Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:04,600
Hi Patreons!
We are at Cuatrociénegas desert.
2
00:00:19,000 --> 00:00:23,600
One more video,
a very special "making-of".
3
00:00:23,600 --> 00:00:27,000
This time it was a casual session
4
00:00:27,000 --> 00:00:28,700
for Bianca and Marcelo.
5
00:00:28,700 --> 00:00:31,000
Marcelo is a photographer
from Monterrey.
6
00:00:31,000 --> 00:00:33,400
He gets married
in January of next year
7
00:00:33,400 --> 00:00:35,400
in the beautiful city of Mérida.
8
00:00:35,400 --> 00:00:38,000
He asked me to be his photographer
9
00:00:38,000 --> 00:00:41,400
and when you take pictures of
another photographer, it's very scary
10
00:00:41,400 --> 00:00:43,000
and exciting at the same time
11
00:00:43,000 --> 00:00:45,000
because the pressure increases...
12
00:00:45,000 --> 00:00:50,000
You know they know
what you are doing (or trying to).
13
00:00:50,000 --> 00:00:52,700
So, getting nervous is very easy.
14
00:00:52,700 --> 00:00:54,000
And, to make it not so easy,
15
00:00:54,000 --> 00:00:57,000
Marcelo told me:
"Let's go to Cuatrociénegas,
16
00:00:57,000 --> 00:00:59,800
...I really like that location".
17
00:00:59,800 --> 00:01:03,400
He knows how to dress,
he is very fashion,
18
00:01:03,400 --> 00:01:06,000
he is very fashion trend.
19
00:01:06,000 --> 00:01:10,000
So, I knew I would have
very good material with them.
20
00:01:10,000 --> 00:01:11,400
I didn't know Bianca.
21
00:01:11,400 --> 00:01:16,300
But we had 3 and a half hours to go
from Monterrey to Cuatrociénegas
22
00:01:16,300 --> 00:01:18,300
and we made a stopover to eat.
23
00:01:18,300 --> 00:01:21,000
To be honest, sometimes
I despise that time;
24
00:01:21,000 --> 00:01:24,000
the part of having some time
with my clients before.
25
00:01:24,000 --> 00:01:26,000
Like I'm a little selfish
26
00:01:26,000 --> 00:01:29,200
and I prefer to be with my family
and rest a little.
27
00:01:29,200 --> 00:01:31,000
But I think good thinks came up
28
00:01:31,000 --> 00:01:33,300
from having that opportunity
29
00:01:33,300 --> 00:01:35,300
instead of meeting them
the same day.
30
00:01:35,300 --> 00:01:38,800
And yes, your portfolio
will help you have more freedom,
31
00:01:38,800 --> 00:01:43,000
but it gave us a little more
to know each other a little.
32
00:01:43,000 --> 00:01:45,300
The idea was to go to two locations:
33
00:01:45,300 --> 00:01:47,700
First to the part of the dunes,
34
00:01:47,700 --> 00:01:51,000
which are beautiful dunes
in the middle of nowhere.
35
00:01:51,000 --> 00:01:52,300
It is amazing.
36
00:01:52,300 --> 00:01:56,000
And about the second location...
it used to be a marble factory.
37
00:01:56,000 --> 00:01:59,000
Marble / Quarry...
well, whatever.
38
00:01:59,000 --> 00:02:03,000
I didn't study that
but, they are rocks, at the end.
39
00:02:03,000 --> 00:02:07,300
And we had the opportunity
to agree on the dress code.
40
00:02:07,300 --> 00:02:10,800
I asked them to use solid colors.
41
00:02:10,800 --> 00:02:13,000
That also helps us a lot.
42
00:02:13,000 --> 00:02:16,600
I don't tell them like:
"Please use this brand, this other no..."
43
00:02:16,600 --> 00:02:18,600
Everyone chooses what they want.
44
00:02:18,600 --> 00:02:22,000
But... I don't know if you
have had shootings where
45
00:02:22,000 --> 00:02:25,000
the couple is amazing,
the location is amazing
46
00:02:25,000 --> 00:02:28,000
and the guy is wearing
a shirt that says: Polo
47
00:02:28,000 --> 00:02:30,700
or Ralph Lauren,
or whatever.
48
00:02:30,700 --> 00:02:34,400
And, it makes you
lose your breath a little
49
00:02:34,400 --> 00:02:35,600
because of the appearance.
50
00:02:35,600 --> 00:02:36,400
Confession:
51
00:02:36,400 --> 00:02:39,400
When at weddings
the groom wears a tuxedo,
52
00:02:39,400 --> 00:02:42,000
with penguin tail,
53
00:02:42,000 --> 00:02:44,000
automatically gives me a downturn.
54
00:02:44,000 --> 00:02:46,000
I say: "Fuck!"
55
00:02:46,000 --> 00:02:49,700
I wanted a fitted suit, more sport.
56
00:02:49,700 --> 00:02:54,800
I always have to struggle
when grooms come as "penguins".
57
00:02:54,800 --> 00:02:56,000
It is very hard for me.
58
00:02:56,000 --> 00:02:58,000
But in this location it was amazing.
59
00:02:58,000 --> 00:02:59,000
We leave in the morning.
60
00:02:59,000 --> 00:03:03,000
We talked for a while.
We talk about the photography business.
61
00:03:03,000 --> 00:03:05,000
Marcelo has been in this for many years.
62
00:03:05,000 --> 00:03:10,000
I think we are more or less the same.
Between 10 and 15 years doing this.
63
00:03:10,000 --> 00:03:12,500
So, there was a lot to talk about.
64
00:03:12,500 --> 00:03:15,500
Bianca has a great lighting store.
65
00:03:15,500 --> 00:03:19,000
Lamps, lanterns, candlesticks.
66
00:03:19,000 --> 00:03:20,700
Amazing things.
67
00:03:20,700 --> 00:03:25,000
When you go to a magical place,
it's always hard to know where to start.
68
00:03:25,000 --> 00:03:29,600
It's like: "Wow, all this!.
WTF am I going to do here"?.
69
00:03:29,600 --> 00:03:32,600
So, I always try to isolate myself a little
70
00:03:32,600 --> 00:03:35,600
and start seeing
the patterns that I need to create.
71
00:03:35,600 --> 00:03:38,000
I liked the first image because
72
00:03:38,000 --> 00:03:41,000
although it was part of a dune
73
00:03:41,000 --> 00:03:47,000
it was more like a sand rock
submerged in a little canyon.
74
00:03:47,000 --> 00:03:49,000
And it was a very smooth background.
75
00:03:49,000 --> 00:03:52,000
There was nothing in their way,
76
00:03:52,000 --> 00:03:54,300
there was only a small bush
on the right side.
77
00:03:54,300 --> 00:03:58,000
And for me,
a rock, a monolith, a smooth wall...
78
00:03:58,000 --> 00:04:01,800
this is what tells me:
there is where you will frame them.
79
00:04:01,800 --> 00:04:03,800
And he just hugged her from behind.
80
00:04:03,800 --> 00:04:05,800
The light was very intense.
81
00:04:05,800 --> 00:04:08,700
So, in this session
(although it doesn't seem)
82
00:04:08,700 --> 00:04:10,500
I worked a lot with a backlight
83
00:04:10,500 --> 00:04:12,800
and then the clouds arrived
84
00:04:12,800 --> 00:04:17,000
and it gave us this "soft box"
or this light box
85
00:04:17,000 --> 00:04:19,800
very beautiful
for much of the afternoon.
86
00:04:19,800 --> 00:04:22,000
So, this first picture was just like:
87
00:04:22,000 --> 00:04:24,400
hug each other, feel each other.
88
00:04:24,400 --> 00:04:26,600
It was something very simple,
very relaxed too.
89
00:04:26,600 --> 00:04:29,000
I loved the colors.
Bianca's clothes.
90
00:04:29,000 --> 00:04:32,000
I think that in this session,
much of the work was done by the clothes.
91
00:04:32,000 --> 00:04:34,400
These same pictures,
with normal clothes,
92
00:04:34,400 --> 00:04:38,400
I think they would have taken
the strength off the photo.
93
00:04:38,400 --> 00:04:41,000
So, their sleight of hand...
94
00:04:41,000 --> 00:04:43,500
how they hug,
how they feel each other,
95
00:04:43,500 --> 00:04:45,500
that made the first picture.
96
00:04:55,500 --> 00:04:57,500
Look, man!
I will place you right here.
97
00:04:57,500 --> 00:04:59,500
Does it feel weird
to be on the other side?
98
00:04:59,500 --> 00:05:03,500
The idea is to go down there
to avoid marking the sand.
99
00:05:10,000 --> 00:05:14,700
I am using a 25mm lens
and a 55mm lens.
100
00:05:14,700 --> 00:05:17,000
That's what
we are going to use in this session.
101
00:05:17,000 --> 00:05:18,000
It's magic.
102
00:05:18,000 --> 00:05:19,500
We have two hours.
103
00:05:19,500 --> 00:05:22,000
I am wearing these sunglasses
that have integrated music.
104
00:05:22,000 --> 00:05:23,400
I recommend it.
105
00:05:23,400 --> 00:05:27,900
It helps to be inspired by what you are doing
and forget about the environment.
106
00:05:27,900 --> 00:05:33,000
A low volume fills you
with a lot of inspiration.
107
00:05:33,000 --> 00:05:36,000
Hug her from behind.
As if it was cold, bro.
108
00:06:02,700 --> 00:06:04,800
Then we try to do something on the move
109
00:06:04,800 --> 00:06:06,000
something walking.
110
00:06:06,000 --> 00:06:09,000
And I felt that I was
saturating my frame a lot.
111
00:06:09,000 --> 00:06:11,300
So, I asked them to stop
112
00:06:11,300 --> 00:06:14,300
using the shadow
that the image was giving us.
113
00:06:14,300 --> 00:06:17,000
I asked Bianca
to give Marcelo a kiss.
114
00:06:17,000 --> 00:06:19,000
She stood on tiptoe.
115
00:06:19,000 --> 00:06:22,500
Something very beautiful
and very subtle turned out.
116
00:06:33,500 --> 00:06:36,500
Watch this:
This is a lesson for your clients too.
117
00:06:36,500 --> 00:06:39,800
They can go to a store,
like H&M, Zara...
118
00:06:39,800 --> 00:06:42,500
they can buy the clothes,
use it for the session
119
00:06:42,500 --> 00:06:45,500
and they can return it the next day.
Didn't like it.
120
00:06:45,500 --> 00:06:49,000
So, that is a fact
that many times we do not use
121
00:06:49,000 --> 00:06:51,500
but in this case it helped us a lot
122
00:06:51,500 --> 00:06:54,000
for them to be dressed
so f*cing awesome.
123
00:06:56,500 --> 00:06:59,400
I always try to find
the elements of my location
124
00:06:59,400 --> 00:07:03,200
to make them part of the session.
125
00:07:03,200 --> 00:07:07,800
This next image was just grab
some of the sand we had there,
126
00:07:07,800 --> 00:07:10,700
start playing with it and let it go.
127
00:07:10,700 --> 00:07:13,000
The sand was a big, big mess.
128
00:07:13,000 --> 00:07:16,500
We ended up like shaking fish
because of all the sand.
129
00:07:16,500 --> 00:07:17,800
You will see that in the video.
130
00:07:17,800 --> 00:07:21,200
We had to close our eyes
and not know where we were.
131
00:07:21,200 --> 00:07:24,000
But we use it in a more poetic way.
132
00:07:24,000 --> 00:07:27,000
Simply letting go
the sand from their hands.
133
00:07:27,000 --> 00:07:30,000
It was very subtle and simple
134
00:07:30,000 --> 00:07:32,000
that I really liked how it turned out.
135
00:07:32,200 --> 00:07:34,000
Put your hands closer.
136
00:07:50,500 --> 00:07:52,000
In these next two images
137
00:07:52,000 --> 00:07:56,800
We found a rise (or a descent,
depending on where you are).
138
00:07:56,800 --> 00:07:59,000
The first image is
something very cliché:
139
00:07:59,000 --> 00:08:02,000
carry your girl and spin her around.
140
00:08:02,000 --> 00:08:07,000
This image reminded me
why I choose certain photos and not others.
141
00:08:07,000 --> 00:08:09,000
If we turned this image
142
00:08:09,000 --> 00:08:13,800
it was going to be a very cliché,
romantic and corny image.
143
00:08:13,800 --> 00:08:15,800
But in this one,
where their faces are not seen
144
00:08:15,800 --> 00:08:20,000
that you can only see
Marcelo's strength, lifting her...
145
00:08:20,000 --> 00:08:22,800
For me,
it is these images that have a bit of
146
00:08:22,800 --> 00:08:24,600
magical realism.
147
00:08:24,600 --> 00:08:28,600
When we don't show faces
but still feel the image.
148
00:08:28,600 --> 00:08:31,200
This is a concept
that I want to develop more
149
00:08:31,200 --> 00:08:35,500
and that is in my extensive
list of post-its
150
00:08:35,500 --> 00:08:37,600
of things I have to learn to do more
151
00:08:37,600 --> 00:08:40,700
is to study about magical realism.
152
00:08:40,700 --> 00:08:42,900
If someone hasn't checked it,
I recommend it,
153
00:08:42,900 --> 00:08:44,000
also surrealism.
154
00:08:44,000 --> 00:08:49,400
These two aspects of literature or art
155
00:08:49,400 --> 00:08:52,000
I think they can help us a lot to create
156
00:08:52,000 --> 00:08:54,000
regarding portraits.
157
00:08:54,000 --> 00:08:56,000
Get a little out of reality
158
00:08:56,000 --> 00:08:58,000
to see something beyond
159
00:08:58,000 --> 00:09:02,800
and bring together two aspects
that will create magic when we see them.
160
00:09:02,800 --> 00:09:05,200
In this one,
I will move away a little more, you guys.
161
00:09:05,200 --> 00:09:07,200
Can we do it again, please?.
162
00:09:12,000 --> 00:09:13,200
F*cking sand...
163
00:09:29,400 --> 00:09:31,200
And the next image was also
164
00:09:31,200 --> 00:09:36,000
to jump, fall
and the sand will sprinkle and spread.
165
00:09:36,000 --> 00:09:39,100
And these two images
were images that I think that
166
00:09:39,100 --> 00:09:41,700
they can look great in your home,
167
00:09:41,700 --> 00:09:43,000
in a large enlargement
168
00:09:43,000 --> 00:09:46,200
and your face will not look like:
"There I am.!"
169
00:09:46,200 --> 00:09:48,200
I really like to play with that...
170
00:09:48,200 --> 00:09:52,800
with these images in which
we see our characters more as actors
171
00:09:52,800 --> 00:09:54,800
or as rock stars of a music video.
172
00:09:54,800 --> 00:09:57,500
Like, yes, they are in love
because they are kissing each other
173
00:09:57,500 --> 00:10:00,100
but we also got a bit out of the script,
174
00:10:00,100 --> 00:10:02,100
we go "off script"
175
00:10:02,100 --> 00:10:06,000
of how is a couple in dreams
176
00:10:06,000 --> 00:10:09,800
I mean, returning to surrealism
or magical realism.
177
00:10:09,800 --> 00:10:13,000
It is an interpretation
of what is in front of us.
178
00:10:13,000 --> 00:10:17,000
In our images we can capture
what it feels like to be there.
179
00:10:17,000 --> 00:10:19,800
We can capture
what we see around us.
180
00:10:19,800 --> 00:10:23,200
And another is:
an artistic interpretation of where we are.
181
00:10:23,200 --> 00:10:25,900
And for me,
these images indicate that.
182
00:10:27,200 --> 00:10:30,100
It doesn't matter if you fall
close to me.
183
00:10:34,000 --> 00:10:35,100
Fuck, yeah!.
13869
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.