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1
00:01:47,340 --> 00:01:48,842
[birds chirping]
2
00:02:13,032 --> 00:02:14,033
[panting]
3
00:02:18,471 --> 00:02:19,372
[gasping]
4
00:02:20,340 --> 00:02:21,341
(man)
GET HER.
5
00:02:21,741 --> 00:02:22,775
[men grunting]
6
00:02:26,746 --> 00:02:28,081
[groaning]
7
00:02:29,516 --> 00:02:31,417
[woman screaming]
8
00:02:31,417 --> 00:02:32,919
[ducks quacking]
9
00:02:47,901 --> 00:02:49,402
[people chattering]
10
00:03:41,788 --> 00:03:42,789
HI, PETE.
11
00:03:44,290 --> 00:03:46,292
MACGYVER, YOU LOOK TERRIFIC.
12
00:03:46,292 --> 00:03:47,794
YOU SHOULD WEAR A TUX
MORE OFTEN.
13
00:03:47,794 --> 00:03:50,296
STRICTLY CAMOUFLAGE.
14
00:03:50,296 --> 00:03:52,298
AS LONG AS I HAVE TO BE HERE,
I MIGHT AS WELL BLEND IN.
15
00:03:52,298 --> 00:03:53,299
[laughing]
16
00:03:54,300 --> 00:03:56,302
WELL, THIS IS WHY
17
00:03:56,302 --> 00:03:59,772
THE FOUNDATION LAUNCHED
ITS ART ACQUISITION PROGRAM.
18
00:03:59,772 --> 00:04:02,275
(Thornton)
DO YOU REALIZE HOW MANY
GREAT WORKS OF ART LIKE THIS
19
00:04:02,275 --> 00:04:04,777
DISAPPEAR INTO
CORPORATE VAULTS
EVERY YEAR?
20
00:04:04,777 --> 00:04:06,512
IT'S CRIMINAL.
21
00:04:06,512 --> 00:04:08,381
WELL, HOW MANY
ARE YOU PLANNING
ON GETTIN'?
22
00:04:08,381 --> 00:04:10,917
WELL, WE'VE ALREADY RAISED
ABOUT $4 MILLION.
23
00:04:10,917 --> 00:04:13,987
NOW WHEN THAT RUNS OUT,
WE'LL START POUNDING
THE PAVEMENTS AGAIN.
24
00:04:13,987 --> 00:04:16,089
HERE, I WANT TO
SHOW YOU SOMETHING.
25
00:04:21,828 --> 00:04:22,829
THIS IS ONE
OF THE PAINTINGS
26
00:04:23,329 --> 00:04:25,398
THAT WE'RE GOING TO BE
BIDDING ON TONIGHT.
27
00:04:25,898 --> 00:04:27,533
NOW YOU TELL ME,
WOULD YOU RATHER SEE
28
00:04:28,034 --> 00:04:29,535
A PAINTING LIKE THIS
HIDDEN AWAY
29
00:04:29,535 --> 00:04:31,904
IN SOME PRIVATE COLLECTION,
OR OUT ON DISPLAY
30
00:04:31,904 --> 00:04:34,841
IN A PUBLIC GALLERY
WHERE EVERYONE CAN ENJOY IT?
31
00:04:34,841 --> 00:04:36,843
PETE, YOU DON'T
HAVE TO CONVINCE ME.
32
00:04:37,343 --> 00:04:39,078
.
JUST MAKE SURE
YOU GET YOUR MONEY'S WORTH
33
00:04:39,078 --> 00:04:43,650
WELL, THAT'S COVERED.
THAT'S WHY OUR ART CONSULTANT
IS MEETING US HERE.
34
00:04:43,650 --> 00:04:46,619
IN FACT, I'M GONNA LOOK
FOR DOCTOR SAND. EXCUSE ME.
35
00:04:50,523 --> 00:04:52,025
[people chattering]
36
00:05:06,572 --> 00:05:08,574
HI.
HI.
37
00:05:09,742 --> 00:05:10,943
QUITE A PAINTING, HUH?
38
00:05:11,444 --> 00:05:12,945
PETER PAUL RUBENS.
39
00:05:12,945 --> 00:05:15,948
THE HILLS NORTH OF ANTWERP
. ABOUT 1625.
40
00:05:16,449 --> 00:05:20,953
1625?
I WOULDN'T GIVE YOU
$15 FOR IT. SORRY.
41
00:05:20,953 --> 00:05:23,456
I KNOW WHERE YOU CAN
GET A GREAT DEAL
ON A MATADOR PAINTING,
42
00:05:23,456 --> 00:05:24,524
ON BLACK VELVET.
43
00:05:25,024 --> 00:05:26,025
NOW YOU'RE TALKIN' ART.
44
00:05:26,459 --> 00:05:27,460
[laughs]
45
00:05:27,460 --> 00:05:30,463
AH, HERE YOU ARE.
SO, YOU TWO HAVE MET.
46
00:05:30,463 --> 00:05:32,665
ALMOST, NOT QUITE.
47
00:05:32,665 --> 00:05:34,534
(Thornton)
OH, WELL, THEN,
LET ME FORMALIZE IT.
48
00:05:34,534 --> 00:05:37,837
MACGYVER,
THIS IS DOCTOR LAURA SAND,
OUR NEW FINE ARTS EXPERT.
49
00:05:38,338 --> 00:05:40,306
SHE ADVISES US
ON ALL OUR PURCHASES.
50
00:05:40,306 --> 00:05:42,275
MINE, TOO.
51
00:05:42,275 --> 00:05:43,776
NICE TO MEET YOU,
DOCTOR SAND.
52
00:05:44,777 --> 00:05:45,778
LIKEWISE.
53
00:05:48,414 --> 00:05:52,251
SOLD FOR $670,000.
CONGRATULATIONS, SIR.
54
00:05:52,251 --> 00:05:53,686
[bidders applauding]
55
00:05:57,190 --> 00:06:02,095
(auctioneer)
NEXT, CATALOGUE ITEM 52.
A WORK BY PETER PAUL RUBENS.
56
00:06:02,095 --> 00:06:05,865
PAINTED BY
THE NOTED FLEMISH ARTIST
NEAR ANTWERP IN 1625.
57
00:06:07,367 --> 00:06:10,236
WE SHALL OPEN THE BIDS
AT $300,000.
58
00:06:10,236 --> 00:06:11,237
$300,000?
59
00:06:13,706 --> 00:06:16,609
WE HAVE 300.
DO WE HAVE 325?
60
00:06:16,609 --> 00:06:19,112
NOW WOULD BE A GOOD TIME
TO MAKE YOUR FIRST BID.
61
00:06:19,112 --> 00:06:21,914
(auctioneer)
325 FOR THIS FINE WORK,
LADIES AND GENTLEMEN?
62
00:06:23,549 --> 00:06:25,385
THANK YOU, SIR.
WE HAVE 325.
63
00:06:25,385 --> 00:06:27,286
DO WE HAVE 350,
ANYBODY?
64
00:06:34,293 --> 00:06:36,796
HEY, PAL, WOULD YOU MIND
PAYING YOUR FARE?
65
00:06:37,897 --> 00:06:41,701
I HAVE $400,000.
410. ANYONE?
66
00:06:42,568 --> 00:06:45,538
WE HAVE 410.
DO I HEAR 415?
67
00:06:46,873 --> 00:06:50,276
THANK YOU, SIR.
$415,000 IS THE BID.
68
00:06:50,276 --> 00:06:53,012
WE'RE UP TO $415,000.
69
00:06:53,012 --> 00:06:54,480
DO WE HAVE 420?
70
00:06:56,883 --> 00:07:00,420
WE HAVE 420. DO I HEAR $425?
71
00:07:01,220 --> 00:07:02,588
I'D GO ONE MORE.
72
00:07:03,089 --> 00:07:06,826
425, LADIES AND GENTLEMEN,
FOR ONE OF RUBENS'
FINEST LANDSCAPES?
73
00:07:06,826 --> 00:07:08,594
425, ANYONE?
74
00:07:08,594 --> 00:07:12,031
WE HAVE $425. $430, ANYONE?
75
00:07:14,066 --> 00:07:15,568
[people mumbling]
76
00:07:15,568 --> 00:07:17,804
GOING ONCE, FOR $425,000.
77
00:07:19,806 --> 00:07:22,809
$425,000 GOING TWICE.
ANY OTHER BIDS?
78
00:07:24,377 --> 00:07:27,013
MY GOD! IT'S TRUE!
79
00:07:27,513 --> 00:07:29,515
$425,000 GOING 3 TIMES.
80
00:07:29,515 --> 00:07:31,017
SIR!
81
00:07:31,017 --> 00:07:33,152
SOLD, TO MR. PETER THORNTO
N OF THE PHOENIX.
82
00:07:33,619 --> 00:07:35,621
SIR, EXCUSE ME, SIR!
NO, NO!
83
00:07:35,621 --> 00:07:38,124
YOU CANNOT SELL THIS PAINTING,
IT'S MY PAINTING.
84
00:07:38,124 --> 00:07:40,126
NO, IT'S MY PAINTING,
IT BELONGS TO MY FAMILY.
85
00:07:40,426 --> 00:07:42,462
THIS IS MY PAINTING!
86
00:07:43,062 --> 00:07:43,996
.
HEY, WAIT A MINUTE
87
00:07:43,996 --> 00:07:46,866
MY GOD, OH, NO!
OH, MY GOD!
88
00:07:46,866 --> 00:07:48,267
HEY, WHAT ARE YOU DOING?
89
00:07:48,267 --> 00:07:49,602
(Sam)
PLEASE, BELIEVE ME
, I'M NOT INSANE!
90
00:07:49,602 --> 00:07:51,103
LOOK AT THAT.
WHY DID YOU DO THAT?
91
00:07:51,103 --> 00:07:54,407
(Sam)
WHOEVER IS IN CHARGE,
THIS IS MY PAINTING!
92
00:07:54,407 --> 00:07:56,542
IT WAS STOLEN FROM MY FAMILY!
93
00:07:56,542 --> 00:07:58,911
[Sam yelling]
WE HAVE SOME TROUBLE.
I'll BE RIGHT THERE.
94
00:07:58,911 --> 00:08:00,780
PLEASE LET GO,
YOU'RE HURTING ME. PLEASE!
95
00:08:01,113 --> 00:08:02,915
HEY, COME ON GUYS,
TAKE IT EASY, HUH?
96
00:08:02,915 --> 00:08:07,487
SIR, T-THE E.R.R,
THEY STOLE THIS PAINTING
FROM MY FAMILY.
97
00:08:08,855 --> 00:08:09,956
PLEASE BELIEVE ME!
98
00:08:11,457 --> 00:08:14,126
YOU DO BELIEVE ME, DON'T YOU?
99
00:08:14,126 --> 00:08:19,165
IT'S THE TRUTH.
IT'S--IT'S THE TRUTH.
IT'S MY PAINTING.
100
00:08:19,165 --> 00:08:21,400
GET THAT MAN OUT OF HERE.
CALL THE POLICE.
101
00:08:21,400 --> 00:08:23,402
THE PAINTING IS MINE,
I CAN PROVE IT.
102
00:08:23,402 --> 00:08:25,571
PLEASE, I'M NOT INSANE!
103
00:08:25,571 --> 00:08:27,807
I'M NOT TRYING
TO MAKE TROUBLE HERE.
104
00:08:27,807 --> 00:08:29,809
PLEASE,
IT'S MY FAMILY'S PAINTING!
105
00:08:32,678 --> 00:08:35,181
(Thornton)
BUT HOW CAN YOU BE SO SURE
HE'S TELLING THE TRUTH?
106
00:08:35,181 --> 00:08:37,183
THE GUY HAD NUMBERS
TATTOOED ON HIS ARM, PETE.
107
00:08:37,183 --> 00:08:38,684
THIS IS NOT JUST
SOME LUNATIC
108
00:08:39,185 --> 00:08:40,686
[elevator bell dings]
LOOKING FOR ATTENTION.
109
00:08:41,187 --> 00:08:43,189
P
WELL, HAVING BEEN
IN A CONCENTRATION CAM
110
00:08:43,189 --> 00:08:45,057
DOESN'T PROVE
HIS STORY, MACGYVER.
111
00:08:45,057 --> 00:08:47,560
[man chattering on T.V.]
PETE, THE OLD GUY
WAS HURTIN'.
112
00:08:47,560 --> 00:08:50,062
YOU SEE THE LOOK
IN HIS EYES?
113
00:08:50,062 --> 00:08:51,564
(male reporter)
UH, MR. BRAND,
114
00:08:51,564 --> 00:08:53,566
I'M BILL SMITH, CHANNEL 4.
115
00:08:53,566 --> 00:08:56,569
IN A CONGRESSIONAL DISTRICT
PLAGUED WITH VIOLENCE
IN OUR STREETS AND OUR PARKS,
116
00:08:56,569 --> 00:08:58,571
WHAT DO YOU INTEND TO DO
IF ELECTED, MR. BRAND?
117
00:08:59,071 --> 00:09:01,574
D
WE CANNOT LET THE PUNKS
AND CRIMINALS OF THIS WORL
118
00:09:02,074 --> 00:09:04,577
RUN FREE
AND CONTROL OUR LIVES.
119
00:09:04,577 --> 00:09:08,080
WE MUST MAKE THE STREETS SAFE
FOR OUR CHILDREN.
120
00:09:08,080 --> 00:09:11,584
THAT'S WHAT AMERICA'S ABOUT,
FREEDOM.
121
00:09:11,584 --> 00:09:15,087
.
FREEDOM TO TAKE CHARGE
AND PROTECT OUR LOVED ONES
122
00:09:15,588 --> 00:09:19,091
IT'S TIME THE LEADERS
OF THIS GREAT NATION
DID JUST THAT. LEAD.
123
00:09:20,526 --> 00:09:22,028
(Laura)
I DON'T KNOW,
IT'S A BIG JOB.
124
00:09:22,028 --> 00:09:24,030
(Veronica)
IT'S A SHAME,
IT'S SO BEAUTIFUL.
125
00:09:24,030 --> 00:09:27,033
DOCTOR,
WHAT'S THE PROGNOSIS?
126
00:09:27,033 --> 00:09:28,534
WELL, I THINK,
WE CAN RESTORE IT,
127
00:09:28,534 --> 00:09:30,536
BUT IT'S GONNA
TAKE SOME TIME.
128
00:09:30,536 --> 00:09:34,407
IS THERE ANY POSSIBILITY
THAT THAT OLD MAN
HAS A CLAIM ON THIS PICTURE?
129
00:09:34,407 --> 00:09:36,509
WELL, HE DID MENTION
THE E.R.R.
130
00:09:36,509 --> 00:09:39,011
THE E.R.R? WHAT IS THAT?
131
00:09:39,512 --> 00:09:43,015
EINSATZSTAB
ROSENBERG REICHSMINISTER.
132
00:09:43,015 --> 00:09:45,551
HITLER'S PERSONAL BAND
OF ART THIEVES.
133
00:09:45,551 --> 00:09:47,920
HIS GOONS RANSACKED EUROPE
DURING WORLD WAR II.
134
00:09:47,920 --> 00:09:51,424
LOOTING AND STOCKPILING
TREMENDOUS WORKS OF ART.
135
00:09:51,424 --> 00:09:52,625
NOTHING WAS SAFE.
136
00:09:52,625 --> 00:09:55,628
SO, IT IS POSSIBLE
THIS PAINTING BELONGED
TO HIS FAMILY.
137
00:09:55,628 --> 00:09:57,129
HE DID SAY
HE COULD PROVE THAT.
138
00:09:57,630 --> 00:09:59,632
WELL, THEN WHY DIDN'T
HE PROVE IT,
INSTEAD OF CHARGING
139
00:09:59,632 --> 00:10:01,968
INTO THAT ART AUCTION
LIKE A MADMAN?
LOOK WHAT HE DID.
140
00:10:02,468 --> 00:10:03,869
K
I DON'T KNOW, PETE
, BUT DON'T YOU THIN
141
00:10:03,869 --> 00:10:05,871
WE SHOULD
AT LEAST ASK?
142
00:10:07,373 --> 00:10:08,874
YES, YOU'RE RIGHT,
WE SHOULD.
143
00:10:09,375 --> 00:10:11,377
.
AND HE'S STILL IN CUSTODY
OVER AT THE POLICE STATION
144
00:10:11,377 --> 00:10:12,378
I'M ON IT.
145
00:10:12,878 --> 00:10:14,380
[sighing]
146
00:10:14,380 --> 00:10:17,383
YOU KNOW, IF HE'S RIGHT,
IF THAT OLD MAN IS
TELLING THE TRUTH,
147
00:10:17,383 --> 00:10:19,919
THEN I'VE JUST PURCHASED
A STOLEN PAINTING.
148
00:10:19,919 --> 00:10:21,921
A DAMAGED
STOLEN PAINTING.
149
00:10:22,421 --> 00:10:23,923
[sighing]
150
00:10:23,923 --> 00:10:25,925
HAS THE ART GALLERY
SENT OVER THE PROVENANCE YET?
151
00:10:26,425 --> 00:10:27,927
NO.
152
00:10:27,927 --> 00:10:30,997
I'D LIKE TO COMPARE
THE HISTORY OF OWNERSHIP
WITH OUR RESEARCH SOURCES.
153
00:10:30,997 --> 00:10:33,499
HELL, I'LL GO
GET IT MYSELF.
154
00:10:33,499 --> 00:10:38,004
THE, UH, SALES RECEIPT LISTS
LYLE HOGGART AS THE SELLER.
155
00:10:53,786 --> 00:10:55,788
MR. HOGGART,
GO RIGHT IN, SIR.
156
00:11:12,138 --> 00:11:13,139
[birds chirping]
157
00:11:24,350 --> 00:11:25,351
[door opening]
158
00:11:41,901 --> 00:11:46,906
SO, WHAT HAVE YOU
FOUND OUT?
159
00:11:46,906 --> 00:11:48,774
HIS NAME IS
SAM BOLINSKI.
160
00:11:49,575 --> 00:11:50,643
A JEW.
161
00:11:52,144 --> 00:11:53,312
A SURVIVOR?
162
00:11:54,313 --> 00:11:55,681
POSSIBLY.
163
00:11:59,552 --> 00:12:03,556
WHAT IS THIS PROOF
HE CLAIMS TO HAVE?
164
00:12:03,556 --> 00:12:05,558
[sighing]
I DON'T KNOW.
165
00:12:05,558 --> 00:12:07,860
IT MAY JUST BE TALK.
166
00:12:07,860 --> 00:12:11,363
OR, IT IS POSSIBLE
HE HAS SOMETHING
167
00:12:11,363 --> 00:12:14,834
THAT COULD PROVE
DAMAGING TO US.
168
00:12:14,834 --> 00:12:16,335
DON'T WORRY.
169
00:12:16,335 --> 00:12:19,405
THERE IS NO WAY
ANYONE CAN TRACE
THE RUBENS TO YOU.
170
00:12:20,906 --> 00:12:23,409
AND THE VAN DYCKS
WE SOLD IN SAN FRANCISCO?
171
00:12:23,409 --> 00:12:27,012
THEY'LL NEVER CONNECT
ANY OF THE SALES
TO THE CAMPAIGN FUNDS.
172
00:12:30,516 --> 00:12:33,018
WE CANNOT AFFORD
TO HAVE QUESTIONS RAISED.
173
00:12:35,020 --> 00:12:37,022
THE OLD JEW
174
00:12:37,022 --> 00:12:41,527
MUST NEVER BE ALLOWED
TO PRODUCE THIS PROOF OF HIS.
175
00:12:44,530 --> 00:12:45,898
HAVE HIM KILLED.
176
00:13:05,584 --> 00:13:07,119
[telephone ringing]
177
00:13:07,119 --> 00:13:11,123
ALL I WANT TO DO
IS TALK TO MR. BOLINSKI,
ASK HIM A FEW QUESTIONS.
178
00:13:11,123 --> 00:13:14,126
LOOK, EVERYBODY
AT THAT AUCTION SAW HIM
TRYING TO STEAL THAT PAINTING.
179
00:13:14,126 --> 00:13:15,995
BUT THE OLD GUY
STILL INSISTS
IT BELONGS TO HIM.
180
00:13:15,995 --> 00:13:17,997
WELL, IT COULD
BELONG TO HIM.
181
00:13:17,997 --> 00:13:18,998
HE SAYS HE CAN PROVE IT.
182
00:13:19,498 --> 00:13:21,834
I JUST WANT TO
GIVE HIM THE CHANCE.
183
00:13:21,834 --> 00:13:25,204
WELL, IT'S YOUR PAINTING.
I GUESS THERE'S NO HARM
IN TALKIN' TO HIM.
184
00:13:26,205 --> 00:13:27,540
[Gray sighing]
185
00:13:27,540 --> 00:13:31,143
YEAH, BOLINSKI, SAMUEL.
HE'S IN HOLDING 3.
186
00:13:31,143 --> 00:13:33,779
YOU WANT TO BRING HIM UP
TO THE SQUAD ROOM?
187
00:13:33,779 --> 00:13:34,780
GREAT, THANKS.
188
00:13:37,283 --> 00:13:39,685
BUY YOU A COFFEE?
NO, THANKS.
189
00:13:39,685 --> 00:13:40,686
[people chattering]
190
00:14:06,045 --> 00:14:07,813
KNIFE!
191
00:14:07,813 --> 00:14:08,981
[Sam exclaiming]
192
00:14:10,149 --> 00:14:11,150
[clattering]
193
00:14:14,086 --> 00:14:15,120
[grunting]
194
00:14:16,956 --> 00:14:17,857
DROP IT! FREEZE!
195
00:14:18,224 --> 00:14:19,091
[groans]
196
00:14:27,800 --> 00:14:29,802
ARE YOU OK
?
I THINK SO.
197
00:14:29,802 --> 00:14:31,804
YOU'RE FROM
THE AUCTION.
IS HE DEAD?
198
00:14:33,305 --> 00:14:34,306
I'M AFRAID SO.
199
00:14:34,306 --> 00:14:35,307
[sighing]
200
00:14:35,307 --> 00:14:36,809
THOUGHT I COULD
MAKE IT TO PENSION
201
00:14:36,809 --> 00:14:38,310
WITHOUT HAVING
TO USE THIS THING
ON ANYBODY.
202
00:14:38,310 --> 00:14:39,812
I COULD HAVE
DISARMED HIM,
YOU KNOW?
203
00:14:39,812 --> 00:14:41,480
HUH, IT LOOKS LIKE
HE WAS DISARMING YOU.
204
00:14:41,981 --> 00:14:43,215
YOU'D BETTER GET THAT
LOOKED AT.
205
00:14:43,716 --> 00:14:45,784
WHY? WHY WOULD HE
ATTACK ME?
206
00:14:46,285 --> 00:14:49,355
EVER SEE THIS SLIME BEFORE?
NO, NEVER!
207
00:14:49,355 --> 00:14:50,856
FORGIVE ME, OFFICER.
208
00:14:50,856 --> 00:14:53,859
YOU SAVED MY LIFE.
I DON'T KNOW
HOW TO THANK YOU.
209
00:14:53,859 --> 00:14:57,162
AND THANK YOU, MY FRIEND.
MACGYVER.
210
00:14:57,162 --> 00:14:59,164
MY FRIEND, MACGYVER.
211
00:15:05,037 --> 00:15:06,538
(Brand)
MORE TROUBLE?
212
00:15:06,538 --> 00:15:09,541
EVERYTHING IS
UNDER CONTROL, WILHELM.
213
00:15:09,541 --> 00:15:12,544
YOU SAID BOLINSKI
WAS UNDER CONTROL.
NOW, HE'S ON THE STREET.
214
00:15:13,045 --> 00:15:15,547
WHO KNOWS WHAT
HE'S TOLD THIS MAN
FROM THE PHOENIX FOUNDATION.
215
00:15:15,547 --> 00:15:18,550
ONE OLD MAN
IS NOT GOING TO DESTROY
216
00:15:19,051 --> 00:15:21,787
YEARS OF PLANNING
AND PREPARATION.
GRANDMOTHER,
217
00:15:21,787 --> 00:15:24,290
THE ELECTION'S
ONLY 2 DAYS AWAY.
218
00:15:24,290 --> 00:15:27,993
.
ONE WHIFF OF A SCANDAL,
ANY SCANDAL, COULD SINK ME
219
00:15:27,993 --> 00:15:30,829
AND IF I GO DOWN,
WE ALL DO, YOU KNOW THAT.
220
00:15:31,330 --> 00:15:34,333
THAT IS WHY YOU MUST
LET ME HANDLE
THIS MATTER, WILHELM.
221
00:15:35,334 --> 00:15:38,337
YOU WILL BE PROTECTED.
222
00:15:38,337 --> 00:15:40,339
YOUR CHAMBER OF COMMERCE
SPEECH IS AT 4:00.
223
00:15:41,840 --> 00:15:43,842
WEAR YOUR BLUE SUIT.
224
00:15:52,351 --> 00:15:56,855
NOW, HOGGART,
ABOUT THIS BOLINSKI...
225
00:15:56,855 --> 00:15:59,358
,
HE'S WITH A MA
N NAMED MACGYVER
226
00:15:59,358 --> 00:16:01,360
AT THE PHOENIX FOUNDATION.
227
00:16:02,861 --> 00:16:05,364
IF THE OLD MAN SHOWS PROOF
OF HIS CLAIM TO ANYONE,
228
00:16:06,865 --> 00:16:09,868
I WANT THEM STOPPED,
AS WELL.
229
00:16:12,371 --> 00:16:14,373
DO YOU UNDERSTAND ME?
230
00:16:14,373 --> 00:16:15,574
YES, MADAME.
231
00:16:25,751 --> 00:16:29,254
MACGYVER, PETE TOLD ME
ABOUT WHAT HAPPENED
AT THE POLICE STATION.
232
00:16:29,254 --> 00:16:31,256
OH, YEAH.
NO PERMANENT DAMAGE.
233
00:16:31,757 --> 00:16:32,758
[door closing]
234
00:16:32,758 --> 00:16:34,760
UH, SAM?
235
00:16:34,760 --> 00:16:38,464
.
THIS IS DR. LAURA SAND.
SHE'S REPAIRING THE RUBENS
236
00:16:38,464 --> 00:16:40,199
A DOCTOR AND SO BEAUTIFUL.
237
00:16:41,200 --> 00:16:43,702
YEAH, YOU MAKE
YOUR PARENTS PROUD, YES?
238
00:16:43,702 --> 00:16:45,404
ARE YOU SURE
YOU'RE OK?
239
00:16:45,404 --> 00:16:48,440
DON'T WORRY FOR ME,
I AM A SURVIVOR.
240
00:16:48,440 --> 00:16:51,944
WELL, I FOUND
SOMETHING STRANGE
ON THE RUBENS.
241
00:16:51,944 --> 00:16:54,446
HERE, TAKE A LOOK
AT THIS.
242
00:16:54,446 --> 00:16:55,781
SOME SORT
OF ODD RESIDUE.
243
00:16:58,083 --> 00:17:00,652
.
WHAT KIND OF RESIDUE?
(Laura)
WE'RE NOT SURE
244
00:17:01,153 --> 00:17:03,055
THE LAB'S STILL BREAKING DOWN
IT'S FULL ANALYSIS.
245
00:17:06,792 --> 00:17:11,463
YOU KNOW, RUBENS PAINTED
A LOT OF ANTWERP LANDSCAPES,
MR. BOLINSKI.
246
00:17:11,463 --> 00:17:13,499
ARE YOU SURE
THIS ONE IS YOURS?
247
00:17:13,499 --> 00:17:15,000
LISTEN, DOCTOR,
248
00:17:16,502 --> 00:17:19,805
THIS PAINTING USED TO HANG
OVER OUR FIREPLACE.
249
00:17:20,305 --> 00:17:23,809
AS A BOY, I WOULD STARE
INTO IT AND WONDER
250
00:17:23,809 --> 00:17:25,811
WHAT WAS BEHIND
THAT HILL,
251
00:17:25,811 --> 00:17:27,713
WHAT WAS BEYOND
THOSE TREES.
252
00:17:29,581 --> 00:17:33,085
I GREW UP IN THIS PAINTING
, DR. SAND.
253
00:17:33,085 --> 00:17:34,887
(Sam)
IT IS PART OF ME.
254
00:17:34,887 --> 00:17:36,722
AND YOU SAY
THE NAZIS STOLE IT?
255
00:17:36,722 --> 00:17:39,892
YES, THEY TOOK EVERYTHING.
256
00:17:40,392 --> 00:17:44,430
MY FAMILY HAD
ONE OF THE FINEST
ART COLLECTIONS IN IZBICA
257
00:17:44,430 --> 00:17:46,932
IN ALL OF POLAND, I DARE SAY.
258
00:17:47,933 --> 00:17:48,934
BEFORE THE NAZIS.
259
00:17:51,370 --> 00:17:53,872
WELL, WHAT WOULD HITLER WANT
WITH ALL THIS ART WORK?
260
00:17:54,373 --> 00:17:55,941
LET ME SHOW YOU SOMETHING.
261
00:17:57,443 --> 00:17:59,945
HITLER WANTED TO USE
THE E.R.R. TO CREATE
262
00:17:59,945 --> 00:18:02,948
A MUSEUM OF THE MASTER RACE.
263
00:18:04,883 --> 00:18:09,088
OVER 12 MILLION PIECES OF ART
AND VALUABLES WERE STOLEN...
264
00:18:09,588 --> 00:18:11,690
(Laura)
17,000 OBJECTS
WERE LABELED DEGENERATE
265
00:18:12,057 --> 00:18:14,526
AND EITHER SOLD OFF
OR DESTROYED.
266
00:18:15,027 --> 00:18:18,931
A LOT MORE ENDED UP
IN S.S. OFFICERS'
PRIVATE COLLECTIONS.
267
00:18:18,931 --> 00:18:21,900
AFTER THE WAR,
THE ALLIES FOUND
THOUSANDS OF PAINTINGS
268
00:18:21,900 --> 00:18:24,603
HIDDEN IN WAREHOUSES
AND SALT MINES.
269
00:18:28,307 --> 00:18:29,875
OH.
270
00:18:31,110 --> 00:18:33,545
I'M SO SORRY, I DIDN'T KNO
W THAT WAS ON THERE.
271
00:18:33,545 --> 00:18:34,546
[clears throat]
272
00:18:36,048 --> 00:18:38,550
FOR YOU,
THESE ARE ONLY PICTURES.
273
00:18:38,550 --> 00:18:42,054
FOR ME, IT'S NOT
JUST A,
274
00:18:42,054 --> 00:18:43,055
A MOVIE.
275
00:18:47,693 --> 00:18:51,497
NOW, SAM, DO YOU REMEMBER
WHEN THE PAINTING
WAS STOLEN?
276
00:18:51,997 --> 00:18:55,501
OCTOBER 12,1948.
IT WAS A SATURDAY MORNING.
277
00:18:55,501 --> 00:18:57,302
IT JUST HAPPENED
TO BE YOM KIPPUR.
278
00:18:59,838 --> 00:19:03,342
I'VE BEEN GOING THROUGH
THESE E.R.R. RECORDS
FROM WASHINGTON ALL DAY.
279
00:19:03,342 --> 00:19:05,844
THERE'S NO RECORD
OF A BOLINSKI FAMILY.
280
00:19:05,844 --> 00:19:08,747
THE RECORDS ARE NOT THERE
BECAUSE I HAVE THEM.
281
00:19:08,747 --> 00:19:12,551
YOU HAVE THE ORIGINAL
E.R.R. RECORDS? BUT HOW?
282
00:19:12,551 --> 00:19:15,821
THOSE OF US
THE NAZIS COULD USE,
THEY KEPT ALIVE.
283
00:19:16,321 --> 00:19:20,459
I KNEW ABOUT ART.
SO I VOLUNTEERED TO BE
BE A CLERK FOR THE E.R.R.
284
00:19:20,459 --> 00:19:22,394
I WAS THEN SENT
TO AUSCHWITZ FOR 4 YEARS.
285
00:19:22,761 --> 00:19:24,396
YOU ACTUALLY WORKED FOR THEM?
286
00:19:24,396 --> 00:19:27,900
MY OTHER CHOICE
WAS THE GAS CHAMBER.
287
00:19:27,900 --> 00:19:31,403
ONE DAY, I FOUND
THE PAGES WHERE MY FAMILY'
S ART WAS CATALOGUED.
288
00:19:31,403 --> 00:19:33,405
I RIPPED THEM
FROM THE LEDGER.
289
00:19:34,473 --> 00:19:35,440
WHERE ARE THE PAGES
NOW, SAM?
290
00:19:35,841 --> 00:19:37,843
AT MY HOME.
291
00:19:38,343 --> 00:19:41,346
I'D LIKE TO TAKE A LOOK
AT THOSE DOCUMENTS, IF YOU
DON'T MIND, MR. BOLINSKI.
292
00:19:41,346 --> 00:19:44,650
IT WOULD BE MY PLEASURE.
BUT, THE NAME IS SAM.
293
00:19:45,417 --> 00:19:47,219
OK, SAM.
294
00:19:47,219 --> 00:19:49,221
LET'S GO GET THOSE PAPERS
RIGHT NOW.
295
00:19:49,221 --> 00:19:51,723
?
YES. IS SAND
YOUR REAL NAME
296
00:19:51,723 --> 00:19:53,992
ACTUALLY, IT WAS SANDBERG.
297
00:19:53,992 --> 00:19:56,929
MY GRANDFATHER CHANGED IT
WHEN HE ARRIVED
AT ELLIS ISLAND.
298
00:19:56,929 --> 00:19:59,431
CHANGING YOUR NAME,
YOU CAN DO.
299
00:19:59,431 --> 00:20:01,433
BUT CHANGING WHO YOU ARE,
300
00:20:03,168 --> 00:20:04,670
THIS YOU CAN NEVER DO.
301
00:20:20,018 --> 00:20:21,386
HERE'S THE ADDRESS.
302
00:20:21,386 --> 00:20:24,389
THE OLD MAN LIVES
OUT IN SAN TOFINO.
303
00:20:24,389 --> 00:20:26,124
TAKE HIM STRAIGHT
TO THE MINE.
304
00:20:26,124 --> 00:20:27,626
GOT IT, MR. HOGGART.
305
00:20:32,998 --> 00:20:35,500
LAURA, WHERE'S MACGYVER?
306
00:20:35,500 --> 00:20:38,503
HE TOOK MR. BOLINSKI HOME
TO GET THE E.R.R. RECORDS.
307
00:20:38,503 --> 00:20:40,872
MISTER BOLINSKI SAYS
THEY PROVE THE PAINTING
WAS STOLEN
308
00:20:40,872 --> 00:20:43,141
FROM HIS FAMILY IN 1940.
309
00:20:43,141 --> 00:20:45,644
,
WELL, ACCORDING
TO THIS PROVENANCE
FROM THE AUCTION HOUSE
310
00:20:46,078 --> 00:20:50,449
THE PAINTING WAS SOLD
TO THE HOGGART FAMILY
8 YEARS EARLIER, IN 1932.
311
00:20:50,449 --> 00:20:52,484
WELL, THEY CAN'T BOTH
BE RIGHT.
312
00:20:52,484 --> 00:20:55,487
YOU KNOW, I'M GOING TO CAL
L THE NATIONAL ARCHIVES
IN WASHINGTON D.C.
313
00:20:55,487 --> 00:20:57,456
SEE IF THEY CAN
SHED A LITTLE LIGHT ON THIS.
314
00:20:57,856 --> 00:20:59,358
.
THEY OWE ME ONE ANYWAY
315
00:21:07,366 --> 00:21:08,867
.
VERONICA,
HOLD DOWN THE FORT
316
00:21:09,368 --> 00:21:10,369
I'M GOING TO SEE
IF MR. HOGGART
317
00:21:10,869 --> 00:21:13,372
CAN CLEAR UP A FEW
OF THESE QUESTIONS HIMSELF
.
ALL RIGHT.
318
00:21:32,224 --> 00:21:36,228
THAT WAS ONE BUMPY RIDE.
BUT WE MADE IT.
319
00:21:41,566 --> 00:21:42,567
JACKPOT.
320
00:21:45,570 --> 00:21:46,905
(Sam)
I KNOW I SHOULD HAVE
MADE COPIES
321
00:21:47,406 --> 00:21:48,407
OF THE DOCUMENTS
YEARS AGO.
322
00:21:48,407 --> 00:21:49,908
HELLO, MRS. JACKSON.
323
00:21:49,908 --> 00:21:52,411
BUT I THOUGHT THE PAINTING
WAS LOST FOREVER.
324
00:21:58,917 --> 00:22:02,821
UH, THERE IS A BOX
UNDER THE COUNTER,
IF YOU CAN HELP ME.
325
00:22:02,821 --> 00:22:04,222
MY BACK HAS BEEN
BOTHERING ME
326
00:22:04,222 --> 00:22:06,291
.
SINCE THE NIGH
T OF THE AUCTION
327
00:22:12,798 --> 00:22:15,300
(Sam)
YEAH, OVER HERE
ON THE TABLE, PLEASE.
328
00:22:18,570 --> 00:22:19,571
THANK YOU.
329
00:22:23,075 --> 00:22:23,575
OH,
330
00:22:24,576 --> 00:22:26,812
.
HERE, THAT'S MY FAMILY
331
00:22:26,812 --> 00:22:30,215
THAT'S ME. MY FATHER.
332
00:22:30,716 --> 00:22:32,751
HE WAS KILLED
WHEN THEY FIRST INVADED.
333
00:22:36,254 --> 00:22:38,957
WHAT ABOUT YOUR MOTHER
AND SISTER, AND THE BABY?
334
00:22:39,458 --> 00:22:43,295
THAT'S MY OTHER SISTER.
YOU SEE, THERE CAME A POGROM.
335
00:22:43,295 --> 00:22:46,298
THEY WANTED ALL THE JEWS
OUT OF IZBICA.
336
00:22:47,399 --> 00:22:49,401
SO WE WERE SENT
TO S-SOBIBOR.
337
00:22:51,403 --> 00:22:52,904
WITHIN AN HOUR,
338
00:22:54,406 --> 00:22:57,409
.
MY MOTHER AND MY SISTERS..
339
00:22:59,411 --> 00:23:00,412
[clears throat]
340
00:23:04,416 --> 00:23:06,518
I CAN STILL SEE
THE BLACK SMOKE.
341
00:23:42,654 --> 00:23:44,656
MR. HOGGART?
342
00:23:44,656 --> 00:23:47,058
LOOK, WHATEVER IT IS,
IT'LL HAVE TO WAIT.
343
00:23:47,058 --> 00:23:49,060
I'M WITH
THE PHOENIX FOUNDATION.
344
00:23:49,060 --> 00:23:50,495
IT'S ABOUT
THE RUBENS PAINTING
345
00:23:50,495 --> 00:23:52,497
YOU SOLD YESTERDAY
AT THE AUCTION.
346
00:23:52,497 --> 00:23:56,034
WHAT ABOUT IT?
THE PROVENANCE
YOU GAVE THE AUCTION HOUSE,
347
00:23:56,535 --> 00:23:57,769
THERE SEEMS TO BE A PROBLEM.
348
00:23:57,769 --> 00:24:00,238
YOU HAVE A PROBLEM,
TALK TO MY LAWYER.
349
00:24:00,739 --> 00:24:02,240
WELL, IF THAT'S HOW
YOU WANT TO HANDLE IT.
350
00:24:02,240 --> 00:24:03,742
BUT I SHOULD WARN YOU,
WE FOUND EVIDENCE
351
00:24:03,742 --> 00:24:05,610
THAT DIRECTLY CONTRADICTS
YOUR CLAIM.
352
00:24:05,610 --> 00:24:06,845
WHAT KIND OF EVIDENCE?
353
00:24:06,845 --> 00:24:09,247
E.R.R. DOCUMENTS THAT PROV
E THE PAINTING IS STOLEN.
354
00:24:13,318 --> 00:24:17,222
SOMEHOW, I DON'T THINK
ANYONE'S GOING TO SEE
THOSE DOCUMENTS.
355
00:24:17,589 --> 00:24:18,590
(Hoggart)
DO YOU?
356
00:24:20,058 --> 00:24:21,560
(Sam)
FROM AUSCHWITZ,
357
00:24:23,562 --> 00:24:27,632
BEFORE THEY SENT ME
BACK TO SOBIBOR,
ONE OF THE WORST DEATH CAMPS.
358
00:24:27,632 --> 00:24:32,070
MOST NEW ARRIVERS
WERE GASSED WITHIN 2 HOURS
WHEN THEY GOT THERE.
359
00:24:33,238 --> 00:24:34,673
LIFE HAD NO PLACE
IN SOBIBOR.
360
00:24:38,677 --> 00:24:40,679
AH, HERE, HERE, HERE.
361
00:24:40,679 --> 00:24:42,180
HERE. YOU SEE?
362
00:24:44,115 --> 00:24:47,118
.
UH, MY GERMAN'
S A LITTLE RUSTY
363
00:24:47,118 --> 00:24:50,555
OH, RIGHT,
"RUBENS, ANTWERP LANDSCAPE.
364
00:24:51,056 --> 00:24:54,392
YEAR OF CONFISCATION: 1940."
YOU SEE? JUST AS I SAID.
365
00:24:55,660 --> 00:24:56,428
[yelling]
366
00:24:57,429 --> 00:24:58,864
(man)
DON'T MOVE.
367
00:24:59,731 --> 00:25:01,066
[groaning]
368
00:25:18,517 --> 00:25:20,519
STEP ASIDE,
FOLKS, PLEASE.
369
00:25:29,294 --> 00:25:31,096
[dispatcher chattering
on radio]
370
00:25:38,136 --> 00:25:39,638
SERGEANT GRAY?
YES.
371
00:25:39,638 --> 00:25:43,141
HI, I'M PETE THORNTON.
OH, HI, MR. THORNTON.
NICE TO SEE YOU.
372
00:25:43,141 --> 00:25:44,643
.
THANKS FOR CALLING
373
00:25:44,643 --> 00:25:46,144
SO, UH,
WHAT HAVE YOU FOUND?
374
00:25:46,645 --> 00:25:48,146
YOU GOT ANYTHING TO GO ON?
NOT MUCH.
375
00:25:48,146 --> 00:25:51,483
WE DO HAVE A WITNESS,
BUT ALL SHE SAW
WAS 4 GUYS IN SKI MASKS
376
00:25:51,483 --> 00:25:53,418
HUSTLING YOUR FRIENDS OFF
INTO A VAN.
377
00:25:55,420 --> 00:25:56,922
SO, WHAT'S NEXT?
WHERE DO WE START?
378
00:25:56,922 --> 00:25:59,424
NORMALLY, YOU HANG TOUGH
AND WAIT FOR A RANSOM DEMAND.
379
00:25:59,424 --> 00:26:02,127
OH, I THINK
THERE'S MORE TO THIS
THAN A SIMPLE RANSOM.
380
00:26:02,594 --> 00:26:05,530
OUR ART EXPERT,
DR. LAURA SAND,
IS MISSING TOO.
381
00:26:05,530 --> 00:26:06,965
AND I THINK IT'S RELATED.
HOW'S THAT?
382
00:26:07,465 --> 00:26:10,168
WELL, SHE WENT TO CHECK
ON THE PAINTING'S PROVENANCE
WITH THE PREVIOUS OWNER,
383
00:26:10,168 --> 00:26:11,469
A MAN NAMED HOGGART.
384
00:26:11,703 --> 00:26:13,438
AND SHE HASN'T COME BACK.
I CAN'T FIND HER.
385
00:26:13,939 --> 00:26:15,440
AND HE'S NOWHERE
TO BE FOUND, EITHER.
386
00:26:15,440 --> 00:26:17,242
.
WELL, LOOK,
I'LL GET AN A.P.B.
OUT ON THEM RIGHT AWAY
387
00:26:17,475 --> 00:26:18,977
GOOD. THANKS.
388
00:26:18,977 --> 00:26:20,979
LISTEN, WHILE YOU'RE AT IT
, WILL YOU HAVE YOUR PEOPLE
389
00:26:20,979 --> 00:26:23,415
CHECK ON ANY SILVER MINES
OPERATING IN THE AREA?
390
00:26:23,415 --> 00:26:25,183
SILVER MINES?
YEAH.
391
00:26:25,183 --> 00:26:28,687
DR. SAND HAD OUR LAB
RUN AN ANALYSIS
ON SOME PARTICLES
392
00:26:28,687 --> 00:26:30,689
THAT SHE FOUND
ON THE PAINTING.
393
00:26:30,689 --> 00:26:32,691
WELL, THE LAB CONFIRMS
THAT THOSE PARTICLES
394
00:26:33,191 --> 00:26:34,159
ARE LEAD SULFIDE,
395
00:26:34,559 --> 00:26:36,561
WHICH IS A COMMON RESIDUE
FROM SILVER MINING.
396
00:26:39,264 --> 00:26:42,334
WELL, IT'S WORTH A TRY
.
OH, IT'S GREAT,
I'LL GET RIGHT ON IT.
397
00:26:42,334 --> 00:26:44,235
NOW, LOOKIT,
YOU KEEP ME POSTED
398
00:26:44,235 --> 00:26:45,236
IF ANYTHING NEW TURNS UP,
ALL RIGHT?
399
00:26:45,737 --> 00:26:47,238
DON'T WORRY, YOU'LL BE
THE FIRST TO KNOW.
400
00:26:47,238 --> 00:26:48,740
AND RETURN THE FAVOR, OK?
401
00:27:09,628 --> 00:27:10,629
[car doors opening]
402
00:27:16,034 --> 00:27:17,535
HERE'S THE E.R.R. RECORDS.
403
00:27:27,879 --> 00:27:29,180
WHAT IS THIS PLACE?
404
00:27:31,950 --> 00:27:33,184
I DON'T KNOW, SAM.
405
00:27:33,685 --> 00:27:34,986
INSIDE.
406
00:27:39,491 --> 00:27:41,493
TAKE THE VAN
AROUND THE BACK.
407
00:27:43,895 --> 00:27:45,630
(man)
COME ON.
HUH?
408
00:27:45,630 --> 00:27:46,631
LET'S GO.
409
00:27:48,633 --> 00:27:50,635
[car doors closing]
410
00:27:58,243 --> 00:28:00,245
MACGYVER! SAM!
411
00:28:00,745 --> 00:28:03,882
LAURA? WHAT HAPPENED?
HOW'D YOU GET HERE?
412
00:28:03,882 --> 00:28:06,885
SHE MADE THE SAME MISTAKE
YOU DID, YOUNG MAN.
413
00:28:06,885 --> 00:28:08,887
.
SHE ASK TOO MANY QUESTIONS
414
00:28:08,887 --> 00:28:10,655
JAWOHL, FRAUBRANDENBERG.
415
00:28:17,629 --> 00:28:18,630
WE HAVE MET?
416
00:28:18,630 --> 00:28:20,632
NO, WE WERE NEVER
FORMALLY INTRODUCED.
417
00:28:20,632 --> 00:28:24,669
SHE--SHE WOULD COME
TO SOBIBOR,
ALWAYS FIRST ON LINE.
418
00:28:25,170 --> 00:28:28,573
SHE, AND THE WIVES
OF THE OTHER OFFICERS,
419
00:28:29,074 --> 00:28:32,744
THEY WOULD PICK
THROUGH THE DEAD'S VALUABLES
LIKE VULTURES.
420
00:28:33,244 --> 00:28:34,746
YOU...
421
00:28:34,746 --> 00:28:39,050
OH, YES,
FRAUBRANDENBERG,
I KNOW YOU!
422
00:28:43,121 --> 00:28:45,657
HERE ARE
THE E.R.R. DOCUMENTS.
423
00:28:55,400 --> 00:28:57,202
.
(Gray)
GET ME MADAME'S OFFICE
424
00:29:02,207 --> 00:29:03,708
[telephone ringing]
425
00:29:04,709 --> 00:29:05,710
HELLO.
426
00:29:07,212 --> 00:29:09,614
WHAT? HOW?
427
00:29:11,416 --> 00:29:12,784
(Hoggart)
UH-HUH.
428
00:29:13,284 --> 00:29:14,919
I SEE YOU'RE
A BRAND SUPPORTER.
429
00:29:16,921 --> 00:29:20,458
YES, MY GRANDSON
IS ABOUT TO BECOME
A CONGRESSMAN.
430
00:29:20,458 --> 00:29:21,793
BRAND IS YOUR GRANDSON?
431
00:29:23,094 --> 00:29:26,164
BRAND. BRANDENBERG.
432
00:29:26,664 --> 00:29:29,601
YOU CAN CHANGE
WHAT YOU'RE CALLED,
BUT NOT WHAT YOU ARE.
433
00:29:29,601 --> 00:29:31,169
(Hoggart)
I'LL TAKE CARE OF IT.
434
00:29:35,173 --> 00:29:36,674
TROUBLE.
435
00:29:36,674 --> 00:29:39,077
SOMEONE NAMED THORNTON
FROM THE PHOENIX FOUNDATION
436
00:29:39,077 --> 00:29:40,178
HAS ASKED POLICE
437
00:29:40,678 --> 00:29:43,548
TO CHECK OUT SILVER MINES
IN THE AREA.
438
00:29:43,548 --> 00:29:46,551
WE HAVE TO EVACUATE
TO ANOTHER BASE.
439
00:29:46,551 --> 00:29:49,254
YES. BE SURE
EVERYTHING IS MOVED.
440
00:29:55,527 --> 00:29:58,029
THOSE ARE HISTORIC DOCUMENTS!
441
00:29:58,029 --> 00:30:02,133
AND NOW THEY ARE
HISTORIC ASHES.
442
00:30:02,133 --> 00:30:04,636
YOU KNOW,
BURNING THOSE PAPERS
WON'T CHANGE THE TRUTH.
443
00:30:05,970 --> 00:30:07,972
YOU WANT THE TRUTH,
MR. MACGYVER?
444
00:30:09,474 --> 00:30:11,276
HERE IS THE TRUTH.
445
00:30:19,117 --> 00:30:20,618
OUR MASTER PLAN.
446
00:30:21,619 --> 00:30:24,622
THE 10% SOLUTION.
447
00:30:26,624 --> 00:30:30,695
CALIFORNIA, NEVADA,
OREGON, WASHINGTON, IDAHO.
448
00:30:31,196 --> 00:30:33,398
5 OF YOUR 50 STATES
449
00:30:33,398 --> 00:30:36,401
WILL BECOME
THE NEW ARYAN NATION.
450
00:30:37,502 --> 00:30:38,503
MY GOD!
451
00:30:39,737 --> 00:30:41,472
YOU CAN'T BE SERIOUS.
452
00:30:41,472 --> 00:30:44,475
OH, I AM.
453
00:30:44,475 --> 00:30:48,546
SEE, IT IS ALREADY HAPPENING.
WE HAVE CHURCHES,
PUBLIC OFFICIALS,
454
00:30:48,546 --> 00:30:51,182
SCHOOL TEACHERS,
POLICE CHIEFS.
455
00:30:51,683 --> 00:30:54,052
PEOPLE OF INFLUENCE.
456
00:30:54,052 --> 00:30:55,553
.
ALL OF THEM OUR PEOPLE
457
00:30:57,055 --> 00:31:00,058
LOOKING OUT
FOR OUR INTERESTS.
458
00:31:01,059 --> 00:31:04,562
THE PURITY
OF THE WHITE RACE.
459
00:31:07,999 --> 00:31:10,335
DIDN'T A GUY NAMED ADOLPH
TRY THAT ONCE BEFORE?
460
00:31:11,603 --> 00:31:13,104
HITLER MOVED TOO FAST.
461
00:31:13,838 --> 00:31:16,241
WE HAVE LEARNED PATIENCE.
462
00:31:17,075 --> 00:31:19,077
FIRST INFILTRATE,
463
00:31:19,577 --> 00:31:21,579
THEN WE DOMINATE.
464
00:31:23,548 --> 00:31:25,550
IT MAY TAKE 10, 20 YEARS,
465
00:31:27,185 --> 00:31:28,786
BUT IT WILL HAPPEN.
466
00:31:28,786 --> 00:31:31,289
YOU WOULD DO THAT AGAIN?
467
00:31:31,289 --> 00:31:34,092
YOU WOULD UNLEASH
YOUR HORROR ON THE WORLD?
468
00:31:36,861 --> 00:31:38,630
TAKE THEM TO THE MINE.
469
00:31:38,630 --> 00:31:41,399
WE WILL SEE EACH OTHER AGAIN.
470
00:31:41,399 --> 00:31:44,903
NOT IN YOUR LIFETIME, OLD MAN.
471
00:31:45,803 --> 00:31:47,005
MOVE.
472
00:32:02,954 --> 00:32:04,956
COME ON, LET'S GO.
LOAD 'EM.
473
00:32:09,961 --> 00:32:14,465
THAT'S A RENOIR!
THAT PAINTING WAS LISTED
DESTROYED IN 1940.
474
00:32:14,966 --> 00:32:17,468
MONET? REMBRANDT?
475
00:32:17,468 --> 00:32:19,470
MACGYVER, THESE PAINTINGS
ARE PRICELESS.
476
00:32:19,470 --> 00:32:22,473
(Hoggart)
CONGRESSIONAL ELECTION
S ARE EXPENSIVE.
477
00:32:24,709 --> 00:32:27,845
SO IS BUYING COPS.
HELLO, GRAY.
478
00:32:27,845 --> 00:32:29,847
THEY DIDN'T HAVE
TO BUY ME, MACGYVER.
479
00:32:29,847 --> 00:32:31,883
I WAS SOLD ON 'EM
YEARS AGO.
480
00:32:31,883 --> 00:32:33,384
NOW, IF YOU'D HAVE LEF
T WELL ENOUGH ALONE,
481
00:32:33,885 --> 00:32:35,386
THE OLD MAN WOULD BE DEAD
482
00:32:35,386 --> 00:32:37,889
AND I WOULDN'T HAVE
HAD TO GUN DOWN
ONE OF OUR OWN PEOPLE.
483
00:32:37,889 --> 00:32:38,890
COME ON, LET'S GO.
484
00:32:50,335 --> 00:32:51,703
BRING THAT WELDING RIG.
485
00:33:07,618 --> 00:33:09,620
(Hoggart)
KEEP GOING. THROUGH THAT DOOR.
486
00:33:12,357 --> 00:33:14,359
(Hoggart)
COME ON. COME ON, MOVE IT.
487
00:33:18,363 --> 00:33:21,366
THIS IS WHERE
WE SAY GOODBYE.
488
00:33:21,366 --> 00:33:25,303
THIS ISN'T SOBIBOR,
BUT WE'LL TRY TO MAKE YOU
FEEL AT HOME.
489
00:33:26,771 --> 00:33:28,172
HEY, COME ON, TAKE--
490
00:33:28,172 --> 00:33:29,173
[groaning]
491
00:33:54,532 --> 00:33:58,169
MAKE SURE THE LINE
FEEDING THE ACETYLENE
IS AIRTIGHT.
492
00:33:58,669 --> 00:34:00,271
THIS IS NUTS.
WHY DON'T WE
JUST SHOOT THEM?
493
00:34:02,273 --> 00:34:04,675
MADAME IS FEELING NOSTALGIC.
494
00:34:10,848 --> 00:34:11,849
[hissing]
495
00:34:13,751 --> 00:34:14,786
GAS.
496
00:34:17,355 --> 00:34:21,426
!
THE ANIMALS!
THEY'RE GASSING US
497
00:34:21,926 --> 00:34:25,530
YOU CAN'T DO THIS!
YOU ANIMALS!
YOU CAN'T DO THIS TO US!
498
00:34:25,530 --> 00:34:26,531
LET'S GO.
499
00:34:27,031 --> 00:34:28,533
(Sam)
YOU CAN'T DO THIS.
500
00:34:28,533 --> 00:34:30,535
YOU CANNOT LEAVE US HERE
TO DIE!
501
00:34:31,803 --> 00:34:34,372
PLEASE! YOU CAN'T DO THIS!
PLEASE!
502
00:34:34,372 --> 00:34:35,540
PLEASE!
503
00:34:37,141 --> 00:34:40,144
MACGYVER. MACGYVER!
504
00:34:41,145 --> 00:34:42,647
.
PLEASE, COME OUT OF IT
505
00:34:43,147 --> 00:34:44,649
(Laura)
Y-YOU'VE GOTTA HELP US.
506
00:34:46,651 --> 00:34:47,652
MACGYVER!
507
00:34:58,029 --> 00:35:00,031
THEY'RE GASSING US, MACGYVER.
508
00:35:01,532 --> 00:35:04,035
IT SMELLS
LIKE GARLIC.
509
00:35:04,035 --> 00:35:06,037
.
(MacGyver)
THAT MUST BE ACETYLENE
510
00:35:06,537 --> 00:35:08,539
IT'LL FILL
FROM THE TOP OF THE ROOM
FIRST, SO GET DOWN.
511
00:35:09,040 --> 00:35:10,041
STAY DOWN.
512
00:35:10,541 --> 00:35:11,042
[groans]
513
00:35:12,543 --> 00:35:13,911
WE'RE GOING TO DIE.
514
00:35:13,911 --> 00:35:15,413
NO!
515
00:35:15,413 --> 00:35:17,415
WE WILL NOT DIE.
516
00:35:17,415 --> 00:35:19,150
WE WILL GET OUT
OF THIS PLACE.
517
00:35:19,150 --> 00:35:22,153
IT'S ONLY A MATTER OF HOW,
IS IT NOT, MACGYVER?
518
00:35:22,153 --> 00:35:25,857
UH, YEAH, RIGHT.
BUT THIS IS IMPOSSIBLE.
519
00:35:27,358 --> 00:35:29,827
.
SOBIBOR WAS IMPOSSIBLE
520
00:35:29,827 --> 00:35:31,796
500 STORMED THE GATES.
521
00:35:31,796 --> 00:35:35,333
200 DIED.
BUT 300 OF US LIVED.
522
00:35:35,833 --> 00:35:39,303
WE MUST ESCAPE
TO MAKE SURE THIS HORROR
DOES NOT HAPPEN AGAIN.
523
00:35:41,639 --> 00:35:45,176
RIGHT. I THINK I GOT IT.
WHAT?
524
00:35:45,176 --> 00:35:47,678
WELL, THIS IS A FIRE DOOR.
IT'S HOLLOW.
525
00:35:47,678 --> 00:35:49,947
METAL ON 2 SIDES,
AIR IN THE MIDDLE.
526
00:35:52,950 --> 00:35:54,452
BUT, HOW'S THAT
GOING TO HELP US?
527
00:35:54,452 --> 00:35:55,953
LET HIM WORK.
528
00:36:15,706 --> 00:36:17,508
LAURA, GIVE ME
ONE OF YOUR EARRINGS.
529
00:36:18,776 --> 00:36:21,078
WHAT FOR?
GO ON, GO ON,
HE HAS AN IDEA.
530
00:37:03,521 --> 00:37:07,525
HERE'S THE LAST OF IT,
MR. THORNTON.
WELL, NEVER MIND, I'VE GOT IT.
531
00:37:07,525 --> 00:37:11,028
BONAVENTURE SILVER MINE.
HOGGART IS A SHAREHOLDER.
532
00:37:11,028 --> 00:37:13,030
HE'S GOT
SOME PROMINENT PARTNERS.
533
00:37:13,030 --> 00:37:14,532
JUDGE TURPIN,
534
00:37:14,532 --> 00:37:16,734
.
DEAN SMITHERS
OF SAINT ANNE'S UNIVERSITY
535
00:37:16,734 --> 00:37:18,569
HOGGART KEEPS
PRETTY GOOD COMPANY.
536
00:37:18,569 --> 00:37:19,937
GET SERGEANT GRAY
ON THE LINE.
537
00:37:19,937 --> 00:37:21,739
I WANT TO SEE
IF HE CAN TIE THIS IN
538
00:37:21,739 --> 00:37:24,242
WITH ANYTHING ELSE
HE'S PICKED UP
ON HOGGART.
539
00:37:25,943 --> 00:37:28,479
HELLO, POLICE?
I'D LIKE TO SPEAK
WITH SERGEANT GRAY.
540
00:37:29,680 --> 00:37:32,183
MR. THORNTON,
WHAT'S WRONG?
541
00:37:32,183 --> 00:37:35,486
LOOK WHO'S A SHARE HOLDER.
HAROLD GRAY?
542
00:37:35,486 --> 00:37:37,822
YEAH. AS IN
SERGEANT GRAY.
543
00:37:38,823 --> 00:37:40,391
MY GOD, HE'S PART OF IT.
544
00:37:41,392 --> 00:37:42,793
HE SURE IS.
545
00:38:05,216 --> 00:38:06,717
ALL RIGHT,
546
00:38:06,717 --> 00:38:08,552
NOW I NEED A SPARK
TO IGNITE IT.
547
00:38:11,722 --> 00:38:13,224
TAKE COVER, BACK HERE.
548
00:38:55,032 --> 00:38:57,034
SOME IDEA,
HUH, DOCTOR?
549
00:38:57,034 --> 00:38:57,868
]
[chuckling
550
00:39:10,748 --> 00:39:15,019
SHOULD BE OVER FOR THEM.
GET A GAS MASK FROM STORAGE.
551
00:39:15,019 --> 00:39:17,521
DUMP THE BODIES
DOWN THE SHAFT.
552
00:39:17,521 --> 00:39:19,657
I'LL FILL UP THE TRUCK.
YES, SIR.
553
00:39:47,585 --> 00:39:48,586
[grunting]
554
00:39:50,588 --> 00:39:51,589
OW!
555
00:39:51,589 --> 00:39:52,523
[grunts]
556
00:39:54,925 --> 00:39:57,428
I SHOULD BE ABLE TO GET
AS FAR AS THE ART TRUCK
IN THIS OUTFIT.
557
00:39:57,428 --> 00:39:58,629
THEN I'LL SWING AROUND
AND PICK YOU UP.
558
00:39:58,629 --> 00:40:01,665
BUT THE NAZIS.
WE CAN'T JUST LET THEM
WALK AWAY.
559
00:40:01,665 --> 00:40:03,033
ONE STEP AT A TIME, SAM.
560
00:40:16,046 --> 00:40:16,614
WELL?
561
00:40:22,653 --> 00:40:23,654
GRAY.
562
00:40:26,657 --> 00:40:28,659
HOW LONG
TILL WE'RE READY
TO PULL OUT?
563
00:40:28,659 --> 00:40:30,661
ABOUT 10 MINUTES,
MAYBE LESS.
564
00:41:40,931 --> 00:41:41,832
[whispering]
SAM.
565
00:42:46,830 --> 00:42:47,831
OK, LET'S GO.
566
00:42:52,036 --> 00:42:54,371
OH, NOW, COME ON, MAN,
LET'S GET THIS THING
OUT OF HERE!
567
00:42:54,772 --> 00:42:56,273
COME ON, LET'S GO!
568
00:42:58,008 --> 00:42:59,009
OW!
569
00:42:59,510 --> 00:43:00,844
WHERE'S SAM?
OVER THERE.
570
00:43:00,844 --> 00:43:03,380
HE KNOCKED OUT HOGGART
AND WENT INSIDE.
571
00:43:03,380 --> 00:43:04,882
OH, MAN. COME ON. COME ON.
572
00:43:05,382 --> 00:43:06,650
[police siren wailing]
573
00:43:10,421 --> 00:43:12,356
(officer #1)
HOLD IT, HOLD IT!
574
00:43:12,356 --> 00:43:13,357
[men clamoring]
575
00:43:16,193 --> 00:43:17,695
(officer #2)
MOVE! MOVE! MOVE!
576
00:43:17,695 --> 00:43:18,596
(officer #3)
HURRY UP!
577
00:43:36,246 --> 00:43:37,748
COME ON!
578
00:43:39,216 --> 00:43:43,721
WELL, MR. BRAND.
LOOKS LIKE YOUR POPULARITY
HAS TAKEN A NOSEDIVE.
579
00:43:44,722 --> 00:43:45,889
GET HIM OUT OF HERE.
580
00:43:55,966 --> 00:43:58,669
IT ENDS HERE,
FRAUBRANDENBERG.
581
00:44:06,443 --> 00:44:09,446
REVENGE? IS THAT IT?
582
00:44:15,452 --> 00:44:17,955
.
SOME WOULD CALL IT JUSTICE
583
00:44:22,459 --> 00:44:27,197
YOU WILL NOT KILL ME.
YOU JEWS ARE WEAK.
584
00:44:27,564 --> 00:44:29,566
NO, WE ARE NOT.
585
00:44:29,566 --> 00:44:32,469
IN FACT,
YOUR HATE HAS MADE US
EVEN STRONGER.
586
00:44:33,971 --> 00:44:35,973
SAM!
NO, DON'T STOP ME.
587
00:44:35,973 --> 00:44:37,474
YOU DESERVE TO DIE.
588
00:44:37,975 --> 00:44:40,844
THE WORLD WOULD BE
A BETTER PLACE
WITHOUT YOU AND YOUR KIND.
589
00:44:43,147 --> 00:44:45,649
THE FEELING IS MUTUAL.
590
00:44:45,649 --> 00:44:47,584
PERHAPS WE ARE
NOT SO DIFFERENT,
591
00:44:47,584 --> 00:44:49,086
YOU AND I.
592
00:45:04,935 --> 00:45:06,103
NO.
593
00:45:08,739 --> 00:45:10,607
WE ARE VERY DIFFERENT.
594
00:45:11,909 --> 00:45:13,110
OUTSIDE, NOW!
595
00:45:13,110 --> 00:45:16,613
[yelling in German൝ഊ㤊㤹ഹ《㨰〰〺㔬〰ⴠ㸭〠㨰〰㈺〬ര㰊潦瑮挠汯牯∽昣晦て∰猠穩㵥㐱眾睷琮獶扵楴汴獥渮瑥⼼潦瑮ാ43679
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