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Now...
The light was hard
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we went up to the second floor,
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and we saw this window light,
there on the left side, on top.
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For me,
hard light is more stoic,
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is more serene,
is more...
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not so gentle.
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So, many times, what I do
with my couples is...
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I ask them to close their eyes
and look up
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so that they can receive the light;
I ask them to mediate,
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to rest for a while,
to feel alive,
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to feel the sun,
- thanks to the sun we receive all this -
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and with those words they get it,
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they know this won't be so obvious,
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that they don't need to be
holding hands or making out in each photo,
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it is about separating them,
and to give them some self-reliance.
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We went with a sidelight,
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and with that same frame,
in that same window
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we turned to the right side,
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and we used the frontal light,
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there was a tree and light inputs
-here and there-.
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*Tip 02: a location has
infinite possibilities if you turn to change light.
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I asked them to start talking
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and suddenly I said:
"Get serious!"
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and that made them cracking up,
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then they got serious again,
and then started laughing again...
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When I want an emotion
I call for the opposite one
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so that they can be relaxed,
chilled and let go what they don't want,
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and step by step
we can have this photo.
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And with that same light
we just put them in the center again
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and we used the backlighting
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this kind of light is
magical, bohemian,
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like fairy tail / Lord of the Rings
kind of light...
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This is the light
I try to use the less for weddings
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because is
the most romantic light.
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So, I try not to use it as much,
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because if we use it in excess
it is easy to see the trick.
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*Tip 03: Micro settings
always make a difference.
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I like that:
to use, in the same scene,
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sidelight, hard light,
direct light
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and also use this backlighting.
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So, you don't have to move
your couples that much
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to create different atmospheres
in the same location.
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If you know how to see the light
and the emotion within the light,
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that path will be much easier.
4684
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