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So I'm going to demonstrate here how we
start off our shoots and usually we start
all our shoots off like this because the
tone that we set at the beginning of
the shoot is really really important and all
that energy that we build at the beginning
of the shoot is all that residual energy
is going to carry through the rest of
the shoot so it's really important.
I'm going to give them lots of fun
energetic prompts and you'll notice that I'm going
to start really really energetic and fun and
I'm going to go a little bit deeper
throughout the session.
It'll probably only take about 10 minutes but
this is really going to set the tone
for the shoot.
Some of the prompts that I've that I'm
giving them I've got from these guides here
these are called the Superfeel Guides.
They were made by Jesh DeRox and actually
I don't even know if I'm using any
actual prompts from these books but these books
have inspired a lot of the prompts that
I've come up with with our couples just
to get that real genuine emotion and to
get them into that part of their brain
where they're having fun and they're feeling and
they're connected with each other.
So let's give it a shot.
You guys ready?
Okay so for the first shot we're going
to go super energetic we're going to go
super fun.
So Jenny I'm going to have you stand
over here and Jesse you're going to stand
over here and once I say go actually
you're going to meet right about here in
the middle.
You're going to spin around in a circle
three times really fast and then you're going
to go in for a hug.
Okay ready?
Okay so three times really fast then in
for a hug.
One, two, three, go.
Oh you didn't spin.
You didn't spin.
I guess I did need to.
No you gotta go like this.
Okay so you go one, two, three, hug.
Yeah sorry I should explain better.
Okay three, two, one, go.
One, two, three, and go in for a
hug.
Awesome.
Great.
Okay and stay in the hug there whenever
I sit.
Unless I tell you to get out of
a hug.
Just stay in it.
Okay now what I want you guys to
do, I've never tried this one before but
I just thought of it.
I think it could be fun.
So you're going to start far apart again
and this time I want you to really
do a dramatic slow motion run like to
chariot safari to each other and then once
you meet in the middle you'll go in
for a big hug.
Okay three, two, one, go.
Okay awesome.
Great job.
Okay that's great.
And very rarely do I actually get any
usable shots from these moments especially the spinning
around and hugging because they're always facing the
wrong way and but it doesn't matter.
At this point I don't care.
I'm really just getting their energy up and
that's and often I do get some good
shots as well but it's not the point
within this section of the shoot.
Okay so for this one I'm going to
get you guys to go arm and arm
like you can yeah and what you're going
to do is I put on a wider
lens for the shot because I want to
get nice and close and fill the frame
with them and I'm using my eye detect
continuous focus.
This shot would be really hard without it.
Okay so now what I'm going to get
you guys to do is walk towards me
and I want you to you're a little
tipsy.
Okay so you're or you could be drunk
but I don't want your faces to be
drunk.
So your faces are sober and happy but
your bodies are like completely drunk.
Okay had too many margaritas.
Okay see okay three, two, one, walk towards
me and yeah don't look at me.
Oh yes perfect, perfect, perfect.
Awesome.
Okay that's good.
Okay I'm going to try one more lap
so go back.
I'm going to just put a different lens
on.
Best night of your lives.
But tomorrow morning's going to suck.
Three, two, one, go.
Okay give her a big like wet drunk
smooch on the cheek.
Oh that's good too and then on the
cheek.
Drunky, slobbery.
Okay we're going to do one more, just
one more.
I'm going to get you to start a
little further back and maybe I rarely say
this but I want you to take one
margarita off.
Okay just because I'm having problems focusing that's
it.
So five margaritas instead of six.
You only had five.
Yeah and I like it.
I love it when you like smooch her
in the cheek for sure.
Like a drunk smooch on the cheek and
then both hands on her.
That's perfect.
Okay one, two, three, go.
Okay.
That's good.
Okay other cheek.
Smooch on the other cheek.
Yeah okay awesome.
We're good.
Okay good.
Awesome.
So we're going to start in penguin pose
here.
So together at the hips.
Perfect and then perpendicular to me.
Perfect and then stand on your tiptoes there.
Perfect and now what I want you guys
to do is just pretend you're chickens and
you're pecking each other's noses.
Like in and out.
Like a little harder, a little more aggressive
with the pecking.
Yeah perfect and a little faster.
Okay and now Jenny look towards me.
More like right up in this area and
then Jesse like really aggressively peck her cheek.
Like her temple.
Harder.
Harder.
Perfect.
Okay that's good.
Okay and I'm gonna get you to look
almost up to the sky there Jenny and
then you're gonna sort of just peck right
at her cheek there.
Awesome and can you move your hands up
her back a little bit?
I just want to move his hands up
because I'm I'm quite tight in here and
his hands show everything.
Awesome.
Great.
Okay perfect.
Okay now what we're gonna do is a
little bit of a so I want you
guys to stand there and hold hands for
me and we'll do a little bit of
a mind meld.
So you guys have to try and read
each other's minds.
So I'm going to say like name a
vegetable or and then you guys on the
count of three have to try naming the
same vegetable.
Okay.
Okay a color.
One, two, three.
So you see that?
You see how she just like looked at
him and she's like oh my god we've
got the same we've got the same color
like I can't really pose that but I
can direct it right?
Actually we'll go in like that T position.
So fruit.
One, two, three.
Apple.
Oh my gosh.
You guys are good at this.
Okay color.
One, two, three.
Red.
Oh you see how she just looked up
at him there?
Like I can't I can't pose her to
look at him like that but I can
create scenarios to get her to look at
him like that.
Okay we'll do one more.
Movie.
One, two, three.
So good.
So many good moments in there.
Let's get you guys right where you are.
I'm going to get you guys to trade
nicknames for each other.
Okay so nicknames that you've never given each
other.
So you're just gonna take turns saying nicknames
to each other.
Okay.
Okay.
That we've never used?
Yeah new ones.
New ones.
Like like I don't know like Chia Pet.
Twinkly eyes.
You've used Chia Pet.
No I haven't actually called him Chia Pet
before but I should.
All right okay.
Okay so Jenny you go first.
All right um Munchkin.
You know me?
Yeah.
J-Bomb.
Oh I like that.
Uh the Jester.
Steely.
Bum Bum.
Goldilocks.
Oh that's great guys.
Okay just how you are there.
I love their position there and they've gotten
to this position all by themselves just with
the way their arms are and Jenny's hand
holding her arm.
It's perfect.
So I'm going to use this.
Can I just say also because we're observing
like so many good little moments in there
but also I was observing Jenny like the
way she was just just kind of gently
um scratching the back of uh uh Jesse's
back there.
Yeah yeah.
His mom was back with his fingers.
It was something I'm going to keep an
eye on now.
Yeah for sure yeah.
Okay so Jesse you're going to take the
tip of your nose very very tip hopefully
it's not wet and you're going to uh
just very gently rub it on on Jenny's
Jenny's temple.
Maybe you could stand up on your tiptoes
a bit Jenny and then I want you
to spell out a word that she has
to guess.
Well not guess.
What?
Do it again.
Oh yeah.
One four three.
One four three.
Okay none of us know what that means.
I love you.
Oh in what?
One four three?
Yeah because one is uh like I, four
for L-O-V-E and then U.
That's how we text.
Oh that's so cute.
Nice.
Okay while you're there I'm going to keep
you guys and you'll notice here I started
really energetic right and this may be a
little bit faster to normal but I started
really energetic.
I'm starting to bring it a little bit
more quiet and and more intimate.
Is that the 50?
Yeah.
Can I borrow that?
Can I use the 85?
Um yes but I need it back.
Okay so this one um I want you
to try and fit your faces together like
a puzzle.
So so so you're gonna try and fit
this part of your face Jesse.
This like crook right into into Jenny's cheek
bone there.
More like yeah yeah just like that and
and I don't want there to be any
atoms in between.
Oh okay perfect and yeah and just close
your eyes there and then blow blow softly
into her ear there.
Tickle her with your breath.
There we go and Jenny can you put
your your hands up on his?
Yeah just like that.
That's great.
Hands make all the difference and let's get
your sleeve back just a little bit.
Perfect.
Maybe towards the back of his head now.
That's right and I'm gonna get you to
bring your other hand up and over the
top of his head.
Yeah yeah.
Oh that's good.
That's perfect and just really calm in there
so that there's no space and let me
see your teeth a little bit.
Now what I'm gonna get you guys to
do is just stand um facing each other
and you could hold hands to start with
but really do whatever you want with your
hands once you get started.
Okay so nice and close together though.
You want 85 or 50?
Yeah uh I think I'll try the 50
for a bit.
Okay and this time what I want you
guys to do is just take turns and
you can whisper we don't have to hear
it just take turns um saying I fell
in love with you because.
Finishing that sentence.
Finishing that sentence.
Yeah just
give each other a hug there.
Yeah just a nice hug guys.
Okay now now I still love you because.
Just just give each other a hug and
put your put your hands like this.
And your hands up there too.
Jesse.
Your hands up Jesse.
On her face there.
Yeah.
And just just rub each other's noses really
lightly.
Jesse can you bring your hands back a
little bit.
Perfect and you guys can just finish with
a hug.
Just a nice hug guys.
Thank you guys.
So you can see how uh I mean
that was what 15 minutes 10 minutes uh
we started really energetic and we got sort
of deeper and deeper into that that um
that place of feeling right you could tell
towards the end of the shoot they were
not I mean they were still aware of
the cameras but they didn't so much care
about the cameras and uh we always start
off with that because this is the this
is the energy and this is what we're
looking for in the rest of the shoot
so we always make sure we start off
with that and how was that for how
did that feel for you guys like honestly
like not scripted just improvised like how how
was that experience oh it was an emotional
mess because it was so special yeah so
meaningful and yeah it was great yeah so
when Lani and I started posing this way
we realized that like when our couples look
at these photos if they if these photos
are hanging on their walls at their home
every time they look at that photo it's
going to remind them of this experience and
it's going to remind them not of the
specifics of the experience but of the feeling
of the experience so we can really we
can strengthen people's relationships with these with these
sessions and that's um that gives a lot
more meaning to what we do with our
cameras I really struggle with finding meaning in
photography but since especially in portraits I've always
struggled with finding meaning in portraits I find
tons of meaning in documentary work and you
know family dramas and little kids and quirks
and all that sort of stuff I've always
struggled with finding meaning in portraits but since
we started posing this way it's it's uh
it's become a lot more meaningful and and
um as a result uh easier to shoot
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