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Hey, I'm back.
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In this short little video, I'm gonna teach
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you how we set up our A9.
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So feel free to skip this if you
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use another camera.
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But some of the custom settings I'm gonna
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go over are likely options with most of
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the mirrorless cameras out there.
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So you might get something from it.
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Now, there are a lot of menu items
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in this A9.
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So many menu items that it can be
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a little bit intimidating, but most of them,
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to be quite honest, we leave in the
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factory default.
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There's only gonna be about 13 that we
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change.
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So we're just gonna go over those specifically.
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So first, let's look at the top of
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the camera, okay?
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So we've got this dial over here.
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Call it, I don't know what the technical
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term is.
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Your drive setting, I guess it is.
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Your drive setting, that's what it is, right?
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So how fast your shutter speed works.
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We keep it on L for most of
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the day because when you have it on
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L, I think it's about three frames per
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second.
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When you have it on medium, it's 10
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frames per second.
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And when you have it on high, it's
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20 frames per second.
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Now, if we're trying to line up a
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really fast-paced action in the same frame
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as something else that's moving, we might bump
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it into high for a certain part of
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the day.
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But it really sucks, Colleen, when you forget
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to put it back down into low.
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Last wedding, Lani shot all the details in
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high.
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So I had to cull through literally 500
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pictures of centerpieces.
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Hopefully, he'll learn his lesson.
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Okay, down below that, we have our AF
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options.
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See it there, Brett?
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We have this on AFC all the time,
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which is AF Continuous.
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Okay, and I'm gonna get into why that's
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important later.
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But basically, it allows your autofocus to continually
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track a subject if you hold it down.
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Okay, over here, we keep this in manual.
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I'd say 99.9% of the time
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because we shoot in manual, right?
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Occasionally, and I mean very occasionally, if we're
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shooting in one part of the room and
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something in the other part of the room
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with a completely different lighting scenario happens and
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we don't have time to change settings, we've
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got this holy shit setting, okay?
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So we dial it over to one here
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and it basically turns our camera into full
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auto mode so we can at least capture
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the moment, even if we don't have full
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control over the exposure.
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And you know what?
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The camera does a good enough job to
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capture that moment and the moment trumps everything
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else, right?
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Over here is our exposure compensation.
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With the way we shoot, we never touch
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this.
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Okay, so let's go through the menu now.
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And like I said, there's a lot of
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menu items.
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I'm just gonna go through the ones that
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we change.
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Most of them stay at factory default.
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Okay, and we'll go over them in order
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here.
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So I'm gonna start over at the camera
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one.
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Okay, so the first thing on the menu,
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RAW and JPEG.
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So that's the file format.
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So I always switch that to RAW and
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JPEG, right?
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And later on in the menu, I'm gonna
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show you how you can have it write
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RAW to your memory card slot number one
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and JPEG to your memory card slot number
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two.
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It would have been handy if they'd included
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it in this menu, but they didn't.
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They just wanted to make it extra confusing
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for us.
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Okay, so that's it for page number one.
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Let's go over to page number five.
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Two, four, five.
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Okay, focus area.
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Come down to here.
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You've got a number of options here.
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We go down to the very bottom option,
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which is tracking flexible spot S.
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Okay, the tracking is a really nice feature.
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That means once you lock focus onto something,
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it's gonna track that focus throughout the entire
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composition until you let go of your thumb.
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I'll show you what that looks like.
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Okay, so let's say here's my center point
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focus.
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I lock on this guy here.
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As long as I hold that down, no
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matter where I move my composition, it's gonna
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stay on him, okay?
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I use the small flexible spot because I'm
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often shooting between things, right?
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And I wanna shoot something in the background.
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And if I have a large flexible spot,
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it sometimes grabs focus onto the wrong thing.
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Let's see if it'll work focusing between the
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bride and groom here.
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Not quite, but there we go.
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Gives you an idea.
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Okay, so let's move back to the menu
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now.
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Okay, number six here.
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AF tracking sensitivity, okay?
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I have this set at the standard, which
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is three out of five.
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If we're moving really fast-paced action, like
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the dance floor, for example, I might move
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that up to five in terms of its
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sensitivity.
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Okay, down here, AF with shutter.
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You wanna make sure this is turned off,
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okay?
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If you have that on, you can't back
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button focus.
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So this basically turns the autofocus off on
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your shutter button.
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Okay, now I'm gonna move on to menu
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number 12 on the camera one.
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Okay, white balance.
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Just wanna make sure that's set at auto.
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Okay, so that's it for the camera number
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one menu.
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Let's move on to the camera number two
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menu.
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So we're gonna go all the way to
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menu five.
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Okay, shutter type.
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This is really important, okay?
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So most of the time, we have our
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shutter on electronic shutter.
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And the reason we do this is because
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that's how we can get that high frame
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rate.
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And it's also how we can use and
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take advantage of silent shutter.
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However, when you're shooting off-camera flash, you
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have to be in mechanical shutter.
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And I'm gonna show you a little shortcut
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I have for that in a few minutes.
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But this is where you change your shutter
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type.
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Let's move to number seven here.
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Okay, display button.
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This is personal preference.
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But when I press this display button, basically
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determines all the things that show up on
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my display when I'm shooting.
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And usually, I either want all the settings
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turned on so I can see my aperture,
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ISO, and all the other focus points and
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all that sort of stuff.
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Or I want nothing showing.
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So I've only got display all info and
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no display info.
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And that way, show you here.
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I've got all the info showing or I've
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got no info showing.
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And I don't have to go through all
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those other options to get no info showing.
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Okay, let's go to number nine.
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Okay, this is a big one.
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This is where we set up our custom
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keys.
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And this is all personal preference.
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It's kind of like how you set up
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your seat when you're driving in the car.
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Some people like to be really close.
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Some people like to be far away.
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And Lani and I actually have our cameras
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set up slightly differently with this.
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But this is how I have mine set
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up.
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So custom key here.
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So I've got my aperture set up on
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this wheel here.
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I've got my back button focus center point
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set up on this here.
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And I've got my eye auto focus set
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up on this point here.
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So I'm just gonna quickly navigate out of
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here and show you what that looks like.
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So this is my center point focus, right?
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And if I hold it down, it tracks.
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This is my eye focus.
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And look at it, it even locks onto
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the eye of a ceramic model.
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That's pretty amazing.
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And if I move my model closer or
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further away to the side or let's say
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he's dancing like crazy.
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Oh no, it doesn't do well with him
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dancing.
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But it does pretty well when you think
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about it.
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So that's my eye auto focus, right?
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So that's how I've got those two custom
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buttons set up.
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Number four, which is this button right here,
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I'm gonna explain in a few minutes.
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But basically, once you start shooting off camera
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flash and you've got a transmitter on your
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camera, you've got your, and you're in mechanical
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shutter and your wireless flash is turned on,
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for some reason, the A9 doesn't show you
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what your exposure is.
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So this button allows me to see a
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preview of that exposure.
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It'll make sense when I show it to
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you in a few minutes.
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Okay, number five here, down here, show you,
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is set to shutter type.
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That's this one, okay?
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So I've got electronic, mechanical.
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Those are the only two I use.
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I never use auto.
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And that's just so when I am switching
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between off camera flash and natural light, I
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don't have to navigate through the menu to
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find it.
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I can just press that button.
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Okay, let's move on to this page here,
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which is the second page of the custom
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keys.
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Okay, so number one is this button here.
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I've just got that for the focus toggle
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point, which I rarely use.
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Number two, which is the middle button in
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the wheel, I don't have set to anything
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because we often accidentally press that button and
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I don't want it set to anything.
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Number three, which is the left side of
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the wheel, I've got press to audio signals.
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So I'm gonna show you that, right?
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So usually I have my audio signals turned
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off so you can't hear my shutter, and
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that's very intentional.
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But there are certain times when we wanna
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hear the shutter, right?
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Especially during portrait sessions.
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It gives some feedback to our couples.
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In that case, I will turn on the
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e-shutter, just like that, and then you'll
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be able to hear the shutters.
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See?
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But normally, actually I'm gonna turn that back
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to off.
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Okay, let's continue with that.
277
00:10:55,140 --> 00:10:57,380
Number four, which is the right side of
278
00:10:57,380 --> 00:10:58,820
the wheel, I have set to my ISO.
279
00:10:58,820 --> 00:11:02,820
So number five, I have set to my
280
00:11:02,820 --> 00:11:03,860
focus area.
281
00:11:05,280 --> 00:11:11,440
And then up here, C1 button, I have
282
00:11:11,440 --> 00:11:13,100
set to my ISO as well.
283
00:11:13,200 --> 00:11:15,080
The reason I did that is because when
284
00:11:15,080 --> 00:11:17,840
I switched from Canon to Sony, that's where
285
00:11:17,840 --> 00:11:19,980
the Canon ISO button is.
286
00:11:20,040 --> 00:11:21,620
So I wanted it the same on the
287
00:11:21,620 --> 00:11:23,220
Sony, just for my muscle memory.
288
00:11:23,920 --> 00:11:26,380
And then number two, the two button up
289
00:11:26,380 --> 00:11:28,720
here, I have set to my wireless flash.
290
00:11:28,940 --> 00:11:30,180
I'll show you that as well.
291
00:11:30,460 --> 00:11:34,200
Because when you're shooting, sorry, when you're shooting
292
00:11:34,200 --> 00:11:36,980
off-camera flash, there's two things that need
293
00:11:36,980 --> 00:11:37,400
to change.
294
00:11:37,500 --> 00:11:39,060
You need to change to your mechanical shutter
295
00:11:39,060 --> 00:11:41,500
and you have to make sure your wireless
296
00:11:41,500 --> 00:11:42,840
flash is turned on.
297
00:11:44,400 --> 00:11:46,660
Okay, so if I press this button, it
298
00:11:46,660 --> 00:11:49,640
won't let me do it because I'm in
299
00:11:49,640 --> 00:11:51,800
electronic shutter and I need to be in
300
00:11:51,800 --> 00:11:54,020
mechanical shutter in order to change the setting.
301
00:11:54,520 --> 00:11:58,240
I'm gonna go down here, change my shutter
302
00:11:58,240 --> 00:11:58,920
to mechanical.
303
00:11:59,620 --> 00:12:02,320
I'm gonna press this shortcut and my wireless
304
00:12:02,320 --> 00:12:03,880
flash is already on, perfect.
305
00:12:04,540 --> 00:12:06,040
Okay, so that's it for custom keys.
306
00:12:06,200 --> 00:12:07,560
Now we're gonna move over to the toolbox
307
00:12:07,560 --> 00:12:09,240
menu here.
308
00:12:10,540 --> 00:12:12,560
Okay, so monitor brightness.
309
00:12:13,560 --> 00:12:16,860
I'm pretty sure the factory default is manual
310
00:12:16,860 --> 00:12:18,680
as I've got it here, but I just
311
00:12:18,680 --> 00:12:20,560
wanted to mention this because Lenny and I
312
00:12:20,560 --> 00:12:22,640
accidentally once had it set to sunny.
313
00:12:23,240 --> 00:12:25,560
And when we got home and downloaded the
314
00:12:25,560 --> 00:12:27,640
photos, they were all a little bit underexposed.
315
00:12:28,360 --> 00:12:29,300
Wasn't a big deal.
316
00:12:29,480 --> 00:12:31,820
We could bring them back up, but just
317
00:12:31,820 --> 00:12:33,500
make sure that's set to manual and not
318
00:12:33,500 --> 00:12:33,800
in sunny.
319
00:12:34,580 --> 00:12:37,600
Okay, so let's go to number two on
320
00:12:37,600 --> 00:12:38,260
the toolbox.
321
00:12:39,800 --> 00:12:42,580
Touch operations, okay?
322
00:12:42,900 --> 00:12:45,500
I have this one turned off, okay?
323
00:12:45,500 --> 00:12:47,760
So this is the touch screen, okay?
324
00:12:48,000 --> 00:12:49,940
Because I noticed whenever I have the touch
325
00:12:49,940 --> 00:12:56,400
operations turned on, it triggers the focus and
326
00:12:56,400 --> 00:13:00,920
it would move my focus up into the
327
00:13:00,920 --> 00:13:04,340
corner of the screen all the time because
328
00:13:04,340 --> 00:13:05,840
my cheek would be touching the screen.
329
00:13:06,000 --> 00:13:08,320
So I've just got touch screen turned off
330
00:13:08,320 --> 00:13:08,740
entirely.
331
00:13:09,340 --> 00:13:11,080
I know there is an option.
332
00:13:11,900 --> 00:13:14,480
I think it's right under this one, actually.
333
00:13:16,600 --> 00:13:18,420
Touch pad settings.
334
00:13:18,990 --> 00:13:22,740
You can select half of the screen to
335
00:13:22,740 --> 00:13:24,480
be on and half of the screen to
336
00:13:24,480 --> 00:13:26,440
be off depending on which eye you shoot
337
00:13:26,440 --> 00:13:26,720
with.
338
00:13:27,080 --> 00:13:28,700
But for me, I just prefer not to
339
00:13:28,700 --> 00:13:31,160
have the touch screen on at all because
340
00:13:31,160 --> 00:13:33,080
it just messes me up, okay?
341
00:13:34,660 --> 00:13:42,200
Next is on page six, record media settings.
342
00:13:42,340 --> 00:13:45,860
Now this is where you set up your
343
00:13:45,860 --> 00:13:48,980
camera so that it records RAWs to one
344
00:13:48,980 --> 00:13:52,120
card and JPEGs to the other, okay?
345
00:13:52,340 --> 00:13:55,360
So I prioritize recording media slot number one.
346
00:13:56,040 --> 00:14:00,000
Recording mode is sort, RAW, JPEG.
347
00:14:00,440 --> 00:14:01,060
Pretty simple.
348
00:14:02,000 --> 00:14:04,880
Okay, lastly, I'm gonna show you what it's
349
00:14:04,880 --> 00:14:06,520
like shooting off-camera flash with this.
350
00:14:06,600 --> 00:14:08,500
So let's just switch this as if I
351
00:14:08,500 --> 00:14:14,080
were shooting natural light, I'm in the electronic
352
00:14:14,080 --> 00:14:15,220
shutter, okay?
353
00:14:15,220 --> 00:14:17,660
I just wanna, I'm gonna put my flash
354
00:14:17,660 --> 00:14:18,680
transmitter on.
355
00:14:28,400 --> 00:14:30,620
Okay, and I'm gonna turn this on.
356
00:14:31,380 --> 00:14:32,360
It's turned on.
357
00:14:33,480 --> 00:14:34,220
It's on.
358
00:14:34,980 --> 00:14:37,380
Okay, so first thing I'm gonna do is
359
00:14:37,380 --> 00:14:38,620
change it to mechanical shutter.
360
00:14:39,880 --> 00:14:42,420
Okay, the second thing I'm gonna do is
361
00:14:42,420 --> 00:14:44,300
make sure the wireless flash is turned on,
362
00:14:44,680 --> 00:14:44,940
okay?
363
00:14:45,460 --> 00:14:51,520
Now, I want you to notice that it's
364
00:14:59,490 --> 00:15:01,510
showing me the shot result preview for like
365
00:15:01,510 --> 00:15:02,750
the first time in my life.
366
00:15:05,010 --> 00:15:06,490
It's showing me my exposure.
367
00:15:12,720 --> 00:15:15,880
Yeah, in mechanical shutter.
368
00:15:17,020 --> 00:15:18,920
It's showing me, it wasn't doing that last
369
00:15:18,920 --> 00:15:19,200
night.
370
00:15:22,260 --> 00:15:25,880
All right, well, maybe it's the firmware update
371
00:15:25,880 --> 00:15:26,240
I did.
372
00:15:31,080 --> 00:15:32,420
Okay, well, this is good.
373
00:15:32,420 --> 00:15:34,500
I mean, I don't think we should delete
374
00:15:34,500 --> 00:15:38,200
this out because it shows you that, seriously,
375
00:15:38,380 --> 00:15:40,220
I practiced this last night and I needed
376
00:15:40,220 --> 00:15:43,360
to use this C3 button to show my
377
00:15:43,360 --> 00:15:44,320
shot result preview.
378
00:15:44,660 --> 00:15:47,060
And then I updated my firmware and now
379
00:15:47,060 --> 00:15:52,020
it's still showing me my exposure even with
380
00:15:52,020 --> 00:15:53,240
the wireless flash turned on.
381
00:15:53,420 --> 00:15:56,700
So obviously, they made some improvements in their
382
00:15:56,700 --> 00:15:57,420
firmware.
383
00:15:58,320 --> 00:16:00,180
So that's pretty much it for camera settings.
384
00:16:00,180 --> 00:16:02,420
I'm gonna link to a friend of ours.
385
00:16:02,540 --> 00:16:03,280
His name's Jason.
386
00:16:03,480 --> 00:16:05,780
He's done a similar video about his camera
387
00:16:05,780 --> 00:16:06,800
settings with the A9.
388
00:16:07,060 --> 00:16:08,940
He shoots entirely different than us.
389
00:16:09,000 --> 00:16:10,280
He shoots aperture priority.
390
00:16:10,400 --> 00:16:12,060
He's also a two-man alumni.
391
00:16:13,060 --> 00:16:15,540
And he sets up his camera completely different.
392
00:16:15,680 --> 00:16:16,780
So you might be able to get something
393
00:16:16,780 --> 00:16:18,700
from his video as well.
394
00:16:19,180 --> 00:16:20,960
So I hope this was helpful and we'll
395
00:16:20,960 --> 00:16:21,860
see you in the next module.
26433
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