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These are the user uploaded subtitles that are being translated: 1 00:00:01,610 --> 00:00:04,070 You know, over the years, we've seen a 2 00:00:04,070 --> 00:00:06,790 trend develop where we call it the reveal, 3 00:00:06,970 --> 00:00:08,910 where the actual bride and the groom or 4 00:00:08,910 --> 00:00:11,070 two brides or two guys, whatever, will actually 5 00:00:11,070 --> 00:00:13,430 get together and see each other before they 6 00:00:13,430 --> 00:00:13,850 get married. 7 00:00:14,370 --> 00:00:17,350 And usually it's done either A, to just 8 00:00:17,350 --> 00:00:19,290 get the nerves out of the way, get 9 00:00:19,290 --> 00:00:20,790 the couple to soak each other in before 10 00:00:20,790 --> 00:00:23,390 they get married, but usually it's because maybe 11 00:00:23,390 --> 00:00:26,190 they want a certain format of wedding where 12 00:00:26,190 --> 00:00:27,550 they want to get married a bit later, 13 00:00:27,750 --> 00:00:30,050 don't have any time for photographs after the 14 00:00:30,050 --> 00:00:32,930 wedding, and therefore will actually see each other 15 00:00:32,930 --> 00:00:34,990 before we get married, take some photographs, get 16 00:00:34,990 --> 00:00:37,050 that pressure off, and then they can get 17 00:00:37,050 --> 00:00:38,470 married and go straight into the reception. 18 00:00:38,870 --> 00:00:39,930 So we call this the reveal. 19 00:00:40,490 --> 00:00:43,330 But in the context of actual family photographs, 20 00:00:43,930 --> 00:00:45,290 what does this mean? 21 00:00:45,430 --> 00:00:46,730 Well, and I don't know if I'm the 22 00:00:46,730 --> 00:00:48,870 first person to do it, I certainly have 23 00:00:48,870 --> 00:00:51,490 championed the cause and popularized it in the 24 00:00:51,490 --> 00:00:53,670 photography industry, especially in the wedding industry, is 25 00:00:53,670 --> 00:00:56,670 to do a reveal of the bride with 26 00:00:56,670 --> 00:00:59,050 her family, and namely also the father, because 27 00:00:59,050 --> 00:01:02,870 usually the father-daughter relationship is a very 28 00:01:02,870 --> 00:01:03,709 strong one. 29 00:01:03,769 --> 00:01:07,330 I'm not saying a mother-daughter is not, 30 00:01:07,410 --> 00:01:09,070 it's usually the mother may have been involved 31 00:01:09,070 --> 00:01:10,210 in the choosing of the dress. 32 00:01:10,610 --> 00:01:13,190 So there's more of a surprise element when 33 00:01:13,190 --> 00:01:15,090 the bride sees her father for the first 34 00:01:15,090 --> 00:01:15,770 time as a bride. 35 00:01:16,430 --> 00:01:18,910 And I'm not going to share this, I'll 36 00:01:18,910 --> 00:01:21,130 share a story at another time about how 37 00:01:21,130 --> 00:01:22,010 this sort of came about. 38 00:01:22,230 --> 00:01:23,670 But I want to talk to you about 39 00:01:23,670 --> 00:01:25,970 how important this is and how many great 40 00:01:25,970 --> 00:01:27,130 photographs you can get out of it. 41 00:01:27,410 --> 00:01:29,150 Now, you may have actually been privy to 42 00:01:29,150 --> 00:01:31,750 a reveal like this one, where the bride 43 00:01:31,750 --> 00:01:34,150 will walk down the stairs, for example, and 44 00:01:34,150 --> 00:01:36,650 reveal herself to all the guests waiting for 45 00:01:36,650 --> 00:01:38,350 her before we go. 46 00:01:38,450 --> 00:01:41,010 Now, in this case, I've got the bride's 47 00:01:41,010 --> 00:01:42,970 parents in the mirror, we've got an auntie 48 00:01:42,970 --> 00:01:44,530 or two over here and the girls, and 49 00:01:44,530 --> 00:01:47,210 then her best friend escorting her down, and 50 00:01:47,210 --> 00:01:49,010 we get a beautiful series of shots. 51 00:01:49,010 --> 00:01:50,670 Or we can get it this other way, 52 00:01:50,890 --> 00:01:52,730 where basically the bride's coming down, and of 53 00:01:52,730 --> 00:01:54,710 course, you can get a sense of the 54 00:01:54,710 --> 00:01:56,950 anticipation of everybody and it's hyping up. 55 00:01:57,570 --> 00:02:01,650 But the idea of being able to go 56 00:02:01,650 --> 00:02:03,110 out of your way to tell the bride, 57 00:02:03,210 --> 00:02:04,630 I want to make a moment out of 58 00:02:04,630 --> 00:02:07,949 you seeing your father for the last time 59 00:02:07,949 --> 00:02:10,850 as a single girl, and then telling the 60 00:02:10,850 --> 00:02:12,510 father, please don't walk into this room or 61 00:02:12,510 --> 00:02:15,030 whatever, we're going to let you know when 62 00:02:15,030 --> 00:02:16,430 you can see your beautiful daughter for the 63 00:02:16,430 --> 00:02:17,590 last time as a single girl. 64 00:02:18,110 --> 00:02:20,550 So sure enough, in this particular next example, 65 00:02:20,770 --> 00:02:22,330 I had, there's a wall between us. 66 00:02:22,990 --> 00:02:24,770 So imagine there's a wall right here, right 67 00:02:24,770 --> 00:02:27,010 where in line with me, we've got the 68 00:02:27,010 --> 00:02:28,450 father on one side and the bride on 69 00:02:28,450 --> 00:02:28,790 the other. 70 00:02:29,330 --> 00:02:31,590 So then you've got the anticipation photograph of 71 00:02:31,590 --> 00:02:33,170 where the father is just sort of waiting 72 00:02:33,170 --> 00:02:33,970 to see the bride. 73 00:02:34,350 --> 00:02:35,990 The bride's all nervous because she wants, I 74 00:02:35,990 --> 00:02:38,030 mean, let's face it, we want our parents 75 00:02:38,030 --> 00:02:38,850 to be proud of us. 76 00:02:39,230 --> 00:02:40,950 And especially if you've got your hair and 77 00:02:40,950 --> 00:02:42,990 makeup done, you're looking gorgeous, you want to 78 00:02:42,990 --> 00:02:44,410 feel gorgeous and you want your mum and 79 00:02:44,410 --> 00:02:46,150 dad to be proud of you and soak 80 00:02:46,150 --> 00:02:47,450 in that energy and beauty and all that 81 00:02:47,450 --> 00:02:47,950 kind of stuff. 82 00:02:48,410 --> 00:02:51,370 So then she turns the corner and then 83 00:02:51,370 --> 00:02:52,850 we get this incredible reaction. 84 00:02:53,450 --> 00:02:55,330 And then you've got that beautiful warmth. 85 00:02:55,530 --> 00:02:58,790 I love the endearing, just that warmth of 86 00:02:58,790 --> 00:03:02,430 the way an affectionate father will look at 87 00:03:02,430 --> 00:03:02,990 his daughter. 88 00:03:03,410 --> 00:03:05,030 And then of course her wiping her tears, 89 00:03:05,150 --> 00:03:07,190 but it's such a beautiful story. 90 00:03:07,330 --> 00:03:09,090 Now I'm going to tell you that you 91 00:03:09,090 --> 00:03:10,330 can do it in many different ways. 92 00:03:10,430 --> 00:03:12,110 There are sometimes you can do it just 93 00:03:12,110 --> 00:03:12,670 with the wall. 94 00:03:12,670 --> 00:03:16,410 Sometimes I get a father and a daughter 95 00:03:16,410 --> 00:03:19,030 back to back so that you can feel 96 00:03:19,030 --> 00:03:20,530 each other's energy and then all of a 97 00:03:20,530 --> 00:03:23,070 sudden they turn around and then bang, this 98 00:03:23,070 --> 00:03:23,450 happens. 99 00:03:24,310 --> 00:03:27,410 You know, they had a very playful relationship. 100 00:03:28,350 --> 00:03:29,890 And so when they turned around, she was 101 00:03:29,890 --> 00:03:31,170 like, oh my God, and then he just 102 00:03:31,170 --> 00:03:32,490 was like, come here, big hug. 103 00:03:32,530 --> 00:03:34,190 And then they're having some fun. 104 00:03:34,270 --> 00:03:36,270 And that was one of the best reactions 105 00:03:36,270 --> 00:03:38,170 to a reveal that I've ever actually seen 106 00:03:38,170 --> 00:03:41,510 and had the privilege of photographing between a 107 00:03:41,510 --> 00:03:42,230 father and a daughter. 108 00:03:42,730 --> 00:03:45,490 And then sometimes, you know, it'll be a 109 00:03:45,490 --> 00:03:48,050 bride or a mother will walk actually inside 110 00:03:48,050 --> 00:03:52,210 a bedroom and I take the shot of 111 00:03:52,210 --> 00:03:56,870 their reaction and then knowingly afterwards, I might 112 00:03:56,870 --> 00:03:58,630 just simply get the bride to look at 113 00:03:58,630 --> 00:04:00,930 her parents, but go from the other angle 114 00:04:00,930 --> 00:04:02,970 and photograph between the parents. 115 00:04:03,390 --> 00:04:04,690 Now here's the thing, I'm not going to 116 00:04:04,690 --> 00:04:08,030 interrupt the moment while this is happening, but 117 00:04:08,030 --> 00:04:08,990 I'll take that shot. 118 00:04:09,310 --> 00:04:11,410 But what I wish could happen, that I 119 00:04:11,410 --> 00:04:13,490 was also behind them photographing the bride. 120 00:04:13,730 --> 00:04:15,310 So I take all those shots. 121 00:04:15,990 --> 00:04:18,089 After all that simmers a little bit and 122 00:04:18,089 --> 00:04:21,029 I get that story, then at one point 123 00:04:21,029 --> 00:04:23,030 I just grab the parents back the other 124 00:04:23,030 --> 00:04:25,430 way and then I make her laugh and 125 00:04:25,430 --> 00:04:28,270 I use the father and the mother as 126 00:04:28,270 --> 00:04:30,070 a foreground to frame the bride and now 127 00:04:30,070 --> 00:04:30,770 I get that shot. 128 00:04:31,550 --> 00:04:33,910 At this particular wedding, it was really funny 129 00:04:33,910 --> 00:04:36,190 because I had never, I'd done a reveal 130 00:04:36,190 --> 00:04:38,050 with parents before, I'd done a reveal with 131 00:04:38,050 --> 00:04:39,270 a dad and all that kind of stuff, 132 00:04:39,530 --> 00:04:41,290 I'd never done a reveal with grandparents. 133 00:04:42,010 --> 00:04:43,050 So I thought, let's do it. 134 00:04:43,670 --> 00:04:45,150 And I struck gold straight away. 135 00:04:45,570 --> 00:04:48,150 I mean, look how beautiful the look of 136 00:04:48,150 --> 00:04:51,230 a grandmother is and how granddad's sort of 137 00:04:51,230 --> 00:04:53,110 looking on and wiping her tears and that 138 00:04:53,110 --> 00:04:55,610 little brow pressure is so beautiful and I'm 139 00:04:55,610 --> 00:04:56,670 like, I'm on a roll here. 140 00:04:57,030 --> 00:04:59,490 I've got this incredible reveal with parents, I've 141 00:04:59,490 --> 00:05:00,650 got an incredible reveal with grandparents. 142 00:05:00,790 --> 00:05:02,970 By this stage, the bridesmaids did not actually 143 00:05:02,970 --> 00:05:03,930 see the dress yet. 144 00:05:04,010 --> 00:05:04,850 I'm like, this is perfect. 145 00:05:05,390 --> 00:05:08,030 Let's get the bridesmaids and the sisters to 146 00:05:08,030 --> 00:05:09,350 see the bride for the first time. 147 00:05:09,690 --> 00:05:13,950 So I build anticipation, they walk in and 148 00:05:13,950 --> 00:05:15,310 we get these incredible shots. 149 00:05:16,010 --> 00:05:17,850 And remember that you can just simply change 150 00:05:17,850 --> 00:05:21,930 your perspective and then you've got this perspective 151 00:05:21,930 --> 00:05:22,390 as well. 152 00:05:22,870 --> 00:05:25,430 So certainly if you are two photographers on 153 00:05:25,430 --> 00:05:27,670 an event like a wedding day, for example, 154 00:05:28,170 --> 00:05:30,110 then yeah, you're not going to want the 155 00:05:30,110 --> 00:05:32,330 other photographer in the way, but hopefully you 156 00:05:32,330 --> 00:05:34,290 get the bride from a certain angle and 157 00:05:34,290 --> 00:05:35,510 then you could come from this angle as 158 00:05:35,510 --> 00:05:37,130 well and get the bridesmaids reaction as well. 159 00:05:37,510 --> 00:05:39,030 But I love the fact that we can 160 00:05:39,030 --> 00:05:41,590 do this, that we could get the reaction 161 00:05:41,590 --> 00:05:44,730 of mum, we get the wiping of the 162 00:05:44,730 --> 00:05:46,950 tears of the bride, get the hug, and 163 00:05:46,950 --> 00:05:49,670 then at one point I flip the switch 164 00:05:49,670 --> 00:05:50,190 so to speak. 165 00:05:50,510 --> 00:05:51,930 It's almost like shooting a movie where you 166 00:05:51,930 --> 00:05:53,570 shoot the same scene from different angles and 167 00:05:53,570 --> 00:05:54,250 then you piece it together. 168 00:05:55,510 --> 00:05:57,810 And then this beautiful hug and embrace between 169 00:05:57,810 --> 00:06:01,210 bride and parents because, you know, you will 170 00:06:01,210 --> 00:06:04,210 often, as if you are an only child, 171 00:06:04,350 --> 00:06:06,030 you will often hug your parents and this 172 00:06:06,030 --> 00:06:07,710 will happen a lot in your life. 173 00:06:08,370 --> 00:06:10,410 And then coupled with all of those shots 174 00:06:10,410 --> 00:06:12,410 that we did of the same family, if 175 00:06:12,410 --> 00:06:14,770 you look at maybe pinning of the flower 176 00:06:14,770 --> 00:06:17,270 there on dad's jacket there and then the 177 00:06:17,270 --> 00:06:20,330 traditional one, but the interactive ones, now we 178 00:06:20,330 --> 00:06:21,270 have a complete story. 179 00:06:22,750 --> 00:06:25,130 So I love the fact that we can 180 00:06:25,130 --> 00:06:25,550 do this. 181 00:06:25,550 --> 00:06:27,950 So remember, I've just shown you a reveal 182 00:06:27,950 --> 00:06:32,930 with the father, grandparents, the sisters, the bridesmaids, 183 00:06:33,510 --> 00:06:36,050 and remember to take advantage of those different 184 00:06:36,050 --> 00:06:36,750 angles as well. 185 00:06:37,230 --> 00:06:40,790 This could add incredible value to whatever you're 186 00:06:40,790 --> 00:06:40,990 doing. 187 00:06:41,190 --> 00:06:42,450 Now I don't care, it could be, for 188 00:06:42,450 --> 00:06:44,870 example, a quinceanera that you're doing, it could 189 00:06:44,870 --> 00:06:46,450 be the first time this girl is wearing 190 00:06:46,450 --> 00:06:48,070 this beautiful dress and dad hasn't seen her 191 00:06:48,070 --> 00:06:48,270 yet. 192 00:06:48,890 --> 00:06:52,750 Don't just have, don't even let it happen 193 00:06:52,750 --> 00:06:54,250 where dad just walks by, oh look you 194 00:06:54,250 --> 00:06:56,390 look beautiful and then he walks off. 195 00:06:56,570 --> 00:06:57,550 Make a moment out of it. 196 00:06:58,010 --> 00:07:02,310 Sometimes you'll get gold and then sometimes it 197 00:07:02,310 --> 00:07:04,590 will be okay. 198 00:07:05,550 --> 00:07:07,170 All I'm saying to you, it'll be better 199 00:07:07,170 --> 00:07:10,130 than what it would have been without, with 200 00:07:10,130 --> 00:07:11,250 your direction. 201 00:07:11,810 --> 00:07:13,690 So remember that we want to celebrate relationships, 202 00:07:14,370 --> 00:07:17,250 build anticipation, remind people of the importance of 203 00:07:17,250 --> 00:07:19,610 the occasion, in this case a wedding, and 204 00:07:19,610 --> 00:07:22,110 I'm telling you this could add so much 205 00:07:22,110 --> 00:07:23,950 flavor to the photographs you take. 206 00:07:24,750 --> 00:07:26,930 Next we're going to talk just briefly about 207 00:07:26,930 --> 00:07:29,670 how to capture families and groups in a 208 00:07:29,670 --> 00:07:30,590 natural environment. 14953

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