Yeah, the lighting is perfect and turn your

body slightly, touch in, gorgeous.

Okay, so we take our time, yeah, she

looks stunning there.

All right, so now we are going to

shoot with the daylight white balance, the image

area, I'm pretty much fine with that.

I'm going to raise my ISO here probably

to about maybe a thousand at this stage,

let's just sort of see where we get

to.

Yeah, that's looking stunning, that's beautiful and okay,

250 speed, 3.5, 1000 ISO, the lighting

is really, really beautiful.

Turning the body away from the light source,

face back in, arms off the body, shoulders

back there a little bit there for me,

Lisa.

Okay, eyes at me, gorgeous, hold it, beautiful,

little hint of a smile there for me,

that's gorgeous and eyes just here, beautiful.

Now, it's really important too that you can

remember, lock yourself into a stare, Lisa, so

just stare, that's it, stare.

Now, breathe through your mouth, that'll make the

lips look more sensual and then a hint

of a squint, beautiful and don't forget you

can just go right in, don't waste that

shot, you've already done some hosing and lighting

and you've done all that stuff already but

now just simply get right in there, nice

and close, eyes at me, gorgeous, hint of

a squint beautiful, let's have a look at

that shot, just stunning and eyes over here

again, you can see the shot, can't you,

that's beautiful, that's good, you're looking at yourself,

it's like, oh my god, that's awesome, stay

where you are, all right, Dylan, gonna get

you right in there, mate, so don't waste

this opportunity, right, you're right here, you might

as well get him in, come right behind

and bring your face on this side there,

mate, if you can, so right behind, shuffle

your feet right in, that's it and then

chin forward, right like this, good, now Lisa,

turn your face profile to me, yep and

then you're going to bring your face in,

mate, yeah, that's beautiful, that's perfect, see we've

got split lighting on the groom, we've got

beautiful light on the bride, I feel like

I want her ear in shade, so I

might just turn your face this way a

little bit more, more, more, there we go,

this time, mate, I want you to turn

your face in this way, there you go

and chin up, more, good, love that and

then chin up for me too, Lisa, it's

gorgeous, yeah, that's beautiful, love that, man, you

guys really should procreate, that's all I'm saying,

beautiful, love that and now Lisa, eyes at

me, gorgeous, you see how we've got that

beautiful short lighting on the bride and we've

got split lighting on the groom, that really

works, now both of you this time, I

want you to turn and looking out the

window, both of you pick a spot just

over here where you can see, so this

time I am going to get a profile

of Lisa, so actually turn your body, actually

turn your body completely towards him, all the

way and then rest your forehead right on

his cheek there, yeah, that's beautiful, that's good

and eyes down and you're looking about over

here, actually I've changed my mind here, so

eyes down, tilt his face this way, yeah,

that's good, just there, turn your face a

bit more this way, Dylan, perfect, eyes there,

really cool, all right, love that, Dylan, eyes

at me, all right and just think we've

already got your wedding photographs in the can,

here we go, awesome and now I love

the fact that we can just crop in

close and we get a different mood altogether,

so Lisa, I want you looking up out

the window and a bit to the right,

can you face to the left a bit

more, actually that's nice too, get that again,

face a bit more towards me, gorgeous, just

there, oh, that's gorgeous, just your eyes a

little bit to your left, perfect, hold it,

hold it there, hold it, I don't want

to get his eyes in and I want

to get there, just lips together for me,

Dylan, good, hold it, this time I am

going to crop square, yeah, that's beautiful, love

that, awesome guys, hold it, can you face

a touch towards me, Lisa, stop, just there,

stunning, hold it, beautiful, stunning, check that out,

now we're going to do one with a

veil over you, so Dylan, you can relax,

let's bring the veil right over, so what

I want you to do, I want to

have that feeling in the motion that you're

sort of adjusting it, so I want to

bring this hand up high and this hand

a bit lower, that's perfect, yeah, you know

exactly what I want, turn your face this

way, chin down and lean forward with your

chest, good, don't move, beautiful, stunning, hold it

there, bring your arms into your body a

little bit more, good, just there and I'm

going to shoot now two by three ratio,

bring your hand up a little bit higher,

this one, that's gorgeous, yep, yeah, that's beautiful,

eyes down, perfect, all right, let's get Dylan

in for one shot, so you can relax

totally and now we're going to get you

on the fringe of the light, this is

just going to show the audience here watching

quite a few ways that we can use

window light, turn your face that way now,

that's good, come closer to me, oh, too

much, come back, lean forward towards the light

and then chin down, turn your face towards

me, good, you're going to look right here,

awesome man, really cool, hint of a squint,

awesome, hold it, perfect, yeah, it looks really

good, turn your shoulders towards the window and

then chin down and turn your face to

the right a bit more, just there, turn

your whole body that way again, good and

your face to the right again, that's awesome,

now your eyes just here, that's it man,

hold it there, awesome and how beautiful is

that.