All language subtitles for 143982-07 - The Legal Stuff Know Your Rights - Summer Lifestyle Photography Shoot, Edit, and Sell Your Images Online Learn with Snapwire.en-US
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Now that we have our images,
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let's talk about licensing.
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This is really an important factor in
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selling your images and considering selling your images.
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This determines who can use your image,
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for how long they can use your image,
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how they can use it,
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who they can give it to,
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and whether or not you can sell that image to additional buyers.
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As a photographer, you are in charge.
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You do make the rules, so to speak.
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So you can sell an image as a buyout.
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There's the concept of copyright transfer.
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When you transfer copyright of one of your images to a buyer,
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it grants them exclusive usage perpetually.
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So, that image is no longer yours.
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You cannot sell it to anyone else.
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In some cases, they may even want you to get rid of that photo off of your hard drive.
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On the contrary, there is various other ways that you can
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grant usage of your image to buyers through limited exclusivity.
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You can do exclusive use for web use only,
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for print, for a TV commercial,
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whatever it is that they want,
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and then you make the price according to that usage and
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the copyright is still in your name and you can sell the image to other parties.
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In addition to exclusive use,
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there is, of course, nonexclusive or royalty-free.
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This is probably, for me at least,
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the most commonly purchased license.
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Somebody can purchase your image and they can use it on their blog posts,
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they could use on their Instagram,
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they can use it on their Facebook page,
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on their web page.
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They could turn around and have it in a print advertisement.
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So, you have to understand that your image can be used in
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many different places by the same person or company,
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and if you're all right with that and the price is right,
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then that is going to be probably the most commonly purchased type of license.
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The good thing about this type of license is
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that you can sell it to as many people as possible.
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Generally, a buyer will understand this
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and understand that at the price they're purchasing that particular image,
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they are not granted exclusivity,
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they are not granted a buyout,
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there's going to be no transfer of copyright of that image.
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So, the rights belong to you,
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they can use it for whatever they see fit,
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and you can sell it to as many different buyers as possible.
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With this royalty-free purchasing lies
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the most lucrative opportunity for most photographers.
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The same image can sell one, two,
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five,10 times and that image can be seen
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across a multitude of platforms and locations by different brands, people, anything.
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That's exciting.
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So, therein lies the nature,
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the spirit of stock photography.
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Essentially, it's volume-based.
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You might not make $2,000 on every photo.
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However, you will sell more photos.
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The more you put out there,
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the more you'll receive in return.
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Eventually, the quality of your work will naturally get better over time with practice,
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after practicing on this course.
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The goal is to create
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this archive of images or add to the archive of images you may already
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have that you can use in websites like iStock or Getty images,
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Snapwire, and you can just have
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this large shop where you are selling images to people all around the world.
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Now that we've gone over the importance of your own copyright and licensing,
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it's important to be aware of other brands and
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trademarks and make sure that when you're shooting and you're framing up these shots,
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that you're not inadvertently including
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other brands and things that you don't want to be in the final product.
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You probably don't want to inadvertently have a brand who is
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purchasing your photo endorsing another brand or vice versa.
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You might wonder why some photographers are seemingly
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giving away full res pictures on the Internet.
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This type of licensing is called creative commons.
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It essentially grants royalty-free non-exclusive use
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of your photo to anybody who wants it.
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They can use it for anything they want,
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as many times as they want,
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and without paying a dime.
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What that grants the photographer though is a means to lead generation.
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This might lead to somebody funding your website as
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creative commons does imply that you will be given credit where this photo was used.
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So, in addition to lead generation,
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you have getting your name out there which has its uses sometimes.
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It does lead to a lot of traffic that comes back to either you or to
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your stock image website page and this can be useful.
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Somebody likes your style and they found one of your creative common images,
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that might link them back to
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your Snapwire profile page where they can find a whole variety of images to purchase.
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There's essentially a risk reward balance
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when it comes to model releases and property releases.
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These are two very important things to be
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aware of when you're taking photos of this nature.
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As I mentioned before,
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taking picture of somebody's face isn't identifiable is
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a much more low-risk approach because that person is much
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less likely to approach you at some point
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when that photo has been sold or license has been granted to somebody,
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or a company, or somebody to use that photo.
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They're much less likely to approach you with an issue and say, "Hey,
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I didn't grant you the rights to use my body in this image where I'm the focal point."
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But if the person is not the focal point,
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if they are in the background maybe blurred out in the corner and
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the focal point is a tree or a car or something else,
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then that is almost entirely no risk.
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I don't want to say no risk but
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it is something that you generally don't need to worry about.
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This level of intricacy when it comes down to identifying
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property or models and the need for a release differs.
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It varies from stock website to stock website.
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Some websites like Snapwire are
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a little more relaxed when it comes to getting model releases and that's fine.
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It's a risk reward level based on what you're willing to do.
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It is good to be aware of the ins and outs of photography from a legal standpoint.
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My best practice would be to get model releases and
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a property release from not only this location owner but from my friends,
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everybody who is letting me take a photo of them today.
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Not necessarily everybody who I'm going to use but just everybody who's here.
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That way, I'm protected.
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In a case like this,
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I might have everybody sign a model release and
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the property owner sign a property release just in case.
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My best practice is to bring with me the Snapwire app that they provide.
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It's just the easiest way to maintain records of
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all the model and property releases that I obtain along the way.
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So, today, after I shoot everybody,
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I'll just have my friend's sign a model release with the date,
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location, a little summary of what's going on
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and I'll have the property owners sign one and I'll have it stored on my phone.
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I can print it later if I need to or not.
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I know that's a lot to remember.
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We just went through rights and your protection.
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Now, let's get to the fun part.
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Let's edit and upload these photos to a stock photo website.
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