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These are the user uploaded subtitles that are being translated: 1 00:00:00,070 --> 00:00:02,470 So here we have yet another scenario that 2 00:00:02,470 --> 00:00:05,330 we can, that gives us an idea of 3 00:00:05,330 --> 00:00:05,790 a pose. 4 00:00:05,930 --> 00:00:08,010 Of course we're emulating a staircase, of course 5 00:00:08,010 --> 00:00:10,250 we have some apple boxes and there's many 6 00:00:10,250 --> 00:00:11,490 things that we can do, but this will 7 00:00:11,490 --> 00:00:13,890 give you an idea of a foundation to 8 00:00:13,890 --> 00:00:15,490 start from and how to go. 9 00:00:15,630 --> 00:00:17,470 Of course when you're walking upstairs or walking 10 00:00:17,470 --> 00:00:20,550 downstairs, think of it, it's, it's, you can 11 00:00:20,550 --> 00:00:22,930 pose on it, no problem, but you almost 12 00:00:22,930 --> 00:00:25,570 get the idea of an organic flow. 13 00:00:25,750 --> 00:00:28,890 She's either walking up them, she's either looking 14 00:00:28,890 --> 00:00:31,350 behind her shoulder, she's walking down, she's being 15 00:00:31,350 --> 00:00:32,230 escorted down. 16 00:00:32,630 --> 00:00:34,630 You think about all the obvious things and 17 00:00:34,630 --> 00:00:36,250 that'll give you the ideas for the posing. 18 00:00:36,690 --> 00:00:38,830 Of course all the foundations that we've set, 19 00:00:39,250 --> 00:00:41,990 all the concepts, the principles behind posing will 20 00:00:41,990 --> 00:00:43,350 all apply here. 21 00:00:43,770 --> 00:00:45,770 Remember we're looking for the S-curve, we're 22 00:00:45,770 --> 00:00:47,470 looking for that bending of the wrist, we're 23 00:00:47,470 --> 00:00:49,410 looking for the chin up, we're looking for 24 00:00:49,410 --> 00:00:52,130 the softness of each body part and all 25 00:00:52,130 --> 00:00:53,010 these different things. 26 00:00:53,150 --> 00:00:55,530 Once you combine these things, no matter what 27 00:00:55,530 --> 00:00:58,650 location or what device or what area you're 28 00:00:58,650 --> 00:01:02,310 in, it should really be an easy evolution 29 00:01:02,310 --> 00:01:05,370 from understanding the principles but applying them to 30 00:01:05,370 --> 00:01:06,290 any particular spot. 31 00:01:06,650 --> 00:01:08,690 So in this particular thing we've actually already 32 00:01:08,690 --> 00:01:10,730 established a pose here for Lisa. 33 00:01:10,870 --> 00:01:12,850 Let's just go back here and and have 34 00:01:12,850 --> 00:01:14,930 a look and see if that works. 35 00:01:15,390 --> 00:01:17,570 So she could be easily holding a stair 36 00:01:17,570 --> 00:01:19,590 rail, so let's say, let's just assume that 37 00:01:19,590 --> 00:01:20,470 you are holding a staircase. 38 00:01:20,630 --> 00:01:21,810 Do you see how her fingers are really 39 00:01:21,810 --> 00:01:22,650 soft and beautiful? 40 00:01:22,910 --> 00:01:24,730 She's looking over her shoulder back at her 41 00:01:24,730 --> 00:01:26,610 man, chin up a little bit, that's beautiful. 42 00:01:27,130 --> 00:01:29,690 She could also be holding her dress, sort 43 00:01:29,690 --> 00:01:31,250 of, that's it, beautiful. 44 00:01:31,490 --> 00:01:32,870 And you can actually bring your shoulders a 45 00:01:32,870 --> 00:01:35,110 bit forward, very very gently, that's it, turn 46 00:01:35,110 --> 00:01:37,770 your body this way, other way, gorgeous, love 47 00:01:37,770 --> 00:01:38,490 that, isn't that beautiful? 48 00:01:38,950 --> 00:01:40,710 See now I need her left elbow out 49 00:01:40,710 --> 00:01:42,670 a little bit, all right, so that's gorgeous. 50 00:01:42,810 --> 00:01:45,510 So now I see her right arm enveloped 51 00:01:45,510 --> 00:01:47,070 by her body, so I see her silhouette 52 00:01:47,070 --> 00:01:49,310 and then I have an actual little gap 53 00:01:49,310 --> 00:01:51,870 between her waist and her elbow there as 54 00:01:51,870 --> 00:01:53,910 well, so that's a beautiful shot, an idea. 55 00:01:54,030 --> 00:01:56,670 Now here's the reason why staircases are your 56 00:01:56,670 --> 00:01:58,370 best friend or even it could be the 57 00:01:58,370 --> 00:02:00,710 curb of a street, dare I say the 58 00:02:00,710 --> 00:02:04,070 gutter, but basically anything with a step on 59 00:02:04,070 --> 00:02:06,250 it will force her leg up. 60 00:02:06,970 --> 00:02:09,610 So right now we're bringing her right leg 61 00:02:09,610 --> 00:02:11,890 up because there's a beautiful flow, that's no 62 00:02:11,890 --> 00:02:13,910 different than doing the pointing of the toe, 63 00:02:14,010 --> 00:02:15,390 bending of the knee and shifting the weight 64 00:02:15,390 --> 00:02:17,290 back like we've discussing all tutorial. 65 00:02:17,730 --> 00:02:20,390 In this case, the staircase is there, you 66 00:02:20,390 --> 00:02:21,950 want to bring the leg that's closest to 67 00:02:21,950 --> 00:02:24,550 the camera up, watch what happens, bring that 68 00:02:24,550 --> 00:02:27,510 material and chill down, I want to just 69 00:02:27,510 --> 00:02:30,490 expose what's happening on your leg over here, 70 00:02:30,590 --> 00:02:32,650 so if you see how this beautiful shape, 71 00:02:32,790 --> 00:02:35,370 watch what happens when we actually turn around 72 00:02:35,370 --> 00:02:37,430 and bring this foot down and that left 73 00:02:37,430 --> 00:02:37,950 foot up. 74 00:02:40,810 --> 00:02:43,890 See it widens the dress and it flattens 75 00:02:43,890 --> 00:02:46,570 everything, it just doesn't look as flat just 76 00:02:46,570 --> 00:02:49,610 know that most of the time, as I've 77 00:02:49,610 --> 00:02:51,790 proven during this tutorial, that the leg that's 78 00:02:51,790 --> 00:02:53,050 closest to the camera is the one that 79 00:02:53,050 --> 00:02:53,450 you should bend. 80 00:02:53,550 --> 00:02:55,630 Let's do that again, so right foot up, 81 00:02:55,730 --> 00:02:58,090 beautiful, fantastic, great. 82 00:02:58,550 --> 00:03:01,410 So now let's say for example we wanted 83 00:03:01,410 --> 00:03:03,450 to include the groom, you would not waste 84 00:03:03,450 --> 00:03:04,890 that pose because it took you a while 85 00:03:04,890 --> 00:03:06,590 to actually organise that, so what you'll do, 86 00:03:06,910 --> 00:03:09,750 you get the groom in and what idea 87 00:03:09,750 --> 00:03:13,510 is the dress and that staircase giving us 88 00:03:13,510 --> 00:03:14,030 for a photograph? 89 00:03:14,030 --> 00:03:15,810 Well, if he was a gentleman, he would 90 00:03:15,810 --> 00:03:17,730 be doing one of two things, he'd be 91 00:03:17,730 --> 00:03:19,290 holding the dress, so pick up the bulk 92 00:03:19,290 --> 00:03:24,220 of the dress and bring your heel a 93 00:03:24,220 --> 00:03:25,520 little bit more back, like your toe a 94 00:03:25,520 --> 00:03:26,860 little bit more back this way down, so 95 00:03:26,860 --> 00:03:29,920 yeah, so your right foot, bring it a 96 00:03:29,920 --> 00:03:33,400 little bit closer, your other right, on the 97 00:03:33,400 --> 00:03:35,680 top step, bring it back, yep, there you 98 00:03:35,680 --> 00:03:38,340 go, perfect, good, so you're holding your dress 99 00:03:38,340 --> 00:03:41,060 as well there Lisa and then you're looking 100 00:03:41,060 --> 00:03:43,080 back at your man and loving him, that's 101 00:03:43,080 --> 00:03:43,840 beautiful, very good. 102 00:03:44,100 --> 00:03:45,320 Now if you wanted a bit of motion 103 00:03:45,320 --> 00:03:47,000 with him, he can come closer to the 104 00:03:47,000 --> 00:03:49,360 bride, so come closer mate, bring your right 105 00:03:49,360 --> 00:03:51,060 foot on the next step, on that step, 106 00:03:51,400 --> 00:03:52,900 perfect, so he gets a bit of flow 107 00:03:52,900 --> 00:03:54,160 as well, so it feels like there's a 108 00:03:54,160 --> 00:03:56,020 bit of motion there too, perfect. 109 00:03:56,940 --> 00:03:59,880 Now let's say we're changing the role here, 110 00:03:59,940 --> 00:04:02,040 now very gently Lisa, put your right foot 111 00:04:02,040 --> 00:04:05,940 down the same step, now I want you 112 00:04:05,940 --> 00:04:08,680 to walk down the stairs, so come up 113 00:04:08,680 --> 00:04:13,020 one step, be careful, that's it, in fact 114 00:04:13,020 --> 00:04:18,380 let's get you on that top step, now 115 00:04:18,380 --> 00:04:20,160 if you wanted a bit of motion here, 116 00:04:20,220 --> 00:04:21,400 there's a few things that you can do, 117 00:04:23,080 --> 00:04:25,140 so put your dress behind you, as if 118 00:04:25,140 --> 00:04:31,040 you're walking sort of downstairs, okay, now this 119 00:04:31,040 --> 00:04:32,800 really depends guys on what you're trying to 120 00:04:32,800 --> 00:04:35,900 say, if you want an idea of the 121 00:04:35,900 --> 00:04:38,700 groom, you actually want to see him, then 122 00:04:38,700 --> 00:04:40,840 you might want to do this, so Dylan 123 00:04:40,840 --> 00:04:42,940 I'm going to get you up on that 124 00:04:42,940 --> 00:04:46,820 step, turn right around towards me, turn, turn, 125 00:04:46,920 --> 00:04:48,960 turn, turn, turn, all the way facing that 126 00:04:48,960 --> 00:04:51,680 way, and then give me the escort arm, 127 00:04:51,780 --> 00:04:53,340 so you're going to stand extreme right of 128 00:04:53,340 --> 00:04:54,840 that, and then Lisa come a little bit 129 00:04:54,840 --> 00:04:57,340 this way, please do not fall, here we 130 00:04:57,340 --> 00:04:59,680 go, and your hands in your pocket there 131 00:04:59,680 --> 00:05:02,600 for me, that's it, and then you're just 132 00:05:02,600 --> 00:05:04,380 lifting your foot up there like you're about 133 00:05:04,380 --> 00:05:05,640 to sort of walk, that's it, good, and 134 00:05:05,640 --> 00:05:08,500 you're looking back at your beautiful girl, and 135 00:05:08,500 --> 00:05:11,680 now Lisa, pretend like you're holding the rail 136 00:05:11,680 --> 00:05:14,480 of a staircase with your left hand, that's 137 00:05:14,480 --> 00:05:17,340 it, gorgeous, beautiful, maybe even that way, so 138 00:05:17,340 --> 00:05:20,340 just follow along, they're beautiful, or you're going 139 00:05:20,340 --> 00:05:21,620 to be holding your dress, just hold your 140 00:05:21,620 --> 00:05:24,760 veil out there, so beautiful, so that really 141 00:05:24,760 --> 00:05:26,820 works as well, or it can actually be 142 00:05:26,820 --> 00:05:28,380 a suggestion of the groom, which looks really 143 00:05:28,380 --> 00:05:30,480 cool, so now Dylan I'm going to get 144 00:05:30,480 --> 00:05:32,340 you down the stairs, so to speak, you're 145 00:05:32,340 --> 00:05:34,740 going to face the wall there, and your 146 00:05:34,740 --> 00:05:37,000 left hand in your pocket, and then you're 147 00:05:37,000 --> 00:05:38,620 going to escort her with your right hand 148 00:05:38,620 --> 00:05:43,640 on her right hand, that's beautiful, so now 149 00:05:43,640 --> 00:05:46,160 shoulders back there for me, lean forward, give 150 00:05:46,160 --> 00:05:47,360 me a little bend in the elbow there 151 00:05:47,360 --> 00:05:49,560 as well, and then now we have this 152 00:05:49,560 --> 00:05:51,780 beautiful little delicate sort of escorting as well, 153 00:05:51,880 --> 00:05:52,980 so what I would do in this kind 154 00:05:52,980 --> 00:05:55,060 of situation guys, I would take a shot 155 00:05:55,060 --> 00:05:57,860 like this, that's static, it's beautiful, but there's 156 00:05:57,860 --> 00:05:59,060 a bit of motion to it, because I'm 157 00:05:59,060 --> 00:06:01,040 emulating that with their body, with their body 158 00:06:01,040 --> 00:06:02,720 shapes, and their legs, and what they're doing, 159 00:06:03,100 --> 00:06:04,860 then I would get her to just lift 160 00:06:04,860 --> 00:06:06,340 off her leg as if she's about to 161 00:06:06,340 --> 00:06:08,640 step off, and it would be in fact 162 00:06:08,640 --> 00:06:11,120 the left leg, remember the one that's closest 163 00:06:11,120 --> 00:06:12,060 to the camera is the one that's going 164 00:06:12,060 --> 00:06:14,500 to bend, so just bend, perfect, click, that's 165 00:06:14,500 --> 00:06:17,160 when it happens, okay go back again, fantastic, 166 00:06:17,300 --> 00:06:18,820 now guys there's countless ways you can do 167 00:06:18,820 --> 00:06:20,760 it, all I'm telling you is that a 168 00:06:20,760 --> 00:06:22,940 staircase, which is common when you're going to 169 00:06:22,940 --> 00:06:24,920 a venue, it's common when you're going to 170 00:06:24,920 --> 00:06:26,840 a church or synagogue, whatever it is that 171 00:06:26,840 --> 00:06:29,220 you're going to, that all these different things, 172 00:06:29,340 --> 00:06:31,800 they will give you an idea, think about 173 00:06:31,800 --> 00:06:34,120 it, what would a gentleman do escorting a 174 00:06:34,120 --> 00:06:35,780 bride down the stairs, well of course you'd 175 00:06:35,780 --> 00:06:37,140 be holding the arm, and holding the hand, 176 00:06:37,520 --> 00:06:39,260 you'd be holding the dress, maybe even holding 177 00:06:39,260 --> 00:06:41,840 the flowers in that particular case, maybe the 178 00:06:41,840 --> 00:06:43,600 flowers might work in that capacity as well, 179 00:06:43,780 --> 00:06:47,100 so always remember the location will tell you 180 00:06:47,100 --> 00:06:47,660 what to do. 13314

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