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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,760 --> 00:00:04,740 Welcome back. 2 00:00:05,260 --> 00:00:07,400 So in those first two weeks, we laid 3 00:00:07,400 --> 00:00:09,880 down the foundation for everything that's to come. 4 00:00:10,560 --> 00:00:11,520 That was the why. 5 00:00:12,140 --> 00:00:14,380 And so now we're going to switch gears 6 00:00:14,380 --> 00:00:16,520 and start picking apart the how. 7 00:00:17,020 --> 00:00:19,660 And all that stuff we introduced last week 8 00:00:19,660 --> 00:00:21,700 was centered around that energy triangle. 9 00:00:22,100 --> 00:00:23,740 And so what we're actually going to start 10 00:00:23,740 --> 00:00:26,900 this week with is diving in to that 11 00:00:26,900 --> 00:00:30,060 technical side of the triangle in much, much 12 00:00:30,060 --> 00:00:30,620 more detail. 13 00:00:31,000 --> 00:00:32,520 And we're kind of going from what we 14 00:00:32,520 --> 00:00:35,520 feel is the most important stuff last week, 15 00:00:35,660 --> 00:00:38,100 you know, the foundation, our approach, our philosophy, 16 00:00:38,600 --> 00:00:41,320 what we feel is probably the least important 17 00:00:41,320 --> 00:00:42,620 stuff, the gear we use. 18 00:00:43,360 --> 00:00:45,060 But that's not to say it isn't important, 19 00:00:45,440 --> 00:00:46,900 it's just not as important. 20 00:00:47,720 --> 00:00:48,980 So we're going to dive into our gear 21 00:00:48,980 --> 00:00:51,000 bag and we're going to show you exactly 22 00:00:51,000 --> 00:00:53,180 what we bring to every wedding and why 23 00:00:53,180 --> 00:00:53,780 we bring it. 24 00:00:53,860 --> 00:00:55,760 Then we're going to talk camera settings and 25 00:00:55,760 --> 00:00:57,900 show you exactly how we set up our 26 00:00:57,900 --> 00:00:58,280 cameras. 27 00:00:58,560 --> 00:01:00,100 Yeah, and so that's the first part of 28 00:01:00,100 --> 00:01:00,460 this week. 29 00:01:01,000 --> 00:01:04,220 Cameras, lenses, flashes, and the mechanics of all 30 00:01:04,220 --> 00:01:04,640 of that. 31 00:01:05,200 --> 00:01:07,400 In the second part, we're going to zoom 32 00:01:07,400 --> 00:01:10,060 into something else that we only just barely 33 00:01:10,060 --> 00:01:12,040 touched on in the energy triangle. 34 00:01:12,920 --> 00:01:13,220 Light. 35 00:01:13,840 --> 00:01:16,600 And not manufactured light, yet. 36 00:01:16,900 --> 00:01:17,980 That's coming next week. 37 00:01:18,500 --> 00:01:21,940 This week is all about natural light, which 38 00:01:21,940 --> 00:01:25,460 is actually almost always our preference, honestly. 39 00:01:25,740 --> 00:01:27,160 And most of our work, to be honest. 40 00:01:27,200 --> 00:01:29,760 Yeah, it's a bit of a misconception that, 41 00:01:29,880 --> 00:01:31,820 you know, we're all about off-camera light 42 00:01:31,820 --> 00:01:32,460 all the time. 43 00:01:33,020 --> 00:01:35,320 We make light when we need to and 44 00:01:35,320 --> 00:01:37,980 when it's a situation that's calling out for 45 00:01:37,980 --> 00:01:38,120 it. 46 00:01:38,640 --> 00:01:40,280 I would say at least 80% of 47 00:01:40,280 --> 00:01:42,220 what we do is lit by the sun 48 00:01:42,220 --> 00:01:44,160 or the natural ambient light. 49 00:01:44,800 --> 00:01:46,980 And so we're starting with natural light because 50 00:01:46,980 --> 00:01:49,520 you can't become a good lighting photographer until 51 00:01:49,520 --> 00:01:51,640 you become a good natural light photographer. 52 00:01:52,220 --> 00:01:54,240 So we're going to start with seeing it, 53 00:01:54,640 --> 00:01:57,040 move into shooting it, and then we're going 54 00:01:57,040 --> 00:01:59,180 to finish by taking you behind the scenes 55 00:01:59,180 --> 00:02:01,400 with us on a shoot where we're using 56 00:02:01,400 --> 00:02:02,500 nothing but natural light. 57 00:02:03,860 --> 00:02:05,820 All right, let's do this. 58 00:02:05,940 --> 00:02:06,780 Week three, here we come. 59 00:02:06,880 --> 00:02:07,000 Here we go. 60 00:02:07,199 --> 00:02:07,720 Let's do it. 4046