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1
00:00:17,184 --> 00:00:20,771
/ tain any echtior
2
00:00:20,896 --> 00:00:25,234
would le very happy
to bbe given this mererial.
3
00:00:25,359 --> 00:00:29,738
K's tne Ofiimatenial
you Goule! wait tior your winole Iie.
4
00:00:30,739 --> 00:00:35,452
i A KOD=NOKEN UBM,
ie In the INCTUST foo.
5
00:00:36,870 --> 00:00:40,40
ane a Winole alraly
OfROlISMACORS
6
00:00:40,165 --> 00:00:43,43
(inmelbeSitqofthelbesit
7
00:00:43,335 --> 00:00:45,420
SO tere imeymatenlal)
8
00:00:45,546 --> 00:00:48,257
to mention
ine dractor himsell,
9
00:00:48,382 --> 00:00:50,759
e oe i DN OES anal |
YN’ NG WAIUSG
10
00:00:50,884 --> 00:00:54,346
ana! NOW tO GEE It
OMNI SRACIONS?
11
00:00:55,389 --> 00:00:57,182
Winat clo you eel now?
12
00:00:57,307 --> 00:01:02,646
SOMMEVENAIENGE
simaly to NONMCIOCCASTON,
13
00:01:02,771 --> 00:01:07,484
ancl NOt ulin tine Material,
14
00:01:12,364 --> 00:01:15,367
NZYSZUON 8 WEAK fOMOUMS:
15
00:01:15,492 --> 00:01:18,203
Monday trough IPitGeyy
ne yould) villi,
16
00:01:18,328 --> 00:01:21,790
and Saimaay and SuncEay
hed come to the echiing room.
17
00:01:21,915 --> 00:01:24,376
/ yon GEL
into taennical details nere,
18
00:01:24,501 --> 00:01:26,503
lout our Gollaloorzion)
19
00:01:26,628 --> 00:01:29,506
reallly client Go welll
in the beginning.
20
00:01:29,631 --> 00:01:33,93
| Clem like Ini
lOOKIMOLOVE MIMVES NOULGe Ts
21
00:01:33,218 --> 00:01:35,470
Winen Ine clic] inate...
22
00:01:36,346 --> 00:01:39,474
What are you doing now?”
23
00:01:39,808 --> 00:01:44,521
| Get SO Clee Into tne Mmetteriall
thet a sudden question like that
24
00:01:44,646 --> 00:01:48,525
YANKS MS OUT Or My Faywnnn
and | start getting confused.
25
00:01:48,650 --> 00:01:51,361
SOMvercannenoranbacnieenne mt
26
00:01:51,486 --> 00:01:55,198
tinamhkekecitttitemmatenialkalome
curing the week,
27
00:01:55,324 --> 00:01:58,910
anc! lne’el Come on Seturelly
anc Sunday ane we woullel =
28
00:01:59,453 --> 00:02:02,914
1S Cl Watch tine SGaNes;
29
00:02:06,960 --> 00:02:10,422
Ine MECH, ACIOLS,
And GAnXkoMAannns
30
00:02:10,547 --> 00:02:13,216
WHE all Wel ove panel
NOMMERSNOOU
31
00:02:13,550 --> 00:02:18,639
ii Wash MIKE Vina / OGY.
32
00:02:18,847 --> 00:02:21,308
MRESCTOAYS)
VOUESMOOMALORS OO
33
00:02:21,433 --> 00:02:24,102
(OBCBUSE YOU MEV KTMOW
wna you mioht need.
34
00:02:24,227 --> 00:02:26,855
& linhkisd amount of ii,
35
00:02:26,980 --> 00:02:29,983
EMONMESIOU SK al keokeounel
wiih 2 stopwatch,
36
00:02:30,108 --> 00:02:33,28
being vary earenul
MO’ 10 EXGSed ine hnonns.
37
00:02:33,153 --> 00:02:37,532
KeamitionemocmuinatmtinevaNeney
[ think one tio four.
38
00:02:38,33 --> 00:02:41,578
Of Course, tine metieriall
was shot in such a wealy...
39
00:02:42,704 --> 00:02:46,458
mat all the stancear¢)
SCNUDS
40
00:02:46,583 --> 00:02:49,544
Vine MEAS shot
Wes 2 wide shot
41
00:02:49,670 --> 00:02:53,256
JNen inere mechim Snows
ane! GlOSS-YPs.
42
00:02:53,382 --> 00:02:56,51
Als we all KNOY,
43
00:02:56,426 --> 00:02:59,471
Dekalog
is about human feelings,
44
00:02:59,596 --> 00:03:02,516
SO Glose-Yos Were jrevalamnt
45
00:03:02,808 --> 00:03:05,852
WYN take USEC,
46
00:03:05,977 --> 00:03:08,980
ane] WNnere, Erne! MOUS,
47
00:03:09,106 --> 00:03:11,525
WAS YO WO 7.
48
00:03:12,609 --> 00:03:15,362
/ mace tnose Gecisions,
49
00:03:15,529 --> 00:03:17,823
ayne/ I GIVEN mG FEM.
50
00:03:21,868 --> 00:03:25,414
Ine premise in tine seript
in the beginning
51
00:03:25,539 --> 00:03:28,750
Was that eaen enisode
would begin
52
00:03:29,84 --> 00:03:32,45
hin € shot olving US 2 View
53
00:03:32,170 --> 00:03:35,507
or thks apartment Conyonreax
lin Wasa,
54
00:03:36,174 --> 00:03:38,385
Vhings tuned out chireranty Iatat,
55
00:03:38,510 --> 00:03:41,221
Just Ine haqovens in real Ure.
56
00:03:43,432 --> 00:03:45,726
| Cont Know
now much it changed,
57
00:03:45,851 --> 00:03:49,229
out || SUSPSCt
from a professional stanclooint
58
00:03:49,396 --> 00:03:54,985
wiet an Opening Sinet
Ofgtherao anime ngcomplex
59
00:03:55,110 --> 00:03:59,114
is tine sor or estalolishing device
fOMALCONNVE MtiOnalmINWASe ICS
60
00:03:59,239 --> 00:04:02,284
inat ieslowsixi typically avolcied!,
61
00:04:02,409 --> 00:04:05,454
eee Oe mms
is a mintiseture.
62
00:04:05,579 --> 00:04:08,415
INEV RE NOt typical episocies
Ina TY series.
63
00:04:21,261 --> 00:04:23,930
fine EDIsoai aes | 1
with mini-soanes
64
00:04:24,55 --> 00:04:27,434
Et TOTESNACOW SOmeEiung,
65
00:04:27,684 --> 00:04:33,64
ut that wasnt an Iea
I had th the echiing room.
66
00:04:33,190 --> 00:04:37,277
i Simply te Klee
during
67
00:04:37,402 --> 00:04:42,282
SO Itt Snot tina WAY
aay
68
00:04:42,616 --> 00:04:46,495
Waesiowshd always envisioned them
staring that
69
00:04:48,246 --> 00:04:51,750
A\ VAIGUY Of
mom chirerant eoisodes
70
00:04:51,875 --> 00:04:55,295
would! make tineir way
to the edliting room.
71
00:04:55,462 --> 00:05:00,300
Oy course || couleln’t
just sit there anc wait,
72
00:05:00,801 --> 00:05:06,723
SO Scenes tor eacn episocie S
73
00:05:06,848 --> 00:05:09,726
nemmatenial
Waskalllkthiowmtogethe rd
74
00:05:09,851 --> 00:05:12,896
lf a Scene trom a paniicular
episode was reacly,
75
00:05:13,21 --> 00:05:15,440
INenmaneacdKancKedlitecllit
76
00:05:15,565 --> 00:05:17,901
Un aclchion,
77
00:05:18,26 --> 00:05:21,863
and A Short Film Aoout Killing
78
00:05:21,988 --> 00:05:24,282
nad reatumre-langi
Notone camel
79
00:05:24,407 --> 00:05:27,828
, a a e on in ome
had to be echttad ist
80
00:05:27,994 --> 00:05:30,956
A Short Film Alout [xilling,
81
00:05:31,81 --> 00:05:33,166
Wasteoiteoninss
82
00:05:33,291 --> 00:05:35,252
VGN) IBD».
83
00:05:35,961 --> 00:05:41,258
rye oli) ine varsion for IVY,
84
00:05:41,383 --> 00:05:44,970
BU DECAUSE NG SCENES
MO SANG,
85
00:05:45,95 --> 00:05:47,472
ie (MAMUSe WAS
86
00:05:47,597 --> 00:05:50,183
foxsnoon TAKE
OM MeEWNeCalune
87
00:05:50,308 --> 00:05:53,353
end anouner ior IV,
88
00:05:54,20 --> 00:05:58,650
OF COURSE, ne lettin TAKES
WEKe Omneveatue
89
00:05:58,775 --> 00:06:02,112
iMOse Whin beter pnotognganny
and beticr acting.
90
00:06:02,237 --> 00:06:08,660
nen A, MUN te pwmanuteTre,
screaming,
91
00:06:08,785 --> 00:06:13,415
we began ecliting the 1V version.
92
00:06:13,707 --> 00:06:17,919
But ht turnmec] Our
tiratetheniniehoOnmakes.
93
00:06:18,44 --> 00:06:21,256
left for TW
were how unwetichalole,
94
00:06:21,381 --> 00:06:24,593
bEcaiSenineymoaled
MextetontinentineathicallVensions
95
00:06:24,718 --> 00:06:27,137
SO that created a reall orollem.
96
00:06:27,262 --> 00:06:30,223
Kt GAWS US alll GUKS A NEACAGNE.
97
00:06:30,599 --> 00:06:35,896
ISOMERS TUCK
2 dupe negative,
98
00:06:36,21 --> 00:06:40,233
ane! Wve had to remenloer
mat ine version we echied for 1V
99
00:06:40,358 --> 00:06:43,570
had to loe€ Snorer
Malm NexiMeallcame/ease
100
00:06:43,695 --> 00:06:48,825
And lain, wnen Ki Cane
fo making the joriiné ror 1V,
101
00:06:48,950 --> 00:06:52,537
| Was TEAly AVIOUS,
MeCaUSCUMVASIMESUME,
102
00:06:52,662 --> 00:06:55,916
Ww I'd remembered everyting,
WUE taken (oMmOoar
103
00:06:56,41 --> 00:07:00,420
Un Imy thnhek’ MOKBADOOK USEG tO IMAI
what ld used anc WinEre.
104
00:07:00,545 --> 00:07:03,715
In EOChiON
MMeneMVastal Odommateniall
105
00:07:04,49 --> 00:07:09,596
involved tn Delzalog
106
00:07:09,763 --> 00:07:12,557
anel Wwe Nowese
Welnaciiepeatcchiootagey
107
00:07:12,682 --> 00:07:16,227
SO Wve laches in the eching room
to be vary carer!
108
00:07:16,353 --> 00:07:18,647
Momlolmakexalin! stake)
109
00:07:20,106 --> 00:07:23,151
REGMANG
A Short Film Aloout Love,
110
00:07:23,276 --> 00:07:26,154
WMemenvea kena OCA
that GVETYOne =
111
00:07:26,279 --> 00:07:28,657
Me oe ~ Peale ale
ine enire Gray
112
00:07:28,782 --> 00:07:30,909
KO me mist SCrEGimnG,
113
00:07:31,34 --> 00:07:33,411
rollowad by a meeting
114
00:07:33,536 --> 00:07:37,123
yinere everyone Vwoull GIVE
pinion of the ‘il,
115
00:07:37,290 --> 00:07:39,960
and Wad iy tO TAMANoer,
116
00:07:40,126 --> 00:07:43,797
wnat everyone Saud
AMOMAKCIOUMEVE SIMON NAG
117
00:07:43,964 --> 00:07:47,50
Oner pegples® qoinions
118
00:07:47,175 --> 00:07:50,470
We InnjooreaNt tO KIESTOVSKT:
119
00:07:51,304 --> 00:07:53,431
Well, everyone Came Out
Cismayed
120
00:07:53,556 --> 00:07:56,309
ialaineniliin
so long and boning,
121
00:07:56,476 --> 00:07:59,688
mat le Uuneear
WINE It WAS AOU
122
00:08:03,900 --> 00:08:05,860
Backdinntinekeditineproonn
123
00:08:05,986 --> 00:08:08,363
KieSlowskiliinnmecdiatelyxsaick
eerie leaves enindyjeon out.”
124
00:08:08,655 --> 00:08:12,659
We to iri tin€ SCENnes
wiih the lancllachy,
125
00:08:12,784 --> 00:08:14,995
Mey Of NO IN ESE
126
00:08:15,120 --> 00:08:20,750
HinenewwastalSommatenial
involving Szapotowske’s lboyiiriendd...
127
00:08:21,626 --> 00:08:26,798
wino'e] Gone visit her,
andl thet was Cut wely Clown.
128
00:08:26,923 --> 00:08:30,176
XECAUSE Iti Cleave
ime WeWar Geared Most
129
00:08:30,301 --> 00:08:33,221
aout tne refationshijo
betimean te two leads,
130
00:08:33,346 --> 00:08:35,682
and te sulgplois werent inoorenne
131
00:08:35,849 --> 00:08:37,767
I ners's Our lous.
132
00:08:39,19 --> 00:08:40,645
Tell you winatte
133
00:08:40,854 --> 00:08:43,440
lh’ WE Catten Kt,
WOU Gonne to my place.
134
00:08:43,565 --> 00:08:45,984
if HOt, you cont. Okay?)
135
00:08:47,277 --> 00:08:51,31
Mecallhtirattne
GifficUlnmmatenialhomimMenomvatch
136
00:08:51,197 --> 00:08:53,199
2s | eclisc!
137
00:08:53,366 --> 00:08:55,994
Ware SOMe SCENES irom
DeKaoon
138
00:08:56,119 --> 00:08:58,455
ane Al Shor Film Aloout KMMNG,
139
00:08:58,705 --> 00:09:01,624
titenVonkillinagscemes:
140
00:09:01,750 --> 00:09:05,378
One involves tine tiexd cliiver,
141
00:09:05,503 --> 00:09:08,214
ana ine onef Involves
Jacak, ine Killer.
142
00:09:09,132 --> 00:09:12,427
KG
MmUle me monrerameeleal
143
00:09:12,552 --> 00:09:15,388
DY tine
of Jacak being hanged,
144
00:09:15,513 --> 00:09:20,393
DOCBUSE I KTIGVY tnt
both during ane! Soot,
145
00:09:20,518 --> 00:09:23,480
WEY WOOK @ LMBEUS
because ie actor nad rainiad.
146
00:09:23,605 --> 00:09:26,191
/ almost cheln't look
as | edhied tina
147
00:09:26,316 --> 00:09:28,777
kt eniecied me very powernullhy,
148
00:09:28,902 --> 00:09:31,821
ancl Ic] never wen
149
00:09:31,946 --> 00:09:34,699
tO eclt scenes like that again.
150
00:09:35,75 --> 00:09:39,454
Whereas tine scene
WiNeientneataxiKGliVenmiSakilled
151
00:09:39,579 --> 00:09:42,415
was Gute simyole:
152
00:09:43,374 --> 00:09:45,460
ot simple ana compolleaniad,
153
00:09:45,585 --> 00:09:49,339
bees seliacons sical
Of SOME (AROS. 00
154
00:09:49,964 --> 00:09:54,469
ena ary / oP ae 7 m me
wile | edkied
155
00:09:54,594 --> 00:09:57,722
pa ne Co
YEE LO SOW TS
156
00:09:57,847 --> 00:10:00,767
ime Cantimes raling ihn tne mus)
157
00:10:00,934 --> 00:10:04,229
OF 2 ClOSE=YO Of € foot
158
00:10:04,354 --> 00:10:07,857
Ganressing ie pecal in tie Car
159
00:10:07,982 --> 00:10:10,610
So it WEST SUGN 2 =
160
00:10:10,735 --> 00:10:13,655
/ (MGM,
i was ine oracior’s Gall
161
00:10:13,780 --> 00:10:16,449
wnere he Wanted GAGCN (MEG2,
162
00:10:16,574 --> 00:10:21,287
Ney SINGLE
Snort (AKES lin GlOSe-Yp}
163
00:10:21,412 --> 00:10:24,707
Mameoulafockcomolpneal
i VAMIOUS WAYS.
164
00:10:26,00 --> 00:10:30,46
Anal KIESTOUSKT IKTIGW GxACHY
165
00:10:30,171 --> 00:10:33,258
wnat ne wWaniec, ane! NOW,
and tin VT ORAL,
166
00:10:33,383 --> 00:10:38,513
And] lsecause they were shor talkes,
NEV AVENE MMEASES MOCKING
167
00:10:38,638 --> 00:10:41,850
even though,
as someone has saticl,
168
00:10:41,975 --> 00:10:45,61
itttitellOmgesmimunclemsoceme
169
00:10:45,186 --> 00:10:47,730
in thn hkStORY,
170
00:10:57,782 --> 00:11:01,828
ee nen me Koo mal . 6 footage,
hi wasn’? Ie...
171
00:11:01,995 --> 00:11:04,164
Ne SGHor Nas Wt IKE WB...
172
00:11:04,664 --> 00:11:08,668
SO lt NAS to be Shot thal WAY,
173
00:11:08,835 --> 00:11:11,546
erdered that way in tine nln,
174
00:11:11,671 --> 00:11:14,48
ene! COMB! tat WAY,“
175
00:11:14,174 --> 00:11:18,678
KIESIOTSKi GASYGOMING
about ine material,
176
00:11:19,53 --> 00:11:24,225
Wn ne enyoyed
was shutting the order
177
00:11:24,350 --> 00:11:27,812
en oe oe md
OGIW3GN) SCHIGS,
178
00:11:27,937 --> 00:11:29,981
Or QxeuTyoue)
179
00:11:30,106 --> 00:11:31,983
in Dakalloge TWO
180
00:11:32,108 --> 00:11:35,361
iNnera WAS 2 SCONe...
181
00:11:36,321 --> 00:11:41,367
of Barelin! In lis apariment
perore leaving tor the hospital...
182
00:11:42,535 --> 00:11:46,831
WENSTING Nis CACI ANC SO ON.
183
00:11:46,956 --> 00:11:51,169
meysiwalkinokajoumekalome
in his apannnent.
184
00:11:51,544 --> 00:11:55,256
Ane! (here WAS
another scene with Janca,
185
00:11:55,381 --> 00:11:59,552
WiNe©re sie too was wallxing
around her apariment,
186
00:11:59,677 --> 00:12:01,554
looking Our tihe wincow
187
00:12:01,679 --> 00:12:04,682
tO) i’ Barelint
Was caMinoiomtinelnospitall
188
00:12:04,807 --> 00:12:07,977
SO it was two very long scenes
189
00:12:08,102 --> 00:12:11,439
mat eich? really contrilows
anything to the ii,
190
00:12:11,564 --> 00:12:14,442
IDECAUSE ne IONG SCANE
lin Janda’s aparinent
191
00:12:14,567 --> 00:12:17,612
(MACE thE VIGVVAN TOTGS
about Bearcling, ane! VASE.
192
00:12:17,737 --> 00:12:21,574
So Kieslowsld Got tine Ide}
of cutting back ane
193
00:12:21,741 --> 00:12:25,495
OBWVEEN MGSO WYO SCENES...
194
00:12:26,412 --> 00:12:28,706
BSE TUMOES OLS,
of Baran wating
195
00:12:28,831 --> 00:12:31,501
Morne
lin Janda’s apariment
196
00:12:31,626 --> 00:12:34,420
And tt enced yo ereading
197
00:12:34,671 --> 00:12:38,132
4 Cramande tansion
MeiVeenmlmesecniVOeNavaGlens
198
00:12:38,258 --> 00:12:43,96
nat WASH tnere at all
lin dae tio by themsalVeas.
199
00:12:45,181 --> 00:12:47,725
MESIOWSKIET OVEA
200
00:12:47,850 --> 00:12:52,105
Deing In the ecltting roonn
very much.
201
00:12:52,897 --> 00:12:56,609
Por One thing,
] suspect he wanted control
202
00:12:56,776 --> 00:12:59,612
over winat Was oeing clone
with his mertertiall...
203
00:13:00,947 --> 00:13:03,449
oun it Was also =
204
00:13:03,616 --> 00:13:07,954
| mean, tine work looked! chitterant
losirore tihan it Coes Mow,
205
00:13:08,121 --> 00:13:11,749
Since Daralag
was) On ‘film,
206
00:13:12,83 --> 00:13:16,462
inera were thhousanes of looxas
In the ecliting room
207
00:13:16,587 --> 00:13:19,674
tinent nelle! Selits
ancl duplicate footage.
208
00:13:19,924 --> 00:13:22,10
Ano i | asec) =
209
00:13:22,135 --> 00:13:25,138
ligattaketnee dec
to longer,
210
00:13:25,305 --> 00:13:29,517
Omanictakemmecded
tonexeinangecdmomeneckedre
211
00:13:29,642 --> 00:13:34,314
winien was ihanellec
by my female assistants =
212
00:13:34,439 --> 00:13:37,775
KIESIOWSKiiivas
Very eager to in.
213
00:13:37,900 --> 00:13:40,236
Ane tine laciies would get upset
214
00:13:40,361 --> 00:13:43,656
inet he Was Making a mess
Of tine lOOXSS.
215
00:13:43,823 --> 00:13:48,995
But he really che! enjoy
being tn the echiing room.
216
00:13:49,162 --> 00:13:54,292
ee fea aurea thet
nat WES WNME
217
00:13:54,417 --> 00:13:57,295
me iin CAME HOGER.
218
00:13:57,670 --> 00:14:00,340
Budinenvasint
tiheNkinckomoinecton
219
00:14:00,506 --> 00:14:03,134
Wino el pusin tine eelitor asic
220
00:14:03,259 --> 00:14:06,637
ancl sollice itt togetiner lhimeselli.
Nowattalll
221
00:14:10,933 --> 00:14:14,687
/ (2A | Vary ICKY
in my protessional lire
222
00:14:14,812 --> 00:14:17,523
Ko Get to Vwvoric Viti KIESIOVISKT
223
00:14:17,648 --> 00:14:20,526
Al ine SiATe OF TMV
224
00:14:20,651 --> 00:14:25,239
UDG! WO GK WO VAONIK
Ommate ian keh SS
225
00:14:25,865 --> 00:14:29,535
When,
not only in Polana
226
00:14:29,660 --> 00:14:31,704
oun tmoughout tine worl,
227
00:14:31,871 --> 00:14:35,666
Wherever | go, ir | mention
that | Dekaloor
228
00:14:35,792 --> 00:14:39,337
QVAYONE MIMNEMAMAY
RTHOWS Wat that Means,
229
00:14:39,462 --> 00:14:43,883
and thats a wondernill tang
in one’s provesstonal lire.
16080