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Hello Patreons!
Nice day everyone.
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Big hugs.
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In this video we will see
how we get to this image.
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It is one of my favorites
of this year, 2019.
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I will show you more videos
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the wedding or... the entire
elopement / the getaway
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of these two guys.
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But...
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In this video in particular,
we will talk about the process
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to reach this image.
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Many times we believe
they are images that
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come naturally and organically,
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just one click and that's it.
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But there is always a process behind
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and you go cleaning
and adjusting
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until you reach these images.
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Personally, these images are
the ones that give me peace,
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I make myself feel special,
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and that my process
and my instinct as a photographer
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has strength.
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So, ok.
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I will explain the idea
of this wedding... photo, I mean.
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To achieve this image
-as you can see here-
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I did...
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It took me 84 photos / shots
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to get to this idea.
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Here is the evolution of this image...
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These are camera files, as is.
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The whole session
was with the lens 35mm 1.8,
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which is an economical
and very powerful lens.
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I also have the 1.4
but it is heavy.
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If you want to take it
to destination weddings
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and travel a little lighter
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I highly recommend this lens.
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So, my idea here,
as you can see,
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was to align the car line
with the horizon.
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I am very flat in my photos.
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That gives me a lot of peace.
I always try to find that.
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We just started playing
to see the options they had.
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Here you can see me
in the reflection.
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That's the bad thing about
working with reflective objects.
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Here I was just causing them.
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I liked the idea.
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I still wasn't sure whether
to take a few steps back or squat.
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To incorporate or not
the power lines.
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That can be a distraction.
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But as you can see,
if I squat, my reflection disappears.
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So, that's good.
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And here I found the angle
and I'm not there anymore.
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You have to be aware
of the reflexes, always.
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Here I am not so sure
of what am I doing.
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I just like the composition.
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Remember, for me
the composition is like...
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I get thrilled,
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and then I try
to start creating.
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These guys are just
hanging out...
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I say:
"Interact with each other",
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"talk to each other"
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"just chat...".
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In this case
Sisy, my wife, came with me,
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and she told me:
"have Andrea grab her hat".
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So, she grabbed her hat
and we were on that.
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All these are just an attempt
to reach these photos.
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When she starts turning
to the left side of the screen
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the image begins to be
a little stronger.
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We also tried this with him,
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it kind of works
but not so much.
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They are laughing.
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I'm still not so sure
of the intonation of this photo.
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If it's going to be
mysterious or funny...
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But I mostly try to have,
in the same image,
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to have more than
one layer of emotions.
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The laughter part
and the emotional part.
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Here we have the idea
of throwing the hat.
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Here I go.
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My wedding gift was this hat.
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Unfortunately...
as we bought it in a hurry,
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the hat didn't fit him.
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Anyway, we wanted to
use it somehow
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'cause it has personality,
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and we can play with it,
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and, if the hat was damaged
it was not a big deal,
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he was not going
to use it anyway.
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So, this was an
improvised solution, like:
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"You haven't worn the
hat that I gave you, man."
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The day before the wedding
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we bought a second hat,
that did fit him.
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We went to the store,
he tried the hat on
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and said
"this is f*cking amazing".
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So, we had two hats.
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If we had only one hat, maybe
this photo would not have happened.
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So, we tried
to throw the hat.
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I told him:
"Just look forward,
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being cool,
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throwing the hat."
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The idea was
that the hat hit the camera.
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But it's hard to hit
something you're not seeing.
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Here is Roberto checking.
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"Ok, there you are"
"I will hit the camera"
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"This is the right angle".
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And no, it just didn't work.
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So, I said: "You know what?,
look straight to the camera...
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...and throw me the hat."
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This is when
the magic happened.
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Here is the unedited photo.
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Here it is.
This is the original photo.
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I'm still doubting whether to
leave it in black and white or color.
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I always have that doubt
in the iconic photos,
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-those photos that I enjoy-
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I always have that doubt.
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Here we can see the process
to darken the clouds a little.
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Here I added light to Andrea.
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On her face.
Done.
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This was the final result.
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So, that's the interesting part,
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when...
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when you improvise, play
and when the elements are there.
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But again, my process is:
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The first thing I did
was line up the car
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with my horizon.
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Then, I disappeared my reflection.
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And then I decided whether
to put the light wires or not.
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In this case, as this was a
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kind of rebel, urban,
desert session,
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I didn't think it necessary
to eliminate the wires.
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So, I made the decision
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to take two steps back
and add the wires into the frame.
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It is all about a process
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of adding or removing elements.
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Blessed hat that didn't fit him
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and we used it to throw it
and enjoy with that element
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(because f*cking hats,
are not cheap at all).
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Honor your process, guys.
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As I said, 84 images
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to achieve just one photo.
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We have to go slowly.
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We have to...
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...to enjoy the process.
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Even if we don't know
the final result,
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but, if you already
commit to an image
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-while creating it-
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you have to improve that image
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to try to reach the limit
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or the maximum potential
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of this or any of the images.
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Don't be afraid to take the time
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to make that photo
that you think will be worth it.
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For me, this photo was worth it.
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Hope you like it.
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If there is something needed,
please let me know.
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Thank you,
Patreons!.
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