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The party was very cool.
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When the grooms entered
the people went so excited.
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Everyone shouted.
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The DJ went crazy,
we had the deal with him
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to throw white light to us.
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Otherwise it would look
like children's party.
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Lights everywhere.
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When that happens
I normally commit with the strongest light.
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Many of the pictures
are overexposed because of that.
10
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But when you get that shot
good things come up.
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I won't be adjusting my exposure
and chasing the light...
12
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I try to identify the most intense light,
13
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and the most soft light
14
00:00:51,000 --> 00:00:55,385
and I normally go with the intense light,
to have hard contrasts on the pictures.
15
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For the lighting of this wedding...
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I send a link to all my couples
about the importance of light,
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and I also talked to the planner
to see which kind of light they
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will use during the dance...
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I also asked him to put some lights
over the groom's table.
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That their table is a little more
illuminated that the rest of the things.
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A time ago, in a friend's event
(Rafa Ibañez)
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a theater illuminator
gave us an speech and I loved it.
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And I think we have to educate
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the wedding planners
to help us with the lighting.
25
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I don't like to be "flashing"
all of the time...
26
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I just do it in extreme cases
when I definitely need to.
27
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But I do ask them to give me
these spotlights or an ambient light
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so that I do not blind the guests.
29
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40
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44
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50
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51
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52
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53
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54
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55
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56
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During the dinner
I walk... I look to find details,
57
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hands, reactions...
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To tell how the place looks
but with people in it.
59
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It is this invisible eye
that is worth to capture it...
60
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Many times (as a photographer)
this is the time for a break
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but I like to dedicate
15 / 30 minutes,
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identify the people, take pictures
from far away... (paparazzi mode)
63
00:03:52,200 --> 00:03:57,000
and to have those photos
that can tell you how it felt to be there...
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and not just how we looked.
65
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90
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When the dance...
we already knew about those sparks.
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That always drives me crazy.
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It became a light cage.
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So, you take the risk to be out
and not having anything
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or you go inside and solve it.
Always be aware of your exposure.
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I stayed inside.
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The DJ didn't go crazy
and throw the white light to us.
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When people passed by,
it became a beautiful silhouette.
99
00:05:47,500 --> 00:05:52,200
I had to try to block the light beam
using the grooms.
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I committed myself to that exposure.
101
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When the sparks ended,
there were these two shadows of them
102
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with the smoke of the sparklers.
It was magical.
103
00:06:00,855 --> 00:06:03,705
I am always worried about:
"Will the photo be focused or not?"
104
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So, I shoot a lot in those sequences.
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115
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117
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121
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122
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123
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124
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125
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126
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127
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128
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129
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130
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132
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133
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134
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135
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136
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137
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During the party
I chose to use the 24mm...
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...the whole night.
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Very close to people.
Little by little, earn they trust.
140
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The first half hour of the party
people do not understand me
141
00:08:43,365 --> 00:08:46,000
because I say to them:
"Do not look at me!...
142
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... you just keep dancing."
143
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Many people get offended.
144
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145
00:08:59,765 --> 00:09:01,575
146
00:09:05,595 --> 00:09:06,595
147
00:09:06,900 --> 00:09:10,000
But they have to feel your energy.
I say it smiling.
148
00:09:10,000 --> 00:09:12,000
And some people are like:
WTF with this guy?...
149
00:09:12,000 --> 00:09:16,000
And when I do the second round,
I see they see me but they ignore me.
150
00:09:16,000 --> 00:09:19,000
So, we start playing
and achieving beautiful photos.
151
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152
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153
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154
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155
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156
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162
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166
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168
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172
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173
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183
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200
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226
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227
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228
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233
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234
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235
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236
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237
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239
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241
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242
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243
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244
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245
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246
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247
00:15:19,500 --> 00:15:21,005
The party was amazing.
248
00:15:21,005 --> 00:15:24,400
I divided it. Almost half of the party
was with flash on camera...
249
00:15:24,400 --> 00:15:26,865
...and the other half was ambient light.
250
00:15:26,915 --> 00:15:29,500
ISO 3200
ISO 1600
251
00:15:29,500 --> 00:15:34,700
I ended this wedding at...
1:00 am / 1:30 am.
252
00:15:34,700 --> 00:15:39,100
We went with the planners,
we had a couple of beers,
253
00:15:39,100 --> 00:15:41,655
we talked about what went well
and what went wrong...
254
00:15:41,655 --> 00:15:43,200
Constant feedback.
255
00:15:43,200 --> 00:15:45,700
I hope we have had
fucking great pictures.
256
00:15:45,700 --> 00:15:49,000
I'm always with the question of
whether I did well or not...
257
00:15:49,000 --> 00:15:52,200
This time I felt the pressure more
because it is for you, Patreons.
258
00:15:52,200 --> 00:15:54,200
So, let's see...
Let's see how it ends.
259
00:16:14,185 --> 00:16:19,400
In Mexican weddings
what worries me is... people's mood.
260
00:16:19,400 --> 00:16:22,000
Because these are three days
of a lot of drinking,
261
00:16:22,000 --> 00:16:25,400
and many times
the post-wedding is cancelled
262
00:16:25,400 --> 00:16:30,300
because they are very drunk
and the photos are not that good...
263
00:16:30,300 --> 00:16:34,025
So, we hope these guys
can be measured.
264
00:16:34,025 --> 00:16:36,000
I hope they still are semi-whole.
265
00:16:36,000 --> 00:16:38,735
Just a little drunk
so that they have a good time...
266
00:16:41,800 --> 00:16:44,000
and that they
feel good with themselves.
267
00:16:44,000 --> 00:16:46,800
But, well...
I hope them to give me that moment.
268
00:16:46,800 --> 00:16:48,800
On more than one occasion
it has happened to me...
269
00:16:48,800 --> 00:16:50,400
...that the post-weddings
are cancelled
270
00:16:50,400 --> 00:16:53,000
because the couple wether
are drunk, or with a hangover,
271
00:16:53,000 --> 00:16:55,500
or they just simply don't want to
because they are very tired...
272
00:16:55,500 --> 00:16:58,000
And I get it,
I totally get it.
273
00:17:24,315 --> 00:17:25,315
274
00:17:39,585 --> 00:17:41,945
275
00:17:42,295 --> 00:17:43,295
276
00:17:47,600 --> 00:17:50,700
There were many group photos,
many family photos.
277
00:17:50,700 --> 00:17:54,400
I tried -between the photos-
to capture expressions,
278
00:17:54,400 --> 00:17:56,400
to capture hugs, smiles...
279
00:17:56,400 --> 00:17:59,000
Because I only had
one camera, I felt free...
280
00:17:59,000 --> 00:18:01,600
sometimes it is kind of tired
to have two cameras
281
00:18:01,600 --> 00:18:03,500
and also, you can drive
yourself crazy.
282
00:18:03,500 --> 00:18:06,500
I'm liking it...
to work with just one body, to be honest.
283
00:18:06,500 --> 00:18:08,100
You limit yourself
because...
284
00:18:08,100 --> 00:18:13,000
You choose a lens
and you commit to work at that distance.
285
00:18:13,000 --> 00:18:16,625
Your subconscious is
always telling you: "Change it!...
286
00:18:16,625 --> 00:18:19,655
...you need the large lens!"
Or, "you need the wide-angle" ...
287
00:18:19,655 --> 00:18:22,505
But to say:
"This is the one I have... here I go!."
288
00:18:22,505 --> 00:18:25,545
I really liked that.
289
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290
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291
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298
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15495
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