All language subtitles for Editing tutorial - January 10th 2021

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian Download
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,070 --> 00:00:03,830 It is 2021, it is. 2 00:00:05,370 --> 00:00:07,970 First, I gotta I have to apologize, I 3 00:00:07,970 --> 00:00:12,660 have to apologize for I guess my lack 4 00:00:12,660 --> 00:00:13,500 of. 5 00:00:14,400 --> 00:00:19,360 content it's been December was chaos with all 6 00:00:19,360 --> 00:00:20,660 the kids home for school. 7 00:00:22,340 --> 00:00:26,900 Some you know work stuff I had. 8 00:00:28,160 --> 00:00:30,900 We have to put with put our dog 9 00:00:30,900 --> 00:00:32,380 down right before Christmas. 10 00:00:33,560 --> 00:00:35,120 Like 16 years. 11 00:00:36,280 --> 00:00:39,340 Anyway, it's I know it is just essentially 12 00:00:39,340 --> 00:00:40,880 when it comes up to its excuses, but 13 00:00:40,880 --> 00:00:42,640 I just I want to apologize, I gotta 14 00:00:42,640 --> 00:00:44,880 say thanks to you guys for sticking with 15 00:00:44,880 --> 00:00:45,320 me here. 16 00:00:46,780 --> 00:00:49,440 I'm transitioning from a different editor for my 17 00:00:49,440 --> 00:00:51,340 videos I have some content from a behind 18 00:00:51,340 --> 00:00:53,380 the scenes video that I need to get 19 00:00:53,380 --> 00:00:56,080 edited and get up here but anyway guys 20 00:00:56,080 --> 00:00:59,220 I do appreciate it, I do want to 21 00:00:59,220 --> 00:01:00,380 thank those who. 22 00:01:01,320 --> 00:01:03,860 You know, are still here are still putting 23 00:01:03,860 --> 00:01:04,860 their trust in this. 24 00:01:05,940 --> 00:01:08,400 I do promise that I'm going to. 25 00:01:09,140 --> 00:01:13,440 be better at more things so today i'm 26 00:01:13,440 --> 00:01:15,960 going to do just a quick editing I 27 00:01:15,960 --> 00:01:16,980 know i've been asked. 28 00:01:17,980 --> 00:01:21,300 Through some instagram messages and emails and private 29 00:01:21,300 --> 00:01:24,540 messages to do more editing stuff I posted 30 00:01:24,540 --> 00:01:27,320 a photo, the other day on instagram of 31 00:01:27,320 --> 00:01:30,540 a couple of people who was you were 32 00:01:30,540 --> 00:01:32,400 in Venice and. 33 00:01:33,680 --> 00:01:35,780 i've been asked about editing for that so 34 00:01:35,780 --> 00:01:38,000 i'm going to edit three pictures here go 35 00:01:38,000 --> 00:01:40,540 through my again my process with editing what 36 00:01:40,540 --> 00:01:42,160 I was looking for, as I was shooting 37 00:01:42,160 --> 00:01:44,660 and how i'm editing it now so. 38 00:01:44,660 --> 00:01:46,840 Anyway, again guys here we go again I 39 00:01:46,840 --> 00:01:49,840 truly appreciate everything and so let's get started 40 00:01:49,840 --> 00:01:53,000 here alright so i'm going to share my 41 00:01:53,000 --> 00:01:55,660 screen here. 42 00:01:57,380 --> 00:02:00,660 You just start by doing this share screen 43 00:02:00,660 --> 00:02:03,620 and here we are so. 44 00:02:04,980 --> 00:02:06,700 let's start with this one, so this was 45 00:02:06,700 --> 00:02:07,419 the one that. 46 00:02:07,419 --> 00:02:12,240 I recently posted, so this is the raw 47 00:02:12,240 --> 00:02:15,540 file, as you can see, we were shooting 48 00:02:15,540 --> 00:02:18,780 it was crazy I it's funny. 49 00:02:18,780 --> 00:02:23,480 I miss crowds I crowds drove me crazy 50 00:02:23,480 --> 00:02:25,040 when I could be in them, and now 51 00:02:25,040 --> 00:02:26,580 that we can't be in them I miss 52 00:02:26,580 --> 00:02:27,180 them so. 53 00:02:27,940 --> 00:02:29,840 there's a bit of nostalgia in this this 54 00:02:29,840 --> 00:02:32,540 photo for me being able to travel to 55 00:02:32,540 --> 00:02:35,560 a place that I absolutely love and to 56 00:02:35,560 --> 00:02:39,420 be in crowds that I took for granted. 57 00:02:39,420 --> 00:02:41,820 And now I wish I could go back 58 00:02:41,820 --> 00:02:44,900 and be in the chaos anyway, so you 59 00:02:44,900 --> 00:02:49,500 can see, there is light coming from right 60 00:02:49,500 --> 00:02:54,080 here, so it was just before sunset the 61 00:02:54,080 --> 00:02:56,920 light was coming through the buildings here. 62 00:02:57,800 --> 00:03:01,120 Down the canal and we noticed that I 63 00:03:01,120 --> 00:03:02,660 noticed it as we were walking and I 64 00:03:02,660 --> 00:03:04,820 thought how neat would it be to have 65 00:03:04,820 --> 00:03:07,180 them stand there face the light. 66 00:03:07,840 --> 00:03:10,320 With the chaos and crowds that were behind 67 00:03:10,320 --> 00:03:13,740 them, so you can see the exposures pretty 68 00:03:13,740 --> 00:03:14,980 much for this. 69 00:03:15,320 --> 00:03:17,140 beam of light right here, you can actually 70 00:03:17,140 --> 00:03:19,960 see it hitting this lady's face kind of 71 00:03:19,960 --> 00:03:22,360 the top of this gentleman's hat come right 72 00:03:22,360 --> 00:03:22,800 in here. 73 00:03:22,800 --> 00:03:25,820 This guy's head and into here, so I 74 00:03:25,820 --> 00:03:27,880 kind of placed them right in that line 75 00:03:27,880 --> 00:03:30,700 of light so when we edit so we're 76 00:03:30,700 --> 00:03:31,600 going to go with Rome. 77 00:03:32,740 --> 00:03:35,620 we're going to go black steep and we're 78 00:03:35,620 --> 00:03:37,100 going to go shadow screen, so you can 79 00:03:37,100 --> 00:03:39,040 see how this pretty much just crushes everything 80 00:03:39,040 --> 00:03:42,280 it's this part right here really hasn't changed, 81 00:03:42,660 --> 00:03:45,460 but everything's quite dark so we're just going 82 00:03:45,460 --> 00:03:46,880 to bump this up a bit. 83 00:03:46,880 --> 00:03:50,520 And we're going to use the brush tool, 84 00:03:50,680 --> 00:03:53,740 so I know in previous videos i've talked 85 00:03:53,740 --> 00:03:58,860 about how I use this to emphasize what 86 00:03:58,860 --> 00:04:01,540 was already there, what was in the image 87 00:04:01,540 --> 00:04:03,640 what I was looking for when I captured 88 00:04:03,640 --> 00:04:05,760 it, so I always go you'll see negative 89 00:04:05,760 --> 00:04:08,340 contrast positive shadow, so I just kind of 90 00:04:08,340 --> 00:04:11,120 pop in just a bit of light in 91 00:04:11,120 --> 00:04:13,940 here okay and just. 92 00:04:14,940 --> 00:04:15,459 down. 93 00:04:16,240 --> 00:04:18,540 And then i'll just add one more brush 94 00:04:18,540 --> 00:04:22,120 and i'll bring it bigger just to mimic 95 00:04:22,120 --> 00:04:24,700 the beam of light coming in this way 96 00:04:24,700 --> 00:04:29,300 so just right here, you can see already 97 00:04:29,300 --> 00:04:30,940 what that does. 98 00:04:32,520 --> 00:04:35,900 Now, one of the things I noticed with 99 00:04:35,900 --> 00:04:38,300 this shot is. 100 00:04:39,800 --> 00:04:41,060 This gentleman's. 101 00:04:42,700 --> 00:04:45,580 bald head like mine, so it is definitely 102 00:04:45,580 --> 00:04:49,200 a distraction visually, so I would take this 103 00:04:49,200 --> 00:04:50,480 and. 104 00:04:52,600 --> 00:04:56,860 bring down the highlight bring down this just 105 00:04:56,860 --> 00:04:57,380 a little. 106 00:04:58,900 --> 00:05:00,280 Just so it's not as. 107 00:05:02,120 --> 00:05:04,960 prominent your eye doesn't go there, and it 108 00:05:04,960 --> 00:05:06,360 really is going to go, as we know, 109 00:05:06,460 --> 00:05:07,940 your eyes going to focus on the brightest 110 00:05:07,940 --> 00:05:09,580 part of the image, and if you have 111 00:05:09,580 --> 00:05:12,280 this competing bright spot right here bald head 112 00:05:12,280 --> 00:05:15,520 you're going to get distracted so just bringing 113 00:05:15,520 --> 00:05:16,880 that down just a little. 114 00:05:23,250 --> 00:05:24,090 All right. 115 00:05:25,430 --> 00:05:27,970 From there, just adjusting. 116 00:05:41,350 --> 00:05:45,450 There so raw photo final image, so you 117 00:05:45,450 --> 00:05:47,370 can see, again nothing's really like. 118 00:05:48,170 --> 00:05:50,770 The concept, the focus has always been even 119 00:05:50,770 --> 00:05:54,030 in the raw photo is this but just 120 00:05:54,030 --> 00:05:57,350 ever so slightly, you know, adding the preset 121 00:05:57,350 --> 00:05:59,510 play with the color temperature a little adding 122 00:05:59,510 --> 00:06:02,490 some contrast and then just brushing in just 123 00:06:02,490 --> 00:06:04,430 a bit of extra light here and taking 124 00:06:04,430 --> 00:06:07,370 out the extra light here really focuses your 125 00:06:07,370 --> 00:06:08,150 attention now. 126 00:06:08,810 --> 00:06:11,990 Primarily right on the couple and the chaos. 127 00:06:14,400 --> 00:06:17,000 Alright, so let's move on to. 128 00:06:18,380 --> 00:06:23,080 favorite always Iceland we're under the waterfall slander 129 00:06:23,080 --> 00:06:23,520 floss. 130 00:06:24,840 --> 00:06:27,460 it's been there, you know the light comes 131 00:06:27,460 --> 00:06:32,160 quite like very harsh from here into the 132 00:06:32,160 --> 00:06:34,720 waterfall and then placing a behind the waterfall. 133 00:06:35,760 --> 00:06:38,080 diffuses the light quite a bit also there's 134 00:06:38,080 --> 00:06:39,620 not a lot of crowd back here, as 135 00:06:39,620 --> 00:06:42,340 you can see, because it's quite wet so 136 00:06:42,340 --> 00:06:44,000 using the. 137 00:06:45,060 --> 00:06:49,360 fall of water to basically diffuse any amount 138 00:06:49,360 --> 00:06:52,260 of light can already give us that line 139 00:06:52,260 --> 00:06:54,780 of light, you can see, all the way 140 00:06:54,780 --> 00:06:57,580 down here okay so again coming in here 141 00:06:57,580 --> 00:07:01,640 Rome black steep and shadow screen. 142 00:07:02,620 --> 00:07:07,280 And then really just dropping the exposure and 143 00:07:07,280 --> 00:07:11,460 adding contrast okay so already we're getting some 144 00:07:11,460 --> 00:07:15,460 separation a nice definite line of light here 145 00:07:15,460 --> 00:07:19,220 Okay, but again, using the brush tool. 146 00:07:20,620 --> 00:07:22,700 Going negative contrast. 147 00:07:24,640 --> 00:07:28,620 Positive shadow and using it as you were 148 00:07:28,620 --> 00:07:32,800 would be naturally bringing in the light here 149 00:07:32,800 --> 00:07:34,580 okay so again, we know the lights coming 150 00:07:34,580 --> 00:07:37,260 from this way, so to highlight just right 151 00:07:37,260 --> 00:07:40,480 here you're gonna it's gonna look fake, so 152 00:07:40,480 --> 00:07:42,360 if we can brush and light from the 153 00:07:42,360 --> 00:07:43,060 right side. 154 00:07:44,020 --> 00:07:49,210 You can see all that just as just 155 00:07:49,210 --> 00:07:52,890 a bit again little more pop here and 156 00:07:54,910 --> 00:07:56,990 then coming on and adjusting highlights. 157 00:07:59,570 --> 00:08:00,950 In contrast. 158 00:08:08,210 --> 00:08:09,770 You can see, as we play with the 159 00:08:09,770 --> 00:08:12,290 shadow that line of light right on our 160 00:08:12,290 --> 00:08:14,950 really doesn't change, you can see the separation 161 00:08:14,950 --> 00:08:17,070 there for highlight to shadow. 162 00:08:21,180 --> 00:08:22,640 And one thing that i've been doing quite 163 00:08:22,640 --> 00:08:25,860 a bit lately is probably within the last 164 00:08:25,860 --> 00:08:31,720 month or so is using this texture slider 165 00:08:31,720 --> 00:08:32,840 so what i've been doing is. 166 00:08:33,460 --> 00:08:34,980 Coming over here, and you can see, as 167 00:08:34,980 --> 00:08:38,200 we zoom in what it does so it 168 00:08:38,200 --> 00:08:42,299 softens it's almost like a overall softening to 169 00:08:42,299 --> 00:08:43,580 the image what gives it. 170 00:08:44,460 --> 00:08:46,720 What would you call it almost like a 171 00:08:46,720 --> 00:08:49,900 theory, like a softer more romantic thing we 172 00:08:49,900 --> 00:08:51,540 obviously don't want to go like gauzy and 173 00:08:51,540 --> 00:08:53,740 blur and like blur out everything so i've 174 00:08:53,740 --> 00:08:56,600 been finding for myself i've been anywhere between. 175 00:08:57,360 --> 00:09:00,840 Negative 25 to negative 40 just to give 176 00:09:00,840 --> 00:09:05,720 the skin smoother more glowy effect, I found 177 00:09:05,720 --> 00:09:07,920 that really helps, especially as we get into 178 00:09:07,920 --> 00:09:10,360 like close shots just to smooth the skin 179 00:09:10,360 --> 00:09:13,100 out give it a little soft edge, so 180 00:09:13,100 --> 00:09:15,600 the edges aren't as harsh gives it definitely 181 00:09:15,600 --> 00:09:16,820 more romantic feel. 182 00:09:18,240 --> 00:09:22,360 So yeah probably right over there so you're 183 00:09:22,360 --> 00:09:22,820 raw. 184 00:09:24,060 --> 00:09:27,740 To your edit again always looking for where 185 00:09:27,740 --> 00:09:30,080 the lights coming from exposing for the light, 186 00:09:30,280 --> 00:09:32,840 you can see that again this her face 187 00:09:32,840 --> 00:09:35,500 here, the side of her arm her hands 188 00:09:35,500 --> 00:09:38,480 and down her dress really doesn't change much 189 00:09:38,480 --> 00:09:39,720 in the final edit. 190 00:09:39,720 --> 00:09:43,140 Everything else all we've done is darken the 191 00:09:43,140 --> 00:09:45,920 surrounding to give it that much more drama 192 00:09:45,920 --> 00:09:50,100 much more effect and separation between the background 193 00:09:50,100 --> 00:09:52,100 and the highlights and the shadow so again 194 00:09:52,100 --> 00:09:53,060 you're raw. 195 00:09:54,940 --> 00:09:55,360 And your final. 196 00:09:55,360 --> 00:10:01,200 Okay, so again sidelight you know coming from 197 00:10:01,200 --> 00:10:04,320 here, this time that you can see it, 198 00:10:04,360 --> 00:10:06,820 you can see it lining the back here 199 00:10:06,820 --> 00:10:10,720 you get nice dramatic light here with dark 200 00:10:10,720 --> 00:10:14,200 background okay it's the same idea for a 201 00:10:14,200 --> 00:10:16,020 lot of the images that I shoot is. 202 00:10:16,890 --> 00:10:20,440 dramatic light here dark background dramatic light here 203 00:10:20,440 --> 00:10:24,760 dark background okay dramatic light here dark background 204 00:10:24,760 --> 00:10:27,200 so looking for whenever you're shooting. 205 00:10:28,000 --> 00:10:31,480 You know, placing your couple with dramatic light 206 00:10:31,480 --> 00:10:34,760 here against the dark background okay so we're 207 00:10:34,760 --> 00:10:36,320 going to again we're going to go in 208 00:10:36,320 --> 00:10:37,960 here Rome. 209 00:10:39,080 --> 00:10:41,540 Black steep and shadow screen. 210 00:10:42,620 --> 00:10:45,940 You can see just that itself, you know 211 00:10:45,940 --> 00:10:50,980 really we've kept the same highlight here, but 212 00:10:50,980 --> 00:10:53,820 we just added some drama and separation between 213 00:10:53,820 --> 00:10:57,520 the highlight in the dark background okay so 214 00:10:57,520 --> 00:10:59,180 we're going to again take that brush. 215 00:11:00,040 --> 00:11:01,280 going to come in here. 216 00:11:03,060 --> 00:11:04,940 we're just going to paint in just a 217 00:11:04,940 --> 00:11:07,240 bit of light into here. 218 00:11:08,540 --> 00:11:13,900 Just to give it some more detail, just 219 00:11:13,900 --> 00:11:15,840 to brighten up in here his face a 220 00:11:15,840 --> 00:11:16,300 little okay. 221 00:11:20,390 --> 00:11:23,870 Again, put the exposure a little highlights. 222 00:11:26,210 --> 00:11:27,750 Add some contrast. 223 00:11:32,050 --> 00:11:34,650 And then we'll add or take away some 224 00:11:34,650 --> 00:11:37,550 of that texture to the skin just to 225 00:11:37,550 --> 00:11:39,110 give it a little softer feel. 226 00:11:41,630 --> 00:11:45,110 And again, that would be the edit so 227 00:11:45,110 --> 00:11:46,690 as you can see, you can see the 228 00:11:46,690 --> 00:11:50,490 darkness was there, the highlight was here Okay, 229 00:11:50,490 --> 00:11:52,650 we know going in that when we go 230 00:11:52,650 --> 00:11:55,250 to edit this photo, this is going to 231 00:11:55,250 --> 00:11:55,810 get dark. 232 00:11:56,510 --> 00:11:59,670 This is going to stay pretty much exactly 233 00:11:59,670 --> 00:12:01,330 the same, so what we're doing is we're 234 00:12:01,330 --> 00:12:04,410 exposing our camera and really focusing on the 235 00:12:04,410 --> 00:12:06,790 highlight and what we want. 236 00:12:07,150 --> 00:12:09,010 The viewers I where we want the viewers 237 00:12:09,010 --> 00:12:10,490 I to go, do we want the viewers 238 00:12:10,490 --> 00:12:13,130 I to go, you know all back in 239 00:12:13,130 --> 00:12:14,410 here, or do we want the viewers I 240 00:12:14,410 --> 00:12:16,370 to go right where the couple is. 241 00:12:16,370 --> 00:12:17,990 Do we want the viewers I to go 242 00:12:17,990 --> 00:12:20,710 back in here and the pathway and all 243 00:12:20,710 --> 00:12:21,910 here, or do we want the viewers I 244 00:12:21,910 --> 00:12:23,990 to go right to here, so we focus 245 00:12:23,990 --> 00:12:29,650 in on these lines of sidelight okay these. 246 00:12:31,310 --> 00:12:35,990 Beautiful separation highlights to shadow okay highlights to 247 00:12:35,990 --> 00:12:38,270 shadow what that does is it gives that 248 00:12:38,270 --> 00:12:39,370 drama that. 249 00:12:40,870 --> 00:12:44,650 emotion the mood that everyone talks about when 250 00:12:44,650 --> 00:12:46,630 you can start to really focus in, you 251 00:12:46,630 --> 00:12:49,250 can see the light here focus in on. 252 00:12:50,150 --> 00:12:52,230 Where the lights hitting your couple and what 253 00:12:52,230 --> 00:12:54,210 it's doing in relation to the backdrop okay 254 00:12:54,210 --> 00:12:58,190 dark backdrop brighter couple creates drama and emotion. 255 00:12:59,510 --> 00:13:00,890 Between your couple. 256 00:13:03,380 --> 00:13:04,800 And it's in their environment. 257 00:13:09,400 --> 00:13:11,100 So guys, I hope that I know it 258 00:13:11,100 --> 00:13:12,360 was quick, I know it was about a 259 00:13:12,360 --> 00:13:16,360 15 minute quick edit I just wanted to 260 00:13:16,360 --> 00:13:17,920 go in, I wanted to show you guys 261 00:13:17,920 --> 00:13:21,360 some more editing things if there's you know. 262 00:13:21,820 --> 00:13:24,260 I have other things I can edit you 263 00:13:24,260 --> 00:13:25,980 know I always want you guys to let 264 00:13:25,980 --> 00:13:26,400 me know. 265 00:13:26,400 --> 00:13:28,980 What you'd like to see in editing I 266 00:13:28,980 --> 00:13:31,160 decided to edit those ones, just because the 267 00:13:31,160 --> 00:13:33,860 most recent one, the image from Venice I 268 00:13:33,860 --> 00:13:36,300 had probably a handful of people asked me 269 00:13:36,300 --> 00:13:37,840 how it was edited what the raw look 270 00:13:37,840 --> 00:13:38,180 like. 271 00:13:38,680 --> 00:13:40,160 So I thought I'd take the opportunity to 272 00:13:40,160 --> 00:13:42,060 edit that and then edit a few others 273 00:13:42,060 --> 00:13:43,400 with the similar light. 274 00:13:45,300 --> 00:13:48,100 Again i'm working going to be working with 275 00:13:48,100 --> 00:13:49,560 the new editor I have some behind the 276 00:13:49,560 --> 00:13:52,340 scenes stuff and I do I truly appreciate 277 00:13:52,340 --> 00:13:53,700 you guys being here it's been. 278 00:13:53,700 --> 00:13:56,500 it's been a crazy month, I think, for 279 00:13:56,500 --> 00:14:00,300 everyone it's you know politics aside and what's 280 00:14:00,300 --> 00:14:02,080 going on in the States, you know or 281 00:14:02,080 --> 00:14:04,400 what's going on wherever you are with coven 282 00:14:04,400 --> 00:14:07,680 you know i'm hoping for everyone that 2021 283 00:14:07,680 --> 00:14:09,120 looks better. 284 00:14:10,440 --> 00:14:12,940 Business wise, I know, for me, I am 285 00:14:12,940 --> 00:14:15,100 starting to get you know more people seem 286 00:14:15,100 --> 00:14:17,000 to be more excited, you know the couples 287 00:14:17,000 --> 00:14:18,620 that were postponing from last year to this 288 00:14:18,620 --> 00:14:21,620 year definitely see more there's a light at 289 00:14:21,620 --> 00:14:22,300 the end of the tunnel. 290 00:14:22,960 --> 00:14:24,400 I think a lot of people are feeling 291 00:14:24,400 --> 00:14:27,720 so yeah but again that's we could go 292 00:14:27,720 --> 00:14:32,300 on for hours about the politics of everything 293 00:14:32,300 --> 00:14:33,160 that's going on, but. 294 00:14:34,200 --> 00:14:35,960 I just want to thank all of you, 295 00:14:36,040 --> 00:14:36,860 I want to thank all of you for 296 00:14:36,860 --> 00:14:39,120 being here for putting your trust in me 297 00:14:39,120 --> 00:14:41,920 and for staying here I like I said 298 00:14:41,920 --> 00:14:43,080 i'm going to get more stuff out to 299 00:14:43,080 --> 00:14:43,540 you guys. 300 00:14:44,980 --> 00:14:46,480 But I also want you know I want 301 00:14:46,480 --> 00:14:47,480 to know what you guys want to see 302 00:14:47,480 --> 00:14:50,360 I want to I know the connection and 303 00:14:50,360 --> 00:14:52,240 how I work with that that's the video 304 00:14:52,240 --> 00:14:53,340 that i'm working on. 305 00:14:54,300 --> 00:14:55,600 But I want to know what else you 306 00:14:55,600 --> 00:14:57,500 guys want to know it's you know I 307 00:14:57,500 --> 00:14:59,380 can do gear talk I can do Q 308 00:14:59,380 --> 00:15:00,520 amp a's and all this stuff, but I 309 00:15:00,520 --> 00:15:02,760 really I want you guys to take this 310 00:15:02,760 --> 00:15:06,560 opportunity with patreon as you know. 311 00:15:07,100 --> 00:15:09,640 ask me anything you know it's really I 312 00:15:09,640 --> 00:15:13,160 look at it as an all access communication 313 00:15:13,160 --> 00:15:15,360 and pass to ask me what you guys 314 00:15:15,360 --> 00:15:17,480 want to know so again, I thank you, 315 00:15:17,580 --> 00:15:19,960 I hope that editing the editing video was. 316 00:15:21,120 --> 00:15:23,820 informative and you know makes you look next 317 00:15:23,820 --> 00:15:26,360 time you guys go shoot next week, tomorrow, 318 00:15:26,500 --> 00:15:28,680 whenever it is you know just looking for 319 00:15:28,680 --> 00:15:31,180 different aspects of life, you know sidelight can 320 00:15:31,180 --> 00:15:33,860 create drama, especially when you pair up. 321 00:15:34,380 --> 00:15:37,580 The sidelight against the dark backdrop so again 322 00:15:37,580 --> 00:15:39,700 guys I hope you're all staying safe, I 323 00:15:39,700 --> 00:15:40,500 hope you're all healthy. 324 00:15:40,500 --> 00:15:42,880 I hope you guys all had an amazing 325 00:15:42,880 --> 00:15:46,680 holiday season, and I wish you guys nothing 326 00:15:46,680 --> 00:15:50,400 but success and happiness for 2021 and I 327 00:15:50,400 --> 00:15:52,480 look forward to talking to you guys more 328 00:15:52,480 --> 00:15:55,300 soon alright guys take care all the best 329 00:15:55,300 --> 00:15:55,840 talk soon. 330 00:15:56,720 --> 00:15:57,440 Okay. 331 00:15:58,160 --> 00:16:00,700 So come actually towards me. 332 00:16:01,580 --> 00:16:04,560 Keep coming keep coming keep coming okay so. 333 00:16:05,540 --> 00:16:07,060 Just a little like. 334 00:16:08,620 --> 00:16:10,680 Preemptive talk okay, and I do this isn't 335 00:16:10,680 --> 00:16:12,000 just for camera, this is like I do 336 00:16:12,000 --> 00:16:14,640 this with everyone okay, so when you guys 337 00:16:14,640 --> 00:16:17,240 so Parker when you hold her I need 338 00:16:17,240 --> 00:16:18,680 you to like hold her. 339 00:16:18,920 --> 00:16:21,300 Okay, so not like hey, how are you, 340 00:16:21,440 --> 00:16:22,420 you know what I mean like I need 341 00:16:22,420 --> 00:16:23,880 you to like try not to close your 342 00:16:23,880 --> 00:16:26,580 hands because visually it just turns into like. 343 00:16:27,160 --> 00:16:29,840 Two balls, pretty much, so if you're really 344 00:16:29,840 --> 00:16:32,600 like open with your fingers and your palm 345 00:16:32,600 --> 00:16:34,760 and you're really like hand and hand see 346 00:16:34,760 --> 00:16:37,180 the light see the sun here, you guys 347 00:16:37,180 --> 00:16:40,960 are going to walk directly into that one 348 00:16:40,960 --> 00:16:41,400 second. 24452

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.