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Good day,
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let's start now
this series of videos
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to explain how we got
to the final shot.
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Many times that is the process
we might find difficult.
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We get to a place
and, what calls our attention?
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On this occasion I will
show you this photo
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that was done on a
workshop I gave in Bali
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along with another Photographer,
James Day.
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We had a great time,
it was an interesting event
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because most of
the attendees had already
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6 or more years
of photography experience.
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I don't really like
-I get frustrated- by doing photos
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in front of other photographers.
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Workshops is what I feel
more nervous about
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because is all about showing
what you have been explaining
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and it is the reason
why they are all there.
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But achieving an iconic image,
in front of so many people
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it is kind of intimidating.
But, lets do this.
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I will show you
where this photo came from.
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The workshop was in
a two-storey house
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the talk was on the first floor
and upstairs we had
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something like a mezzanine.
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Since I got there
these stairs caught my attention,
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"They're cool" I said.
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But it is very obvious
using the stairs in such an ordinary way;
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the classic photo of
the bride on the spiral stairs...
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So, I am always thinking on:
"How can I break that cliché?"
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"How can I leave the routine
of making an ordinary-stairs photo"?
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So, I will show you here...
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This is the contact sheet,
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This was the first idea:
to split the grooms,
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leave them with
clean spaces between them
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And the bride was standing
and I asked her to lean,
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as if she was
doing an "L" with her body.
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And I liked that idea.
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As you can see,
I always try that...
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I try to have different expressions
of the person that is on focus.
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In this first one
he was looking up,
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in this second one
I asked him to be in a more "zen" mode
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looking directly into the camera,
more serious
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and then I started to make
some noises for him to have a reaction.
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She was still.
It was amazing how she
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could fold herself like that.
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And...
we were developing that idea
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and, as you know,
I shoot a lot.
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And then we did this:
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You can see here
how the bodies are positioned
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-I need to do
a cut right here-
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He was on the opposite,
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-there was someone up here
holding his legs,
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as if he were doing
crunches.-
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So, it was a little hard
and tired for him,
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we did several attempts,
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as you can see,
he could not stand,
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so he had to return
to normal position.
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Then, we tried again.
Now she was with her eyes opened.
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This was the final photo.
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But this was the attempt.
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I mean, the idea was
a clean background
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-I always try
a clean background-
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and to play with
the geometry of the place.
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I will now move to
Lightroom
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to show you the process
of the edition.
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I will go
step by step here.
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This was the original shot.
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Then I tried
to level the shot
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because I always
cut them...
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And little by little
I cleaned the things that
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I don't think are
worth showing up.
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Rearrange.
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I applied my
"Arre Lulú" preset
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I played a little bit
with the curve.
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Here I saw which
"curve profile"
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I liked the most
within my own preset.
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I started playing.
I used Krishnas, I used mine...
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And at the end
I used...
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-Here I am still with
the curve points settings-
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As you can see
it was just about applied the preset
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and then
playing with the curves.
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I was asked about the
"Develop Presents"
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and I really like that,
that you can apply a preset,
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then you can apply a curve,
and then you can apply...
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-I missed this part-
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The profile.
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So,
profile/curve and the preset itself
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will give you different shades.
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In this occasion,
I used "Samm Blake" curve
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Then I played
with high lights here,
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I put more light on her,
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I lowered the exposure a little,
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-just to not make it so obvious-
and that's it.
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I cleaned this part
with Photoshop
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-I felt it was dirty-
This part too.
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So, yes,
I always start with a preset, guys.
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I use the "Arre Lulú"
and, from there I modify that preset,
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playing with curves
and with the other photographer profiles.
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So, yes...
This was the idea, the concept.
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A simple stair.
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This guy shared a photo
in this group that I am in...
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Here is another part
of the stairs,
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of what we
was using it for.
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So, that's what
I want you all to see:
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How is that something so
ordinary and so obvious,
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if you have an idea
of what you want to do,
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you can go beyond of
the image itself.
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It took me about...
let's count the images...
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It took me 49 photos
that were taken in...
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From 4:27 to... 4:31.
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It took us 4 minutes
to mature an idea.
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So, I ask you guys that:
when you are in your shots
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please, go slow.
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We feel like
time goes extremely fast
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and we need to
calm down "The beast" telling us:
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"Change your location"
"They are noticing that you
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have no idea
of what you are doing"
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That will
always happen, Raza.
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So, calm down,
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find those things that make
your photos "unique"
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and let them mature
step by step.
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Venga. Let's do this!
Have a great day and...
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¡Éxito Raza!.
9000
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