All language subtitles for Siquera Tribe __ Family Session 02

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,215 --> 00:00:02,000 What's up, raza? How are you?. 2 00:00:02,000 --> 00:00:05,865 Continuing with the video of the Siqueira family. 3 00:00:05,865 --> 00:00:06,865 4 00:00:07,185 --> 00:00:10,205 5 00:00:10,205 --> 00:00:13,375 6 00:00:13,375 --> 00:00:14,375 7 00:00:16,225 --> 00:00:18,700 8 00:00:18,700 --> 00:00:21,000 On this next series of images 9 00:00:21,000 --> 00:00:24,200 I wanted them to have movement to relax... 10 00:00:24,200 --> 00:00:26,200 We were starting the session 11 00:00:26,200 --> 00:00:32,299 and I saw one of the kids doing this dance of a Katy Perry video, 12 00:00:32,299 --> 00:00:35,700 and I just told them: "Who can do that dance?", 13 00:00:35,700 --> 00:00:39,000 It was a competition between women and men. 14 00:00:39,000 --> 00:00:42,700 I put the women in front and the men behind. 15 00:00:42,700 --> 00:00:48,200 And I played focusing on the girls, then focusing on the guys, 16 00:00:48,200 --> 00:00:51,500 just fooling around so that they all relaxed 17 00:00:51,500 --> 00:00:53,000 and flow. 18 00:00:55,555 --> 00:00:57,165 19 00:00:57,915 --> 00:00:59,595 20 00:01:00,065 --> 00:01:01,065 21 00:01:02,415 --> 00:01:03,415 22 00:01:03,825 --> 00:01:06,145 23 00:01:12,695 --> 00:01:14,025 24 00:01:15,225 --> 00:01:16,635 25 00:01:17,725 --> 00:01:20,915 26 00:01:20,915 --> 00:01:21,915 27 00:01:23,725 --> 00:01:24,725 28 00:01:24,875 --> 00:01:25,875 29 00:01:27,145 --> 00:01:30,535 30 00:01:30,575 --> 00:01:31,575 31 00:01:32,765 --> 00:01:34,135 32 00:01:35,525 --> 00:01:37,755 Remember that all these pictures 33 00:01:37,755 --> 00:01:41,200 I forced them to do with a 25mm lens, 34 00:01:41,200 --> 00:01:44,000 it was another challenge for this session. 35 00:01:44,000 --> 00:01:46,300 Just one lens, smooth... 36 00:01:46,300 --> 00:01:50,700 It was something fun to try and take the risk of. 37 00:01:50,700 --> 00:01:53,000 To lower the energy level a little. 38 00:01:54,465 --> 00:01:55,865 39 00:01:57,200 --> 00:02:01,000 I found, among some trees, a backlight. 40 00:02:01,000 --> 00:02:05,000 We just did a relaxed an normal photo, 41 00:02:05,000 --> 00:02:08,199 looking at the camera and then talking to each other. 42 00:02:08,199 --> 00:02:13,000 Something that is simple to be able to hang on the walls. 43 00:02:13,000 --> 00:02:16,000 Inside the madness I am always thinking of simple photos, 44 00:02:16,000 --> 00:02:22,305 photos that may like, and that reflect each person's personality. 45 00:02:22,305 --> 00:02:26,000 Many times seeing the camera can scare us, 46 00:02:26,000 --> 00:02:30,835 (especially adults, children are more relaxed) 47 00:02:30,835 --> 00:02:33,600 but to adults, when they tell us "look at the camera", 48 00:02:33,625 --> 00:02:36,135 maybe because you see the reflection 49 00:02:36,135 --> 00:02:38,600 of because you feel they are stealing your soul, I don't know... 50 00:02:38,600 --> 00:02:41,000 But this time, it worked. 51 00:02:41,000 --> 00:02:43,945 We were shooting between the trees, backlight... 52 00:02:43,945 --> 00:02:46,725 and it was a very simple and beautiful take. 53 00:02:48,135 --> 00:02:51,135 54 00:02:51,135 --> 00:02:54,105 55 00:02:54,105 --> 00:02:55,345 56 00:02:55,855 --> 00:02:58,795 57 00:02:58,795 --> 00:02:59,795 58 00:03:06,275 --> 00:03:09,245 59 00:03:09,735 --> 00:03:13,015 60 00:03:13,715 --> 00:03:14,715 61 00:03:15,835 --> 00:03:17,815 62 00:03:20,375 --> 00:03:21,375 63 00:03:23,275 --> 00:03:24,275 64 00:03:24,695 --> 00:03:25,695 65 00:03:25,785 --> 00:03:26,785 66 00:03:26,995 --> 00:03:28,965 67 00:03:41,800 --> 00:03:44,300 Now that my ass was covered (so to speak) 68 00:03:44,300 --> 00:03:48,915 I started to experiment and to look for... 69 00:03:49,485 --> 00:03:51,605 ... for other plans. 70 00:03:51,605 --> 00:03:55,000 I always try to find two-dimensional images 71 00:03:55,000 --> 00:03:57,595 forget the depth a little. 72 00:03:57,695 --> 00:04:02,000 In this case, we follow these stairs that were there 73 00:04:02,000 --> 00:04:05,000 the second floor's floor did not exist 74 00:04:05,000 --> 00:04:08,705 and it gave me the possibility of making a shot a completely from above. 75 00:04:08,705 --> 00:04:15,000 I mean, 100% zenithal, without any tilt, and I really like that, 76 00:04:15,000 --> 00:04:19,000 because it could be as a "drone" photo, (so to speak) 77 00:04:19,000 --> 00:04:22,500 this new perspective that many people have been exploring. 78 00:04:22,500 --> 00:04:26,000 And about family photos, I have not seen this a lot... 79 00:04:26,000 --> 00:04:30,800 So, I chose to ask if parents wanted to sit 80 00:04:30,865 --> 00:04:33,300 and then if they wanted to lay down, 81 00:04:33,335 --> 00:04:36,515 and little by little we got to see... 82 00:04:36,515 --> 00:04:41,000 we found a way to make a static image a dynamic image. 83 00:04:41,000 --> 00:04:48,000 So, with a strong composition, with parallel lines (which are parents), 84 00:04:48,000 --> 00:04:53,000 I wanted some action for this one, so I asked the children to jump on them 85 00:04:53,000 --> 00:04:56,000 and to be screaming each time they jumped 86 00:04:56,000 --> 00:04:57,700 and it was a fun exercise, 87 00:04:57,700 --> 00:05:03,000 an exercise on family union and trust. 88 00:05:03,000 --> 00:05:07,200 It was just like that exercise where you drop back 89 00:05:07,200 --> 00:05:10,200 and you need to trust that the person behind you will catch you, 90 00:05:10,200 --> 00:05:13,800 here was more like: trust that your children won't crush your face. 91 00:05:13,800 --> 00:05:17,500 So, I tried to align them so I could see the faces, 92 00:05:17,500 --> 00:05:20,755 to have a nice reaction from the parents 93 00:05:20,755 --> 00:05:24,200 and I was going to lose the faces of the children 94 00:05:24,200 --> 00:05:28,000 because they are looking to the side and the shot would be zenith 95 00:05:28,000 --> 00:05:29,800 and this was the result... 96 00:05:35,795 --> 00:05:38,485 97 00:05:40,985 --> 00:05:43,305 98 00:05:44,375 --> 00:05:47,295 99 00:05:47,295 --> 00:05:48,295 100 00:05:51,745 --> 00:05:54,905 101 00:05:55,255 --> 00:05:57,745 102 00:05:57,895 --> 00:06:00,015 103 00:06:00,555 --> 00:06:03,825 104 00:06:04,065 --> 00:06:06,675 105 00:06:06,755 --> 00:06:07,755 106 00:06:08,295 --> 00:06:10,705 107 00:06:13,535 --> 00:06:14,535 108 00:06:16,625 --> 00:06:17,625 109 00:06:17,875 --> 00:06:20,585 110 00:06:21,085 --> 00:06:24,035 111 00:06:24,395 --> 00:06:25,505 112 00:06:25,825 --> 00:06:27,555 113 00:06:30,655 --> 00:06:32,065 114 00:06:44,000 --> 00:06:47,600 Since we were exploring outside for a little 115 00:06:47,605 --> 00:06:51,000 I felt that my lighting was being very monotonous 116 00:06:51,000 --> 00:06:55,025 and, the boy or the girl (don't remember) needed to go peeing, 117 00:06:55,105 --> 00:06:57,565 and we went with them 118 00:06:57,565 --> 00:07:03,000 and we arrived at a closed building but it had an incredible window light. 119 00:07:03,000 --> 00:07:06,275 There were some chairs where a choir sits 120 00:07:06,275 --> 00:07:09,375 throughout a spacious lounge 121 00:07:09,375 --> 00:07:14,800 and I found this opportunity very iconic and cinematographic. 122 00:07:14,805 --> 00:07:16,100 We opened a window, 123 00:07:16,100 --> 00:07:21,500 and based on that now I asked the children to lie down, 124 00:07:21,585 --> 00:07:24,200 the parents were on the background, 125 00:07:24,200 --> 00:07:26,400 sitting, very relaxed, 126 00:07:26,400 --> 00:07:32,000 I asked them to remember that first date and to say nice things to each other 127 00:07:32,000 --> 00:07:34,000 for them to relax. 128 00:07:34,000 --> 00:07:37,700 So, in this image, children are in forefront, 129 00:07:37,700 --> 00:07:39,000 It's just a light source: 130 00:07:39,000 --> 00:07:41,500 the same window that illuminates the parents 131 00:07:41,500 --> 00:07:45,800 is giving us backlight towards the children. 132 00:07:45,800 --> 00:07:49,200 This is the kind of images that I love to make... 133 00:07:49,200 --> 00:07:52,000 From an ordinary place, 134 00:07:52,000 --> 00:07:56,000 if you don't see as a photographer, if you don't see the direction of the light, 135 00:07:56,000 --> 00:08:00,000 and you don't look for this minimalism, you can saturate yourself. 136 00:08:00,000 --> 00:08:02,000 I really liked the result of this photo, 137 00:08:02,000 --> 00:08:05,200 it was... it was very me. 138 00:08:05,200 --> 00:08:07,900 Because when I arrive at a location that I don't know 139 00:08:07,900 --> 00:08:12,145 I always try to bring it to my... 140 00:08:12,825 --> 00:08:15,365 to my fantasy. To this reality 141 00:08:15,495 --> 00:08:18,815 that we have in mind and sometimes it is hard to put down in words, 142 00:08:19,025 --> 00:08:23,700 and when you have that you just can't miss the chance. 143 00:08:23,700 --> 00:08:25,700 So, this is the image 144 00:08:25,700 --> 00:08:28,000 and I am very happy with this result. 145 00:08:42,225 --> 00:08:43,225 146 00:08:45,005 --> 00:08:46,165 147 00:08:47,105 --> 00:08:48,105 148 00:08:49,195 --> 00:08:50,195 149 00:08:50,905 --> 00:08:51,905 150 00:08:57,525 --> 00:08:58,525 9511

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