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Sunset
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Zeiss 35 mm
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Santorini
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Zone of
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Lens with
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adapter
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35 mm
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SanTorini
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Comfort Zone
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Hello Patreons,
how are you all?
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Hope you are having
a good day.
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This video has the intention
to... to show us a little bit about
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how, when we change
the tools that we use,
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the inspiration and our way to create
can modify our style...
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(for better or for worse)
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but I think we need to be open
and willing to ask these big questions:
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"Which elements are an essential part
of my style, my job or my voice?"
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And...
"What am I willing to sacrifice?"
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I made all these photos this year
in Santorini, Greece.
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As part of this session between
workshops and congresses that I gave.
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This girl, Johanna, she is a photographer
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and his boyfriend, he has motorcycle
and adventure rental business on this island.
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I told them to take me
to their favorite place.
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We went to their favorite place
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with their favorite son who is their pet.
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So...
I really liked trying to integrate him
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in the photos.
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(I am missing one of these photos)
We will see.
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How these photos were made
will be shared in videos that come.
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This whole session
-and many sessions I recorded there-
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I put the GoPro on top of the camera
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so we will see a series of video clips
about how they were made.
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But in this video
I will mostly focus on the method, as well.
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This is one of
my first sessions with Sony.
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What I share, from now on
will be done with Sony camera,
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the a7 III.
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I bought this camera because
I got a very good deal, a good opportunity.
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I good friend of mine told me
his cousin works at Sony.
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This is a childhood friend.
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He is not a photographer;
his wife is engaged in photography.
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He told me this about
two years ago,
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and I saw the evolution of Sony.
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People in video started
to migrate to that channel
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and it was very interesting to me
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but when I tried Sony I felt like
the focus was still not there.
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And then, I saw how people at video
was using it with this adapters,
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and using old school lens...
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and that caught my attention.
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And...
Once I had one in my hands
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of the most recent models
(2018-2019)
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I honestly saw a world
of possibilities for what I do...
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One is the eye focus (mind blowing)
can save you a lot,
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but also to come back to this
"cinematographer" essence,
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to be able to combine old optics
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and have the
manual control of the camera.
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I feel like Sony was
one of the first brands
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that gave us the chance
to work very organically.
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I am a Leica fan.
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One of my favorite cameras
for personal photography is the Leica Q
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The second version is available
but I won't invest in it anymore...
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So, I have a couple of
M6 Leica Optics.
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I had the opportunity
to get an adapter,
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the metabones,
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and I took this lens
and this camera with me
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and this whole session we see here
is taken with a Zeiss 35mm lens, f2.
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I always forget the name
but is something like: boigo, boigonn...
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Something like that, exotic.
(I leave it in the comments)
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and manual focus.
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So, I liked this adventure
of having two people so dynamic,
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and start to draw
another texture in the photos.
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Let's see a bit
this series of images.
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I can use the before/after,
so you will have an idea.
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But I feel that the texture
this lens gives you... I like it.
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This is the photo
as it was taken,
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and this is the corrected photo.
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I liked this opportuninty to
"stop" for a second
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and to... to see what is happening
in front of me,
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and not to react
(as I normally do at weddings)
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and shooting to everything that moves.
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In this case I took it a little slower,
I went to enjoy along with the couple.
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I took more care of my composition
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and based on that I started working
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Almost all of these takes
I shot them between f2 and 2/8.
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The lens is f2, for nature.
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So, I stayed in open optical,
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and I really liked
the texture this lens gives me...
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How it receives the light
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(that is not so perfect
as the optical nowadays),
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and I feel it is an optical
that has become one of my favorites
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and I will be using it more
in sessions,
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as long as I have
a little control and time,
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because on manual focus...
you know you will sacrifice a lot.
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But i's a beauty to be able
to combine old tools with new ones,
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I feel like...
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I recommend you that when
you feel stocked (creatively speaking)
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to try.
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I'm feeling very comfortable
with this combo
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and is going to force you out
a little bit of what you usually do.
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It will give you the chance to analyze,
to think and to see what's in front of you.
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And little by little
be more aware that the photo...
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... goes beyond just our style.
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It's about being with the couple,
about taking care of our composition,
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is about
giving something of ourselves,
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and not just reacting like a monkey.
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So, I am telling you this
and I also take this advice for myself.
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When you have the chance
to do a session calmly...
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(I mean, the sun is unstoppable,
it will go up and it will go down...)
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but when you can have this time,
dedicate this hours to...
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...to give yourself a workshop.
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Trying to meditate each photo,
taking care of the composition,
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to be aware of your couple.
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Not always thinking:
"I'm going to react"
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"I'm going to be
the fastest guy in the west"
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And that each image, if we take care of it,
can be worthy of the walls of our couple.
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On upcoming videos
I will show you the edition of these photos
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and the behind the scenes, as well.
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If you can, do a session with
an old lens and your modern camera
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and share your photos with me.
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Big hugs!.
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Thank you Patreons
for the support,
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and let's keep living this
crazy, crazy, crazy life.
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¡Ánimo!.
9655
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