Original subtitles

This is the groom's dressing room And here

is another of the photos that this is

directed At first, when she was putting on

her shoes, I saw that the clothes she

was wearing or that the robe she was

wearing was bothering her and I saw that

she was moving it all the time, that

she was moving it all the time and

I already decided that she said, please Gaby,

repeat it again Of course, it is directed,

but that does not worry me at all

I am a photographer and if at any

given moment I want them to repeat something

depending on what things, of course, in a

ceremony I am not going to ask them

Notice that even these things we are doing

The speech of the bride's aunt Of course

we are going to photograph it, how are

we not going to do it?

Why?

Because it is a memory for them, okay?

We continue with everything, we continue with the

boys Erika was already there, you can see

that the boy is dressed Patapán, it is

followed, it is followed at all times, small

details I continue with mine, with transition photos

Because when I shoot all this type of

images like this Sometimes, I don't know if

they will serve me or not But it

seems super interesting to me, a lip like

this, so beautiful Also makeup, all this, right?

Also portraits, and photography of moments that can

be this That is a real moment, or

they can be these, right?

That you are seeing now Now comes the

moment of preparations, okay?

Well, what do I mean by preparations?

In which the bride puts on the dress,

sorry And just to tell you something I

guess you have already understood or seen what

kind of room it was In which it

had several windows And look at this photograph,

okay?

And I do this at all weddings Minutes

before the moment begins In which the bride

puts on the dress and is going to

be with her mother or her friends Minutes

before, I tell you or I make a

small basic photography workshop In three minutes, and

I explain to you from where to where

the light goes And it would be super

nice that whenever they can Or remember, they

always face the light For what?

To have images like this And to know

that I have, that is, that I can

shoot them both face to face Or, for

example, in photographs like this In which they

are here, there, right?

That is, how are you going to give

me more photos You see how they were

always And once, when I already have them,

for example When the bride already knows that

she is going to be placed there Or

I have already explained it to you before

It's twice as simple, right?

Because the light or almost always the light

will accompany you If I have minutes, if

I have spare time Well, I always try

to make a portrait of the bride Like

the one you saw here And you see

that the groom has already reached the place

in question When I say that we photograph

everything Or when I say that a wedding

for us is 12 hours of work 14

hours more or less Or 10, which gives

me the same We photograph everything Because we

have to be clear who hires us And

what things are important for it Obviously, for

me this is not important Well, I mean,

photographically speaking, it is not important, okay?

But for my client, yes How much money

could have been left in these chairs In

the logo, in the timing that appears in

the background I mean, that's theirs They have

invested in it So we have to do

it in the foreground With different perspectives In

addition, it is a good opportunity to get

along with the wedding planner I mean, think

that it was the first time Also that

we work with this wedding planner And it

was important to get along with her In

addition to the bride, of course Notice that

what I explained to you before I already

knew this I mean, I knew where they

would go I knew that when they opened

that door The bride would go to the

right Because I had asked her Where are

you going?

Towards the stairs on the left or the

one on the right?

Towards the right, Victor I was perfectly prepared

I knew what kind of light would open

Okay?

And of course, I knew they were going

to go down here This is anticipation And

what I had explained to you Is to

always be ahead of the wedding It is

to be ahead of what is going to

happen Prepared for that Of course there may

be a lot of things that are out

of control Like this The father of the

bride was about to arrive And they prepared

everything So that there would be a brutal

hug The father came from the other side

Notice how much grain we have in the

arsenal You see that the light escaped me

completely And I had to save my ass

as I could He had no light But

yes, in her Quickly, quickly, quickly, quickly Here

I have them better Here I have them

better But of course there are moments that

we are not going to control And others

that yes But you have to be technically

prepared for that, right?

Okay And Erika, as you are seeing, was

on the other side There I did ask

them While the taxi was arriving I had

time And I said, please Let's make a

fucking portrait there You see how the light

works How I tried to combine it with

artificial light Also in the background Okay, and

we keep working And Erika was doing this

While the boyfriend was also controlling everything The

guests were arriving and all this We are

always working And we do not forget That

the mother of the bride has to take

photos Her aunt too All the details Doing

things I love this Okay, this is a

very good photo Control the light The moment

Anticipation Natural photography Okay And these photos are

more basic They are for the guests For

the boyfriends And all this, okay?

I'm going to move forward Of course All

the details And now the brides are arriving

What do I say?

The girlfriends The friends of the bride Of

course, pure photography Everything As you can see

Notice that we even photograph the hairdresser Okay

Here we have The bride arrives Pam, pam,

pam The car leaves We have this It's

a shame that I have the driver in

the background You see it?

Well, it was the girl driver in the

background If it had not been A pretty

clean shot, right?

But the car is there And the driver

could not take it off And well, you

are seeing, right?

While one of us was focused on the

bride Right there, you can see me Do

you see it on the stairs?

In the photo This one that I'm showing

you Okay Because We started And while I

was doing this Notice how important it is

To always work as a team And never

think that one takes the best photo Or

the other takes the worst No, no, no

We are a team And well, this photo

is really beautiful It contextualizes everything And we

have one and another As I had already

shown you Here everything goes very fast But

of course, the day before Erika and I

were here When we landed with the plane

We took the car We went to the

hotel And the second thing we did Was

to come here We were here almost an

hour Controlling everything And then we went back

to the hotel To the pool To relax,

right?

But we went to work And the first

thing is to know where we are going

to work And how the space is going

to be, for example Okay?

You see that there are photos From these

that are in transition To photos like these

In which we try to capture the essence

of the bride And of course, the father

arrives Okay?

With the bride Notice how important it is

Not to show the background There is the

ground Right?

If we show it We immediately show everything,

right?

Well The bride arrives One in front One

behind And here we started Well, it was

a very short ceremony And we did start

Working very hard Right?

A lot, a lot, a lot Notice that

we even photographed the wedding planner The details

This is not an iPhone It's just a

kind of Light input Okay?

And that's why there was a glass there

And it's super nice, right?

Like the double reflection Okay?

From the ceremony We tried to work hard,

hard, hard, hard But it was practically Very,

very difficult Because it lasted 15 minutes And

all the shots you are seeing Are the

ones we almost did, right?

Almost practically Okay You see

it, right?

A little And here the same One from

behind And one in front You understand me

for the exit Okay?

I keep going I keep going Here everything

was a little Obsessed, right?

Trying to capture everyone who came down With

those who were below Play a little in

height But It was not important And nothing

serious, right?

Okay As you are seeing, right?

We continue Photographing a few more details And

the couple told us That it gave us

Just 15 minutes at most So no more

To make a few poses So Simply I

mean Erika told me She told me You

take care of it And I'm running To

finish The rest Of Details And also As

we already knew Of course We had asked

There was going to be a confetti launch

And when they came down Erika stayed Preparing

the whole lighting system Okay?

As you are seeing The portraits I did

Were just this one Okay?

Very basic And very simple And very fast

Another one And The one you are seeing

And this one It's already finished I mean

We had 10 minutes And they arrived Friends

And all of this And the girlfriend Told

me she had enough And of course I

said yes If a boyfriend For example Or

a girlfriend Asks me If I have enough

That means That it's over That it's That

it's over So then That's it Another thing

Very important Okay?

The lady Who was This lady Okay?

When I started the wedding I mean When

I started With the preparations She told me

Look The wedding The celebration And everything It's

very beautiful And the party It doesn't matter

Right?

What I want From you I want That

when the day is over You have Several

photos Of my family And I told her

Of course Of course And in fact Then

I mean She asked me And she hired

me To print the photos And she asked

me To sign them Incredible, right?

That's why I mean You have to know

That we're working For the bride For the

groom For the bride's mother For the guests

For the bride's best friend Who asked you

For a photo You have to do it

Try to do it well To make details

For everything Right?

Notice How many times Have you seen this

Many But It's all I mean We have

to know What kind of client do we

have And what do we want to show

her And why does she get married there?

Why does she get married?

If they are from London They get married

mainly Because They want to live The Mediterranean

experience From the food The party The sea

The temperature The smell Of how the Mediterranean

sea smells Everything in general I mean We

have to provide her this You see You

see that I almost never shoot With 20mm

Except for these things I mean We have

to We have to To capture details I

always work With 35mm and 85mm And sometimes

with Tilt Sheet Only for portraits With the

45mm I mean But we have the 20mm

Always prepared For this kind of things Okay?

I keep going And of course not The

couple asks me For photos With With the

make-up artists The couple asks me For

photos with her aunt The couple Asks me

for photos With the musicians And we are

ready For the descent Notice that Erika I

already told you I had the job To

put a couple of flashes If you see

In the place That I'm pointing now There

is a flash And in the place That

I'm pointing now There is another flash And

if you look In the lighting And in

the projected shadows You can see it And

I was here You see that I made

a mistake I thought that Well I mean

Sincerely I was wrong About the lens And

my mistake was One That I was wrong

about the lens But mainly I was wrong

Because I wanted to imagine That they were

going to throw So much confetti So much

So much confetti That with the 20mm It

would be a photo Wow It would be

Wow How much confetti But Well It wasn't

as much As I thought That's why Expectations

In weddings Zero And this shot I like

it more You see that the mission is

One In this case I was making sure

The shot And the other one Taking risks

The mission is always that One very close

One very far And we start You see

that first We start shooting without flash Here

come All the flashes But later We mount

them And we always mount two Now You

are going to see How they are placed

Ok?

I keep moving You see that We try

in every moment That everything would be Illuminated

perfectly That nothing would fail The toasts The

pizzas Ah, by the way We also photograph

the food Why?

As I told you If they are spent

In a menu Around 300 euros Or more

It's important It may be a bullshit But

it's not hard It's not hard To do

a good job Well Here in the scene

The band came Ok?

And we started To shoot Ah, ah, ah

Very important Very important That Erika Accompanies me

Doesn't mean That Erika is my assistant Much

less I'm not her assistant I mean All

the photos you see Were shot Only with

one foot I mean I put a flash

on one foot And I moved it From

time to time Ok?

Here you are going to see In this

moment The system With which we are working

Look Near the table Both left And right

You have I mean You can see Two

feet of flash Ok?

They are not going to go With With

diffusers Or with anything They are just going

to go To the Just To the exact

speed For everything to be perfect Ok?

And As you are seeing This kind of

Well This kind of photos Don't have diffuser

Don't have Nothing It's like As Ok Also

We shoot the meat And all these things

But you see That We try to illuminate

As best as we can You see There

are many funny photos We try to capture

that Here they are giving Well Stealing the

food To the father Stealing the food To

the bride's mother-in-law And Little by

little It was heating up Everything As you

are seeing I keep shooting Of course Here

it was already super close Here it was

close Ok We did I mean Photos of

everything Of course Here everything was already Out

of place Here everything had already gone To

take By the bag The speech Well For

the best friend Hugs Madness Dessert photography Even

Notice that I photographed this That was the

speech Of For the best friend In which

I sang The Queen's song We will rock

you Ok?

But it was With different lyrics And In

fact We recorded it In sound I mean

It is perfectly recorded But But It was

so long So so long That I mean

It escaped from mother As it already lasted

As two or three minutes And for our

slide Well It did not end up working

Ok?

More things Notice that I do not usually

work That way Never with lenses Except for

things like this For exceptional things But possibly

Erika outside With Well With another type of

lens Notice that Before this happened I asked

the wedding planner Where are you going to

cut the cake The boyfriends There Well, it

would be good That they were placed like

this And he told me But They are

going to turn their backs To many guests

And I told him Just for the photo

Just for a couple of seconds Just to

have this Ok Ok Ok I mean You

also have to know What is our terrain

And ask But with education And all these

things Well You see This is still The

scene Ok?

And you are seeing That the whole thing

is getting Pretty Pretty Moved No?

Notice that it looks To the left It

looks The foot Of my flash Do you

see or not?

Here behind The flower bed Ok I keep

moving Ok Clear Not having an assistant In

this case The light did not reach me

Of course You are seeing The light does

not reach me But well If I was

working With 20mm now It was because I

really asked for it And I had to

be so close And there were so many

people Everywhere It was all So So So

So crazy That the 20mm Was what worked

Well here I mean With 35mm It would

have been Everything more formal And the 20mm

Is like To call it like this Like

more Like a shrimp Ok Well The dance

starts Ok And well As you are seeing

I started Doing all this Here we put

Simply I put a flash against To To

freeze this To give a texture To To

To To To To To To To To

To To To To To To To To

To To To To

To To

To To To To To To To To

To To To To To To To To

To To To To To To To To

To To To To To To To To

everything stayed there, we would have been here

for 60-90 minutes and we decided to

end it all and tell the grooms that

it was over.

I remember that this wedding was so intense,

so powerful, that when we got to bed

I couldn't sleep it was hard for me

to sleep for a couple of hours because

my heart was racing all day at 1

,000 per hour and I also arrived with

a huge pain in my legs because I

was wearing shoes and the floor was all

stone, it is an old castle in which

there are no tiles, it is not a

smooth floor they are adhokins and then imagine,

my knees were totally destroyed and my feet

even more but hey, it really was worth

it, it was an incredible wedding, I had

a great time and the couple was super

nice and the truth is that they let

us work perfectly at all times.

Ok friends, that's all, I hope you liked

the video, I hope you found it interesting

and nothing else, see you very soon and

enjoy the summer, take care!