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1
00:00:11,700 --> 00:00:13,700
Ok. Let's see
what can we find here...
2
00:00:13,700 --> 00:00:15,000
It's like...
3
00:00:15,000 --> 00:00:18,000
forgetting you are
in an adult world and
4
00:00:18,000 --> 00:00:20,000
transforming yourself like...
5
00:00:20,000 --> 00:00:22,500
Then we went out
and there were some textures,
6
00:00:22,500 --> 00:00:26,400
some big pieces of wood
that I wanted to use
7
00:00:26,400 --> 00:00:29,600
but since my limitation is
to try not to take vertical photos,
8
00:00:29,600 --> 00:00:33,000
I wanted to try harder.
9
00:00:33,000 --> 00:00:36,700
My issue here...
and that I forgot to tell you is
10
00:00:36,700 --> 00:00:40,200
I usually compose from
the background to my foreground.
11
00:00:40,200 --> 00:00:43,400
If I have a very saturated
background, I refuse.
12
00:00:43,400 --> 00:00:45,800
Is this...
yes, it's interesting.
13
00:00:46,300 --> 00:00:49,200
There was this table
with a very nice texture
14
00:00:49,200 --> 00:00:51,400
and the floor was smooth.
15
00:00:51,400 --> 00:00:54,400
And I always see a way
to minimize the spaces.
16
00:00:54,400 --> 00:00:56,400
I would love to have
17
00:00:56,400 --> 00:00:58,400
this background
with that texture over there.
18
00:00:58,400 --> 00:01:01,200
I'm always mixing
the things that I don't have.
19
00:01:01,200 --> 00:01:02,800
Anyway...
Ok.
20
00:01:02,800 --> 00:01:04,800
Could you put down here, guys?.
21
00:01:04,800 --> 00:01:08,100
I mean...
Your legs are over there, right.
22
00:01:08,100 --> 00:01:10,100
- Further in?
- Yes
23
00:01:10,100 --> 00:01:13,100
What was that?
Kinky...
24
00:01:16,100 --> 00:01:18,000
I didn't know how to work them.
25
00:01:18,000 --> 00:01:20,400
I wanted, in a way,
to cut off their bodies.
26
00:01:20,400 --> 00:01:23,600
And finally, Gastón
settled with his arms...
27
00:01:23,600 --> 00:01:28,300
and now the problem was
where to place Marian
28
00:01:28,300 --> 00:01:29,000
and...
29
00:01:29,000 --> 00:01:31,300
I struggled a bit
because of her shadow...
30
00:01:31,300 --> 00:01:33,300
I was a little confused.
31
00:01:33,300 --> 00:01:36,300
Until we came up with the idea
of putting her on the table
32
00:01:36,300 --> 00:01:37,800
and leave Gastón on the floor.
33
00:01:37,800 --> 00:01:39,800
And start provoking them
34
00:01:39,800 --> 00:01:42,100
to create these magical reactions.
35
00:01:42,100 --> 00:01:43,000
Same here...
36
00:01:43,000 --> 00:01:44,500
this is the issue:
37
00:01:44,500 --> 00:01:46,100
If they are aligned
38
00:01:46,100 --> 00:01:48,600
he will generate a shadow on her.
39
00:01:48,600 --> 00:01:51,600
Could you please
put your arm beside your head...?
40
00:01:51,600 --> 00:01:53,600
'Cause...
41
00:01:53,600 --> 00:01:56,000
Are you comfortable?
42
00:01:56,000 --> 00:01:56,500
Yes.
43
00:01:56,500 --> 00:01:58,900
You know what?
Let's do this...
44
00:01:58,900 --> 00:02:00,100
It's like being a magician,
45
00:02:00,100 --> 00:02:01,500
like being Houdini.
46
00:02:01,500 --> 00:02:03,500
I don't know how
the light on your face will be...
47
00:02:03,500 --> 00:02:06,500
I wish you could put
your legs over there.
48
00:02:08,500 --> 00:02:09,900
Ok, it could be...
49
00:02:09,900 --> 00:02:13,000
What I want is for her face
to be in shadow
50
00:02:13,000 --> 00:02:15,000
I can fix that later.
51
00:02:15,000 --> 00:02:17,000
Look up again, sorry.
52
00:02:19,000 --> 00:02:20,500
And...wait, ok.
53
00:02:20,500 --> 00:02:22,800
This is getting interesting.
54
00:02:22,800 --> 00:02:26,400
It's a big issue
but ok, we got this...
55
00:02:26,400 --> 00:02:28,800
Solving problems is fun, right?
56
00:02:28,800 --> 00:02:31,400
Math problems... f*ck, no.
These problems, yes.
57
00:02:31,400 --> 00:02:33,600
No, let's do this...
58
00:02:33,600 --> 00:02:36,100
Aranda, come up.
You are going to lie down.
59
00:02:36,100 --> 00:02:38,000
I want a better light on her,
60
00:02:38,000 --> 00:02:40,500
the aesthetic looks good
but the light is not cool.
61
00:02:40,500 --> 00:02:42,500
F*ck this...
62
00:02:44,900 --> 00:02:48,000
Those textures are also cool.
63
00:02:48,000 --> 00:02:50,500
As I said before...
64
00:02:50,900 --> 00:02:53,000
As an adult
we see the whole puzzle...
65
00:02:53,000 --> 00:02:54,000
...we see: hotel.
66
00:02:54,300 --> 00:02:58,000
And a child can see
more particular things.
67
00:02:58,000 --> 00:02:59,300
So here, remember...
68
00:02:59,300 --> 00:03:00,300
I'm choosing this angle
69
00:03:00,300 --> 00:03:03,000
because I want
to eliminate distractions.
70
00:03:03,000 --> 00:03:04,500
Ok? So...
71
00:03:04,500 --> 00:03:08,000
I'm simplifying this whole process.
72
00:03:09,400 --> 00:03:12,000
Also...
I don't want to show her arm
73
00:03:12,000 --> 00:03:15,300
because the brightest point
attracts the attention.
74
00:03:15,300 --> 00:03:19,800
So my cut is going to be
delimited by the color of your skin.
75
00:03:19,800 --> 00:03:22,100
I mean, you need more sun.
Right?.
76
00:03:22,100 --> 00:03:25,400
- It's damaging
- I'm kidding
77
00:03:25,400 --> 00:03:29,000
I want is to be
as straight as possible to them
78
00:03:29,000 --> 00:03:32,000
Can you turn your head to...?
79
00:03:32,000 --> 00:03:34,000
Exactly. Or not?...
80
00:03:35,000 --> 00:03:36,400
Or yes?...
Maybe.
81
00:03:36,400 --> 00:03:38,400
Everything is
a f*cking "maybe".
82
00:03:38,400 --> 00:03:41,000
Let's have a nickname war.
83
00:03:41,000 --> 00:03:43,000
Ok?...
84
00:03:43,000 --> 00:03:45,000
I do that very often.
85
00:03:45,000 --> 00:03:46,400
A nickname war,
86
00:03:46,400 --> 00:03:48,400
let the tone go up...
87
00:03:48,400 --> 00:03:51,000
If it makes you laugh, then laugh...
If it makes you angry, get angry...
88
00:03:51,000 --> 00:03:53,000
It's your choice.
89
00:03:53,000 --> 00:03:56,000
You go first, Iranda.
1, 2, 3...
90
00:03:57,000 --> 00:04:00,000
- I'm bad at this
- Come on!
91
00:04:00,000 --> 00:04:03,000
We are a couple. We work
together in many other things...
92
00:04:03,000 --> 00:04:05,000
Great.
93
00:04:07,000 --> 00:04:10,000
I don't have creativity
for that kind of things.
94
00:04:10,000 --> 00:04:12,500
Ok, provoke her, man.
95
00:04:12,500 --> 00:04:15,000
- Pale skin
- That's right
96
00:04:15,400 --> 00:04:17,300
The war begins.
97
00:04:17,300 --> 00:04:19,300
What if they brake up tomorrow?...
98
00:04:21,300 --> 00:04:22,500
Bitter.
99
00:04:27,500 --> 00:04:29,500
He doesn't mean that.
100
00:04:30,500 --> 00:04:32,500
We got it.
Great, guys.
101
00:04:32,500 --> 00:04:33,500
So cool.
102
00:04:44,500 --> 00:04:47,500
We could do
so many different cuts here...
103
00:04:47,500 --> 00:04:49,500
This triangle is cool too...
104
00:04:49,500 --> 00:04:51,500
Besides,
in this photo with the table...
105
00:04:51,500 --> 00:04:53,100
we don't have to
ask for permission.
106
00:04:53,100 --> 00:04:55,100
I just saw the table
and its texture
107
00:04:55,100 --> 00:04:57,500
and I moved the things
and got on it.
108
00:04:57,500 --> 00:05:00,100
I did it before someone could tell me:
"Hey, you can't do that..."
109
00:05:00,100 --> 00:05:01,100
to earn the photo.
110
00:05:01,100 --> 00:05:03,500
If I do it and
someone scolds me
111
00:05:03,500 --> 00:05:06,500
I would have apologized and said:
I did not want to disrespect you.
112
00:05:06,500 --> 00:05:07,500
And that's it.
113
00:05:07,500 --> 00:05:08,500
But in this case,
114
00:05:08,500 --> 00:05:10,500
as I anticipated and
everything was very fast
115
00:05:10,500 --> 00:05:14,500
I didn't give the security guys
time to tell me anything.
116
00:05:14,900 --> 00:05:16,000
That's the hard part...
117
00:05:16,000 --> 00:05:19,800
to visualize the next photo
without not being present.
118
00:05:19,800 --> 00:05:20,500
But I tell them:
119
00:05:20,500 --> 00:05:22,700
"I'm going to be at zombieland...
120
00:05:22,700 --> 00:05:24,700
...ignore me,
121
00:05:24,700 --> 00:05:26,700
...I'm going to be
in my little bubble."
122
00:05:26,700 --> 00:05:27,500
Great.
123
00:05:27,500 --> 00:05:29,900
Let's do another one here.
This texture is so f*cking cool.
124
00:05:29,900 --> 00:05:31,900
Hey! No kissing.
125
00:05:31,900 --> 00:05:34,500
- I didn't tell you, right?
- What?
126
00:05:34,500 --> 00:05:36,900
Kisses are not allowed
on my sessions.
127
00:05:36,900 --> 00:05:38,000
- Really?
- Really
128
00:05:38,000 --> 00:05:41,200
- Just between us, right?
- Right. You can kiss me
129
00:05:42,200 --> 00:05:46,000
Ok. Let's do
a visual cleaning here.
130
00:05:51,000 --> 00:05:51,900
I tell you...
131
00:05:51,900 --> 00:05:56,000
Visual decapitations, even if it's
a very thin line, for me it's like ...
132
00:05:57,800 --> 00:05:59,400
We will see what to do here.
133
00:05:59,400 --> 00:06:02,400
But I think my frame
is going to be here in the corner
134
00:06:02,400 --> 00:06:04,000
to have a bit of black.
135
00:06:04,000 --> 00:06:06,000
That same space was amazing
136
00:06:06,000 --> 00:06:08,500
because we had the light
from a very large window.
137
00:06:08,500 --> 00:06:10,800
We saw this
smooth concrete wall,
138
00:06:10,800 --> 00:06:13,000
I love those walls
139
00:06:13,000 --> 00:06:16,300
that have neither a painting
nor a striking texture,
140
00:06:16,300 --> 00:06:18,000
nor so many colors.
141
00:06:18,000 --> 00:06:21,500
There I tried to make
some cuts on their heads
142
00:06:21,500 --> 00:06:24,200
to generate this intimacy
143
00:06:24,200 --> 00:06:25,600
without touching.
144
00:06:25,600 --> 00:06:28,200
And then I tried
to go back a little bit more
145
00:06:28,200 --> 00:06:30,200
to take a more open shot,
146
00:06:30,200 --> 00:06:33,000
using a wall as a cut
147
00:06:33,000 --> 00:06:37,000
to have a black wall and that
they had this light source...
148
00:06:37,000 --> 00:06:41,000
If you notice,
I rarely show the light source,
149
00:06:41,000 --> 00:06:44,500
because I don't want it to be
obvious where it comes from.
150
00:06:44,500 --> 00:06:48,000
When the light entrance
is very obvious
151
00:06:48,000 --> 00:06:50,000
for me it's like...
like cheating.
152
00:06:50,000 --> 00:06:52,600
I generally leave
the light source on the edge.
153
00:06:52,600 --> 00:06:53,500
Same here...
154
00:06:53,500 --> 00:06:55,500
If I show the floor
what will I be showing?...
155
00:06:55,500 --> 00:06:56,700
Connectors,
156
00:06:56,700 --> 00:06:59,100
this spacing
which I'm not a big fan of it...
157
00:06:59,100 --> 00:07:01,600
that light is amazing.
158
00:07:01,600 --> 00:07:04,200
You are even going to be
good looking in this photo.
159
00:07:06,200 --> 00:07:08,200
I'm still not sure.
We will see.
160
00:07:08,200 --> 00:07:11,200
That light is so f*cking cool.
161
00:07:11,200 --> 00:07:12,800
This one is more like...
162
00:07:13,200 --> 00:07:15,200
Who is better at twerking?...
163
00:07:20,200 --> 00:07:22,700
Awesome. Do you know
how to speak as a Mexican?
164
00:07:22,700 --> 00:07:24,700
"¡No manches, wey!"
165
00:07:26,000 --> 00:07:27,000
Only one thing...
166
00:07:27,000 --> 00:07:29,000
If you laugh,
don't laugh with me...
167
00:07:29,000 --> 00:07:31,000
laugh looking this way.
168
00:07:31,000 --> 00:07:33,000
- Ok?
- Ok
169
00:07:33,000 --> 00:07:35,000
Let's talk Mexicanisms.
170
00:07:35,000 --> 00:07:36,000
Ok.
171
00:07:43,000 --> 00:07:45,000
You f*ckers...
172
00:07:45,000 --> 00:07:48,000
What else do you have?...
173
00:08:00,000 --> 00:08:02,700
Awesome.
So cool, guys.
174
00:08:02,700 --> 00:08:04,700
Then we went outside
175
00:08:04,700 --> 00:08:06,700
And there was this diagonal,
176
00:08:06,700 --> 00:08:09,200
this triangle on the wall.
177
00:08:09,200 --> 00:08:11,200
But we had a very small space.
178
00:08:11,200 --> 00:08:13,200
And again...
179
00:08:13,200 --> 00:08:15,200
we broke the rules a bit,
180
00:08:15,200 --> 00:08:17,800
we stepped on a few plants
that were there...
181
00:08:17,800 --> 00:08:19,500
Excuse me, nature.
182
00:08:19,500 --> 00:08:21,500
I'll go to hell because of this,
but...
183
00:08:21,500 --> 00:08:23,300
...it was worth the photo!.
184
00:08:23,300 --> 00:08:24,600
And then I tried...
185
00:08:24,600 --> 00:08:28,100
There was this thing that
firefighters use to draw water...
186
00:08:28,100 --> 00:08:31,000
I do not remember the word
(excuse my limited head).
187
00:08:31,000 --> 00:08:34,000
I wanted to place
Jaka and Aranda...
188
00:08:34,000 --> 00:08:37,000
(I forgot their names, f*ck... sorry)
189
00:08:37,000 --> 00:08:39,000
Gaston and Marian...
190
00:08:39,000 --> 00:08:41,400
Marian? Mariana!
191
00:08:41,400 --> 00:08:44,400
I wanted to place them
on a space between light and shades
192
00:08:44,400 --> 00:08:46,700
and I wanted Mariana
to be in the shade,
193
00:08:46,700 --> 00:08:52,900
so we used a jacket
from one of the students
194
00:08:52,900 --> 00:08:55,200
to give her a little shade,
195
00:08:55,200 --> 00:08:57,200
and Gastón on the light.
196
00:08:57,200 --> 00:08:59,000
We had a beautiful wind
197
00:08:59,000 --> 00:09:02,000
and her hair was blowing.
198
00:09:02,000 --> 00:09:05,000
That was some
spectacular photo
199
00:09:05,000 --> 00:09:07,000
in this magical corner.
13398
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