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- Good evening. I'm Vic Michaelis.
- And I'm The Letterman.
- Back with another edition of...
Very Important People. - Vegetables In Pasta.
- Hi, I'm Tamar.
- Hi, I'm Alex.
- And this is "Last Looks".
- What does it say?
- Even in the afterlife,
I've seen nothing quite as spooky as your eyesight.
- Okay, well that's...
Don't mug to camera.
- Zac Oyama...
What did we even call his character?
Long hair- - Person?
- Person.
- Well, I think we were both really conscious
of approaching Zac.
He was such a fan favorite last year.
They loved his character.
And so we wanted to give him something new
to transform into.
- Just holding handfuls of hair.
- Help!
- This was a look that we were so excited about
from the first season.
Originally, the concept was to have the ex step-grandmother
have super, super, super long hair,
and super, super long fingernails and toenails.
- And we were concerned that it was
gonna limit her performance.
- Cut to season two.
And where do we go from Tommy Shriggly?
- I'm too scared and shy.
- You just spent so much time telling me
how you wanted to be the center of attention.
- I know. That's why it's so hard.
- It was really important to us
that the hair would actually trail on the ground.
- That was, I believe,
four different wigs sewn together,
and ladders built down the side.
I had hired a friend, Regina, to help me,
and we ended up adding fabric inside the wig,
where we then sewed weft on as a support structure
for the wig itself.
And then also to give us that length,
because there's only so much hair
that was being held on the base of that cap of the wig.
- This is so much hair.
I'm a Korean spa ghost.
Right? That's what this is?
- Our first season.
he was probably one of the longest makeups that we did,
and the most consuming and the most constrictive.
He lost his hearing,
because it was so much prosthetics built up.
And this one, he sat down, it's probably a 30 minute makeup,
and then we said we were done.
He was like, "Wait, what?
That's it?"
- All right, well... - Cool.
- And so we didn't put the wig on until his reveal,
so right before camera started rolling,
he was just like,
"Did you even do anything in this chair?"
- Oh, no!
I just inhaled some hair.
- His episode, it was kind of a fever dream actually,
because of the amount of improv that ended up happening,
not just from Vic and Zac, but also from our crew,
and how much the camera department
has to improvise and kind of move around the cameras.
Back behind Video Village,
it's Paul, me, David,
Santi our DP, and our script supervisor, Johnny.
And kind of all of us are working together
to make sure that Santi's communicating
with his camera department,
and Johnny's trying to keep everything
on track and consistent.
And it's just like such a dance behind the camera.
And I think Zac's episode is such a testament
to how gung-ho everyone is,
just to think quick on their feet.
- Hey, we're fine. We're fine.
- You gotta outrun them for two.
- You gotta outrun who?
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