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You know, over the years, we've seen a
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trend develop where we call it the reveal,
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where the actual bride and the groom or
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two brides or two guys, whatever, will actually
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get together and see each other before they
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get married.
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And usually it's done either A, to just
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get the nerves out of the way, get
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the couple to soak each other in before
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they get married, but usually it's because maybe
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they want a certain format of wedding where
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they want to get married a bit later,
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don't have any time for photographs after the
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wedding, and therefore will actually see each other
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before we get married, take some photographs, get
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that pressure off, and then they can get
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married and go straight into the reception.
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So we call this the reveal.
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But in the context of actual family photographs,
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what does this mean?
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Well, and I don't know if I'm the
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first person to do it, I certainly have
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championed the cause and popularized it in the
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photography industry, especially in the wedding industry, is
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to do a reveal of the bride with
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her family, and namely also the father, because
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usually the father-daughter relationship is a very
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strong one.
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I'm not saying a mother-daughter is not,
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it's usually the mother may have been involved
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in the choosing of the dress.
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So there's more of a surprise element when
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the bride sees her father for the first
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time as a bride.
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And I'm not going to share this, I'll
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share a story at another time about how
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this sort of came about.
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But I want to talk to you about
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how important this is and how many great
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photographs you can get out of it.
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Now, you may have actually been privy to
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a reveal like this one, where the bride
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will walk down the stairs, for example, and
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reveal herself to all the guests waiting for
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her before we go.
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Now, in this case, I've got the bride's
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parents in the mirror, we've got an auntie
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or two over here and the girls, and
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then her best friend escorting her down, and
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we get a beautiful series of shots.
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Or we can get it this other way,
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where basically the bride's coming down, and of
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course, you can get a sense of the
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anticipation of everybody and it's hyping up.
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But the idea of being able to go
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out of your way to tell the bride,
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I want to make a moment out of
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you seeing your father for the last time
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as a single girl, and then telling the
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father, please don't walk into this room or
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whatever, we're going to let you know when
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you can see your beautiful daughter for the
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last time as a single girl.
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So sure enough, in this particular next example,
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I had, there's a wall between us.
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So imagine there's a wall right here, right
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where in line with me, we've got the
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father on one side and the bride on
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the other.
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So then you've got the anticipation photograph of
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where the father is just sort of waiting
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to see the bride.
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The bride's all nervous because she wants, I
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mean, let's face it, we want our parents
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to be proud of us.
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And especially if you've got your hair and
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makeup done, you're looking gorgeous, you want to
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feel gorgeous and you want your mum and
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dad to be proud of you and soak
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in that energy and beauty and all that
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kind of stuff.
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So then she turns the corner and then
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we get this incredible reaction.
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And then you've got that beautiful warmth.
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I love the endearing, just that warmth of
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the way an affectionate father will look at
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his daughter.
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And then of course her wiping her tears,
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but it's such a beautiful story.
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Now I'm going to tell you that you
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can do it in many different ways.
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There are sometimes you can do it just
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with the wall.
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Sometimes I get a father and a daughter
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back to back so that you can feel
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each other's energy and then all of a
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sudden they turn around and then bang, this
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happens.
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You know, they had a very playful relationship.
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And so when they turned around, she was
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like, oh my God, and then he just
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was like, come here, big hug.
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And then they're having some fun.
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And that was one of the best reactions
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to a reveal that I've ever actually seen
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and had the privilege of photographing between a
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father and a daughter.
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And then sometimes, you know, it'll be a
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bride or a mother will walk actually inside
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a bedroom and I take the shot of
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their reaction and then knowingly afterwards, I might
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just simply get the bride to look at
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her parents, but go from the other angle
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and photograph between the parents.
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Now here's the thing, I'm not going to
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interrupt the moment while this is happening, but
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I'll take that shot.
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But what I wish could happen, that I
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was also behind them photographing the bride.
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So I take all those shots.
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After all that simmers a little bit and
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I get that story, then at one point
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I just grab the parents back the other
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way and then I make her laugh and
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I use the father and the mother as
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a foreground to frame the bride and now
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I get that shot.
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At this particular wedding, it was really funny
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because I had never, I'd done a reveal
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with parents before, I'd done a reveal with
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a dad and all that kind of stuff,
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I'd never done a reveal with grandparents.
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So I thought, let's do it.
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And I struck gold straight away.
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I mean, look how beautiful the look of
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a grandmother is and how granddad's sort of
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looking on and wiping her tears and that
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little brow pressure is so beautiful and I'm
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like, I'm on a roll here.
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I've got this incredible reveal with parents, I've
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got an incredible reveal with grandparents.
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By this stage, the bridesmaids did not actually
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see the dress yet.
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I'm like, this is perfect.
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Let's get the bridesmaids and the sisters to
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see the bride for the first time.
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So I build anticipation, they walk in and
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we get these incredible shots.
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And remember that you can just simply change
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your perspective and then you've got this perspective
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as well.
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So certainly if you are two photographers on
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an event like a wedding day, for example,
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then yeah, you're not going to want the
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other photographer in the way, but hopefully you
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get the bride from a certain angle and
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then you could come from this angle as
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well and get the bridesmaids reaction as well.
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But I love the fact that we can
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do this, that we could get the reaction
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of mum, we get the wiping of the
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tears of the bride, get the hug, and
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then at one point I flip the switch
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so to speak.
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It's almost like shooting a movie where you
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shoot the same scene from different angles and
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then you piece it together.
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And then this beautiful hug and embrace between
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bride and parents because, you know, you will
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often, as if you are an only child,
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you will often hug your parents and this
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will happen a lot in your life.
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And then coupled with all of those shots
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that we did of the same family, if
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you look at maybe pinning of the flower
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there on dad's jacket there and then the
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traditional one, but the interactive ones, now we
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have a complete story.
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So I love the fact that we can
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do this.
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So remember, I've just shown you a reveal
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with the father, grandparents, the sisters, the bridesmaids,
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and remember to take advantage of those different
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angles as well.
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This could add incredible value to whatever you're
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doing.
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Now I don't care, it could be, for
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example, a quinceanera that you're doing, it could
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be the first time this girl is wearing
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this beautiful dress and dad hasn't seen her
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yet.
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Don't just have, don't even let it happen
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where dad just walks by, oh look you
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look beautiful and then he walks off.
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Make a moment out of it.
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Sometimes you'll get gold and then sometimes it
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will be okay.
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All I'm saying to you, it'll be better
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than what it would have been without, with
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your direction.
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So remember that we want to celebrate relationships,
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build anticipation, remind people of the importance of
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the occasion, in this case a wedding, and
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I'm telling you this could add so much
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flavor to the photographs you take.
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Next we're going to talk just briefly about
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how to capture families and groups in a
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natural environment.
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