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Ok, so...
You go here, Evelin...
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... and you, Memo,
go here, like this...
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as if it was an "L".
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So, you are going
to give her a hug...
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Turn a little...
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You turn to her...
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Like that. Closer.
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And your face here...
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Here...
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And here.
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Turn a little...
not that much...
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These last gleams are the coolest...
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Looking here, Evelin.
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Kiss her cheek, man...
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Eyes closed.
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No smile.
This one is more sexy...
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Here comes the wind.
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Hold her tight, man.
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A little more...
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Lets do a little walk.
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I will use the 55mm.
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This will be a little far.
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I will be on the floor.
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Let me check the distance...
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I'll go to the floor, man.
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That's cool.
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You just goof around...
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No smile.
More serious.
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Ok, great.
40
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Let's walk in parallel there.
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I will walk by your side.
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We go in slow motion.
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49
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We got it.
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Thank you, man.
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- Evelin, thanks for everything
- Thank you
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You'll have great pictures.
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At least one and a half.
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- Is that enough?
- Yes, sure
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Or a collage, maybe.
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In short,
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in this session I did
what I normally do:
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Play with soft light,
hard light, backlight and low light.
60
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And the camera has
responded amazing, honestly.
61
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It has been two...
No, three weddings using this camera
62
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and I decided to sell
my Nikon equipment.
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It has been an interesting change.
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I don't think photographers
should change brands every time they can.
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For me it was a chance for:
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1. I found a very good price
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(because a friend who knows
people at Sony)
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I am not sponsored,
I just got a very good price.
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And I really appreciate it.
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I will not say names.
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But I have liked that change.
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When you feel stuck
-creatively speaking-
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borrow a camera from a friend.
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If you use Canon ask for a Nikon
if you use Nikon, ask for a Canon...
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or a Sony or Olympus...
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The thing is to have fun
at our job
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at not feeling like
"The Master" of your equipment.
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To doubt about:
Where the buttons are?,
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or... Will the camera
be able to do this?...
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It benefits me.
81
00:05:05,800 --> 00:05:10,700
I need to feel that spark of
uncertainty to keep creating.
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F*ck it.
One last picture with this light.
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This will be holding hands.
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More over there...
85
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86
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Right here.
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As if you were...
88
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praying...
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I want to try this light.
92
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Evelyn, can you turn
your face towards the mountain?.
93
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Take a step back.
94
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Just move away a little.
95
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Look at the mountain.
96
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Look down.
97
00:06:06,005 --> 00:06:07,555
98
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Now head-on.
Close to each other.
99
00:06:12,645 --> 00:06:13,645
Yes.
100
00:06:19,435 --> 00:06:21,395
We got it!,
F*cking great.
101
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102
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103
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It was a great day in Icamole.
104
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A great friend came with us,
Beto Palacios was there.
105
00:06:39,100 --> 00:06:44,900
He is like a comedian who
helps you give the couple good feelings.
106
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What I liked was...
107
00:06:47,535 --> 00:06:50,000
...the connection
with them was fast.
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Memo is also a photographer,
109
00:06:52,400 --> 00:06:54,805
Evelyn is a dancer...
110
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The talk with them came naturally,
as if we were friends before.
111
00:06:59,400 --> 00:07:01,300
And I think photography
works for that...
112
00:07:01,300 --> 00:07:05,000
It helps to connect
quickly with anyone,
113
00:07:05,000 --> 00:07:07,300
as longs as you know
when to put the camera down,
114
00:07:07,300 --> 00:07:09,500
when to look people in the eyes,
115
00:07:09,500 --> 00:07:14,200
and to create this connection
that goes beyond a friendship.
116
00:07:14,200 --> 00:07:16,500
Yes, we are "stealing their souls",
117
00:07:16,500 --> 00:07:20,000
but not removing it, just...
118
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they are just little bites of souls
of these persons who...
119
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... who take the chance
to be in front of us.
120
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Never belittle that.
121
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The equipment it is helpful,
but the connection and the experience
122
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we will give to our couples...
that comes first.
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124
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F*ck off...
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00:07:45,175 --> 00:07:46,635
7504
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