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So I'm going to demonstrate here how we
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start off our shoots and usually we start
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all our shoots off like this because the
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tone that we set at the beginning of
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the shoot is really really important and all
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that energy that we build at the beginning
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of the shoot is all that residual energy
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is going to carry through the rest of
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the shoot so it's really important.
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I'm going to give them lots of fun
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energetic prompts and you'll notice that I'm going
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to start really really energetic and fun and
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I'm going to go a little bit deeper
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throughout the session.
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It'll probably only take about 10 minutes but
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this is really going to set the tone
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for the shoot.
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Some of the prompts that I've that I'm
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giving them I've got from these guides here
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these are called the Superfeel Guides.
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They were made by Jesh DeRox and actually
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I don't even know if I'm using any
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actual prompts from these books but these books
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have inspired a lot of the prompts that
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I've come up with with our couples just
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to get that real genuine emotion and to
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get them into that part of their brain
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where they're having fun and they're feeling and
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they're connected with each other.
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So let's give it a shot.
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You guys ready?
32
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Okay so for the first shot we're going
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to go super energetic we're going to go
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super fun.
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So Jenny I'm going to have you stand
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over here and Jesse you're going to stand
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over here and once I say go actually
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you're going to meet right about here in
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the middle.
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You're going to spin around in a circle
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three times really fast and then you're going
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to go in for a hug.
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Okay ready?
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Okay so three times really fast then in
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for a hug.
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One, two, three, go.
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Oh you didn't spin.
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You didn't spin.
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I guess I did need to.
50
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No you gotta go like this.
51
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Okay so you go one, two, three, hug.
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Yeah sorry I should explain better.
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Okay three, two, one, go.
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One, two, three, and go in for a
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hug.
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Awesome.
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Great.
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Okay and stay in the hug there whenever
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I sit.
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Unless I tell you to get out of
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a hug.
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Just stay in it.
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Okay now what I want you guys to
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do, I've never tried this one before but
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I just thought of it.
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I think it could be fun.
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So you're going to start far apart again
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and this time I want you to really
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do a dramatic slow motion run like to
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chariot safari to each other and then once
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you meet in the middle you'll go in
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for a big hug.
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Okay three, two, one, go.
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Okay awesome.
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Great job.
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Okay that's great.
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And very rarely do I actually get any
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usable shots from these moments especially the spinning
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around and hugging because they're always facing the
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wrong way and but it doesn't matter.
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At this point I don't care.
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I'm really just getting their energy up and
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that's and often I do get some good
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shots as well but it's not the point
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within this section of the shoot.
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Okay so for this one I'm going to
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get you guys to go arm and arm
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like you can yeah and what you're going
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to do is I put on a wider
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lens for the shot because I want to
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get nice and close and fill the frame
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with them and I'm using my eye detect
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continuous focus.
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This shot would be really hard without it.
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Okay so now what I'm going to get
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you guys to do is walk towards me
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and I want you to you're a little
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tipsy.
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Okay so you're or you could be drunk
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but I don't want your faces to be
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drunk.
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So your faces are sober and happy but
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your bodies are like completely drunk.
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Okay had too many margaritas.
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Okay see okay three, two, one, walk towards
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me and yeah don't look at me.
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Oh yes perfect, perfect, perfect.
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Awesome.
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Okay that's good.
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Okay I'm going to try one more lap
111
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so go back.
112
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I'm going to just put a different lens
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on.
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Best night of your lives.
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But tomorrow morning's going to suck.
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Three, two, one, go.
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Okay give her a big like wet drunk
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smooch on the cheek.
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Oh that's good too and then on the
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cheek.
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Drunky, slobbery.
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Okay we're going to do one more, just
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one more.
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I'm going to get you to start a
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little further back and maybe I rarely say
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this but I want you to take one
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margarita off.
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Okay just because I'm having problems focusing that's
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it.
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So five margaritas instead of six.
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You only had five.
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Yeah and I like it.
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I love it when you like smooch her
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in the cheek for sure.
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Like a drunk smooch on the cheek and
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then both hands on her.
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That's perfect.
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Okay one, two, three, go.
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Okay.
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That's good.
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Okay other cheek.
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Smooch on the other cheek.
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Yeah okay awesome.
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We're good.
145
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Okay good.
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Awesome.
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So we're going to start in penguin pose
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here.
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So together at the hips.
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Perfect and then perpendicular to me.
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Perfect and then stand on your tiptoes there.
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Perfect and now what I want you guys
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to do is just pretend you're chickens and
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you're pecking each other's noses.
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Like in and out.
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Like a little harder, a little more aggressive
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with the pecking.
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Yeah perfect and a little faster.
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Okay and now Jenny look towards me.
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More like right up in this area and
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then Jesse like really aggressively peck her cheek.
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Like her temple.
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Harder.
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Harder.
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Perfect.
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Okay that's good.
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Okay and I'm gonna get you to look
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almost up to the sky there Jenny and
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then you're gonna sort of just peck right
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at her cheek there.
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Awesome and can you move your hands up
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her back a little bit?
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I just want to move his hands up
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because I'm I'm quite tight in here and
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his hands show everything.
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Awesome.
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Great.
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Okay perfect.
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Okay now what we're gonna do is a
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little bit of a so I want you
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guys to stand there and hold hands for
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me and we'll do a little bit of
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a mind meld.
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So you guys have to try and read
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each other's minds.
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So I'm going to say like name a
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vegetable or and then you guys on the
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count of three have to try naming the
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same vegetable.
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Okay.
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Okay a color.
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One, two, three.
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So you see that?
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You see how she just like looked at
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him and she's like oh my god we've
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got the same we've got the same color
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like I can't really pose that but I
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can direct it right?
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Actually we'll go in like that T position.
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So fruit.
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One, two, three.
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Apple.
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Oh my gosh.
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You guys are good at this.
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Okay color.
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One, two, three.
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Red.
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Oh you see how she just looked up
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at him there?
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Like I can't I can't pose her to
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look at him like that but I can
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create scenarios to get her to look at
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him like that.
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Okay we'll do one more.
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Movie.
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One, two, three.
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So good.
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So many good moments in there.
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Let's get you guys right where you are.
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I'm going to get you guys to trade
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nicknames for each other.
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Okay so nicknames that you've never given each
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other.
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So you're just gonna take turns saying nicknames
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to each other.
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Okay.
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Okay.
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That we've never used?
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Yeah new ones.
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New ones.
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Like like I don't know like Chia Pet.
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Twinkly eyes.
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You've used Chia Pet.
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No I haven't actually called him Chia Pet
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before but I should.
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All right okay.
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Okay so Jenny you go first.
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All right um Munchkin.
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You know me?
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Yeah.
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J-Bomb.
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Oh I like that.
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Uh the Jester.
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Steely.
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Bum Bum.
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Goldilocks.
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Oh that's great guys.
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Okay just how you are there.
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I love their position there and they've gotten
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to this position all by themselves just with
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the way their arms are and Jenny's hand
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holding her arm.
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It's perfect.
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So I'm going to use this.
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Can I just say also because we're observing
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like so many good little moments in there
257
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but also I was observing Jenny like the
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way she was just just kind of gently
259
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um scratching the back of uh uh Jesse's
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back there.
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Yeah yeah.
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His mom was back with his fingers.
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It was something I'm going to keep an
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eye on now.
265
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Yeah for sure yeah.
266
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Okay so Jesse you're going to take the
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tip of your nose very very tip hopefully
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it's not wet and you're going to uh
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just very gently rub it on on Jenny's
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Jenny's temple.
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Maybe you could stand up on your tiptoes
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a bit Jenny and then I want you
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to spell out a word that she has
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to guess.
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Well not guess.
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What?
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Do it again.
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Oh yeah.
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One four three.
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One four three.
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Okay none of us know what that means.
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I love you.
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Oh in what?
284
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One four three?
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Yeah because one is uh like I, four
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for L-O-V-E and then U.
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That's how we text.
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Oh that's so cute.
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Nice.
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00:11:12,170 --> 00:11:14,350
Okay while you're there I'm going to keep
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you guys and you'll notice here I started
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00:11:16,930 --> 00:11:18,970
really energetic right and this may be a
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00:11:18,970 --> 00:11:20,710
little bit faster to normal but I started
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really energetic.
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I'm starting to bring it a little bit
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more quiet and and more intimate.
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Is that the 50?
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Yeah.
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00:11:27,130 --> 00:11:27,730
Can I borrow that?
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00:11:27,890 --> 00:11:28,450
Can I use the 85?
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Um yes but I need it back.
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00:11:32,670 --> 00:11:35,830
Okay so this one um I want you
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to try and fit your faces together like
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a puzzle.
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00:11:39,150 --> 00:11:42,530
So so so you're gonna try and fit
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00:11:42,530 --> 00:11:43,930
this part of your face Jesse.
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This like crook right into into Jenny's cheek
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bone there.
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More like yeah yeah just like that and
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and I don't want there to be any
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atoms in between.
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Oh okay perfect and yeah and just close
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your eyes there and then blow blow softly
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00:12:06,940 --> 00:12:07,880
into her ear there.
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Tickle her with your breath.
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There we go and Jenny can you put
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your your hands up on his?
318
00:12:19,930 --> 00:12:21,130
Yeah just like that.
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00:12:21,270 --> 00:12:21,830
That's great.
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00:12:22,450 --> 00:12:26,470
Hands make all the difference and let's get
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your sleeve back just a little bit.
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Perfect.
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00:12:33,850 --> 00:12:35,890
Maybe towards the back of his head now.
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That's right and I'm gonna get you to
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00:12:39,630 --> 00:12:42,890
bring your other hand up and over the
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top of his head.
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Yeah yeah.
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00:12:47,030 --> 00:12:47,590
Oh that's good.
329
00:12:48,010 --> 00:12:51,510
That's perfect and just really calm in there
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00:12:51,510 --> 00:12:58,100
so that there's no space and let me
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00:12:58,100 --> 00:12:59,100
see your teeth a little bit.
332
00:13:07,610 --> 00:13:09,090
Now what I'm gonna get you guys to
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00:13:09,090 --> 00:13:12,830
do is just stand um facing each other
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and you could hold hands to start with
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but really do whatever you want with your
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hands once you get started.
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Okay so nice and close together though.
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You want 85 or 50?
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Yeah uh I think I'll try the 50
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for a bit.
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00:13:27,670 --> 00:13:29,070
Okay and this time what I want you
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00:13:29,070 --> 00:13:31,690
guys to do is just take turns and
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you can whisper we don't have to hear
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00:13:33,270 --> 00:13:37,370
it just take turns um saying I fell
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00:13:37,370 --> 00:13:38,450
in love with you because.
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Finishing that sentence.
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Finishing that sentence.
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Yeah just
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give each other a hug there.
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Yeah just a nice hug guys.
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Okay now now I still love you because.
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Just just give each other a hug and
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00:14:48,330 --> 00:14:50,310
put your put your hands like this.
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00:14:53,250 --> 00:14:54,710
And your hands up there too.
355
00:14:55,550 --> 00:14:55,770
Jesse.
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00:14:55,910 --> 00:14:56,650
Your hands up Jesse.
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00:14:57,170 --> 00:14:57,990
On her face there.
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00:14:58,170 --> 00:14:58,290
Yeah.
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00:15:01,870 --> 00:15:05,030
And just just rub each other's noses really
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00:15:05,030 --> 00:15:05,410
lightly.
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00:15:20,820 --> 00:15:22,460
Jesse can you bring your hands back a
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00:15:22,460 --> 00:15:22,600
little bit.
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00:15:32,340 --> 00:15:34,180
Perfect and you guys can just finish with
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00:15:34,180 --> 00:15:34,440
a hug.
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00:15:34,700 --> 00:15:35,360
Just a nice hug guys.
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00:16:33,850 --> 00:16:34,810
Thank you guys.
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00:16:36,490 --> 00:16:38,950
So you can see how uh I mean
368
00:16:38,950 --> 00:16:42,030
that was what 15 minutes 10 minutes uh
369
00:16:42,030 --> 00:16:44,350
we started really energetic and we got sort
370
00:16:44,350 --> 00:16:47,610
of deeper and deeper into that that um
371
00:16:47,610 --> 00:16:50,390
that place of feeling right you could tell
372
00:16:50,390 --> 00:16:51,950
towards the end of the shoot they were
373
00:16:51,950 --> 00:16:54,290
not I mean they were still aware of
374
00:16:54,290 --> 00:16:56,910
the cameras but they didn't so much care
375
00:16:56,910 --> 00:17:00,050
about the cameras and uh we always start
376
00:17:00,050 --> 00:17:02,730
off with that because this is the this
377
00:17:02,730 --> 00:17:04,270
is the energy and this is what we're
378
00:17:04,270 --> 00:17:06,290
looking for in the rest of the shoot
379
00:17:06,290 --> 00:17:08,670
so we always make sure we start off
380
00:17:08,670 --> 00:17:12,050
with that and how was that for how
381
00:17:12,050 --> 00:17:13,790
did that feel for you guys like honestly
382
00:17:13,790 --> 00:17:17,210
like not scripted just improvised like how how
383
00:17:17,210 --> 00:17:19,369
was that experience oh it was an emotional
384
00:17:19,369 --> 00:17:21,950
mess because it was so special yeah so
385
00:17:21,950 --> 00:17:25,310
meaningful and yeah it was great yeah so
386
00:17:25,310 --> 00:17:28,230
when Lani and I started posing this way
387
00:17:28,230 --> 00:17:30,810
we realized that like when our couples look
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00:17:30,810 --> 00:17:32,990
at these photos if they if these photos
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00:17:32,990 --> 00:17:34,930
are hanging on their walls at their home
390
00:17:34,930 --> 00:17:38,230
every time they look at that photo it's
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00:17:38,230 --> 00:17:40,990
going to remind them of this experience and
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00:17:40,990 --> 00:17:42,790
it's going to remind them not of the
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00:17:42,790 --> 00:17:44,810
specifics of the experience but of the feeling
394
00:17:44,810 --> 00:17:46,850
of the experience so we can really we
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00:17:46,850 --> 00:17:49,490
can strengthen people's relationships with these with these
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00:17:49,490 --> 00:17:52,430
sessions and that's um that gives a lot
397
00:17:52,430 --> 00:17:54,110
more meaning to what we do with our
398
00:17:54,110 --> 00:17:57,230
cameras I really struggle with finding meaning in
399
00:17:57,230 --> 00:18:00,790
photography but since especially in portraits I've always
400
00:18:00,790 --> 00:18:03,450
struggled with finding meaning in portraits I find
401
00:18:03,450 --> 00:18:06,130
tons of meaning in documentary work and you
402
00:18:06,130 --> 00:18:08,690
know family dramas and little kids and quirks
403
00:18:08,690 --> 00:18:09,910
and all that sort of stuff I've always
404
00:18:09,910 --> 00:18:12,690
struggled with finding meaning in portraits but since
405
00:18:12,690 --> 00:18:15,990
we started posing this way it's it's uh
406
00:18:15,990 --> 00:18:18,270
it's become a lot more meaningful and and
407
00:18:18,270 --> 00:18:21,590
um as a result uh easier to shoot
25890
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