Original subtitles

Ok, so... You go here, Evelin...

... and you, Memo, go here, like this...

as if it was an "L".

So, you are going to give her a hug...

Turn a little...

You turn to her...

Like that. Closer.

And your face here...

Here...

And here.

Turn a little... not that much...

These last gleams are the coolest...

Looking here, Evelin.

Kiss her cheek, man...

Eyes closed.

No smile. This one is more sexy...

Here comes the wind.

Hold her tight, man.

A little more...

Lets do a little walk.

I will use the 55mm.

This will be a little far.

I will be on the floor.

Let me check the distance...

I'll go to the floor, man.

That's cool.

You just goof around...

No smile. More serious.

Ok, great.

Let's walk in parallel there.

I will walk by your side.

We go in slow motion.

We got it.

Thank you, man.

- Evelin, thanks for everything - Thank you

You'll have great pictures.

At least one and a half.

- Is that enough? - Yes, sure

Or a collage, maybe.

In short,

in this session I did what I normally do:

Play with soft light, hard light, backlight and low light.

And the camera has responded amazing, honestly.

It has been two... No, three weddings using this camera

and I decided to sell my Nikon equipment.

It has been an interesting change.

I don't think photographers should change brands every time they can.

For me it was a chance for:

1. I found a very good price

(because a friend who knows people at Sony)

I am not sponsored, I just got a very good price.

And I really appreciate it.

I will not say names.

But I have liked that change.

When you feel stuck -creatively speaking-

borrow a camera from a friend.

If you use Canon ask for a Nikon if you use Nikon, ask for a Canon...

or a Sony or Olympus...

The thing is to have fun at our job

at not feeling like "The Master" of your equipment.

To doubt about: Where the buttons are?,

or... Will the camera be able to do this?...

It benefits me.

I need to feel that spark of uncertainty to keep creating.

F*ck it. One last picture with this light.

This will be holding hands.

More over there...

Right here.

As if you were...

praying...

I want to try this light.

Evelyn, can you turn your face towards the mountain?.

Take a step back.

Just move away a little.

Look at the mountain.

Look down.

Now head-on. Close to each other.

Yes.

We got it!, F*cking great.

It was a great day in Icamole.

A great friend came with us, Beto Palacios was there.

He is like a comedian who helps you give the couple good feelings.

What I liked was...

...the connection with them was fast.

Memo is also a photographer,

Evelyn is a dancer...

The talk with them came naturally, as if we were friends before.

And I think photography works for that...

It helps to connect quickly with anyone,

as longs as you know when to put the camera down,

when to look people in the eyes,

and to create this connection that goes beyond a friendship.

Yes, we are "stealing their souls",

but not removing it, just...

they are just little bites of souls of these persons who...

... who take the chance to be in front of us.

Never belittle that.

The equipment it is helpful, but the connection and the experience

we will give to our couples... that comes first.

F*ck off...