All language subtitles for Switched.at.Birth.S01E19.Write.a.Lonely.Soldier.1080p.HULU.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,709 --> 00:00:01,667 PREVIOUSLY ON "SWITCHED AT BIRTH"... 2 00:00:01,668 --> 00:00:03,836 I'M SHAKING UP THE STARTING LINE-UP. NO POSITIONS ARE A LOCK. 3 00:00:03,837 --> 00:00:06,380 I HAVE DONE EVERYTHING FOR YOU AND THIS IS HOW YOU REPAY ME? 4 00:00:06,381 --> 00:00:08,549 I'M SORRY THINGS TURNED OUT THIS WAY. 5 00:00:08,550 --> 00:00:10,718 I GUESS YOU'RE NOT THE FRIEND THAT I THOUGHT YOU WERE. 6 00:00:10,719 --> 00:00:13,054 YOU GUYS WANT TO SEE IF WE CAN SAVE THIS TEAM? 7 00:00:13,055 --> 00:00:15,765 - John: COME ON. - LET'S DO THIS! 8 00:00:15,766 --> 00:00:18,643 I JUST WANTED TO TELL YOU PERSONALLY THAT IF I DON'T GET THIS, I'M GONNA 9 00:00:18,644 --> 00:00:20,937 - BACK OUT OF THE LAWSUIT. - OUR CASE WILL FALL APART WITHOUT YOU. 10 00:00:20,938 --> 00:00:22,688 I WANTED TO GIVE YOU THIS. 11 00:00:22,689 --> 00:00:25,816 IT'S JUST SOMETHING TO HELP YOU OUT UNTIL THINGS TURN AROUND. 12 00:00:25,817 --> 00:00:28,444 YOU'RE WILLING TO PUT THE TRIAL ON THE LINE TO HELP THIS WOMAN? 13 00:00:28,445 --> 00:00:30,488 BAY, YOU NEVER TOLD US THAT TY ENLISTED. 14 00:00:30,489 --> 00:00:32,990 - I GUESS I FORGOT TO MENTION IT. - WHEN DO YOU HEAD OUT? 15 00:00:32,991 --> 00:00:34,867 I LEAVE FOR FORT BENNING ON THURSDAY. 16 00:00:34,868 --> 00:00:37,370 I WANTED YOU TO HAVE THIS. YOU CAN HANG IT UP IN IRAQ 17 00:00:37,371 --> 00:00:39,665 - OR AFGHANISTAN. - THIS IS REALLY AWESOME. 18 00:00:42,876 --> 00:00:46,087 YOU KNEW THAT I WAS INTO TY WHEN YOU KISSED ME. 19 00:00:46,088 --> 00:00:49,383 WHAT DOES IT MATTER ANYWAY? HE'S HALF A WORLD AWAY. 20 00:00:50,551 --> 00:00:52,760 KNOCK KNOCK! OR-- BLINK BLINK. 21 00:00:52,761 --> 00:00:56,597 OKAY, SO YOU GUYS LEFT SOME STUFF IN THE DRYER 22 00:00:56,598 --> 00:01:00,726 AND DOUBLE-K CAN'T RESIST A GOOD FLUFF AND FOLD, SO-- 23 00:01:00,727 --> 00:01:03,145 ...attack on a helicopter by insurgents marks 24 00:01:03,146 --> 00:01:05,773 - one of the deadliest days in the war on terror... - WHAT'S HAPPENING? 25 00:01:05,774 --> 00:01:08,277 HELICOPTER CRASHED IN AFGHANISTAN. 26 00:01:10,279 --> 00:01:13,115 IT WAS CARRYING PART OF BOLO COMPANY. 27 00:01:15,033 --> 00:01:16,952 THAT'S TY'S COMPANY. 28 00:01:18,912 --> 00:01:20,330 I KNOW. 29 00:02:31,109 --> 00:02:32,652 THIS IS BAD. 30 00:02:32,653 --> 00:02:35,946 I THINK ANGELO MAY HAVE PAID OFF BRIZIA FOR HER TESTIMONY. 31 00:02:35,947 --> 00:02:38,574 I HAD MY INVESTIGATOR KEEPING TABS ON HER 32 00:02:38,575 --> 00:02:40,993 AND APPARENTLY SHE'S HAD A SUDDEN INFLUX OF CASH, 33 00:02:40,994 --> 00:02:44,205 WHICH I'M PRETTY SURE SHE DIDN'T GET PLAYING SCRATCHERS. 34 00:02:44,206 --> 00:02:47,500 I FIGURE SINCE ANGELO FLED, HE WIRED BRIZIA THE MONEY-- 35 00:02:47,501 --> 00:02:50,379 ANGELO DIDN'T GIVE HER THE MONEY. I DID. 36 00:02:53,298 --> 00:02:55,675 - WE DISCUSSED THIS. - CRAIG, WELCOME TO MY WORLD. 37 00:02:55,676 --> 00:02:58,260 AND YOU HAD NOTHING TO DO WITH THIS? 38 00:02:58,261 --> 00:03:01,013 JOHN DIDN'T KNOW ANYTHING ABOUT IT. IT WAS ME, ON MY OWN. 39 00:03:01,014 --> 00:03:04,183 THAT WOMAN PUT HER NECK OUT FOR THIS FAMILY 40 00:03:04,184 --> 00:03:06,185 AND I FELT LIKE I NEEDED TO DO THE SAME. 41 00:03:06,186 --> 00:03:08,729 - AND THE HOSPITAL FIRED HER-- - KATHRYN, KATHRYN. 42 00:03:08,730 --> 00:03:10,856 HOW WILL THIS AFFECT OUR CASE? 43 00:03:10,857 --> 00:03:13,818 WELL, THAT MEANS BRIZIA CAN'T TESTIFY. 44 00:03:13,819 --> 00:03:17,279 - HER CREDIBILITY AS A WITNESS IS COMPLETELY COMPROMISED, 45 00:03:17,280 --> 00:03:19,156 AND WITH THE TRIAL DATE APPROACHING-- 46 00:03:19,157 --> 00:03:22,993 THERE HAS TO BE SOME WAY BRIZIA COULD STILL TESTIFY. 47 00:03:22,994 --> 00:03:27,540 I COULD MAYBE ASK MY INVESTIGATOR TO BURY THE REPORT. 48 00:03:27,541 --> 00:03:30,126 THE CHANCES OF THE HOSPITAL FINDING OUT ABOUT IT ARE MINIMAL. 49 00:03:30,127 --> 00:03:32,378 BUT IF THEY DID? 50 00:03:32,379 --> 00:03:35,047 WELL, IT WOULD DAMAGE OUR CASE, OBVIOUSLY, 51 00:03:35,048 --> 00:03:37,883 AND WORST CASE, 52 00:03:37,884 --> 00:03:39,469 I'D GET SANCTIONED BY THE BAR. 53 00:03:41,513 --> 00:03:44,807 - BUT THAT'S A RISK I'M WILLING TO TAKE. - Kathryn: NO. 54 00:03:44,808 --> 00:03:47,185 NO, WE HAVE TO FIND ANOTHER WAY. 55 00:03:48,728 --> 00:03:50,856 ♪ I'VE GOT THAT BOOM BOOM ♪ 56 00:03:52,524 --> 00:03:54,776 ♪ I'VE GOT THAT BOOM BOOM ♪ 57 00:03:56,695 --> 00:04:00,948 ♪ WALK IN THE ROOM NOW, I SEE YOU WATCHING ME ♪ 58 00:04:00,949 --> 00:04:04,577 ♪ KARMA CHAMELEON, DO YOU SEE WHAT YOU NEED? ♪ 59 00:04:04,578 --> 00:04:06,663 ♪ THAT LOOK IN MY EYES. ♪ 60 00:05:15,774 --> 00:05:18,567 DAPHNE, IT'S GOOD TO HAVE YOU BACK 61 00:05:18,568 --> 00:05:21,612 PLAYING FOR THE MUSTANGS. 62 00:05:21,613 --> 00:05:23,989 I'M NOT SURE EVERYONE FEELS THAT WAY. 63 00:05:23,990 --> 00:05:26,201 WHAT DO YOU MEAN? 64 00:05:27,828 --> 00:05:29,203 IT'S NOTHING. 65 00:05:29,204 --> 00:05:31,915 DID ONE OF THE GIRLS SAY SOMETHING TO YOU? 66 00:05:33,458 --> 00:05:36,293 NO, IT'S THAT GUY, TRAVIS. 67 00:05:36,294 --> 00:05:38,504 HE WENT OFF ON ME FOR PLAYING WITH BUCKNER. 68 00:05:38,505 --> 00:05:40,965 - HE GOT ALL CRAZY. - TRAVIS. 69 00:05:40,966 --> 00:05:45,636 I CAN'T SAY IT'S THE FIRST TIME I'VE HEARD A COMPLAINT LIKE THAT. 70 00:05:45,637 --> 00:05:48,515 I WILL TALK WITH HIM-- AGAIN. 71 00:05:49,683 --> 00:05:52,853 IT REALLY IS GOOD TO HAVE YOU BACK ON THE TEAM. 72 00:06:18,378 --> 00:06:20,213 I'M SO GLAD THAT YOU'RE HERE. 73 00:06:24,050 --> 00:06:26,385 NO. 74 00:06:26,386 --> 00:06:28,555 WHAT IF IT'S HIM? 75 00:06:30,307 --> 00:06:32,766 OH, I'M THERE ALREADY. 76 00:06:32,767 --> 00:06:36,020 ONE MINUTE I'M TRYING TO GET USED TO THE IDEA 77 00:06:36,021 --> 00:06:38,772 THAT HE'S GONE SO THAT I'LL BE PREPARED FOR IT, 78 00:06:38,773 --> 00:06:40,608 AND THEN THE NEXT-- 79 00:06:40,609 --> 00:06:45,487 I DIDN'T EVEN KNOW HE HAD ENLISTED UNTIL A FEW DAYS BEFORE HE LEFT, 80 00:06:45,488 --> 00:06:48,074 AND I STILL DON'T UNDERSTAND WHY HE DID IT. 81 00:06:50,285 --> 00:06:53,163 I KNOW BUT-- BUT DO YOU GET IT? WOULD YOU DO IT? 82 00:07:04,174 --> 00:07:05,759 I DIDN'T KNOW THAT. 83 00:07:09,554 --> 00:07:11,722 YEAH, 84 00:07:11,723 --> 00:07:15,643 WHICH I'M NOT VERY GOOD AT. 85 00:07:15,644 --> 00:07:20,315 TY USUALLY RESPONDS TO MY EMAILS PRETTY QUICKLY. 86 00:07:27,906 --> 00:07:32,494 YEAH. HE HAS ACCESS TO COMPUTERS OVER THERE, 87 00:07:34,496 --> 00:07:38,291 BUT THIS IS THE LONGEST THAT IT'S EVER TAKEN HIM TO GET BACK TO ME. 88 00:09:04,544 --> 00:09:08,214 - HEY. - HEY. 89 00:09:09,841 --> 00:09:12,468 HOW'S IT GOING ON THE CARLTON TEAM? 90 00:09:12,469 --> 00:09:14,220 GREAT. 91 00:09:18,058 --> 00:09:20,977 I GOING TO GO DO SOME... STUFF. 92 00:09:27,233 --> 00:09:29,110 - HEY. - HEY. 93 00:09:32,113 --> 00:09:35,240 SO JUST OUT OF CURIOSITY, 94 00:09:35,241 --> 00:09:38,494 WHO'S BEEN BADMOUTHING ME MORE, BAY OR DAPHNE? 95 00:09:38,495 --> 00:09:40,537 BAY'S SNARKIER, 96 00:09:40,538 --> 00:09:44,250 BUT A. S. L. PROBABLY HAS SOME BRUTAL SIGNS FOR "BITCH." 97 00:09:45,585 --> 00:09:48,003 - WHAT ARE YOU TALKING ABOUT? - YOUR SISTERS. 98 00:09:48,004 --> 00:09:51,256 I KNOW THEY'VE BEEN GIVING YOU THE FULL COURT PRESS TO DUMP MY ASS. 99 00:09:51,257 --> 00:09:53,675 ACTUALLY NO, 100 00:09:53,676 --> 00:09:55,969 THEY HAVEN'T SAID ANYTHING. 101 00:09:55,970 --> 00:09:58,263 I MEAN I DON'T SPEAK "GIRL" SO-- 102 00:09:58,264 --> 00:10:00,265 HUH. 103 00:10:00,266 --> 00:10:02,935 I BROUGHT THESE ALBUMS I WAS TELLING YOU ABOUT. 104 00:10:02,936 --> 00:10:05,979 - COOL. - AND I WAS THINKING 105 00:10:05,980 --> 00:10:09,316 THAT ON SATURDAY WE SHOULD GO TO TAKE FIVE. 106 00:10:09,317 --> 00:10:12,319 THERE'S THIS AMAZING SINGER/SONGWRITER PLAYING. 107 00:10:12,320 --> 00:10:13,946 - OH YEAH? WHO? - YOU. 108 00:10:13,947 --> 00:10:16,323 I GOT YOU THE 9:00 TIME SLOT. 109 00:10:16,324 --> 00:10:19,159 I CAN'T. 110 00:10:19,160 --> 00:10:21,829 I'M NOT INTERFERING WITH YOUR IMAGE OR YOUR SOUND. 111 00:10:21,830 --> 00:10:25,165 - YOU CAN WEAR WHATEVER YOU WANT. - NO NO, IT'S NOT THAT. 112 00:10:25,166 --> 00:10:28,794 WILKE BOOKED GUITAR FACE TO PLAY ANNIE BARKER'S PARTY SATURDAY NIGHT. 113 00:10:28,795 --> 00:10:31,964 A KEGGER? YOU'RE PASSING THIS UP FOR THE RED-CUP CIRCUIT? 114 00:10:31,965 --> 00:10:35,093 COME ON. CAN'T YOU GET OUT OF IT? 115 00:10:39,639 --> 00:10:41,181 - HEY, DAD, I-- - DAD, I-- 116 00:10:41,182 --> 00:10:43,393 WOW, IN STEREO. 117 00:10:44,811 --> 00:10:46,353 - CAN I TALK TO YOU-- - I JUST HAVE A QUESTION-- 118 00:10:46,354 --> 00:10:48,480 UH, WHOA WHOA WHOA. 119 00:10:48,481 --> 00:10:50,024 JUST ONE AT A TIME. 120 00:10:52,819 --> 00:10:54,736 YOU GO. 121 00:10:54,737 --> 00:10:57,531 OKAY, REMEMBER WHEN YOU TOOK THAT U. S. O. TOUR 122 00:10:57,532 --> 00:11:00,117 WITH THE ROYALS AND YOU MET ADMIRAL-- 123 00:11:00,118 --> 00:11:02,244 THAT GENERAL GUY-- HE CAME TO DINNER? 124 00:11:02,245 --> 00:11:05,289 - GENERAL RIKEN. - RIGHT. 125 00:11:05,290 --> 00:11:08,375 WELL, THEY STILL HAVEN'T RELEASED ANY NAMES FROM TY'S COMPANY-- 126 00:11:08,376 --> 00:11:11,170 - I ALREADY CALLED HIM. - YOU DID? 127 00:11:11,171 --> 00:11:12,921 I'M WAITING. 128 00:11:12,922 --> 00:11:15,341 I DIDN'T WANT TO SAY ANYTHING UNTIL I'D HEARD BACK. 129 00:11:17,802 --> 00:11:19,304 THANK YOU. 130 00:11:21,848 --> 00:11:24,600 YOU'LL LET ME KNOW AS SOON AS YOU FIND OUT? 131 00:11:24,601 --> 00:11:26,686 YEAH. 132 00:11:30,815 --> 00:11:32,650 YOUR TURN. 133 00:11:33,735 --> 00:11:37,154 I SAW THE "HELP WANTED" SIGN AT THE CAR WASH 134 00:11:37,155 --> 00:11:39,531 AND I KNOW A GUY WHO COULD REALLY USE A JOB. 135 00:11:39,532 --> 00:11:42,409 OKAY. IS HE A FRIEND FROM SCHOOL? 136 00:11:42,410 --> 00:11:44,703 HE GOES TO CARLTON. 137 00:11:44,704 --> 00:11:47,414 HIS NAME'S TRAVIS. HE'S A REALLY HARD WORKER. 138 00:11:47,415 --> 00:11:50,125 IS HE LIKE YOU OR... 139 00:11:50,126 --> 00:11:51,836 MORE LIKE EMMETT? 140 00:11:53,171 --> 00:11:54,963 DO YOU MEAN HOW DEAF IS HE? 141 00:11:54,964 --> 00:11:56,798 YES. 142 00:11:56,799 --> 00:11:58,800 NO. I-- 143 00:11:58,801 --> 00:12:00,719 TELL YOU WHAT. 144 00:12:00,720 --> 00:12:03,348 IF YOU VOUCH FOR HIM, HE'S GOT THE JOB. 145 00:12:08,269 --> 00:12:11,105 - CATCH YOU LATER, MAN. - (bell rings) 146 00:12:12,607 --> 00:12:14,233 - HEY, MAN. - HEY. 147 00:12:14,234 --> 00:12:16,860 I'VE BEEN WORKING ON A SET LIST FOR THE PARTY SATURDAY. 148 00:12:16,861 --> 00:12:18,904 UH, ACTUALLY SOMETHING CAME UP 149 00:12:18,905 --> 00:12:20,447 AND I GOTTA BAIL. 150 00:12:20,448 --> 00:12:23,116 DO YOU HAVE ANY IDEA WHAT I HAD TO DO TO GET US THAT GIG? 151 00:12:23,117 --> 00:12:26,620 YEAH, YOU WENT UP TO ANNIE BARKER AND SAID, "HEY, CAN WE PLAY YOUR PARTY?" 152 00:12:26,621 --> 00:12:28,455 THAT'S NOT THE POINT. 153 00:12:28,456 --> 00:12:31,208 - IT'S SIMONE, ISN'T IT? - NO. 154 00:12:31,209 --> 00:12:33,961 WHAT DOES SHE HAVE YOU DOING THAT NIGHT-- PAINTING HER TOENAILS? 155 00:12:33,962 --> 00:12:36,255 SOMETHING LIKE THAT. 156 00:12:36,256 --> 00:12:38,840 ANNIE'S SISTER IS THE SOCIAL CHAIR 157 00:12:38,841 --> 00:12:40,592 AT U. M. K. C.'S HOT GIRL SORORITY. 158 00:12:40,593 --> 00:12:42,803 WE DO GOOD THIS SATURDAY NIGHT AND WE'LL BE PLAYING 159 00:12:42,804 --> 00:12:45,306 COLLEGE GIGS FOR THE REST OF THE YEAR. 160 00:12:48,601 --> 00:12:51,896 COME ON, MAN. WHAT ARE YOU, AXL ROSE? GONNA START BLOWING OFF YOUR BAND? 161 00:12:53,731 --> 00:12:55,482 - (bell rings) - OKAY. 162 00:12:55,483 --> 00:12:57,859 - LET'S DO IT. - THANK YOU. 163 00:12:57,860 --> 00:13:00,446 - ALL RIGHT, SEE YOU LATER. - PEACE. 164 00:13:02,115 --> 00:13:05,617 THERE WERE AT LEAST A DOZEN NURSES ON DUTY THAT DAY. 165 00:13:05,618 --> 00:13:07,828 BRIZIA CAN'T BE THE ONLY ONE THEY OVERWORKED. 166 00:13:07,829 --> 00:13:09,913 I'M SURE WATCHING BRIZIA GET FIRED 167 00:13:09,914 --> 00:13:12,416 IS JUST THE THING TO INSPIRE OTHERS TO COME FORWARD. 168 00:13:12,417 --> 00:13:15,460 - WE SHOULD AT LEAST TRY. - OUR OTHER LAWYER ALREADY DID, SWEETIE. 169 00:13:15,461 --> 00:13:17,170 SHE DEPO'D 'EM ALL, AND EVERY ONE OF THEM 170 00:13:17,171 --> 00:13:18,797 DENIED ANY WRONGDOING BY THE HOSPITAL. 171 00:13:18,798 --> 00:13:22,802 SO DID BRIZIA UNTIL ANGELO CONVINCED HER TO TESTIFY. 172 00:13:25,513 --> 00:13:27,973 - WHAT? - HOW DID ANGELO KNOW 173 00:13:27,974 --> 00:13:29,766 TO GO BACK TO BRIZIA? 174 00:13:29,767 --> 00:13:32,061 AND WHY DID SHE ADMIT THE TRUTH TO HIM? 175 00:13:33,146 --> 00:13:34,771 OTHER THAN THE OBVIOUS REASON. 176 00:13:34,772 --> 00:13:36,690 AND WHAT IS THE OBVIOUS REASON? 177 00:13:36,691 --> 00:13:39,568 WELL, HE'S PRETTY GOOD-LOOKING, JOHN. 178 00:13:39,569 --> 00:13:41,695 OH, COME ON! HE'S NOT THAT GOOD-LOOKING. 179 00:13:41,696 --> 00:13:42,905 YES, HE IS. 180 00:13:44,657 --> 00:13:47,200 I'M GOING TO MAKE AN APPOINTMENT TO SEE ANGELO'S ATTORNEY. 181 00:13:47,201 --> 00:13:50,370 - HE'S GOTTA KNOW SOMETHING. - OKAY, 182 00:13:50,371 --> 00:13:52,539 WHEN YOU GO, PLEASE TAKE CRAIG WITH YOU. 183 00:13:52,540 --> 00:13:54,876 MAYBE HE CAN STOP YOU FROM POISONING THE JURY POOL. 184 00:14:02,133 --> 00:14:04,885 ♪ THE ATTITUDES ♪ 185 00:14:04,886 --> 00:14:07,721 ♪ OF STRANGERS ♪ 186 00:14:07,722 --> 00:14:10,265 ♪ THE SECRETS ♪ 187 00:14:10,266 --> 00:14:12,268 - ♪ OF MY FRIENDS... ♪ - WHAT IS THIS? 188 00:14:32,997 --> 00:14:37,627 IF I HAD DOUBLE-Ds BOLTED TO MY CHEST. 189 00:14:52,809 --> 00:14:55,394 IT'S REALLY COOL. THANK YOU. 190 00:14:57,313 --> 00:14:59,231 HEY, SWEETIE. 191 00:14:59,232 --> 00:15:01,024 HEY, EMMETT. 192 00:15:01,025 --> 00:15:03,111 I JUST HEARD FROM GENERAL RIKEN. 193 00:15:04,779 --> 00:15:08,282 TY IS FINE. IT WASN'T HIM. 194 00:15:11,494 --> 00:15:15,122 HE'S OKAY? HE'S REALLY OKAY? 195 00:15:15,123 --> 00:15:16,958 YES, HE IS. 196 00:15:35,476 --> 00:15:38,604 WELL, THAT'S IT IN A NUTSHELL. PRETTY SIMPLE, HUH? 197 00:15:44,777 --> 00:15:48,905 - WHAT'S HE SAYING? - HE SAID THAT HE LIKES THE BASEBALL LOGO. 198 00:15:48,906 --> 00:15:51,158 I THOUGHT THAT UP MYSELF. PRETTY COOL, HUH? 199 00:15:51,159 --> 00:15:53,743 WELCOME TO THE TEAM. IF YOU HAVE ANY QUESTIONS, LET ME KNOW. 200 00:15:53,744 --> 00:15:56,246 - I GOT SOME WORK TO DO. SWEETIE, I'LL SEE YOU LATER. - OKAY. 201 00:15:56,247 --> 00:15:58,332 - BYE. - BYE. 202 00:16:17,268 --> 00:16:19,520 - HEY, GORGEOUS. - HEY. 203 00:16:22,523 --> 00:16:24,859 TRAVIS, THIS IS WILKE. 204 00:16:26,694 --> 00:16:29,196 OH, SORRY, MAN. WHAT DID HE SAY? 205 00:16:29,197 --> 00:16:32,032 HE SAID NICE TO MEET YOU. 206 00:16:32,033 --> 00:16:34,243 OH. YOU TOO. 207 00:16:41,000 --> 00:16:44,545 - WHAT'S HE SAYING NOW? - NOTHING. IT DOESN'T MATTER. 208 00:16:48,007 --> 00:16:50,592 - CAN WE JUST GO? - YOU GOT IT. 209 00:16:50,593 --> 00:16:52,511 - GREAT. - LATER, MAN. 210 00:17:05,316 --> 00:17:07,234 WHO WON THE CRIMEAN WAR? 211 00:17:07,235 --> 00:17:08,902 UH, THE CRIMEANS? 212 00:17:08,903 --> 00:17:10,946 LIKE I KNOW THE ANSWER TO THAT? 213 00:17:10,947 --> 00:17:12,657 BUT HEY, IT SOUNDS GOOD. 214 00:17:15,201 --> 00:17:18,245 SO WHAT'S UP? YOUR TEXT SOUNDED ALL SERIOUS. 215 00:17:18,246 --> 00:17:20,247 WELL LOOK, 216 00:17:20,248 --> 00:17:23,250 I APPRECIATE YOU SETTING UP THAT GIG FOR ME... 217 00:17:23,251 --> 00:17:27,004 - OKAY? - ...BUT I CAN'T DO TAKE FIVE. 218 00:17:28,839 --> 00:17:30,715 WILKE DROPPED THE GUILT BOMB ON ME 219 00:17:30,716 --> 00:17:33,093 AND THINKS PLAYING THIS GIG WILL OPEN UP DOORS 220 00:17:33,094 --> 00:17:34,636 FOR US TO PLAY PARTIES AT U. M. K. C. AND-- 221 00:17:34,637 --> 00:17:37,931 I GUESS I WAS AIMING A LITTLE HIGHER THAN COLLEGE PARTIES. 222 00:17:37,932 --> 00:17:40,517 I KNOW. I'M SORRY. 223 00:17:40,518 --> 00:17:43,103 NO, YOU'VE GOTTA DO WHAT YOU GOTTA DO. 224 00:17:43,104 --> 00:17:45,438 GO PLAY WITH YOUR BAND. 225 00:17:45,439 --> 00:17:47,649 I'M NOT YOKO ONO. 226 00:17:47,650 --> 00:17:49,776 ALTHOUGH THE IDEA 227 00:17:49,777 --> 00:17:52,320 OF A BED-IN WITH YOU DOES SOUND KINDA GOOD. 228 00:17:52,321 --> 00:17:55,198 THANKS FOR BEING SO COOL ABOUT IT. 229 00:17:55,199 --> 00:17:57,117 YOU DON'T HAVE TO THANK ME, 230 00:17:57,118 --> 00:17:59,328 BUT YOU DO HAVE TO KISS ME. 231 00:18:00,538 --> 00:18:02,415 MMM. 232 00:18:14,552 --> 00:18:16,845 - THANK YOU. - OF COURSE. 233 00:18:16,846 --> 00:18:18,722 HI. 234 00:18:18,723 --> 00:18:21,266 HI THERE. 235 00:18:21,267 --> 00:18:24,352 WE'RE HERE TO SEE CONRAD CHAPLIN. 236 00:18:24,353 --> 00:18:25,770 - I CALLED BEFORE. - OH YES. 237 00:18:25,771 --> 00:18:27,857 - CAN YOU SIGN IN FOR ME PLEASE? - SURE. 238 00:18:29,442 --> 00:18:32,944 - SO DO YOU HAVE A DATE SET? - JUNE 8th. 239 00:18:32,945 --> 00:18:35,614 YOU MUST BE SO EXCITED. 240 00:18:35,615 --> 00:18:38,825 NO, ACTUALLY. ANXIOUS MAYBE. 241 00:18:38,826 --> 00:18:41,996 WELL THEN, IT'S GOOD THAT YOU'RE GETTING A PRE-NUP. 242 00:18:43,247 --> 00:18:45,165 - NO NO NO. 243 00:18:45,166 --> 00:18:48,209 YOU MUST HAVE US CONFUSED. I'M KATHRYN KENNISH AND THIS IS MY ATTORNEY 244 00:18:48,210 --> 00:18:53,215 - CRAIG TEBBE. - OH MY GOD, THE SWITCH. I AM SO EMBARRASSED. 245 00:18:54,884 --> 00:18:56,969 DOES THAT MEAN YOU MIGHT BE AVAILABLE? 246 00:18:58,012 --> 00:18:59,763 JUST GOT OUT OF A LONG RELATIONSHIP. 247 00:18:59,764 --> 00:19:03,183 - SORRY. - OH WELL. 248 00:19:03,184 --> 00:19:06,103 HAVE A SEAT AND CONNIE WILL BE RIGHT WITH YOU. 249 00:19:11,233 --> 00:19:13,652 WOW, I CANNOT BELIEVE 250 00:19:13,653 --> 00:19:16,112 THAT THIS IS THE LAWYER ANGELO HIRED. 251 00:19:16,113 --> 00:19:20,241 ALL THE MAGAZINES ARE ADDRESSED TO THE NAIL SALON NEXT DOOR. 252 00:19:20,242 --> 00:19:24,412 SHE THOUGHT WE WERE A COUPLE ABOUT TO BE MARRIED. 253 00:19:24,413 --> 00:19:26,831 AND EVENTUALLY DIVORCED. 254 00:19:26,832 --> 00:19:28,375 SHE THOUGHT YOU WERE CUTE. 255 00:19:28,376 --> 00:19:31,379 - IF YOU PLAY YOUR CARDS RIGHT-- - NOT REALLY MY TYPE. 256 00:19:32,963 --> 00:19:37,467 APPARENTLY SHE THINKS I'M YOUR TYPE. 257 00:19:37,468 --> 00:19:39,469 WELL, FULL DISCLOSURE: 258 00:19:39,470 --> 00:19:41,346 I HAVE ALWAYS HAD A THING FOR REDHEADS, 259 00:19:41,347 --> 00:19:45,558 - EVER SINCE MARY JANE WATSON. - OH, IS THAT YOUR OLD GIRLFRIEND? 260 00:19:45,559 --> 00:19:48,145 NO, SPIDER-MAN'S. 261 00:19:50,231 --> 00:19:51,732 CONNIE'LL SEE YOU NOW. 262 00:19:53,526 --> 00:19:55,778 THIS WAY. 263 00:19:57,321 --> 00:19:59,906 SO WE'RE PLAYING A KEGGER THIS SATURDAY. 264 00:19:59,907 --> 00:20:01,741 YOU'RE GONNA BE THERE, RIGHT? 265 00:20:01,742 --> 00:20:04,744 I'M SORRY, ALL I GOT WAS "SATURDAY" 266 00:20:04,745 --> 00:20:07,872 AND PULLED PORK SANDWICH. 267 00:20:07,873 --> 00:20:10,291 SORRY SORRY. 268 00:20:10,292 --> 00:20:13,586 GUITAR FACE. PARTY SATURDAY NIGHT. 269 00:20:13,587 --> 00:20:16,214 ME ON STAGE. YOU IN THE FRONT ROW, 270 00:20:16,215 --> 00:20:17,924 PREFERABLY FLASHING ME. 271 00:20:17,925 --> 00:20:21,511 MMM, MY BROTHER'S GONNA BE ON THAT SAME STAGE. 272 00:20:21,512 --> 00:20:25,015 GOOD POINT. GUESS WE SHOULD LEAVE THE FLASHING TO SIMONE. 273 00:20:27,935 --> 00:20:30,145 Y'KNOW, IF SHE'S STILL GIVING YOU A HARD TIME, 274 00:20:30,146 --> 00:20:33,189 I'M HAPPY TO ACCIDENTALLY SLAM HER SHOOTING HAND IN HER LOCKER. 275 00:20:33,190 --> 00:20:35,608 JUST IN TIME FOR THE SPRINGFIELD INVITATIONAL. 276 00:20:35,609 --> 00:20:37,652 I APPRECIATE THE THOUGHT, 277 00:20:37,653 --> 00:20:41,197 BUT WE STILL HAVE TO BEAT MARSHALL TO QUALIFY. 278 00:20:41,198 --> 00:20:43,199 I DON'T THINK THAT'S HAPPENING. 279 00:20:43,200 --> 00:20:46,161 WELL, MAYBE WITH ME IN THE STANDS AS YOUR GOOD LUCK CHARM. 280 00:20:46,162 --> 00:20:47,912 - NO, SERIOUSLY. 281 00:20:47,913 --> 00:20:49,956 HOW COME YOU NEVER INVITE ME TO YOUR GAMES? 282 00:20:49,957 --> 00:20:52,292 I DON'T KNOW. 283 00:20:52,293 --> 00:20:55,086 I GUESS I JUST DIDN'T THINK YOU'D BE INTERESTED. 284 00:20:55,087 --> 00:20:58,632 OF COURSE I'M INTERESTED. I'M YOUR B. F. 285 00:21:01,427 --> 00:21:03,720 - B. F.? - BIGGEST FAN. 286 00:21:03,721 --> 00:21:06,849 - WHAT'D YOU THINK I MEANT? - OHHH. 287 00:21:09,518 --> 00:21:13,688 ♪ TELL ME HOW TO LOVE YOU GOOD... ♪ 288 00:21:13,689 --> 00:21:15,191 EVERYTHING OKAY? 289 00:21:16,984 --> 00:21:18,944 I DON'T THINK SO. 290 00:21:23,282 --> 00:21:25,241 LOOK, I HAVE NO IDEA WHAT YOU'RE TALK-- 291 00:21:25,242 --> 00:21:27,160 WAIT WAIT, HOLD ON. 292 00:21:27,161 --> 00:21:30,538 SWEETIE, THANK GOD YOU'RE HERE. WOULD YOU PLEASE TELL HIM THAT HE IS FIRED? 293 00:21:30,539 --> 00:21:33,166 - WHAT HAPPENED? - THE GUY FROM ANTHEM RENT-A-CAR CAME BY. 294 00:21:33,167 --> 00:21:35,336 HE WAS TOTALLY OUT OF LINE WITH HIM. 295 00:21:36,837 --> 00:21:40,131 HE KEPT INSISTING TO SPEAK WITH SOMEONE WHO SPOKE ENGLISH. 296 00:21:40,132 --> 00:21:43,510 HE KEPT SIGNING TO THIS POOR GUY WHO HAD NO IDEA WHAT HE WAS TALKING ABOUT, 297 00:21:43,511 --> 00:21:46,346 EXCEPT WHEN YOU SHOWED HIM YOUR MIDDLE FINGER. HE GOT THAT ONE. 298 00:21:46,347 --> 00:21:49,098 THIS HAS TO BE A MISTAKE. 299 00:21:49,099 --> 00:21:50,725 NO. 300 00:21:50,726 --> 00:21:52,936 DO YOU HAVE ANY IDEA HOW MUCH BUSINESS THAT GUY BRINGS IN? 301 00:21:52,937 --> 00:21:54,646 I'M SORRY. HE'S YOUR FRIEND. HE HAS GOT TO GO. 302 00:21:54,647 --> 00:21:57,274 I HAVE TRIED TO TELL HIM "YOU ARE FIRED." I WROTE IT DOWN. 303 00:21:59,318 --> 00:22:00,861 HE DOESN'T UNDERSTAND. 304 00:22:02,154 --> 00:22:04,573 - HE UNDERSTANDS. - THEN WHY IS HE STILL HERE? 305 00:22:07,451 --> 00:22:09,453 WHAT IS HE SAYING? 306 00:22:10,704 --> 00:22:12,498 SWEETIE, WHAT IS HE SAYING? 307 00:22:13,916 --> 00:22:17,043 HE SAID THAT IF YOU FIRE HIM, 308 00:22:17,044 --> 00:22:18,753 HE'LL SUE YOU FOR DISCRIMINATION. 309 00:22:18,754 --> 00:22:21,130 WHAT?! 310 00:22:21,131 --> 00:22:22,716 AND HE SAYS HIS SHIFT IS OVER. 311 00:22:28,305 --> 00:22:30,933 YEAH YEAH, GO. 312 00:23:23,485 --> 00:23:26,070 SO YOU WANNA KNOW HOW ANGELO GOT BRIZIA MUNOZ 313 00:23:26,071 --> 00:23:28,489 TO TURN AGAINST THE HOSPITAL. 314 00:23:28,490 --> 00:23:31,159 WELL, WHEN YOU FIND OUT, 315 00:23:31,160 --> 00:23:32,994 WILL YOU TELL ME? 316 00:23:32,995 --> 00:23:35,997 I-- I DON'T UNDERSTAND. 317 00:23:35,998 --> 00:23:40,251 FROM THE MINUTE HE CAME IN HERE, ANGELO HAD BRIZIA ALL READY TO TESTIFY. 318 00:23:40,252 --> 00:23:43,087 I'D LOVE TO TAKE THE CREDIT-- 319 00:23:43,088 --> 00:23:46,758 OUTSIDE THIS ROOM I PROBABLY WILL-- BUT IT WAS ALL ANGELO. 320 00:23:46,759 --> 00:23:49,177 WAIT, IF YOU WEREN'T THE ONE THAT TRACKED HER DOWN, 321 00:23:49,178 --> 00:23:51,012 HOW DID HE EVEN KNOW ABOUT BRIZIA? 322 00:23:51,013 --> 00:23:54,474 - HIS SOURCE TIPPED HIM OFF. - WHAT SOURCE? 323 00:23:54,475 --> 00:23:56,644 ANGELO DIDN'T DISCUSS ANY OF THIS WITH YOU? 324 00:23:58,354 --> 00:24:00,521 NO. 325 00:24:00,522 --> 00:24:04,610 WELL, I GUESS WE'RE ALL ON THE SAME TEAM HERE. 326 00:24:05,861 --> 00:24:07,904 SOMEBODY CONTACTED ANGELO. 327 00:24:07,905 --> 00:24:11,991 SOMEBODY WITH RELIABLE INFORMATION POINTED HIM IN BRIZIA'S DIRECTION. 328 00:24:11,992 --> 00:24:13,868 ANGELO NEVER GAVE ME A NAME, 329 00:24:13,869 --> 00:24:16,955 AND IT WASN'T FROM MY LACK OF ASKING. 330 00:24:16,956 --> 00:24:20,166 BUT WHOEVER IT IS, THEY'VE GOT ENOUGH INFORMATION 331 00:24:20,167 --> 00:24:22,543 ON THAT HOSPITAL TO MAKE THEM PAY OUT 332 00:24:22,544 --> 00:24:24,713 LIKE A BUSTED SLOT MACHINE. 333 00:24:29,551 --> 00:24:31,552 WE HAVE TO FIND ANGELO. 334 00:24:31,553 --> 00:24:34,347 UNFORTUNATELY FOR US, HE'S PRETTY GOOD AT GOING OFF THE GRID. 335 00:24:34,348 --> 00:24:36,641 I GUESS I COULD TALK TO REGINA, 336 00:24:36,642 --> 00:24:39,310 - SEE IF SHE'S HEARD FROM HIM. - LET'S GO TALK TO HER. 337 00:24:39,311 --> 00:24:41,646 I THINK I'D HAVE A LITTLE MORE LUCK TALKING TO REGINA 338 00:24:41,647 --> 00:24:43,815 WITHOUT A LAWYER PRESENT. 339 00:24:43,816 --> 00:24:46,235 BESIDES, I DON'T WANT TO KEEP YOU FROM YOUR OTHER CLIENTS. 340 00:24:48,153 --> 00:24:49,904 ACTUALLY... 341 00:24:49,905 --> 00:24:52,408 THERE ARE NO OTHER CLIENTS. YOU'RE IT. 342 00:24:55,744 --> 00:24:58,872 I GUESS WE ALL HAVE A LOT RIDING ON THIS. 343 00:25:04,545 --> 00:25:07,380 SO WHEN YOUR NEW BIKE IS FINISHED, 344 00:25:07,381 --> 00:25:09,757 I THOUGHT THAT WE COULD 345 00:25:09,758 --> 00:25:12,385 DRESS HER UP IN 346 00:25:12,386 --> 00:25:15,264 SOMETHING LIKE THIS. 347 00:25:17,224 --> 00:25:19,892 OR NOT. 348 00:25:19,893 --> 00:25:24,440 MAYBE WE COULD DO SOMETHING MORE "AMERICAN CHOPPER"? 349 00:25:27,818 --> 00:25:29,445 SOMETHING WITH GHOST FLAMES? 350 00:25:38,871 --> 00:25:40,330 WHAT IS IT? 351 00:25:47,546 --> 00:25:49,631 IT'S NOTHING. 352 00:25:50,883 --> 00:25:54,385 REALLY. 353 00:25:54,386 --> 00:25:55,720 I PROMISE. 354 00:25:55,721 --> 00:25:58,307 BUT I'M FLATTERED THAT YOU WENT TO THE JEALOUSY PLACE. 355 00:26:00,142 --> 00:26:02,644 AND NOW WE'RE AT THE ANGRY PLACE. WOW. 356 00:26:07,524 --> 00:26:09,359 OKAY, IT WASN'T A SECRET. 357 00:26:10,694 --> 00:26:12,696 BECAUSE IT WASN'T A BIG DEAL. 358 00:26:14,865 --> 00:26:16,700 WHAT?! NO! 359 00:26:19,119 --> 00:26:21,412 I WOULD NOT SHOW 360 00:26:21,413 --> 00:26:23,624 YOUR EMAILS TO ME TO ANYBODY ELSE! 361 00:26:28,754 --> 00:26:31,090 FINE. 362 00:26:36,053 --> 00:26:40,014 OKAY, HERE'S THE ONE WHERE HE TALKS ABOUT 363 00:26:40,015 --> 00:26:42,183 HOW YOU HAVE TO KEEP HYDRATED IN THE DESERT. 364 00:26:42,184 --> 00:26:45,353 AND HERE'S THE ONE WHERE HE TALKS ABOUT M. R. E. s. 365 00:26:45,354 --> 00:26:47,688 THEY COME WITH FLAMELESS RATION HEATERS. 366 00:26:47,689 --> 00:26:50,149 IT'S VERY SCANDALOUS. AND-- OH! 367 00:26:50,150 --> 00:26:52,777 THIS ONE IS A BOMBSHELL. THIS IS THE ONE WHERE I TELL HIM 368 00:26:52,778 --> 00:26:54,737 ABOUT THE PHYSICS PAPER THAT I HAD TO WRITE. 369 00:26:54,738 --> 00:26:57,198 WE'RE PRACTICALLY SEXTING. 370 00:26:57,199 --> 00:27:00,077 NO! LET'S KEEP GOING. 371 00:27:22,099 --> 00:27:25,269 HE CAUGHT ME DOING ONE. 372 00:27:27,563 --> 00:27:29,730 THAT IS NOT FAIR, OKAY? 373 00:27:29,731 --> 00:27:31,941 YOU KNOW I CANNOT SIGN THAT FAST. 374 00:27:31,942 --> 00:27:33,819 JUST GIVE ME A CHANCE TO RESPOND. 375 00:27:37,072 --> 00:27:39,032 I HONESTLY DON'T REMEMBER. 376 00:27:40,450 --> 00:27:43,953 HE'S FIGHTING A WAR THAT IS HALF A WORLD AWAY. 377 00:27:43,954 --> 00:27:46,999 I DID NOT THINK THAT IT WAS IMPORTANT. 378 00:29:18,924 --> 00:29:21,425 GREAT NEWS ABOUT TY, HUH? 379 00:29:21,426 --> 00:29:23,678 OH YEAH. WE'RE ALL SO RELIEVED. 380 00:29:23,679 --> 00:29:26,347 IT WAS SO HARD WATCHING BAY NOT KNOWING 381 00:29:26,348 --> 00:29:29,100 AND NOT BEING ABLE TO DO ANYTHING TO HELP HER. 382 00:29:29,101 --> 00:29:30,768 YOU WERE THERE FOR HER. 383 00:29:30,769 --> 00:29:34,106 AND SOMETIMES THAT'S ALL WE CAN DO. 384 00:29:35,399 --> 00:29:37,233 REGINA, UM, 385 00:29:37,234 --> 00:29:41,237 YOU HAVEN'T BEEN IN TOUCH WITH ANGELO, HAVE YOU? 386 00:29:41,238 --> 00:29:44,073 NO. WHY? 387 00:29:44,074 --> 00:29:47,743 IT TURNS OUT HE HAD THIS SOURCE THAT TIPPED HIM OFF 388 00:29:47,744 --> 00:29:50,246 THAT THE HOSPITAL WAS OVERWORKING ITS NURSES, 389 00:29:50,247 --> 00:29:53,874 AND I REALLY NEED TO FIND THAT SOURCE. 390 00:29:53,875 --> 00:29:57,337 AND ANGELO IS THE ONLY PERSON WHO KNOWS WHO IT IS. 391 00:30:01,049 --> 00:30:03,592 A COUPLE WEEKS AGO I HAD A MISSED CALL FROM HIM. 392 00:30:03,593 --> 00:30:05,803 BUT WHEN I CALLED THE NUMBER BACK, 393 00:30:05,804 --> 00:30:08,389 IT HAD BEEN DISCONNECTED. 394 00:30:08,390 --> 00:30:11,059 I DON'T KNOW WHERE HE IS. 395 00:30:12,519 --> 00:30:14,603 THANKS ANYWAY. 396 00:30:14,604 --> 00:30:17,816 BUT IF YOU HEAR FROM HIM, YOU'LL LET ME KNOW RIGHT? 397 00:30:19,443 --> 00:30:21,610 OF COURSE. 398 00:30:21,611 --> 00:30:22,779 THANKS. 399 00:30:31,538 --> 00:30:33,122 YO, T-BOW. 400 00:30:33,123 --> 00:30:36,334 YOU'RE GOING TO EVENTUALLY RUN OUT OF "T" NAMES FOR ME. 401 00:30:38,795 --> 00:30:40,921 THE GIG AT ANNIE BARKER'S IS A NO-GO. 402 00:30:40,922 --> 00:30:42,590 - REALLY? - YEAH. 403 00:30:42,591 --> 00:30:45,092 SOMEBODY DROPPED A DIME ON ANNIE AND TOLD HER PARENTS 404 00:30:45,093 --> 00:30:47,595 SHE WAS GONNA THROW A RAGER WHILE THEY WERE OUT OF TOWN. 405 00:30:47,596 --> 00:30:49,305 WELL, THAT'S COMPLETELY UNCOOL. 406 00:30:49,306 --> 00:30:51,766 YOUR SATURDAY NIGHT'S FREED UP. 407 00:30:51,767 --> 00:30:55,019 NOW YOU CAN PLAY "FIND THE TAN LINES" WITH SIMONE OR WHATEVER IT WAS YOU HAD PLANNED. 408 00:30:55,020 --> 00:30:56,480 YEAH, I GUESS SO. 409 00:30:58,482 --> 00:31:02,068 ♪ I CAN'T STOP THIS TRAIN I'M ON ♪ 410 00:31:02,069 --> 00:31:05,404 ♪ WHEN IT'S STILL IN MOTION ♪ 411 00:31:05,405 --> 00:31:07,991 ♪ I DON'T WANT TO FAIL... ♪ 412 00:31:15,916 --> 00:31:19,293 OH, YOU MUST GO TO SCHOOL WITH TRAVIS. 413 00:31:19,294 --> 00:31:21,879 YEAH, I GO TO CARLTON. 414 00:31:21,880 --> 00:31:25,467 OH, YOU TALK! GREAT. C'MON IN. 415 00:31:28,261 --> 00:31:30,638 HE'S IN HIS ROOM PLAYING VIDEO GAMES. 416 00:31:30,639 --> 00:31:32,557 ALL NIGHT LONG. 417 00:31:34,893 --> 00:31:38,145 I'M SORRY, YOU DIDN'T TELL ME YOUR NAME. 418 00:31:38,146 --> 00:31:40,107 DAPHNE. 419 00:31:50,075 --> 00:31:52,869 YOUR FRIEND DAPHNE IS HERE TO SEE YOU. 420 00:31:57,541 --> 00:32:01,670 YOU SHOULD CLEAN THIS UP IF YOU'RE GONNA HAVE COMPANY OVER. 421 00:33:33,595 --> 00:33:37,765 - Toby: NICE. - GOOD TIMING, SEXY. 422 00:33:37,766 --> 00:33:40,267 OKAY. 423 00:33:40,268 --> 00:33:43,145 SO THAT KEGGER WE WERE PLAYING WENT SOUTH. 424 00:33:43,146 --> 00:33:44,605 REALLY? 425 00:33:44,606 --> 00:33:46,857 SO YOU COULD STILL PLAY TAKE FIVE? 426 00:33:46,858 --> 00:33:49,693 WELL YEAH, BUT I'M SURE THEY'VE FILLED MY SPOT BY NOW. 427 00:33:49,694 --> 00:33:53,906 WELL, THAT'S WHEN HAVING AN ABSENTMINDED GIRLFRIEND 428 00:33:53,907 --> 00:33:55,658 REALLY COMES IN HANDY. 429 00:33:55,659 --> 00:33:57,826 I COMPLETELY FORGOT TO CALL AND CANCEL. 430 00:33:57,827 --> 00:34:00,205 - SO I CAN STILL PLAY? - YEP. 431 00:34:02,874 --> 00:34:05,459 WERE YOU THE ONE WHO NARC'D ON ANNIE BARKER'S PARTY? 432 00:34:05,460 --> 00:34:06,628 NO. 433 00:34:09,297 --> 00:34:11,048 OKAY. IT WAS ME, 434 00:34:11,049 --> 00:34:13,384 IN THE BILLIARD ROOM WITH THE CANDLESTICK. 435 00:34:13,385 --> 00:34:16,095 - THAT'S NOT FUNNY. - I KNOW. 436 00:34:16,096 --> 00:34:19,306 AND HONESTLY? IT'S A LITTLE SCARY. I MEAN, WHO DOES THAT? 437 00:34:19,307 --> 00:34:21,976 THE COPS WERE GONNA BUST THAT PARTY 10 MINUTES IN, 438 00:34:21,977 --> 00:34:24,019 JUST LIKE THEY DID THE LAST TIME, 439 00:34:24,020 --> 00:34:27,940 - AND YOU WOULD HAVE COMPLETELY MISSED THIS OPPORTUNITY. - WE TALKED ABOUT THIS. 440 00:34:27,941 --> 00:34:30,567 WHEN IT COMES TO THE MUSIC STUFF, I WANT YOU TO STAY OUT OF IT. 441 00:34:30,568 --> 00:34:32,695 I'M SORRY. I CARE ABOUT YOU. 442 00:34:32,696 --> 00:34:34,406 I WANT BIG THINGS FOR YOU. 443 00:34:37,367 --> 00:34:39,118 CAN YOU FORGIVE ME? 444 00:34:39,119 --> 00:34:41,162 I DON'T KNOW. 445 00:34:47,460 --> 00:34:49,713 - (knocks) - COME IN. 446 00:34:52,132 --> 00:34:53,508 COME IN! 447 00:35:14,738 --> 00:35:16,905 YOU WANT TO WORK HERE. YOU WANT TO WORK HERE? 448 00:35:16,906 --> 00:35:19,117 I THOUGHT YOU QUIT. 449 00:35:22,120 --> 00:35:24,706 TWO? I DON'T-- I DON'T-- 450 00:35:27,208 --> 00:35:29,210 YOU WANT ME TO PAY YOU DOUBLE?! 451 00:35:39,679 --> 00:35:42,766 "CAN YOU GIVE ME A SECOND CHANCE?" 452 00:35:51,900 --> 00:35:54,068 OKAY, I WANT 453 00:35:54,069 --> 00:35:57,613 EVERYBODY HERE GETS ONE SCREW UP, 454 00:35:57,614 --> 00:35:59,907 AND YOU ALREADY USED YOURS. 455 00:35:59,908 --> 00:36:02,577 YOU GOT IT? 456 00:36:10,627 --> 00:36:13,253 YOU WERE RIGHT ABOUT THE RENT-A-CAR GUY. 457 00:36:13,254 --> 00:36:15,047 HE'S A JERK. 458 00:36:15,048 --> 00:36:18,676 BUT IF I HAVE TO BE NICE TO HIM, YOU HAVE TO BE NICE TO HIM. 459 00:36:18,677 --> 00:36:21,053 DO YOU UNDERSTAND? 460 00:36:21,054 --> 00:36:23,305 OKAY. 461 00:36:23,306 --> 00:36:24,808 WELCOME BACK. 462 00:36:26,393 --> 00:36:27,894 YOU'RE WELCOME. 463 00:36:41,116 --> 00:36:44,452 - KATHRYN! - IN HERE. 464 00:36:45,829 --> 00:36:48,080 ANY LUCK FINDING ANGELO'S "DEEP THROAT"? 465 00:36:48,081 --> 00:36:50,541 NO. THE ONLY ONE WHO SEEMS TO KNOW ANYTHING ABOUT HIM 466 00:36:50,542 --> 00:36:52,918 IS ANGELO AND GOD KNOWS WHERE HE IS. 467 00:36:52,919 --> 00:36:55,671 OH, SO WE'RE RIGHT BACK WHERE WE STARTED-- 468 00:36:55,672 --> 00:36:57,340 NO CREDIBLE WITNESS. 469 00:36:58,675 --> 00:37:00,426 WE HAD ONE, JUST NOT ANYMORE. 470 00:37:00,427 --> 00:37:02,678 YOU KNOW, AT SOME POINT, 471 00:37:02,679 --> 00:37:05,055 YOU'RE GOING TO HAVE TO STOP BEING MAD AT ME. 472 00:37:05,056 --> 00:37:07,099 YOU THINK I LIKE BEING MAD AT YOU? 473 00:37:07,100 --> 00:37:09,268 I THOUGHT WE WERE IN THIS TOGETHER AS A TEAM, 474 00:37:09,269 --> 00:37:11,604 BUT LATELY YOU'VE BEEN ACTING LIKE A FREE AGENT. 475 00:37:28,496 --> 00:37:31,206 I WANTED TO BE ABLE TO SEE YOUR HANDS. 476 00:37:31,207 --> 00:37:34,418 SO THEY DON'T VENTURE INTO UNCHARTED TERRITORY? 477 00:37:34,419 --> 00:37:39,214 NO, I WANT TO TRY COMMUNICATING IN SIGN LANGUAGE. 478 00:37:39,215 --> 00:37:41,759 - NO VOICES. - OKAY. 479 00:37:41,760 --> 00:37:45,429 ALL RIGHT, WHAT'S THE SIGN FOR "WILKE IS THE GREATEST BASS PLAYER 480 00:37:45,430 --> 00:37:47,306 SINCE GEDDY LEE"? 481 00:37:47,307 --> 00:37:51,311 YOU KNOW THERE'S NOT JUST ONE SIGN THAT COVERS ALL OF THAT, RIGHT? 482 00:37:52,729 --> 00:37:54,938 OKAY, LET'S START WITH SOMETHING SIMPLE, 483 00:37:54,939 --> 00:37:59,568 LIKE YOUR NAME SIGN. MINE IS "HAPPY" WITH A "D." 484 00:37:59,569 --> 00:38:02,446 IT SHOULD BE "HAPPY" WITH AN "H-O-T." 485 00:38:02,447 --> 00:38:05,908 AND YOURS IS THIS. 486 00:38:05,909 --> 00:38:08,035 SO YOU MAKE THE LETTER "W" 487 00:38:08,036 --> 00:38:09,953 AND THEN YOU SWOOSH IT BACK 488 00:38:09,954 --> 00:38:11,789 LIKE YOU'RE SWEEPING BACK YOUR HAIR. 489 00:38:11,790 --> 00:38:14,374 THAT'S A LITTLE VAIN, ISN'T IT? 490 00:38:14,375 --> 00:38:16,752 YOU ARE A LITTLE VAIN. 491 00:38:16,753 --> 00:38:19,421 YOU GOT ME THERE. 492 00:38:19,422 --> 00:38:21,215 PERFECT! 493 00:38:21,216 --> 00:38:23,592 I THINK I WANT A NEW ONE. WOULDN'T IT BE COOLER 494 00:38:23,593 --> 00:38:26,303 IF MY NAME SIGN WAS THIS? 495 00:38:26,304 --> 00:38:29,056 WELL, YOU CAN'T PICK YOUR OWN NAME SIGN. 496 00:38:29,057 --> 00:38:31,099 A DEAF PERSON HAS TO GIVE IT TO YOU. 497 00:38:31,100 --> 00:38:33,769 BUT I COULD TOTALLY TALK TO EMMETT IF YOU THINK THAT-- 498 00:38:33,770 --> 00:38:35,271 NO NO. IT'S OKAY. 499 00:38:36,940 --> 00:38:39,149 VERY NICE. 500 00:38:39,150 --> 00:38:41,652 WELL, YOU KNOW HOW GOOD I AM WITH MY HANDS. 501 00:38:41,653 --> 00:38:44,822 I NEED YOU TO TAKE THIS SERIOUSLY. 502 00:38:44,823 --> 00:38:46,365 IT'S KIND OF A BIG DEAL. 503 00:38:46,366 --> 00:38:48,951 I KNOW. OKAY. I'M SORRY. 504 00:38:48,952 --> 00:38:51,620 HOW DO YOU SAY, "I WANT TO MAKE OUT"? 505 00:38:51,621 --> 00:38:53,997 C'MON, IT'S LIKE SPANISH CLASS. 506 00:38:53,998 --> 00:38:57,293 THE BEST WAY TO PICK IT UP IS TO LEARN PHRASES YOU USE EVERY DAY. 507 00:38:59,754 --> 00:39:02,256 - I WANT... - MM-HMM. 508 00:39:02,257 --> 00:39:03,549 ...TO MAKE OUT. 509 00:39:03,550 --> 00:39:06,010 I THOUGHT YOU'D NEVER ASK. 510 00:39:20,692 --> 00:39:23,026 OH, ARE WE BEING AUDITED? 511 00:39:23,027 --> 00:39:25,821 NO, IT'S JUST LAWSUIT STUFF. 512 00:39:25,822 --> 00:39:27,407 OH. 513 00:39:29,200 --> 00:39:30,827 WHAT'S GOING ON? 514 00:39:32,579 --> 00:39:35,372 IF SOMEONE DID SOMETHING THAT YOU DIDN'T AGREE WITH... 515 00:39:35,373 --> 00:39:38,166 - UH-HUH. - ...AND THEY LIED TO YOU ABOUT IT, 516 00:39:38,167 --> 00:39:41,003 BUT THEY WERE DOING IT TO TRY TO HELP YOU OUT, 517 00:39:41,004 --> 00:39:43,297 WOULD YOU STILL BE MAD AT THEM? 518 00:39:43,298 --> 00:39:46,301 IT'S HARD TO SAY WITHOUT THE SPECIFICS. 519 00:39:47,677 --> 00:39:50,012 WELL, YOU'RE NOT GONNA GET ANY. 520 00:39:50,013 --> 00:39:52,973 WELL, I'M ASSUMING THIS ISN'T ABOUT 521 00:39:52,974 --> 00:39:57,102 DRUGS, GAMBLING OR GETTING SOMEONE PREGNANT? 522 00:39:57,103 --> 00:40:00,273 - WE'RE GOOD SO FAR. - THANK GOD. 523 00:40:01,482 --> 00:40:04,234 WELL, THEN I GUESS I WOULD SAY 524 00:40:04,235 --> 00:40:06,696 I WOULD HAVE TO GIVE THEM THE BENEFIT OF THE DOUBT. 525 00:40:08,406 --> 00:40:10,575 OKAY. THANKS, MOM. 526 00:40:11,868 --> 00:40:13,911 TOBY? 527 00:40:13,912 --> 00:40:16,622 YOU KNOW WHO MARY JANE WATSON IS? 528 00:40:16,623 --> 00:40:18,874 - SPIDER-MAN'S GIRLFRIEND? - YEAH. 529 00:40:18,875 --> 00:40:21,752 SHE'S PRETTY, RIGHT? 530 00:40:21,753 --> 00:40:24,171 YEAH, A TOTALLY HOT REDHEAD. 531 00:40:24,172 --> 00:40:27,007 KINDA BALLSY TOO. WHY? 532 00:40:27,008 --> 00:40:29,928 OH, JUST WONDERING. 533 00:40:43,775 --> 00:40:46,151 HELLO? 534 00:40:46,152 --> 00:40:47,945 HELL-OOO. 535 00:40:47,946 --> 00:40:51,949 - Bay, can you hear me? - TY? 536 00:40:51,950 --> 00:40:53,951 Yeah, it's me. 537 00:40:53,952 --> 00:40:55,994 I'm okay. I got your emails. How are you? 538 00:40:55,995 --> 00:40:58,413 HOW AM I? HOW ARE YOU? 539 00:40:58,414 --> 00:41:00,582 I WAS SO WORRIED. 540 00:41:00,583 --> 00:41:02,250 No, I know, I know, 541 00:41:02,251 --> 00:41:04,378 but I'm being really careful over here. 542 00:41:04,379 --> 00:41:08,382 - How is everybody? - THEY'RE ALL REALLY GLAD THAT YOU'RE OKAY. 543 00:41:08,383 --> 00:41:10,884 What about you? 544 00:41:10,885 --> 00:41:13,805 I'M GOOD. 545 00:41:15,723 --> 00:41:18,433 Hey, you gotta send me another one of those Hammer Girls. 546 00:41:18,434 --> 00:41:21,770 I talked my commander into letting me put it on the top of our Humvee. 547 00:41:21,771 --> 00:41:24,272 I CAN DEFINITELY DO THAT. 548 00:41:24,273 --> 00:41:28,443 When my tour's done, you and me'll go plaster the town in those things. 549 00:41:28,444 --> 00:41:31,279 Never thought I'd miss the smell 550 00:41:31,280 --> 00:41:33,282 of wheat paste. 551 00:41:34,325 --> 00:41:35,993 Bay, are you there? 552 00:41:35,994 --> 00:41:40,122 LISTEN, I KNOW WE DIDN'T MAKE ANY PROMISES TO EACH OTHER, 553 00:41:40,123 --> 00:41:43,291 AND YOU PROBABLY DON'T EVEN CARE, 554 00:41:43,292 --> 00:41:46,044 BUT I STARTED SEEING SOMEONE... 555 00:41:46,045 --> 00:41:48,715 ACTUALLY. 556 00:41:51,050 --> 00:41:53,803 IT'S EMMETT-- EMMETT BLEDSOE. 557 00:41:56,514 --> 00:41:59,516 - TY, ARE YOU THERE? - Yeah, I'm here. 558 00:41:59,517 --> 00:42:02,602 And hey, that's great. Emmett's a really good guy. 559 00:42:02,603 --> 00:42:04,771 I KNOW. 560 00:42:04,772 --> 00:42:08,359 I-- I JUST THOUGHT I SHOULD TELL YOU. 561 00:42:09,736 --> 00:42:12,946 It's no problem. Well listen, 562 00:42:12,947 --> 00:42:15,365 there's a lotta guys lined up here to use the phone, 563 00:42:15,366 --> 00:42:16,950 so I should probably wrap it up. 564 00:42:16,951 --> 00:42:18,535 OKAY, UM... 565 00:42:18,536 --> 00:42:20,537 BUT I'LL TALK TO YOU LATER. 566 00:42:20,538 --> 00:42:22,080 Yeah, definitely. 567 00:42:22,081 --> 00:42:24,667 OKAY. 568 00:42:26,544 --> 00:42:30,047 - TY? - ♪ EVEN IN THE DARKEST NIGHT ♪ 569 00:42:30,048 --> 00:42:34,176 ♪ THERE IS SHADOW, THERE IS LIGHT ♪ 570 00:42:34,177 --> 00:42:36,888 - ♪ OH, THERE IS LIGHT. ♪ - BYE. 43000

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