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(insects chirping)

♪ I had a barbecue stain on my white T-shirt ♪

♪ You're killing me with that mini skirt ♪

(dramatic music)

(insects chirping)

(dramatic music)

(insects chirping)

♪ On the railroad tracks

♪ So far that first kiss

♪ Ah

(gentle music)

Hello.

(gentle music)

(woman screaming)

(dramatic music)

Pow.

Ah, coming to get you, darling.

(gentle music)

[Woman] Okay, one, two, three, go.

Hey Maria, come on over here.

(gentle music)

(people speaking indistinctly)

(gentle music)

Oh, gosh.

Who's that?

(gentle music)

Hey.

Hello?

Hi.

[Tess] Hi.

Detective James Beckett, Greensboro PD.

Oh, am I doing something wrong?

Yes Ma'am, I'm here to take you in.

(both laughing)

Just kidding.

Whoops.

I was just wondering what you doing Saturday?

(gentle music)

Oh.

Are you asking me out?

(gentle music)

Yes Ma'am.

Your prince has arrived.

(gentle music)

(birds chirping)

(gentle music)

(all cheering)

Detective Difford.

And oh, here's mom.

My lovely wife.

The lovely Gina.

(gentle music)

Could you girls give us a cheer?

(people speaking indistinctly)

(gentle music)

[Radio Host] Greensboro,

it's a gorgeous California morning.

So let's listen to a song full of sunlight

here on KGGB.

(gentle upbeat music)

♪ I know that in your eyes

♪ I'm a better man

♪ Bam, bam, ba, da, da, da

♪ Bam, bam, bam, ba, da, da, da ♪

♪ Da, da, da, da

♪ Boom, boom

Did you to make the bed this morning?

Oh, yeah.

I'm sorry, just forgot this part.

That's okay.

I know you were pretty upset this morning

about the pregnancy test not being positive.

So was I.

Oh no, I just didn't know it was that important to you.

(dramatic music)

Maybe that'll help you remember honey.

(dramatic music)

Sit your ass there, right there, sit down.

And don't you fucking move.

Don't you fucking move.

I come home, I'm a little hungry

because I've been working all fucking day and night

to support your goddamn ass.

And I'm looking for the peanut butter to carry

and what do I find?

Is it peanut butter?

No.

Is it maybe mystery salt?

I don't know, maybe it could be what the fuck is it?

I don't know, why don't you tell me,

what the fuck is it?

I can.

Shut your fucking mouth.

Birth control pills for who?

For my wife, Theresa Beckett.

What the fuck are you doing

with fucking birth control pills?

I will no longer be disrespected in my own fucking house.

And most fucking importantly,

you will get fucking pregnant.

Do you under fucking stand me?

Yes.

Fucking just open your fucking legs.

Open and shut the up, liar.

Wrap your legs around me, wrap 'em around me.

Oh, you make me so fucking mad.

Yeah.

You will carry my child, you will get pregnant,

you hear me?

(dramatic music)

Say my name, what's my name, huh?

(dramatic music)

Lance.

Tess.

I know it's him, right.

Yes.

I just found proof.

Come now.

(dramatic music)

Honey, why's the door locked?

(door knocking)

Just a minute.

[Jim] You know I don't like locked doors in this house.

Just a minute.

Unlock the door.

(dramatic music)

You forgot to close the cabinet.

(dramatic music)

Curiosity killed my little kitty cat.

(dramatic music)

So now, you know.

Since you're so curious,

let me show you what I do.

First.

Please don't do this.

First we cut.

(Tess screaming)

(dramatic music)

You wanted to fucking know, so now you know.

(Tess crying)

It didn't have to be this way.

(Tess screaming)

You were the fucking one.

But then you're like all the others,

aren't you? - Please don't do this to me.

Like all the others,

you had to go stick in your nose where didn't belong

into my business, in my private life.

So now, you betrayed my love, didn't you?

Instead of being a good wife,

instead being a good wife,

being loyal and trusting

and having my fucking baby.

- I'm so. - You ruined

every fucking thing.

You ruined it.

I'm so sorry.

And now,

what we do, we take care of you.

And don't start to scream.

No, please.

The last thing you fucking see is my eyes.

Look in the fuck in my eyes and say goodnight.

Say good fucking. - Back away.

Now, now.

Back way, Jim.

(Tess crying)

(dramatic music)

[Lance Voiceover] Back away.

Back the fuck away.

[James Voiceover] You ruined every fucking thing.

You ruined it.

[Tess Voiceover] I'm so sorry.

Beckett.

Back to the bed.

(woman screaming)

Bad procedure, Officer Black,

Never ever step in the patient's strike zone.

You were either sleeping in class

or you weren't paying attention.

In either case you deserve this.

(dramatic music)

Discipline is the key.

(dramatic music)

(car engine revving)

(dramatic music)

Hey Bobby.

You know the damn drill.

Hey, do me a favor, let me slide on outta here.

There's no shift change scheduled.

(dramatic music)

(gun firing)

(car engine revving)

(dramatic music)

James Beckett escaped yesterday

from Pescadero State, about a hundred miles from here.

Now he could be running for the mountains

or he could be coming home.

As many of you know,

Beckett liked to use disguises to get close to his victims.

He brutally raped and tortured 10 women.

In the end, suffocating them with nylons and a plastic bag.

Beckett was a cop in this precinct for three years.

So he knows police procedure like the back of his hand.

He framed a suspect in the killings

by planting evidence he had taken

from the scene of his crimes.

That's what we're dealing with, okay.

This son of a bitch made detective.

He was a hero in this town, and my partner, a man I trusted.

That's the deal with him, you wanna trust him.

But believe this, James Beckett is evil on two legs.

(dramatic music)

(car engine revving)

(dramatic music)

(car engines revving)

Who's the man here tonight, huh?

(gentle upbeat music)

Excuse me.

Do you know what J.T. Dillon?

(gentle upbeat music)

Thank you.

(gentle upbeat music)

Hi,

Mr. Dillon.

Hi, I'm Tess.

Police Lieutenant Difford sent me.

He said, if you weren't at your place of the country,

you might be here.

(gentle upbeat music)

This is my vacation home.

Want some peanuts?

No, thank you.

Hey darling.

What's a rose like you doing with weed like that, huh?

I don't really think that's your business.

What he say, you and me back to my place

for a little loving huh?

I'd say no.

How about a little here and now?

I say no.

Testy.

(gentle upbeat music)

Well look what I got here,

I got me a little mermaid boys, woohoo.

Come on darling.

Ooh, she's a feisty one too.

Get off of me.

Come on here now,

down darling.

Get off of me.

Just give Rick a little love.

Hey Rick.

- Stay outta this J.T. - Let go.

You can't do this man, she's a friend of a friend.

[Tess] Let go of me.

Come on, let her go.

You know what?

You didn't say please.

Okay, please.

(gentle upbeat music)

Whiskey, double please.

(gentle music)

You sober up fast.

You think I was drunk?

Oh, I just assumed.

And just because somebody looks drunk

doesn't mean they are.

♪ What you see in me is something I don't ♪

Difford told me you were an expert on self defense.

Now I believe him.

♪ And play the games I've played ♪

He also said you helped people with problems like mine.

I just help people solve their own problems.

That's all I'm asking.

Go home, call a lawyer or a cop.

♪ To my rescue

♪ Why you put your faith in me

Mr. Dillon, please, I've been to cops,

I've been to lawyers, I almost got myself killed.

♪ Like always

♪ You've been here all along

What are you doing?

I saw that when Rick was grabbing you.

You running from the man who did that?

It's not that simple.

No, I'm not running.

Right.

You turned around to fight.

Trouble is you're a corner cat with no claws.

So you come to me,

thinking I can grow them for you.

Yeah.

I can teach you things,

but they don't mean squat

unless you have the instinct to survive.

If you can just teach me what to do,

I'll be responsible for it when I do it.

I teach you how to shoot somebody and you do it,

I'm just as responsible.

(gentle upbeat music)

Well, Difford said you owe him one.

And taking me on would square it with him.

(gentle upbeat music)

♪ To my rescue

All right.

I'll give you one month of basic training.

Maybe that'll be enough.

If you have the will to fight.

And that, lady, no one could teach you.

(gentle music)

(insects chirping)

(car engines revving)

(gentle music)

(gravel crunching)

(gentle music)

Go on in.

(alarm ringing)

(gentle music)

Well, that's a lot to do

every time you come in your house.

Helps me sleep better.

Wait here in a minute,

I wasn't exactly expecting a guest tonight.

(gentle music)

[Voicemail] You have one message.

[Lance] J.T. it's Lance.

I sent a package, personal delivery to your place.

I know it's the anniversary of your wife's death,

but she needs safe haven.

Keep this strictly between you and me for now.

Call back ASAP for details, buddy.

Would you like me to explain now?

Not really.

Have a seat.

What do you drink?

Water, juice, anything thank you.

First lesson, if you don't know or care what you want,

neither will anyone else.

(insects chirping)

Okay, I'm sorry, I didn't come here to learn manners.

Manners?

I'm talking about primal instinct lady.

You here to change yours

because right now you're nothing

but a walking, talking target.

(insects chirping)

Orange juice.

Sorry, all out.

Recover quickly and go to plan B.

You do have a plan B?

Ice tea.

Ice tea.

Coming right up.

(insects chirping)

Should I just drink this?

I'm sure there's a way to drink this.

I'm just kidding.

(gentle music)

This will be your room.

(gentle music)

Great.

(gentle music)

Thank you.

I'll see you in the morning.

Okay.

(gentle music)

(birds chirping)

(dramatic music)

Hey pop.

Jimmy.

They let you go?

No, Sir.

No, they weren't ever gonna let me go.

Don't worry, no one's gonna come looking for here.

Heck they don't even know my real name, so,

therefore you do not exist.

Hey, you still have your old work van?

It's in the garage.

Don't run so good.

Oh, that's okay, I could probably fix it up.

You need anything?

No.

Okay.

I'm gonna go take care of something

and I'll right back okay, you wait here.

Stay here?

Yes, Sir, you just wait, stay right here

'til I come back okay? - Okay.

Pop, it's good to see you.

I'll be right back.

(dramatic music)

You hurt people son.

I brought you into this world.

It's my duty to take you out of it.

God, forgive me.

(dramatic music)

Here let me have it, Pop.

It's okay let me have it.

(birds chirping)

Let's get you back in your favorite chair, come on.

I know I didn't turn out the way you expected, Pop.

I.

- What? - I.

What?

I tried.

I know you did, I know you did.

I really tried.

I know you did.

Some people think that's enough, Pop,

but it's not, it's just not.

Those people are wrong.

You were always lousy at everything you tried, Pop.

See, I needed you to be strong for me,

stand up for me.

But you couldn't.

You let Mom walk all over me and you,

like we was

doormats or something.

(gentle music)

And now that dear old Mom is six foot under,

where she belongs, and not here to boss you around anymore,

you don't know what to do with yourself, do you?

No.

It's okay.

It's okay.

Vengeance walks this earth, Pop

and it wears many faces.

Some nights it's rage.

Some nights it's desire.

But tonight it wears the face of compassion.

(dramatic music)

(gun firing)

(dramatic music)

(birds chirping)

Hi.

(birds chirping)

(gentle music)

Hello.

Good morning.

Did you say you were making breakfast?

[J.T.] Sure did.

Can I help?

Have a seat.

(birds chirping)

What is this?

[J.T.] Breakfast?

These are eggs.

Rich in protein, low on sodium, cheap and easy to fix.

What would you do if I attacked you right now?

(birds chirping)

Probably throw these eggs in your face.

Good.

Using what you have.

Almost anything can be used as a weapon.

That glass, the cushion, newspaper, anything.

You know what I'm saying?

Yes.

Good.

Finish your meal, we'll start off with guns.

Wait, so do I just, is there a straw or?

(gentle music)

[Lance] This is different, Unit 12, what's your status?

[Man] Still watching Beckett's previous residents.

No sign of the suspect.

[Lance] Copy that.

(dramatic music)

[Jim] Fat boy.

(birds chirping)

(dramatic music)

(operator speaking indistinctly)

Hey, can you believe a guy like Beckett

lives in a quiet neighborhood like this?

I partnered with the son of a bitch once, night shift.

Yeah.

(operator speaking indistinctly)

(dramatic music)

(bombs exploding)

(fire crackling)

(dramatic music)

Where's mommy?

[Doll Recording] Mama.

Chamber around.

Safety's off.

Now,

inhale, hold the beat,

exhale slowly and let the side drift over the bull's eye.

Squeeze the trigger.

Let the what?

The bull's eye.

(gun firing)

(horse neighing)

Safety's on.

Safety's on.

Perfect miss.

I keep messing up the technique, I'm sorry.

You've got the technique.

You're flinching when you pull the trigger.

It's loud.

Well, next time I'll get you a softer gun.

Lesson five, keep your eyes open, on the target.

Let's try it again.

Safety off.

Exhale and squeeze.

(gun firing)

(gentle music)

There are two ways of hitting a target.

The wrong way is just to hit the surface,

which wastes your energy and does nothing to your opponent.

Except maybe piss 'em off like this.

The correct way is to hit through your target

and aim for the other side.

What do you mean?

(birds chirping)

I don't think I can do this right now.

If you can't get through me,

how are you gonna beat the enemy?

No, I don't think I can handle this right now.

You can handle it.

You got yourself here Tess, now go through it.

What can you do?

What do you mean?

Any martial arts training?

No.

Sports, anything?

No I mean, I was a cheerleader, you know.

Cheerleader, all right.

Can you kick?

I used to kick, yes.

Show me, right here.

What, you want me to kick you in your face?

If you can.

Gladly.

All right, we can work with that.

Punch, go.

(upbeat music)

Go.

(upbeat music)

Up.

Block.

Good.

Your target is there.

Knock it down.

Bend, move forward, good.

Pull, wait, pull, bend, good.

Come on, hit.

Left.

Good, hit.

Good.

Duck.

Good.

Gun up.

Down.

Up.

Down.

Gun up.

Up.

Good.

Up.

Good.

Hit.

Good.

Drop your gun.

Duck.

(gun firing)

Safety off.

(upbeat music)

Good, yeah.

Nice.

Go.

(gun firing)

One, two, three.

(gun firing)

Come on.

(gun firing)

(upbeat music)

Practice.

(gentle music)

(cellphone ringing)

Hello.

Hey Diff, what's going on?

(birds chirping)

Yeah, I got the package.

Did she tell you about it?

You know my policy.

No client history.

No, no, you need to know on this one pal.

You heard of James Beckett.

Yeah, the serial killer.

Thought you put that walking nightmare away a year ago.

Yeah, well you escaped.

So, what's that got to do with Tess?

She's his wife.

(dramatic music)

Hold on.

(birds chirping)

Put the safety on.

Who is it?

It's Diff.

Hello.

He broke into your old house Tess.

Luckily the new owners weren't there,

but it looks like he was going for you.

Yeah, am I safe where I am here?

No one knows where you are, but me.

Okay, my mother,

do you know where my mother is?

Don't worry, I'm on my way right now

to personally put her under protective custody.

I'll phone you when I get there.

(dramatic music)

You said black didn't you, Officer?

Casillas.

But please call me Raphael.

Oh, thank you.

Oh, thank you, Mrs. Moore.

As I was saying, my husband died a year ago.

And after all that trouble with a crazy man,

Tess moved in with me.

But she left after he broke out.

Tess told me I would be safer

if I didn't know where she was.

I say in my opinion,

Beckett has his own reasons for coming here to see you.

What reasons?

I barely knew the man.

He never let me visit my own daughter.

She was a prisoner in her own home.

I say Jim Beckett wants to hurt your daughter

by hurting you, Mrs. Moore.

(dramatic music)

I see.

What can I do?

There is only one thing you can do. Mrs. Moore,

suffer for your child.

(dramatic music)

Ma.

Jim.

(dramatic music)

Where are you going?

Where do you think you're going?

We're not done yet.

(Mrs. Moore screaming)

(dramatic music)

(Mrs. Moore crying)

(dramatic music)

Oh, no, Rose, come on Rose.

Go bitch go. - Please,

I don't know where she is.

I believe you.

Why are you doing this?

Why am I doing this?

Come here, Ma, let me tell you, come on.

Why am I doing this?

Well for one, you never liked me, did you?

And you always said really bad things

about me to my wife.

(Mrs. Moore crying)

(car engine revving)

(police sirens blaring)

(dramatic music)

Hey, hey, hey, I've been.

What's the matter?

(dramatic music)

To protect and serve, you know that.

(dramatic music)

Come on, come on.

(Mrs. Moore coughing)

(gentle music)

(birds chirping)

Do you knock?

Sorry.

Could you hand me that towel please?

Thank you.

Difford called, your mother's in the hospital.

(birds chirping)

What?

(dramatic music)

Where are you going?

To see her.

I don't think that's a good idea.

I have to make sure she's okay.

You'll only put yourself at risk.

Tess, you walk out of this house right now,

I am no longer responsible for you.

Would you go if it were your mother?

(dramatic music)

(car engine revving)

(dramatic music)

Detective Difford.

Check at reception.

(dramatic music)

I asked you on the phone not to come.

Now I have to put three more units out here.

That's three more units that should be out looking for Jim.

(dramatic music)

(car engine revving)

(dramatic music)

How is she?

(dramatic music)

How is she Lance?

She's gonna look pretty bad,

but she's doing well, Tess okay, she's in here.

I'll talk to you afterwards.

(dramatic music)

(heart machine beeping)

Wait, wait, wait, wait.

Hey, hey, hey, wait, geez,

you're gonna mess up the whole floor.

What is wrong with you?

Let me take him.

I got him, I got him, what's wrong with you?

I got him.

Up here.

There you go.

Wait, hold this to your head, press hard,

press hard, it'll stop the bleeding.

[Announcer] Code blue, code blue.

Report to room 62 stat.

Just stay here, don't go anywhere, I'll be right back.

[Announcer] Code blue, code blue.

Report to room 62 stat.

[Man] I'll be there in a second.

(dramatic music)

Sorry, sorry.

(dramatic music)

Look at your face.

I got here as quickly as I could.

I'm so sorry.

(heart machine beeping)

I can't believe this.

(heart machine beeping)

Why did I marry him?

Don't you blame yourself?

(dramatic music)

One day I found all these photos

stuffed into an envelope, in the house.

They were all of me.

(heart machine beeping)

Some were of me when I was 15.

He's been watching me for years.

(gentle music)

He's been studying me.

Everything I did,

my friends, my family.

And I know he picked me

'cause he knew I wouldn't fight back.

(gentle music)

(heart machine beeping)

(gentle music)

Come with me, okay.

I'll talk to you.

(dramatic music)

Jim never did anything without a reason, okay.

You don't think he could have killed your mother

if he wanted to.

Let me tell you something,

since he's been out, he's killed five people okay.

Two of 'em.

She's my mother, Lance.

Two of 'em, my best men.

I'm not gonna leave my mother alone.

(dramatic music)

Do you know what time it is?

(dramatic music)

You were married to him for a year.

Yet the only things we know about him

are what he wants us to know.

It's like trying to catch a ghost.

(dramatic music)

I need all the help I can get.

And you know what would help me?

If you stay out of the way.

Were can I go?

That's another problem,

J.T. isn't babysitting anymore.

But don't worry, I'll make some calls,

I'll find you another safe house.

Thank you.

(dramatic music)

Hey.

You stay right here okay.

I'll be back.

(dramatic music)

Jerry.

(dramatic music)

Hey Jer.

Talk to me.

(dramatic music)

Hey, there you are.

Wow, what a surprise?

Yeah, well you left these.

These.

You don't like the mail, huh?

(dramatic music)

[Lance] Put your hands in the air, Jim.

Hey Diff.

Come on in.

Shh.

Hush up, Ma, quiet.

Put the gun down, close the door.

(dramatic music)

I'm gonna wait for my lovely wife to arrive.

You know, I can't do that, Jim.

Put the gun down.

It's over.

It ain't over until I say it's over, buddy.

(gun firing)

(dramatic music)

Tess, Tess.

Mom, Mom.

Fuck.

(heart machine beeping)

What's going on?

Other room.

(dramatic music)

[Woman] Oh my God.

(dramatic music)

Theresa,

your mom and I were just waiting for you.

(dramatic music)

Honey,

I'm gonna rip your heart out.

(gun firing)

(dramatic music)

(gun firing)

(alarm ringing)

[Woman] Help.

I'll see you soon, Tess.

(alarm ringing)

(gun firing)

(alarm ringing)

(dramatic music)

[Woman] Get back.

[Man] Security go over around East Wing.

Security go over around East Wing.

(dramatic music)

No, no, no, no, no, no.

No, no, no, Mom, Mom.

[Man] Security go over around east way.

Run, get back.

Get.

(dramatic music)

Nobody can stop me, nobody.

(dramatic music)

Get out of the way.

(dramatic music)

(Jim laughing)

(dramatic music)

(birds chirping)

(dramatic music)

Come on boy.

(dramatic music)

(gun firing)

(dramatic music)

Hey, hey what are doing?

Hey.

(dramatic music)

What are you doing?

Hey, hey get back here.

Hey, what you doing?

(ambulance engine revving)

Hey.

(dramatic music)

I guess I'll be running this operation

from a desk from now on.

Yeah, well maybe you should quit.

Like me.

I can't do that.

Somebody I care about is still in danger.

Tess is like family to me, man.

Look, I did my best and it wasn't enough.

What are you blind?

We almost caught this son up a bitch.

Almost.

Almost can get somebody killed, Lance.

Hey,

I know you came all the way out here for Tess.

I saw how you looked at her.

(people speaking indistinctly)

I look at her the same way I look everybody.

Right.

(people speaking indistinctly)

(gentle music)

I warned you people about Beckett.

We're at war with this son of a bitch.

So when I say that each of us will be pulling double shifts

until this suspect is taken down, I mean it.

For those of you newly assigned to this task force,

let me give you a word of advice

and you better listen sharp.

Forget about what he looks like, okay.

The only way to catch him is to concentrate

on who he is underneath his disguises

because that he can't change.

Killing his ex-wife is all he has left to live for.

That's his Achilles heel.

And that's why we're gonna catch him.

Officer Malloy, investigative support,

which units will be responsible

for the personal protection of Ms. Beckett?

She's opted against police protection for the time being.

That doesn't make sense, Sir, why would she do that?

That's her choice.

Where's she going now, Sir?

What?

How are we gonna get her, if we don't know where she is?

Her current location is strictly on a need to know basis

and none of you motherfuckers need to know.

So let's get up, let's get out, let's get him.

Come on, move.

(people speaking indistinctly)

[Man] This just came in over.

[Officer] Let's get outta here.

(birds chirping)

(dramatic music)

Officer Malloy, we have work to do.

He desires and acts not breeds pestilence.

Ah.

(dramatic music)

I mean all this isn't enough,

me learning to shoot, I was dreaming.

Jim won, he won.

He took away everything I care about

and I did nothing about it, nothing.

He ran circles around the FBI, the police.

What do I think, I can beat him?

You did it once before.

Right, now he knows my strengths, he knows my weaknesses.

He knows.

He doesn't know you Tess.

He didn't win.

He's human, so he's defeatable.

You beat him once you can do it again.

We'll do more training tomorrow.

No, no, no, no more training, okay.

This guy is out there right now, somewhere,

planning to kill me.

I'm gonna make him pay for what he's done.

(dramatic music)

Hello Gina.

You always were a sucker

for those bad boy, rockstar types weren't you?

(dramatic music)

I'll be your Rob Zombie.

(laughing)

(dramatic music)

Lance told me the orphanage Jim said he came from,

never heard of him.

That got me thinking.

Once I heard him on the phone with someone he called Pop.

His father's supposed to be dead.

After Jim hung up, he went to the kitchen, I pressed redial,

an old man answered.

But Jim was coming back so I had to hang up.

But not before I got his name, his name is Henry Evans.

And I think he could be his dad.

And maybe Jim's father would know where his son is.

You've got a plan for finding this guy.

I'll be a girl scout, selling cookies if I have to.

Trust me, I'll get his address.

I suppose you have the number handy.

Of course, he could have been my father-in-law.

I'll call the cops and have 'em check it out.

No, not like the mess at the hospital.

The cops had their chance, it's my turn now.

And what if Beckett is there?

Then I'll need one of those.

Oh, I don't think so.

I never lend out my guns.

I'm going with or without your guns, J.T.

(dramatic music)

(birds chirping)

(dramatic music)

Hi, my names Ian.

(dramatic music)

I usually don't pick up guys in the park.

You mean you don't?

No, I don't.

Oh boy.

What's a bo-bo.

This is bo-bo.

(upbeat music)

So tell me, why haven't I seen you in the park?

You obviously haven't noticed me.

Oh, no, no, no, no, no, someone like you,

I definitely would've noticed.

Yeah, why's that?

So tell me, what do you do to keep in such great shape?

I do very, very bad things.

- Yeah. - Yeah.

Ooh, naughty.

Oh, very naughty, very naughty.

Why don't you go get me some champagne.

You want some champagne?

I want some champagne.

I'll go get it for you.

(upbeat music)

♪ Lying here tonight

♪ Longing for tomorrow

I wanna watch you walk.

You wanna watch me walk.

(upbeat music)

♪ Leaves your soul in sorrow

♪ Tell me what I feel

(upbeat music)

♪ Lying in damnation

♪ Let it be for real

I got you, I got you, I got you.

(upbeat music)

You are naughty.

Yeah, I am naughty.

(upbeat music)

You wanted this for a long time.

Yeah, I have.

(upbeat music)

I see you like that.

What about this?

How about this?

(Gina moaning)

Come on.

(Gina moaning)

(upbeat music)

I've been wanting that for a long time.

Ever since I saw you

with your cute little cheerleader outfit.

Yeah.

Oh gorgeous.

You're a naughty liar.

I'm naughty but I'm not a liar.

Yeah you are.

Didn't you say that you just met me.

I don't lie.

(upbeat music)

What?

There is something wrong with your nose.

(upbeat music)

Oh, it was a skin condition.

Ew.

You recognize me?

(upbeat music)

Jim.

(car engines revving)

This is it, Jim's father's house.

Is he home?

It's the right number, nobody's answering.

All right, I'm gonna check it out.

See if we're on a wild goose chase or not.

Hey,

I wanna go.

You're my back up, I need you safe out here.

I think I'd be safer next to you.

(people speaking indistinctly)

You got your gun?

(dramatic music)

Stay close.

(dramatic music)

You would've been my first choice,

right after Theresa.

Only problem is, you smoke.

It's a filthy habit, my mother smoked.

She smoked so much, you couldn't even breathe

when you were around her.

Speaking of breathing, how you doing over there?

You were a very good friend and I respect that, I really do.

But you got maybe, I don't know,

two minutes of air left, before you suffocate.

You sure you don't wanna tell me where she is?

I'll take the bag off.

Is that a yes, you'll tell me?

Grocery.

(dramatic music)

I don't know, you sure, you sure?

(dramatic music)

You're a little freak, you know that?

(dramatic music)

(birds chirping)

(dramatic music)

[Michael] Daddy's home.

[Woman] Oh good, hi.

(dramatic music)

Introduce Dad to your new friend.

[Michael] Daddy this is Lilian.

[David] Michael go to your room.

Lilian, her name is Lilian?

[Woman] Yes it is.

You have a charming boy and a wonderful wife.

I want you to grab your stuff

and get the hell out of here.

Grab your stuff and get the hell outta here.

[Woman] David, what's going on?

[David] And get outta my home.

I'm tired of this bullshit, let's go.

[Woman] David.

(dramatic music)

David what is going on?

(dramatic music)

Stay with me.

(dramatic music)

(van engine revving)

(dramatic music)

Got a bingo.

Yeah.

Time to call Lance.

Get the police to stake this place out.

(dramatic music)

That'll just scare him away.

We're here now, let's wait 'til he comes home.

Discipline is the key.

Oh my God.

Oh God.

(dramatic music)

Okay, I'm gonna take a break for one second.

[David] Wreck my life again.

(dramatic music)

[Woman] Smash something, that's always how it starts.

David, wait.

(dramatic music)

(cup breaking)

Theresa.

(dramatic music)

Theresa.

Are you gonna shoot?

(dramatic music)

Aim between my eyes.

(dramatic music)

Squeeze the trigger,

I'll be outta your life forever.

(dramatic music)

Do it baby.

(dramatic music)

This really had the safety on.

(dramatic music)

Are we alone?

(dramatic music)

You see that's what went wrong with our marriage,

lack of communication.

I could have had anyone I wanted

but I picked you, you were the one.

But then you betrayed me.

Now tell me,

who's with you?

(dramatic music)

Me.

(dramatic music)

(gun firing)

(glass breaking)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(van engine revving)

(dramatic music)

(gun firing)

Hey.

Hey, all I'm saying is that if she

ever wants to pull a stunt like that again,

you put her on the phone with me

and I'll straighten her out okay.

This was not her idea Lance, it was mine.

Whosever idea it was needs to be shot.

And you were almost were, you see that, right, huh?

Do me a favor, do yourself a favor,

do this poor woman a favor, go home and stay there.

You understand me?

(operator speaking indistinctly)

And no more ideas.

(operator speaking indistinctly)

Don't ever try that again.

Okay, Tess.

(operator speaking indistinctly)

(gentle music)

(insects chirping)

(car engine revving)

(gentle music)

I wanna thank you.

You're paying me,

that's thanks enough.

(gentle music)

No, that's nothing.

(gentle music)

You're such a good man.

(gentle music)

Not really.

Why?

(gentle music)

I killed my wife.

Lance said it was a drunk driver.

(gentle music)

I was driving her to the hospital.

She's a week past due.

She went from having this little 22 inch waist to 37 inches.

Looked like she had a basketball in her belly.

And that's beautiful.

(gentle music)

Well, contractions were getting painful so I drove fast.

(gentle music)

The next thing I remember, I was waking up in the hospital

and they told me she

and my baby were dead.

(gentle music)

We wanted a family.

I just wanted to be a good daddy.

(gentle music)

I don't think it was your fault.

I just wanted to be a good daddy.

(gentle music)

(keyboard keys clacking)

(gentle music)

(telephone ringing)

Detective Difford.

Hey Diff.

Don't worry, I'm taking good care of her.

You've been missing me for a long time now,

haven't you buddy?

Well, I'm planning to do something about that real soon.

[Jim] How about tomorrow morning?

Why don't you tell me where?

Okay.

First thing's first though,

if I see or hear or even think you have anybody else,

it will be the last time you hear

this wonderful little voice.

Ah, go sweetie.

[Woman] Lance, it's me.

Baby.

No, it's me, Diff.

(dramatic music)

Hey, hey, hey, if you touch her Jim, you son up a bitch,

I'll kill you, you understand me?

Hey, don't get your panties in a twist, okay.

I know you know where Theresa is

and I gotta play hardball sorry.

You got a pen, prepare to copy.

The old Rock Quarry Road, where we used to shoot.

Yeah, there's a big tree by that one big rock,

that's the place.

Okay, don't worry, I'm taking good care of her.

(dramatic music)

It's gonna be okay, don't worry.

(dramatic music)

(car engine revving)

(dramatic music)

Hey, don't you point that fucking gun at my wife, Jim,

put it down, put it down, Jim.

(dramatic music)

You know how it goes,

you shoot me, I shoot her.

Now just toss the gun.

Come on.

She's dying, man, she's your wife, come on.

(dramatic music)

There you go.

Ah, ah.

Hey, all I wanna know is where my wife is.

I know, you know.

Just tell me where she is,

and as a man of my word,

I will let you take your bag off your wife's head.

(dramatic music)

She's in Tucson.

Take route 17, a little house off the end of the road.

(birds chirping)

I don't have my phone, can I borrow yours?

(dramatic music)

Now, give me her number.

5207914001.

4001.

And what's the asshole's name?

J.T. Dillon.

(dramatic music)

Yes, Ma'am please.

I need a number.

Yes, Tucson, Arizona, residence.

Ah, ah.

No, Ma'am, not you, I'm sorry, it's just my kids.

Yes, J.T. Dillon, residence, yes Ma'am.

What, you have the address too?

Thank you very much.

You have a fine day too, bye-bye.

See, wasn't that simple?

As it made my word, go ahead, take it off.

Baby.

(dramatic music)

(gun firing)

(dramatic music)

[Jim Voiceover] My little baby girl,

you any idea how much I love you?

Squeeze the trigger, I'll be outta your life forever.

I'll be outta your life forever.

I will no longer be disrespected in my own fucking house.

(gun firing)

(dramatic music)

Maybe that'll help you remember, honey.

(dramatic music)

Are you gonna shoot?

You will get fucking pregnant.

Say my name, say it.

(dramatic music)

Look in the fuck in my eyes.

(screaming)

(dramatic music)

Hey, what's going on?

(gentle music)

(birds chirping)

(gentle music)

[J.T. Voiceover] This is J.T. Dillon.

Please leave your message after the signal.

(machine beeping)

[Jim] Hi honey it's me, pick up.

I know you're there.

I just wanna let you know I'm on my way over

and I'm really looking forward to seeing you.

Then come on you son of a bitch.

(dramatic music)

No.

Shh, shh, shh, shh, shh.

"Come on your son of a bitch."

Is that they way you speak to your husband?

You're looking so beautiful Theresa.

We've got some catching up to do, don't we?

Let's go.

How exciting, come on.

(dramatic music)

Oh, you know what?

I saw Diff and his wife, they said of say hi.

And oh your little friend, Gina,

she did have some very beautiful eyes, didn't she?

Do me a big favor

and I need you to stay alive for me until I get back.

(Tess moaning)

I'm gonna take the tape off.

And if you scream, I'm gonna get really mad.

So don't scream.

Shh, shh, shh.

Please don't do this, please.

[Jim] Shh, shh, shh, shh.

I'm begging you, please don't do this to me.

Dillon.

(dramatic music)

Time, okay, here we go.

(dramatic music)

She's gonna die 'cause you can't fucking save her.

(dramatic music)

He is coming back.

(dramatic music)

(gun firing)

(laughing)

Thank you for your hospitality.

(gun firing)

(dramatic music)

Okay, okay.

(dramatic music)

(birds chirping)

(dramatic music)

(gun firing)

(dramatic music)

(gun firing)

(dramatic music)

(Jim screaming)

(dramatic music)

Jim Beckett now at the bat.

(dramatic music)

Home run.

(dramatic music)

Come here.

(dramatic music)

(J.T. screaming)

(dramatic music)

Well, look, who's here.

Glad you could join us, honey.

(birds chirping)

Put the gun down.

He's wearing body armor, Tess,

you have to hit him in the head.

It's right honey, you gonna have to hit me in the head,

right between the eyes, can you do that?

(dramatic music)

I didn't think so.

Now put the gun down.

And I'll tell you what,

I promise I won't blow the top of his head off okay.

Let him go or I'll shoot.

He's gonna kill me anyway, Tess.

Save yourself, take the shot.

Take the shot, Teresa.

(dramatic music)

(birds chirping)

You're still my wife.

Put the gun down, honey.

Put it down now.

(Jim laughing)

You see, you just can't teach a coward to be brave.

That's the sad part.

(dramatic music)

(gun firing)

Ouch, ow that hurts.

That's not my head, honey.

Murder can be fun.

(dramatic music)

It's not murder, it's justice.

(gun firing)

(gentle music)

(Tess crying)

It's all right.

(gentle music)

So I guess you'll be needing me now.

How so?

It's my turn to babysit you.

All right.

(gentle music)

There's one thing I'm gonna teach you.

And what's that?

How to relax.

(gentle music)

(birds chirping)

(gentle music)

Did I ever tell you,

I'm a real slow learner.

(gentle music)

I did?

Oh, I know.

(upbeat music)

♪ I know that in your eyes

♪ I'm a better man

♪ What you see in me is something I don't understand ♪

♪ Why you wanna stay and play the games I play ♪

♪ All the shit I put you through ♪

♪ You shoulda just walked away

(upbeat music)

♪ But you're still here to pick my soul up off the ground ♪

♪ And you come to my rescue

(upbeat music)

♪ Why you faith in me

♪ Is something I will never see ♪

♪ But you're standing next to me ♪

♪ Like always

♪ You've been here all along

♪ Like I never did you wrong

♪ So beautiful and strong

♪ Like always

(upbeat music)

♪ When you came into my life

♪ I never knew a love

♪ I don't think you come from here ♪

♪ You're like an angel from above ♪

♪ You're my shelter from the storm ♪

♪ The truth I've never known

(upbeat music)

♪ You are my salvation

♪ You're the only one I know

(upbeat music)

♪ Ooh

(upbeat music)

♪ Ah

(upbeat music)

♪ You're the only one who never let me down ♪

♪ Come to my rescue

(upbeat music)

♪ Why you put your faith in me

♪ Is something I will never see ♪

♪ But you're standing next to me ♪

♪ Like always

♪ You've been here all along

♪ Like I never did you wrong

♪ So beautiful and strong like always ♪

♪ Why you put your faith in me

♪ Is something I will never see ♪

♪ And standing next to me like always ♪

♪ You've been here all along

♪ Like I never did you wrong