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1
00:00:03,962 --> 00:00:06,548
WAY Mohd Whi KERIO
2
00:00:06,673 --> 00:00:10,177
Came aloout winen lhe set Ul
a meeting with me.
3
00:00:10,719 --> 00:00:15,182
lS Gave me tie seripis
to alll the episodes
4
00:00:15,516 --> 00:00:17,518
AMCKASKeCMNeM ON NOOSCLOME!
5
00:00:19,311 --> 00:00:22,773
Later ht tumed out hed only given me
6
00:00:22,898 --> 00:00:25,25
Me MUSION Of GNOKG2,
7
00:00:25,192 --> 00:00:27,694
el peed
A\ Short Fil Aloout Love;
8
00:00:27,861 --> 00:00:30,239
winich was exacily
what ne’d envisioned.
9
00:00:39,790 --> 00:00:44,378
Ma iyoleal Of IKTESIOVISKL.
Hed give you apparant mreeclom,
10
00:00:44,795 --> 00:00:48,423
Ut as a cliracior he generally knew
how everyting would Go
11
00:00:48,549 --> 00:00:50,300
from Siar to tinish.
12
00:00:56,640 --> 00:01:00,394
rie really che! Give
he CiNnGimMAMOMaoner
13
00:01:00,727 --> 00:01:03,647
wie reeling)
you hac] some tireeciom
14
00:01:03,772 --> 00:01:06,525
ane! Goullel suggest
certain solutions.
15
00:01:07,609 --> 00:01:10,28
Bunt NS Youle take
16
00:01:10,153 --> 00:01:13,615
Only wnat ne neecec
anc] what ne’d envisioned.
17
00:01:14,908 --> 00:01:16,868
On tine one ancl...
18
00:01:17,160 --> 00:01:20,914
as clnemetograpner
ieli¥atfease
19
00:01:21,81 --> 00:01:24,960
Decauiscacouldwexent
4 certain intluence.
20
00:01:26,03 --> 00:01:30,07
Buiditexomimgacccpted
MVESUGGEStIOnS}
21
00:01:30,132 --> 00:01:32,426
winen they agrece|
22
00:01:32,593 --> 00:01:36,263
witia how Ine allreachy
saw things in his mind.
23
00:01:42,269 --> 00:01:46,982
Tine PROF” WAS
to Shoot a feature film...
24
00:01:47,983 --> 00:01:50,402
anc tinen a IY movie as welll
25
00:01:50,527 --> 00:01:53,363
SO WO Clic) Mt.
26
00:01:54,448 --> 00:01:58,76
alltogetiverd
27
00:02:46,708 --> 00:02:50,253
FPIFSt We ShOk tne SCANGS
fOr ine Weare ti,
28
00:02:50,379 --> 00:02:54,49
Buitdtitenemwencralso
ALE WESCEMES
29
00:02:54,383 --> 00:02:57,678
nat KirAysaior came Up with
tor the TV version,
30
00:02:57,803 --> 00:03:00,514
Winch Was SUPPOSE!
to oe shorter,
31
00:03:00,681 --> 00:03:03,141
iinewimnalkSceme)
ett ihe post Office
32
00:03:03,266 --> 00:03:05,268
WAST t In tine feature film,
33
00:03:05,686 --> 00:03:11,900
SO tn@Me @ 1EW SNO"S
spechically tor the 1V version,
34
00:03:12,25 --> 00:03:15,862
lout generally evaryhing snot
WAS fOr ine (eae iim,
35
00:03:19,991 --> 00:03:23,370
VNME
4 iDed jorocuceiion Grew
36
00:03:23,495 --> 00:03:29,209
ane otiner stati’ tina client change,
37
00:03:29,376 --> 00:03:32,838
SOROMINAtinekeinematocgnarinenrs
ane actors changed.
38
00:03:32,963 --> 00:03:36,49
Ano sings | knew tine crew
39
00:03:36,425 --> 00:03:39,52
ancl || allso knew Kraysaior,
40
00:03:39,553 --> 00:03:44,599
une WOK WAS Orelinany
anc] uneventtiul.
41
00:03:44,933 --> 00:03:48,353
KGASAIOMalkechyenyglitt em
42
00:03:49,730 --> 00:03:53,66
lout nee! listen
LONGITEKE MESUGGSStIONS
43
00:03:53,817 --> 00:03:58,321
Onl.
AK
a vay
44
00:03:58,447 --> 00:04:00,866
wnat Ne tak was needed.
45
00:04:02,75 --> 00:04:04,202
Als 2 GmeGionr
46
00:04:04,327 --> 00:04:06,747
Mayet a ‘ee
Sorsecuhic
47
00:04:06,872 --> 00:04:10,459
Kinet tne Chirerant cinemetographers
didn’t need! to talk together.
48
00:04:10,584 --> 00:04:16,06
rie el lnirec] cach Of Us
for a speciiic reason ancl purpose.
49
00:04:16,423 --> 00:04:19,676
Eachauinitaya’s}
4 selitcontainec whole.
50
00:04:19,801 --> 00:04:25,265
SO the Ginemeatograpners
clidin’t Witheachnothierr
51
00:04:25,432 --> 00:04:28,935
WlOUG! OF GCOUrSe
WeEKGiGCimeceWithhtheractonrss
52
00:04:30,479 --> 00:04:33,940
Un ayy nat LUOEGSZMUKO
AMONG (PAV MARS ZAQO OSA
53
00:04:35,442 --> 00:04:39,404
rie Gave & lot of thought
54
00:04:39,654 --> 00:04:41,782
fio the casting.
55
00:04:41,907 --> 00:04:46,286
We tallkkec! aloourt
WINORS NOU Aol avatinememalenleach
56
00:04:54,461 --> 00:04:59,299
Our talks weren't long.
57
00:04:59,508 --> 00:05:01,927
here ware no long cliscussions
witin Kraysziof,
58
00:05:02,52 --> 00:05:06,139
Fie knew winatt he wanttee! tio clo,
SO Wnere Was No cliscussion.
59
00:05:23,907 --> 00:05:26,368
In terms or the chiy itsellr...
60
00:05:27,160 --> 00:05:30,121
you we tront
of a cepariment store
61
00:05:30,247 --> 00:05:32,249
in cownitowmn Warsaw!
62
00:05:32,374 --> 00:05:34,626
winen Lulbaszaniko goes home
63
00:05:34,751 --> 00:05:37,170
hin GAZMA SZAYOOKOUISKA
64
00:05:37,337 --> 00:05:40,48
Wheat WAS Shot COCUmMaNnENTy-SiMe:
65
00:05:40,215 --> 00:05:44,553
We shot tak
Just as @ bus joulllec/ yp.
66
00:05:56,690 --> 00:06:00,151
Anal tie other clyscape =
67
00:06:00,527 --> 00:06:05,323
Well, two scenes
where you could sense the city
68
00:06:05,448 --> 00:06:07,492
WHE at ine POSt ONTEE...
69
00:06:09,369 --> 00:06:11,621
ane tne QMOCHY StOVe.
70
00:06:12,38 --> 00:06:15,417
BUM ESIOU SK
WAS OMY IniMested
71
00:06:15,542 --> 00:06:18,545
In Wihnet Was happening
loSeuveen tine two Characters.
72
00:06:18,670 --> 00:06:22,132
Anyining you might call
73
00:06:22,757 --> 00:06:26,219
ExiPANEOUS to tihatt =
which others often include =
74
00:06:26,386 --> 00:06:28,430
he elosoluttaly etvolcledl,
75
00:06:28,555 --> 00:06:32,475
nes. st ne Speckle atueton
DEIVCe MEINE MWoOKehraracterss
76
00:06:45,697 --> 00:06:50,410
KPA SOE muiSiomecnit
ASTAMC alliSUCEStOHY,
77
00:06:50,577 --> 00:06:53,538
Incorporating cenain elements
78
00:06:53,663 --> 00:06:56,416
cnosen witille wa scouted! locations,
79
00:06:56,541 --> 00:06:58,01
RIOWSVEL...
80
00:06:59,169 --> 00:07:04,591
Wwe Geekdled to introgluee
ine Golor red in Geran SsGenes.
81
00:07:04,966 --> 00:07:07,719
SO Min tne Young man's Aparineant,
82
00:07:07,844 --> 00:07:11,181
AVcole oth,
COVES tne tAESCOVE.
83
00:07:11,598 --> 00:07:14,601
And in GraZgma's aparine;nt
84
00:07:14,893 --> 00:07:19,648
inane 8 (EC! YAUT,
WE CAUSES ENMAKE MAQESIES:
85
00:07:19,773 --> 00:07:23,151
Tine Only DIaACe WiNnere
WexChanGeckiinewopySicallisetting
86
00:07:23,276 --> 00:07:25,320
nO Inimrocluce Some rec!
87
00:07:25,445 --> 00:07:28,281
Wastinktinekstainway)
of Graamea’s louiillcling,
88
00:07:28,406 --> 00:07:31,534
Wie EMVVeEnOa lea
ine GIASS
89
00:07:31,660 --> 00:07:36,39
nats the only iInstanee
WeECRARG Ea
90
00:07:36,164 --> 00:07:39,626
ine actual pliysicall surrouncings.
91
00:07:56,226 --> 00:07:59,396
We all nae]
Hieneoeks tim tn ming.
92
00:07:59,521 --> 00:08:02,357
Vie yyouIG! loe nara! Mov wo;
93
00:08:02,482 --> 00:08:06,403
BUN tne Problem wes
thet the apartment =
94
00:08:06,695 --> 00:08:10,865
The whole thing
was set in Stenwki,
95
00:08:10,991 --> 00:08:13,493
nuitin tine large common areas.
96
00:08:13,660 --> 00:08:18,498
UG Or LT) WRENN NGF
Were tiled in a tew chirerant HaCEs.
97
00:08:18,623 --> 00:08:22,02
wes alll implice! through ecliting.
98
00:08:22,419 --> 00:08:27,549
Lubaszenio's apanment
Waskaacwalksmallaoarument
99
00:08:27,674 --> 00:08:30,510
IMaAlaVVYeMenleo|
on Weatlorzyska Sireet,
100
00:08:31,11 --> 00:08:33,972
ang tine facade wine WAY)
101
00:08:34,97 --> 00:08:36,99
Wasmieahioo!
102
00:08:36,224 --> 00:08:38,268
Ut GrAZING'S Eparaneit
103
00:08:38,393 --> 00:08:41,271
Aine! GVA YIUNG WWE SBE
ihrovon her vinclow
104
00:08:41,396 --> 00:08:43,940
mned a 2 VIE
VANS AVAS OUT)
105
00:08:44,65 --> 00:08:46,901
We built a special polation
106
00:08:47,27 --> 00:08:51,197
tO give the inipression
Ofakcentalinke Evationkandkdistamees
107
00:09:01,750 --> 00:09:06,796
Or We Wheielienvalcnesien
trough her vuinclowy,
108
00:09:06,921 --> 00:09:11,09
We built a speclal jlaiiorm,
109
00:09:11,259 --> 00:09:14,971
iene ide room
(Oman OMOMecame rau movVeme nt
110
00:09:15,96 --> 00:09:20,810
inet ll sah ou" fou oul
MOMMMERS TAN
111
00:09:21,770 --> 00:09:24,439
Tere Ware three or tour locations
112
00:09:24,564 --> 00:09:27,692
inant alll hac! to appear to le One.
113
00:09:27,817 --> 00:09:31,71
We hac! to figure our
now to accomplish that.
114
00:09:33,31 --> 00:09:36,201
As ror the megnitving Gise
115
00:09:36,326 --> 00:09:38,411
in ner VeinClouy,
116
00:09:38,578 --> 00:09:41,498
WWZYBZIOY CANE YO Win nA NBA.
117
00:09:43,249 --> 00:09:47,754
Since Graama's apanment
was filmed! in various locations,
118
00:09:47,879 --> 00:09:51,132
SOMEPGEeMUVINGKele me mt
119
00:09:51,257 --> 00:09:53,676
tina woul! tle tinenn togetiner.
120
00:09:53,802 --> 00:09:57,263
That cise hung
on the facacle of the buillcling
121
00:09:57,514 --> 00:09:59,974
on WeHinZysKa Sect,
122
00:10:00,100 --> 00:10:04,312
eine! ten We @ a o used
at ine VIB.
123
00:10:10,151 --> 00:10:14,614
KizysZior had everyining in his head.
ht all carerully Hlaminedl,
124
00:10:14,989 --> 00:10:17,617
ere Was ho improvising.
125
00:10:17,784 --> 00:10:22,288
Even Winen tine actress tile] =
126
00:10:23,373 --> 00:10:27,293
Wien she wanted tio suggest
something cliiverent...
127
00:10:29,629 --> 00:10:32,90
Wwe cl ClO anowner tals.
128
00:10:32,215 --> 00:10:36,136
ried saly, “ Iihat One was Tor you.
Now tinis one’s tor me.”
129
00:10:36,261 --> 00:10:38,638
WWEXCKdoFainotinemtake
amd ihe woullel sary,
130
00:10:38,763 --> 00:10:41,391
hat Was panily tor me
ancl partly for you.
131
00:10:41,516 --> 00:10:43,768
132
00:10:43,893 --> 00:10:46,813
iinatcs now ihe mace tins film.
133
00:10:59,367 --> 00:11:03,663
tite) We Went aloount
working on this film
134
00:11:04,164 --> 00:11:09,502
GAVE MS 4 SENSS OF SECU,
135
00:11:10,378 --> 00:11:13,339
Ine Waly Ine putt it alll togetiner,
136
00:11:13,464 --> 00:11:15,758
ane! procseciec] scene low scene,
137
00:11:15,884 --> 00:11:18,469
AMGKtAIKeCRMithhtnekactonskancmnne
138
00:11:18,595 --> 00:11:21,681
Allll GAVE MNS tne reeling
l was taking part...
139
00:11:23,433 --> 00:11:26,978
in something imporant
tO fly Own work
140
00:11:27,103 --> 00:11:29,772
andl tine tilins Ic Go on to malke.
9906
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