All language subtitles for Kieslowski confidante Hanna Krall_track3_[eng]
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1
00:00:05,839 --> 00:00:08,91
Iii A REPOMIr.
2
00:00:08,342 --> 00:00:12,721
‘ihat means | tall] stories
that reallly happened.
3
00:00:12,846 --> 00:00:16,808
In my books
there is no fiction, no falorication.
4
00:00:17,267 --> 00:00:19,978
FOP OVE? SO YEM3 NOW
5
00:00:20,103 --> 00:00:23,565
"Ve been tahmng ADouE the fakes
6
00:00:23,690 --> 00:00:27,152
Of POl8S, Jews, anc EGarnmans,
7
00:00:27,277 --> 00:00:33,200
EMOMNOSeValestaelonen,
fangled yp with one another,
8
00:00:33,325 --> 00:00:35,577
ama! What tangled them Up
was WY.
9
00:00:35,702 --> 00:00:38,580
Nose fates are onan terriole;
10
00:00:38,705 --> 00:00:42,209
Ut At ine Same mne
iMese MeVasemaung
11
00:00:42,376 --> 00:00:45,45
ana! VY Nard tO SHAKE Ott.
12
00:00:45,379 --> 00:00:50,92
IKrAyszior Kieslowski ancl |
Tea tence a tirlencdsiip,
13
00:00:50,217 --> 00:00:55,847
an GmligViaStallSorarcollaloonration
then We very much needed.
14
00:00:57,15 --> 00:01:00,727
KiZysziogiaolhnade
tho in Pensonal, fim Personel,
15
00:01:01,103 --> 00:01:03,397
wien | say on talevision,
16
00:01:04,565 --> 00:01:08,777
kt used actors while pretenciing
to be a documentary.
17
00:01:08,902 --> 00:01:12,573
Ke rooled mie. | realllhy thouginty
twas a cocumentany.
18
00:01:12,739 --> 00:01:15,993
I simply loved! thet iii.
19
00:01:16,285 --> 00:01:21,248
linatsamenicar
my book about Marek Ecelman,
20
00:01:21,415 --> 00:01:25,252
Shiaekding the Flame,
appeared in the monthly dra.
21
00:01:25,419 --> 00:01:29,548
AraAyecior reacl thet loool,
22
00:01:29,673 --> 00:01:32,884
AMcligimenested
and intriguec! iim.
23
00:01:33,10 --> 00:01:36,930
SoronewavinewUsiealleciiine
at home ancl saiicl...
24
00:01:37,97 --> 00:01:39,933
“Don't you tininlx
vou and | should meet?”
25
00:01:40,100 --> 00:01:42,102
| saillel, “Oi course!”
26
00:01:43,437 --> 00:01:46,440
i tumed] UL VE caukmnag
about ine same things
27
00:01:46,565 --> 00:01:48,900
and had ine SAME (MOHATS:
28
00:01:49,26 --> 00:01:51,486
OUP MESSE [MONAT
29
00:01:52,446 --> 00:01:54,906
Doin for Mis mis
30
00:01:55,32 --> 00:01:57,618
ane! My reporwing =
31
00:01:57,784 --> 00:02:00,245
A tine time | was sill vwiitting|
32
00:02:00,370 --> 00:02:03,790
aloout the contemporary worlel
AOU CEUS®
33
00:02:03,915 --> 00:02:07,169
the People’s Repulolic of Poland...
34
00:02:07,961 --> 00:02:12,716
ane it was é clulll, clulll worlel.
35
00:02:12,841 --> 00:02:17,429
kt Was an ovenvinelming)
anc oppressive dullness.
36
00:02:17,554 --> 00:02:21,767
WAS SUGN 4 SNAPEIESS,
pedestrian world
37
00:02:21,892 --> 00:02:24,436
tinart itt Wore
Doth Of us ternilohy,
38
00:02:24,561 --> 00:02:27,105
ano] wea were lootin scarect
39
00:02:27,230 --> 00:02:30,442
tinaminaceUllliness
would penetrate our work =
40
00:02:30,567 --> 00:02:34,780
my reporting and his ims =
and thus began our thtendshifp.
41
00:02:34,905 --> 00:02:39,159
WINN KZVSAOL MAGE 2 MU...
42
00:02:39,326 --> 00:02:43,622
ne hac! an icea
or what it would (oe,
43
00:02:44,164 --> 00:02:48,418
a kine of futilding,
44
00:02:48,543 --> 00:02:52,547
ama ne Lnew irom ne Start
Wet ine founcaiton Wout! oe
45
00:02:52,673 --> 00:02:55,258
EMOM Nadine Moon
WOMMOOKEIKE:
46
00:02:55,384 --> 00:02:58,303
Anal I'd (oe
ine sypolving hin
47
00:02:58,428 --> 00:03:00,639
nwiktn louliicing mettertals,
48
00:03:00,764 --> 00:03:03,308
Tine Stories [el loring Inti
49
00:03:03,433 --> 00:03:05,811
trom tine worllel, trom lita,
50
00:03:05,936 --> 00:03:08,146
ware tine loullcling materials,
51
00:03:08,271 --> 00:03:10,857
ih : a ee vend trea, ™
now and then,
52
00:03:10,982 --> 00:03:13,360
lixe witin Eline Chamee,
53
00:03:18,407 --> 00:03:22,536
At that mine Me quite here!
fo ind 2 “‘hoole Gommmurnst.”
54
00:03:22,703 --> 00:03:27,290
KA SAO MTG)
about making Blinc) Chance,
55
00:03:27,416 --> 00:03:29,751
WiMemvouloks nos
56
00:03:29,876 --> 00:03:33,588
wmMee VAMALTONS
OF ONG PATSON'S (ALB.
57
00:03:34,756 --> 00:03:37,884
so happened | knew
of a “noble communist”
58
00:03:38,09 --> 00:03:40,554
oy the Name of Szezssniy.
59
00:03:40,721 --> 00:03:43,265
All m3 Ne WES 2 SOcGast
60
00:03:43,390 --> 00:03:46,59
(nan CUumtng tine VWI
ne in the GormmuniIst (Parigy,
61
00:03:46,184 --> 00:03:47,978
AA dine
62
00:03:48,103 --> 00:03:51,314
Ne ANGI YOMS
of the Stalinist period
63
00:03:51,440 --> 00:03:54,901
Mt JAM,
WNETE he kerrloly.
64
00:03:55,26 --> 00:03:58,196
VS SACZBSMY WAS CaUGIN YD
65
00:03:58,321 --> 00:04:00,73
in a love triangle.
66
00:04:00,240 --> 00:04:02,701
nie ancl another man
loved the same woman,
67
00:04:02,826 --> 00:04:05,245
WO WES ine Oner Mans Ye:
68
00:04:05,787 --> 00:04:08,999
/ told! thks Story to KIeSIowskt,
69
00:04:09,124 --> 00:04:13,462
ing me quengee
Ne Man's LAME
70
00:04:13,587 --> 00:04:16,631
rom SZeZaaMy to WETICL.
71
00:04:17,299 --> 00:04:19,676
| Inacl some clinticultties
72
00:04:19,801 --> 00:04:22,763
Curing meritial lew...
73
00:04:23,805 --> 00:04:26,475
ana! tine EW imines
/ s00Ke win Phasiewiez,
74
00:04:26,600 --> 00:04:29,603
| nowesd he hac!
4 knaek tor telling stones.
75
00:04:29,770 --> 00:04:33,774
Hie tole Ghrerant Stones ne Knew
ls @ LAWYAR
76
00:04:34,107 --> 00:04:37,402
and Ine tole tiem
very tireely ancl easily.
77
00:04:37,527 --> 00:04:41,406
ri@ SHOKS MOE
like a whiter than a lawyer.
78
00:04:41,782 --> 00:04:47,621
Ane! winen Kirayszior
began working on Mo End...
79
00:04:47,746 --> 00:04:51,792
in whieh a main character
was 2 lawyer,
80
00:04:51,917 --> 00:04:55,796
heraskecminme)
tO introduce hin to a lemvear,
81
00:04:56,46 --> 00:04:58,965
Erne! nent
WAY SAOMMESIEWIEZ
82
00:04:59,132 --> 00:05:03,261
Whitnout 2 cout,
MICSIEW CASES EN Gti
83
00:05:03,386 --> 00:05:05,972
was that he knew Ie well...
84
00:05:06,973 --> 00:05:11,478
anal he Spoke alooutt lite
with the of a wiiiter!
85
00:05:11,603 --> 00:05:15,315
anal he pur that to use
tOnoemenitatine mcollabonration:
86
00:05:16,483 --> 00:05:20,28
ANG) ITZYSAOY
man slaleakipadl Mlonmagess
87
00:05:20,153 --> 00:05:22,405
intio ne language of ith.
88
00:05:22,531 --> 00:05:26,34
MKC VAVLOTIKE O|
WORM HOGENEN.
89
00:05:26,159 --> 00:05:29,496
leaen needed the oiner
VNY MUGCN.
90
00:05:29,621 --> 00:05:34,417
Prom tine stan, Krayszior hack
one cilemmea tin Iis work
91
00:05:34,835 --> 00:05:38,588
MAONEICTOSSCOl
Come bounceny
92
00:05:38,713 --> 00:05:41,174
lor naa ne nor?’
93
00:05:41,716 --> 00:05:44,678
nee _ vngree
MOneranonmones
94
00:05:44,970 --> 00:05:47,222
And || have a reeling
95
00:05:47,514 --> 00:05:51,59
inat's winy he moved
96
00:05:51,184 --> 00:05:54,688
irom reall lita to fiction,
97
00:05:54,980 --> 00:05:58,24
rom Ine to an Invaniac! Worl!
98
00:05:58,149 --> 00:06:01,611
BECAUSE YyneN Ne Greate
Sk3 OWN CRAVACIGNS,
99
00:06:01,736 --> 00:06:04,531
WercoulAig oly natevels
neavameokhVithine na
100
00:06:04,656 --> 00:06:09,536
/ tik (DSKAIOG)
WAS € Som of pati
101
00:06:09,703 --> 00:06:11,872
mom reall line
102
00:06:11,997 --> 00:06:15,208
nO 2 ficwonell wore!
103
00:06:32,434 --> 00:06:36,313
WSZYBAHON AH ASKING) M12...
104
00:06:37,939 --> 00:06:40,692
YOu have any icleas
for the Elohth Commandment?”
105
00:06:40,817 --> 00:06:42,986
Because ine hac none,
106
00:06:43,111 --> 00:06:45,405
“Thou shalt not
bealatalSeawvitneSSis
107
00:06:47,449 --> 00:06:51,77
Nier MUG retilection,
they've they cannot lie
108
00:06:51,578 --> 00:06:55,582
oetore tine Goel
in whom tihey believe...
109
00:06:57,500 --> 00:07:01,171
@ Goel wino, iit is true,
enjoins acts of mercy
110
00:07:01,296 --> 00:07:04,174
oun also tronolels
pearing false witness.
111
00:07:09,262 --> 00:07:13,16
Though they knew
the purpose of tine lie involved,
112
00:07:13,725 --> 00:07:16,978
WAS Irtreconecllalole
with their orineloles.
113
00:07:18,772 --> 00:07:20,398
Nett WAS alll.
114
00:07:21,816 --> 00:07:25,28
| Knew a Stony
115
00:07:25,236 --> 00:07:29,407
inet | thougint miclnt work
116
00:07:29,616 --> 00:07:33,870
Kt was the story
of a Jewish oir...
117
00:07:35,80 --> 00:07:38,166
WO Wes tO le loalptizac}
118
00:07:38,708 --> 00:07:41,211
Wil.
cluring WW
119
00:07:43,880 --> 00:07:46,633
/n@ PeQHE She GO GO lO.
120
00:07:48,09 --> 00:07:50,261
WO WAS to (NEE NEP...
121
00:07:50,387 --> 00:07:53,807
ens ¢ omen ng
2 bir Garimene
122
00:07:53,974 --> 00:07:57,769
lin C2826 of CanuncEton:
123
00:07:57,894 --> 00:08:00,480
SO ine Gil
had to be beyotittzac,
124
00:08:00,605 --> 00:08:04,109
ang tine GocjpaTranks
had been YOON.
125
00:08:04,234 --> 00:08:08,488
ne mother want along
wiih ner CAUGNuST.
126
00:08:09,781 --> 00:08:13,535
Ana wen they gott
to ihe gparineamm,
127
00:08:13,660 --> 00:08:17,831
ht qurmned out
that ine intended gocperants
128
00:08:17,998 --> 00:08:21,84
Chel’ Wenn
KO Go to The Church.
129
00:08:21,209 --> 00:08:23,837
IN@y SENG,
it would all be 2. ike,
130
00:08:23,962 --> 00:08:26,965
Wad oe telling
nothing but falsehoods.
131
00:08:27,590 --> 00:08:31,469
Wad nave to Me avout Why
sne’s being bapitzed so late.
132
00:08:31,594 --> 00:08:33,680
ie woul all be uniTUe:
133
00:08:33,805 --> 00:08:38,351
WV be roreed to te in Ghureh,
iin the jmresence of »
134
00:08:38,685 --> 00:08:42,647
Ai end of tne tale stiooe/
WoUbe GocpPAMaAns,
135
00:08:42,772 --> 00:08:45,650
Wao Now laAcKInG Out.
136
00:08:45,775 --> 00:08:49,446
Alt tne other end sitooe/
ine mother and the Git.
137
00:08:49,571 --> 00:08:52,824
Ine mnotuner Sane,
WCSHOMCOUTSCM UAC stale =m
138
00:08:53,366 --> 00:08:55,160
anal mney kere
139
00:08:55,285 --> 00:08:57,245
Ut hAVING MOVMNGTE HO GO,
140
00:08:57,370 --> 00:08:59,873
Mey just stood OUESIEE,
though Kt wasnt SEH.
141
00:09:00,874 --> 00:09:03,877
SO we Gin! salle),
“Mommy, let's go.”
142
00:09:04,02 --> 00:09:07,297
Ainckiinenmotnemanswene or
a GORING Eyam
143
00:09:07,464 --> 00:09:10,300
They couldn't go
where they hacl intended,
144
00:09:10,425 --> 00:09:12,677
pecause wey hac!
NhooalotiSimalKeentiticates
145
00:09:12,802 --> 00:09:15,346
Nat WAS the StONY.
146
00:09:15,555 --> 00:09:18,892
AS iar as || KNOW,
the olin survived tihe war.
147
00:09:22,312 --> 00:09:25,23
SO tiNat’s t© StOFY
OGEKMESIOWSKiF
148
00:09:33,448 --> 00:09:37,243
| COM Now
NOWAORS OC akeoratini Sphinn
149
00:09:37,744 --> 00:09:40,205
tine wary Iit Is,
150
00:09:40,330 --> 00:09:44,918
pecaliSenlmmeoorattached
to the story as ft reallly was.
151
00:09:46,544 --> 00:09:49,339
eaimewoackatonnisstonys
152
00:09:49,631 --> 00:09:53,134
/ @ OOK CalleG/
White Maria,
153
00:09:53,259 --> 00:09:55,804
WilGh MOSe OU Of tine IE
Onseajenings
154
00:09:55,929 --> 00:09:58,389
/ SEMAUMG
fOr gocparants.
155
00:09:58,515 --> 00:10:00,475
Wameotorknonvdamore)
156
00:10:01,392 --> 00:10:05,271
Ane) Krayszior Piesiewicz
ams ona of the One of the mcopie 1 epatea fo | Sooke to.
157
00:10:05,563 --> 00:10:08,608
Ane] ne used tine ex~oression..d
158
00:10:08,733 --> 00:10:11,486
re] SUDSGIVE SENSE Of Gullit.”
159
00:10:12,112 --> 00:10:16,282
K's a kine! of quilt
160
00:10:16,825 --> 00:10:19,410
by any penal code,
161
00:10:19,953 --> 00:10:22,664
@ GUM 2)
cammles around insice,
162
00:10:22,789 --> 00:10:26,292
someunnes ner wnole Me:
163
00:10:26,417 --> 00:10:29,587
nats tne kind of cuit
164
00:10:29,712 --> 00:10:31,756
in Delxallog, light.
165
00:10:31,881 --> 00:10:34,551
Meyorotessodice Ss
OF UGK to
166
00:10:34,676 --> 00:10:37,137
this subjective sense of guilt
167
00:10:37,262 --> 00:10:40,849
of any exlicit crinne,
168
00:10:40,974 --> 00:10:46,20
lout Sine Can accuse Inerseli!
169
00:10:46,813 --> 00:10:50,567
SO It'S clinicullt to spealk of guily
and forgiveness here.
170
00:10:50,692 --> 00:10:55,238
ts something a person
MaSmoniecomncile
171
00:10:55,363 --> 00:10:58,825
within hersel? or himsell,
172
00:11:01,494 --> 00:11:03,580
173
00:11:04,414 --> 00:11:06,207
IY Cal GNOOSS.
174
00:11:07,417 --> 00:11:09,294
i they WAIN to...
175
00:11:09,836 --> 00:11:12,755
tiney Can set God! asic.
176
00:11:15,175 --> 00:11:20,96
INANE 8 @ in tine min
hat makes you ponder 2 bie
177
00:11:21,139 --> 00:11:26,561
—- aoe ja ae fe ss
Eouina NGF NECK.
178
00:11:26,686 --> 00:11:28,980
Why coes she wear a cross?
179
00:11:29,898 --> 00:11:36,29
One can simply presunte
that she was beritized,
180
00:11:36,446 --> 00:11:41,784
Nat SNS WAS tie seriously,
that it's not fewelny.
181
00:11:42,702 --> 00:11:47,373
Wnen SNe touched tn@ GOSS,
/ reeling
182
00:11:47,498 --> 00:11:51,169
She Was asking
thet person on the cross
183
00:11:51,544 --> 00:11:55,48
for advice or meyyoe for nell.
184
00:11:57,884 --> 00:12:01,888
el Onuatininketnexchralin
WASKUNCOMOKtAMles
185
00:12:02,513 --> 00:12:06,100
I have the reeling
i's a familar Gesture.
186
00:12:07,560 --> 00:12:10,563
The teacups
were of Goocl quality,
187
00:12:10,688 --> 00:12:12,690
DOU Gacn Was Clinerenty
188
00:12:13,441 --> 00:12:17,737
A green ofl lam
Sood unit on tine talole,
189
00:12:18,905 --> 00:12:21,908
ihe man kept lnis hancs
in his pockets
190
00:12:22,33 --> 00:12:25,411
(Or tine enture
nwo Or tinrae minutes.
191
00:12:27,705 --> 00:12:30,166
aiatesalll
in the way of details.
192
00:12:32,43 --> 00:12:34,379
Insicle One of my loooks,
193
00:12:34,504 --> 00:12:37,215
Konce
a long letter to Krayszior.
194
00:12:37,924 --> 00:12:41,552
| that ne ane |
were telling
195
00:12:41,678 --> 00:12:45,598
eloOu Completely cliierant people,
196
00:12:45,890 --> 00:12:48,685
nal MY VemMAS CRAACHAS
muehn uoler
197
00:12:48,810 --> 00:12:52,522
Man SNmienemaciesses
ene en eon reese
198
00:12:54,107 --> 00:12:58,945
MY at
and poonly Messed.
199
00:13:00,405 --> 00:13:03,366
WMlewaNs beaut,
composed beautill muste,
200
00:13:03,491 --> 00:13:05,618
and spoke Franch to loot
201
00:13:06,786 --> 00:13:09,789
So || coulleln’t iclentay
202
00:13:09,914 --> 00:13:12,834
WitihinekennaleKxemanactens
in nis films.
203
00:13:13,418 --> 00:13:17,88
So he sent me 2 care,
204
00:13:17,213 --> 00:13:21,467
We were always writing
to each other,
205
00:13:21,592 --> 00:13:24,53
even wien ne wasn in Polanel
206
00:13:24,971 --> 00:13:30,268
Ks a Carel tron Eiue,
ASB OURCAIIESC EE
207
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KS @ FESpONnSe
to my long letier,
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iy long clechication!
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ie) =
lm jumping in in the malice =
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“BU You know loeter than |
tinatt tine world fis not clivickec!
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SwMveen tine lbeautiul anc tne ugly,
nor even tie thin ancl tine fat.”
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nie rears here to muy look
Dancing at Other Peonle’s Wedeings.
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lin Daneing tine»re is only
sutiiering and loss,
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ane tine loeauttiul sutiiar
as much as tihe ugly, lif not more,
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pecause tiney consicler their suinering
unjust, though its just the opposite.
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Not only are tiney loeauttiiul,
out they also want to be happy.
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INS Imporant tining Is to stance
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of those who are sacl,
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DSecause they Ve lost something =
and even ff theyve lost nothing.
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| believe you and | are doing
the same thing in this ragarel.
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We stance) wittn tinem..J
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anel tinatt sinoulle! foe
enough for us tor nowy,
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as a Sign of our sharec atiionpts
to figure things out.
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LOWS, IKTAVSZAtON. |
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We Stanel witin tinem,
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WOURACEIRStalnel
Wwitin te Sac] Ones...”
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