Original subtitles

Ready.

What's up, Patreons? How are you?

One more video.

This time we went to Icamole.

It is a desert / tiny town close to Monterrey.

We launched a small draw in which Evelin and Memo were the brave ones.

We did not know them. We meet in a supermarket and we all went together.

It was a very cool experience.

The whole session was done inside a farm or ex farm.

I was a little nervous because it was the first time I used Sony camera

for an entire session.

It was delivered two days earlier and I grab it and I said: Let's go!

That's how it should be. To learn while we are doing.

At first... of course, it is a new tool...

I've heard many people saying: "These cameras are not like Nikon...

... neither like Canon..." And to be honest, they aren't.

And I don't think they want to.

It's like...

Driving an electric car and not driving a 4x4 with all the engine, like...

It is a camera that is designed for (I think) helping you...

And... it has some benefits that I have liked.

I was a little doubtful about the dynamic range that this camera would offer me.

I normally overexpose a lot

and in this camera I had to shot to what the eye was seeing

because the exposure you are seeing is the real one.

Something else I really liked is that I can now see in black & white while working

and that, for me, it blows me away. I really like it.

The electronic viewfinder... I honestly liked it.

I'm used to using the Leica q for personal photos,

and in this session... I liked it.

I don't know... I felt like I was connected to the couple.

Even using a camera with which

most of the time I had no f*cking idea what I was doing

I grab it and it felt good in my hands.

I have small hands,

so, the pinkie stays in the camera, it doesn't fly,

that is the complaint I hear from many photographers

And also, the other concern I had was the edition...

If I could use the same presets I already work in the photos...

...and yes. They have not changed that much.

They are slight adjustments, especially in blues and greens,

but with two clicks the photo is ready and it stays as always.

The first part of this session we used a lot of window light.

Because the sun was very intense we opened doors and windows

and we made the light hit directly on our subject,

generating this very soft light

and with which anyone looks good.

So, we found a big frame and we drag it

and we put it where we wanted to.

We played with that. With a lot of chiaroscuro.

And, I liked the shadows in Sony because they are not overrun with many colors...

...they were black shadows.

And I enjoyed that a lot.

I wanted to see if....

If we could place it horizontal.

Fuck off. Let's try...

Can you help me?

Could you please place here, guys? Just to see how Mrs. Light is.

You know what? You can go behind, mijo.

You are going to be there...

(I just want to see if...)

I don't know if... Ok yes...

Here is a little box. These rocks!

Yes, sure...

- Just be careful with the nail - Yes

Yes, I think you will be here, Memo.

F*cking tetanus...

From here to the hospital...

Move a little...

... just slide...

Just move it a little.

And you will be as close as the painting as you can.

Let's see how it looks...

I'm working on it...

Let's look at the shoe.

Evelin, could you please put your hands back?.

Even the wind is here...

Sing a song for her, Memo...

You can put your glass on, man. As you like...

F*cking great, mijos.

Ok, let's try this...

Let's try to put it like this...

..the painting..

here, up.

I like this...

...the texture.

I always try that. To use the same place

in 360º.

Because sometimes we use it and say: Ok, fuck it, next!

And sometimes you can have more.

So, maybe now on this.

The two of you together now.

Let's try. You go here Memo, please.

I like this angle more.

This ugly corner is showing...

Evelin, please more a step.

There you are.

Help me with this, Memo. Without moving the body so much

you are going to be like... distracted...

What I don't want is your hands to be so goofy.

Or maybe... Put your hands back, playing...

The thing is I don't want you head to cross with the lines.

He knows!

Stefano...

Can you get behind Evelin?

Where she is but just slide from the back...

Vato, you will help me with this let's say stupid things, man.

Just like you are and we are going to make you laugh...

Get closer... Eyes closed...

A last one... like looking up.

Close your eyes, guys.

A little up... Lean on here... click.

Everyone like...

This texture is cooler than the painting.

Honestly.

Now we are going to be here.

This light is amazing.

Could you please... Just let me put my shirt here.

Just be sit here.

I just want to see how Mrs. Light is here...

Yes, I like that overhead too.

That's perfect.

You can lean on him, Evelin.

Just have fun you two...

You have to be laughing while you are looking here...

You make her laugh, man...

And you are laughing but never like this...

It always looks better if you look down.

When you are looking over there, it means you are not comfortable here.

Psychologically.

So, when you look down is more like: "Here I am, I can feel you." Ok?.

Give me the worst laugh ever.

This light is amazing...

Can you do that in slow motion?.

Evelin, can you turn your face to the light?

Again Memo, please.

Looking down...

Stay there, please.

We will go... To infinity and beyond!

Keep talking, you guys.

Lean on her, softly... there you go.

Grab her arm man...

- With this one? - Yes

- Like this? - Like that.

This shit is very white...

I don't want the background...

Maybe here.

Ok, let's try with this.

What I want is the background to be darker.

If we do this...

Ok, we will find the right place for this thing...

I will like them to be mirrored... I don't know.

That the two are doing the same pose but as if it were a mirror...

Could you place here just to see the light?.

- Evelin, can you be here?... - Yes

No, yes... like a forehead kiss. Something like that.

Yes, something like...

Imagine this is your favorite toy.

Ok, we will see.

Can you get much closer?...

As if you were stand.

So, Evelin, you give him a kiss...

But like...

...like this...

Ok? Imagine like...

As if it were from above.

What I want is... That your breast is not on him.

I mean, like of you were like this... on the air.

But we don't have something solid.

Let me look for something solid.

Ok, let's see if it works...

...or if it is a fail.

One last thing... Put your hands on the back

so that they don't look.

Like this.

Because light hits in your arms...

and the attention goes there.

Let's try something.

Let's bring the drawer a little closer.

I'll get a little closer.

I like that.

Ok, just like that...

Your face just... move it a little, like this...

Yes, like that.

And now, take off your lips...

Like breathing through the mouth.

Let me see if from far it is also good.

Great, mijos. We have it.