All language subtitles for LR Edit

[Music]

with the race as it is such a nice day because we are now going to edit the first session

what I did with this little camera sony sony 3s and I was a little worried about a

because I was not in control it was the first time I got a day earlier and

I started playing with it and I didn't know how the presets would work or my

editing with these new files but I want to show you the files in

raw and we will be working little by little

almost always edited as you already know I choose the first photo my photo

favorite session in this session I will divide it and we

we are going to go we are going to edit first everything that is window light that these

these were the first six photos that came out with window light let's

see the technical data also for each photo so that the people who

like that all these photos were taken with the 35mm lens which is the 1.4

in mirror they tell them that the cameras are smaller and everything but this lens is

a bazooka is giant the entity then well you decide if you are going to

mirror them for size but I left the truth for comfort and I can

try something new because my first step to start

Editing a session is to group the photos with similar light in this case as

we saw all are with window light all have a similar contrast so the

I'm going to group I'm going to choose my favorite photo from the series and then what I'm going

to do is just copy and paste the values into the rest of the photos and

make adjustments if we start from scratch in each images is a little bit slow and gives

laziness then I always go like this in this case this is the photo I feel

that represents this part of the session more we are going to go again with a

rule which is the third with which I normally start my edit and here

I'm going to see and I'm going to start adding a little light

to the boyfriend to memo so that you similar the light to what she had not then

if they arrive it's just no I haven't changed anything the values are are the

same the present is the same change camera

and they fit perfectly no I didn't have to redo presets I didn't have to

to change anything was to just click on it and start working with

this is not that I liked a lot about belo that takes away your laziness from

start from scratch every time you change camera or edit style here i'm going to

do since I chose the bullet I will remove some light around the

head so that the halo is not seen as well as a virgin mary that many

times when we are not careful it is very easy it is very easy to see it and what I want

making is also making a cut this part is distracting me then I'm going

I'm going to make a cut because I want the photo to look like it came out

the right photos not that I am always I am always fixing

arranging a post for more than ways that I prepare in never never come out

right the photos and I have to always be correcting

normally I see I try to add a little light to see if we have any texture

interesting in the background in this case or not but just what I'm going to do I'm going to

remove some light from the window on the light source so it doesn't look as

evident that the light came from there not that it came from right to left then

I'm going to make the vignette remove the light and I'm going to remove a little bit here

I highly recommend those guys when playing with gradients that

alter a little here here we can see if I leave the cursor here to remove it

remove the part to remove light to the face so that nothing else alters this part

so this is the final photo and I really like it and I'm going to copy those

values the only thing I'm going to take away is the part of the cross that I don't want to be

go to the other photos and the rest are going to go we are not going to continue

with another image is the same was was was the same in the same location nothing else

we get closer and change the part of this picture a little this is going to

see in the behind the scenes video that we moved it is on a wall and we moved it

among several it will be great if three meters or more were not made then I will

to copy the settings, of course the masks are in a place that is not

I want but I'm just going to adjust the masks that I already copied and the

result we are going to have it almost almost from the hand I egg it I am going to

start with one and I'm going to start I'm going to start creating from there no ok we're going to

add a little bit of light here the hair I like the texture

to add a little light to the hair

ready callistus we don't need so much so much for a photo to be this

interesting this photo we move a little away from the light source also the

masks I am going to change them and I want to emphasize in this light in

this bullet in it let's see if it works for us or not I think it looks better if the

we leave if we leave it alone let's see if with a sufficient dose

I think that this is enough I like this it seems like a painting this

ccss image is interesting and we already make decisions if we add if we remove this

yes yes yes we burn it or if we just crown it to make it cleaner the

take let's see if we remove this distraction from the image

I think if you do us a favor, remove this little distraction

there is the idea is that we tell the viewer where to see we are going to

see if we rescue a bit of green or a bit of his arm is to be brush strokes of

light and these settings that make the photo

see it looks well worked we already had an interesting light and nothing else we are

we are highlighting here we can see that maybe all this is one is one

distraction then i'm going to just copy those

values i'm going to direct my spots like i'm a theater museum illuminator and

I say hey and I want you to see this part of the image I do not know if two are already

too many maybe if I like it but we will direct it a little more to the

faces and perhaps in the hair so that they do not remove the detail from the bottom of the ear

is gaining attention so I'm going to walk away

of the ear and I think that all this part is also going to the

let's take out I don't want I want it to look like they're in one on one

dark bubble then I'm leaving I'm going to go remove detail

this is not liking anymore in the final photo I remember that I was extremely

picky and each of these as garbage that was on the floor the clones I made

the approach with the letter cube and I went and I was removing one by one

so in the photos that I share many times if I can become

extremely demanding but it doesn't take that much time and I think the photo

for me the important thing is that is to remove remove remove and remove distractions like this

it has been so they can do it it doesn't require so much work

and I like that it feels like they're in your world in this in this bubble of

dark in this photo we will still copy the values of the photo

above and we're just going to direct the two spotlights on our subject

here the table that we have in the foreground is important I think we are going

let's play with that

let's do a

I am not liking this with the copy of the settings, I'm going to go from scratch another

time i'm removing these steps to start at zeros guys

and now we do have more detail in the background and nothing else the same as the bubble

of attention I don't want him to go to the bottom I want him to stay I want him to

this is the same, we will also eliminate it

the table is going to be eliminated I think that if we put it we can give it a little

Attention

we can maybe make everything a little bit warmer

this is distraction for me and I'm going to change the white balance a little bit

to make the light look warmer and here I am going to tell these little ones

bubbles of light that go away disappear from our from our

image

to be alone with them alone and with the table of

details this I like is this window light is mysterious is it is magic and I

I think it's very very picturesque is not that makes the air that the image that the

image stop in this we have more distractions and here we can decide if

darkens moss everything also this this is this hook that was hanging there

I think we can eliminate it based on draining darkness or cloning

but if the nice thing is no no no waste so much time in the edition guys I think

that I think we have the ability to frame that is important to

we and the rest can be able to hide it here we will

to remove to remove light in everything is in all this part I will bring me to the

shadow today I am dark today I am annoyed with life so we are going to make

things would be would be darker here too I think there is a lot

more light than in memo you have to lower the intensity a little to the light of evelyn

and here the light is warmer and there it is more whitish then I go I go to

go to extremes to light quality light and there we are already we are pairing it a

little more but if they are they are simple steps here this window I like you

add one more element to see the background we still have it dark I want it

make it even darker then I'm going to do something extra extreme I'm going to do

this big mask and I'm going to remove the light from everything and now I'm going to adjust it with

him with the brush and I'm going to add the light the light on him and on the details and on the

details that I want not so we are already recovering this little detail

i like i like this is more is more is more the mystery this still the same if what

we can keep darkening we go to the blacks and we will see if

the floor we are also going to illuminate it a little more to see if in this

distraction or the texture that we have here in in the painting I really like

I like this color let's see if we add a

little bit of light here if we extend this shadow

but if you see the beginning in all the photos it is the same is where the

intention where is the part that we want the eye to see and then remove

distractions either by darkening or cloning that I almost always go more

to get dark and if we see these photos this far because the attention is

directly in our in our subjects and that makes the attention of the

viewer stay there not behind the scenes they will see it I loved working

on this on this farm or on this farm or on this abandoned building and

the first stage we went with window light because the sun was very hard

we wait for the sun to drop a little and then we go out no but that must be

learn to see that our camera has limitations that if we take advantage of

limitations we can obscure the distractions we don't want and play

with the elements that do make the photo our photo not a hug since

we go to order guys [Music]