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These are the user uploaded subtitles that are being translated: 1 00:00:10,978 --> 00:00:14,448 YOU AEGAN VOTING on tivo huge jmofecis: 2 00:00:14,581 --> 00:00:16,984 me tan nins of Dekallog, 3 00:00:17,117 --> 00:00:19,953 A MOCHA MMlAjMHALION of ihe Tan Commeanchnents, 4 00:00:20,153 --> 00:00:23,690 and ie \nres Colors wilogy, 5 00:00:24,324 --> 00:00:26,960 a modem initejoretadon of the symbols 6 00:00:27,94 --> 00:00:30,430 Of MEATY, meedom, and egualliiy. 7 00:00:31,798 --> 00:00:34,468 Are you attracted by the Challange 8 00:00:34,601 --> 00:00:38,338 Ak ESO NUGE (MOJSCIS TAMESCME? 9 00:00:38,472 --> 00:00:42,442 OmSTineimonversiimo yg your stlisitte interests 10 00:00:42,576 --> 00:00:45,345 aVvalane tuncing? 11 00:00:46,580 --> 00:00:50,284 The question or iuncling Wasxalifficrentinxeachkcaseℱ 12 00:00:50,417 --> 00:00:53,787 DEKAOG WAS ThaACe fOMOXACtIVASO OROOO} 13 00:00:53,921 --> 00:00:57,424 AN 10 ‘filmes. hWVonnadktineatiicaliteleasess 14 00:00:57,558 --> 00:01:01,962 The wnole operation the Polish equivalent of $100,000. 15 00:01:02,95 --> 00:01:04,965 noni ANNU GEIEOMMENC/AUISUECESSS 16 00:01:05,98 --> 00:01:07,167 17 00:01:07,301 --> 00:01:12,05 Kt was financec! low loti the Ministry of Culture and television 18 00:01:12,139 --> 00:01:15,709 ane] MACE Over whree Million collars, or 30 to 4, 19 00:01:15,842 --> 00:01:18,412 SO yes, that was 2 Good return, 20 00:01:18,946 --> 00:01:21,315 BUt We Waren t Expecting tine. 21 00:01:21,448 --> 00:01:26,353 We tthhougint itt woulle! loe Ă© local project, just for Polish TV, 22 00:01:26,486 --> 00:01:30,324 Wwinieh we might possiloly sell] tOFAREMWAOING MCOUMIMIESS 23 00:01:30,457 --> 00:01:35,295 We never tigured It woul Up evernwhere, 24 00:01:35,429 --> 00:01:37,598 OUT It WAS 25 00:01:38,398 --> 00:01:40,367 Or almost evernnwinere. 26 00:01:40,500 --> 00:01:43,870 We click’ unett, We hacl no such plans. 27 00:01:44,04 --> 00:01:47,741 aut Why SUC UGE (MO;ECIS?) 28 00:01:47,874 --> 00:01:50,811 | COM KNOW that they were that huge. 29 00:01:50,944 --> 00:01:53,914 Buigtinene nallemeennas to reinteroret 30 00:01:54,47 --> 00:01:58,318 nese universal ane! wellkknown wore or slogans 31 00:01:58,452 --> 00:02:02,22 OMmeOmmancimentss 2s in the of Dakalog. 32 00:02:02,155 --> 00:02:05,592 I's a challenge to look att these things 33 00:02:05,726 --> 00:02:09,763 @ lon chintearentihy tan has een clone so far, 34 00:02:09,896 --> 00:02:13,567 SOMMUCENASHOSS AVN ECE In aloourt tine Ten Commandments, 35 00:02:13,700 --> 00:02:18,305 NOWUSainneMniSt’anmlitenatune our Juceo-Clhristian too. 36 00:02:18,438 --> 00:02:20,507 UT ii S NOt alll 37 00:02:20,641 --> 00:02:23,543 There are cliftarent oliilosoplhical interorstations too. 38 00:02:23,677 --> 00:02:25,679 SO mucn nas been written 39 00:02:25,812 --> 00:02:29,750 inert Itt WOUEIAE itt on tne shelves in tinis room. 40 00:02:29,883 --> 00:02:34,721 We thought It would! be Interesting to approach it completely clitiarentily, 41 00:02:34,855 --> 00:02:37,858 SCAUSE that huge anrount Ofalitenatwne 42 00:02:37,991 --> 00:02:40,994 OManemienkGoOminanadhnemnts ancl tine Bilole... 43 00:02:42,396 --> 00:02:47,200 in essences looils clown 44 00:02:47,334 --> 00:02:51,605 tio scholarly interorstations. 45 00:02:51,738 --> 00:02:54,941 BU WS Came UO witin tne Iiceal 46 00:02:55,609 --> 00:02:57,944 or tuming every Commeancme»nt 47 00:02:58,78 --> 00:03:01,148 imtorancirallemec) for a human being. 48 00:03:01,281 --> 00:03:04,651 Aincicankalnumaniiocing that challenge? 49 00:03:04,785 --> 00:03:08,455 ls it even possilole? 50 00:03:08,755 --> 00:03:13,260 Is it possilole to achhere COMMESEICOMmMan Gime mits 51 00:03:13,393 --> 00:03:17,30 and trully aloicle loy tine? 52 00:03:17,197 --> 00:03:21,435 IMSUCieAIComolicatedksituation 53 00:03:21,568 --> 00:03:25,839 inet aloicling ly the Commancments is practically impossible? 54 00:03:25,972 --> 00:03:30,310 We clicdn’t go tor relativism, becauiSebtiraliwasinntĂ©iinesiSSuer 55 00:03:30,444 --> 00:03:34,81 k was aloout our increasingly Complicatecklivessocays 56 00:03:34,214 --> 00:03:36,216 our situation tocery, 57 00:03:36,349 --> 00:03:38,251 Anal iit isn't just tociayy 58 00:03:38,385 --> 00:03:42,255 R WAS Prosaly tne Same in days past, anc even ages ago. 59 00:03:42,389 --> 00:03:45,92 Is a human being strong enough? 60 00:03:45,225 --> 00:03:47,894 lr 2 person knows what they sinoulel co, 61 00:03:48,28 --> 00:03:50,230 winy clo they clo something else? 62 00:03:50,363 --> 00:03:52,933 tt souncs like relativism, 63 00:03:53,66 --> 00:03:58,04 oun We hoped we'e] SucESee! ett avoiding ethical relativism. 64 00:04:01,341 --> 00:04:03,944 / Gan’t think the Dekaloeg mms ee ve cocumenterion GOCUMENMAULES? 65 00:04:04,77 --> 00:04:06,346 lout iin Poland they were ertidckzec 66 00:04:06,480 --> 00:04:09,850 ror having nothing to clo Vuhin TeEliy, 67 00:04:09,983 --> 00:04:13,286 So they ra not cocumentaries ex alll, anc what's more, 68 00:04:13,420 --> 00:04:16,857 many Poles tnoug|nt they were unloelievalole. 69 00:04:16,990 --> 00:04:21,595 They sale events in the til could never have reallly happened. 70 00:04:22,429 --> 00:04:24,297 SO ERS AS WO SiSpS: 71 00:04:24,431 --> 00:04:27,200 Onemi«sSomethinopicallvaltaooeme cl iteStandocuimentanys 72 00:04:27,334 --> 00:04:30,570 Two Is Greciilolligy. Coulchit{havelraoweneag 73 00:04:30,704 --> 00:04:36,576 Personally || tink evan tine minor elements in every episoce 74 00:04:36,710 --> 00:04:39,179 could! reallly have lhappenec, 75 00:04:39,312 --> 00:04:43,83 Out many critics In Polane tak completely the opposite, 76 00:04:43,216 --> 00:04:47,454 tinal Or ik Was Mace UP. 77 00:04:48,588 --> 00:04:52,793 OF iif You Want to use more pejorative terms... 78 00:04:53,894 --> 00:04:55,662 SES 7 79 00:05:00,133 --> 00:05:02,02 lackinakereciilsiliinyz 80 00:05:02,135 --> 00:05:04,571 Falogicated ancl tinereifore not erectiole. 81 00:05:04,704 --> 00:05:06,940 ‘iihat's clearly more pejorative, 82 00:05:07,474 --> 00:05:11,912 BUM OURcanbalSonloortaigit from anotiher perspective. 83 00:05:12,45 --> 00:05:14,47 Nou Coulle] Saty... 84 00:05:14,881 --> 00:05:17,517 i's a cocumentanxiike recore. 85 00:05:17,651 --> 00:05:21,721 Despite tine tact iNEEStOnleS„aliehictional 86 00:05:21,855 --> 00:05:25,292 Amcltivene nanactens are played! oy actors... 87 00:05:26,593 --> 00:05:29,963 ane] ine tears are olycerinsincluced, 88 00:05:30,197 --> 00:05:33,333 is a Sort of recorel of tine times, 89 00:05:33,466 --> 00:05:36,303 @ RaCore! of the temperature of tihe times, 90 00:05:36,436 --> 00:05:40,140 of how people lived! at that moment. 91 00:05:40,273 --> 00:05:44,477 = In Poland in tne GOs? = Yes. And tirom that point of view, 92 00:05:44,611 --> 00:05:47,547 vou coull! saty thet Darlag) 93 00:05:47,681 --> 00:05:50,851 is a recore of a coriain periocl in time, 94 00:05:50,984 --> 00:05:54,454 a given moment of tine in Poland. 95 00:05:54,588 --> 00:05:58,592 OF course, It clealls Wit MOKELUIMIMEKSALISSUeS 96 00:05:58,725 --> 00:06:04,865 raiiner than tine everyday events 97 00:06:04,998 --> 00:06:07,601 hinalt PSople lhave tto cleall witin 98 00:06:07,734 --> 00:06:09,836 99 00:06:10,203 --> 00:06:16,42 K's the really of a panicular time, placemaniclooliticalisystenns 100 00:06:16,176 --> 00:06:20,614 K's a recore Of EMMOESTOMAIS OCCA 101 00:06:20,747 --> 00:06:26,286 tine or record] that [Ken Loach iSsamouswominnglanck 102 00:06:26,686 --> 00:06:31,625 In a way, Daeralag ls like tet. 103 00:06:31,758 --> 00:06:35,395 ts 2 recorel of human litte 104 00:06:35,528 --> 00:06:38,231 in a Given time ane place. 105 00:06:41,401 --> 00:06:43,570 SONG TE CRMACGAS polies 106 00:06:43,703 --> 00:06:46,406 nad to Go wtih marital law, 107 00:06:46,539 --> 00:06:49,142 Prom a roacker perspeciive, 108 00:06:49,276 --> 00:06:53,914 we completely elimineree! politics as a theme or activity, 109 00:06:54,47 --> 00:06:59,252 as something having any imporance. 110 00:06:59,386 --> 00:07:01,655 We knew it was imrpoorniant, 111 00:07:01,788 --> 00:07:04,557 loun Since we coullel clo DOtMin alo ouitaits 112 00:07:04,691 --> 00:07:07,560 we ceciced it wasn't imporant att alll. 113 00:07:07,694 --> 00:07:09,863 What is Imporant in Dekkallog? 114 00:07:09,996 --> 00:07:13,566 | had the imoression ine fouolnt 115 00:07:13,700 --> 00:07:18,271 2 sanes of lonely struggles Win everyday prollanmns. 116 00:07:18,405 --> 00:07:20,307 YES, Of COURSE. 117 00:07:20,440 --> 00:07:23,343 everyining's imporant except politics. 118 00:07:23,476 --> 00:07:27,681 Fomelinesst siimoontamt. SO iis love, and tite lack of lowe. 119 00:07:27,814 --> 00:07:30,583 fiitersensckounclolessmesom evervining. 120 00:07:30,717 --> 00:07:34,254 Politics Is not, pecause it doesn’t play a role. 121 00:07:34,387 --> 00:07:37,524 Kt only emerges inkceltalnkabsunclinc Gents 122 00:07:37,657 --> 00:07:40,860 or very seconcany imporance. 123 00:07:40,994 --> 00:07:43,830 let's harolly Holkties 124 00:07:43,964 --> 00:07:47,901 OUR rainer the Consequences of political ineptitucle. 125 00:07:48,34 --> 00:07:51,604 We tnere’s No water, or elevators cont work. 126 00:07:51,738 --> 00:07:54,441 Minekesse mtialSxordlife pecomne prololematic. 127 00:07:54,774 --> 00:08:00,80 li You exclude pomies as a motive ror any way of acting or thinking), 128 00:08:00,213 --> 00:08:02,415 YOU BkSO @xahuncle 129 00:08:02,549 --> 00:08:06,52 evaryining irom te iin that 130 00:08:06,186 --> 00:08:10,90 iy ragaraed irom 2 stereotypical point of 131 00:08:10,223 --> 00:08:15,61 CONSUMES ine stereotyoe of Pes 132 00:08:15,195 --> 00:08:18,231 In tine @YES of Westie VIBWWAF3 OF Teaders. 133 00:08:18,465 --> 00:08:21,901 When you eliminaie polltiics, 134 00:08:22,35 --> 00:08:24,738 tS SIMTEOKYoe Of (PALES 135 00:08:24,871 --> 00:08:27,640 Is Insianihy and absolutialy eliminated, 136 00:08:27,774 --> 00:08:30,110 So theyre no longer Poles. 137 00:08:30,243 --> 00:08:33,113 Winey Ive in Pokene, ney speak Polish, 138 00:08:33,246 --> 00:08:36,716 anne] NAVE (PONS PASSVOME. Passpoms evan igure th Sim. 139 00:08:36,850 --> 00:08:40,820 Bot han just (Poles, ney Te Also wno talon, 140 00:08:41,187 --> 00:08:44,591 ane] Suiiter anc] rejoice over matters 141 00:08:44,724 --> 00:08:47,627 thet are UNCATStooe 142 00:08:47,761 --> 00:08:54,134 DO YOU tik (nas WiNY DBKANVOG) es so wal-recaivad In the West? 143 00:08:54,267 --> 00:08:57,437 | think proloaloly so, 144 00:08:57,570 --> 00:09:00,640 | loslieve Westen auciences 145 00:09:00,774 --> 00:09:03,710 ar {6) UP with the Polish stereotype. 146 00:09:03,843 --> 00:09:08,581 The complaining Pole, the marivr drowning in politics, 147 00:09:08,715 --> 00:09:13,720 wie Pols tominentec loy tae due to his country’s poor location. 148 00:09:13,853 --> 00:09:18,24 People in tine West are getting tired! of that image. 149 00:09:18,158 --> 00:09:20,660 AN the same time, people in the West, 150 00:09:20,794 --> 00:09:23,296 like PSOple around the wonrildl, 151 00:09:23,430 --> 00:09:27,167 Glaclly WetIeh OWNERS WOES Maliehthe im oredicament 152 00:09:27,300 --> 00:09:30,537 Oligeitanactens ACMIMAES IMIlAMmSItUAtOnE 153 00:09:30,670 --> 00:09:33,173 hey ace Gholces ancl proolems 154 00:09:33,306 --> 00:09:38,44 wiat EVERYONE iacSs, no matier where they are. 155 00:09:40,847 --> 00:09:44,751 Alin Enolisn Viewer doesnt Get imoression i's Poland, 156 00:09:44,884 --> 00:09:46,920 inant tne mincset is Polisi, 157 00:09:47,53 --> 00:09:50,156 Or tha It WAS Tlinec in Ursynow in Warsaw = 158 00:09:50,290 --> 00:09:54,127 Acwallly, it wasnt Ursymow. twas filmed in Dzika. 159 00:09:54,260 --> 00:09:56,996 = || WAS SUIS It WAS. - No, it wasn’t. 160 00:09:57,130 --> 00:10:00,600 kt Was Gnosen tor very cletinite photographic reasons. 161 00:10:00,733 --> 00:10:03,670 Mewioe you know Ursynow. 162 00:10:03,803 --> 00:10:06,406 K's very cispersed, 163 00:10:06,539 --> 00:10:09,275 Very SPrEAac! OU. 164 00:10:09,409 --> 00:10:12,412 K's loig), with a lot of open space. 165 00:10:12,545 --> 00:10:16,883 YOu can never capwire It iimanclosedbiralmes 166 00:10:17,16 --> 00:10:19,752 Well, mays, lout fit's very lnarel. 167 00:10:19,886 --> 00:10:22,222 Tina's wii we niovec tio Dike. 168 00:10:22,355 --> 00:10:24,691 inet was Our Iase! 169 00:10:24,824 --> 00:10:27,927 Kt wasn't alll shot there, buitethakdoesimiimattenr 170 00:10:28,61 --> 00:10:30,130 kt was aloout the atmosphere; 171 00:10:31,131 --> 00:10:36,136 ne Daika area was lounikt more iin the style 172 00:10:36,269 --> 00:10:38,571 used lnctiore the War, 173 00:10:38,738 --> 00:10:41,474 Vine builcings seal of the horizon: 174 00:10:41,608 --> 00:10:44,110 Ui VOU KOW te Eee, 175 00:10:44,244 --> 00:10:48,47 ine bullcIings are positioned) ln such € Way 176 00:10:48,181 --> 00:10:50,483 A WNGMTEVAT YOU Camera) 177 00:10:50,617 --> 00:10:52,986 YOU gat 2 Glosed snot, 178 00:10:53,119 --> 00:10:58,424 ywnieh GIVES the impression heaVre’S MO WAY 179 00:10:58,558 --> 00:11:01,661 SOACS GIWVAYS (MOVICES 2 WAY OUR 180 00:11:01,794 --> 00:11:04,931 Ine AMANCANS Shoot MMOSCHNUGE, SDACES 181 00:11:05,64 --> 00:11:08,868 WmoaolinoviesioaWestems 182 00:11:09,02 --> 00:11:13,173 There's always thiSESemMSCLOMmilieed om 183 00:11:13,306 --> 00:11:16,442 You can always get out, because lit's so big. 184 00:11:16,576 --> 00:11:19,179 SUN tihent UGE alSolimeans 185 00:11:19,312 --> 00:11:23,449 VOU Gan che OF Mirst iintinalxdesent 186 00:11:23,583 --> 00:11:25,552 OF imeeze To cleanin. 187 00:11:25,685 --> 00:11:27,987 SUN YOU Cal Get OUIL. 188 00:11:28,121 --> 00:11:33,626 A Glosedi tirame @ Sense of the inevitability of being there. 189 00:11:33,760 --> 00:11:36,596 K's a sulsconscious tieeling, OME OURS? 190 00:11:36,729 --> 00:11:41,734 Out fis winy we lookec! ior neightborhooes like that, 191 00:11:41,868 --> 00:11:44,771 like Daika = or was it Dzielna? 192 00:11:45,71 --> 00:11:47,40 Winieln was it?) 193 00:11:47,173 --> 00:11:51,477 A tiriene! of mine lives there, [ can tell you exactly. 194 00:11:55,14 --> 00:11:56,349 Dzikal 195 00:11:59,586 --> 00:12:03,189 ik or my best Icleas OgDekalog 196 00:12:03,323 --> 00:12:05,992 uO chirerant GinemaAognaynnanrs. 197 00:12:06,292 --> 00:12:09,562 Becauservalllftineknilinns Wene as one production, 198 00:12:09,696 --> 00:12:13,600 OMmexattemtinexotited SOMELIMESIEVE MOVE OINGE 199 00:12:13,733 --> 00:12:18,871 SOMEetIMESMVEMVE ERS MOOting three clifferent tilms in one cary. 200 00:12:19,105 --> 00:12:26,79 'Iinat allowee! us tio keep from Getting too bored. 201 00:12:26,212 --> 00:12:28,481 Becaliserauleastiiomine: 202 00:12:28,615 --> 00:12:32,18 ine actual jolo of clirecting is very boring. 203 00:12:32,318 --> 00:12:35,622 Working with a new cinemetographer IinStamntWacralngeszalllatinats 204 00:12:35,755 --> 00:12:40,693 ie lorings a trast new approach to the whole process. 205 00:12:40,827 --> 00:12:43,96 Ane it wasn't just me. 206 00:12:43,229 --> 00:12:46,332 Tine winole Mmecded something new ancl interesting 207 00:12:46,466 --> 00:12:50,870 aier WOKING ON tine Project for three Months or tive montis. 208 00:12:51,04 --> 00:12:54,807 NEWFACIORSROM VIOUS INzacced an interesting element, 209 00:12:54,941 --> 00:12:58,911 DSCAUSS GAG EPISOCE featunectoifferenigactorsy 210 00:12:59,45 --> 00:13:01,914 OU Ik WAS Also the clififerent cinematographers. 211 00:13:02,48 --> 00:13:06,152 They'd change everything), from lighting to camera movements, 212 00:13:06,286 --> 00:13:08,955 So evernihing else woul change too. 213 00:13:09,88 --> 00:13:13,660 SOlincimensnacktomiecminie NOWAUINEY, sound. 214 00:13:13,793 --> 00:13:18,965 Maye there were no shacows on the set betiore, ancl now there are. 215 00:13:19,98 --> 00:13:23,102 Tha Means the Sounciman face sramneWacwallemges 216 00:13:23,236 --> 00:13:26,839 And tif there's a challenge, the work gets interesting. 217 00:13:27,707 --> 00:13:30,410 Nou know whet was reallly tunny? 218 00:13:30,543 --> 00:13:33,846 EAcn Glhemetographer nad a very cliiierent temperament 219 00:13:33,980 --> 00:13:36,716 ancl ciinterent work experiences 220 00:13:36,849 --> 00:13:41,621 and in general a clinerent wey of telling a story on fil. 221 00:13:41,754 --> 00:13:44,757 everyone tals a Stony their own wely. 222 00:13:44,891 --> 00:13:48,528 Yet lin tine ened, tine tilms were shot in a similar wary. 223 00:13:48,661 --> 00:13:50,797 They lhacl complete tireecion. 224 00:13:50,930 --> 00:13:54,267 | cleln't chetane winat lens or what lighting to use. 225 00:13:54,400 --> 00:13:56,502 Mitakwackaltiteimbusinesss 226 00:13:56,636 --> 00:13:59,806 Koemenalll „XcomislOoke through the viewrinder. 227 00:13:59,939 --> 00:14:05,545 BulikinowAinattars notauil Mlookdlike i the camera’s in a certain position 228 00:14:05,678 --> 00:14:08,281 using, SĂ©ly, a SOsminn lens. 229 00:14:08,414 --> 00:14:12,85 | migint le oir by hala centimeter. 230 00:14:12,218 --> 00:14:18,24 | can clo tine same with a 35-=mm lens ancl oe wrong loy this much, not more. 231 00:14:18,157 --> 00:14:22,328 | know alll tits, lout | don't look through the finder. 232 00:14:22,462 --> 00:14:28,67 So they lhacl a lot of tireeciom to tell the story thelr wety. 233 00:14:31,304 --> 00:14:36,676 / read In an interVlew You Gave that while making Dekallog)... 234 00:14:37,510 --> 00:14:40,546 you ane Mr. PiesiewlezZ asked yourselves 235 00:14:40,680 --> 00:14:43,850 lOtStoifexiSiemtialeWestionst 236 00:14:43,983 --> 00:14:47,420 a VinatliSiiraopinessr, What is love? 237 00:14:48,54 --> 00:14:50,456 Winatt is tiraeclom?” = That's right. 238 00:14:50,590 --> 00:14:53,993 Do you tintinkk there’s one universal morality, 239 00:14:54,127 --> 00:14:56,596 or are tinere chinerant moraliiies 240 00:14:56,729 --> 00:14:59,632 clepenciing on the people ancl tine times? 241 00:14:59,766 --> 00:15:03,936 | belleve People Know what's good and what's evil, 242 00:15:04,70 --> 00:15:06,439 itpoucallEtivatinerallity 243 00:15:07,740 --> 00:15:10,410 Actually, | con't like aso wand “moval word “moral ty 244 00:15:10,543 --> 00:15:12,712 as I'M SUPE you've real. 245 00:15:12,845 --> 00:15:15,148 i’ | agreed! to tihatt worel, 246 00:15:15,281 --> 00:15:19,819 el be setting myself up as a morallist, 247 00:15:19,952 --> 00:15:22,321 Aas someone wino knows. 248 00:15:22,722 --> 00:15:26,159 Bur li Someone wino doesn? reallly know, 249 00:15:26,292 --> 00:15:29,595 SOMKotratnemaskqquestiomns than provicle answers. 250 00:15:29,729 --> 00:15:33,266 | Know wihat questions tio asi, more or less. 251 00:15:33,666 --> 00:15:36,836 SO | concem myseli with ethics rather than morality. 252 00:15:36,969 --> 00:15:40,72 TO me It's loroacler! 253 00:15:40,206 --> 00:15:45,978 Ane! |] avolel “nnorallizing,” ashilesxeallleor 254 00:15:46,345 --> 00:15:50,650 Sy tinat || mean Preacning), lecturing, anc pointing out 255 00:15:50,783 --> 00:15:53,619 WiNatrs Fight ancl wrong. 256 00:15:53,753 --> 00:15:57,356 | believe everyone has„akboaliometeminside 257 00:15:57,490 --> 00:16:01,894 inert tells them tine clifierence benween trun ancl lies, 258 00:16:02,28 --> 00:16:04,464 good ane] evil 259 00:16:04,597 --> 00:16:08,167 ANG] PSOE TOllow that barometer iif they can. 260 00:16:08,301 --> 00:16:10,903 WEWROItemmneksitUration means they can’t, 261 00:16:11,37 --> 00:16:13,539 lout Given tine chance, tiney will. 262 00:16:13,673 --> 00:16:15,675 DIGhOuUmfiincltivexanswensr, 263 00:16:15,808 --> 00:16:19,178 They cont exist. No one’s found them, anc no one willl. 264 00:16:19,312 --> 00:16:21,347 hers why tine questions are interesting. 265 00:16:25,17 --> 00:16:28,988 IE UKE HO NGA more ALOU tne CONCH of Chance. 266 00:16:29,121 --> 00:16:32,425 on ahah = 0g (S„aaVOnlokomenanee 267 00:16:33,926 --> 00:16:37,230 el like to focus on Darallogr Ive, 268 00:16:37,363 --> 00:16:43,269 Wwinere tinls iciea Is orougint ronwarel beautiitully, in my opinion. 269 00:16:43,402 --> 00:16:48,207 LOU OF ShUAUONS IN tne Til Ores the Gharacters to Goose: 270 00:16:48,341 --> 00:16:50,810 Ko Go this Instead of tat 271 00:16:50,943 --> 00:16:53,412 CO SOMBWUNG GSE, GO SOMBWNRE GIS. 272 00:16:54,847 --> 00:16:59,385 Ine td chiver cout] nave pleked yp the young counle 273 00:16:59,519 --> 00:17:02,522 or ine chunks In ie STeat 274 00:17:02,655 --> 00:17:07,126 ane hi MIKE TEE an GnAMGe? 275 00:17:07,260 --> 00:17:10,796 / tai i's everyiuing. 276 00:17:11,931 --> 00:17:15,67 Ks destiny, or fate if youl preter, 277 00:17:15,902 --> 00:17:18,271 irs also Ghance. 278 00:17:18,404 --> 00:17:22,208 Ane! to a great extent, our own free will. 279 00:17:22,341 --> 00:17:26,612 The wax! Giriver Nac] A GAOIGS. Fie cleciclec! of his own free will 280 00:17:26,746 --> 00:17:29,749 WO plek up tihe couple and not the drunk. 281 00:17:29,882 --> 00:17:33,886 Anotner clrivar Wwoullel awe been killed, out not infin. 282 00:17:34,20 --> 00:17:38,958 Ane! winetever JACSK COSs, ine It VEWACONSCIOUSIVE 283 00:17:39,91 --> 00:17:42,495 Fle does winatt he wants. Why is another matter. 284 00:17:42,628 --> 00:17:46,32 But wineeaver IN ClOes, ics of his own ree will. 285 00:17:46,165 --> 00:17:48,901 Winy Ine Coes Itt is another meatier. 286 00:17:49,802 --> 00:17:52,772 | DSlEVES tNOSSe wArSe Wings are Connecisal 287 00:17:52,905 --> 00:17:55,474 Cnance, ate, ancl tira willl. 288 00:17:55,608 --> 00:18:00,513 They iniiluencs our lives to chftarent cegrees, of course. 289 00:18:00,646 --> 00:18:04,884 kt Cepencis on every person's lire Ane] ON Whe Moment. 290 00:18:05,17 --> 00:18:07,720 SOmetiine spitesxomes SOMmetine SuileStanother 291 00:18:07,853 --> 00:18:11,90 SOnnetimechissnemamneer SOMetinne Swe eRWill||ℱ 292 00:18:11,223 --> 00:18:14,794 oushing us where ft will. 293 00:18:14,927 --> 00:18:18,531 We con't know winat It is, put something's pushing us. 294 00:18:18,664 --> 00:18:22,868 But | cont know winiy I'in consicerec| such an expert on chances. 295 00:18:23,02 --> 00:18:25,871 iOoalolVpoccause | @ ffl lov that title. 296 00:18:26,05 --> 00:18:29,375 BUN take any other til = any tila you like. 297 00:18:29,508 --> 00:18:31,811 Take One we lotin KmMow. 298 00:18:31,944 --> 00:18:35,615 vou Ghanes ples @ loig role in every ‘film. 299 00:18:35,748 --> 00:18:38,517 KS In ity iii too, 300 00:18:38,651 --> 00:18:41,420 oun Iii Seen asrars peciallisionnenamneeÂź 301 00:18:41,554 --> 00:18:45,291 though in my other tilms, ChancellShmanenmailneSSuer 302 00:18:49,328 --> 00:18:53,766 Wy last question meayy be & lat (MOVOCHIIVE. 303 00:18:54,133 --> 00:18:57,470 | Get the reeling you're quite inclitierent 304 00:18:57,603 --> 00:19:03,275 KO Feviews oF your tilims. 305 00:19:03,909 --> 00:19:06,479 = [hats Not true. = [Ss NO? 306 00:19:07,46 --> 00:19:11,784 ls erttical opinion ais important to you 307 00:19:11,917 --> 00:19:18,224 €s we audience's Opinion Omaspy OU SOnalksatiSfacionr, 308 00:19:18,357 --> 00:19:22,61 | care very mucin aloout tine auclience’s opinion. 309 00:19:22,194 --> 00:19:24,296 Or Gourse || co, 310 00:19:24,430 --> 00:19:27,466 = But Go tie Chics COUN too? = Of Course. 311 00:19:27,600 --> 00:19:30,369 PIrSt, WEY TS PAIR OfatherauGiencentoo: 312 00:19:30,503 --> 00:19:33,439 Second, lif they re Gooe! critics, 313 00:19:33,572 --> 00:19:37,743 ney also express tine opinion of part of the auclence. 314 00:19:37,877 --> 00:19:39,879 NO cloulot aloourt Mu 315 00:19:40,12 --> 00:19:42,882 Burt || Nave No = 316 00:19:43,149 --> 00:19:46,919 YOu sail tits was a Provocative question. | don’t Why. 317 00:19:47,53 --> 00:19:50,690 YOU Cen Saly you con't now why you're called 318 00:19:50,823 --> 00:19:54,393 ONE OF te Greatest European film clirectors, 319 00:19:54,527 --> 00:19:56,529 Winch In fact you are. 320 00:19:56,662 --> 00:19:59,465 Tarts 2 Chirerant meer. Koomlduined enstanellita 321 00:19:59,598 --> 00:20:03,302 oun | Guess tine people win© afout such things clo. 322 00:20:03,436 --> 00:20:05,504 ht Cossn't meter tat | clon‘t! 323 00:20:05,638 --> 00:20:11,243 | Just say winett | ieell. = Then you must be vary modest. 324 00:20:11,377 --> 00:20:13,512 No, lin quite nomneall. 325 00:20:13,646 --> 00:20:17,983 - Well, thank you vary mucin. = You've very weleone. 24453

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