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These are the user uploaded subtitles that are being translated: 1 00:00:05,255 --> 00:00:06,255 Sunset 2 00:00:08,800 --> 00:00:10,800 Zeiss 35 mm 3 00:00:12,900 --> 00:00:14,500 Santorini 4 00:00:14,500 --> 00:00:15,500 Zone of 5 00:00:18,800 --> 00:00:20,500 Lens with 6 00:00:20,500 --> 00:00:21,300 adapter 7 00:00:21,300 --> 00:00:22,600 35 mm 8 00:00:22,600 --> 00:00:23,600 SanTorini 9 00:00:28,000 --> 00:00:29,300 Comfort Zone 10 00:00:33,000 --> 00:00:34,700 Hello Patreons, how are you all? 11 00:00:34,700 --> 00:00:38,900 Hope you are having a good day. 12 00:00:38,900 --> 00:00:45,300 This video has the intention to... to show us a little bit about 13 00:00:45,300 --> 00:00:50,500 how, when we change the tools that we use, 14 00:00:50,500 --> 00:00:57,000 the inspiration and our way to create can modify our style... 15 00:00:57,000 --> 00:00:59,000 (for better or for worse) 16 00:00:59,000 --> 00:01:06,000 but I think we need to be open and willing to ask these big questions: 17 00:01:06,000 --> 00:01:15,000 "Which elements are an essential part of my style, my job or my voice?" 18 00:01:15,000 --> 00:01:19,000 And... "What am I willing to sacrifice?" 19 00:01:19,000 --> 00:01:25,000 I made all these photos this year in Santorini, Greece. 20 00:01:25,445 --> 00:01:32,000 As part of this session between workshops and congresses that I gave. 21 00:01:32,500 --> 00:01:36,000 This girl, Johanna, she is a photographer 22 00:01:36,000 --> 00:01:44,000 and his boyfriend, he has motorcycle and adventure rental business on this island. 23 00:01:44,000 --> 00:01:47,905 I told them to take me to their favorite place. 24 00:01:47,905 --> 00:01:50,600 We went to their favorite place 25 00:01:50,600 --> 00:01:54,565 with their favorite son who is their pet. 26 00:01:54,565 --> 00:01:59,300 So... I really liked trying to integrate him 27 00:01:59,300 --> 00:02:01,000 in the photos. 28 00:02:01,000 --> 00:02:06,035 (I am missing one of these photos) We will see. 29 00:02:06,035 --> 00:02:12,500 How these photos were made will be shared in videos that come. 30 00:02:12,500 --> 00:02:16,000 This whole session -and many sessions I recorded there- 31 00:02:16,000 --> 00:02:18,700 I put the GoPro on top of the camera 32 00:02:18,700 --> 00:02:23,225 so we will see a series of video clips about how they were made. 33 00:02:23,305 --> 00:02:29,200 But in this video I will mostly focus on the method, as well. 34 00:02:29,265 --> 00:02:33,800 This is one of my first sessions with Sony. 35 00:02:33,800 --> 00:02:38,700 What I share, from now on will be done with Sony camera, 36 00:02:38,700 --> 00:02:41,000 the a7 III. 37 00:02:41,000 --> 00:02:49,000 I bought this camera because I got a very good deal, a good opportunity. 38 00:02:49,000 --> 00:02:52,000 I good friend of mine told me his cousin works at Sony. 39 00:02:52,000 --> 00:02:56,700 This is a childhood friend. 40 00:02:56,700 --> 00:03:04,000 He is not a photographer; his wife is engaged in photography. 41 00:03:04,000 --> 00:03:06,200 He told me this about two years ago, 42 00:03:06,200 --> 00:03:09,205 and I saw the evolution of Sony. 43 00:03:09,345 --> 00:03:13,200 People in video started to migrate to that channel 44 00:03:13,200 --> 00:03:15,000 and it was very interesting to me 45 00:03:15,000 --> 00:03:19,600 but when I tried Sony I felt like the focus was still not there. 46 00:03:19,600 --> 00:03:23,800 And then, I saw how people at video was using it with this adapters, 47 00:03:23,800 --> 00:03:27,700 and using old school lens... 48 00:03:27,700 --> 00:03:29,700 and that caught my attention. 49 00:03:29,700 --> 00:03:33,400 And... Once I had one in my hands 50 00:03:33,400 --> 00:03:38,700 of the most recent models (2018-2019) 51 00:03:38,725 --> 00:03:43,000 I honestly saw a world of possibilities for what I do... 52 00:03:43,000 --> 00:03:50,100 One is the eye focus (mind blowing) can save you a lot, 53 00:03:50,100 --> 00:03:55,000 but also to come back to this "cinematographer" essence, 54 00:03:55,000 --> 00:03:58,325 to be able to combine old optics 55 00:03:58,355 --> 00:04:01,585 and have the manual control of the camera. 56 00:04:01,585 --> 00:04:06,000 I feel like Sony was one of the first brands 57 00:04:06,000 --> 00:04:11,000 that gave us the chance to work very organically. 58 00:04:11,000 --> 00:04:12,100 I am a Leica fan. 59 00:04:12,100 --> 00:04:16,945 One of my favorite cameras for personal photography is the Leica Q 60 00:04:16,945 --> 00:04:21,000 The second version is available but I won't invest in it anymore... 61 00:04:21,000 --> 00:04:25,335 So, I have a couple of M6 Leica Optics. 62 00:04:25,335 --> 00:04:28,395 I had the opportunity to get an adapter, 63 00:04:28,395 --> 00:04:30,000 the metabones, 64 00:04:30,000 --> 00:04:33,000 and I took this lens and this camera with me 65 00:04:33,000 --> 00:04:39,700 and this whole session we see here is taken with a Zeiss 35mm lens, f2. 66 00:04:39,725 --> 00:04:44,000 I always forget the name but is something like: boigo, boigonn... 67 00:04:44,000 --> 00:04:48,235 Something like that, exotic. (I leave it in the comments) 68 00:04:48,235 --> 00:04:50,300 and manual focus. 69 00:04:50,315 --> 00:04:55,900 So, I liked this adventure of having two people so dynamic, 70 00:04:55,900 --> 00:05:01,000 and start to draw another texture in the photos. 71 00:05:01,625 --> 00:05:06,000 Let's see a bit this series of images. 72 00:05:06,000 --> 00:05:09,365 I can use the before/after, so you will have an idea. 73 00:05:09,365 --> 00:05:14,400 But I feel that the texture this lens gives you... I like it. 74 00:05:14,455 --> 00:05:17,505 This is the photo as it was taken, 75 00:05:17,555 --> 00:05:20,965 and this is the corrected photo. 76 00:05:21,415 --> 00:05:26,700 I liked this opportuninty to "stop" for a second 77 00:05:26,765 --> 00:05:32,200 and to... to see what is happening in front of me, 78 00:05:32,200 --> 00:05:36,100 and not to react (as I normally do at weddings) 79 00:05:36,100 --> 00:05:39,000 and shooting to everything that moves. 80 00:05:39,000 --> 00:05:44,300 In this case I took it a little slower, I went to enjoy along with the couple. 81 00:05:44,385 --> 00:05:46,500 I took more care of my composition 82 00:05:46,500 --> 00:05:49,600 and based on that I started working 83 00:05:49,600 --> 00:05:55,700 Almost all of these takes I shot them between f2 and 2/8. 84 00:05:55,775 --> 00:05:59,055 The lens is f2, for nature. 85 00:05:59,265 --> 00:06:03,300 So, I stayed in open optical, 86 00:06:03,345 --> 00:06:06,415 and I really liked the texture this lens gives me... 87 00:06:06,415 --> 00:06:09,395 How it receives the light 88 00:06:09,395 --> 00:06:14,400 (that is not so perfect as the optical nowadays), 89 00:06:14,405 --> 00:06:20,000 and I feel it is an optical that has become one of my favorites 90 00:06:20,000 --> 00:06:22,015 and I will be using it more in sessions, 91 00:06:22,415 --> 00:06:26,300 as long as I have a little control and time, 92 00:06:26,300 --> 00:06:31,325 because on manual focus... you know you will sacrifice a lot. 93 00:06:31,325 --> 00:06:39,700 But i's a beauty to be able to combine old tools with new ones, 94 00:06:39,775 --> 00:06:41,975 I feel like... 95 00:06:42,475 --> 00:06:46,900 I recommend you that when you feel stocked (creatively speaking) 96 00:06:46,905 --> 00:06:48,900 to try. 97 00:06:48,900 --> 00:06:52,800 I'm feeling very comfortable with this combo 98 00:06:52,875 --> 00:06:58,700 and is going to force you out a little bit of what you usually do. 99 00:06:58,705 --> 00:07:05,000 It will give you the chance to analyze, to think and to see what's in front of you. 100 00:07:05,045 --> 00:07:11,600 And little by little be more aware that the photo... 101 00:07:13,095 --> 00:07:16,400 ... goes beyond just our style. 102 00:07:16,400 --> 00:07:22,200 It's about being with the couple, about taking care of our composition, 103 00:07:22,200 --> 00:07:25,000 is about giving something of ourselves, 104 00:07:25,000 --> 00:07:28,000 and not just reacting like a monkey. 105 00:07:28,000 --> 00:07:34,500 So, I am telling you this and I also take this advice for myself. 106 00:07:34,500 --> 00:07:39,000 When you have the chance to do a session calmly... 107 00:07:39,000 --> 00:07:43,400 (I mean, the sun is unstoppable, it will go up and it will go down...) 108 00:07:43,400 --> 00:07:49,400 but when you can have this time, dedicate this hours to... 109 00:07:49,485 --> 00:07:54,000 ...to give yourself a workshop. 110 00:07:54,000 --> 00:07:59,100 Trying to meditate each photo, taking care of the composition, 111 00:07:59,115 --> 00:08:01,100 to be aware of your couple. 112 00:08:01,100 --> 00:08:04,000 Not always thinking: "I'm going to react" 113 00:08:04,000 --> 00:08:06,200 "I'm going to be the fastest guy in the west" 114 00:08:06,200 --> 00:08:14,000 And that each image, if we take care of it, can be worthy of the walls of our couple. 115 00:08:14,000 --> 00:08:18,000 On upcoming videos I will show you the edition of these photos 116 00:08:18,000 --> 00:08:20,000 and the behind the scenes, as well. 117 00:08:21,300 --> 00:08:26,475 If you can, do a session with an old lens and your modern camera 118 00:08:26,505 --> 00:08:28,700 and share your photos with me. 119 00:08:28,700 --> 00:08:30,000 Big hugs!. 120 00:08:30,000 --> 00:08:31,700 Thank you Patreons for the support, 121 00:08:31,700 --> 00:08:34,600 and let's keep living this crazy, crazy, crazy life. 122 00:08:34,600 --> 00:08:35,800 ¡Ánimo!. 9655

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