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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:04,600 Hi Patreons! We are at Cuatrociénegas desert. 2 00:00:19,000 --> 00:00:23,600 One more video, a very special "making-of". 3 00:00:23,600 --> 00:00:27,000 This time it was a casual session 4 00:00:27,000 --> 00:00:28,700 for Bianca and Marcelo. 5 00:00:28,700 --> 00:00:31,000 Marcelo is a photographer from Monterrey. 6 00:00:31,000 --> 00:00:33,400 He gets married in January of next year 7 00:00:33,400 --> 00:00:35,400 in the beautiful city of Mérida. 8 00:00:35,400 --> 00:00:38,000 He asked me to be his photographer 9 00:00:38,000 --> 00:00:41,400 and when you take pictures of another photographer, it's very scary 10 00:00:41,400 --> 00:00:43,000 and exciting at the same time 11 00:00:43,000 --> 00:00:45,000 because the pressure increases... 12 00:00:45,000 --> 00:00:50,000 You know they know what you are doing (or trying to). 13 00:00:50,000 --> 00:00:52,700 So, getting nervous is very easy. 14 00:00:52,700 --> 00:00:54,000 And, to make it not so easy, 15 00:00:54,000 --> 00:00:57,000 Marcelo told me: "Let's go to Cuatrociénegas, 16 00:00:57,000 --> 00:00:59,800 ...I really like that location". 17 00:00:59,800 --> 00:01:03,400 He knows how to dress, he is very fashion, 18 00:01:03,400 --> 00:01:06,000 he is very fashion trend. 19 00:01:06,000 --> 00:01:10,000 So, I knew I would have very good material with them. 20 00:01:10,000 --> 00:01:11,400 I didn't know Bianca. 21 00:01:11,400 --> 00:01:16,300 But we had 3 and a half hours to go from Monterrey to Cuatrociénegas 22 00:01:16,300 --> 00:01:18,300 and we made a stopover to eat. 23 00:01:18,300 --> 00:01:21,000 To be honest, sometimes I despise that time; 24 00:01:21,000 --> 00:01:24,000 the part of having some time with my clients before. 25 00:01:24,000 --> 00:01:26,000 Like I'm a little selfish 26 00:01:26,000 --> 00:01:29,200 and I prefer to be with my family and rest a little. 27 00:01:29,200 --> 00:01:31,000 But I think good thinks came up 28 00:01:31,000 --> 00:01:33,300 from having that opportunity 29 00:01:33,300 --> 00:01:35,300 instead of meeting them the same day. 30 00:01:35,300 --> 00:01:38,800 And yes, your portfolio will help you have more freedom, 31 00:01:38,800 --> 00:01:43,000 but it gave us a little more to know each other a little. 32 00:01:43,000 --> 00:01:45,300 The idea was to go to two locations: 33 00:01:45,300 --> 00:01:47,700 First to the part of the dunes, 34 00:01:47,700 --> 00:01:51,000 which are beautiful dunes in the middle of nowhere. 35 00:01:51,000 --> 00:01:52,300 It is amazing. 36 00:01:52,300 --> 00:01:56,000 And about the second location... it used to be a marble factory. 37 00:01:56,000 --> 00:01:59,000 Marble / Quarry... well, whatever. 38 00:01:59,000 --> 00:02:03,000 I didn't study that but, they are rocks, at the end. 39 00:02:03,000 --> 00:02:07,300 And we had the opportunity to agree on the dress code. 40 00:02:07,300 --> 00:02:10,800 I asked them to use solid colors. 41 00:02:10,800 --> 00:02:13,000 That also helps us a lot. 42 00:02:13,000 --> 00:02:16,600 I don't tell them like: "Please use this brand, this other no..." 43 00:02:16,600 --> 00:02:18,600 Everyone chooses what they want. 44 00:02:18,600 --> 00:02:22,000 But... I don't know if you have had shootings where 45 00:02:22,000 --> 00:02:25,000 the couple is amazing, the location is amazing 46 00:02:25,000 --> 00:02:28,000 and the guy is wearing a shirt that says: Polo 47 00:02:28,000 --> 00:02:30,700 or Ralph Lauren, or whatever. 48 00:02:30,700 --> 00:02:34,400 And, it makes you lose your breath a little 49 00:02:34,400 --> 00:02:35,600 because of the appearance. 50 00:02:35,600 --> 00:02:36,400 Confession: 51 00:02:36,400 --> 00:02:39,400 When at weddings the groom wears a tuxedo, 52 00:02:39,400 --> 00:02:42,000 with penguin tail, 53 00:02:42,000 --> 00:02:44,000 automatically gives me a downturn. 54 00:02:44,000 --> 00:02:46,000 I say: "Fuck!" 55 00:02:46,000 --> 00:02:49,700 I wanted a fitted suit, more sport. 56 00:02:49,700 --> 00:02:54,800 I always have to struggle when grooms come as "penguins". 57 00:02:54,800 --> 00:02:56,000 It is very hard for me. 58 00:02:56,000 --> 00:02:58,000 But in this location it was amazing. 59 00:02:58,000 --> 00:02:59,000 We leave in the morning. 60 00:02:59,000 --> 00:03:03,000 We talked for a while. We talk about the photography business. 61 00:03:03,000 --> 00:03:05,000 Marcelo has been in this for many years. 62 00:03:05,000 --> 00:03:10,000 I think we are more or less the same. Between 10 and 15 years doing this. 63 00:03:10,000 --> 00:03:12,500 So, there was a lot to talk about. 64 00:03:12,500 --> 00:03:15,500 Bianca has a great lighting store. 65 00:03:15,500 --> 00:03:19,000 Lamps, lanterns, candlesticks. 66 00:03:19,000 --> 00:03:20,700 Amazing things. 67 00:03:20,700 --> 00:03:25,000 When you go to a magical place, it's always hard to know where to start. 68 00:03:25,000 --> 00:03:29,600 It's like: "Wow, all this!. WTF am I going to do here"?. 69 00:03:29,600 --> 00:03:32,600 So, I always try to isolate myself a little 70 00:03:32,600 --> 00:03:35,600 and start seeing the patterns that I need to create. 71 00:03:35,600 --> 00:03:38,000 I liked the first image because 72 00:03:38,000 --> 00:03:41,000 although it was part of a dune 73 00:03:41,000 --> 00:03:47,000 it was more like a sand rock submerged in a little canyon. 74 00:03:47,000 --> 00:03:49,000 And it was a very smooth background. 75 00:03:49,000 --> 00:03:52,000 There was nothing in their way, 76 00:03:52,000 --> 00:03:54,300 there was only a small bush on the right side. 77 00:03:54,300 --> 00:03:58,000 And for me, a rock, a monolith, a smooth wall... 78 00:03:58,000 --> 00:04:01,800 this is what tells me: there is where you will frame them. 79 00:04:01,800 --> 00:04:03,800 And he just hugged her from behind. 80 00:04:03,800 --> 00:04:05,800 The light was very intense. 81 00:04:05,800 --> 00:04:08,700 So, in this session (although it doesn't seem) 82 00:04:08,700 --> 00:04:10,500 I worked a lot with a backlight 83 00:04:10,500 --> 00:04:12,800 and then the clouds arrived 84 00:04:12,800 --> 00:04:17,000 and it gave us this "soft box" or this light box 85 00:04:17,000 --> 00:04:19,800 very beautiful for much of the afternoon. 86 00:04:19,800 --> 00:04:22,000 So, this first picture was just like: 87 00:04:22,000 --> 00:04:24,400 hug each other, feel each other. 88 00:04:24,400 --> 00:04:26,600 It was something very simple, very relaxed too. 89 00:04:26,600 --> 00:04:29,000 I loved the colors. Bianca's clothes. 90 00:04:29,000 --> 00:04:32,000 I think that in this session, much of the work was done by the clothes. 91 00:04:32,000 --> 00:04:34,400 These same pictures, with normal clothes, 92 00:04:34,400 --> 00:04:38,400 I think they would have taken the strength off the photo. 93 00:04:38,400 --> 00:04:41,000 So, their sleight of hand... 94 00:04:41,000 --> 00:04:43,500 how they hug, how they feel each other, 95 00:04:43,500 --> 00:04:45,500 that made the first picture. 96 00:04:55,500 --> 00:04:57,500 Look, man! I will place you right here. 97 00:04:57,500 --> 00:04:59,500 Does it feel weird to be on the other side? 98 00:04:59,500 --> 00:05:03,500 The idea is to go down there to avoid marking the sand. 99 00:05:10,000 --> 00:05:14,700 I am using a 25mm lens and a 55mm lens. 100 00:05:14,700 --> 00:05:17,000 That's what we are going to use in this session. 101 00:05:17,000 --> 00:05:18,000 It's magic. 102 00:05:18,000 --> 00:05:19,500 We have two hours. 103 00:05:19,500 --> 00:05:22,000 I am wearing these sunglasses that have integrated music. 104 00:05:22,000 --> 00:05:23,400 I recommend it. 105 00:05:23,400 --> 00:05:27,900 It helps to be inspired by what you are doing and forget about the environment. 106 00:05:27,900 --> 00:05:33,000 A low volume fills you with a lot of inspiration. 107 00:05:33,000 --> 00:05:36,000 Hug her from behind. As if it was cold, bro. 108 00:06:02,700 --> 00:06:04,800 Then we try to do something on the move 109 00:06:04,800 --> 00:06:06,000 something walking. 110 00:06:06,000 --> 00:06:09,000 And I felt that I was saturating my frame a lot. 111 00:06:09,000 --> 00:06:11,300 So, I asked them to stop 112 00:06:11,300 --> 00:06:14,300 using the shadow that the image was giving us. 113 00:06:14,300 --> 00:06:17,000 I asked Bianca to give Marcelo a kiss. 114 00:06:17,000 --> 00:06:19,000 She stood on tiptoe. 115 00:06:19,000 --> 00:06:22,500 Something very beautiful and very subtle turned out. 116 00:06:33,500 --> 00:06:36,500 Watch this: This is a lesson for your clients too. 117 00:06:36,500 --> 00:06:39,800 They can go to a store, like H&M, Zara... 118 00:06:39,800 --> 00:06:42,500 they can buy the clothes, use it for the session 119 00:06:42,500 --> 00:06:45,500 and they can return it the next day. Didn't like it. 120 00:06:45,500 --> 00:06:49,000 So, that is a fact that many times we do not use 121 00:06:49,000 --> 00:06:51,500 but in this case it helped us a lot 122 00:06:51,500 --> 00:06:54,000 for them to be dressed so f*cing awesome. 123 00:06:56,500 --> 00:06:59,400 I always try to find the elements of my location 124 00:06:59,400 --> 00:07:03,200 to make them part of the session. 125 00:07:03,200 --> 00:07:07,800 This next image was just grab some of the sand we had there, 126 00:07:07,800 --> 00:07:10,700 start playing with it and let it go. 127 00:07:10,700 --> 00:07:13,000 The sand was a big, big mess. 128 00:07:13,000 --> 00:07:16,500 We ended up like shaking fish because of all the sand. 129 00:07:16,500 --> 00:07:17,800 You will see that in the video. 130 00:07:17,800 --> 00:07:21,200 We had to close our eyes and not know where we were. 131 00:07:21,200 --> 00:07:24,000 But we use it in a more poetic way. 132 00:07:24,000 --> 00:07:27,000 Simply letting go the sand from their hands. 133 00:07:27,000 --> 00:07:30,000 It was very subtle and simple 134 00:07:30,000 --> 00:07:32,000 that I really liked how it turned out. 135 00:07:32,200 --> 00:07:34,000 Put your hands closer. 136 00:07:50,500 --> 00:07:52,000 In these next two images 137 00:07:52,000 --> 00:07:56,800 We found a rise (or a descent, depending on where you are). 138 00:07:56,800 --> 00:07:59,000 The first image is something very cliché: 139 00:07:59,000 --> 00:08:02,000 carry your girl and spin her around. 140 00:08:02,000 --> 00:08:07,000 This image reminded me why I choose certain photos and not others. 141 00:08:07,000 --> 00:08:09,000 If we turned this image 142 00:08:09,000 --> 00:08:13,800 it was going to be a very cliché, romantic and corny image. 143 00:08:13,800 --> 00:08:15,800 But in this one, where their faces are not seen 144 00:08:15,800 --> 00:08:20,000 that you can only see Marcelo's strength, lifting her... 145 00:08:20,000 --> 00:08:22,800 For me, it is these images that have a bit of 146 00:08:22,800 --> 00:08:24,600 magical realism. 147 00:08:24,600 --> 00:08:28,600 When we don't show faces but still feel the image. 148 00:08:28,600 --> 00:08:31,200 This is a concept that I want to develop more 149 00:08:31,200 --> 00:08:35,500 and that is in my extensive list of post-its 150 00:08:35,500 --> 00:08:37,600 of things I have to learn to do more 151 00:08:37,600 --> 00:08:40,700 is to study about magical realism. 152 00:08:40,700 --> 00:08:42,900 If someone hasn't checked it, I recommend it, 153 00:08:42,900 --> 00:08:44,000 also surrealism. 154 00:08:44,000 --> 00:08:49,400 These two aspects of literature or art 155 00:08:49,400 --> 00:08:52,000 I think they can help us a lot to create 156 00:08:52,000 --> 00:08:54,000 regarding portraits. 157 00:08:54,000 --> 00:08:56,000 Get a little out of reality 158 00:08:56,000 --> 00:08:58,000 to see something beyond 159 00:08:58,000 --> 00:09:02,800 and bring together two aspects that will create magic when we see them. 160 00:09:02,800 --> 00:09:05,200 In this one, I will move away a little more, you guys. 161 00:09:05,200 --> 00:09:07,200 Can we do it again, please?. 162 00:09:12,000 --> 00:09:13,200 F*cking sand... 163 00:09:29,400 --> 00:09:31,200 And the next image was also 164 00:09:31,200 --> 00:09:36,000 to jump, fall and the sand will sprinkle and spread. 165 00:09:36,000 --> 00:09:39,100 And these two images were images that I think that 166 00:09:39,100 --> 00:09:41,700 they can look great in your home, 167 00:09:41,700 --> 00:09:43,000 in a large enlargement 168 00:09:43,000 --> 00:09:46,200 and your face will not look like: "There I am.!" 169 00:09:46,200 --> 00:09:48,200 I really like to play with that... 170 00:09:48,200 --> 00:09:52,800 with these images in which we see our characters more as actors 171 00:09:52,800 --> 00:09:54,800 or as rock stars of a music video. 172 00:09:54,800 --> 00:09:57,500 Like, yes, they are in love because they are kissing each other 173 00:09:57,500 --> 00:10:00,100 but we also got a bit out of the script, 174 00:10:00,100 --> 00:10:02,100 we go "off script" 175 00:10:02,100 --> 00:10:06,000 of how is a couple in dreams 176 00:10:06,000 --> 00:10:09,800 I mean, returning to surrealism or magical realism. 177 00:10:09,800 --> 00:10:13,000 It is an interpretation of what is in front of us. 178 00:10:13,000 --> 00:10:17,000 In our images we can capture what it feels like to be there. 179 00:10:17,000 --> 00:10:19,800 We can capture what we see around us. 180 00:10:19,800 --> 00:10:23,200 And another is: an artistic interpretation of where we are. 181 00:10:23,200 --> 00:10:25,900 And for me, these images indicate that. 182 00:10:27,200 --> 00:10:30,100 It doesn't matter if you fall close to me. 183 00:10:34,000 --> 00:10:35,100 Fuck, yeah!. 13869

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