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Hi guys!
How are you?.
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Welcome to one more chapter of
"how these images were made?".
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This time, we did these photos
during a workshop called "Caldera Workshop".
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We had several couples
and one of them are the "Paipai" girls.
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A beautiful couple.
Amazing videographers from Barcelona.
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We were in a very iconic city,
Santorini, Greece,
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where blue domes and white houses
are the best.
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And it is very easy
to go that way and say:
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"I am at Santorini, I need to make
postcards with my couples".
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And, to be honest,
it is something that can be easy, in some way,
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and I am always thinking on "hide away",
on don't making so obvious where we are,
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(as I have repeated so many times)
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and in such an iconic place
it is even more difficult
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because you think you feel the pressure
to be forced to show those places.
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And for this photos I wanted
to do it differently.
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The first image was a way
to show where we are
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but making it not so obvious.
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We found a cellar or
a little house, a construction,
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between the sea and the boats.
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It was completely white.
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The sky was blue,
we didn't have any clouds,
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so, that was a chance to squat
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and to simplify as much as I could
Greece's flag (or Santorini, in this case).
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So, putting the girls
with their sunglasses...
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I troubleshot myself
when people wear sunglasses,
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I feel like it is too arrogant,
too rockstar...
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But in this case, because the sun
was intense and hitting hard
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I think it is justified.
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And just to give a little twist,
I asked them to...
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to be like seeing what is coming,
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as if you were a sailor
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or just like "we are looking for...".
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I really liked this image
because it is very minimalist, very simple,
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and has a lot of visual strength.
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You just see:
the people, shades, hard light
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and a division of the structure.
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One of you guys
is going to be placed here...
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and the other one will be here...
You decide.
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Can you put on your sunglasses?.
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Imagine you are a captain.
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For the next image
we found repaired boat, outside.
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It looked amazing.
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Well-defined colors and stripes.
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Worn by sand, salt...
by the life in the sea.
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But I really like that.
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If you find something with a visual
strength without your subject,
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to add that extra.
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The first image...
(Later I will talk about how I place the subjects),
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For me, this is the famous
"Z" position
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(A video about it will come,
don't ask me about it now)
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but yes, the "Z" position
is what I use the most in my photos for
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to pose people when
I don't know what the hell to do.
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So, one person just slides
right in the middle of the other,
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as showing half face.
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Shoulder to shoulder.
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Looking down to feel their connection.
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And the wind did its thing
by moving the girls' hair.
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It looks magical.
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And a variation of this same image
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(without having to move so much)
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I went a little more abstract
to show their tattoos
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that looked amazing.
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It was just stretching her arm.
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What I normally do is,
I tell her:
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Imagine that her arm, or her fist
or her hand, is all her.
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So, she has to talk, kiss
and simplify, but
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to give all her love and affection
to only part of her body,
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and that changes the situation.
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It can be a super romantic photo,
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but the fact of making an extreme cut,
just showing the arm,
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it makes it mysterious and
something unexpected inside the photo
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and makes it iconic.
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I think that, many times,
what's more important about
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portrait photography is:
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Do not show everything.
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Don't give people the obvious.
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If you go with a camera
and show all of it...
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I am always looking
the way to justify my creativity
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and the vast majority
is partly to the composition.
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I want to play with your tattoo.
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What part of your tattoo is your favorite?.
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Super extended.
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Let's try that, yes.
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Amazing, girls.
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And the last image was one that...
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I like this about being extremely far
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and merge the couple
with the background.
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We found this fence
where one of them could climb
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and the other girl was a little down.
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Other times, when I've done that,
if I put the man up I have had problems.
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People think men should be up,
higher than women,
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and here, I want to show you
it is not like that,
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it's just that I tell
the most daring person to go up,
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and women, when they bring heels,
think twice about climbing.
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This time I went completely
centered with the girls,
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I asked them to stare into the eyes,
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underexpose to have detail
both in the clouds and in them.
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We have this backlight
that looks amazing
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and that makes the separation
of the background with them.
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So, these are the images
that were achieved.
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Little by little I will have more of this.
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We had a great time and, you know...
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when you want to feel a little more
pressure and get out of your comfort zone
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invite other photographers to see you work
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and have the other person
take a picture and then you,
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and that will generate
some creative jealousy,
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and that will help you
to keep generating and exploding
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the opportunities that can give you
or that you have not seen.
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I highly recommend that.
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When you feel that
you are monotonous and repetitive,
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(that you are already burned
of your own style)
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get together with
a group of photographers,
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or go to a workshop,
or get a couple and go exploring,
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but we really need that,
to feel this healthy competition
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and share information about
how are they doing things
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and see these options because
many times we were married to our vision.
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Ok guys.
Thanks, Patreons! See you soon.
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Let's do it!.
10828
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