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All language subtitles for Vanilla Sky 2001_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:56,840 --> 00:00:58,100 ABRE LOS OJOS. 2 00:00:59,900 --> 00:01:01,070 OPEN YOUR EYES. 3 00:01:01,900 --> 00:01:04,800 ♪ 4 00:01:04,910 --> 00:01:06,260 OPEN YOUR EYES. 5 00:01:06,290 --> 00:01:11,540 ♪ LIVE AND LEARN LIVE AND LEARN ♪ OPEN YOUR EYES. 6 00:01:17,060 --> 00:01:21,140 OPEN YOUR EYES. ♪ LIVE AND LEARN LIVE AND LEARN ♪ 7 00:01:21,140 --> 00:01:23,780 ♪ LIVE AND LEARN ♪ OPEN YOUR-- 8 00:01:34,144 --> 00:01:37,444 ♪ EVERYTHING ♪ 9 00:01:39,110 --> 00:01:42,544 ♪ EVERYTHING ♪ 10 00:01:44,277 --> 00:01:47,910 ♪ EVERYTHING ♪ 11 00:01:48,910 --> 00:01:52,710 ♪ EVERYTHING ♪ 12 00:01:52,810 --> 00:01:58,177 ♪ IN ITS RIGHT PLACE ♪ 13 00:01:58,277 --> 00:02:03,844 ♪ IN ITS RIGHT PLACE ♪ 14 00:02:03,944 --> 00:02:07,677 ♪ IN ITS RIGHT PLACE ♪ 15 00:02:07,777 --> 00:02:11,110 ♪ IN ITS RIGHT PLACE ♪ 16 00:02:14,277 --> 00:02:18,144 ♪ YESTERDAY I WOKE UP SUCKING A LEMON ♪ 17 00:02:18,244 --> 00:02:23,510 ♪ YESTERDAY I WOKE UP SUCKING A LEMON ♪ 18 00:02:23,610 --> 00:02:28,477 ♪ YESTERDAY I WOKE UP SUCKING A LEMON ♪ 19 00:02:28,577 --> 00:02:32,844 ♪ YESTERDAY I WOKE UP SUCKING A LEMON ♪ 20 00:02:32,944 --> 00:02:35,244 ♪ 21 00:04:16,390 --> 00:04:17,980 OPEN YOUR EYES. 22 00:04:20,620 --> 00:04:22,840 DAVID ? OPEN YOUR-- 23 00:04:34,990 --> 00:04:37,330 NOT ALL RICH KIDS ARE SOULLESS, 24 00:04:37,330 --> 00:04:40,930 AND NOT ALL PSYCHOLOGISTS CARE ABOUT DREAMS. 25 00:04:41,800 --> 00:04:44,800 THE QUESTION IS HOW YOU GOT HERE AND WHY YOU'VE BEEN CHARGED. 26 00:04:49,150 --> 00:04:53,140 I RAN THREE MAGAZINES AND A WORLDWIDE PUBLISHING HOUSE. 27 00:04:53,380 --> 00:04:56,020 ON MOST DAYS, I ACTUALLY FOOLED MYSELF INTO BELIEVING... 28 00:04:56,020 --> 00:04:57,370 IT WOULD LAST FOREVER. 29 00:04:58,180 --> 00:05:00,460 ISN'T THAT WHAT BEING YOUNG IS ABOUT ? 30 00:05:00,730 --> 00:05:04,360 BELIEVING SECRETLY THAT YOU WOULD BE THE ONE PERSON... 31 00:05:04,360 --> 00:05:07,780 IN THE HISTORY OF MAN WHO WOULD LIVE FOREVER ? 32 00:05:12,250 --> 00:05:13,840 WHERE ARE YOU GOIN' SO EARLY ? 33 00:05:13,870 --> 00:05:16,930 DON'T RECORD ANY MORE MESSAGES ON MY ALARM CLOCK, OKAY ? 34 00:05:17,350 --> 00:05:20,620 - WHY NOT ? - BECAUSE I'LL START TO THINK WE'RE MARRIED OR SOMETHING. 35 00:05:21,160 --> 00:05:23,680 DON'T EVER SAY THAT WORD. I WILL NEVER COME OVER... 36 00:05:23,680 --> 00:05:26,350 AND BRING YOU CHICKEN SOUP AND FUCK YOUR BRAINS OUT AGAIN. 37 00:05:28,180 --> 00:05:29,380 - HOW'S YOUR COLD ? - HMM. 38 00:05:31,150 --> 00:05:33,580 STILL THERE. HOW ABOUT YOURS ? 39 00:05:33,610 --> 00:05:36,520 YOU DEFINITELY TOOK MY MIND OFF IT. 40 00:05:36,520 --> 00:05:37,300 REALLY ? 41 00:05:38,787 --> 00:05:41,287 ♪ YES ! 42 00:05:47,830 --> 00:05:50,950 JULIANNA HERE. HI, RAYNA. 43 00:05:50,980 --> 00:05:53,980 I MISSED MY AUDITION. I LOST MY HEAD. 44 00:05:54,490 --> 00:05:56,050 NO, LISTEN, I HAVE TO GO. 45 00:05:58,063 --> 00:06:00,763 ♪ 46 00:06:01,690 --> 00:06:02,890 HELP YOURSELF TO WHATEVER YOU WANT. 47 00:06:02,920 --> 00:06:05,140 MARIA WILL CLEAN UP. SET THE ALARM BEFORE YOU GO. 48 00:06:05,440 --> 00:06:06,580 AND-- 49 00:06:11,920 --> 00:06:13,300 BYE, HONEY ! 50 00:06:13,420 --> 00:06:15,970 BYE, HONEY ! I'LL CALL YOU LATER. 51 00:06:19,240 --> 00:06:20,980 WHEN ? SOON ! 52 00:06:44,206 --> 00:06:47,140 ♪ I KNOW YOU SAY ♪ 53 00:06:47,240 --> 00:06:50,140 ♪ MAYBE SOMEDAY ♪ 54 00:06:50,360 --> 00:06:53,120 ♪ I MAY NEVER BE IN LOVE ♪ 55 00:06:56,240 --> 00:06:59,473 ♪ I KNOW I SAY ♪ 56 00:07:00,080 --> 00:07:02,450 ♪ IT'S THE RIGHT WAY ♪ 57 00:07:02,450 --> 00:07:06,170 ♪ BUT YOU'LL NEVER BE THE ONE ♪ 58 00:07:06,170 --> 00:07:08,570 DID YOU RESERVE THE COURT ? EASY. 59 00:07:08,570 --> 00:07:11,600 I CAN'T HANDLE HEAVY CONVERSATION AT THIS UNGODLY HOUR. 60 00:07:11,660 --> 00:07:14,180 SORRY TO DO THIS EARLY, BUT I GOT TO BE DONE BY 10:00. 61 00:07:20,330 --> 00:07:23,510 YOU HAVE TO CHECK THE COLORS OF THE LETTERS FOR THE NEW ISSUE OF RISE. 62 00:07:23,600 --> 00:07:26,930 WHAT ARE THE COLORS ? YELLOW AND RED, OR THE TRADITIONAL WHITE. 63 00:07:29,600 --> 00:07:31,700 GOTTA THINK ABOUT IT. DAVID, PLEASE. 64 00:07:31,700 --> 00:07:33,650 DON'T BE LATE FOR THE 10:00 WITH THE BOARD. 65 00:07:33,680 --> 00:07:36,860 OKAY, BUT DON'T TELL ANYBODY WHERE I AM. I DON'T CARE IF GOD CALLS. 66 00:07:36,860 --> 00:07:43,070 I'M VERY, VERY BUSY. BUT YOU HAVE-- 67 00:07:43,070 --> 00:07:44,570 - YEAH. - 68 00:07:44,750 --> 00:07:47,540 - CAN'T YOU JUST GET RID OF THAT BOARD ? - THE SEVEN DWARFS ? NO. 69 00:07:47,570 --> 00:07:49,130 THOSE PEOPLE DRIVE YOU NUTS. 70 00:07:49,820 --> 00:07:52,460 AND THAT WAS THE DESIRE OF MY FATHER, WHO HIRED THEM. 71 00:07:55,940 --> 00:07:58,160 YOU FUCKED JULIE GIANNI AGAIN, DIDN'T YOU ? 72 00:07:59,390 --> 00:08:02,000 YEAH, I KNOW SOMEONE WAS THERE WHEN I CALLED. 73 00:08:02,000 --> 00:08:03,560 YOU HAD THAT TONE. 74 00:08:04,040 --> 00:08:07,970 "OH, NO, MAN, I GOT A COLD. I'M HANGING IN TONIGHT, YOU KNOW ?" 75 00:08:08,300 --> 00:08:09,440 I HAD A COLD. 76 00:08:11,000 --> 00:08:12,920 I WAS ALONE. FINE. 77 00:08:13,130 --> 00:08:15,470 YOU CAN DO WHATEVER YOU WANT WITH YOUR LIFE. 78 00:08:15,470 --> 00:08:19,190 THANKS. BUT ONE DAY, YOU'LL KNOW WHAT LOVE TRULY IS. 79 00:08:19,220 --> 00:08:20,870 IT'S THE SOUR AND THE SWEET. 80 00:08:20,870 --> 00:08:24,800 AND I KNOW SOUR, WHICH ALLOWS ME TO APPRECIATE THE SWEET. 81 00:08:25,880 --> 00:08:27,950 JULIE GIANNI IS A FRIEND. 82 00:08:28,460 --> 00:08:29,930 SOMETIMES WE SLEEP TOGETHER. 83 00:08:34,460 --> 00:08:37,250 WHAT ? MY DREAM GIRL, 84 00:08:37,280 --> 00:08:39,500 JULIE GIANNI, 85 00:08:39,770 --> 00:08:42,289 IS YOUR FUCK BUDDY. 86 00:08:44,840 --> 00:08:46,650 SLOW DOWN, MAN. WHAT DO WE GOT HERE ? 87 00:08:47,160 --> 00:08:48,720 BARCELONA, LOOPER. 88 00:08:50,490 --> 00:08:52,740 - RADIOHEAD ? - LOOK OUT ! LOOK OUT ! 89 00:08:55,440 --> 00:08:58,050 FUCK ! 90 00:08:59,580 --> 00:09:00,540 FUCK ! 91 00:09:06,780 --> 00:09:08,520 I KNOW. USE YOUR FUCKING HEAD ! 92 00:09:08,520 --> 00:09:11,340 MY OWN DEATH WAS RIGHT THERE IN FRONT OF ME, AND YOU KNOW WHAT HAPPENED ? 93 00:09:11,970 --> 00:09:13,770 YOUR LIFE FLASHED BEFORE MY EYES. 94 00:09:14,130 --> 00:09:17,550 HOW WAS IT ? ALMOST WORTH DYING FOR. 95 00:09:18,870 --> 00:09:21,630 WE'RE AT THE FRONT DOOR. WE'RE COMING UP NOW. 96 00:09:21,660 --> 00:09:23,910 GOOD MORNING, SIR. SLEEP WELL ? HAVE YOU EATEN YET ? YES, I DID. 97 00:09:24,900 --> 00:09:27,480 WHAT'S THAT ? NO. HAVE YOU EATEN ANYTHING YET ? 98 00:09:27,480 --> 00:09:29,460 DAVID, YOU WERE PLAYING RACQUETBALL. GOOD MORNING, FRITZ. 99 00:09:29,460 --> 00:09:31,890 I HAVE BEEN COVERING YOU FOR AN HOUR. I'M SAVING YOUR ASS, 100 00:09:31,890 --> 00:09:33,870 AND YOU'RE PLAYING RACQUETBALL ? THANK YOU, FRITZ. 101 00:09:34,500 --> 00:09:38,400 WE ARE NOW EXITING THE ELEVATOR. THE BOARD IS NOT HAPPY. GOOD MORNING, BEATRICE. 102 00:09:38,430 --> 00:09:40,320 - HELLO, DAVID. - YOU'RE IN THE POST TODAY. 103 00:09:40,350 --> 00:09:43,200 COURTNEY LOVE CALLED TO SEE IF YOU GOT HER E-MAIL, AND GRAYDON CARTER AND-- 104 00:09:43,200 --> 00:09:45,120 HI. AND SHELLY WANGER CALLED TO SEE... 105 00:09:45,120 --> 00:09:46,950 IF YOU'RE STILL ON FOR DINNER TONIGHT. COOL. 106 00:09:47,280 --> 00:09:49,680 AND THE ART DEPARTMENT STILL NEEDS A DECISION ON THE COLOR OF THE LETTERS... 107 00:09:49,680 --> 00:09:52,110 FOR THE BIKINI ISSUE-- YELLOW AND RED, OR WHITE. HI. HEY. 108 00:09:52,140 --> 00:09:54,570 AND DID I MENTION THE BOARD IS PISSED YOU'RE LATE ? HELLO. 109 00:09:55,440 --> 00:09:57,030 HEY, DAVID, HOLD UP ! 110 00:09:57,150 --> 00:10:00,480 CHOOSE ONE. WHICH ONE ? WAIT ! THIS ONE ? DAVID ! 111 00:10:00,510 --> 00:10:02,370 OKAY, OKAY, THEY'RE ALL WAITING FOR YOU. DAVID ! 112 00:10:02,370 --> 00:10:04,860 YOU CHANGED YOUR HAIR. YES. 113 00:10:04,860 --> 00:10:08,400 AND-AND, DAVID, OPINIONS ARE EXPECTED. 114 00:10:08,430 --> 00:10:08,910 DAVID. 115 00:10:19,440 --> 00:10:21,810 THE SEVEN DWARFS, AS YOU CALL THEM ? 116 00:10:25,470 --> 00:10:28,650 HAPPY, DOC, DOPEY, 117 00:10:28,860 --> 00:10:32,550 AND, OF COURSE, GRUMPY. HOW WAS ASPEN ? 118 00:10:33,510 --> 00:10:34,350 GOOD. 119 00:10:34,680 --> 00:10:37,290 NOW, I WANT ANSWERS, AND I WANT THEM NOW. 120 00:10:45,900 --> 00:10:48,180 HOW'S IT GOIN' ? 121 00:10:48,180 --> 00:10:50,820 AS IF I WAS 11 YEARS OLD. 122 00:10:51,270 --> 00:10:55,470 HE'S GOING TO INHERIT EVERYTHING. HE GETS IT ALL. 123 00:10:58,050 --> 00:10:59,550 IT'S A NIGHTMARE EITHER WAY. 124 00:11:00,210 --> 00:11:02,010 IS THAT HOW YOU EXPLAIN WHAT'S HAPPENED TO YOU ? 125 00:11:02,040 --> 00:11:04,680 WHAT ? WHAT HAPPENED TO YOUR FACE ? 126 00:11:06,270 --> 00:11:08,940 I'M NOT TALKING TO YOU ANYMORE. AND YOU DON'T WANNA SHOW ME YOUR FACE. 127 00:11:08,970 --> 00:11:09,450 NO ! 128 00:11:14,220 --> 00:11:17,250 DO YOU KNOW WHY YOU'RE HERE ? THE CONVERSATION, THE COFFEE-- 129 00:11:17,280 --> 00:11:20,250 DAVID, THE PART WHERE WE PARRY AND JOUST... 130 00:11:20,670 --> 00:11:22,740 AND GET TO KNOW EACH OTHER BIT BY BIT-- 131 00:11:23,160 --> 00:11:24,930 NO. NO CAN DO. 132 00:11:24,960 --> 00:11:28,860 WE'RE GONNA HAVE TO SKIP THAT, BECAUSE YOU'VE BEEN CHARGED WITH MURDER. 133 00:11:29,420 --> 00:11:30,480 IN FOUR WEEKS, 134 00:11:30,510 --> 00:11:34,020 A JUDGE WILL DETERMINE YOUR FATE BASED ON WHAT I WRITE. 135 00:11:34,050 --> 00:11:38,400 SO YOU WILL TALK TO ME. THERE IS NO MURDER. 136 00:11:38,730 --> 00:11:42,340 THERE IS NO MURDER ! 137 00:11:42,430 --> 00:11:44,710 IT NEVER HAPPENED ! 138 00:11:46,030 --> 00:11:48,910 I DON'T HAVE TO TALK TO ANYBODY ! 139 00:11:49,000 --> 00:11:50,470 WANT ME TO HELP ? YOU TAKE IT EASY, SUNSHINE. GET THE FUCK AWAY FROM ME. 140 00:11:51,850 --> 00:11:54,550 TAKE IT EASY, FACE ! YEAH, YOUR WHOLE STORY'S FULL OF HOLES ! 141 00:11:54,550 --> 00:11:55,420 STOP. STOP ! ALL RIGHT ? 142 00:11:56,650 --> 00:11:59,170 PLEASE LEAVE RIGHT NOW. I'LL TAKE RESPONSIBILITY. 143 00:11:59,290 --> 00:12:01,240 PLEASE LEAVE RIGHT NOW. HE'S GOT CONTROL. 144 00:12:02,830 --> 00:12:05,440 I'M GONNA GET YOU, DADDY'S BOY LITTLE FREAK. 145 00:12:06,160 --> 00:12:08,830 MY PARENTS ARE DEAD, YOU FUCK. ENOUGH. 146 00:12:12,730 --> 00:12:15,340 GOOD COP, BAD COP. THAT YOU'RE A DADDY'S BOY ? 147 00:12:17,320 --> 00:12:19,780 PRIMER ON DAVID AAMES, SR. 148 00:12:20,710 --> 00:12:22,990 MY FATHER WASN'T BUILT FOR THE 21st CENTURY. 149 00:12:23,020 --> 00:12:25,030 HE NEVER WENT TO McDONALDS, NOT ONCE. 150 00:12:25,060 --> 00:12:28,600 HE NEVER WATCHED TELEVISION, AND YET HIS BIGGEST MAGAZINE... 151 00:12:28,600 --> 00:12:30,460 IS STILL THE TV DIGEST. 152 00:12:30,550 --> 00:12:34,750 HE AND MY MOTHER THREW THE GRANDEST PARTIES OF THE LITERARY WORLD. 153 00:12:34,780 --> 00:12:38,290 BALLOONED, JUMPED OUT OF AIRPLANES. HE SOUGHT ADVENTURE. 154 00:12:38,320 --> 00:12:42,970 HIS AUTOBIOGRAPHY IS THE MANUAL FOR EVERY CUTTHROAT PUBLISHER IN NEW YORK CITY. 155 00:12:42,970 --> 00:12:45,730 IT'S CALLED DEFENDING THE KINGDOM. 156 00:12:45,730 --> 00:12:47,200 I'VE-I'VE READ IT. 157 00:12:47,970 --> 00:12:49,670 PAGE 127: 158 00:12:49,750 --> 00:12:53,650 "DAVID JR. WAS A DELIGHT AS A CHILD." DID I MISS SOMETHING HERE ? 159 00:12:53,680 --> 00:12:55,450 IS THAT ALL HE WROTE ABOUT YOU ? 160 00:13:00,550 --> 00:13:03,310 THAT I'M ABSOLUTELY... 161 00:13:03,340 --> 00:13:05,800 TERRIFIED OF HEIGHTS. 162 00:13:07,510 --> 00:13:08,830 THE IRONY CONTINUES. 163 00:13:08,830 --> 00:13:13,120 WHEN HE AND MY MOTHER WERE RUN OVER BY A DRUNKEN TEENAGER... 164 00:13:13,180 --> 00:13:15,970 ON NEW YEAR'S EVE TEN YEARS AGO, 165 00:13:16,420 --> 00:13:20,080 HE LEFT THE KEYS TO THE KINGDOM... 166 00:13:20,740 --> 00:13:21,790 TO ME. 167 00:13:22,330 --> 00:13:25,750 FIFTY-ONE PERCENT CONTROL, FORTY-NINE PERCENT GOING TO A GROUP... 168 00:13:25,750 --> 00:13:28,210 OF SEVEN BOARD MEMBERS WHO ALL THOUGHT... 169 00:13:28,240 --> 00:13:31,210 THEY WERE FIRST IN LINE. 170 00:13:31,210 --> 00:13:33,370 AND YOU BELIEVE THE BOARD-- 171 00:13:33,400 --> 00:13:38,360 THE SEVEN DWARFS-- PUT YOU HERE TO TAKE CONTROL OF YOUR COMPANY. 172 00:13:42,230 --> 00:13:43,490 OH, WE'RE JUST TALKING. 173 00:13:45,560 --> 00:13:49,340 AND TONIGHT'S WEDNESDAY NIGHT, AND I GO TO BLACK ANGUS FOR DINNER... 174 00:13:49,340 --> 00:13:53,090 WITH MY TWO DAUGHTERS ON WEDNESDAY NIGHTS, SO I'LL HAVE TO LEAVE SOON. 175 00:13:53,420 --> 00:13:57,200 YOU DO UNDERSTAND THAT OUR TIME IS LIMITED, DON'T YOU ? 176 00:14:00,230 --> 00:14:01,130 IF I TALK, 177 00:14:02,300 --> 00:14:04,070 YOU'LL JUST THINK I'M CRAZY. 178 00:14:16,280 --> 00:14:18,830 WITH ALL THE POSSIBLE RESPECT... 179 00:14:18,830 --> 00:14:21,230 I CAN OFFER A MAN WEARING A LATEX MASK... 180 00:14:21,230 --> 00:14:23,720 AND SPOUTING CONSPIRACY THEORIES, DAVID, 181 00:14:24,920 --> 00:14:27,950 BELIEVE ME, YOU'VE CROSSED THAT BRIDGE. 182 00:14:29,150 --> 00:14:30,230 ENJOY YOUR DINNER. 183 00:14:32,900 --> 00:14:36,350 THERE ARE FIVE BASIC EMOTIONS IN LIFE, DAVID. 184 00:14:38,180 --> 00:14:41,240 TELL ME, WHAT EMOTION GRIPPED HIM... 185 00:14:42,170 --> 00:14:43,790 BEFORE HE ENTERED THAT CELL ? 186 00:14:44,600 --> 00:14:45,950 WAS IT GUILT ? 187 00:14:46,910 --> 00:14:47,900 HATE ? 188 00:14:50,120 --> 00:14:51,140 SHAME ? 189 00:14:54,050 --> 00:14:55,220 REVENGE ? 190 00:15:06,320 --> 00:15:08,450 I'M COMPLETELY ON THE WRONG TRACK, AREN'T I ? 191 00:15:08,717 --> 00:15:13,550 ♪ 192 00:15:13,550 --> 00:15:14,600 WHO NEEDS ICE ? 193 00:15:17,420 --> 00:15:20,000 HEY, EMMA. DAVID, HAPPY BIRTHDAY. 194 00:15:20,030 --> 00:15:23,690 YOU HAVE GOT THE GREATEST TASTE IN SHOES, BAR NONE, ANYWHERE. 195 00:15:23,690 --> 00:15:25,520 I CAN'T BELIEVE YOU REMEMBER. EMMA, HAVE YOU MET LYNETTE ? 196 00:15:25,550 --> 00:15:27,800 NO, NO, BUT I SHUDDER TO THINK WHAT WE MIGHT HAVE IN COMMON. 197 00:15:28,130 --> 00:15:32,480 DID YOU INVITE THE ENTIRE OLYMPIC SNOWBOARDING TEAM ? EXCUSE ME. 198 00:15:32,480 --> 00:15:34,910 TODAY'S MY BIRTHDAY. 199 00:15:34,940 --> 00:15:35,720 HAPPY BIRTHDAY. 200 00:15:39,260 --> 00:15:41,990 WELCOME TO GRACELAND. 201 00:15:44,900 --> 00:15:47,540 HAPPY BIRTHDAY, YOU SON OF A BITCH. HAPPY BIRTHDAY, DAVID. 202 00:15:50,780 --> 00:15:52,550 HEY ! FRIENDS OF ME ! HELLO ! 203 00:15:53,600 --> 00:15:54,620 LET THE FUN ENSUE. 204 00:15:54,980 --> 00:15:59,330 THE LIVING STEREO SYSTEM WILL BE ON-LINE IN A MOMENT. IT IS THE GREAT JOHN COLTRANE. 205 00:15:59,900 --> 00:16:02,270 THEY WOULD LOVE AN ARTICLE ON IT. BUT IF YOU LIKE IT, 206 00:16:02,300 --> 00:16:04,640 IT'S AN AMAZING, AMAZING PROTOTYPE. 207 00:16:04,940 --> 00:16:08,990 NO, NO, NO. THAT'S OKAY. I'VE GOT IT. 208 00:16:09,260 --> 00:16:10,400 AND HAPPY BIRTHDAY, SIR. 209 00:16:13,040 --> 00:16:14,360 LITERARY GOD BRIAN SHELBY. 210 00:16:14,390 --> 00:16:18,170 HAPPY BIRTHDAY, AND ALL THE USUAL SHIT PEOPLE SAY TO EACH OTHER. 211 00:16:18,170 --> 00:16:21,200 HOW YA DOIN' ? LIVIN' THE DREAM, BABY. LIVIN' THE DREAM. 212 00:16:21,710 --> 00:16:23,900 - DAVID AAMES. - AND TO WHAT DO I OWE THIS PLEASURE ? 213 00:16:23,930 --> 00:16:25,760 THE PLEASURE OF SOFIA SERRANO. 214 00:16:25,790 --> 00:16:29,600 WE MET TODAY AT THE LIBRARY, IF YOU CAN BELIEVE THAT. I'M SORRY ABOUT MY COAT. 215 00:16:29,600 --> 00:16:33,240 - IT'S TOO BIG FOR YOUR CLOSET. - WE WERE BOTH PRETENDING TO BE INTELLECTUALS. 216 00:16:33,240 --> 00:16:36,450 IT'S AMAZING. I LOVE YOUR COAT. NO, I-I OVERDRESSED. 217 00:16:36,480 --> 00:16:40,320 I MEAN, I UNDERDRESSED. I'LL JUST CONTINUE LIKE YOU'RE BOTH ACTUALLY LISTENING TO ME. 218 00:16:40,350 --> 00:16:42,240 DO YOU HAVE ANOTHER ROOM TO PUT IT IN ? 219 00:16:42,270 --> 00:16:44,340 - DANIELLE ? - I HAVE CEASED TO EXIST. 220 00:16:44,370 --> 00:16:47,160 MADISON SQUARE GARDEN IS NEARBY. I THINK IT MIGHT FIT THERE 221 00:16:47,160 --> 00:16:49,020 YES, DAVID. 222 00:16:49,020 --> 00:16:51,930 HAPPY BIRTHDAY. WE PICKED IT OUT TOGETHER. 223 00:16:51,960 --> 00:16:54,420 - THANK YOU. - WE PICKED IT OUT TOGETHER. 224 00:16:54,420 --> 00:16:59,190 WE-- YOU'RE WELCOME. 225 00:16:59,310 --> 00:17:00,960 STOP FLIRTING AND OPEN IT. 226 00:17:04,530 --> 00:17:07,589 - LET'S GET A DRINK. - YES. - I'LL LEAVE THIS UPSTAIRS. 227 00:17:16,800 --> 00:17:21,329 HI. COME HERE A SECOND. 228 00:17:21,869 --> 00:17:22,669 I'LL BE RIGHT BACK. OKAY. 229 00:17:26,339 --> 00:17:28,560 HEY, LISTEN-- NO, NO. HEY, TOMMY. 230 00:17:28,560 --> 00:17:31,140 NO, DON'T-DON'T BLOW ME OFF. I'M ALL PACKED. 231 00:17:31,140 --> 00:17:33,720 I'M GOING BACK TO LONDON, AND I UNDERSTAND... 232 00:17:33,720 --> 00:17:37,020 YOU PUT ME UP FOR THAT OTHER ATTORNEY'S JOB SO YOU DIDN'T HAVE TO FIRE ME. 233 00:17:37,020 --> 00:17:40,530 THAT'S A CLASSY MOVE, AND YOUR FATHER WOULD'VE DONE THE SAME. 234 00:17:40,560 --> 00:17:44,370 IT'S OKAY, TOMMY. NO, I-I-- I BECAME INCOMPETENT. 235 00:17:45,060 --> 00:17:48,660 IS THERE ANYTHING MORE UNBECOMING THAN AN AGING MASCOT ? 236 00:17:49,920 --> 00:17:53,250 I CARED FOR YOUR FATHER. I LIVED AND BREATHED FOR HIM, 237 00:17:53,250 --> 00:17:56,700 BUT THESE GUYS, THE SEVEN DWARFS, 238 00:17:56,730 --> 00:17:58,140 THEY THINK YOU'RE STUPID. 239 00:17:58,560 --> 00:18:00,720 A CORPORATE HAZARD. A ROGUE. 240 00:18:00,780 --> 00:18:03,420 THEY ARE GONNA FIND A WAY TO GET YOU OUT, DAVID. 241 00:18:03,720 --> 00:18:05,670 THEY'RE LINED UP FOR YOUR OFFICE, 242 00:18:05,700 --> 00:18:08,310 YOUR LIFE, YOUR POSITION. 243 00:18:08,430 --> 00:18:13,440 THEY'RE WORKING DAY AND NIGHT TO CHEAT YOU OUT OF YOUR 51% VOTE. 244 00:18:13,440 --> 00:18:16,740 AND THEY'RE GONNA SELL THIS TRADITION OF WORDS... 245 00:18:16,740 --> 00:18:19,800 SO THEY CAN EAT IN A BETTER CAFETERIA. 246 00:18:20,610 --> 00:18:22,740 BUT WHAT THEY DON'T KNOW IS THIS. 247 00:18:23,130 --> 00:18:25,800 - PEOPLE WILL READ AGAIN ! - - YEAH ! 248 00:18:28,140 --> 00:18:30,690 I GOT IT. DO YOU KNOW THEY EVEN GOT A-- 249 00:18:31,260 --> 00:18:33,270 WELL, A NICKNAME FOR YOU BEHIND YOUR BACK. 250 00:18:35,250 --> 00:18:37,950 CITIZEN DILDO. 251 00:18:39,390 --> 00:18:41,220 NOW, YOU GOT GREAT INSTINCTS. 252 00:18:41,220 --> 00:18:44,220 BUT I SAY THIS WITH COMPLETE LOVE. 253 00:18:44,490 --> 00:18:49,020 CLAIM YOUR LIFE. LEARN TO BE AN ASSHOLE. 254 00:18:49,050 --> 00:18:50,400 DON'T-- TWO'S ENOUGH. 255 00:18:54,840 --> 00:18:57,780 BUT I STILL BELIEVE IN THIS FAMILY, DAVID, 256 00:18:57,810 --> 00:18:59,640 EVEN IF IT'S ONLY YOU. 257 00:19:01,140 --> 00:19:04,290 GET TIPP OUT OF HERE. UH, DRIVE HIM HOME, AND IN THE MORNING... 258 00:19:04,710 --> 00:19:07,200 TELL HIM HE'S REHIRED WITH A 50% RAISE. 259 00:19:07,200 --> 00:19:09,810 GIVE HIM THAT BIG OFFICE ACROSS THE HALL FROM THE SEVEN DWARFS. 260 00:19:09,810 --> 00:19:12,030 RIGHT. AND SET UP A MEETING WITH THE OTHER ATTORNEYS. 261 00:19:12,030 --> 00:19:13,380 I'M GONNA BE IN EARLY TOMORROW. 262 00:19:13,410 --> 00:19:16,290 WELL, EARLIER THAN USUAL. 263 00:19:16,290 --> 00:19:19,090 ♪ 264 00:19:28,360 --> 00:19:29,440 HELLO, HANDSOME. 265 00:19:32,170 --> 00:19:35,500 I'VE COME TO WISH YOU HAPPY BIRTHDAY. OH, MAN. 266 00:19:37,540 --> 00:19:39,790 I DIDN'T INVITE YOU, JULIE. 267 00:19:39,820 --> 00:19:43,000 THAT WAS A LITTLE WEIRD. BUT THAT'S HOW IT WORKS WITH PARTIES. 268 00:19:43,000 --> 00:19:44,440 YOU HAVE TO BE INVITED. 269 00:19:45,160 --> 00:19:46,810 OHH ! 270 00:19:48,700 --> 00:19:50,860 I'M MAD AT YOU, YOU DICK. 271 00:19:52,150 --> 00:19:54,010 WE MADE LOVE FOUR TIMES THE OTHER NIGHT. 272 00:19:55,870 --> 00:19:58,630 IS THAT GOOD ? TWO'S GOOD. 273 00:19:59,680 --> 00:20:02,260 THREE... IS VERY GOOD. 274 00:20:03,100 --> 00:20:05,290 BUT FOUR-- FOUR'S PRETTY GOOD ? 275 00:20:05,560 --> 00:20:07,180 FOUR IS-- 276 00:20:12,430 --> 00:20:13,360 FOUR IS WHAT ? 277 00:20:15,970 --> 00:20:18,550 HOLD ME, THEN I'LL LEAVE... 278 00:20:18,550 --> 00:20:21,220 AND YOU CAN GO BACK AND TALK TO THAT CUTE BRUNETTE. 279 00:20:21,310 --> 00:20:24,910 AND FOUR IS WHAT ? I DON'T WANT TO MEET ANY OF YOUR FANCY FRIENDS. 280 00:20:24,910 --> 00:20:27,040 I KNEW THEM ALL BACK WHEN I WAS FANCY TOO. 281 00:20:28,660 --> 00:20:29,470 ALL RIGHT. WHAT ? 282 00:20:31,030 --> 00:20:33,430 SHE LOOKS LIKE A MOTH, DAVID. 283 00:20:34,780 --> 00:20:37,540 A MOTH ? SOMETIMES I WORRY ABOUT YOU-- 284 00:20:37,570 --> 00:20:40,360 THAT SOME CLEVER GIRL IN A BIG, SILLY COAT... 285 00:20:40,390 --> 00:20:42,850 IS GONNA COME ALONG AND PLAY YOU JUST THE RIGHT WAY. 286 00:20:43,360 --> 00:20:45,070 THEN I'LL LOSE MY FRIEND, 287 00:20:45,070 --> 00:20:48,700 AND THERE WON'T BE ANY CHICKEN SOUP PARTIES FOR ME AND YOU. 288 00:21:02,170 --> 00:21:03,310 OKAY. 289 00:21:11,470 --> 00:21:14,500 WHEN WILL YOU CALL ME ? DON'T SAY "SOON." 290 00:21:15,130 --> 00:21:16,600 I HATE IT WHEN YOU SAY "SOON." 291 00:21:17,030 --> 00:21:19,197 ♪ 292 00:21:25,430 --> 00:21:27,830 A SMASHED GUITAR BEHIND A GLASS CASE, 293 00:21:27,830 --> 00:21:30,020 DISPLAYED ON SOME RICH GUY'S WALL. 294 00:21:30,350 --> 00:21:31,370 IT WAS A GIFT, ACTUALLY. 295 00:21:34,880 --> 00:21:35,840 I LIKE IT. 296 00:21:36,800 --> 00:21:40,550 WHOA, WHOA, WHOA, WHOA, WHOA. SO HOW DID YOU GET ALL THIS STUFF ? 297 00:21:40,580 --> 00:21:42,440 THIS APARTMENT, THIS LIFE ? 298 00:21:47,750 --> 00:21:48,530 I SEE. 299 00:21:55,460 --> 00:21:56,660 HOW ABOUT IF YOU HELP ME ? 300 00:21:57,170 --> 00:21:59,840 UNLESS I'M HORNING IN HERE. YOU ARE. BUT THE FOOD'S GOOD. 301 00:21:59,870 --> 00:22:02,390 SEE, I'VE GOT THIS LITTLE PROBLEM. I GOT A STALKER. 302 00:22:03,050 --> 00:22:04,580 IT DOESN'T SOUND LIFE-THREATENING. 303 00:22:04,640 --> 00:22:06,530 BUT I NEED A COVER. I NEED FOR YOU TO PRETEND... 304 00:22:06,560 --> 00:22:10,100 WE'RE HAVING A SCINTILLATING CONVERSATION, AND YOU ARE WILDLY ENTERTAINED. 305 00:22:10,580 --> 00:22:12,710 I KNOW IT'S TOUGH. I'LL IMPROVISE. 306 00:22:12,740 --> 00:22:16,490 SHE'S RIGHT ACROSS THE ROOM, AND SHE'S BURNING A HOLE IN MY BACK RIGHT NOW, ISN'T SHE ? 307 00:22:16,940 --> 00:22:20,210 RED DRESS, STRAPPY SHOES ? YES. 308 00:22:20,450 --> 00:22:23,150 WOW. SHE'S REALLY STARING AT YOU. 309 00:22:27,890 --> 00:22:30,050 SHIT. AND SHE SEEMS TO BE GROWING... 310 00:22:30,590 --> 00:22:31,610 LESS HAPPY. 311 00:22:33,680 --> 00:22:36,800 I THINK SHE'S THE SADDEST GIRL TO EVER HOLD A MARTINI. 312 00:22:38,623 --> 00:22:41,223 ♪ 313 00:22:41,330 --> 00:22:43,160 BRIAN SHELBY. 314 00:22:43,190 --> 00:22:45,380 JENNIFER KELLY. OOH. HI, JENNIFER. 315 00:22:45,500 --> 00:22:49,190 YOU HAVE ANOTHER APARTMENT ? SORT OF A DAY OFFICE. COME ON. 316 00:22:53,600 --> 00:22:56,330 I AM NOT GOING IN THERE. WELL, I AM. GOOD NIGHT. 317 00:22:58,900 --> 00:23:02,600 ♪ AND I DON'T LIKE THE DIRECTION ♪ 318 00:23:02,600 --> 00:23:04,430 ♪ YOU WERE GOING TO ♪ 319 00:23:05,284 --> 00:23:07,550 ♪ 320 00:23:19,517 --> 00:23:23,150 ♪ DON'T LIKE THE DIRECTION ♪ 321 00:23:23,150 --> 00:23:25,760 I HEAR HER COMING ! REALLY ? 322 00:23:25,790 --> 00:23:26,360 NO. 323 00:23:28,590 --> 00:23:31,423 ♪ 324 00:23:37,010 --> 00:23:39,810 BRIAN. HOW ARE YOU ? HI. 325 00:23:41,390 --> 00:23:44,240 WE'RE SAFE, BUT I'VE GOT NOTHING TO DRINK. 326 00:23:44,270 --> 00:23:45,860 WHO DID THESE PAINTINGS ? 327 00:23:47,570 --> 00:23:49,190 THIS IS JONI MITCHELL. 328 00:23:49,460 --> 00:23:50,750 THIS ONE IS MONET. 329 00:23:51,560 --> 00:23:55,100 AND THIS ONE... WAS DONE BY ME. 330 00:23:55,700 --> 00:23:57,050 IT IS A SNOWBOARD. 331 00:23:57,650 --> 00:24:00,440 WELL, TWO OF THEM ARE GENIUSES. 332 00:24:02,540 --> 00:24:03,890 THAT IS THE REAL THING. 333 00:24:03,920 --> 00:24:07,040 HIS PAINTBRUSH PAINTED THE VANILLA SKY... 334 00:24:07,130 --> 00:24:09,590 AND THIS CANVAS. 335 00:24:11,240 --> 00:24:11,960 MY MOTHER'S. 336 00:24:19,560 --> 00:24:22,110 I'M SURPRISED YOU'RE SURPRISED. ME NEITHER. I CAN'T KEEP THIS BANTER GOING. 337 00:24:24,090 --> 00:24:26,670 - I CAUGHT YOU. - BRIAN ! COME IN HERE. 338 00:24:27,450 --> 00:24:30,330 WHAT'S GOING ON ? OH, YOUR FRIENDS ARE FUN, AND I'M DRUNK. 339 00:24:30,360 --> 00:24:33,270 JULIE GIANNI IS STALKING ME. SHE LOOKED DANGEROUS. 340 00:24:33,300 --> 00:24:35,880 OH, NOBODY STALKS ME, SO I DRINK. 341 00:24:35,910 --> 00:24:38,520 WE'RE ALL OUT OF DRINKS UP HERE. HERE, FINISH MY JACK AND COKE. 342 00:24:41,430 --> 00:24:44,520 NO, IT'S THE STUPID GUY HOLDING IT. DON'T WORRY. NO BIG DEAL. 343 00:24:44,880 --> 00:24:47,100 I'LL GO GET US SOMETHING. JACKS AND COKES ? 344 00:24:47,130 --> 00:24:49,500 I BETTER HIT IT. I DRANK TOO MUCH, AND I DIDN'T FUCKING EAT. 345 00:24:49,530 --> 00:24:51,690 YOU CAN'T LEAVE. THE PARTY'S JUST STARTING. FOR YOU IT IS. 346 00:24:51,690 --> 00:24:55,290 YOU CANNOT GO. YOU ARE MY GUEST OF HONOR. OH, FUCK YOU, DAVID. 347 00:24:55,290 --> 00:24:57,960 YOU'RE PAYING ME TO WRITE MY NOVEL, SO YOU OWN ME. 348 00:24:57,960 --> 00:25:00,390 I DON'T OWN YOU. YOU ARE BRILLIANT. YOU ARE GOOD-LOOKING. 349 00:25:00,390 --> 00:25:03,870 YOU ARE HANDSOME. BUT WHY'D YOU HAVE TO HIT ON SOFIA ? 350 00:25:06,270 --> 00:25:09,390 I WASN'T HITTING ON SOFIA. OH, FINE. WHATEVER YOU SAY. 351 00:25:09,390 --> 00:25:11,340 I'M CRAZY. I'M BLIND. 352 00:25:11,340 --> 00:25:13,290 NO, YOU'RE NOT BLIND. YOU'RE DRINKING JACK DANIELS. 353 00:25:13,290 --> 00:25:15,450 AND WHEN YOU DRINK JACK, YOU START IN WITH THAT... 354 00:25:15,840 --> 00:25:18,330 "FRANK SINATRA, SHE SHOT ME DOWN, 355 00:25:18,360 --> 00:25:20,370 GIVE ME A CIGARETTE, KING OF SAD" THING. 356 00:25:20,370 --> 00:25:23,010 THAT I DO. GIVE ME A CIGARETTE. I'LL FIND ONE. 357 00:25:23,010 --> 00:25:25,260 BUT WAIT. YOU'RE RICH AND WOMEN LOVE YOU, 358 00:25:25,260 --> 00:25:27,510 AND I'M FROM OHIO AND I'M DRUNK. 359 00:25:27,540 --> 00:25:29,970 CAN I TELL YOU THE TRUTH ? EVERYBODY DOES. 360 00:25:29,970 --> 00:25:34,410 I DIG HER, AND I'VE NEVER SAID THIS TO YOU BEFORE ABOUT ANY GIRL. 361 00:25:34,740 --> 00:25:36,540 BUT SHE COULD BE-- 362 00:25:36,570 --> 00:25:41,430 COULD BE, COULD BE, COULD BE-- THE GIRL OF MY FUCKIN' DREAMS. 363 00:25:41,430 --> 00:25:43,650 YOU'RE NOT FROM OHIO. I KNOW. 364 00:25:43,650 --> 00:25:47,490 BUT IF SHE FUCKS UP OUR FRIENDSHIP, SHE CAN GO TO HELL. 365 00:25:47,490 --> 00:25:51,330 I WON'T ALLOW IT. WE ARE BROS. I FEEL THE SAME WAY. 366 00:25:51,360 --> 00:25:53,850 SURE YOU DO. HI. HEY. 367 00:25:53,880 --> 00:25:56,220 HI. HOW YA DOIN' ? OOH, GRACIAS. 368 00:25:56,250 --> 00:25:58,230 DE NADA. THANK YOU. 369 00:25:58,440 --> 00:26:00,690 YOU'RE WELCOME. WHERE ARE YOU GOING ? 370 00:26:01,560 --> 00:26:05,340 I AM FRANK, AND FRANK MUST GO. 371 00:26:06,900 --> 00:26:09,450 - WHAT ? - I "GOOD" YOU "BID" EVENING. 372 00:26:09,510 --> 00:26:13,500 - WAIT. I'LL GO WITH YOU. - STAY, BABY. 373 00:26:13,740 --> 00:26:17,230 I'LL GIVE YOU A RIDE HOME LATER. NO, I HAVE TO WORK TOMORROW. 374 00:26:17,530 --> 00:26:21,850 YOU-- YOU ARE IN GREAT HANDS. 375 00:26:21,880 --> 00:26:25,210 I'M JUST HUMORING MYSELF THAT MY OPINION MATTERS. 376 00:26:30,820 --> 00:26:34,690 YOU WILL NEVER KNOW THE EXQUISITE PAIN... 377 00:26:34,780 --> 00:26:37,210 OF THE GUY WHO GOES HOME ALONE. 378 00:26:37,870 --> 00:26:40,360 BECAUSE WITHOUT THE BITTER, BABY, 379 00:26:40,360 --> 00:26:42,280 THE SWEET AIN'T AS SWEET. 380 00:26:43,690 --> 00:26:44,620 HAVE A GOOD TIME. 381 00:26:49,120 --> 00:26:50,620 SWEET AND SOUR SPEECH AGAIN. 382 00:26:51,520 --> 00:26:54,020 ♪ 383 00:27:03,520 --> 00:27:03,940 WHY ARE YOU SCARED OF HEIGHTS ? 384 00:27:04,900 --> 00:27:06,730 THERE ARE A LOT OF PEOPLE WHO ARE SCARED OF HEIGHTS. 385 00:27:06,940 --> 00:27:08,380 IT'S NOT THE HEIGHTS THAT BOTHER THEM. 386 00:27:08,410 --> 00:27:11,740 IT'S THE IMPACT THAT TERRIFIES ME. 387 00:27:19,010 --> 00:27:19,960 I WON'T STAY LONG. 388 00:27:20,260 --> 00:27:21,400 HEY, PAOLO ! 389 00:27:25,570 --> 00:27:28,840 I HAVE TO TAKE YOU FOR A WALK. I'M GLAD HE PROTECTS YOU. 390 00:27:28,870 --> 00:27:31,840 THIS IS A-- IT'S A LETHAL CANINE. 391 00:27:31,870 --> 00:27:35,290 I LOVE LIVING HERE, AND I REFUSE TO CLEAN UP. 392 00:27:35,770 --> 00:27:38,710 NO PROBLEM. I HAVE TO WORK AROUND THE CLOCK... 393 00:27:38,710 --> 00:27:40,030 TO KEEP THIS PLACE. 394 00:27:40,510 --> 00:27:43,630 YOU REALLY ARE A DANCER. FOR 14 YEARS. 395 00:27:44,140 --> 00:27:46,480 BUT I DON'T DANCE LIKE YOU DANCE. 396 00:27:47,740 --> 00:27:49,480 DO YOU WANT SOMETHING TO DRINK ? 397 00:27:50,440 --> 00:27:51,100 SURE. 398 00:27:52,660 --> 00:27:54,340 HI, PAOLO. 399 00:27:55,900 --> 00:27:57,640 MY BEAUTIFUL, BEAUTIFUL BOY. 400 00:27:58,960 --> 00:28:00,580 WHAT DO YOU WANT FOR DINNER TONIGHT ? 401 00:28:00,610 --> 00:28:08,140 YOU WANT CHICKEN ? DO YOU WANT FRIED CHICKEN ? 402 00:28:08,680 --> 00:28:09,430 PAOLO ! 403 00:28:12,880 --> 00:28:15,220 I LIKE YOUR LIFE. WELL, 404 00:28:15,250 --> 00:28:16,990 IT'S MINE, AND YOU CAN'T HAVE IT. 405 00:28:20,200 --> 00:28:23,020 I DON'T WANNA KNOW THE STORY BEHIND THIS PHOTO. 406 00:28:23,200 --> 00:28:26,110 WHO'S SERGIO ? IT'S A NICKNAME. 407 00:28:27,280 --> 00:28:28,630 YOUR NICKNAME IS SERGIO ? 408 00:28:28,660 --> 00:28:31,660 IT'S A LONG STORY, AND WE DON'T KNOW EACH OTHER. 409 00:28:33,580 --> 00:28:34,690 AHH. SO MANY SECRETS. 410 00:28:34,720 --> 00:28:36,520 THAT'S BECAUSE I'M REALLY AN ARMS DEALER. 411 00:28:36,550 --> 00:28:39,280 I'VE NEVER KNOWN AN ARMS DEALER BEFORE. YOU DO NOW. 412 00:28:40,120 --> 00:28:43,120 WHAT ABOUT YOU ? WHAT'S YOUR NICKNAME ? 413 00:28:48,760 --> 00:28:50,770 CITIZEN DILDO. 414 00:28:53,290 --> 00:28:55,540 HMM. YOU ARE NOT STAYING OVER. 415 00:29:00,250 --> 00:29:02,050 NEVER OWN A COMPANY. STAY AN ARTIST. 416 00:29:02,230 --> 00:29:04,030 STAY AN ARMS DEALER. OH, PLEASE. 417 00:29:04,060 --> 00:29:06,880 SOMEHOW, I CAN'T PLAY THE VIOLIN FOR YOU. 418 00:29:06,910 --> 00:29:11,060 ALTHOUGH, IT MUST BE DIFFICULT CONTROLLING ALL THOSE PEOPLE'S LIVES. 419 00:29:12,830 --> 00:29:17,060 EVERYONE AT THAT PARTY'S CONNECTED TO YOU FOR SURVIVAL IN SOME WAY, 420 00:29:17,600 --> 00:29:18,740 IT SEEMS. 421 00:29:22,640 --> 00:29:23,840 EVER BEEN MARRIED ? 422 00:29:26,960 --> 00:29:27,380 NO. 423 00:29:28,250 --> 00:29:31,070 DID YOU EVER ACCEPT ANY OF YOUR 12,000 PROPOSALS ? 424 00:29:31,100 --> 00:29:33,440 TWELVE THOUSAND AND EIGHT. NO. 425 00:29:33,710 --> 00:29:37,070 AND YOU MOVED TO NEW YORK TO DANCE, PAINT, ACT AND DEAL ARMS ? 426 00:29:39,470 --> 00:29:42,320 DO YOU WANNA HEAR JEFF BUCKLEY OR VICKI CARR ? 427 00:29:42,470 --> 00:29:44,510 JEFF BUCKLEY OR VICKI CARR. 428 00:29:45,770 --> 00:29:47,990 BOTH SIMULTANEOUSLY. 429 00:29:50,000 --> 00:29:52,790 EVERYONE SAID, "DON'T GO TO NEW YORK." 430 00:29:53,060 --> 00:29:55,130 BUT I JUST THINK GOOD THINGS WILL HAPPEN... 431 00:29:55,130 --> 00:29:59,090 IF YOU'RE A GOOD PERSON WITH A GOOD ATTITUDE, DON'T YOU THINK ? 432 00:30:02,870 --> 00:30:04,220 YOU THINK I'M NAIVE ? 433 00:30:04,250 --> 00:30:07,670 UH, NO. I REALLY DON'T. 434 00:30:10,940 --> 00:30:15,830 SOMEHOW, I'D FOUND THE LAST SEMI-GUYLESS GIRL IN NEW YORK CITY. 435 00:30:16,490 --> 00:30:18,140 I HAVE TO GET TO SLEEP. 436 00:30:19,340 --> 00:30:22,940 TRUTHFULLY, I'M ALSO WORKING MORNINGS AS A DENTAL ASSISTANT. 437 00:30:25,490 --> 00:30:27,500 BOY, AM I GOING TO THE WRONG DENTIST. 438 00:30:38,060 --> 00:30:39,080 HOW DOES THAT WORK ? 439 00:30:39,110 --> 00:30:41,510 PLEASURE DELAY ? YOU DON'T KNOW ? 440 00:30:43,520 --> 00:30:45,920 YOU KEEP THE RELATIONSHIP CASUAL... 441 00:30:45,920 --> 00:30:49,010 UNTIL THE ABSOLUTE BREAKING POINT. 442 00:30:49,640 --> 00:30:54,170 AND THEN ONE EVENING OR AFTERNOON OR MORNING, 443 00:30:54,680 --> 00:30:58,070 IT COULD BE MONTHS FROM NOW, AND-- 444 00:30:58,280 --> 00:30:59,840 YOU KNOW HOW IT WORKS. 445 00:31:00,680 --> 00:31:02,030 NO, ACTUALLY, I DON'T. 446 00:31:04,340 --> 00:31:07,240 I'VE BEEN MARRIED FOR 22 YEARS. 447 00:31:07,570 --> 00:31:09,340 OH, YOU'VE GOT DINNER WITH YOUR DAUGHTERS. 448 00:31:11,380 --> 00:31:12,460 THAT'S RIGHT, I DO. 449 00:31:12,550 --> 00:31:15,220 BACK THEN, I HAD INTRICATE SYSTEMS WITH WOMEN... 450 00:31:20,380 --> 00:31:22,480 LIKE... WHAT ? 451 00:31:25,480 --> 00:31:26,380 HEY, DOC, 452 00:31:26,590 --> 00:31:29,710 DON'T GET ALL MELANCHOLY OVER THE 30 SECONDS YOU WERE SINGLE... 453 00:31:29,740 --> 00:31:33,520 A LONG TIME AGO. THAT'S WHAT YOU THINK I'M DOING ? 454 00:31:33,550 --> 00:31:34,450 OH, YES. 455 00:31:35,470 --> 00:31:36,850 YOU MIGHT BE RIGHT. 456 00:31:38,410 --> 00:31:42,160 LET'S CONTINUE. TIME IS NOT OUR FRIEND. 457 00:32:14,820 --> 00:32:17,250 JUST OUR SHORTCOMINGS. THAT'S ALL WE'RE ALLOWED TO DRAW ? 458 00:32:19,830 --> 00:32:22,650 I'VE NEVER DRAWN SUCH A TRUE LIKENESS BEFORE. 459 00:32:26,250 --> 00:32:26,940 ♪ MINE'S FINISHED. 460 00:32:27,840 --> 00:32:28,680 ALREADY ? MOMENTO. 461 00:32:37,410 --> 00:32:40,230 DONE. 462 00:32:40,230 --> 00:32:42,990 - THAT'S HOW YOU SEE ME ? - MAYBE I DIDN'T ADD ENOUGH MONEY. 463 00:32:43,020 --> 00:32:46,980 NO, IT'S SOMETHING THAT YOU'D SEE ON A WALL IN A STEAK HOUSE IN HELL. 464 00:32:47,070 --> 00:32:49,110 IT'S WONDERFUL. SIGN IT. 465 00:32:55,740 --> 00:32:58,620 LET'S SEE-- LET'S SEE YOURS. NO. 466 00:33:00,000 --> 00:33:01,140 GIVE ME THAT. NO. 467 00:33:04,867 --> 00:33:08,400 ♪ MY HEART'S GOIN' BOOM, BOOM, BOOM ♪ 468 00:33:08,610 --> 00:33:11,460 ♪ SON, HE SAID GRAB YOUR THINGS ♪ 469 00:33:11,460 --> 00:33:13,710 ♪ I'VE COME TO TAKE YOU HOME ♪ 470 00:33:14,160 --> 00:33:15,540 I FEEL BAD. 471 00:33:16,140 --> 00:33:18,330 YOU SAID TO DRAW A CARICATURE. 472 00:33:19,710 --> 00:33:22,290 I KNOW. I COULDN'T. I SAW YOU LIKE THAT. 473 00:33:27,180 --> 00:33:28,170 IT'S VERY GOOD. 474 00:33:31,080 --> 00:33:32,040 I'LL SELL IT TO YOU. 475 00:33:33,450 --> 00:33:37,290 YOU MONSTER. HOW MUCH FOR ? 476 00:33:40,590 --> 00:33:41,880 ONE KISS. 477 00:33:47,550 --> 00:33:49,590 THAT SMILE'S GONNA BE THE END OF ME. 478 00:33:52,740 --> 00:33:55,230 AND WHAT HAPPENS WHEN YOUR FRIEND CALLS YOU TOMORROW ? 479 00:33:58,380 --> 00:34:02,020 HE JUST MET YOU A FEW HOURS BEFORE ME. HE'D DO THE SAME. 480 00:34:02,050 --> 00:34:04,510 I SEE THAT FRIENDSHIP IS IMPORTANT TO YOU. 481 00:34:04,540 --> 00:34:06,280 IT IS, IT IS. 482 00:34:06,670 --> 00:34:10,330 AND AS HIS BEST FRIEND, 483 00:34:10,870 --> 00:34:14,679 I ALSO KNOW THAT HE'S TRYING TO FINISH A NOVEL ABOUT INADEQUACY AND REJECTION. 484 00:34:14,860 --> 00:34:18,340 SO THE LONGER THAT I STAY, THE BETTER IT IS FOR HIS CAREER. 485 00:34:18,340 --> 00:34:20,074 HMM. 486 00:34:20,199 --> 00:34:22,989 YOUR CAREER IS THE ONE I'D WORRY ABOUT. 487 00:34:30,940 --> 00:34:31,449 SORRY. 488 00:34:32,290 --> 00:34:35,830 NO. NO, YOU'RE MORE RIGHT THAN YOU EVEN KNOW. 489 00:34:36,890 --> 00:34:39,850 YEAH, I USED TO BE ONE OF THOSE GUYS THAT JUST-- 490 00:34:40,400 --> 00:34:42,820 S-SNOWBOARDING THROUGH HIS LIFE... 491 00:34:42,850 --> 00:34:48,190 WITH NO FOCUS... WHATSOEVER. 492 00:34:49,210 --> 00:34:50,710 WHEN DID YOU CHANGE ? 493 00:34:51,550 --> 00:34:52,630 ABOUT FIVE MINUTES AGO. 494 00:34:53,590 --> 00:34:57,430 EVERY PASSING MINUTE IS ANOTHER CHANCE TO TURN IT ALL AROUND. 495 00:35:04,930 --> 00:35:07,480 AND TO THOSE WHO THINK THAT YOU'RE A CHARLATAN ? 496 00:35:08,230 --> 00:35:12,700 I UNDERSTAND. THE PERCEPTION OF A HAND FROZEN SOMEWHERE, 497 00:35:12,700 --> 00:35:15,220 WAITING FOR REANIMATION, IT SOUNDS LIKE SCIENCE FICTION. 498 00:35:16,210 --> 00:35:20,410 IT'S THE GREATEST SHOW. IT'S CALLED SOFIA. 499 00:35:23,860 --> 00:35:25,300 LIFE EXTENSION. 500 00:35:26,350 --> 00:35:28,870 HOW DO YOU ACCOMPLISH SUCH A THING ? 501 00:35:28,900 --> 00:35:30,910 I'VE SEEN THIS 30 TIMES. 502 00:35:30,940 --> 00:35:32,860 YOU KNOW, LIFE IS FULL OF SURPRISES. 503 00:35:33,700 --> 00:35:38,410 THE GREATEST SURPRISE OF ALL IS THAT THIS DOESN'T HAVE TO END... EVER. 504 00:35:41,770 --> 00:35:42,820 IS HE A FRAUD ? 505 00:35:43,270 --> 00:35:45,910 HOW WOULD YOU EVER KNOW ? GOOD POINT. 506 00:35:46,120 --> 00:35:50,590 CAN YOU UNFREEZE A HUMAN LIFE ? TAKE THE CASE OF BENNY THE DOG. 507 00:35:50,620 --> 00:35:53,560 BENNY'S A DOG WHO WAS FROZEN FOR THREE MONTHS... 508 00:35:53,560 --> 00:35:56,050 AND THAWED OUT TO LIVE A NORMAL LIFE. 509 00:35:56,900 --> 00:35:58,010 THAT'S COMFORTING. 510 00:35:58,910 --> 00:36:01,820 IT'S SAFE FOR BENNY. I'M IN. 511 00:36:01,820 --> 00:36:04,640 YOU'LL LEARN MORE ABOUT HUMAN RELATIONSHIPS. 512 00:36:04,670 --> 00:36:08,270 BOY WILL STILL MEET GIRL. THEY WILL STILL FALL IN LOVE. 513 00:36:08,300 --> 00:36:10,580 FAMILIES WILL FLOURISH. BUT MAN... 514 00:36:10,910 --> 00:36:12,320 WILL MEET HIS MIND. 515 00:36:16,040 --> 00:36:17,330 WE BETTER WATCH OUT. 516 00:36:25,400 --> 00:36:26,750 THE BOOK IS LIFE: THE SEQUEL. 517 00:36:34,760 --> 00:36:35,780 WHERE ARE YOU GOING ? 518 00:36:36,530 --> 00:36:38,750 I LEFT MY NUMBER ON YOUR FRIDGE. 519 00:36:39,380 --> 00:36:41,660 COME HERE. I WANT TO TELL YOU A SECRET. 520 00:37:03,170 --> 00:37:05,060 I MEANT THAT TO BE YOUR FOREHEAD. 521 00:37:10,970 --> 00:37:13,130 THANK YOU FOR THE INSPIRATION. 522 00:37:14,390 --> 00:37:18,170 I WILL NOW ATTEMPT TO RUN MY COMPANY SHOWING COMPASSION... 523 00:37:18,260 --> 00:37:20,720 FOR THE SEETHING THRONG OF MY PARTNERS, 524 00:37:20,720 --> 00:37:23,660 WHO ROOT QUIETLY FOR ME TO FAIL... 525 00:37:24,080 --> 00:37:26,360 AND FOR THINGS YOU DON'T EVEN KNOW. 526 00:37:27,410 --> 00:37:30,890 THANK YOU. I'M GONNA GO TO WORK. 527 00:37:31,280 --> 00:37:32,810 I HAVE A COMPANY TO RUN. 528 00:37:37,160 --> 00:37:38,330 PLEASURE DELAYER. 529 00:38:14,840 --> 00:38:16,370 DAVID AAMES. 530 00:38:18,920 --> 00:38:20,870 JULIE GIANNI. HEY, HANDSOME. 531 00:38:21,830 --> 00:38:23,420 YOU'RE FOLLOWING ME. 532 00:38:26,450 --> 00:38:29,660 I WANTED TO FINISH WHAT WE WERE TALKING ABOUT. AND ? 533 00:38:31,100 --> 00:38:33,050 HOW DID IT GO WITH OUR MOTH GIRL ? 534 00:38:33,950 --> 00:38:35,870 DID SHE TURN INTO A BUTTERFLY FOR YOU ? 535 00:38:37,190 --> 00:38:39,200 YES, SHE DID. YEAH ? 536 00:38:40,250 --> 00:38:41,360 SHE DID. 537 00:38:44,450 --> 00:38:47,360 TELL BY THE WAY YOU WERE WALKING YOU DIDN'T SLEEP WITH HER. 538 00:38:50,960 --> 00:38:53,610 YOU HAVEN'T SLEPT WITH HER BECAUSE... 539 00:38:53,640 --> 00:38:55,950 IT'S MORE FUN WHEN YOU CAN DRAW IT OUT. 540 00:38:56,520 --> 00:38:59,610 SEX JUST ISN'T AS GOOD IF A WOMAN HASN'T TOLD ALL HER FRIENDS... 541 00:38:59,610 --> 00:39:01,260 SHE'D NEVER SLEEP WITH YOU. 542 00:39:02,550 --> 00:39:03,750 YOU'RE RIGHT ON THE MONEY, JULIE. 543 00:39:05,190 --> 00:39:08,610 SHE MUST ME EXHAUSTED FROM TRYING TO BE WITTY FOR YOU ALL NIGHT LONG. 544 00:39:08,640 --> 00:39:12,750 - HEY, JULIE. - SORRY. 545 00:39:13,860 --> 00:39:14,640 IT'S OKAY. 546 00:39:16,050 --> 00:39:17,940 YOU JUST NEVER SEEM TO BE THERE FOR YOUR FRIENDS... 547 00:39:17,940 --> 00:39:19,770 UNTIL THEY'VE ALREADY GIVEN UP ON YOU. 548 00:39:25,080 --> 00:39:27,630 I'M NOT BLOWING YOU OFF. I JUST-- 549 00:39:28,800 --> 00:39:31,950 I WANNA BE ALONE FOR A LITTLE BIT. TRUST ME. 550 00:39:31,950 --> 00:39:34,620 I HAVE A LOT OF THINGS THAT I HAVE TO TAKE CARE OF. 551 00:39:34,620 --> 00:39:38,400 AND IF WE'RE FRIENDS-- WHICH WE ARE, OKAY-- 552 00:39:38,730 --> 00:39:39,990 THEN YOU'LL UNDERSTAND THAT. 553 00:39:41,100 --> 00:39:43,290 I'M SORRY. I GOT WEIRD. 554 00:39:45,600 --> 00:39:47,610 I MISSED AN AUDITION, AND... 555 00:39:49,050 --> 00:39:52,020 IT JUST MADE ME FEEL BAD YOU DIDN'T INVITE ME TO YOUR PARTY. 556 00:39:58,110 --> 00:39:59,430 YOU WANNA MAKE IT UP TO ME ? 557 00:40:01,020 --> 00:40:02,280 I WON'T TELL A SOUL. 558 00:40:02,827 --> 00:40:07,560 ♪ YOU LOOK AT ME ♪ 559 00:40:07,560 --> 00:40:10,170 ♪ YOU SPEAK MY NAME ♪ 560 00:40:12,180 --> 00:40:15,840 ♪ I'M COUNTING DOWN ♪ 561 00:40:16,830 --> 00:40:18,930 ♪ YOU ARE TO BLAME ♪ 562 00:40:19,997 --> 00:40:22,030 ♪ 563 00:40:22,350 --> 00:40:24,360 WOULD YOU DO A STORY ON ME IF I MADE A CD ? 564 00:40:24,780 --> 00:40:25,650 SURE I WOULD. 565 00:40:34,110 --> 00:40:35,400 DO YOU LIKE MY MUSIC ? 566 00:40:37,590 --> 00:40:38,730 ♪ IT'S VIVID. 567 00:40:44,130 --> 00:40:46,980 WELL, IF I WEREN'T ME, I WOULD BUY A CD BY ME. 568 00:40:47,130 --> 00:40:49,780 WELL, YOU KNOW, IF YOU CAN REACH ONE PERSON-- 569 00:40:52,090 --> 00:40:52,720 WOW. 570 00:40:59,260 --> 00:41:01,540 WHAT'S HAPPINESS TO YOU, DAVID ? 571 00:41:02,630 --> 00:41:03,850 WHAT'S HAPPINESS TO ME ? 572 00:41:07,240 --> 00:41:09,400 WHAT IS HAPPINESS-- 'CAUSE FOR ME, 573 00:41:11,410 --> 00:41:12,580 THIS IS HAPPINESS. 574 00:41:13,660 --> 00:41:14,740 IT'S BEING WITH YOU. 575 00:41:20,920 --> 00:41:22,570 THERE'S ONE THING THAT BOTHERS ME. 576 00:41:23,980 --> 00:41:28,570 WHY DID YOU TELL BRIAN THAT I WAS YOUR F-- FUCK BUDDY ? 577 00:41:29,590 --> 00:41:31,870 I DIDN'T TELL HIM THAT. I DIDN'T SAY THAT. 578 00:41:33,630 --> 00:41:36,100 I MEAN, WHEN DID YOU STOP CARING, DAVID ? 579 00:41:37,210 --> 00:41:39,760 CARING ABOUT WHAT ? ABOUT THE CONSEQUENCES... 580 00:41:39,760 --> 00:41:41,980 OF THE PROMISES THAT YOU'VE MADE. 581 00:41:42,700 --> 00:41:43,450 PROMISES ? 582 00:41:43,480 --> 00:41:45,010 YEAH, THE PROMISES. 583 00:41:46,690 --> 00:41:50,800 I THOUGHT-- JULIE, GET THE FUCK-- 584 00:41:50,800 --> 00:41:55,450 WHAT ARE YOU TALKING ABOUT ? DO YOU UNDERSTAND HOW HARD IT IS TO PRETEND TO BE YOUR BUDDY ? 585 00:41:56,470 --> 00:41:58,090 DAVID, I LOVE YOU. 586 00:41:59,830 --> 00:42:01,390 I FUCKING LOVE YOU. 587 00:42:02,020 --> 00:42:04,030 I FUCKING LOVE YOU ! 588 00:42:04,510 --> 00:42:06,670 - FUCK ! - HEY ! WHOA, WHOA, WHOA ! 589 00:42:08,320 --> 00:42:09,980 DON'T DO THIS. DON'T DO THIS. 590 00:42:10,540 --> 00:42:13,390 YOU FUCKED ME FOUR TIMES THE OTHER NIGHT, DAVID. 591 00:42:13,420 --> 00:42:15,430 YOU'VE BEEN INSIDE ME. JULIE-- 592 00:42:15,460 --> 00:42:18,700 I'VE SWALLOWED YOUR CUM. THAT MEANS SOMETHING. 593 00:42:21,550 --> 00:42:22,870 SLOW DOWN. HEY. HEY ! 594 00:42:23,320 --> 00:42:26,650 FOUR TIMES-- IT MEANS SOMETHING, DAVID. 595 00:42:26,710 --> 00:42:29,620 FOUR TIMES. TWENTY-FOUR HOURS A DAY, STOP THE CAR. 596 00:42:29,620 --> 00:42:34,150 I LIVE WITH THIS ACHING POSSIBILITY THAT YOU MIGHT CALL ME TO DO SOMETHING. 597 00:42:34,150 --> 00:42:37,090 HEY, LET'S GO TO YOUR HOUSE AND WE'LL TALK THIS OUT. I WANNA SEE WHERE YOU LIVE. 598 00:42:37,660 --> 00:42:39,520 LET'S JUST SLOW DOWN. I WANT YOU TO STOP THE CAR ! FUCK ! 599 00:42:39,820 --> 00:42:43,660 - I WANT YOU TO STOP THE CAR ! - DON'T YOU KNOW THAT WHEN YOU SLEEP WITH SOMEONE, 600 00:42:43,660 --> 00:42:47,200 YOUR BODY MAKES A PROMISE WHETHER YOU DO OR NOT ! 601 00:42:49,450 --> 00:42:52,990 TELL ME SOMETHING, DAVID. I MEAN, DO YOU BELIEVE IN GOD ? 602 00:42:57,730 --> 00:42:58,330 WHAT ARE YOU DOING ? 603 00:43:01,120 --> 00:43:03,250 OKAY, I LOVE YOU. I LOVE YOU. 604 00:43:09,700 --> 00:43:15,910 STOP IT ! WHAT ARE YOU DOING ? 605 00:44:05,780 --> 00:44:06,410 HELLO. 606 00:44:08,240 --> 00:44:09,440 YOU'RE AMAZING. 607 00:44:09,920 --> 00:44:11,420 HOLA. HOLA. 608 00:44:12,350 --> 00:44:13,790 DID YOU GET TO WORK ALL RIGHT ? 609 00:44:15,890 --> 00:44:16,490 YEAH. 610 00:44:17,570 --> 00:44:18,970 NO, ACTUALLY, I-- 611 00:44:20,300 --> 00:44:22,190 I HAD A HORRIBLE DREAM. 612 00:44:22,220 --> 00:44:25,910 YOU DREAMED YOU'D NEVER SEE ME AGAIN. I LEFT YOUR APARTMENT. 613 00:44:25,910 --> 00:44:27,590 I WENT DOWNSTAIRS TO THE CAR, 614 00:44:27,590 --> 00:44:31,580 AND MY FRIEND, THE STALKER, HAD FOLLOWED ME THERE. 615 00:44:31,610 --> 00:44:33,980 JULIE ? YES. 616 00:44:34,010 --> 00:44:36,740 AND SHE WANTED TO TALK TO ME. AND I REMEMBER... 617 00:44:36,740 --> 00:44:40,010 I HAD THIS, UH, BUZZ, YOU KNOW. 618 00:44:40,490 --> 00:44:43,220 THAT BUZZ FROM YOU AND ME. 619 00:44:43,670 --> 00:44:48,110 I THINK MY, UH, MY MIND WAS STILL ON THAT TERRIBLE DRAWING OF ME. 620 00:44:50,240 --> 00:44:55,760 BUT SHE WAS UPSET... ABOUT-- I DON'T KNOW. 621 00:44:55,790 --> 00:45:01,280 YOU KNOW, I GOT IN THE CAR, AND SHE DROVE OFF A BRIDGE... 622 00:45:01,580 --> 00:45:05,330 AND COMMITTED SUICIDE WITH ME IN THE CAR. 623 00:45:05,360 --> 00:45:07,640 I THOUGHT YOU WERE GOING STRAIGHT TO WORK. 624 00:45:12,260 --> 00:45:13,250 BUT I SURVIVED... 625 00:45:15,080 --> 00:45:19,190 WITH MY ARM AND MY FACE... 626 00:45:20,270 --> 00:45:21,920 RECONSTRUCTED. 627 00:45:22,430 --> 00:45:24,110 AND WHAT'S WORSE, 628 00:45:25,280 --> 00:45:29,210 I CAN'T... WAKE UP. 629 00:45:54,380 --> 00:45:56,390 AND HOW WAS YOUR HOUSE AFTER THE PARTY ? 630 00:45:59,360 --> 00:45:59,990 PARTY ? 631 00:46:02,330 --> 00:46:04,580 WHAT PARTY ? THE PARTY. 632 00:46:11,030 --> 00:46:13,280 RED DRESS, STRAPPY SHOES. 633 00:46:15,380 --> 00:46:17,840 I SPILLED SOMETHING ON YOUR SHIRT. 634 00:46:19,310 --> 00:46:20,780 SWEET AND SOUR. 635 00:46:22,280 --> 00:46:25,550 AND THE SADDEST GIRL TO EVER HOLD A MARTINI. 636 00:46:54,450 --> 00:46:55,410 THEY TAUNT ME. 637 00:47:04,500 --> 00:47:06,960 EVEN IN MY DREAMS, I'M AN IDIOT WHO KNOWS... 638 00:47:06,960 --> 00:47:08,880 HE'S ABOUT TO WAKE UP TO REALITY. 639 00:47:12,230 --> 00:47:14,190 IF I COULD ONLY AVOID SLEEP. 640 00:47:16,860 --> 00:47:17,940 BUT I CAN'T. 641 00:47:19,620 --> 00:47:21,600 I TRY TO TELL MYSELF WHAT TO DREAM. 642 00:47:22,920 --> 00:47:24,540 I TRY TO DREAM THAT I'M FLYING. 643 00:47:26,280 --> 00:47:27,330 SOMETHING FREEING. 644 00:47:30,950 --> 00:47:32,010 IT NEVER WORKS. 645 00:47:38,920 --> 00:47:40,600 IS THAT THE ONLY THING YOU DREAM ? 646 00:47:40,660 --> 00:47:46,720 I-I DON'T-- I DON'T REMEMBER. 647 00:47:52,540 --> 00:47:54,460 DO YOU DREAM ABOUT THE CAR ACCIDENT ? 648 00:47:59,020 --> 00:47:59,860 NOTHING. 649 00:48:04,510 --> 00:48:05,680 WHAT HAPPENED NEXT ? 650 00:48:06,790 --> 00:48:08,080 WHAT REALLY HAPPENED ? 651 00:48:11,080 --> 00:48:12,430 WHAT ? DIDN'T YOU READ THE FILE ? 652 00:48:12,940 --> 00:48:15,040 I WAS OUT FOR THREE AND A HALF WEEKS. 653 00:48:15,160 --> 00:48:19,240 MY FACE AND MY ARM WERE SHATTERED, MY JAW WAS BROKEN IN FOUR PLACES. 654 00:48:20,350 --> 00:48:23,770 NO SURGERY COULD BE PERFORMED BECAUSE OF THE COMA. 655 00:48:25,240 --> 00:48:29,290 YOU CAN'T FEEL THE DARKNESS OR NUMBNESS. 656 00:48:30,790 --> 00:48:32,260 YOU CAN'T EVEN FEEL. 657 00:48:33,190 --> 00:48:34,330 AND THEN, 658 00:48:35,170 --> 00:48:37,060 I CAME BACK TO LIFE. 659 00:48:39,850 --> 00:48:44,980 JUST LIKE THAT DOG, BENNY. YOU KNOW, BENNY THE DOG ? 660 00:48:47,710 --> 00:48:51,160 ONLY MY LIFE WAS, UH, NO LONGER NORMAL. 661 00:48:52,120 --> 00:48:54,460 THERE ARE BLINDING MIGRAINES NOW. 662 00:48:54,490 --> 00:48:55,570 NERVE DAMAGE. WHY ? 663 00:48:57,310 --> 00:49:00,910 THIS IS HOW BIG BUSINESS OPERATES. 664 00:49:00,940 --> 00:49:02,500 RANDOM ACCIDENTS. 665 00:49:03,190 --> 00:49:05,230 A LIFESTYLE MISHAP. 666 00:49:06,070 --> 00:49:07,480 THEY ARE NOT COINCIDENCES. 667 00:49:07,510 --> 00:49:11,530 HOW DO YOU THINK AIRTIGHT CONTRACTS ARE BROKEN ? 668 00:49:12,430 --> 00:49:17,290 THESE ARE POWER UPHEAVALS. I'M FROM OHIO. 669 00:49:18,460 --> 00:49:20,470 WE DON'T HAVE POWER UPHEAVALS. 670 00:49:20,500 --> 00:49:23,440 THEY ARE IN THE NEWS EVERY DAY RIGHT BETWEEN THE LINES. 671 00:49:25,840 --> 00:49:27,730 SOMEONE DID THIS TO ME. 672 00:49:29,560 --> 00:49:31,480 MY FATHER WROTE ABOUT THIS IN HIS BOOK. 673 00:49:31,810 --> 00:49:35,500 CHAPTER ONE, PAGE ONE, PARAGRAPH ONE. 674 00:49:35,830 --> 00:49:38,590 WHAT IS THE ANSWER TO 99 OUT OF 100 QUESTIONS ? 675 00:49:42,280 --> 00:49:44,110 MONEY. 676 00:49:44,140 --> 00:49:46,450 I DON'T WANT TO WORRY YOU. I'M HOLDING THEM OFF, 677 00:49:46,450 --> 00:49:48,220 BUT WE'VE GOT A SITUATION HERE. 678 00:49:48,880 --> 00:49:52,210 THE BYLAWS OF THE BOARD PROTECT YOUR 51% VOTE... 679 00:49:52,210 --> 00:49:54,580 ONLY IF YOU'RE MENTALLY ACUTE. 680 00:49:54,820 --> 00:49:57,160 NOW, I'M-I'M SORRY THAT POOR GIRL DIED, 681 00:49:57,160 --> 00:50:00,250 BUT YOU'VE HANDED THE BOARD A REAL GIFT WITH YOUR MISHAP. 682 00:50:00,280 --> 00:50:03,130 THEY'D LIKE TO DECLARE YOU INCAPACITATED. 683 00:50:03,820 --> 00:50:05,740 BUT YOU'RE BACK. 684 00:50:06,490 --> 00:50:10,030 YOU SOUND GOOD TO ME, SO LET'S FIGHT THE FUCKERS... 685 00:50:10,540 --> 00:50:12,370 AND HAVE A FULL RECOVERY. 686 00:50:12,520 --> 00:50:14,680 AND MAYBE YOU SHOULD LET PEOPLE SEE YOU, YEAH ? 687 00:50:14,710 --> 00:50:17,230 I MEAN, THE LAST TIME WE WERE TOGETHER, YOU WERE-- YOU WERE-- 688 00:50:17,230 --> 00:50:20,410 YOU WERE IN A COMA, AND YOU WERE VERY FUCKING RUDE TO ME. 689 00:50:20,440 --> 00:50:22,210 YOU DIDN'T SAY A WORD. 690 00:50:24,070 --> 00:50:27,730 THE RUMORS OF MY DEATH HAVE BEEN MILDLY EXAGGERATED. 691 00:50:33,940 --> 00:50:35,950 THE ANTS WERE TAKING OVER THE ANTHILL. 692 00:50:38,680 --> 00:50:39,940 WHO COULD I TRUST ? 693 00:51:44,750 --> 00:51:48,260 AND FASTENED BY MICRO-PANELS AND BITS OF BONE FROM THE MANDIBLE. 694 00:51:48,260 --> 00:51:51,770 AND IT APPEARS THE CARTILAGE GRAFTS HAVE MAINTAINED YOUR CHEEK STRUCTURE. 695 00:51:51,800 --> 00:51:53,930 UNFORTUNATELY, BECAUSE YOU WERE IN A COMA-- 696 00:51:57,770 --> 00:52:02,180 IS THAT THE PROCEDURE FOR ALL BILATERAL PERIORBITAL HEMATOMAS IN A LEFORT III FRACTURE... 697 00:52:02,180 --> 00:52:04,040 - OF A COMATOSE PATIENT ? - IN A LEFORT III ? 698 00:52:04,070 --> 00:52:05,840 YOU DO YOUR BEST. ABSOLUTELY. 699 00:52:05,870 --> 00:52:08,900 THE POTENTIAL FOR INTRACRANIAL BRAIN DAMAGE WAS TOO GREAT. 700 00:52:09,440 --> 00:52:11,660 AND BEYOND THE CHEEK GRAFTS, DR. POMERANZ, 701 00:52:11,690 --> 00:52:13,610 ARE THE PINS FASTENED WITH ANY KIND OF ALUMINUM... 702 00:52:13,610 --> 00:52:15,890 WHICH COULD IONIZE AND CAUSE THAT PRESSURE IN MY HEAD ? 703 00:52:15,920 --> 00:52:17,840 BECAUSE I'M READY FOR ANOTHER OPERATION. 704 00:52:17,870 --> 00:52:19,580 YES, WE ARE WORKING ON PROCESSES, 705 00:52:19,580 --> 00:52:23,510 BUT YOU'RE NOT AT THE STAGE WHERE WE CAN EXPERIMENT. 706 00:52:25,340 --> 00:52:27,320 EXPERIMENT. USE ME. 707 00:52:27,350 --> 00:52:28,460 THE HEADACHES WILL GO AWAY. 708 00:52:29,660 --> 00:52:31,340 THESE ARE MORE THAN HEADACHES. 709 00:52:32,480 --> 00:52:36,650 THESE ARE LIKE STEEL PLATES SLICING THROUGH MY EVERY THOUGHT. 710 00:52:36,680 --> 00:52:39,290 WE'RE NOT COWBOYS. WE CAN'T JUST WING IT. 711 00:52:40,100 --> 00:52:42,530 BECAUSE I CAN'T THINK STRAIGHT MOST OF THE TIME. 712 00:52:42,560 --> 00:52:45,590 - WE CAN INCREASE YOUR MEDICATION. - OH, YES. MEDICATION. 713 00:52:47,180 --> 00:52:48,020 WHOO ! AND THERE ARE THINGS... 714 00:52:48,020 --> 00:52:50,090 THAT WE'LL CONTINUE TO INVESTIGATE. 715 00:52:50,120 --> 00:52:53,900 HOWEVER, THERE ARE MANY OTHERS WHO'VE NOT HAD THE AESTHETIC BENEFIT OF PLASTIC SURGERY... 716 00:52:53,900 --> 00:52:54,740 AS YOU HAVE. 717 00:52:57,170 --> 00:52:59,900 THIS ISN'T ABOUT VANITY, DR. POMERANZ. 718 00:53:00,350 --> 00:53:01,760 THIS ISN'T ABOUT VANITY. 719 00:53:02,240 --> 00:53:04,160 THIS IS ABOUT FUNCTIONING IN THE WORLD. 720 00:53:04,190 --> 00:53:06,290 IT'S MY JOB TO BE OUT THERE FUNCTIONING. 721 00:53:07,100 --> 00:53:10,220 NOW, I'VE GOT THE MONEY. I'LL PAY ANY AMOUNT. 722 00:53:11,060 --> 00:53:13,160 JUST INVENT SOMETHING. 723 00:53:13,490 --> 00:53:14,780 JUST PLAY JAZZ. 724 00:53:14,810 --> 00:53:16,970 YOU SAY YOU'RE THE BEST FACE MAN IN NEW YORK ? 725 00:53:17,210 --> 00:53:18,590 FUCKING PROVE IT. 726 00:53:22,880 --> 00:53:25,650 - WE COULD DO SOMETHING ABOUT YOUR ARM. - FUCK MY ARM ! 727 00:53:30,540 --> 00:53:32,640 NOBODY HERE TAKES YOUR FEELINGS FOR GRANTED. 728 00:53:33,510 --> 00:53:34,920 WE DID PREPARE SOMETHING FOR YOU... 729 00:53:34,920 --> 00:53:37,500 BASED ON THE PRELIMINARY EXAMINATION. TELL ME. 730 00:53:37,530 --> 00:53:39,780 BRING IT ON. IT'S SOMETIMES USEFUL... 731 00:53:39,780 --> 00:53:41,610 IN THE EARLY STAGES OF REJECTION. 732 00:53:42,210 --> 00:53:45,150 IT'S A FACIAL PROSTHETIC. IT WAS TWO WEEKS IN THE MAKING. 733 00:53:45,180 --> 00:53:47,160 - THANK YOU, CARLY. - YOU'RE WELCOME, DOCTOR. 734 00:53:58,170 --> 00:53:59,850 A FACIAL PROSTHETIC. 735 00:53:59,880 --> 00:54:01,860 THE AESTHETIC REPLACEMENT DOES WORK, 736 00:54:02,190 --> 00:54:06,720 EMOTIONALLY AND ACTUALLY. AND THE PLASTIC IN THE AESTHETIC SHIELD... 737 00:54:06,720 --> 00:54:10,080 ALSO BLOCKS OUT ABUSIVE RAYS AND ASSISTS IN THE REGENERATION OF CELLS. 738 00:54:12,360 --> 00:54:14,820 SO IT'S AN AESTHETIC REGENERATIVE SHIELD. 739 00:54:14,820 --> 00:54:18,030 THAT'S CORRECT. EXACTLY. AND THE ERGONOMICS OF THE PLATE BARRIER... 740 00:54:18,060 --> 00:54:21,300 ALLOWS IT TO INTERACT REFLEXIVELY WITH THE MOVEMENTS OF YOUR OWN FACE. 741 00:54:21,450 --> 00:54:22,830 OH. I SEE. 742 00:54:24,060 --> 00:54:27,180 IT'S A HELPFUL UNIT. GOOD. 743 00:54:27,750 --> 00:54:32,100 BECAUSE FOR A MINUTE THERE, I THOUGHT WE WERE TALKING ABOUT A FUCKING MASK ! 744 00:54:34,140 --> 00:54:35,910 IT'S ONLY A MASK... 745 00:54:36,600 --> 00:54:38,730 IF YOU TREAT IT THAT WAY. OH, NO. 746 00:54:38,760 --> 00:54:42,630 IT'S GREAT. THIS COMPLETELY TAKES CARE OF HALLOWEEN. 747 00:54:44,010 --> 00:54:47,970 BUT WHAT ABOUT THE OTHER 364 DAYS OF THE YEAR ? 748 00:55:06,810 --> 00:55:11,520 I PLANNED MY REEMERGENCE LIKE THE NORMANDY INVASION. 749 00:55:11,580 --> 00:55:14,190 SOFIA. SOFIA. SOFIA. 750 00:55:14,220 --> 00:55:17,280 SOFIA. SOFIA. SOFIA. SERRANO. 751 00:55:19,740 --> 00:55:20,700 I'LL JUST SAY IT. 752 00:55:21,660 --> 00:55:23,340 I DID MY HOMEWORK. 753 00:55:23,880 --> 00:55:25,680 I READ EVERY MEMO. 754 00:55:26,520 --> 00:55:30,750 THOMAS TIPP WAS RIGHT. PEOPLE WILL READ AGAIN. 755 00:55:32,760 --> 00:55:36,300 I ATTENDED THE MONTHLY BOARD MEETING WITH THE SEVEN DWARFS BY VIDEO HOOKUP. 756 00:55:36,300 --> 00:55:39,720 BECAUSE PEOPLE AREN'T BUYING BOOKS. LET'S INVEST-- 757 00:55:39,750 --> 00:55:43,630 OH, BABY. THIS WAS WAR. MY FATHER WAS AN ADVENTURER. 758 00:55:43,650 --> 00:55:46,380 I GREW STRONGER IN WAYS I'VE NEVER KNOWN BEFORE. 759 00:55:46,410 --> 00:55:50,550 AND ON DECEMBER 5, MY PLANES FILLED THE SKY. 760 00:55:50,850 --> 00:55:52,770 THE RETURN OF DAVID AAMES JR. 761 00:55:54,090 --> 00:55:55,140 CITIZEN DILDO. 762 00:56:34,630 --> 00:56:38,140 YOU WON'T-- YOU WON'T BELIEVE THIS. 763 00:56:40,450 --> 00:56:43,000 BUT THIS IS ME SMILING. 764 00:56:49,840 --> 00:56:51,190 IT'S BEEN A LONG TIME. 765 00:56:52,030 --> 00:56:55,150 I TRIED TO SEE YOU, BUT YOUR PEOPLE WOULDN'T LET ME. 766 00:56:55,720 --> 00:56:58,240 I DIDN'T WANNA SEE ME, OKAY ? 767 00:56:58,450 --> 00:56:59,500 BUT THEN... 768 00:57:00,340 --> 00:57:01,930 I WOKE UP TODAY, 769 00:57:02,020 --> 00:57:05,710 AND FINALLY, A GOOD HAIR DAY. 770 00:57:09,820 --> 00:57:11,080 YOU WANT TO GET TOGETHER ? 771 00:57:14,200 --> 00:57:15,190 SURE. 772 00:57:17,500 --> 00:57:20,470 - WHAT ? - LET'S GO OUT AND DO SOMETHING. 773 00:57:20,530 --> 00:57:24,430 THIS WEEKEND. I'LL CANCEL AN OPERATION OR TWO. 774 00:57:24,700 --> 00:57:25,960 WE'LL HAVE FUN. 775 00:57:26,860 --> 00:57:30,700 BECAUSE I AM ALL ABOUT FUN. 776 00:57:37,720 --> 00:57:39,820 PLEASE WELCOME BENNY THE DOG. 777 00:57:45,580 --> 00:57:47,860 WELCOME TO THE SHOW. THANK YOU VERY MUCH FOR BEING HERE, GARY. 778 00:57:48,460 --> 00:57:50,200 MY PLEASURE. I HAVE SO MANY QUESTIONS. 779 00:57:50,200 --> 00:57:53,770 TO START OFF, TELL US ALL JUST WHAT HAS HAPPENED TO BENNY. 780 00:57:53,800 --> 00:57:56,260 WHAT'S BENNY BEEN THROUGH ? OKAY, WELL, 781 00:57:56,260 --> 00:57:58,870 UH, BENNY, UH, FELL INTO THE WATER NEAR OUR HOME, 782 00:57:58,870 --> 00:58:02,860 AND HE WAS FROZEN IN THE SKYKOMISH RIVER. IN WASHINGTON. 783 00:58:03,040 --> 00:58:04,630 THAT'S RIGHT. AND I WENT FISHING, 784 00:58:04,930 --> 00:58:07,000 THINKING HE'D BEEN GONE NOW FOR THREE MONTHS. 785 00:58:07,000 --> 00:58:10,840 AND I SEE HIM IN A BLOCK OF ICE. 786 00:58:11,020 --> 00:58:14,020 HE IS THAWED OUT NOW. IS THAT CORRECT ? 787 00:58:14,830 --> 00:58:16,630 HE'S NOT MOVING A LOT. I'M WORRIED. 788 00:58:17,540 --> 00:58:20,060 SHOULD I GET OUT SOME TONGS ? I'M WORRIED ABOUT THE DOG. 789 00:58:20,090 --> 00:58:23,600 NO, HE'S FINE. HE'S JUST LOST A LITTLE OF HIS FRISKINESS, THAT'S ALL. 790 00:58:24,470 --> 00:58:25,880 SOFIA ? IT'S DAVID. 791 00:58:27,020 --> 00:58:28,790 I'M BACK IN YOUR LIFE, AND I-- 792 00:58:28,790 --> 00:58:30,860 I SAW YOU OVER THERE TODAY. 793 00:58:30,890 --> 00:58:36,050 I WAS JUST WATCHING OUR OLD FRIEND, BENNY THE DOG, 794 00:58:36,080 --> 00:58:37,430 ON CONAN... 795 00:58:38,630 --> 00:58:40,010 AND I THOUGHT OF YOU. 796 00:58:41,510 --> 00:58:44,390 WHATEVER. I, UH-- 797 00:58:45,200 --> 00:58:46,670 I LOVED SEEING YOU TODAY. 798 00:58:48,320 --> 00:58:50,360 SO I WILL SEE YOU SOON. 799 00:58:52,130 --> 00:58:53,720 YOU'RE A GREAT DANCER. 800 00:59:43,670 --> 00:59:46,520 WHOO ! WHOO-HOO ! 801 00:59:48,140 --> 00:59:49,450 WHAT ARE YOU DRINKING ? NOTHING. 802 00:59:50,270 --> 00:59:53,660 I'M IN THE MOOD FOR A CHEAP, SUGARY, OVERPRICED RUM AND COKE. 803 00:59:53,660 --> 00:59:55,970 DO YOU WANT ONE ? IS THERE ANY OTHER KIND ? 804 00:59:56,390 --> 00:59:57,530 I'LL GET US SOME. 805 00:59:58,190 --> 01:00:00,680 WHERE'S THE BATHROOM ? UH, IT'S... 806 01:00:00,680 --> 01:00:04,010 BEHIND, UH-- OVER THERE BY THE PLACE-- 807 01:00:04,010 --> 01:00:05,870 BY THE GIRL WHO LOOKS LIKE BJORK. 808 01:00:06,680 --> 01:00:08,480 I'LL BE RIGHT BACK. MAYBE I SHOULD, UH-- 809 01:00:08,810 --> 01:00:11,300 HEY, HEY, HEY, HEY, HEY. HEY, MAN. 810 01:00:11,750 --> 01:00:14,960 YOU LOOK GOOD. HOW'S YOUR BOOK ? TAKE IT OFF. 811 01:00:15,200 --> 01:00:19,190 NO, THIS IS A FACIAL SHIELD. IT'S AN AESTHETIC PROSTHESIS. 812 01:00:19,220 --> 01:00:22,850 THESE FUCKING DOCTORS. TAKE OFF THE MASK, MAN. IT'S FREAKING ME OUT. 813 01:00:22,850 --> 01:00:23,660 I CAN'T. 814 01:00:25,850 --> 01:00:28,760 IT'S MY FACE. THIS IS MY FACE. 815 01:00:28,790 --> 01:00:32,600 TRUST ME. IT'S A LITTLE DIFFERENT. IF YOU'RE EMBARRASSED, JUST GO. 816 01:00:32,630 --> 01:00:34,520 NOBODY ASKED YOU TO CHAPERON. 817 01:00:35,360 --> 01:00:37,160 SOFIA ASKED ME. WHAT ? 818 01:00:37,190 --> 01:00:39,860 SHE DIDN'T WANNA BE ALONE WITH ME ? THAT'S BULLSHIT. 819 01:00:40,130 --> 01:00:43,160 BECAUSE I THINK I'M BEING PRETTY FUCKING COOL ABOUT THIS WHOLE THING. 820 01:00:43,220 --> 01:00:46,820 TALK TO A SHRINK. OR YOU'RE GONNA CALL ME SOMETIME... 821 01:00:46,820 --> 01:00:48,680 INSTEAD OF HIDING IN YOUR APARTMENT ? 822 01:00:48,710 --> 01:00:51,080 DON'T TAKE IT OUT ON A GIRL YOU ONLY MET ONCE. 823 01:00:52,940 --> 01:00:55,220 DID SHE SAY THAT ? ONCE ? 824 01:00:56,300 --> 01:01:00,050 DID SHE SAY THAT I MET HER ONCE ? LOOK, CUT IT OUT, OKAY ? 825 01:01:00,080 --> 01:01:04,250 I MISS THE OLD YOU. WE ALL MISS THE OLD YOU. 826 01:01:04,340 --> 01:01:07,130 BECAUSE THE NEW GUY IS SHIT. 827 01:01:09,650 --> 01:01:12,210 THAT CAME OUT WRONG. I LOVE YOU. 828 01:01:12,240 --> 01:01:13,050 PERIOD. 829 01:01:13,830 --> 01:01:16,290 HOW'S YOUR ARM, MAN ? FUCK YOU, BRIAN. 830 01:01:17,130 --> 01:01:20,310 HOW ABOUT... NO SYMPATHY ? 831 01:01:20,820 --> 01:01:22,470 HOW ABOUT THAT'S THE DEAL WE MAKE ? OKAY ? 832 01:01:34,530 --> 01:01:37,290 GIVE ME A BUDWEISER AND A SHOT OF TEQUILA. 833 01:01:37,320 --> 01:01:38,280 WHAT KIND OF TEQUILA ? 834 01:01:41,310 --> 01:01:44,850 WHAT DID YOU SAY TO ME ? I SAID, WHAT KIND OF TEQUILA ? 835 01:01:46,140 --> 01:01:48,510 WHY DON'T YOU ASK ME TO MY FACE, BITCH ? 836 01:01:53,520 --> 01:01:54,690 PATRON, IF YOU HAVE IT. 837 01:02:22,320 --> 01:02:27,210 ANOTHER SHOT, ANOTHER BUD. THIS IS ON THE HOUSE. 838 01:02:27,540 --> 01:02:31,320 WHY ? IT JUST IS, BITCH. 839 01:03:31,060 --> 01:03:31,450 PATRON ! 840 01:03:33,100 --> 01:03:35,680 DUDE, FIX YOUR FUCKING FACE ! 841 01:04:27,790 --> 01:04:29,680 - HELLO AGAIN. - HELLO AGAIN. 842 01:04:30,310 --> 01:04:32,920 IDEA. LET'S START OVER. 843 01:04:36,370 --> 01:04:38,530 UH, UNLESS I'M HORNING IN HERE." 844 01:04:38,830 --> 01:04:40,570 "OH, YOU ARE. BUT THE FOOD IS GOOD." 845 01:04:40,810 --> 01:04:44,200 "I'VE GOT THIS LITTLE PROBLEM. I'VE GOT A STALKER." 846 01:04:46,150 --> 01:04:47,560 "IT DOESN'T SOUND LIFE-THREATENING." 847 01:04:48,250 --> 01:04:49,150 "I NEED A COVER. 848 01:04:49,150 --> 01:04:52,330 "I NEED FOR YOU TO PRETEND THAT WE'RE HAVING A SCINTILLATING CONVERSATION... 849 01:04:52,360 --> 01:04:55,060 "AND YOU ARE WILDLY ENTERTAINED. 850 01:04:55,840 --> 01:04:57,100 I KNOW IT'S TOUGH." 851 01:04:57,250 --> 01:05:00,340 "I'LL IMPROVISE." I DON'T TALK LIKE THAT. 852 01:05:01,630 --> 01:05:05,080 "SHE'S RIGHT ACROSS THE ROOM AND SHE'S BURNING A HOLE IN MY BACK RIGHT NOW." 853 01:05:09,100 --> 01:05:11,590 "RED DRESS, STRAPPY SHOES ?" 854 01:05:15,010 --> 01:05:15,610 THAT'S RIGHT. 855 01:05:18,070 --> 01:05:21,070 "I THINK SHE IS THE SADDEST GIRL... 856 01:05:21,100 --> 01:05:22,660 TO EVER HOLD A MARTINI." 857 01:05:36,400 --> 01:05:39,370 ARE YOU OKAY ? NO ? NO. NO. 858 01:05:39,760 --> 01:05:41,440 WHY ? WHAT'S WRONG ? IS IT ME ? 859 01:05:42,640 --> 01:05:44,350 IS IT ME ? I'LL TELL YOU LATER. 860 01:05:44,530 --> 01:05:46,060 NO. TELL ME NOW. I'LL TELL YOU LATER. 861 01:05:46,180 --> 01:05:48,730 IF SOMETHING'S WRONG, PLEASE TELL ME NOW. I'LL TELL YOU LA-- 862 01:05:48,730 --> 01:05:51,610 LET'S JUST TALK ABOUT IT ALL RIGHT NOW. I'LL TELL YOU LATER. 863 01:05:51,892 --> 01:05:55,120 JUST GET IT ALL OUT. SAY EVERYTHING NOW. LET'S JUST-- JUST-- 864 01:05:55,180 --> 01:05:58,180 DAVID-- SAY EVERYTHING-- SAY EVERYTHING NOW. NOW. NOW. 865 01:05:58,720 --> 01:06:01,540 I'LL TELL YOU IN ANOTHER LIFE, WHEN WE ARE BOTH CATS. 866 01:06:08,000 --> 01:06:09,800 I CAN'T BELIEVE YOU JUST SAID THAT. 867 01:06:13,340 --> 01:06:16,310 THAT IS THE GREATEST THING THAT I'VE EVER HEARD. 868 01:06:16,340 --> 01:06:18,980 THAT'S HILARIOUS THAT YOU SAID THAT. 869 01:06:19,880 --> 01:06:22,310 SEE, THAT'S-- SHE SAID THAT. YOU SAID THAT. 870 01:06:22,340 --> 01:06:25,940 SEE, THAT-- THAT IS WHAT I LOVE ABOUT YOU. 871 01:06:27,200 --> 01:06:29,720 THAT'S-- THAT'S HILARIOUS. 872 01:06:29,750 --> 01:06:33,170 "I'LL TELL YOU IN ANOTHER LIFE, WHEN WE ARE BOTH CATS." 873 01:06:34,490 --> 01:06:35,120 CATS ! 874 01:06:35,750 --> 01:06:36,500 CATS ! 875 01:06:42,830 --> 01:06:44,810 WELL, THIS IS WHERE I LEAVE YOU. 876 01:06:44,840 --> 01:06:46,430 WAIT. I'LL WALK YOU TO YOUR DOOR. 877 01:06:46,460 --> 01:06:49,400 NO, I LIVE JUST AROUND THE CORNER. I'VE GOT MY BIKE HERE. 878 01:06:49,430 --> 01:06:51,440 I'D RATHER WALK. DON'T BE A DRAG. 879 01:06:51,470 --> 01:06:54,200 CAN'T YOU SEE SHE WANTS TO GO ON HER OWN ? 880 01:06:54,440 --> 01:06:55,880 SHUT UP. YOU'RE DRUNK. 881 01:06:57,260 --> 01:06:59,480 I MAY BE AN IDIOT, BUT I'M NOT DRUNK. 882 01:07:00,560 --> 01:07:04,580 SERIOUSLY, I DON'T NEED YOU TO WALK ME HOME. THANK YOU. 883 01:07:05,720 --> 01:07:10,340 OKAY, THEN, SO... WE'LL CALL YOU. OKAY. 884 01:07:10,370 --> 01:07:12,500 WE'LL GO CATCH A MOVIE OR SOMETHING. 885 01:07:14,750 --> 01:07:16,280 SO, WE'LL MEET UP SOON. 886 01:07:19,883 --> 01:07:22,083 WE'LL MEET UP SOON. 887 01:07:31,790 --> 01:07:34,280 WE'LL CALL YOU AGAIN TO GO OUT WITH ME ! 888 01:07:35,870 --> 01:07:37,250 WE'LL CALL YOU ! 889 01:07:38,330 --> 01:07:41,480 IT'S BEEN A REAL BLAST, DAVID. I BID YOU GOOD EVENING. 890 01:07:42,620 --> 01:07:44,510 WAIT. WAIT. WAIT. WHERE ARE YOU GOING ? 891 01:07:44,540 --> 01:07:47,510 MY BIKE, IT'S BACK OVER THERE. WE'LL HANG SOON. 892 01:07:47,510 --> 01:07:50,540 AND BRING YOUR MASK IF YOU WANT. I'M GETTING USED TO IT. 893 01:07:52,730 --> 01:07:54,860 - WAIT A MINUTE. - WHAT ? 894 01:07:57,860 --> 01:07:58,670 I DON'T KNOW. 895 01:07:59,640 --> 01:08:02,310 YOU DRANK A LITTLE TOO MUCH. CALL ME TOMORROW IF YOU WANT. 896 01:08:02,380 --> 01:08:05,130 'CAUSE TOMORROW I'LL WISH I WAS DEAD. 897 01:08:07,920 --> 01:08:10,200 NO, YOU WON'T. YOU JUST NEED TO SLEEP. 898 01:08:13,830 --> 01:08:16,950 HEY. HEY ! HEY. WHAT ? 899 01:08:22,350 --> 01:08:25,590 WHAT DID YOU SAY TO JULIE GIANNI THE NIGHT OF THE ACCIDENT ? 900 01:08:27,510 --> 01:08:28,439 WHAT ? 901 01:08:29,729 --> 01:08:32,970 YOU TOLD HER SHE WAS A FUCK BUDDY. 902 01:08:34,050 --> 01:08:34,920 NEVER. 903 01:08:36,300 --> 01:08:39,149 SHE WAS A LITTLE MORE THAN PISSED ABOUT IT. 904 01:08:39,990 --> 01:08:42,630 HAVE YOU BEEN HARBORING THIS SHIT ALL ALONG ? 905 01:08:42,899 --> 01:08:45,090 I NEVER TALKED TO HER. 906 01:08:49,590 --> 01:08:50,310 WHATEVER. 907 01:08:53,399 --> 01:08:54,149 ANYWAY, 908 01:08:55,050 --> 01:08:58,620 WHO AM I IF I CAN'T BE THE ONE TO TELL YOU YOU'RE NOT UGLY ? 909 01:09:01,529 --> 01:09:03,510 GIVE ME A COURTESY LAUGH. 910 01:09:07,050 --> 01:09:09,810 I'M JUST SO FUCKED UP. 911 01:09:16,560 --> 01:09:21,060 WE'RE BEST FRIENDS ! WE'RE BROS ! 912 01:09:22,080 --> 01:09:23,700 COME ON, MAN. WE'RE BROS. 913 01:09:29,939 --> 01:09:36,330 ♪ READYING TO BURY YOUR FATHER AND YOUR MOTHER ♪ 914 01:09:36,510 --> 01:09:39,840 ♪ WHAT DID YOU THINK WHEN YOU LOST ANOTHER ♪ 915 01:09:42,810 --> 01:09:48,779 ♪ I USED TO WONDER WHY DID YOU BOTHER ♪ 916 01:09:48,840 --> 01:09:51,180 ♪ DISTANCED FROM ONE ♪ 917 01:09:51,300 --> 01:09:54,870 ♪ BLIND TO THE OTHER ♪ 918 01:09:55,620 --> 01:10:01,170 ♪ LISTEN HERE MY SISTER AND MY BROTHER ♪ 919 01:10:01,200 --> 01:10:04,950 ♪ WHAT WOULD YOU CARE IF YOU LOST THE OTHER ♪ 920 01:10:07,440 --> 01:10:13,200 ♪ I ALWAYS WONDER WHY DID WE BOTHER ♪ 921 01:10:13,200 --> 01:10:16,400 ♪ DISTANCED FROM ONE ♪ 922 01:10:16,500 --> 01:10:20,200 ♪ BLIND TO THE OTHER ♪ 923 01:10:20,300 --> 01:10:22,933 ♪ OH, OH ♪ 924 01:10:23,033 --> 01:10:25,767 ♪ OH, OH ♪ 925 01:10:25,867 --> 01:10:27,600 ♪ OH, OH ♪ 926 01:10:28,230 --> 01:10:30,540 ♪ BUT SWEETNESS FOLLOWS ♪ 927 01:11:05,350 --> 01:11:06,850 OPEN YOUR EYES. 928 01:11:11,410 --> 01:11:13,270 - BOO ! - 929 01:11:13,300 --> 01:11:19,330 - THIS IS A CHEAP PLOY FOR SYMPATHY. - I'M OKAY. I'M OKAY. 930 01:11:19,360 --> 01:11:21,610 AND IT WORKED. GET UP. 931 01:11:27,340 --> 01:11:29,140 THIS IS A JOKE. DAVID, 932 01:11:29,440 --> 01:11:30,970 I'M NOT GONNA LIE TO YOU. 933 01:11:32,260 --> 01:11:34,030 I LIKED THE WAY YOU LOOKED. 934 01:11:34,900 --> 01:11:35,650 BUT... 935 01:11:36,580 --> 01:11:39,190 YOU HAVE TO PULL IT THE FUCK TOGETHER. 936 01:11:39,760 --> 01:11:42,580 BECAUSE IF NOT, I'LL FORGET THE OTHER GUY. 937 01:11:43,210 --> 01:11:46,510 YOU KNOW THAT OTHER GUY ? YOU ? 938 01:11:47,410 --> 01:11:50,350 I'M STILL THAT GUY. I'M STILL THAT GUY. LISTEN. 939 01:11:50,380 --> 01:11:53,740 I DON'T HAVE A MOTHER-SAVIOR BONE IN MY BODY. 940 01:11:53,740 --> 01:11:57,220 IT'S NOT ABOUT THAT. YOU ARE COMING INSIDE. 941 01:11:57,250 --> 01:11:59,770 BUT IF THIS TURNS OUT TO BE A BIG MISTAKE, 942 01:12:00,940 --> 01:12:05,770 I DO HAVE THE ABILITY TO FALL OUT OF LOVE WITH YOU, LIKE THAT. 943 01:12:18,130 --> 01:12:19,630 I AM STILL THAT GUY. SHUT UP. 944 01:12:19,660 --> 01:12:21,940 US VERSUS THEM. 945 01:12:21,970 --> 01:12:25,210 WHERE'S BRIAN ? BRIAN ? HE WENT WITH YOU. 946 01:12:25,660 --> 01:12:26,230 DIDN'T HE ? 947 01:12:27,370 --> 01:12:28,780 I THOUGHT YOU GUYS HOOKED UP. 948 01:12:31,000 --> 01:12:33,910 I WISH YOU HADN'T GOTTEN IN THE CAR WITH THAT GIRL. 949 01:12:36,880 --> 01:12:39,220 SOFIA, I-- SHH. 950 01:12:42,010 --> 01:12:44,110 YOUR EYES APOLOGIZE BETTER. 951 01:12:46,510 --> 01:12:47,410 COME ON. 952 01:12:49,090 --> 01:12:54,490 HOLY GOD. THIS IS GOING TO CHANGE MY LIFE IN A ZILLION DIFFERENT WAYS. 953 01:12:55,150 --> 01:12:56,530 I MUST BE NUTS. 954 01:12:59,350 --> 01:13:00,730 HER BELIEVING IN ME, 955 01:13:00,970 --> 01:13:05,140 AND ME BELIEVING THAT I ACTUALLY DESERVED IT. 956 01:13:20,590 --> 01:13:21,850 AH, SOFIA. 957 01:13:23,890 --> 01:13:26,170 WELL, I SEE YOU HAVEN'T BEEN WASTING YOUR TIME. 958 01:13:27,250 --> 01:13:29,110 DO YOU EVER DRAW ANYTHING ELSE ? 959 01:13:33,490 --> 01:13:34,930 NO. DID YOU SLEEP LAST NIGHT ? 960 01:13:37,210 --> 01:13:39,400 NO. I DID NOT SLEEP. 961 01:13:39,430 --> 01:13:42,220 GOT TO LEAVE EARLY TODAY, DAVID, SO YOU'LL HAVE TO BE BRIEF. 962 01:13:42,220 --> 01:13:47,020 NOW, WHAT CAN YOU TELL ME ABOUT THE NAME ELLIE ? 963 01:13:47,020 --> 01:13:47,890 ELLIE. 964 01:13:51,920 --> 01:13:55,280 IS THAT A GIRL YOU KNEW ? A GIRL YOU WERE IN LOVE WITH ? 965 01:13:55,310 --> 01:13:57,020 I'VE ONLY BEEN IN LOVE ONCE. 966 01:13:57,050 --> 01:13:59,600 APPARENTLY, YOU KEPT REPEATING IT LAST NIGHT. 967 01:14:00,350 --> 01:14:04,160 YOU DID SLEEP, DAVID. YOUR ADVISOR SAID YOU CRIED OUT. 968 01:14:04,370 --> 01:14:06,950 YOU HAD A NIGHTMARE. EVERYTHING'S A NIGHTMARE. 969 01:14:06,980 --> 01:14:08,990 YOU CRIED OUT FOR ELLIE, DAVID. 970 01:14:10,250 --> 01:14:11,660 DO YOU REMEMBER WHAT HAPPENED ? 971 01:14:15,700 --> 01:14:16,670 UH, I KNOW I-- 972 01:14:18,290 --> 01:14:19,790 DIG DEEP, DAVID. 973 01:14:19,850 --> 01:14:21,980 DIG DEEP. 974 01:14:22,010 --> 01:14:25,520 YOU CRIED OUT FOR ELLIE. WHAT DO YOU REMEMBER ABOUT ELLIE ? 975 01:14:27,770 --> 01:14:29,690 SHOW ME YOUR FACE, DAVID. 976 01:14:31,730 --> 01:14:33,860 HELP ME OPEN THE DOOR. 977 01:14:42,980 --> 01:14:43,100 NO. 978 01:14:44,120 --> 01:14:47,900 IT'S TRUE YOU HAD AN ACCIDENT. IT'S TRUE YOU WERE DISFIGURED. 979 01:14:48,260 --> 01:14:49,520 BUT NOT ANYMORE. 980 01:14:51,170 --> 01:14:52,130 DO YOU REMEMBER ? 981 01:14:54,830 --> 01:14:56,660 THEY DID FIX YOUR FACE. 982 01:14:59,210 --> 01:15:01,130 TAKE OFF THAT MASK, DAVID. 983 01:15:02,270 --> 01:15:04,460 YOU'LL SEE YOUR FACE IS PERFECT UNDER THERE. 984 01:15:06,020 --> 01:15:07,700 I NEVER TRUSTED THE DOCTORS. 985 01:15:10,220 --> 01:15:13,250 AND WHAT HAPPENED NEXT WAS SURREAL. 986 01:15:14,660 --> 01:15:17,930 THAT SAME ARROGANT BASTARD, DR. POMERANZ, CALLED ME, 987 01:15:17,930 --> 01:15:20,570 AND SUDDENLY HE WAS MY NEW BEST FRIEND. 988 01:15:20,600 --> 01:15:22,820 DAVID ! HEY, MY BROTHER. 989 01:15:22,910 --> 01:15:25,610 HEY, I FELT REALLY BAD ABOUT OUR LAST CONVERSATION. 990 01:15:25,640 --> 01:15:28,940 HE SAID HE'D DISCOVERED A NEW FORM OF RECONSTRUCTIVE SURGERY... 991 01:15:28,940 --> 01:15:31,610 WITH THE HELP OF A DOCTOR FROM BERLIN. 992 01:15:31,640 --> 01:15:33,950 - HELLO. - NEXT THING I KNEW, 993 01:15:33,980 --> 01:15:36,680 THEY SHOT ME FULL OF DRUGS I'D NEVER HEARD OF... 994 01:15:36,710 --> 01:15:39,290 AND AWAY WE WENT. 995 01:15:39,290 --> 01:15:43,190 ♪ WHAT IF GOD WAS ONE OF US ♪ 996 01:15:44,420 --> 01:15:48,840 ♪ JUST A SLOB LIKE ONE OF US ♪ 997 01:15:49,320 --> 01:15:52,500 ♪ TRYING TO MAKE HIS WAY HOME ♪ 998 01:15:52,530 --> 01:15:55,410 HE'S GOT A GOOD VOICE. FIFTY-FIVE ? 999 01:15:58,500 --> 01:16:00,900 THAT THE HEADACHES COULD BE REDUCED BY 50%... 1000 01:16:00,900 --> 01:16:03,270 AND FACIAL TISSUE COULD BE REGENERATED. 1001 01:16:03,270 --> 01:16:08,040 ...THE FIRST TO INCORPORATE THE CONCEPT OF ENDOSCOPIC PERIORBITAL FIBER OPTICS. 1002 01:16:11,310 --> 01:16:13,380 IT SEEMED LIKE SCIENCE FICTION TO ME. 1003 01:16:13,740 --> 01:16:17,460 MADONNA HAD THAT SONG, "BORDERLINE." THAT WAS A HELL OF A SONG. 1004 01:16:17,460 --> 01:16:21,720 AND ANOTHER SNIP. THIS IS GONNA BE ONE GOOD-LOOKING GUY WHEN I'M DONE. 1005 01:16:21,840 --> 01:16:23,970 OBVIOUSLY, I WAS SUSPICIOUS. 1006 01:16:25,230 --> 01:16:26,430 WOULDN'T YOU BE ? 1007 01:16:27,450 --> 01:16:29,880 SUSPICIOUS OF WHOM ? OF WHAT ? 1008 01:16:30,720 --> 01:16:34,530 DOC, ONCE YOU'VE BEEN DRIVEN OFF A BRIDGE AT 80 MILES AN HOUR, 1009 01:16:35,400 --> 01:16:39,930 SOMEHOW YOU DON'T INVITE HAPPINESS IN WITHOUT A FULL BODY SEARCH. 1010 01:16:43,740 --> 01:16:45,840 AT THE RISK OF BORING YOU, 1011 01:16:46,050 --> 01:16:48,510 I CAN PRESENT THE ALTERNATE ARGUMENT. 1012 01:16:49,050 --> 01:16:51,660 I-- I ONCE KNEW A GUY... 1013 01:16:51,690 --> 01:16:54,030 WHO WAS A REAL LONER. 1014 01:16:55,320 --> 01:16:57,210 ONE DAY HE WOKE UP AT 40... 1015 01:16:57,240 --> 01:17:00,480 WITH TWO DAUGHTERS THAT LIT UP HIS LIFE WITH PURPOSE. 1016 01:17:00,480 --> 01:17:03,630 AND HE SUDDENLY GOES TO ENDLESS SCHOOL PLAYS, 1017 01:17:03,630 --> 01:17:06,300 AND HE GETS HOME AT 9:20 FOR THE EVENING DISCUSSION, 1018 01:17:06,300 --> 01:17:09,930 AND HE-- HE HAS THE TIME OF HIS LIFE. 1019 01:17:10,770 --> 01:17:14,700 HIS FAVORITE BEATLE WAS ONCE JOHN, AND NOW IT'S PAUL. 1020 01:17:17,490 --> 01:17:19,470 I'VE ALWAYS LIKED GEORGE. 1021 01:17:21,120 --> 01:17:23,310 IT ALL DEPENDS ON THE INDIVIDUAL, DOESN'T IT ? 1022 01:17:24,330 --> 01:17:26,520 TELL ME, WHAT'S HAPPINESS FOR YOU ? 1023 01:17:26,550 --> 01:17:28,800 WHAT'S HAPPINESS TO YOU, DAVID ? 1024 01:17:30,450 --> 01:17:33,840 HOW ABOUT ANOTHER QUESTION ? WELL, YOU WON'T SHOW ME YOUR FACE, WILL YOU ? 1025 01:17:34,950 --> 01:17:38,120 AH, SO, BACK TO THE TIME LINE. 1026 01:17:38,880 --> 01:17:41,520 HURRY. LET'S MOVE THROUGH THIS. DAVID ! 1027 01:17:42,930 --> 01:17:43,260 DAVID ? 1028 01:17:46,260 --> 01:17:46,680 WHAT ? 1029 01:17:48,870 --> 01:17:50,820 YOU'VE GOT TO TAKE THE PLATES OFF. 1030 01:17:51,090 --> 01:17:53,100 I DON'T WANNA KNOW WHAT'S UNDER HERE. 1031 01:17:53,490 --> 01:17:55,230 IT'S GONNA BE FINE. YOU'LL SEE. 1032 01:17:55,620 --> 01:17:57,000 I'LL GO TOMORROW. YOU'RE GOING TODAY. 1033 01:17:57,030 --> 01:17:59,490 I ALREADY CALLED POMERANZ AND SWITCHED IT TO WEDNESDAY. 1034 01:18:08,130 --> 01:18:11,130 I HOPE THAT WOMAN AT THE FRONT DESK GAVE YOU SHIT ABOUT IT. 1035 01:18:13,470 --> 01:18:16,740 ANOTHER DAY WON'T MATTER. BESIDES, THE MUSTANG WILL BE FIXED. 1036 01:18:16,770 --> 01:18:19,680 THE PLAN WAS GOING IN THE MUSTANG. THE MUSTANG'S NOT READY. 1037 01:18:19,680 --> 01:18:24,060 SO WE'LL GO TOMORROW IN THE MUSTANG. WE'LL GO WHEN IT'S FIXED. 1038 01:18:24,090 --> 01:18:26,340 THE MUSTANG. 'CAUSE I KNOW THAT THE PROBLEM... 1039 01:18:27,060 --> 01:18:30,510 WOULDN'T BE YOU DELAYING SOMETHING YOU ARE DREADING. 1040 01:18:33,030 --> 01:18:34,590 COULDN'T BE THAT. NO. 1041 01:18:35,280 --> 01:18:36,210 COULDN'T BE THAT. 1042 01:18:39,300 --> 01:18:40,140 I MEAN-- 1043 01:18:49,930 --> 01:18:52,840 I MEAN, I AGREE. 1044 01:18:54,880 --> 01:18:57,340 I THINK IT'S VERY IMPORTANT... 1045 01:18:57,340 --> 01:18:58,420 TO HAVE... 1046 01:19:01,750 --> 01:19:02,890 THE RIGHT CAR... 1047 01:19:10,870 --> 01:19:12,340 TO TAKE YOU... 1048 01:19:14,620 --> 01:19:16,180 WHERE YOU WANT TO GO... 1049 01:19:22,090 --> 01:19:24,250 TWENTY-FOUR HOURS A DAY. 1050 01:19:47,350 --> 01:19:51,040 HOW BAD IS IT ? 1051 01:19:55,210 --> 01:19:58,960 WELL, YOUR EARS ARE IN THE RIGHT PLACE. 1052 01:20:01,090 --> 01:20:02,470 AND THE REST OF IT... 1053 01:20:05,980 --> 01:20:07,660 IS NOT TOO BAD AT ALL. 1054 01:20:14,260 --> 01:20:15,520 IT'S PERFECT. 1055 01:20:31,240 --> 01:20:32,080 ♪ WHEN ♪ 1056 01:20:32,110 --> 01:20:36,490 ♪ SHE SAID DON'T WASTE YOUR WORDS THEY'RE JUST LIES ♪ 1057 01:20:36,590 --> 01:20:38,840 ♪ I CRIED SHE WAS DEAF ♪ 1058 01:20:41,450 --> 01:20:45,230 ♪ AND SHE WORKED ON MY FACE ♪ 1059 01:20:45,230 --> 01:20:47,540 ♪ UNTIL BREAKING MY EYES ♪ 1060 01:20:47,540 --> 01:20:50,180 ♪ AND SAYING WHAT ELSE YOU GOT LEFT ♪ 1061 01:20:52,070 --> 01:20:55,460 ♪ IT WAS THEN THAT I GOT UP TO LEAVE ♪ 1062 01:20:55,490 --> 01:20:58,190 ♪ BUT SHE SAID DON'T FORGET ♪ 1063 01:21:00,590 --> 01:21:04,460 ♪ EVERYBODY MUST GIVE SOMETHING BACK ♪ 1064 01:21:04,460 --> 01:21:06,800 ♪ FOR SOMETHING THEY GET ♪ 1065 01:21:07,130 --> 01:21:10,250 DO YOU LOVE ME ? I MEAN, REALLY LOVE ME ? 1066 01:21:11,300 --> 01:21:15,380 BECAUSE IF YOU DON'T, I'LL JUST HAVE TO KILL YOU. 1067 01:21:20,030 --> 01:21:20,960 YOU SEE, IN MY NEXT LIFE-- 1068 01:21:21,580 --> 01:21:25,580 IN MY NEXT LIFE, I WANNA COME BACK AS THIS MOLE RIGHT HERE. 1069 01:21:25,610 --> 01:21:28,790 MM-HMM. SERIOUSLY, THIS MOLE. 1070 01:21:32,450 --> 01:21:35,450 AND LOOSE-FITTING SHIRTS SO THAT I CAN BREATHE. 1071 01:21:37,160 --> 01:21:38,360 I LOVE YOU. 1072 01:21:39,470 --> 01:21:40,100 LOVE YOU. 1073 01:21:40,820 --> 01:21:44,900 I LOVE YOU. 1074 01:21:45,500 --> 01:21:46,700 I COULD LIVE RIGHT THERE. 1075 01:21:53,450 --> 01:21:54,500 IS THIS A DREAM ? 1076 01:21:56,320 --> 01:21:57,350 OH, ABSOLUTELY. 1077 01:22:12,050 --> 01:22:13,370 AND THE BIG THINGS. 1078 01:22:14,840 --> 01:22:19,310 BUT IN TRUTH, WITH SOFIA, IT WAS THE IN-BETWEEN TIMES. 1079 01:22:43,850 --> 01:22:45,110 WHAT DID SHE SAY ? 1080 01:22:45,560 --> 01:22:47,420 I HAVE NO IDEA. 1081 01:22:51,020 --> 01:22:52,700 HOW'S THINGS, BRIAN ? FINE. 1082 01:22:53,690 --> 01:22:55,940 BRIAN, HOW'S THINGS ? 1083 01:22:56,300 --> 01:22:58,220 DON'T FLATTER YOURSELF. I'M FINE. 1084 01:22:59,120 --> 01:23:02,390 BESIDES, SOFIA IS GREAT, BUT BY NO MEANS ONE OF A KIND. 1085 01:23:02,420 --> 01:23:04,940 SHE WAS A PROXIMITY INFATUATION. 1086 01:23:07,130 --> 01:23:08,300 AND DON'T USE THAT. IT'S MINE. THANKS. 1087 01:23:10,940 --> 01:23:12,230 WHERE'D YOU GET THIS CAMERA ? 1088 01:23:12,980 --> 01:23:16,400 OH, I'M INTO THINGS YOU HAVE NO IDEA, MY FRIEND. 1089 01:23:18,230 --> 01:23:20,090 UM, JUST AS LONG AS YOU'RE OKAY. 1090 01:23:20,120 --> 01:23:22,280 AND ANYWAY, WE'RE FRIENDS, AREN'T WE ? 1091 01:23:22,730 --> 01:23:24,470 ALWAYS. THAT'S RIGHT. 1092 01:23:35,760 --> 01:23:38,610 HEY. WHAT'S UP WITH YOUR FACE ? 1093 01:23:40,050 --> 01:23:43,770 FUCK ! THERE'S A SEAM OPENING OR SOMETHING. 1094 01:23:46,320 --> 01:23:47,520 AH ! 1095 01:23:50,070 --> 01:23:52,440 DAVID AAMES. YOU FUCKING ASSHOLE. 1096 01:23:53,430 --> 01:23:54,000 I KNOW. 1097 01:25:19,620 --> 01:25:22,500 NO. I THINK IT WAS ME. 1098 01:25:23,620 --> 01:25:24,720 I WAS THIRSTY. THAT'S ALL. 1099 01:25:28,870 --> 01:25:30,940 I'M DREAMING ABOUT YOU. MMM. 1100 01:26:39,880 --> 01:26:42,760 MMM. 1101 01:26:43,960 --> 01:26:45,340 MMM. 1102 01:26:46,510 --> 01:26:48,730 I COULD LISTEN TO YOU SAY "MMM"... 1103 01:26:49,420 --> 01:26:50,860 FOR THE REST OF MY LIFE. 1104 01:27:04,270 --> 01:27:05,500 BABY, WHAT'S WRONG ? 1105 01:27:11,380 --> 01:27:12,130 WHERE IS SHE ? 1106 01:27:13,930 --> 01:27:14,650 WHO ? 1107 01:27:19,660 --> 01:27:20,500 WHO ? 1108 01:27:47,590 --> 01:27:48,820 I'M SOFIA. 1109 01:27:54,160 --> 01:27:57,130 I'M GONNA MAKE SURE THAT I TIE IT FOUR TIMES. 1110 01:27:57,130 --> 01:28:02,050 YOU KNOW WHY, JULIE ? BECAUSE FOUR TIMES REALLY MEANS SOMETHING. 1111 01:28:02,210 --> 01:28:04,150 DAVID, DON'T HURT ME. OKAY. 1112 01:28:04,540 --> 01:28:06,910 I'M FREAKED OUT. IT WORKED. 1113 01:28:07,060 --> 01:28:08,860 YOU KNOW YOU'RE NOT GONNA GET AWAY WITH THIS, 1114 01:28:08,890 --> 01:28:13,720 SO JUST TELL ME WHERE IS SOFIA. I'M SOFIA. 1115 01:28:14,740 --> 01:28:16,510 - WHERE IS SOFIA ? - I AM SOFIA. 1116 01:28:16,540 --> 01:28:18,820 WHERE IS SHE ? WHERE IS SHE ? I AM SOFIA ! 1117 01:28:18,850 --> 01:28:21,700 I'M CALLING THE POLICE, AND THEN YOU CAN TELL IT TO THEM. 1118 01:28:21,700 --> 01:28:25,370 - YOU SURVIVED THE ACCIDENT. WHOSE BODY WAS IT ? - WHAT ACCIDENT ? 1119 01:28:25,430 --> 01:28:27,770 IT WAS THE BOARD. IT WAS THE SEVEN DWARFS, WASN'T IT ? 1120 01:28:27,770 --> 01:28:30,470 - I WASN'T IN AN ACCIDENT ! - YOU'RE TRYING TO STEAL MY LIFE ! 1121 01:28:30,530 --> 01:28:32,480 OF COURSE YOU WEREN'T IN AN ACCIDENT. 1122 01:28:32,510 --> 01:28:35,180 AND NOW IT'S FUCKING ATTEMPTED MURDER ! 1123 01:28:35,180 --> 01:28:37,070 I'M SOFIA. PLEASE. 1124 01:28:38,840 --> 01:28:39,560 TELL IT TO THEM. 1125 01:28:42,950 --> 01:28:44,870 THIS IS DAVID AAMES. I NEED HELP. 1126 01:28:45,110 --> 01:28:47,840 I'VE-- I HAVE AN INTRUDER. I'VE CAPTURED AN INTRUDER... 1127 01:28:47,840 --> 01:28:50,210 WHO'S ENTERED MY HOME. OH, GOD. 1128 01:28:50,240 --> 01:28:52,580 DAVID AAMES. WAKE UP, MAN. 1129 01:28:55,400 --> 01:28:56,630 ARE YOU FOR REAL ? 1130 01:29:06,200 --> 01:29:07,580 YOU KEPT ME WAITING HERE FOR THREE HOURS. 1131 01:29:09,320 --> 01:29:11,240 THESE GUYS THINK THAT I HAD SOMETHING TO DO WITH THIS. 1132 01:29:11,660 --> 01:29:13,040 GUYS, CAN YOU GIVE US A MINUTE HERE ? 1133 01:29:13,580 --> 01:29:15,470 DETECTIVE LARSON, DETECTIVE ANDREWS, THANKS. 1134 01:29:15,470 --> 01:29:16,400 THANKS VERY MUCH. 1135 01:29:19,760 --> 01:29:21,380 THEY THINK THAT I HAD SOMETHING TO DO WITH THIS. 1136 01:29:21,590 --> 01:29:24,050 I'M GONNA HANDLE THIS EXACTLY THE WAY YOUR FATHER WOULD, OKAY ? 1137 01:29:24,050 --> 01:29:27,140 ALL RIGHT ? I'VE GOT IT SOLVED. 1138 01:29:28,100 --> 01:29:28,940 YOU GOT IT SOLVED ? 1139 01:29:30,260 --> 01:29:31,100 WHERE IS SHE ? 1140 01:29:33,200 --> 01:29:34,310 UH, SHE'S GONNA BE FINE. 1141 01:29:34,580 --> 01:29:36,500 NOW, THIS WHOLE FILE IS GONNA-- 1142 01:29:40,490 --> 01:29:41,810 THANK GOD YOU'RE HERE, MAN. 1143 01:29:43,070 --> 01:29:43,730 IT'S OKAY. 1144 01:29:45,020 --> 01:29:46,340 I LOVE HER. 1145 01:29:46,520 --> 01:29:47,150 YEAH. 1146 01:29:48,110 --> 01:29:51,830 RIGHT NOW I WANT YOU TO LOOK AT THESE PHOTOS, AND THEN I'M GOING TO DESTROY THEM. 1147 01:29:52,070 --> 01:29:56,270 SOFIA'S TESTIMONY IS ALSO IN HERE. IT WON'T EXIST. 1148 01:29:57,320 --> 01:29:59,240 SHE'S NOT GOING TO PRESS CHARGES. 1149 01:30:02,270 --> 01:30:04,760 PRESS CHARGES AGAINST ME ? DAVID, 1150 01:30:04,970 --> 01:30:07,250 WAKE UP. 1151 01:30:10,400 --> 01:30:11,510 NOW, AS A FRIEND, 1152 01:30:13,220 --> 01:30:16,010 I THINK YOU SHOULD SEE WHAT YOU DID TO SOFIA. 1153 01:30:18,950 --> 01:30:21,870 THE PRESS WON'T GET A HOLD OF THIS IF YOU GET AWAY QUICKLY. 1154 01:30:24,630 --> 01:30:27,420 TOMMY, THIS IS JULIE GIANNI. THIS IS NOT SOFIA. 1155 01:30:28,800 --> 01:30:31,080 THIS IS JULIE GIANNI. 1156 01:30:31,890 --> 01:30:33,060 I DIDN'T DO THIS TO HER. 1157 01:30:33,870 --> 01:30:36,150 TOMMY, SOMEONE'S SETTING ME UP. DAVID, 1158 01:30:36,180 --> 01:30:39,540 THE BOARD AND I HAVE TAKEN CARE OF EVERYTHING. 1159 01:30:39,540 --> 01:30:42,690 OKAY ? I MEAN, THEY'VE BEEN REALLY GREAT. REALLY GREAT, ACTUALLY. 1160 01:30:43,290 --> 01:30:45,030 ALL THIS IS GONNA DISAPPEAR. 1161 01:30:46,560 --> 01:30:49,590 WE'RE ALL BEHIND YOU. EVEN THE BOARD. 1162 01:31:02,070 --> 01:31:02,970 GET OUT OF HERE. 1163 01:31:07,830 --> 01:31:09,780 THIS IS A REVOLUTION OF THE MIND. 1164 01:31:19,080 --> 01:31:20,970 YOU'RE IN FUCKING SAD SHAPE, MAN ! 1165 01:31:21,990 --> 01:31:24,000 DON'T FUCKING EVER HIT A GIRL ! 1166 01:31:24,120 --> 01:31:26,850 HIT ME, BUT DON'T FUCKING EVER HIT A GIRL ! 1167 01:31:27,900 --> 01:31:30,750 LISTEN TO ME. IT WASN'T SOFIA. IT WAS JULIE. 1168 01:31:30,750 --> 01:31:32,730 IT WAS JULIE. IT WAS JULIE. OH. 1169 01:31:32,760 --> 01:31:35,610 IT WAS JULIE GIANNI. YES. 1170 01:31:36,150 --> 01:31:40,080 SO SOFIA WAS ABDUCTED BY JULIE, 1171 01:31:40,260 --> 01:31:43,800 AND NOW JULIE IS POSING AS SOFIA. 1172 01:31:45,810 --> 01:31:48,930 YES. YOU'RE IN O.J. LAND, MAN. 1173 01:31:49,320 --> 01:31:51,690 JULIE GIANNI IS FUCKING DEAD. 1174 01:31:51,720 --> 01:31:52,920 I DON'T CARE WHAT THEY TOLD YOU. 1175 01:31:52,920 --> 01:31:55,860 I CAN ASSURE YOU, JULIE GIANNI IS ALIVE. 1176 01:31:56,520 --> 01:32:00,090 SHE IS ALIVE. I DIDN'T TALK TO THEM. I TALKED TO SOFIA. 1177 01:32:02,460 --> 01:32:04,740 WHERE IS SHE ? I JUST DROPPED SOFIA OFF... 1178 01:32:04,740 --> 01:32:07,590 AND I SAW EVERYTHING YOU DID TO HER. LET ME TELL YOU SOMETHING. 1179 01:32:07,590 --> 01:32:08,880 I DID NOT DO THAT TO HER. 1180 01:32:10,710 --> 01:32:11,250 LOOK AT ME ! 1181 01:32:11,580 --> 01:32:13,290 LOOK ME IN THE EYE... 1182 01:32:13,500 --> 01:32:15,810 AND YOU TELL ME THAT'S THE GIRL YOU BROUGHT TO THE PARTY. 1183 01:32:15,840 --> 01:32:18,810 YOU TELL ME THAT THAT'S YOUR DREAM GIRL. 1184 01:32:18,840 --> 01:32:21,210 YOUR PROXIMITY INFATUATION. 1185 01:32:23,250 --> 01:32:25,050 YES ! AND YOU STOLE HER FROM ME. 1186 01:32:25,080 --> 01:32:28,890 THE ONE GIRL I REALLY WANTED, AND YOU TOOK HER FROM ME. 1187 01:32:28,920 --> 01:32:31,440 YOU'RE INSANE. YOU'RE LOSING IT, MAN. 1188 01:32:32,520 --> 01:32:34,020 YOU HAVE REVEALED YOURSELF. 1189 01:32:34,260 --> 01:32:35,160 OH, YEAH. 1190 01:32:36,150 --> 01:32:38,880 I'M WITH "THEM." OOOH ! 1191 01:32:43,680 --> 01:32:45,000 WHERE'D YOU GET THE COAT, BRIAN ? 1192 01:32:45,570 --> 01:32:47,940 WHERE'D YOU GET THE CAMERA ? 1193 01:32:49,380 --> 01:32:51,180 HOW MUCH DID THEY PAY YOU ? 1194 01:32:52,230 --> 01:32:56,010 LISTEN TO ME 'CAUSE THIS IS THE LAST TIME WE'RE EVER GONNA SPEAK. 1195 01:32:56,580 --> 01:32:58,500 I WAS YOUR ONLY FRIEND. 1196 01:32:59,010 --> 01:33:01,080 YOU HAVE REVEALED YOURSELF TO ME. 1197 01:33:24,670 --> 01:33:25,510 PROBLEMS ? 1198 01:33:27,670 --> 01:33:30,850 LOOK, I'M IN NO MOOD TO BE FUCKED WITH, SO DO YOURSELF A FAVOR-- 1199 01:33:30,940 --> 01:33:33,250 THERE'S AN EXPLANATION FOR ALL THIS, DAVID. 1200 01:33:35,170 --> 01:33:37,480 YOU AND I KNOW EACH OTHER. YOU FOUND ME ON THE INTERNET. 1201 01:33:40,270 --> 01:33:42,250 I'M HERE TO HELP YOU, DAVID. 1202 01:33:45,130 --> 01:33:46,300 WHO THE FUCK ARE YOU ? 1203 01:33:47,590 --> 01:33:49,690 WHY ARE YOU FOLLOWING ME ? FIRST OF ALL, 1204 01:33:49,720 --> 01:33:52,780 IT'S VERY IMPORTANT THAT YOU CALM DOWN. 1205 01:33:54,100 --> 01:33:55,150 CALM DOWN ? 1206 01:33:57,880 --> 01:34:01,300 YOU MUST OVERCOME YOUR FEARS AND REGAIN CONTROL. 1207 01:34:01,330 --> 01:34:03,100 TAKE AHOLD OF YOUR LIFE AGAIN, DAVID. 1208 01:34:03,880 --> 01:34:05,500 IT'S AS EASY AS HOLDING THAT GLASS. 1209 01:34:06,580 --> 01:34:10,180 WHAT IF I WERE TO TELL YOU THAT YOU CAN TAKE CONTROL... 1210 01:34:10,180 --> 01:34:11,530 OF ALL OF THIS, EVERYTHING ? 1211 01:34:12,100 --> 01:34:15,370 EVEN ME. LOOK, 1212 01:34:15,430 --> 01:34:17,440 I'M STRAIGHT, OKAY ? 1213 01:34:21,490 --> 01:34:23,200 DAVID, LOOK AT ALL THESE PEOPLE. 1214 01:34:24,610 --> 01:34:26,950 SEEMS AS THOUGH THEY'RE JUST ALL CHATTING AWAY, DOESN'T IT ? 1215 01:34:26,980 --> 01:34:29,290 YEAH. NOTHING TO DO WITH YOU. 1216 01:34:29,320 --> 01:34:31,180 NO. AND YET, 1217 01:34:31,990 --> 01:34:36,010 MAYBE THEY'RE ONLY HERE BECAUSE YOU WANTED THEM TO BE HERE. 1218 01:34:36,820 --> 01:34:39,280 YOU ARE THEIR GOD. NOT ONLY THAT, 1219 01:34:39,280 --> 01:34:40,930 BUT YOU CAN MAKE THEM OBEY YOU... 1220 01:34:41,410 --> 01:34:44,170 OR EVEN DESTROY YOU. WELL, 1221 01:34:44,290 --> 01:34:48,130 WHAT I'D LOVE FOR THEM TO DO IS SHUT THE FUCK UP, 1222 01:34:48,160 --> 01:34:49,810 ESPECIALLY YOU. 1223 01:35:02,110 --> 01:35:02,830 YOU SEE ? 1224 01:35:15,770 --> 01:35:17,840 YOU AND I SIGNED A CONTRACT, DAVID. 1225 01:35:23,750 --> 01:35:25,490 I CAN'T-- CAN YOU TELL THE DIFFERENCE... 1226 01:35:25,490 --> 01:35:27,410 BETWEEN DREAMS AND REALITY ? 1227 01:35:27,440 --> 01:35:29,780 OF COURSE. CAN YOU ? THINK ABOUT IT. 1228 01:35:30,680 --> 01:35:32,540 THINK WITH YOUR HEAD. 1229 01:35:33,110 --> 01:35:36,500 YOU SIGNED A CONTRACT, DID YOU NOT ? 1230 01:35:38,360 --> 01:35:41,750 - I SIGNED SOMETHING. - WAS THE MAN IN THE RESTAURANT THERE ? 1231 01:35:44,190 --> 01:35:46,730 - FUCK ! - ACCEPT YOUR BODY'S RESISTANCE. 1232 01:35:47,240 --> 01:35:49,910 LET YOUR HEAD ANSWER. 1233 01:35:49,940 --> 01:35:52,400 SIGN THE CONTRACT, DAVID. 1234 01:35:52,430 --> 01:35:54,170 YES. THAT'S RIGHT. 1235 01:35:54,500 --> 01:35:55,970 WHO IS ELLIE ? 1236 01:35:56,510 --> 01:35:56,650 I-- 1237 01:35:58,970 --> 01:36:01,730 I DON'T KNOW WHAT'S REAL. WHAT HAPPENED THAT NIGHT, DAVID ? 1238 01:36:01,760 --> 01:36:04,400 SOMEBODY DIED. I DON'T WANT TO REMEMBER. 1239 01:36:04,430 --> 01:36:07,670 YOU UNDERSTAND YOU HOLD THE KEYS TO THIS PRISON. 1240 01:36:08,300 --> 01:36:09,770 IT WASN'T SOFIA. WHO WAS IT ? 1241 01:36:10,910 --> 01:36:12,410 NO. NO ! WHO WAS IT ? 1242 01:36:19,390 --> 01:36:21,410 YOU WANNA LET IT OUT, DON'T YOU, DAVID ? 1243 01:36:25,430 --> 01:36:26,750 YOU'RE ABOUT TO TELL ME. 1244 01:36:28,520 --> 01:36:34,280 TELL ME WHAT YOUR HEART AND SOUL WILL NOT ALLOW YOU TO FORGET. 1245 01:36:37,100 --> 01:36:38,540 DID YOU KILL SOFIA ? 1246 01:37:30,740 --> 01:37:32,480 I THOUGHT YOU WERE A VANDAL. 1247 01:37:34,910 --> 01:37:37,460 WHO ARE YOU ? 1248 01:37:41,510 --> 01:37:42,590 I'M SOFIA. 1249 01:37:45,290 --> 01:37:48,650 YOU ARE NOT SOFIA ! 1250 01:37:50,600 --> 01:37:53,960 YOU ARE NOT SOFIA. 1251 01:37:55,040 --> 01:37:57,170 I'M SOFIA. WHATEVER. 1252 01:37:57,620 --> 01:37:59,060 WE'RE GONNA BE TOGETHER AGAIN. 1253 01:38:00,650 --> 01:38:02,330 YOU'RE GONNA FORGET ABOUT JULIANNA, 1254 01:38:02,570 --> 01:38:03,860 AND WE'RE GONNA BE TOGETHER. 1255 01:38:04,610 --> 01:38:06,570 I'M NOT GONNA BE AFRAID OF YOU ANYMORE. 1256 01:38:07,410 --> 01:38:11,070 I'M GONNA GET YOU A COLD TOWEL. I'LL BE RIGHT BACK. 1257 01:38:11,940 --> 01:38:12,930 I LOVE YOU. 1258 01:38:43,410 --> 01:38:44,400 SOFIA ? 1259 01:38:53,190 --> 01:38:54,900 I AM SOFIA. 1260 01:38:54,900 --> 01:38:55,290 SOFIA. 1261 01:39:12,210 --> 01:39:13,020 I LOVE YOU. 1262 01:39:14,880 --> 01:39:16,380 I MISSED YOU SO MUCH. 1263 01:39:26,670 --> 01:39:27,960 WHERE WERE YOU ? 1264 01:39:33,990 --> 01:39:34,620 FORGET IT. 1265 01:39:35,010 --> 01:39:39,510 I DON'T NEED TO KNOW. IT DOESN'T MATTER. 1266 01:39:42,540 --> 01:39:44,040 JUST TELL ME THAT YOU LOVE ME. 1267 01:39:50,250 --> 01:39:51,390 I LOVE YOU. 1268 01:39:54,570 --> 01:39:56,400 WHAT IS HAPPINESS TO YOU, DAVID ? 1269 01:39:57,930 --> 01:40:00,870 FOR ME, IT'S BEING HERE WITH YOU. 1270 01:40:07,690 --> 01:40:11,430 WHAT THE FUCK IS HAPPENING ? 1271 01:40:14,896 --> 01:40:16,830 WHAT THE FUCK IS HAPPENING ? 1272 01:40:16,890 --> 01:40:19,200 DAVID WAS A REAL DELIGHT AS A CHILD. 1273 01:40:24,390 --> 01:40:27,480 I'M SO AFRAID OF HOW POWERFUL THIS IS. 1274 01:41:15,970 --> 01:41:16,810 - WHAT'S HAPPENING ? - 1275 01:41:23,470 --> 01:41:26,230 I DON'T WANNA SEE YOUR FACE ! 1276 01:42:15,046 --> 01:42:17,113 ♪ LA LA LA LA ♪ 1277 01:42:18,010 --> 01:42:20,380 ♪ LA LA LA LA ♪ 1278 01:42:22,780 --> 01:42:24,310 ♪ LA LA LA LA LA ♪ 1279 01:42:25,570 --> 01:42:28,240 ♪ CAN WE STILL BE FRIENDS ♪ 1280 01:42:30,430 --> 01:42:34,970 ♪ LA LA LA LA LA LA LA LA ♪ 1281 01:42:35,010 --> 01:42:40,110 ♪ CAN WE STILL BE FRIENDS ♪ 1282 01:42:41,020 --> 01:42:42,580 I DID IT, DIDN'T I ? 1283 01:42:45,760 --> 01:42:48,010 BUT I DON'T FEEL LIKE I KILLED SOMEONE. 1284 01:42:51,820 --> 01:43:02,690 DAVID, WHO WAS THE MAN AT THE RESTAURANT ? I FEEL LIKE I'M IN A DREAM. 1285 01:43:16,670 --> 01:43:20,660 SOMETIMES THE MIND BEHAVES AS IF IT WERE IN A DREAM. 1286 01:43:20,690 --> 01:43:23,900 FACES CHANGE. PEOPLE BECOME OTHER PEOPLE. 1287 01:43:25,940 --> 01:43:28,460 THE SUBCONSCIOUS IS A POWERFUL THING. 1288 01:43:30,710 --> 01:43:32,870 YOU TREATED JULIE CARELESSLY, DIDN'T YOU ? 1289 01:43:43,340 --> 01:43:47,330 YOUR FEELINGS OF RESPONSIBILITY OR GUILT OVER JULIE... 1290 01:43:47,330 --> 01:43:49,640 MIGHT HAVE EASILY TURNED SOFIA INTO JULIE. 1291 01:43:53,270 --> 01:43:54,740 DO YOU KNOW WHAT DERANGEMENT IS ? 1292 01:43:55,760 --> 01:43:56,990 I NEED YOUR HELP. 1293 01:43:59,390 --> 01:44:02,180 ALL I KNOW IS YOU KILLED YOUR GIRLFRIEND, 1294 01:44:02,390 --> 01:44:06,500 AND I DON'T KNOW WHAT'S IN YOUR MIND. I NEED YOUR HELP. 1295 01:44:06,530 --> 01:44:09,200 I WOULD WORK ON THIS CASE FOREVER IF I COULD, 1296 01:44:09,230 --> 01:44:10,820 BUT WE'VE RUN OUT OF TIME. 1297 01:44:16,340 --> 01:44:17,600 WHAT WILL YOU PLEAD ? 1298 01:44:22,070 --> 01:44:23,450 TEMPORARY DERANGEMENT. 1299 01:44:25,400 --> 01:44:26,810 THAT'S YOUR BEST CHANCE. 1300 01:44:28,580 --> 01:44:30,470 I DON'T THINK THEY'LL BELIEVE ME. 1301 01:44:32,210 --> 01:44:33,410 WHAT DO YOU BELIEVE ? 1302 01:44:35,990 --> 01:44:38,030 BELIEVE IT OR NOT, I CARE ABOUT YOU. 1303 01:44:40,370 --> 01:44:41,330 YOU'VE-- 1304 01:44:43,040 --> 01:44:45,260 YOU'VE BECOME LIKE FAMILY TO ME. 1305 01:44:48,500 --> 01:44:53,330 I DON'T-- I DON'T WANT TO GIVE UP ON YOU, DAVID, BUT I NEEDED MORE. 1306 01:44:53,420 --> 01:44:56,900 I NEEDED-- I NEEDED AN ANSWER. 1307 01:44:58,010 --> 01:45:02,810 I EVEN THOUGHT THERE WAS MORE THAN A GOOD CHANCE THAT SOMEBODY WAS PLAYING A TRICK ON YOU. 1308 01:45:02,840 --> 01:45:04,070 MAYBE IT WAS THE BOARD. 1309 01:45:05,450 --> 01:45:07,970 BUT I CAN'T EXCEED MY DUTIES. 1310 01:45:12,830 --> 01:45:14,540 I'M JUST A PSYCHOLOGIST. 1311 01:45:17,360 --> 01:45:18,800 AND I HAVE TO GO NOW. 1312 01:45:23,702 --> 01:45:24,980 WILL I SEE YOU AT THE TRIAL ? 1313 01:45:27,260 --> 01:45:28,670 NO. I'M-- 1314 01:45:29,900 --> 01:45:31,520 I'M JUST THE OPENING ACT. 1315 01:45:53,040 --> 01:45:54,930 THAT'S THE LIFE EXTENSION CREDO. 1316 01:46:06,810 --> 01:46:09,120 AND THAWED OUT TO LIVE A NORMAL LIFE. 1317 01:46:09,150 --> 01:46:13,080 LIFE EXTENSION CAN TRANSLATE TO THE HUMAN FORM TOO. 1318 01:46:13,980 --> 01:46:16,500 HOW DO YOU ACCOMPLISH SUCH A THING ? 1319 01:46:16,890 --> 01:46:19,620 SEVENTY-TWO CRYONIZED PATIENTS... 1320 01:46:19,620 --> 01:46:22,950 ARE CURRENTLY HELD AT OUR FACILITY IN NEW BRUNSWICK. 1321 01:46:23,070 --> 01:46:27,180 AND WE FEATURE THE FINEST SCIENTIFIC TECHNICIANS ON THE PLANET. 1322 01:46:31,050 --> 01:46:32,520 McCABE ! 1323 01:46:34,560 --> 01:46:35,820 McCABE ! 1324 01:46:37,830 --> 01:46:39,270 COME BACK ! 1325 01:46:40,410 --> 01:46:42,480 COME BACK ! 1326 01:47:16,860 --> 01:47:18,540 LIFE EXTENSION CORPORATION, PLEASE. 1327 01:47:18,570 --> 01:47:19,260 CAN I HELP YOU ? L.E. 1328 01:47:20,610 --> 01:47:21,840 WE HOLD A COURT ORDER. 1329 01:47:25,080 --> 01:47:26,610 I THINK I'VE BEEN HERE BEFORE. 1330 01:47:40,110 --> 01:47:43,290 HER NAME IS LIBBY. GOOD MORNING, MR. McCABE. 1331 01:47:43,860 --> 01:47:46,320 I'M LIBBY. I'M HERE TO ASSIST YOU. 1332 01:47:48,430 --> 01:47:52,510 HE'S MY SON. HE'S VERY SHY. YOU'RE NOT WITH THE MEDIA... 1333 01:47:52,510 --> 01:47:55,450 OR A PART OF ANY LEGAL CONSORTIUM, CORRECT ? 1334 01:47:55,690 --> 01:47:56,320 NO. 1335 01:47:57,760 --> 01:47:59,200 WELCOME TO LIFE EXTENSION. 1336 01:47:59,620 --> 01:48:02,200 TAKE A LOOK AT OUR PROPOSAL. PLEASE FOLLOW ME. 1337 01:48:02,530 --> 01:48:03,640 YOU CAN WAIT OUT HERE. 1338 01:48:04,930 --> 01:48:06,970 YOU'LL BE MEETING REBECCA DEARBORN, 1339 01:48:08,080 --> 01:48:09,610 MY PERSONAL ROLE MODEL. 1340 01:48:11,770 --> 01:48:14,830 I DIDN'T NEED THE PAIN ANYMORE. I ALREADY EXPERIENCED THAT. 1341 01:48:15,040 --> 01:48:18,220 ...LAY DOWN AND DIE. LIFE EXTENSION WANTS YOU TO LIVE. 1342 01:48:18,430 --> 01:48:21,040 I LOVE MY GOLF. I LOVE MY VINTAGE CAR. 1343 01:48:21,040 --> 01:48:24,520 I DON'T THINK THAT GOD DISAPPROVES OF THIS. 1344 01:48:24,790 --> 01:48:28,600 "CRYONIZATION: A JOURNEY OF REAWAKENING AFTER THE PRESERVATION... 1345 01:48:28,600 --> 01:48:31,540 OF THE HUMAN BODY AT EXTREMELY LOW TEMPERATURES." 1346 01:48:31,570 --> 01:48:34,540 - THEY LAUGHED AT JULES VERNE TOO. - DAVID, YOU ARE NOT-- 1347 01:48:34,810 --> 01:48:37,510 MR. McCABE, HOW ARE YOU ? I'M REBECCA DEARBORN. 1348 01:48:41,050 --> 01:48:45,340 LIFE EXTENSION, OR "L.E." AS WE LIKE TO REFER TO IT, 1349 01:48:45,430 --> 01:48:47,200 IS A GLIMPSE OF THE FUTURE. 1350 01:48:47,830 --> 01:48:48,790 IT'S A TICKET. 1351 01:48:49,420 --> 01:48:53,110 NOT IN THE JUVENILE SENSE, BUT IN THE DEEPLY MEANINGFUL SENSE... 1352 01:48:53,110 --> 01:48:55,210 THAT CAN ONLY BE BORN IN THE HUMAN HEART. 1353 01:48:58,330 --> 01:49:01,300 THE DNA CODES OF THE HUMAN BODY HAVE BEEN BROKEN. 1354 01:49:01,330 --> 01:49:03,880 SOON, HEART AILMENTS, CANCER, 1355 01:49:03,910 --> 01:49:06,280 SO MUCH MORE WILL BE A THING OF THE PAST. 1356 01:49:06,310 --> 01:49:10,090 VERY SIMPLY, YOUR ANGUISH, YOUR DISCONTENT, 1357 01:49:10,090 --> 01:49:14,500 EVEN YOUR DEATH IS NO LONGER NECESSARY IN A TRADITIONAL SENSE. 1358 01:49:14,530 --> 01:49:19,150 WHATEVER MALADY HIDES BEHIND THAT MASK, IT'S TEMPORARY. 1359 01:49:20,200 --> 01:49:22,330 WITHIN AN HOUR OF YOUR PASSING, 1360 01:49:22,720 --> 01:49:24,370 L.E. WILL TRANSFER YOUR BODY... 1361 01:49:24,370 --> 01:49:29,770 TO A VESSEL WHERE YOU WILL BE SEALED AND FROZEN AT 196 DEGREES BELOW ZERO. 1362 01:49:30,220 --> 01:49:34,600 POWER OUTAGES, EARTHQUAKES-- NOTHING WILL AFFECT YOUR SUSPENSION HIBERNATION. 1363 01:49:34,630 --> 01:49:36,790 YOU SIGNED A CONTRACT WITH THESE PEOPLE, DAVID ? 1364 01:49:41,530 --> 01:49:43,390 WHAT'S THE LUCID DREAM OPTION ? 1365 01:49:44,140 --> 01:49:45,460 GOOD CHOICE. 1366 01:49:45,970 --> 01:49:49,510 THE LUCID DREAM IS LIFE EXTENSION'S NEWEST OPTION. 1367 01:49:49,510 --> 01:49:52,660 FOR A LITTLE EXTRA, WE OFFER... 1368 01:49:52,690 --> 01:49:54,670 THE CRYONIC UNION... 1369 01:49:54,670 --> 01:49:57,580 OF SCIENCE AND ENTERTAINMENT. 1370 01:49:58,720 --> 01:50:00,010 "CRYO-TAINMENT." 1371 01:50:04,540 --> 01:50:06,640 SOME FIND THIS PRESENTATION HELPFUL. 1372 01:50:12,790 --> 01:50:17,830 ♪ I HAVE A UNIVERSE ♪ 1373 01:50:17,830 --> 01:50:18,610 ♪ INSIDE ME ♪ 1374 01:50:20,230 --> 01:50:22,540 PORTRAIT OF A MODERN HUMAN LIFE. 1375 01:50:22,810 --> 01:50:24,940 AMERICAN, MALE. 1376 01:50:25,330 --> 01:50:27,730 BIRTH AND DEATH. 1377 01:50:28,420 --> 01:50:31,600 IMAGINE THAT YOU ARE SUFFERING FROM A TERMINAL ILLNESS. 1378 01:50:31,630 --> 01:50:35,350 YOU'D LIKE TO BE CRYONIZED, BUT YOU'D RATHER BE RESURRECTED... 1379 01:50:35,350 --> 01:50:38,380 TO CONTINUE YOUR OWN LIFE AS YOU KNOW IT NOW. 1380 01:50:38,980 --> 01:50:41,290 L.E. OFFERS YOU THE ANSWER. 1381 01:50:41,800 --> 01:50:43,430 UPON RESURRECTION, 1382 01:50:43,490 --> 01:50:47,630 YOU WILL CONTINUE IN AN AGELESS STATE PRESERVED... 1383 01:50:47,630 --> 01:50:51,560 BUT LIVING IN THE PRESENT WITH A FUTURE OF YOUR CHOOSING. 1384 01:50:52,130 --> 01:50:54,710 YOUR DEATH WILL BE WIPED FROM YOUR MEMORY. 1385 01:50:55,130 --> 01:50:58,460 YOUR LIFE WILL CONTINUE AS A REALISTIC WORK OF ART... 1386 01:50:58,490 --> 01:51:00,590 PAINTED BY YOU MINUTE TO MINUTE, 1387 01:51:00,590 --> 01:51:04,610 AND YOU'LL LIVE IT WITH THE ROMANTIC ABANDON OF A SUMMER DAY... 1388 01:51:04,610 --> 01:51:06,920 WITH THE FEELING OF A GREAT MOVIE... 1389 01:51:06,950 --> 01:51:09,440 OR A POP SONG YOU ALWAYS LOVED, 1390 01:51:09,440 --> 01:51:11,930 WITH NO MEMORY OF HOW IT ALL OCCURRED, 1391 01:51:11,960 --> 01:51:15,110 SAVE FOR THE KNOWLEDGE THAT EVERYTHING... 1392 01:51:15,140 --> 01:51:17,570 SIMPLY IMPROVED. 1393 01:51:17,900 --> 01:51:19,970 AND IN ANY INSTANCE OF DISCONTENT, 1394 01:51:19,970 --> 01:51:22,250 YOU'LL BE VISITED BY TECHNICAL SUPPORT. 1395 01:51:22,700 --> 01:51:24,950 IT'S ALL JUST AROUND THE CORNER. 1396 01:51:24,950 --> 01:51:27,020 THE DAY AFTER TOMORROW... 1397 01:51:27,140 --> 01:51:30,410 ANOTHER CHAPTER BEGINS SEAMLESSLY. 1398 01:51:30,440 --> 01:51:34,550 A LIVING DREAM. LIFE EXTENSION'S PROMISE TO YOU. 1399 01:51:34,760 --> 01:51:36,950 LIFE, PART TWO. 1400 01:51:37,160 --> 01:51:38,600 A LIVING DREAM. 1401 01:51:45,080 --> 01:51:48,260 I GUESS I MISSED THAT ONE IN USA TODAY. A DREAM. 1402 01:51:51,140 --> 01:51:53,030 WHAT IF THERE WAS A MISTAKE ? 1403 01:51:54,320 --> 01:51:57,140 WHAT IF THE DREAM BECAME A NIGHTMARE ? 1404 01:51:58,370 --> 01:52:02,000 OF COURSE YOUR SUBCONSCIOUS CAN ALWAYS PLAY TRICKS ON YOU. 1405 01:52:03,830 --> 01:52:06,620 THE SUBCONSCIOUS IS A VERY POWERFUL THING. 1406 01:52:10,640 --> 01:52:13,370 DID YOU SIGN A CONTRACT WITH THESE PEOPLE, DAVID ? 1407 01:52:13,400 --> 01:52:15,710 BUT THIS IS A SERIOUS BUSINESS. 1408 01:52:17,510 --> 01:52:20,630 THE LUCID DREAM IS WORTH THE RISK. 1409 01:52:22,040 --> 01:52:24,530 AND WHAT IS ANY LIFE IF NOT THE PURSUIT OF A DREAM ? 1410 01:52:25,790 --> 01:52:27,110 THE DREAM OF PEACE. 1411 01:52:27,110 --> 01:52:29,780 THE DREAM OF ACHIEVEMENT. 1412 01:52:31,460 --> 01:52:34,430 THE DREAM OF HEARING SOMEONE SAY THESE WORDS... 1413 01:52:35,120 --> 01:52:37,250 WHEN THEY REALLY, TRULY MEAN THEM. 1414 01:52:38,330 --> 01:52:39,780 - ♪ I ♪ - I LOVE YOU, DAVID. 1415 01:52:40,420 --> 01:52:42,880 ♪ I LOVE THE COLORFUL CLOTHES SHE WEARS ♪ 1416 01:52:42,880 --> 01:52:49,840 ♪ AND THE WAY THE SUNLIGHT PLAYS UPON HER HAIR ♪ TE QUIERO. 1417 01:52:50,650 --> 01:52:52,030 ROAM FREE, DAVID. 1418 01:52:53,050 --> 01:52:54,910 MOST OF US LIVE OUR WHOLE LIVES... 1419 01:52:55,660 --> 01:52:57,760 WITHOUT ANY REAL ADVENTURE TO CALL OUR OWN. 1420 01:52:58,810 --> 01:53:00,670 IT'S HARD TO COMPREHEND. 1421 01:53:01,720 --> 01:53:04,540 BUT THEY LAUGHED AT JULES VERNE TOO. 1422 01:53:04,840 --> 01:53:07,450 ♪ I'M PICKIN' UP GOOD VIBRATIONS ♪ 1423 01:53:11,350 --> 01:53:14,380 ♪ I'M PICKIN' UP GOOD VIBRATIONS ♪ 1424 01:53:14,380 --> 01:53:17,980 ♪ SHE'S GIVIN' ME EXCITATIONS ♪ 1425 01:53:18,150 --> 01:53:21,250 ♪ GOOD, GOOD, GOOD GOOD VIBRATIONS ♪ 1426 01:53:23,186 --> 01:53:28,620 ♪ GOOD, GOOD, GOOD GOOD VIBRATIONS ♪ 1427 01:53:28,720 --> 01:53:31,120 ♪ EXCITATIONS ♪ ♪ CLOSE MY EYES ♪ 1428 01:53:31,120 --> 01:53:34,510 ♪ SHE'S SOMEHOW CLOSER NOW ♪ I WANNA WAKE UP ! 1429 01:53:35,320 --> 01:53:36,850 TECH SUPPORT ! 1430 01:53:37,710 --> 01:53:38,130 HEY, FACE ! 1431 01:53:40,950 --> 01:53:42,570 IT'S A NIGHTMARE ! 1432 01:53:43,500 --> 01:53:47,970 ♪ WHEN I LOOK IN HER EYES ♪ 1433 01:53:47,970 --> 01:53:51,720 ♪ SHE GOES WITH ME TO A BLOSSOM WORLD ♪ 1434 01:53:55,620 --> 01:53:59,910 ♪ I'M PICKIN' UP GOOD VIBRATIONS SHE'S GIVIN' ME EXCITATIONS ♪ 1435 01:54:00,060 --> 01:54:05,370 TECH SUPPORT ! 1436 01:54:06,568 --> 01:54:08,634 ♪ GOOD, GOOD, GOOD ♪ 1437 01:54:08,670 --> 01:54:09,390 ♪ GOOD VIBRATIONS ♪ 1438 01:54:09,390 --> 01:54:11,760 ♪ GOOD, GOOD, GOOD GOOD VIBRATIONS ♪ 1439 01:54:15,030 --> 01:54:22,440 TECH SUPPORT ! 1440 01:54:58,050 --> 01:54:59,280 DAVID AAMES. 1441 01:55:00,630 --> 01:55:02,940 I THINK IT'S TIME WE HAD A PROPER REINTRODUCTION. 1442 01:55:03,330 --> 01:55:06,090 I'M EDMUND VENTURA FROM THE OASIS PROJECT, 1443 01:55:06,240 --> 01:55:07,920 FORMERLY LIFE EXTENSION, L.E. 1444 01:55:09,150 --> 01:55:10,740 TECH SUPPORT. YES. 1445 01:55:11,280 --> 01:55:16,020 I'M YOUR TECH SUPPORT, AND WE FIRST MET 150 YEARS AGO. 1446 01:55:16,950 --> 01:55:17,850 OH, SHIT. 1447 01:55:18,810 --> 01:55:21,090 YOU SOLD ME THE LUCID DREAM. 1448 01:55:23,340 --> 01:55:27,270 WELL, WHAT THE HELL HAPPENED ? I TRIED TO WARN YOU IN THE BAR, DAVID. 1449 01:55:27,300 --> 01:55:29,760 I TOLD YOU YOU MUST EXERCISE CONTROL OF YOURSELF, 1450 01:55:29,760 --> 01:55:31,500 THAT IT ALL DEPENDED ON YOUR MIND. 1451 01:55:32,010 --> 01:55:35,500 ALL OF THIS, EVERYTHING IS YOUR CREATION. 1452 01:55:36,040 --> 01:55:38,770 AND NOW WE'RE HEADING TOWARDS YOUR TRUE MOMENT OF CHOICE. 1453 01:55:40,180 --> 01:55:41,950 TRUE MOMENT OF CHOICE ? 1454 01:55:41,980 --> 01:55:42,730 YES. 1455 01:55:47,980 --> 01:55:50,170 WHEN DID THE LUCID DREAM BEGIN ? 1456 01:55:50,470 --> 01:55:52,210 DO YOU REMEMBER THE DAY OF THE NIGHTCLUB ? 1457 01:55:52,240 --> 01:55:55,960 - WE'LL MEET UP SOON. - THAT NIGHT, 1458 01:55:55,990 --> 01:55:58,630 AFTER SOFIA LEFT YOU AND YOU FELL ASLEEP ON THE PAVEMENT, 1459 01:55:59,200 --> 01:56:02,020 THAT WAS THE MOMENT THAT YOU CHOSE FOR THE SPLICE. 1460 01:56:02,500 --> 01:56:04,930 SPLICE ? SPLICE. 1461 01:56:05,230 --> 01:56:09,130 THE END OF YOUR REAL LIFE AND THE BEGINNING OF L.E.'s LUCID DREAM. 1462 01:56:09,170 --> 01:56:13,960 A SPLICE OF MANY, MANY YEARS, WHICH PASSED WHILE YOU WERE FROZEN AND DREAMING. 1463 01:56:14,320 --> 01:56:16,690 FROM THE MOMENT YOU WOKE UP ON THAT STREET, 1464 01:56:16,720 --> 01:56:19,420 NOTHING WAS REAL IN A TRADITIONAL SENSE. 1465 01:56:19,450 --> 01:56:20,530 OPEN YOUR EYES. 1466 01:56:20,530 --> 01:56:23,650 YOUR LUCID DREAM IS MONITORED BY LIFE EXTENSION... 1467 01:56:23,650 --> 01:56:26,410 AND A PANEL OF EXPERTS WHO ARE FOLLOWING YOUR EVERY THOUGHT, 1468 01:56:26,860 --> 01:56:28,990 EVEN AT THIS MOMENT. 1469 01:56:31,150 --> 01:56:33,280 FORGIVE ME. I'M BLOWING YOUR MIND. 1470 01:56:37,390 --> 01:56:38,830 I'M NOT A BIG FAN OF HEIGHTS. 1471 01:56:40,600 --> 01:56:44,590 I KNOW. WE ERASED WHAT REALLY HAPPENED FROM YOUR MEMORY. 1472 01:56:45,640 --> 01:56:49,240 - ERASED ? - REPLACED BY A BETTER LIFE... 1473 01:56:49,480 --> 01:56:54,430 UNDER THESE BEAUTIFUL, MONET-LIKE SKIES. 1474 01:56:55,660 --> 01:56:56,920 MY MOTHER'S FAVORITE. 1475 01:56:58,060 --> 01:57:00,130 A BETTER LIFE BECAUSE YOU HAD SOFIA. 1476 01:57:01,900 --> 01:57:05,500 YOU SCULPTED YOUR LUCID DREAM OUT OF THE ICONOGRAPHY OF YOUR YOUTH. 1477 01:57:05,530 --> 01:57:07,690 AN ALBUM COVER THAT ONCE MOVED YOU. 1478 01:57:09,160 --> 01:57:11,410 AN ALBUM COVER ? 1479 01:57:11,410 --> 01:57:14,590 THAT YOU'RE NOT OLD ENOUGH TO UNDERSTAND JUST YET. 1480 01:57:14,620 --> 01:57:16,540 A MOVIE YOU SAW ONCE LATE AT NIGHT... 1481 01:57:16,540 --> 01:57:19,030 THAT SHOWED YOU WHAT A FATHER COULD BE LIKE... 1482 01:57:27,880 --> 01:57:30,370 OR WHAT LOVE COULD BE LIKE. 1483 01:57:31,880 --> 01:57:33,500 THIS WAS A KIND WOMAN. 1484 01:57:33,650 --> 01:57:35,090 AN INDIVIDUAL. 1485 01:57:36,380 --> 01:57:37,850 MORE THAN YOUR EQUAL. 1486 01:57:38,600 --> 01:57:43,010 YOU BARELY KNEW HER IN YOUR REAL LIFE, BUT IN YOUR LUCID DREAM, 1487 01:57:43,010 --> 01:57:44,720 SHE WAS YOUR SAVIOR. 1488 01:57:49,490 --> 01:57:51,860 WHAT HAPPENED IN MY REAL LIFE ? SOMETHING HAPPENED. 1489 01:57:52,580 --> 01:57:53,750 WHAT DID YOU ERASE ? 1490 01:57:54,470 --> 01:57:55,940 DO YOU REALLY WANT TO KNOW ? 1491 01:57:58,280 --> 01:57:59,330 TELL ME EVERYTHING. 1492 01:58:00,680 --> 01:58:05,210 THE MORNING AFTER THE NIGHTCLUB, YOU WOKE UP ON THAT STREET HUNGOVER AND ALONE. 1493 01:58:05,390 --> 01:58:07,220 YOU GOT UP, AND YOU WALKED AWAY. 1494 01:58:08,780 --> 01:58:10,820 YOU NEVER SAW SOFIA AGAIN. 1495 01:58:17,570 --> 01:58:19,190 I DIDN'T KILL SOFIA. 1496 01:58:20,300 --> 01:58:20,960 NO. 1497 01:58:22,640 --> 01:58:25,880 YOU BATTLED YOUR BOARD, THE SEVEN DWARFS, FOR CONTROL OF THE COMPANY. 1498 01:58:27,770 --> 01:58:30,740 IN THE END, IT WAS THOMAS TIPP, YOUR FATHER'S FRIEND, 1499 01:58:30,770 --> 01:58:34,700 THE MAN WHOSE JOB YOU SAVED, WHO WRENCHED THE COMPANY BACK INTO YOUR CONTROL. 1500 01:58:34,940 --> 01:58:35,570 TOMMY. 1501 01:58:39,560 --> 01:58:40,430 BUT THEN... 1502 01:58:42,050 --> 01:58:44,900 SOMEBODY... DIED. 1503 01:58:46,880 --> 01:58:49,220 YOU LONGED FOR SOFIA. 1504 01:58:49,370 --> 01:58:53,120 YOU SHUT YOURSELF AWAY FOR MONTHS. YOU WERE ALONE. 1505 01:58:53,270 --> 01:58:58,760 YOU COULDN'T STAND THE PAIN ANYMORE, THE HEADACHES. YOU COULD BARELY FUNCTION. 1506 01:59:05,360 --> 01:59:07,430 I SIGNED A CONTRACT WITH YOU, AND THEN-- 1507 01:59:29,840 --> 01:59:31,130 I REMEMBER. 1508 01:59:41,030 --> 01:59:42,290 SOMEBODY DIED. 1509 01:59:44,720 --> 01:59:45,800 IT WAS ME. 1510 01:59:57,050 --> 01:59:59,180 YOU GAVE YOURSELF TO US. 1511 02:00:00,830 --> 02:00:03,290 YOU'RE NOW IN A SUSPENDED STATE. 1512 02:00:07,880 --> 02:00:11,180 YOUR FRIEND BRIAN SHELBY THREW A THREE-DAY MEMORIAL IN YOUR OLD HOME. 1513 02:00:12,260 --> 02:00:13,850 HE WAS A TRUE FRIEND. 1514 02:00:23,930 --> 02:00:25,490 YOU WERE MISSED, DAVID. 1515 02:00:45,180 --> 02:00:50,520 IT WAS SOFIA WHO NEVER FULLY RECOVERED. 1516 02:00:53,070 --> 02:00:55,290 IT WAS SHE WHO SOMEHOW KNEW YOU BEST. 1517 02:00:56,880 --> 02:01:00,120 AND LIKE YOU, SHE NEVER FORGOT THAT ONE NIGHT... 1518 02:01:00,120 --> 02:01:02,460 WHERE TRUE LOVE SEEMED POSSIBLE. 1519 02:01:11,580 --> 02:01:13,140 CONSEQUENCES, DAVID. 1520 02:01:30,510 --> 02:01:32,010 IT'S THE LITTLE THINGS. 1521 02:01:37,080 --> 02:01:38,130 THE LITTLE THINGS. 1522 02:01:40,560 --> 02:01:41,940 THERE'S NOTHING BIGGER, IS THERE ? 1523 02:01:51,630 --> 02:01:54,930 YOUR SUBCONSCIOUS DID CREATE PROBLEMS. 1524 02:01:56,460 --> 02:01:58,470 YOUR DREAM TURNED INTO A NIGHTMARE. 1525 02:01:59,970 --> 02:02:02,580 THE GLITCH HAS BEEN CORRECTED. 1526 02:02:03,990 --> 02:02:06,600 SO ALL I HAVE TO DO IS IMAGINE SOMETHING. 1527 02:02:06,600 --> 02:02:10,830 LIKE, IF I WANTED McCABE TO COME BACK RIGHT NOW-- 1528 02:02:10,860 --> 02:02:11,310 DAVID ! 1529 02:02:14,700 --> 02:02:18,690 LISTEN TO ME. THESE PEOPLE ARE DANGEROUS. 1530 02:02:19,410 --> 02:02:22,300 WE'RE IN TROUBLE. WE NEED TO GET OFF THIS ROOF NOW. 1531 02:02:26,680 --> 02:02:30,700 WE'RE NOW ON PAUSE, AND YOU'RE ABOUT TO RETURN TO YOUR LUCID DREAM. 1532 02:02:30,850 --> 02:02:32,830 PAUSE ? WITH ALL THE UPGRADES, 1533 02:02:32,950 --> 02:02:36,850 YOU WON'T REMEMBER ANY OF THIS, NOR WILL YOU BE CHARGED FOR TECHNICAL SUPPORT. 1534 02:02:37,840 --> 02:02:40,600 IT'S NOW YOUR MOMENT OF CHOICE. 1535 02:02:41,500 --> 02:02:43,360 YOU CAN RETURN TO YOUR LUCID DREAM... 1536 02:02:43,360 --> 02:02:45,850 AND LIVE A BEAUTIFUL LIFE WITH SOFIA... 1537 02:02:45,850 --> 02:02:48,490 OR WHOMEVER YOU WISH, 1538 02:02:49,000 --> 02:02:52,180 OR YOU CAN CHOOSE THE WORLD OUT THERE. 1539 02:02:54,400 --> 02:02:55,570 THE WORLD OUT THERE. 1540 02:02:58,060 --> 02:03:03,100 AND YOU CAN BRING ME BACK JUST LIKE BENNY THE DOG ? YES. 1541 02:03:03,430 --> 02:03:05,740 JUST LIKE BENNY THE DOG. 1542 02:03:07,420 --> 02:03:10,420 YOUR FACE AND BODY CAN BE FIXED NOW, OF COURSE. 1543 02:03:11,050 --> 02:03:14,650 BUT THINGS ARE VERY DIFFERENT NOW, 1544 02:03:14,680 --> 02:03:16,750 AND YOUR FINANCES WON'T LAST LONG. 1545 02:03:18,220 --> 02:03:21,140 YOUR PANEL OF OBSERVERS ARE WAITING FOR YOU TO CHOOSE. 1546 02:03:26,660 --> 02:03:29,630 THERE ARE NO GUARANTEES, BUT REMEMBER, 1547 02:03:29,660 --> 02:03:31,490 EVEN IN THE FUTURE, 1548 02:03:31,730 --> 02:03:37,070 THE SWEET IS NEVER AS SWEET WITHOUT THE SOUR. 1549 02:03:55,600 --> 02:03:56,840 HI. HOW DO I WAKE UP ? 1550 02:03:57,500 --> 02:03:59,450 THE DECISION IS YOURS. 1551 02:04:04,460 --> 02:04:07,100 AND I CHOSE THIS SCENARIO, DIDN'T I ? 1552 02:04:08,420 --> 02:04:12,800 YES, TO FACE YOUR LAST REMAINING FEAR OF HEIGHTS. 1553 02:04:15,620 --> 02:04:18,770 YOU WERE RIGHT. THIS IS THE SEVEN DWARFS. IT'S A SETUP ! 1554 02:04:18,790 --> 02:04:22,960 YOU CAN'T TRUST HIM. DON'T FEEL BAD FOR HIM, DAVID. 1555 02:04:23,140 --> 02:04:25,330 THIS WINNING MAN IS YOUR CREATION. 1556 02:04:25,660 --> 02:04:29,350 IT'S IN HIS NATURE TO FIGHT FOR HIS EXISTENCE, BUT HE'S NOT REAL. 1557 02:04:29,380 --> 02:04:34,840 I'M REAL. I-- I'M REAL. 1558 02:04:35,530 --> 02:04:37,570 I HAVE TWO DAUGHTERS, 1559 02:04:37,780 --> 02:04:39,280 AND YOU KNOW THAT. 1560 02:04:40,540 --> 02:04:41,950 WHAT ARE THEIR NAMES ? 1561 02:04:56,800 --> 02:05:00,640 I'M REAL. I'M-- 1562 02:05:03,610 --> 02:05:06,790 I'M... MORTALITY AS HOME ENTERTAINMENT ? 1563 02:05:06,790 --> 02:05:08,590 THIS CANNOT BE THE FUTURE ! 1564 02:05:11,200 --> 02:05:11,860 CAN IT ? 1565 02:05:14,170 --> 02:05:15,460 CAN IT ? 1566 02:05:44,240 --> 02:05:48,200 GOOD-BYE. 1567 02:05:48,770 --> 02:05:51,770 IT'S BEEN A BRILLIANT JOURNEY OF SELF-AWAKENING. 1568 02:05:52,370 --> 02:05:54,620 AND NOW YOU'VE SIMPLY GOT TO ASK YOURSELF THIS: 1569 02:05:55,610 --> 02:05:57,590 WHAT IS HAPPINESS TO YOU, DAVID ? 1570 02:06:05,210 --> 02:06:06,740 I WANT TO LIVE A REAL LIFE. 1571 02:06:08,660 --> 02:06:10,190 I DON'T WANT TO DREAM ANY LONGER. 1572 02:06:12,110 --> 02:06:13,430 ANY LAST WISHES ? 1573 02:06:17,030 --> 02:06:18,860 LET THEM OUT THERE READ MY MIND. 1574 02:06:21,410 --> 02:06:22,340 I WISH YOU WELL, DAVID. 1575 02:07:03,440 --> 02:07:04,250 LOOK AT US. 1576 02:07:05,750 --> 02:07:07,280 I'M FROZEN, AND YOU'RE DEAD, 1577 02:07:08,780 --> 02:07:09,710 AND I LOVE YOU. 1578 02:07:12,260 --> 02:07:13,400 IT'S A PROBLEM. 1579 02:07:17,750 --> 02:07:19,460 I LOST YOU WHEN I GOT IN THAT CAR. 1580 02:07:21,080 --> 02:07:21,890 I'M SORRY. 1581 02:07:25,040 --> 02:07:26,750 DO YOU REMEMBER WHAT YOU TOLD ME ONCE ? 1582 02:07:28,620 --> 02:07:30,920 THAT EVERY PASSING MINUTE... 1583 02:07:32,120 --> 02:07:34,580 IS ANOTHER CHANCE TO TURN IT ALL AROUND. 1584 02:07:40,730 --> 02:07:42,020 I'LL FIND YOU AGAIN. 1585 02:07:59,240 --> 02:08:01,040 I'LL SEE YOU IN ANOTHER LIFE, 1586 02:08:01,940 --> 02:08:03,470 WHEN WE ARE BOTH CATS. 1587 02:08:42,360 --> 02:08:45,860 ♪ 1588 02:08:54,660 --> 02:08:58,126 ♪ THE CHEF PREPARES A SPECIAL MENU ♪ 1589 02:08:58,226 --> 02:09:01,260 ♪ FOR YOUR DELIGHT OH, MY ♪ 1590 02:09:01,360 --> 02:09:04,260 ♪ TONIGHT YOU FLY SO HIGH UP ♪ 1591 02:09:04,260 --> 02:09:05,340 ♪ IN A VANILLA SKY ♪ 1592 02:09:27,523 --> 02:09:30,790 ♪ YOUR LIFE IS FINE IT'S SWEET AND SOUR ♪ 1593 02:09:30,890 --> 02:09:33,890 ♪ UNBEARABLE OR GREAT ♪ 1594 02:09:33,990 --> 02:09:36,790 ♪ YOU GOTTA LOVE EVERY HOUR ♪ 1595 02:09:36,890 --> 02:09:39,790 ♪ YOU MUST APPRECIATE ♪ 1596 02:09:39,890 --> 02:09:42,790 ♪ THIS IS YOUR TIME ♪ 1597 02:09:42,890 --> 02:09:45,957 ♪ THIS IS YOUR DAY ♪ 1598 02:09:46,057 --> 02:09:49,223 ♪ YOU'VE GOT IT ALL ♪ 1599 02:09:49,323 --> 02:09:51,423 ♪ DON'T BLOW IT ♪ 1600 02:09:51,523 --> 02:09:54,190 ♪ AWAY ♪ 1601 02:10:10,190 --> 02:10:13,090 ♪ THE CHEF PREPARES A SPECIAL MENU ♪ 1602 02:10:13,190 --> 02:10:16,090 ♪ FOR YOUR DELIGHT OH, MY ♪ 1603 02:10:16,190 --> 02:10:19,090 ♪ TONIGHT YOU FLY SO HIGH UP ♪ 1604 02:10:19,090 --> 02:10:20,740 ♪ IN A VANILLA SKY ♪ 1605 02:10:46,140 --> 02:10:49,307 ♪ MELTED TEA LEAVES CAST YOUR FORTUNE ♪ 1606 02:10:49,407 --> 02:10:52,040 ♪ IN A GLASS OF WINE ♪ 1607 02:10:52,140 --> 02:10:55,673 ♪ SNAIL OR FISH BALLOON OR DOLPHIN ♪ 1608 02:10:55,773 --> 02:10:58,673 ♪ SEE YOUR SILVER SHINE ♪ 1609 02:10:58,990 --> 02:11:00,880 ♪ THIS IS YOUR TIME ♪ 1610 02:11:02,140 --> 02:11:03,790 ♪ THIS IS YOUR DAY ♪ 1611 02:11:05,170 --> 02:11:06,202 ♪ YOU'VE GOT IT ALL ♪ 1612 02:11:08,350 --> 02:11:09,790 ♪ DON'T BLOW IT ♪ 1613 02:11:10,630 --> 02:11:11,740 ♪ AWAY ♪ 1614 02:11:12,597 --> 02:11:16,130 ♪ 1615 02:11:28,540 --> 02:11:31,720 ♪ THE CHEF PREPARES A SPECIAL MENU ♪ 1616 02:11:31,720 --> 02:11:34,270 ♪ FOR YOUR DELIGHT OH, MY ♪ 1617 02:11:34,540 --> 02:11:37,810 ♪ TONIGHT YOU FLY SO HIGH UP ♪ 1618 02:11:37,810 --> 02:11:39,970 ♪ IN A VANILLA SKY ♪ 1619 02:11:40,930 --> 02:11:43,960 ♪ IN A VANILLA IN A VANILLA ♪ 1620 02:11:43,960 --> 02:11:46,330 ♪ IN A VANILLA SKY ♪ 1621 02:11:47,230 --> 02:11:50,170 ♪ IN A VANILLA IN A VANILLA ♪ 1622 02:11:50,290 --> 02:11:52,600 ♪ IN A VANILLA SKY ♪ 1623 02:11:52,696 --> 02:11:55,396 ♪ MMM-MM ♪ 1624 02:11:55,492 --> 02:11:59,125 ♪ IN A VANILLA SKY ♪ 1625 02:12:02,682 --> 02:12:06,049 ♪ 1626 02:12:21,402 --> 02:12:25,468 ♪ SUNDAY MORNING I'M WAKING UP ♪ 1627 02:12:25,564 --> 02:12:30,298 ♪ CAN'T EVEN FOCUS ON A COFFEE CUP ♪ 1628 02:12:30,394 --> 02:12:35,127 ♪ DON'T EVEN KNOW WHOSE BED I'M IN ♪ 1629 02:12:35,223 --> 02:12:39,990 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1630 02:12:58,003 --> 02:13:02,536 ♪ SUNDAY MORNING I'M WAKING UP ♪ 1631 02:13:02,632 --> 02:13:07,199 ♪ CAN'T EVEN FOCUS ON A COFFEE CUP ♪ 1632 02:13:07,295 --> 02:13:11,728 ♪ DON'T EVEN KNOW WHOSE BED I'M IN ♪ 1633 02:13:11,824 --> 02:13:16,524 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1634 02:13:16,620 --> 02:13:21,387 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1635 02:13:21,483 --> 02:13:25,716 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1636 02:13:25,812 --> 02:13:30,546 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1637 02:13:30,642 --> 02:13:35,408 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1638 02:13:35,504 --> 02:13:39,738 ♪ SUNDAY MORNING I'M WAKING UP ♪ 1639 02:13:39,834 --> 02:13:44,667 ♪ CAN'T EVEN FOCUS ON A COFFEE CUP ♪ 1640 02:13:44,763 --> 02:13:49,363 ♪ DON'T EVEN KNOW WHOSE BED I'M IN ♪ 1641 02:13:49,459 --> 02:13:54,126 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1642 02:13:54,222 --> 02:13:58,688 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1643 02:13:58,784 --> 02:14:03,518 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1644 02:14:03,614 --> 02:14:08,114 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1645 02:14:08,210 --> 02:14:12,676 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1646 02:14:12,772 --> 02:14:17,506 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1647 02:14:17,602 --> 02:14:22,335 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1648 02:14:22,431 --> 02:14:26,664 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 1649 02:14:26,760 --> 02:14:31,860 ♪ WHERE DO I START WHERE DO I BEGIN ♪ 125453