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All right, so that may have been a
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lot to absorb in the first two weeks.
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And if it felt a little bit like
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drinking from a fire hose, that's totally okay.
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Because this was kind of the 10,000
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foot, zoomed out, big picture view of what
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the whole puzzle looks like when it's all
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put together.
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And the why we're doing everything we're doing.
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So next week, we're going to start zooming
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in to the little pieces of that puzzle
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and deconstructing the how.
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Yeah, it's gonna get fun.
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But first, this week's homework.
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Okay, so this week's homework is all about
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style and voice.
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Okay, it's about figuring out what interests you
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and also what doesn't interest you.
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Okay, in the context of wedding photography, this
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is really, really important.
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Because we often put ourselves in these boxes,
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right?
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These boxes of being wedding photographers, and we
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create boring images like a corpseless dress shot
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hanging in a tree.
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So what interests you is something we want
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you to become more in tune with throughout
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the duration of this course for the next
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100 days.
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One way we can do this is to
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try and get in the habit every single
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day of creating before we consume for the
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next 100 days.
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Right.
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So that's kind of like a challenge, right?
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A personal challenge, if we can set to
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start to create that habit.
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Yeah.
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Yeah.
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Because that way you won't be, you won't
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necessarily be influenced by what you think you
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should be interested in.
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Right?
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Like when we go on Instagram, and we
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look at other people's wedding work, or any
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creative work by someone else, it's almost like
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we're focusing on what their interests are.
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And it kind of skews what our interests
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are.
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Right?
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So if we want to find our authentic
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voice, and we want to find our style,
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and that's probably one of the most common
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questions we get, is how do I find
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my style?
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How do I find my style as a
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wedding photographer?
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Your style is photographing what interests you.
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Now our kids are amazing at this.
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They have a very, very keen sense of
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what they're interested in, and what they find
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boring.
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And so we just need to tap into
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that, tap into that, that ability that all
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of us had when we were children.
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Yeah.
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And we've already alluded to this, but we
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noticed that our work shifted a lot when
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our interest shifted from photography, and the imagery
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we were creating, to what we were photographing.
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Right?
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Our humans and the stories that we were
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documenting.
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Once we were able to tap into, or
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shift our focus into that, our work grew
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and matured into something much, much deeper.
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Really, that's why photography was invented.
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It was invented to express an interest in
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something else.
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Yeah.
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And finding your style is such a tormented
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topic for so many photographers.
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Right?
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Like, what's my voice?
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What's my style?
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Shoot what you like, how you like.
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That's your style.
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How do you do that?
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Figure out what you find interesting.
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Shoot what you genuinely find interesting, in ways
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that genuinely interest you.
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That's your voice.
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So with that in mind, we want you
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to make one photograph every day for the
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next week, or perhaps for the duration of
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the course.
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But one photograph every day of something that
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interests you.
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And this could be anything.
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It could be the water droplets on your
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window.
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It could be your kids' expression.
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It could be the way the wrinkles form
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around your eyes.
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And this isn't about the that you create.
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No.
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Okay, this is about the curiosity that led
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you there.
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Okay?
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And the interest you paid attention to.
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And don't judge about whether or not you
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should be interested in this or not.
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Our brains are super judgmental.
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And you won't be able to turn that
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off, but you can choose to ignore it,
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at least.
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Don't judge it.
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Just observe what you find interesting.
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And then photograph it.
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And then photograph it.
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But more important than making a photo of
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it, is observing it.
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Okay?
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Observing your curiosity about it.
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And then let that guide you into making
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a photo of it.
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Exactly.
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Yeah.
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And feel free to share these in the
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Facebook group if you want, but that's completely
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optional.
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This isn't about, again, it's not about succeeding
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or failing.
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It's about giving that inner signal in your
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brain some space to be heard.
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Okay?
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Because it's there.
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It's just sometimes muted.
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Well, guys, that's it.
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You are now firmly planted on the tip
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of this iceberg.
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See you back here soon for week three
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of Two Man U.
9238
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