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1
00:00:05,538 --> 00:00:07,440
*
2
00:00:13,546 --> 00:00:15,515
HEY GAGE,
YOU READ THIS MORNING’S PAPER?
3
00:00:15,615 --> 00:00:18,318
DOES IT LOOK LIKE I’VE
HAD THE CHANCE?
4
00:00:18,418 --> 00:00:20,487
YOUR IRISH STEW
BOILED OVER, REMEMBER?
5
00:00:20,587 --> 00:00:22,522
WELL THAT’S NOT ALL
THAT’S BEEN COOKING.
6
00:00:31,164 --> 00:00:33,400
WOULDN’T YOU KNOW IT?
HE DID IT AGAIN.
7
00:00:34,501 --> 00:00:35,602
WHO DID WHAT?
8
00:00:35,702 --> 00:00:37,170
MR. WONDERFUL.
9
00:00:37,270 --> 00:00:39,139
TOM WHEELER, THE WORLD’S
GREATEST PARAMEDIC,
10
00:00:39,239 --> 00:00:40,674
FROM STATION 110.
HMM.
11
00:00:41,775 --> 00:00:44,077
PARAMEDIC RESCUES CHILD.
12
00:00:44,177 --> 00:00:45,412
YOU KNOW, THAT’S THE THIRD
TIME THIS MONTH
13
00:00:45,512 --> 00:00:46,613
THAT WHEELER’S MADE THE PAPER.
14
00:00:46,713 --> 00:00:47,714
A CHILD STUCK IN A TREE--
15
00:00:47,814 --> 00:00:49,215
THAT’S GREAT HUMAN INTEREST.
16
00:00:49,315 --> 00:00:50,650
YEAH.
THE QUESTION IS,
17
00:00:50,750 --> 00:00:53,019
"HOW COME YOU GUYS
NEVER GET WRITTEN UP?"
18
00:00:53,119 --> 00:00:55,321
DO YOU KNOW
WHAT WE WERE DOING
19
00:00:55,422 --> 00:00:58,425
SAME TIME HE WAS MAKING THAT
BIG, SPECTACULAR RESCUE?
20
00:00:58,525 --> 00:01:00,560
THAT’S NOT THE POINT,
GAGE, MY BOY.
21
00:01:00,660 --> 00:01:02,829
IT’S WHAT YOU WEREN’TDOING.
22
00:01:02,929 --> 00:01:05,298
YOU, UH, NOTICE WHO WROTE IT.
23
00:01:05,398 --> 00:01:08,201
OH, NONE OTHER
THAN CARL EVANS.
MMM.
24
00:01:08,301 --> 00:01:10,370
EVANS MUST HAVE A THING
FOR WHEELER.
25
00:01:10,470 --> 00:01:13,073
YOU TELL ME WHICH
MAKES A BETTER NEWS STORY--
26
00:01:13,173 --> 00:01:14,307
A 20-FOOT TREE
27
00:01:14,407 --> 00:01:16,376
OR A 200-FOOT CRACKING TOWER
28
00:01:16,476 --> 00:01:19,713
WITH A CARDIAC ARREST
HALFWAY DOWN THE INSIDE.
29
00:01:19,813 --> 00:01:21,181
I DON’T KNOW, JOHNNY.
30
00:01:21,281 --> 00:01:22,782
GIVE ME A MINUTE
TO THINK ABOUT THAT.
31
00:01:24,217 --> 00:01:26,586
( loud buzzing )
32
00:01:28,288 --> 00:01:29,456
Male Dispatcher over P.A.:
SQUAD 51,
33
00:01:29,556 --> 00:01:31,725
MEET ENGINE 110AT THE STATION DOCK.
34
00:01:31,825 --> 00:01:34,260
BOATING ACCIDENTWITH UNKNOWN INJURIES.
35
00:01:34,361 --> 00:01:36,162
SQUAD 110 IS NOT AVAILABLE.
36
00:01:36,262 --> 00:01:37,664
TIME OUT--9:10.
37
00:01:37,764 --> 00:01:39,399
SQUAD 51, 10-4.
38
00:01:39,499 --> 00:01:41,401
( indistinct )
...WHEELER GETTIN’
ALL THE PUBLICITY,
39
00:01:41,501 --> 00:01:43,670
WE’RE TAKING ALL
OF HIS CALLS NOW.
40
00:01:43,770 --> 00:01:46,272
I DON’T IMAGINE THE VICTIM
WILL CARE WHETHER IT’S WHEELER
OR US.
41
00:01:46,373 --> 00:01:47,574
MAYBE ON THE NEWS,
NOW THIS EVANS
42
00:01:47,674 --> 00:01:49,275
WILL CATCH YOU GUYS
IN ACTION THIS TIME.
43
00:01:49,376 --> 00:01:50,744
DON’T COUNT ON IT.
44
00:01:50,844 --> 00:01:52,479
( indistinct ) FOR YA.
45
00:01:52,579 --> 00:01:54,481
*
46
00:02:06,326 --> 00:02:08,361
( siren blaring )
47
00:02:24,511 --> 00:02:27,614
Roy: SQUAD 51
AT STATION 110.
48
00:02:27,714 --> 00:02:30,650
Dispatcher: SQUAD 51,TIME 9:15.
49
00:02:33,720 --> 00:02:35,588
WE’VE GOT A SCHOONER
TWO MILES OUT,
50
00:02:35,689 --> 00:02:37,390
COMIN’ BACK FROM CATALINA.
FROM WHAT WE COULD GET,
51
00:02:37,490 --> 00:02:39,626
ONE OF THE CREW
HAS A BAD HEAD INJURY.
52
00:02:39,726 --> 00:02:41,494
I’LL GET THE SPLINT
BOX HERE.
53
00:02:41,594 --> 00:02:43,363
IS THE BOAT ON ITS WAY IN?
54
00:02:43,463 --> 00:02:44,764
THEY BECALMED,
AND THE ENGINE’S CONKED OUT.
55
00:02:44,864 --> 00:02:47,400
I’VE GOT A HARBOR
PATROL BOAT STANDING BY.
56
00:02:50,804 --> 00:02:52,272
Gage:
WHERE’S WHEELER?
57
00:02:52,372 --> 00:02:54,007
THEY HAD TO RUN
ABOUT FIVE MINUTES
58
00:02:54,107 --> 00:02:55,275
BEFORE WE GOT THE CALL
ON THIS ONE.
59
00:02:55,375 --> 00:02:56,976
SOME KID INJURED.
60
00:02:57,077 --> 00:02:58,378
AH, HER FINGER’S STUCK
61
00:02:58,478 --> 00:03:00,413
IN THE HANDLEBARS
ON HER BICYCLE.
62
00:03:15,462 --> 00:03:17,997
OKAY.
OKAY.
63
00:03:18,098 --> 00:03:19,466
( indistinct chattering )
64
00:03:21,835 --> 00:03:23,703
( siren blaring )
65
00:03:24,971 --> 00:03:27,340
( indistinct chattering )
66
00:03:43,423 --> 00:03:45,892
AH, THIS IS DEL REY
HARBOR PATROL
67
00:03:45,992 --> 00:03:47,727
CALLING THE SCHOONER ISABELLE.
68
00:03:47,827 --> 00:03:49,362
COME IN, ISABELLE.
69
00:03:49,462 --> 00:03:51,231
Man over Radio:
THIS IS THE SCHOONERISABELLE.
70
00:03:51,331 --> 00:03:52,632
OVER.
71
00:03:52,732 --> 00:03:55,035
ISABELLE, WE’VE JUST
CLEARED THE BREAKWATER
72
00:03:55,135 --> 00:03:57,470
AND WE’RE STEERING A HEADING
OF 180.
73
00:03:57,570 --> 00:03:59,806
CAN YOU GIVE US
YOUR APPROXIMATE POSITION?
OVER.
74
00:03:59,906 --> 00:04:03,376
I’D LIKE TO,BUT THIS IS THE FIRSTTIME I’VE BEEN OUT.
75
00:04:03,476 --> 00:04:05,779
ISABELLE,
CAN YOU SEE LAND?
76
00:04:05,879 --> 00:04:09,349
YEAH, WE’RE POINTING RIGHTAT A WIDE PIECE OF BARE LAND.
77
00:04:09,449 --> 00:04:11,718
THERE’S A BUNCH OF HOUSESON EACH SIDE OF IT.
78
00:04:11,818 --> 00:04:13,353
L.A.X. RUNWAY.
79
00:04:13,453 --> 00:04:16,423
SCAN LEFT ABOUT 15 DEGREES.
80
00:04:19,325 --> 00:04:20,593
GOT HIM!
81
00:04:20,694 --> 00:04:23,363
BLACK HULL.
IT’S A BIG ONE.
82
00:04:23,463 --> 00:04:25,932
UH, ISABELLE,
WE HAVE YOU SIGHTED.
83
00:04:26,032 --> 00:04:27,534
STAND BY.
84
00:04:27,634 --> 00:04:29,235
MAKE IT QUICK.I DON’T KNOW HOW LONG
85
00:04:29,336 --> 00:04:30,904
HE’S GONNA LAST UP THERE.
86
00:04:31,004 --> 00:04:32,839
WHAT’D HE MEAN BY THAT?
87
00:04:32,939 --> 00:04:34,374
JUST WHAT HE SAID.
88
00:04:34,474 --> 00:04:35,709
TAKE A LOOK.
89
00:04:38,878 --> 00:04:40,780
*
90
00:05:01,568 --> 00:05:03,470
*
91
00:05:09,042 --> 00:05:11,811
( no audible dialogue )
92
00:05:39,873 --> 00:05:41,775
*
93
00:06:03,263 --> 00:06:04,964
WHAT HAPPENED?
94
00:06:05,065 --> 00:06:07,701
WELL WHEN THE WIND DIED,
DON--HE’S THE SKIPPER--
95
00:06:07,801 --> 00:06:09,169
HE WANTED TO DROP THE SAILS.
96
00:06:09,269 --> 00:06:11,037
THEY WERE FLOPPING AROUND
TOO MUCH.
97
00:06:11,137 --> 00:06:13,340
ANYWAY, THE MAIN HALYARD
GOT STUCK UP IN THE BLOCK
UP THERE.
98
00:06:13,440 --> 00:06:16,176
AND HE WENT UP
TO TRY TO FREE IT.
THAT’S WHEN HE GOT IT.
99
00:06:16,276 --> 00:06:17,711
THE GAFF,
I THINK HE CALLED IT,
100
00:06:17,811 --> 00:06:19,379
CAME SWINGING DOWN
AND CAUGHT HIM IN THE HEAD.
101
00:06:19,479 --> 00:06:21,014
YOU’RE NOT THE WHOLE CREW,
ARE YA?
102
00:06:21,114 --> 00:06:22,716
OH, I MIGHT AS WELL BE.
103
00:06:22,816 --> 00:06:24,117
THE OTHER’S BELOW, SEASICK.
104
00:06:24,217 --> 00:06:26,086
I TRIED TO FREE HIM--
105
00:06:26,186 --> 00:06:28,755
I GOT A PIECE OF LINE
AND TIED HIM UP TO THE RIGGING
THE BEST I COULD.
106
00:06:28,855 --> 00:06:30,423
YOU HAVE ANY KIND
OF HOIST CHAIR ABOARD?
107
00:06:30,523 --> 00:06:33,193
YEAH, I THINK HE CALLED IT
A BOATSWAIN’S CHAIR.
108
00:06:33,293 --> 00:06:34,928
IT’S IN THE BACK CABIN.
109
00:06:35,028 --> 00:06:37,030
I’LL GO UP
AND CHECK ON THE PATIENT.
110
00:06:38,565 --> 00:06:39,799
I FIGURE IF WE
CAN GET THAT JAMMED
111
00:06:39,899 --> 00:06:41,434
BLOCK LOOSE
AND DROP THAT SAIL,
112
00:06:41,534 --> 00:06:43,169
WE CAN USE THE TACKLE
TO GET HIM DOWN.
113
00:06:43,269 --> 00:06:44,237
I’LL BUY THAT.
114
00:06:44,337 --> 00:06:46,773
*
115
00:06:50,844 --> 00:06:53,513
WE HAD THREE GREAT DAYS
AT THE ISTHMUS.
116
00:06:53,613 --> 00:06:55,749
IT’S HARD TO BELIEVE
IT’D END UP LIKE THIS.
117
00:06:55,849 --> 00:06:59,119
THREE-MAN CREW
ON A 90-FOOT SCHOONER?
118
00:06:59,219 --> 00:07:01,388
TWO OF ’EM INEXPERIENCED.
119
00:07:01,488 --> 00:07:03,957
NO, IT’S NOT
HARD TO BELIEVE AT ALL.
120
00:07:09,195 --> 00:07:10,196
( grunts )
121
00:07:13,466 --> 00:07:15,602
*
122
00:07:29,482 --> 00:07:31,885
( grunting )
123
00:07:37,357 --> 00:07:38,625
...HIS HEAD UP HERE.
124
00:07:45,832 --> 00:07:48,101
RIGHT PUPIL’S SLIGHTLY
DILATED.
125
00:07:49,936 --> 00:07:51,438
LEFT PUPIL’S ALL THE WAY DOWN.
WE BETTER HURRY.
126
00:07:51,538 --> 00:07:53,540
OKAY.
127
00:07:53,640 --> 00:07:55,342
WHY DON’T YOU PUT THIS
BOATSWAIN’S CHAIR AROUND HIM?
128
00:07:55,442 --> 00:07:57,110
OKAY.
129
00:07:57,210 --> 00:08:00,013
WE’RE GONNA
NEED A NECK SPLINT.
( panting )
130
00:08:00,113 --> 00:08:02,115
YOU GET ME A NECK SPLINT
OUT OF THAT BLACK BOX?
131
00:08:04,284 --> 00:08:06,586
YEAH, THAT’S THE ONE.
AND THE AIR PUMP
ALONG WITH IT.
132
00:08:18,164 --> 00:08:20,667
OKAY.
( mutters)
133
00:08:22,035 --> 00:08:24,170
*
134
00:08:48,595 --> 00:08:50,063
OKAY.
135
00:08:52,599 --> 00:08:53,967
( mutters )
136
00:08:55,101 --> 00:08:56,169
OKAY.
137
00:09:09,616 --> 00:09:11,184
THERE YA ARE!
138
00:09:22,662 --> 00:09:25,065
OKAY, I’LL LOOSEN
THIS BLOCK.
139
00:09:35,008 --> 00:09:37,077
( rigging squeaking )
WATCH IT!
140
00:09:37,177 --> 00:09:38,211
( clattering )
141
00:09:46,453 --> 00:09:48,154
OKAY, EVEN IT OUT.
142
00:09:51,157 --> 00:09:52,092
CAN YOU GET OFF?
143
00:09:52,192 --> 00:09:54,260
YEAH, BUT I’D BETTER
RIDE IT DOWN.
144
00:09:54,361 --> 00:09:57,063
BETTER LET HER DOWN EVEN.
145
00:09:57,163 --> 00:09:59,299
( pulley squeaking )
146
00:10:18,785 --> 00:10:20,987
HE’S IN AND OUT OF COMA.
147
00:10:21,087 --> 00:10:23,423
JOHNNY’S IMMOBILIZED
HIS HEAD.
148
00:10:23,523 --> 00:10:25,592
ONCE WE GET HIM DOWN,
WE CAN...
149
00:10:25,692 --> 00:10:27,761
HOOK A BLOCK TO THAT BOOM.
150
00:10:29,629 --> 00:10:30,697
IT’LL HOLD THE STOKES
151
00:10:30,797 --> 00:10:32,465
TO GET HIM
INTO THAT RESCUE BOAT.
152
00:10:32,565 --> 00:10:35,135
I WAS AFRAID FOR A SECOND THERE,
WE’D BE MOPPING YOU UP.
153
00:10:35,235 --> 00:10:37,804
YEAH.
SAME THING CROSSED MY MIND.
154
00:10:49,349 --> 00:10:51,317
( pulley squeaking )
155
00:11:10,370 --> 00:11:12,238
( panting )
156
00:11:13,807 --> 00:11:16,242
Roy: HOW’S HE DOING?
WORSE.
157
00:11:16,343 --> 00:11:17,677
RESPIRATION’S SLOW.
158
00:11:17,777 --> 00:11:20,046
PULSE ABOUT 60.
159
00:11:20,146 --> 00:11:21,548
HE KEEPS DRIFTING
IN AND OUT.
160
00:11:21,648 --> 00:11:23,083
TIME’S EVERYTHING,
161
00:11:23,183 --> 00:11:24,684
AND HE PICKS THE MIDDLE
OF THE OCEAN
162
00:11:24,784 --> 00:11:25,852
TO GET CLOBBERED.
163
00:11:27,520 --> 00:11:29,723
I’LL USE THIS LINE
UNDERNEATH HIS BOATSWAIN’S CHAIR
164
00:11:29,823 --> 00:11:31,391
AS A FOOTHOLD TO CARRY HIM
ON THE WAY DOWN.
165
00:11:31,491 --> 00:11:32,392
UH-UH.
166
00:11:32,492 --> 00:11:33,560
I’LL DO IT.
167
00:11:33,660 --> 00:11:35,395
DIDN’T ANYONE EVER TELL YOU
168
00:11:35,495 --> 00:11:36,963
ABOUT THE HAZARDS
OF VOLUNTEERING?
169
00:11:37,063 --> 00:11:38,865
TELL ME ABOUT IT
SOMETIME.
170
00:11:43,803 --> 00:11:45,872
( pulley squeaking )
171
00:11:47,040 --> 00:11:48,842
OKAY, BRING HIM DOWN.
172
00:12:09,696 --> 00:12:11,865
PUT THAT STRETCHER
RIGHT BELOW US.
173
00:12:17,404 --> 00:12:18,304
( sighs )
174
00:12:22,342 --> 00:12:24,778
LAY HIM ON HIS SIDE,
FACE DOWNWARD.
175
00:12:24,878 --> 00:12:27,213
ISN’T THAT KIND OF
UNCOMFORTABLE FOR HIM?
176
00:12:27,313 --> 00:12:29,416
PROBABLY, BUT IF WE
KEEP HIM FROM ASPIRATING,
177
00:12:29,516 --> 00:12:30,917
IT’LL SAVE HIS LIFE.
178
00:12:31,885 --> 00:12:33,520
MEAN IT’S THAT BAD?
179
00:12:33,620 --> 00:12:35,188
HE’S REALLY HURT THAT BAD?
180
00:12:44,364 --> 00:12:46,666
MAYBE I SHOULD’VE
LET YOU RIDE DOWN.
181
00:12:46,766 --> 00:12:49,135
YEAH, TELL ME ABOUT IT
SOMETIME.
182
00:12:50,370 --> 00:12:52,472
( indistinct chattering
on radio )
183
00:12:54,474 --> 00:12:56,843
WE’LL GIVE HIM A MORE THOROUGH
EXAMINATION ON THE WAY IN.
184
00:12:56,943 --> 00:12:59,179
RIGHT NOW TIME
IS MOST IMPORTANT.
185
00:13:07,387 --> 00:13:09,122
( indistinct chattering
on radio )
186
00:13:09,222 --> 00:13:10,290
WHERE ARE YOU TAKING HIM?
187
00:13:10,390 --> 00:13:11,791
RAMPART EMERGENCY.
188
00:13:11,891 --> 00:13:13,793
WHAT ABOUT US?
THE BOAT?
189
00:13:13,893 --> 00:13:15,929
WELL THE HARBOR PATROL
WILL PICK YOU UP.
190
00:13:16,863 --> 00:13:18,832
AND MY ABLE CREW.
191
00:13:30,877 --> 00:13:34,381
THAT WHAT YOU MEDICAL TYPES
CALL "ASPIRATING"?
192
00:13:34,481 --> 00:13:35,782
OH, SHE’LL SURVIVE.
193
00:13:35,882 --> 00:13:38,318
BUT MY PARTNER,
I’M NOT SO SURE.
194
00:13:38,418 --> 00:13:41,488
( siren blaring )
Roy: RAMPART BASE,
THIS IS RESCUE 51.
195
00:13:43,023 --> 00:13:45,792
RAMPART BASE,THIS IS RESCUE 5-1.
196
00:13:45,892 --> 00:13:47,660
GO AHEAD, 51.
197
00:13:47,761 --> 00:13:50,063
RAMPART, WE HAVEA MALE VICTIM,
198
00:13:50,163 --> 00:13:51,731
APPROXIMATE AGE: 25.
199
00:13:51,831 --> 00:13:53,800
HE SUFFERED A SEVEREBLOW IN THE HEAD.
200
00:13:53,900 --> 00:13:56,436
VITAL SIGNS
ARE BLOOD PRESSURE:
201
00:13:56,536 --> 00:13:58,738
140 OVER 70.
202
00:13:58,838 --> 00:14:00,640
PULSE RATE, 55.
203
00:14:00,740 --> 00:14:02,609
RESPIRATION, 8.
204
00:14:02,709 --> 00:14:04,144
THE LEFT PUPIL IS NORMAL.
205
00:14:04,244 --> 00:14:06,613
THE RIGHT PUPIL
IS SLIGHTLY DILATED.
206
00:14:06,713 --> 00:14:08,548
STILL REACTIVE, HOWEVER.
207
00:14:08,648 --> 00:14:11,184
THE PATIENT IS DRIFTINGIN AND OUT OF COMA.
208
00:14:11,284 --> 00:14:14,120
51, CHECK FOR BLOOD
OR CEREBRAL SPINAL FLUID
209
00:14:14,220 --> 00:14:15,522
IN THE NOSE AND EARS.
210
00:14:15,622 --> 00:14:17,791
RAMPART,
NEGATIVE ON THE FLUID.
211
00:14:17,891 --> 00:14:19,259
10-4, 51.
212
00:14:19,359 --> 00:14:21,795
START A SLOW DRIP,
INTRAVENOUS--D5W.
213
00:14:21,895 --> 00:14:22,929
ADMINISTER NOT OTHER DRUGS,
214
00:14:23,029 --> 00:14:24,364
AND GET HIM IN HERE FAST.
215
00:14:24,464 --> 00:14:25,732
10-4.
216
00:14:25,832 --> 00:14:28,768
E.T.A. IS APPROXIMATELY
25 MINUTES.
217
00:14:28,868 --> 00:14:30,570
25 MINUTES?
WHERE ARE YOU?
218
00:14:30,670 --> 00:14:32,505
RESCUE 51,
219
00:14:32,605 --> 00:14:35,709
WE ARE APPROXIMATE ONE MILE
WEST OF MARINA DEL REY
220
00:14:35,809 --> 00:14:36,843
BREAKWATER.
221
00:14:36,943 --> 00:14:39,646
10-4, 51.
DO THE BEST YOU CAN.
222
00:14:43,483 --> 00:14:45,719
IF THOSE TWO DON’T
GET INTO...
223
00:14:45,819 --> 00:14:47,520
( mutters )
224
00:14:47,620 --> 00:14:48,855
AND I HAVE A PATIENT
225
00:14:48,955 --> 00:14:50,390
WITH AN INCREASING
INTRACRANIAL PRESSURE
226
00:14:50,490 --> 00:14:52,759
THAT JUST MIGHT NEED
EVERY BIT OF THAT 25 MINUTES.
227
00:14:52,859 --> 00:14:54,728
OKAY, WHAT’S FIRST?
228
00:14:54,828 --> 00:14:56,529
JOE EARLY.
229
00:14:56,629 --> 00:14:58,531
HE’S TAKING SOME INTERNS
THROUGH THEIR PATIENTS.
230
00:14:58,631 --> 00:15:00,834
GET HIM IN HERE,
TELL HIM TO BRING HIS
STUDENTS WITH HIM.
231
00:15:00,934 --> 00:15:02,302
THEY JUST MIGHT
LEARN SOMETHING.
232
00:15:02,402 --> 00:15:04,337
THEN HAVE X-RAY SET UP
A FULL SKULL SERIES.
233
00:15:04,437 --> 00:15:05,405
ECHOENCEPHALOGRAM,
234
00:15:05,505 --> 00:15:06,873
CAROTID ANGIOGRAPHY.
235
00:15:06,973 --> 00:15:08,575
WE’LL TAKE HIM IN EMERGENCY
TREATMENT FIRST.
236
00:15:08,675 --> 00:15:10,610
HAVE THEM READY FOR INTUBATION,
IF NECESSARY.
237
00:15:10,710 --> 00:15:13,013
WHERE DO I FIND YOU?
IN MY OFFICE.
238
00:15:13,113 --> 00:15:15,348
THAT OTHER PROBLEM HASN’T
GONE AWAY YET, REMEMBER?
239
00:15:16,449 --> 00:15:17,484
OH, YEAH.
240
00:15:17,584 --> 00:15:19,452
MR. J. P. DUMONT.
241
00:15:19,552 --> 00:15:20,954
THE SAME.
242
00:15:21,054 --> 00:15:22,756
WELL TAKE IT EASY, KEL.
243
00:15:22,856 --> 00:15:25,458
HE’S ONE VERY INFLUENTIAL MAN.
244
00:15:26,693 --> 00:15:27,794
FUNNY--I’M NOT IMPRESSED.
245
00:15:27,894 --> 00:15:29,729
KEL, I’M SERIOUS.
246
00:15:29,829 --> 00:15:32,465
HE’S STILL FLINCHING AT THE WAY
YOU TREATED HIM YESTERDAY.
247
00:15:32,565 --> 00:15:34,534
THAT MAN CAN CAUSE A LOT
OF TROUBLE FOR YOU
248
00:15:34,634 --> 00:15:35,669
ANDTHE HOSPITAL.
249
00:15:35,769 --> 00:15:37,437
OH, WHAT DO YOU
SUGGEST I DO?
250
00:15:37,537 --> 00:15:39,472
BOW, SCRAPE,
AND BEG HIS FORGIVENESS?
251
00:15:39,572 --> 00:15:40,907
NO.
252
00:15:41,007 --> 00:15:44,277
JUST BE CHARMING,
DIPLOMATIC, AND WARM.
253
00:15:44,377 --> 00:15:45,612
SORRY.
254
00:15:45,712 --> 00:15:47,881
THEY DIDN’T TEACH THOSE SUBJECTS
IN MEDICAL SCHOOL.
255
00:15:47,981 --> 00:15:50,650
NOT SUBJECTS, KEL--
VIRTUES.
256
00:15:51,818 --> 00:15:52,819
OKAY, I’LL TRY.
257
00:15:52,919 --> 00:15:54,320
OKAY.
258
00:16:02,629 --> 00:16:03,697
MORNING, MR. DUMONT.
259
00:16:03,797 --> 00:16:06,332
OH, IS IT STILL MORNING?
260
00:16:06,433 --> 00:16:08,068
YOU KEPT ME WAITING SO LONG,
261
00:16:08,168 --> 00:16:10,337
I THOUGHT IT
MUST BE AFTERNOON BY NOW.
262
00:16:10,437 --> 00:16:12,038
SORRY. I WAS BUSY
WITH MY PATIENTS.
263
00:16:12,138 --> 00:16:13,807
I’M NOT HERE FOR ANYTHING,
DOCTOR,
264
00:16:13,907 --> 00:16:17,544
EXCEPT AN EXPLANATION FOR YOUR
OUTRAGEOUS CONDUCT YESTERDAY.
265
00:16:17,644 --> 00:16:19,546
THERE SEEMS TO BE A DIFFERENCE
OF OPINION ABOUT YESTERDAY,
266
00:16:19,646 --> 00:16:20,680
MR. DUMONT.
267
00:16:20,780 --> 00:16:22,716
AS I RECALL,
IT WAS YOUR ATTITUDE
268
00:16:22,816 --> 00:16:25,485
THAT CREATED THE DISTURBANCE.
AND I’M NOT HERE TO ARGUE,
BRACKETT.
269
00:16:25,585 --> 00:16:26,953
YOU HAVE TWO CHOICES:
270
00:16:27,053 --> 00:16:28,388
AN APOLOGY
271
00:16:28,488 --> 00:16:30,023
AND AN EXPLANATION
TO MY ASSOCIATES
272
00:16:30,123 --> 00:16:31,758
WHO WERE HERE
WITH ME YESTERDAY,
273
00:16:31,858 --> 00:16:34,294
OR THE BIGGEST
MALPRACTICE SUIT
274
00:16:34,394 --> 00:16:36,796
EVER SLAPPED ON A DOCTOR
IN THE HISTORY OF MEDICINE.
275
00:16:36,896 --> 00:16:38,398
LET’S GET SOMETHING STRAIGHT:
276
00:16:38,498 --> 00:16:40,667
THERE’S NOTHING
TO APOLOGIZE FOR.
277
00:16:40,767 --> 00:16:42,502
I GAVE YOU FACTS.
278
00:16:42,602 --> 00:16:44,738
IT’S JUST UNFORTUNATE THAT YOU
CHOSE TO BRING THE SUBJECT UP
279
00:16:44,838 --> 00:16:46,940
IN THE PRESENCE
OF YOUR ASSOCIATES.
NOW WAIT A MINUTE!
280
00:16:47,040 --> 00:16:48,408
NO, YOU WAIT A MINUTE!
281
00:16:48,508 --> 00:16:49,876
I DON’T KNOW WHAT IT IS
WITH YOU, DUMONT--
282
00:16:49,976 --> 00:16:51,411
YOU’RE EITHER
JUST PLAIN STUBBORN
283
00:16:51,511 --> 00:16:52,879
OR TOTALLY STUPID
IF YOU CAN’T FACE THE FACT
284
00:16:52,979 --> 00:16:54,914
THAT YOUR SON
IS AN EPILEPTIC.
HE IS NOT AN EPILEPTIC!
285
00:16:55,015 --> 00:16:56,383
HE IS!
286
00:16:56,483 --> 00:16:58,385
LOOK, THERE’S NOTHING
TO BE ASHAMED OF.
287
00:16:58,485 --> 00:17:00,420
RECOGNIZE IT.
LIVE WITH IT.
288
00:17:00,520 --> 00:17:02,422
LEARN TO UNDERSTAND
THAT IT’S JUST AN ILLNESS
289
00:17:02,522 --> 00:17:04,791
LIKE ANYTHING ELSE.
YOU DON’T KNOW THAT.
290
00:17:04,891 --> 00:17:06,826
YOU’RE USING IT AS AN EXCUSE
291
00:17:06,926 --> 00:17:08,995
TO COVER UP
YOUR TOTAL INCOMPETENCE!
292
00:17:09,095 --> 00:17:11,431
MY SO-CALLED
TOTAL INCOMPETENCE
293
00:17:11,531 --> 00:17:13,667
PULLED HIM THROUGH A VERY
DANGEROUS SITUATION.
294
00:17:13,767 --> 00:17:16,603
WHY DON’T YOU SWALLOW SOME
OF THAT FALSE PRIDE OF YOURS.
295
00:17:16,703 --> 00:17:18,605
HAD YOU ANSWERED ME
TRUTHFULLY YESTERDAY,
296
00:17:18,705 --> 00:17:20,273
YOUR SON WOULD’VE NEVER
UNDERGONE RESPIRATORY ARREST.
297
00:17:20,373 --> 00:17:21,808
OH, THAT’S IT, BRACKETT.
298
00:17:21,908 --> 00:17:22,942
PASS THE BUCK.
299
00:17:23,043 --> 00:17:24,110
WHO WAS IT--
GAVE HIM THE DRUGS
300
00:17:24,210 --> 00:17:25,945
THAT CAUSED HIM
TO STOP BREATHING?!
301
00:17:26,046 --> 00:17:27,947
DIAZEPAM IS ROUTINELY USED
302
00:17:28,048 --> 00:17:29,349
BY DOCTORS ALL OVER THE WORLD
303
00:17:29,449 --> 00:17:31,351
TO RELIEVE CONVULSIONS
AND SEIZURES.
304
00:17:31,451 --> 00:17:32,986
BUT FIRST WE CHECK
THE PATIENT’S HISTORY,
305
00:17:33,086 --> 00:17:35,989
WHICH I DID.
I ASKED YOU IF YOUR SON
WAS SUBJECT TO SEIZURES.
306
00:17:36,089 --> 00:17:37,691
YOU ASKED ME--
I ASKED YOU IF YOUR SON
307
00:17:37,791 --> 00:17:39,993
HAD BEEN TAKING ANY MEDICATION
LIKE DIAZEPAM.
308
00:17:40,093 --> 00:17:41,461
YOU LIED TO ME.
JUST A MINUTE!
309
00:17:41,561 --> 00:17:43,329
YOUR SON TOLD ME, HIMSELF,
THIS MORNING.
310
00:17:43,430 --> 00:17:45,131
FIVE MILLIGRAMS OF DIAZEPAM
311
00:17:45,231 --> 00:17:47,634
TWO HOURS BEFORE HE WAS BROUGHT
IN HERE SEIZING.
312
00:17:49,135 --> 00:17:51,371
SURE HE UNDERWENT
RESPIRATORY ARREST.
313
00:17:51,471 --> 00:17:53,139
THAT FIVE WITH THE DOSE
I GAVE HIM
314
00:17:53,239 --> 00:17:55,542
WOULD PUT ANYBODY
INTO RESPIRATORY ARREST.
315
00:17:55,642 --> 00:17:58,078
THE POINT IS, DUMONT,
I WOULDN’T HAVE GIVEN HIM
ONE MILLIGRAM,
316
00:17:58,178 --> 00:17:59,879
HAD YOU TOLD ME WHAT YOU
KNEW TO BE THE TRUTH.
317
00:17:59,979 --> 00:18:02,749
HAD YOU NOT BEEN ASHAMED
TO ADMIT IN FRONT
OF YOUR FRIENDS
318
00:18:02,849 --> 00:18:03,917
THAT YOUR SON IS SICK.
319
00:18:04,017 --> 00:18:05,752
ARE YOU QUITE THROUGH,
BRACKETT?
320
00:18:05,852 --> 00:18:06,886
ARE YOU CONVINCED, DUMONT?
321
00:18:06,986 --> 00:18:09,055
YES, I’M CONVINCED...
322
00:18:09,155 --> 00:18:10,857
THAT YOU’RE AN INCOMPETENT,
323
00:18:10,957 --> 00:18:12,926
COMPLETELY UNRELIABLE
324
00:18:13,026 --> 00:18:15,628
LIAR OF THE GREATEST
MAGNITUDE.
325
00:18:20,000 --> 00:18:22,202
YOU’LL HEAR FROM MY ATTORNEY.
326
00:18:23,937 --> 00:18:25,271
DOCTOR.
327
00:18:25,372 --> 00:18:27,273
*
328
00:18:32,178 --> 00:18:33,480
( loud thud )
329
00:18:42,689 --> 00:18:44,791
THAT BOAT SKIPPER’S
NOT GONNA BE TOO HAPPY
330
00:18:44,891 --> 00:18:47,127
WHEN HE WAKES UP
AND FINDS OUT THAT HE’S BALD.
331
00:18:47,227 --> 00:18:48,862
LET’S JUST HOPE HE WAKES UP.
( scoffs )
332
00:18:48,962 --> 00:18:51,264
HEY, I UNDERSTAND YOU TWO
HAVE GONE NAVY ON US.
333
00:18:51,364 --> 00:18:52,832
NOT BY CHOICE.
334
00:18:52,932 --> 00:18:54,401
WHAT’S WITH HIM?
335
00:18:54,501 --> 00:18:56,069
HE WAS SEASICK.
HE’S STILL UPSET ABOUT IT.
336
00:18:56,169 --> 00:18:58,038
YEAH, WE GOT STUCK
WITH THE JOB
337
00:18:58,138 --> 00:18:59,973
BECAUSE SQUAD 110
338
00:19:00,073 --> 00:19:02,609
WAS TIED UP ON ANOTHER
MAJOR CASE--
339
00:19:02,709 --> 00:19:04,978
SOMETHING ABOUT A KID
WITH HIS FINGER
340
00:19:05,078 --> 00:19:06,012
STUCK IN A HANDLEBAR.
341
00:19:06,112 --> 00:19:07,814
OH, YEAH, I HEARD ABOUT IT.
342
00:19:07,914 --> 00:19:09,516
OH?
343
00:19:09,616 --> 00:19:11,951
YEAH, I SAW THEM ON THEIR WAY
TO THE CAFETERIA
344
00:19:12,052 --> 00:19:13,853
WITH THAT, UH, NEWSMAN,
CARL EVANS.
345
00:19:13,953 --> 00:19:16,389
Woman over P.A.: DR. SMITH,ADMINISTRATOR’S OFFICE.
346
00:19:16,489 --> 00:19:17,757
HAS DR. EARLY COME IN YET?
347
00:19:17,857 --> 00:19:20,527
YEAH. THEY JUST FINISHED
THE SKULL SERIES INSIDE.
348
00:19:20,627 --> 00:19:21,661
THANK YOU.
349
00:19:21,761 --> 00:19:23,096
Woman over P.A.:
DR. ALLEN, EMERGENCY.
350
00:19:23,196 --> 00:19:24,464
COME ON.
351
00:19:25,699 --> 00:19:26,700
CAFETERIA?
352
00:19:26,800 --> 00:19:27,867
I WOULDN’T MISS IT.
353
00:19:31,938 --> 00:19:34,040
AND TO BE QUITE HONEST WITH YA,
IT HAD ME STUMPED FOR A MINUTE.
354
00:19:34,140 --> 00:19:36,042
YOU KNOW, I MEAN, HOW DO YOU
GET A LITTLE GIRL’S FINGER
355
00:19:36,142 --> 00:19:37,410
OUT OF THE HANDLEBAR?
356
00:19:37,510 --> 00:19:38,845
Evans: I’M WITH YOU.
WHAT HAPPENED?
357
00:19:38,945 --> 00:19:40,413
WELL I TRIED ICE, BUT, UH...
358
00:19:40,513 --> 00:19:42,449
SUCTION WAS TOO TIGHT,
SO THAT DIDN’T WORK.
359
00:19:42,549 --> 00:19:44,417
YOU WERE REALLY STUCK,
WEREN’T YOU, HON?
360
00:19:44,517 --> 00:19:45,919
( indistinct announcement
over P.A. )
361
00:19:46,019 --> 00:19:47,120
HOLD IT UP.
362
00:19:47,220 --> 00:19:48,221
( camera shutter clicks )
363
00:19:49,489 --> 00:19:51,057
AREN’T YOU GONNA JOIN IN
364
00:19:51,157 --> 00:19:52,892
ON THE FESTIVITIES, KIRK?
365
00:19:52,992 --> 00:19:54,527
IT’S NOT MY BAG, GAGE.
366
00:19:54,627 --> 00:19:56,062
BUT YOU KNOW TOM.
YEAH. DO I.
367
00:19:56,162 --> 00:19:57,864
HOW IS SHE?
368
00:19:57,964 --> 00:20:00,100
YEAH, SHE BROKE HER FINGER
WHEN IT, UH, FIRST GOT STUCK,
369
00:20:00,200 --> 00:20:01,101
BUT SHE’LL BE ALL RIGHT.
370
00:20:01,201 --> 00:20:02,936
GOOD EXCUSE TO GET CARL
371
00:20:03,036 --> 00:20:04,604
DOWN HERE FOR A FEW PICTURES,
RIGHT?
372
00:20:04,704 --> 00:20:06,539
( scoffs )
COME ON.
DON’T GIVE METHE HEAT.
373
00:20:06,639 --> 00:20:08,575
HE’S THE PUBLICITY FREAK.
374
00:20:08,675 --> 00:20:10,143
( camera shutter clicks )
THAT’S A GOOD SHOT.
375
00:20:10,243 --> 00:20:11,578
GO AHEAD.
WHAT ELSE HAPPENED?
376
00:20:11,678 --> 00:20:13,146
WELL THAT’S WHEN
I HAD THE BIG IDEA.
377
00:20:13,246 --> 00:20:14,581
NOW YOU SEE,
WE USE THIS SYRINGE
378
00:20:14,681 --> 00:20:16,349
AND CANNULA
TO START I.V.s.
MM-HMM.
379
00:20:16,449 --> 00:20:17,450
SO WHAT I DID WAS...
380
00:20:17,550 --> 00:20:18,952
I REMOVED THE NEEDLE...
381
00:20:19,052 --> 00:20:21,087
AND THEN I INSERTED
THE CANNULA
382
00:20:21,187 --> 00:20:23,089
IN BETWEEN THE HANDLEBAR
AND HER FINGER.
383
00:20:23,189 --> 00:20:24,657
AND WHAT GOOD
DID THAT DO?
384
00:20:24,758 --> 00:20:26,659
WELL THE BEST
IS YET TO COME.
385
00:20:26,760 --> 00:20:28,094
SEE, I USED SOAP.
386
00:20:28,194 --> 00:20:30,597
I MIXED UP A BATCH
OF THAT SURGICAL SOAP
387
00:20:30,697 --> 00:20:32,532
AND THEN I HOOKED THE SYRINGE
TO THE CANNULA
388
00:20:32,632 --> 00:20:34,501
AND PUSHED THE SOAP IN BETWEEN
THE HANDLEBAR AND HER FINGER.
389
00:20:34,601 --> 00:20:36,236
IT’S ALL THERE WAS TO IT.
HER FINGER POPPED RIGHT OUT.
390
00:20:36,336 --> 00:20:37,737
HEY, THAT’S BEAUTIFUL.
WONDER--
391
00:20:37,837 --> 00:20:39,139
TELL YOU WHAT--
PICK TERESA UP, WILL YOU,
392
00:20:39,239 --> 00:20:40,540
AND HOLD THE HANDLEBARS, TOO.
393
00:20:40,640 --> 00:20:41,708
WATCH HER FINGER THERE.
ALL RIGHT.
394
00:20:41,808 --> 00:20:43,076
AND WE’LL GET
ANOTHER GOOD SHOT.
395
00:20:43,176 --> 00:20:44,077
COME ON, TERESA.
ALL RIGHT, TERESA.
396
00:20:44,177 --> 00:20:45,245
HERE WE GO.
BIG GIRL.
397
00:20:45,345 --> 00:20:46,880
LOOK RIGHT AT ME.
YOU ALL READY?
398
00:20:46,980 --> 00:20:48,481
LEMME SEE YOUR HAND.
COME ON, PUT IT OUT THERE.
399
00:20:48,581 --> 00:20:49,949
ONE--LET ME SEE IT.
COME ON. COME ON.
400
00:20:50,050 --> 00:20:51,051
GOOD GIRL.
401
00:20:51,151 --> 00:20:52,452
OH, IT’S A CUTE STORY.
402
00:20:52,552 --> 00:20:54,087
THANKS VERY MUCH, TOM.
SEE YA LATER.
403
00:20:54,187 --> 00:20:55,922
ANYTIME, CARL.
ALL RIGHT.
404
00:20:56,022 --> 00:20:57,090
Gage: GOOD STORY,
HUH, CARL?
405
00:20:57,190 --> 00:20:58,658
WELL THAT’S A REAL GASSER.
406
00:20:58,758 --> 00:21:00,593
HEY, HOW COME YOU TWO
NEVER GET IN ON THE GOOD STUFF?
407
00:21:00,694 --> 00:21:01,795
( groans )
FATE, I GUESS.
408
00:21:01,895 --> 00:21:03,229
( groans )
YEAH.
409
00:21:03,329 --> 00:21:05,031
TRY THIS ONE ON,
UH, CARL.
410
00:21:05,131 --> 00:21:06,766
WAIT A MINUTE.
LET ME GET MY BOOK.
411
00:21:07,901 --> 00:21:09,102
GO AHEAD.
412
00:21:09,202 --> 00:21:12,639
RESCUE ON THE HIGH SEAS.
RIGHT.
413
00:21:12,739 --> 00:21:14,908
SKIPPER KNOCKED UNCONSCIOUS
ALOFT IN THE RIGGING...
414
00:21:15,008 --> 00:21:16,076
MM-HMM.
415
00:21:16,176 --> 00:21:17,577
ON A 90-FOOT CARGO SCHOONER
416
00:21:17,677 --> 00:21:19,579
RIGHT OUT OF THE 18th CENTURY.
417
00:21:19,679 --> 00:21:21,548
WHAT’S THE SKIPPER’S NAME?
418
00:21:21,648 --> 00:21:22,649
FELLA BY THE NAME OF, UM...
419
00:21:22,749 --> 00:21:25,452
( snaps fingers )
DON MATTHEWS.
420
00:21:25,552 --> 00:21:27,220
NEVER HEARD OF HIM.
421
00:21:27,320 --> 00:21:28,788
( clicks tongue )
WELL, IT’S--
422
00:21:28,888 --> 00:21:30,857
IT’S THE RESCUE
THAT’S SENSATIONAL, CARL.
423
00:21:30,957 --> 00:21:32,625
THERE’S NO HUMAN INTEREST.
424
00:21:32,726 --> 00:21:35,061
WHO CAN RELATE TO A MAN
WITH A 90-FOOT SCHOONER?
425
00:21:35,161 --> 00:21:38,031
I’LL SEE YOU FELLAS LATER.
I GOTTA GET THIS STUFF
DOWN AT THE DESK.
426
00:21:38,131 --> 00:21:38,865
TAKE CARE.
427
00:21:40,834 --> 00:21:42,602
CARL’S A GREAT GUY,
ISN’T HE?
428
00:21:42,702 --> 00:21:45,105
YEAH. TOP-NOTCH.
REAL TOP-NOTCH.
429
00:21:45,205 --> 00:21:46,339
SAY I WANT
TO THANK YOU GUYS
430
00:21:46,439 --> 00:21:47,807
FOR HANDLING THAT BOAT
RESCUE FOR ME.
431
00:21:47,907 --> 00:21:49,576
AS YOU CAN SEE,
I WAS KINDA TIED UP HERE,
432
00:21:49,676 --> 00:21:51,211
WHAT WITH THE ACCIDENT,
AND THE PICTURES, AND ALL.
433
00:21:51,311 --> 00:21:52,912
YEAH. WE NOTICED.
434
00:21:53,013 --> 00:21:55,015
YOU’VE BEEN MAKING THE PAPERS
QUITE A BIT LATELY,
435
00:21:55,115 --> 00:21:57,250
HAVEN’T YOU?
OH, I’M GETTING TO FEEL
LIKE A REAL CELEBRITY.
436
00:21:57,350 --> 00:21:58,785
PEOPLE STARTING
TO RECOGNIZE ME THESE DAYS.
437
00:21:58,885 --> 00:22:01,087
YOU HAVE A WAY
OF FALLING INTO IT.
438
00:22:01,187 --> 00:22:02,789
NOT AT ALL, GAGE.
439
00:22:02,889 --> 00:22:04,758
SEE IT’S WHAT
THEY CALL, UH...
440
00:22:04,858 --> 00:22:06,092
CHARISMA.
441
00:22:06,192 --> 00:22:07,894
NOW SOME OF US HAVE IT.
442
00:22:07,994 --> 00:22:10,430
( chuckles )
YEAH. AND SOME OF US DON’T.
443
00:22:11,765 --> 00:22:13,099
I DON’T KNOW WHAT TO TELL YOU.
444
00:22:24,411 --> 00:22:25,779
Kelly: AS YOU CAN SEE,
DOCTORS,
445
00:22:25,879 --> 00:22:27,614
THE SKULL SERIES
ARE ALL NEGATIVE.
446
00:22:27,714 --> 00:22:30,016
BUT THE SPINAL TAP--
THE FLUID WAS DISCOLORED.
447
00:22:30,116 --> 00:22:31,685
THAT’S RIGHT.
448
00:22:31,785 --> 00:22:33,319
AND THAT’S EXACTLY WHY
WE HAVE TO GO FURTHER.
449
00:22:33,420 --> 00:22:34,954
THE POINT IS A NEGATIVE X-RAY
450
00:22:35,055 --> 00:22:37,123
SHOULD NEVER FORM A BASIS
FOR COMPLACENCY.
451
00:22:37,223 --> 00:22:39,059
SERIOUS AND EVEN FATAL
BRAIN DAMAGE
452
00:22:39,159 --> 00:22:40,260
CAN EXIST EVEN IN THE ABSENCE
453
00:22:40,360 --> 00:22:41,661
OF AN X-RAY ABNORMALITY.
454
00:22:41,761 --> 00:22:43,730
Dixie: WE’RE READY, DOCTOR.
455
00:22:45,665 --> 00:22:47,500
THIS INSTRUMENT IS KNOWN
AS A...
456
00:22:47,600 --> 00:22:49,369
ULTRASONISCOPE.
457
00:22:49,469 --> 00:22:51,571
AND THIS IS THE TRANSMITTER.
458
00:22:51,671 --> 00:22:53,039
THEY’RE USED
IN WHAT WE CALL
459
00:22:53,139 --> 00:22:54,674
AN ECHOENCEPHALOGRAM.
460
00:22:54,774 --> 00:22:56,042
IT’S A DEVICE THAT DETERMINES
461
00:22:56,142 --> 00:22:58,244
WHETHER THERE’S BEEN A SHIFT
IN MIDLINE STRUCTURES.
462
00:22:58,345 --> 00:22:59,346
WHICH WOULD INDICATE...
463
00:22:59,446 --> 00:23:01,114
A SPACE-OCCUPYING LESIONS.
464
00:23:01,214 --> 00:23:02,148
Early: EXACTLY.
465
00:23:02,248 --> 00:23:04,017
AND DIAGNOSED BY A PULSED BEAM
466
00:23:04,117 --> 00:23:05,618
OF HIGH-FREQUENCY SOUND
467
00:23:05,719 --> 00:23:07,687
WHICH IS EMITTED
BY THIS TRANSMITTER.
468
00:23:07,787 --> 00:23:10,256
AND THAT GOES BACK
TO BE RECORDED ON THIS
OSCILLOGRAPHIC SCREEN
469
00:23:10,357 --> 00:23:11,991
WHENEVER A CHANGE OF DENSITY
IS ENCOUNTERED.
470
00:23:12,092 --> 00:23:13,093
KEL?
471
00:23:13,193 --> 00:23:14,661
IT’S A SIMPLE PROCEDURE
472
00:23:14,761 --> 00:23:16,229
THAT CAN BE CARRIED OUT
IN A VERY SHORT TIME
473
00:23:16,329 --> 00:23:18,398
WITHOUT DISTURBING THE PATIENT
IN ANY WAY.
474
00:23:18,498 --> 00:23:20,200
DR. EARLY
WILL PLACE THE TRANSMITTER
475
00:23:20,300 --> 00:23:21,267
AT THE PATIENT’S TEMPLE.
476
00:23:21,368 --> 00:23:23,036
NOW WATCH THE OSCILLOSCOPE.
477
00:23:23,136 --> 00:23:25,271
Kelly: HIGH SPIKES
ARE RECORDED ON THE LEFT
478
00:23:25,372 --> 00:23:26,940
AND EXTREME RIGHT
OF THE SCREEN
479
00:23:27,040 --> 00:23:28,942
BY REFLECTIONS FROM THE SKULL
AND TEMPORAL MUSCLES.
480
00:23:29,042 --> 00:23:31,845
MIDLINE STRUCTURES
PRODUCE A SMALLER BLIP.
481
00:23:33,980 --> 00:23:35,415
YOU SEE THE SAME, JOE?
482
00:23:35,515 --> 00:23:36,983
DEFLECTION?
CHECK THE OTHER SIDE.
483
00:23:41,021 --> 00:23:43,723
NOTE THE LOCATION
OF THE CENTRAL BLIP NOW.
484
00:23:44,691 --> 00:23:46,159
WHAT DO YOU THINK, KEL?
485
00:23:46,259 --> 00:23:48,728
LET’S GET HIM
INTO SURGERY, FAST.
486
00:23:52,966 --> 00:23:54,401
( sighs )
487
00:23:54,501 --> 00:23:56,603
A VERY NICE JOB OF SURGERY,
DOCTOR.
488
00:23:56,703 --> 00:23:57,637
THANK YOU, SIR.
489
00:23:57,737 --> 00:23:59,105
TO BE PERFECT FRANK,
490
00:23:59,205 --> 00:24:01,374
I FELT MORE
LIKE A SCHOOLTEACHER
THAN A SURGEON.
491
00:24:01,474 --> 00:24:03,076
WELL IF THEY LEARNED SOMETHING,
IT WAS WORTH IT.
492
00:24:03,176 --> 00:24:04,344
Woman on P.A.: DR. ALLEN.
493
00:24:04,444 --> 00:24:05,412
63.
494
00:24:05,512 --> 00:24:06,746
AND WHAT ABOUT YOU, KEL?
495
00:24:07,747 --> 00:24:09,082
YOU MEAN,
DID I LEARN SOMETHING?
496
00:24:09,182 --> 00:24:10,383
NOT THE SURGERY.
497
00:24:10,483 --> 00:24:12,085
YOU COULD DO THAT
IN YOUR SLEEP.
498
00:24:12,185 --> 00:24:14,354
I’M TALKING ABOUT YOUR
BEDSIDE MANNER.
499
00:24:14,454 --> 00:24:16,723
OH, YES, THAT DOES
SEEM TO BE THE SUBJECT
500
00:24:16,823 --> 00:24:19,125
OF CONSIDERABLE DISCUSSION
AROUND HERE LATELY.
501
00:24:19,225 --> 00:24:21,828
EXCEPT BEDSIDE MANNER
USUALLY RELATES TO THE PATIENT.
502
00:24:21,928 --> 00:24:24,164
IN THIS CASE,
IT’S THE PATIENT’S FATHER.
503
00:24:24,264 --> 00:24:25,432
YOU BLEW IT, KEL.
504
00:24:25,532 --> 00:24:26,399
YOU REALLY BLEW IT.
505
00:24:26,499 --> 00:24:28,034
I WAS RIGHT, JOE--
506
00:24:28,134 --> 00:24:30,270
MEDICALLY, MORALLY,
AND ETHICALLY RIGHT.
507
00:24:30,370 --> 00:24:31,805
HE CHOSE THE BATTLEGROUND.
508
00:24:31,905 --> 00:24:33,206
YES, AND HE’S IN POSITION
509
00:24:33,306 --> 00:24:34,474
TO BUY AND SELL
THAT BATTLEGROUND...
510
00:24:34,574 --> 00:24:36,309
AND YOUR JOB
RIGHT ALONG WITH IT.
511
00:24:36,409 --> 00:24:39,379
IF J. P. DUMONT
COULD BUY MY JOB...
512
00:24:39,479 --> 00:24:41,348
IT’S NOT WORTH MUCH,
IS IT?
513
00:24:41,448 --> 00:24:42,982
IT’S WORTH PLENTY.
514
00:24:43,083 --> 00:24:45,151
I’D HATE TO SEE YOU
ANYWHERE BUT HERE.
515
00:24:45,251 --> 00:24:46,720
HIS ATTORNEY CALLED ME.
516
00:24:46,820 --> 00:24:48,288
HE’S A FRIEND OF MINE.
517
00:24:49,456 --> 00:24:50,690
AND?
518
00:24:50,790 --> 00:24:52,325
HE’S KIND OF
IN THE MIDDLE.
519
00:24:52,425 --> 00:24:54,160
DOESN’T WANT
TO LOSE A CLIENT.
520
00:24:54,260 --> 00:24:56,396
BUT AT THE SAME TIME,
HE KNOWS WHAT A HOTHEAD
DUMONT IS.
521
00:24:56,496 --> 00:24:58,098
I’LL AGREE WITH THAT.
522
00:24:58,198 --> 00:24:59,466
THE WHOLE POINT IS, KEL,
523
00:24:59,566 --> 00:25:01,167
THIS WHOLE THING
COULD’VE BEEN AVOIDED.
524
00:25:01,267 --> 00:25:03,036
OH? HOW?
525
00:25:03,136 --> 00:25:04,371
I KNOW YOU.
526
00:25:04,471 --> 00:25:06,439
I KNOW YOU SO WELL, KEL.
527
00:25:06,539 --> 00:25:07,874
AS A MATTER IN FACT,
528
00:25:07,974 --> 00:25:09,442
YOU AND DUMONT
HAVE A LOT IN COMMON.
529
00:25:09,542 --> 00:25:11,211
YOU’RE BOTH HOTHEADS.
530
00:25:11,311 --> 00:25:12,679
THERE’S A DIFFERENCE, JOE.
531
00:25:12,779 --> 00:25:14,881
I’M RIGHT;
HE’S WRONG.
532
00:25:14,981 --> 00:25:16,549
I DON’T CARE.
LET HIM SUE.
533
00:25:16,649 --> 00:25:18,852
AFTER IT’S OVER WITH,
WE’LL SEE WHO’S ON TOP.
534
00:25:18,952 --> 00:25:21,421
I’LL STACK THAT COURTROOM
WITH SO MANY MEDICAL EXPERTS
535
00:25:21,521 --> 00:25:23,123
IT’LL TAKE A MONTH
TO READ THE TRANSCRIPTS.
536
00:25:23,223 --> 00:25:24,791
OH?
537
00:25:24,891 --> 00:25:26,559
AND SINCE WHEN HAVE YOU
BECOME SO AFFLUENT
538
00:25:26,659 --> 00:25:28,695
THAT YOU CAN AFFORD
THE EXPENSE OF A TRIAL...
539
00:25:28,795 --> 00:25:30,830
NOT TO MENTION THE NOTORIETY?
540
00:25:30,930 --> 00:25:33,199
THERE’S A THING CALLED
"PRINCIPLE" INVOLVED HERE,
TOO, JOE.
541
00:25:33,299 --> 00:25:36,002
AND SO MANY PEOPLE GET
TROMPED ON IN THE PROCESS:
542
00:25:36,102 --> 00:25:36,903
THE HOSPITAL,
543
00:25:37,003 --> 00:25:39,239
OTHER DOCTORS, REPUTATIONS.
544
00:25:39,339 --> 00:25:40,240
IT’S NOT WORTH IT, KEL.
545
00:25:42,676 --> 00:25:45,278
YOU’RE NOT SUGGESTING
I MAKE THAT PUBLIC APOLOGY
546
00:25:45,378 --> 00:25:46,312
HE WANTS, ARE YA?
547
00:25:46,413 --> 00:25:48,848
I’D LIKE TO TALK
TO HIM, KEL.
548
00:25:48,948 --> 00:25:50,850
I’D LIKE TO SET THE RECORD
STRAIGHT FOR YOU.
549
00:25:50,950 --> 00:25:52,752
I TRIED THAT ONCE MYSELF.
550
00:25:52,852 --> 00:25:53,787
HE WON’T LISTEN.
551
00:25:53,887 --> 00:25:55,355
WILL YOU GIVE ME THE CHANCE?
552
00:25:55,455 --> 00:25:57,357
Woman on P.A.: MISS MCCALL,ADMINISTRATOR’S--
553
00:25:57,457 --> 00:26:00,126
CHARMING, DIPLOMATIC,
AND WARM.
554
00:26:00,226 --> 00:26:01,227
HMM?
555
00:26:01,327 --> 00:26:03,363
OH--SOMETHING DIXIE SAID.
556
00:26:03,463 --> 00:26:04,464
SMART GIRL.
557
00:26:04,564 --> 00:26:05,865
WHAT DO YOU SAY?
558
00:26:07,467 --> 00:26:08,702
( sighs )
559
00:26:08,802 --> 00:26:10,170
ALL RIGHT, DR. EARLY.
560
00:26:10,270 --> 00:26:11,204
GO AHEAD.
561
00:26:11,304 --> 00:26:13,039
TURN ON THE CHARM.
562
00:26:13,139 --> 00:26:15,175
HEY, WHERE YA GOING?
IT DOESN’T HAVE TO BE
RIGHT THIS MINUTE.
563
00:26:15,275 --> 00:26:17,344
YES IT DOES.
HE’S WAITING FOR MY CALL.
YOU MEAN YOU--
564
00:26:17,444 --> 00:26:19,446
ALL I NEEDED
WAS YOUR PERMISSION.
AND I’VE GOT IT.
565
00:26:19,546 --> 00:26:20,880
I’LL HAVE HIM HERE
IN AN HOUR.
566
00:26:23,216 --> 00:26:25,885
LIKE I SAID,
YOU’RE A VERY SMART GIRL.
567
00:26:27,921 --> 00:26:30,090
( indistinct announcement
over P.A. )
568
00:26:31,591 --> 00:26:32,959
WHAT WAS THAT ALL ABOUT?
569
00:26:33,059 --> 00:26:35,295
WOULD YOU BELIEVE
A LESSON IN CHARM,
570
00:26:35,395 --> 00:26:37,030
DIPLOMACY, AND WARMTH,
ALL MIXED IN
571
00:26:37,130 --> 00:26:38,264
WITH A GOOD CON JOB.
572
00:26:43,370 --> 00:26:44,304
( snorts )
573
00:26:52,779 --> 00:26:54,981
NO, I HAVEN’T.
574
00:26:56,750 --> 00:26:58,685
HE DOESN’T HANG AROUND HERE
MUCH, YOU KNOW.
575
00:26:58,785 --> 00:27:00,420
OH, I WILL.
576
00:27:00,520 --> 00:27:02,989
I CERTAINLY WOULDN’T WANT YOU
TO MISS YOUR BIG CHANCE.
577
00:27:07,894 --> 00:27:09,329
WHAT WAS THAT ALL ABOUT?
578
00:27:09,429 --> 00:27:11,164
STAR, STAGE, SCREEN,
579
00:27:11,264 --> 00:27:13,967
AND CARL EVANS’ DISTORTED IDEA
OF WHAT A GOOD NEWS STORY IS.
580
00:27:14,067 --> 00:27:16,936
TOM WHEELER.
THE ONE AND ONLY.
581
00:27:17,037 --> 00:27:19,339
WOULD YOU LIKE TO GUESS
WHAT THAT PHONE CALL
WAS ALL ABOUT?
582
00:27:19,439 --> 00:27:20,740
HE’LL PROBABLY TELL US ANYWAY.
583
00:27:20,840 --> 00:27:22,609
HE WAS SCOUTING AROUND
FOR CARL EVANS,
584
00:27:22,709 --> 00:27:24,144
SAID HE HAD A GOOD
NEWS STORY FOR HIM.
585
00:27:24,244 --> 00:27:25,945
SOUNDS MORE LIKE
HE’S RUBBING IT IN.
586
00:27:26,046 --> 00:27:27,814
YEAH, AND HE’S
NOT GETTING TO ME.
587
00:27:27,914 --> 00:27:29,182
HE ISN’T, HUH?
588
00:27:29,282 --> 00:27:30,684
HMM!
589
00:27:30,784 --> 00:27:32,018
DOESN’T BOTHER ME
IN THE LEAST.
590
00:27:32,118 --> 00:27:33,653
THEN WHAT ARE YOU
SO UPTIGHT ABOUT?
591
00:27:33,753 --> 00:27:35,088
NOT UPTIGHT.
592
00:27:39,392 --> 00:27:40,994
THE JERK.
593
00:27:41,094 --> 00:27:43,363
KNOW WHAT HIS BIG
NEWS FLASH WAS THIS TIME?
594
00:27:43,463 --> 00:27:47,167
GIVING A GLASS OF WATER
AND A COUPLE OF ASPIRIN
TO, UH, JUDY SISKINE.
595
00:27:47,267 --> 00:27:50,036
AND YOU KNOW WHO
JUDY SISKINE IS.
YOU’RE GONNA TELL US, RIGHT?
596
00:27:50,136 --> 00:27:52,772
REMEMBER THE GIRL
IN THE BOAT?
THE SEASICK ONE?
597
00:27:52,872 --> 00:27:54,974
WELL, WHEN THE HARBOR PATROL
GOT THE SCHOONER IN,
598
00:27:55,075 --> 00:27:57,010
THERE WAS OLE FLASH
DOWN THERE TO MEET IT.
599
00:27:57,110 --> 00:27:58,878
WELL IT TURNS OUT THAT THE GIRL
IS THE DAUGHTER
600
00:27:58,978 --> 00:28:00,080
OF REGINALD SISKINE.
601
00:28:00,180 --> 00:28:01,848
YOU KNOW,
THE OWNER AND PUBLISHER
602
00:28:01,948 --> 00:28:03,249
OF THE BIG LADIES’ MAGAZINE?
603
00:28:03,350 --> 00:28:04,984
SO?
604
00:28:05,919 --> 00:28:06,920
"SO" NOTHING.
605
00:28:07,020 --> 00:28:08,254
IT’S JUST THAT WHEELER
606
00:28:08,355 --> 00:28:10,724
THOUGHT HE’D LIKE
TO GET IN ON THE STORY.
607
00:28:10,824 --> 00:28:13,793
SO REGINALD BROUGHT IN
HIS CRACK REPORTERS
608
00:28:13,893 --> 00:28:15,195
AND DID A WHOLE SERIES
ON WHEELER,
609
00:28:15,295 --> 00:28:16,629
THE GREAT PARAMEDIC...
610
00:28:16,730 --> 00:28:17,697
( sighs )
611
00:28:17,797 --> 00:28:19,199
CONSOLING HIS DAUGHTER
612
00:28:19,299 --> 00:28:21,835
AFTER A HARROWING EXPERIENCE
OF SEASICKNESS AT SEA.
613
00:28:21,935 --> 00:28:24,070
SAID IT’D BE A GREAT
HUMAN INTEREST STORY.
614
00:28:24,170 --> 00:28:25,405
WELL HE WAS PROBABLY RIGHT.
615
00:28:25,505 --> 00:28:26,840
SHE WAS A CUTE GIRL.
616
00:28:30,877 --> 00:28:33,213
IS THAT ALL YOU
HAVE TO SAY ABOUT IT?
617
00:28:33,313 --> 00:28:36,716
( loud buzzer )
618
00:28:36,816 --> 00:28:38,151
YEAH, WELL, THERE GOES LUNCH.
619
00:28:38,251 --> 00:28:39,886
Dispatcher on P.A.: SQUAD 51,ENGINE 87,
620
00:28:39,986 --> 00:28:41,354
WITH STATION 43.
621
00:28:41,454 --> 00:28:42,956
STRUCTURES FIRE.
622
00:28:43,056 --> 00:28:45,759
( echoing )
180 TO ( indistinct ) PLACE.
623
00:28:45,859 --> 00:28:48,895
180 TO ( indistinct ) PLACE.
624
00:28:48,995 --> 00:28:51,097
( P.A. continues indistinctly )
625
00:28:56,469 --> 00:28:58,371
*
626
00:29:01,074 --> 00:29:03,043
WE SHOULD BE GETTING CLOSE.
627
00:29:04,010 --> 00:29:05,845
BUT I DON’T SEE A HEADER.
628
00:29:06,813 --> 00:29:08,948
Man: 10-4, ENGINE 43.
629
00:29:09,049 --> 00:29:12,052
ALL UNITS RESPONDINGWITH STATION 43, RETURN.
630
00:29:12,152 --> 00:29:13,920
BATTALION 14, ENGINE 43
631
00:29:14,020 --> 00:29:15,255
REPORTS FALSE ALARM.
632
00:29:15,355 --> 00:29:16,856
RETURNING ALL UNITS.
633
00:29:18,825 --> 00:29:21,027
( siren stops )
634
00:29:21,127 --> 00:29:23,196
SQUAD 51.
635
00:29:26,332 --> 00:29:27,934
( tires screeching )
636
00:29:28,034 --> 00:29:30,337
THEY OUGHT TO FIND OUT
WHO TURNS IN THOSE FALSE ALARMS
637
00:29:30,437 --> 00:29:31,237
AND SHOOT ’EM.
638
00:29:31,338 --> 00:29:33,773
OR BETTER YET,
LET THEM GET TRAPPED
639
00:29:33,873 --> 00:29:34,841
IN A BURNING BUILDING
640
00:29:34,941 --> 00:29:35,875
WHILE WE’RE OUT RESPONDING
641
00:29:35,975 --> 00:29:38,078
SOMEPLACE ON A FALSE ALARM.
642
00:29:39,012 --> 00:29:40,080
( sighs )
YOU AGREE?
643
00:29:40,180 --> 00:29:43,083
WITH WHAT?
YOU LOST ME THREE TIMES.
644
00:29:45,552 --> 00:29:46,820
( sighs )
645
00:29:54,894 --> 00:29:56,429
HEY, HEY, HEY.
646
00:30:00,033 --> 00:30:02,168
STOP. SHE’S IN TROUBLE.
647
00:30:09,075 --> 00:30:10,510
STICK TO BUSINESS, JOHNNY.
648
00:30:10,610 --> 00:30:12,112
I WILL. I WILL.
649
00:30:13,380 --> 00:30:14,748
OH...
650
00:30:14,848 --> 00:30:16,950
GEE--GEE AM I GLAD
TO SEE YOU.
651
00:30:17,050 --> 00:30:18,418
I REALLY NEED HELP.
652
00:30:18,518 --> 00:30:20,186
OH, UH, IS THAT THE PROBLEM?
653
00:30:20,286 --> 00:30:22,322
OH, NO, NO,
NOT REALLY.
654
00:30:22,422 --> 00:30:24,224
IT--IT’S FARGO
THAT I’M WORRIED ABOUT.
655
00:30:24,324 --> 00:30:25,458
HE’S TRAPPED.
656
00:30:30,930 --> 00:30:32,065
Gage: IT’S A HORSE.
657
00:30:32,165 --> 00:30:33,566
Woman:
IT’S NOT JUST A HORSE.
658
00:30:33,667 --> 00:30:35,068
FARGO’S A THOROUGHBRED,
659
00:30:35,168 --> 00:30:37,070
BUT HE MEANS MUCH MORE
THAN THAT TO ME.
660
00:30:37,170 --> 00:30:38,972
( stammers )
AND I CAN’T GET HIM OUT.
661
00:30:39,072 --> 00:30:41,107
THAT’S ALL RIGHT.
WE’LL GET HIM OUT, MRS., UH...
662
00:30:41,207 --> 00:30:42,976
MRS.--
IT’S "MISS."
663
00:30:43,076 --> 00:30:45,078
PENNY.
PENNY FORTAS.
664
00:30:45,178 --> 00:30:46,913
( grunts softly )
WILL YOU HELP ME?
665
00:30:47,013 --> 00:30:48,381
WHY SURE WE’LL HELP YA.
666
00:30:48,481 --> 00:30:51,117
NOW W--OH,
THIS IS MY PARTNER, ROY.
667
00:30:51,217 --> 00:30:53,219
MY NAME IS JOHN.
JOHNNY GAGE.
668
00:30:53,319 --> 00:30:55,155
WELL I’M REALLY
GLAD TO MEET YOU.
669
00:30:55,255 --> 00:30:57,557
AND THANKS.
I MEAN--I DIDN’T
KNOW WHAT TO DO.
670
00:30:57,657 --> 00:30:59,359
OH, WE--WE UNDERSTAND.
671
00:30:59,459 --> 00:31:01,761
UH, DON’T WORRY.
WE’LL DO ALL WE CAN
672
00:31:01,861 --> 00:31:03,096
TO GET HIM OUT.
673
00:31:03,196 --> 00:31:05,865
THAT IS UNLESS
WE GET A CALL.
YEAH. YEAH.
674
00:31:05,965 --> 00:31:08,735
WELL, LISTEN--NOW HOW
DID YOU GET HIM DOWN--
COME ON. LET’S GO.
675
00:31:08,835 --> 00:31:09,969
( horse neighs )
676
00:31:13,106 --> 00:31:15,275
YEAH. HAVE ANY IDEAS?
677
00:31:16,443 --> 00:31:18,144
ONLY ONE SO FAR.
678
00:31:18,244 --> 00:31:21,047
HE’S NOT GONNA CLIMB
OUT OF THERE BY HIMSELF.
679
00:31:21,147 --> 00:31:23,083
WELL MAYBE WE COULD
PULL HIM OUT.
680
00:31:23,183 --> 00:31:24,417
NO, THERE’S NO FOOTHOLD,
681
00:31:24,517 --> 00:31:26,219
AND I’M AFRAID
WE’D INJURE HIM.
682
00:31:26,319 --> 00:31:27,087
HUH.
683
00:31:27,187 --> 00:31:28,388
WELL WHAT’S THE ANSWER?
684
00:31:28,488 --> 00:31:30,857
I MEAN I’D HATE
TO DISAPPOINT THE GIRL.
685
00:31:30,957 --> 00:31:32,292
YEAH, I KNOW.
686
00:31:32,392 --> 00:31:34,861
WELL WE CAN START
WITH A SHOVEL.
687
00:31:34,961 --> 00:31:37,030
A SHOVEL?!
688
00:31:37,130 --> 00:31:39,265
CAN’T YOU
THINK OF ANYTHING EASIER?
689
00:31:39,366 --> 00:31:41,301
AND BEING THAT YOU
SO GRACIOUSLY
690
00:31:41,401 --> 00:31:43,470
VOLUNTEERED OUR SERVICES,
YOU CAN START DIGGING.
691
00:31:43,570 --> 00:31:44,537
( sighs )
692
00:31:46,306 --> 00:31:47,273
( scoffs )
693
00:31:47,374 --> 00:31:49,042
OH, SWELL.
694
00:31:52,979 --> 00:31:54,147
WE’LL--
695
00:32:09,929 --> 00:32:12,032
( panting )
696
00:32:16,970 --> 00:32:18,171
( neighs )
697
00:32:22,108 --> 00:32:25,578
( indistinct chattering
on radio )
698
00:32:27,180 --> 00:32:28,515
HOW YA DOIN’, JOHNNY?
699
00:32:29,649 --> 00:32:31,084
( grunting )
700
00:32:33,753 --> 00:32:36,089
I CERTAINLY
APPRECIATE THIS, ROY.
701
00:32:36,189 --> 00:32:38,124
OH, NO PROBLEM.
702
00:32:38,224 --> 00:32:41,161
Dispatcher on Radio:
ENGINE 236, RETURN TO QUARTERS.
703
00:32:41,261 --> 00:32:43,630
HOW DID FARGO
GET DOWN THERE, ANYWAY?
704
00:32:43,730 --> 00:32:45,331
OH, A BUNCH OF HOT-ROD KIDS
705
00:32:45,432 --> 00:32:47,434
SPOOKED HIM WHEN THE CAR
BACKFIRED.
706
00:32:47,534 --> 00:32:49,202
I’M JUST GLAD HE WASN’T HURT.
707
00:32:49,302 --> 00:32:51,671
WELL YOU COULD BE HURT
A LOT WORSE, TOO.
708
00:32:51,771 --> 00:32:53,006
( horse neighs )
709
00:32:57,143 --> 00:32:58,511
UH, YOU’RE GONNA HAVE
TO GET INTO THE HOSPITAL
710
00:32:58,611 --> 00:33:00,680
FOR A TETANUS SHOT
AS SOON AS FARGO, HERE,
711
00:33:00,780 --> 00:33:02,248
GETS ON FIRM GROUND.
712
00:33:06,486 --> 00:33:07,654
( neighs )
713
00:33:11,758 --> 00:33:13,393
( neighs )
( sighs )
714
00:33:13,493 --> 00:33:16,429
OH BELIEVE ME,
I WANNA GET OUT OF HERE
AS BAD AS YOU DO.
715
00:33:17,697 --> 00:33:19,065
Gage: WELL...
716
00:33:19,165 --> 00:33:21,568
I THINK THAT’S
JUST ABOUT IT.
717
00:33:21,668 --> 00:33:24,004
YOU DO FINE WORK, JOHNNY.
718
00:33:24,104 --> 00:33:25,505
YEAH.
719
00:33:25,605 --> 00:33:27,240
APPRECIATE IT.
720
00:33:27,340 --> 00:33:28,475
Dispatcher on Radio:
HEADQUARTERS, TWO,
721
00:33:28,575 --> 00:33:30,510
YOUR DESTINATIONAND E.T.A.?
722
00:33:37,517 --> 00:33:39,986
I’VE HOOKED THE OTHER END
TO THE BUMPER OF THE SQUAD.
723
00:33:40,086 --> 00:33:41,321
ALL RIGHT.
724
00:33:41,421 --> 00:33:42,455
( grunts )
725
00:33:46,726 --> 00:33:48,228
WAIT A MINUTE...
726
00:33:48,328 --> 00:33:49,696
WHAT DO YOU WANT ME TO DO?
727
00:33:49,796 --> 00:33:51,264
HELP THE HORSE.
728
00:33:53,066 --> 00:33:54,467
WELL FROM WHICH END?
729
00:33:58,638 --> 00:33:59,572
( horse neighs )
730
00:34:02,609 --> 00:34:03,777
OKAY, WELL...
731
00:34:03,877 --> 00:34:05,712
COME ON.
( sighs )
732
00:34:05,812 --> 00:34:08,214
COME ON, WE’RE GONNA
GET YA OUT OF HERE.
NOW COME ON.
733
00:34:08,314 --> 00:34:09,416
( Gage mutters )
COME ON.
734
00:34:10,550 --> 00:34:12,452
KEEP AN EYE ON HIM
FOR ME, WILL YA?
735
00:34:12,552 --> 00:34:14,487
WHAT--DO YOU
THINK IT’LL WORK?
736
00:34:14,587 --> 00:34:16,189
FARGO COOPERATES.
737
00:34:16,289 --> 00:34:18,158
OH, SOMEBODY BETTER
HOLD HIS REIGNS.
738
00:34:18,258 --> 00:34:20,493
I’LL HOLLER WHEN I’M READY,
OKAY?
739
00:34:20,593 --> 00:34:23,563
ALL RIGHT,
NOW WE’RE FRIENDS, RIGHT?
740
00:34:23,663 --> 00:34:24,964
NOW NO ACCIDENTS.
741
00:34:25,065 --> 00:34:26,232
( horse grunts )
742
00:34:28,034 --> 00:34:29,369
( horse neighs )
743
00:34:30,503 --> 00:34:31,538
ATTABOY.
744
00:34:31,638 --> 00:34:32,772
ATTABOY.
745
00:34:32,872 --> 00:34:34,341
ARE YOU READY TO GO?
746
00:34:35,508 --> 00:34:36,376
OKAY, ROY.
747
00:34:37,777 --> 00:34:38,712
( horse neighs )
748
00:34:38,812 --> 00:34:40,647
ALL RIGHT, NOW GO.
749
00:34:40,747 --> 00:34:42,215
COME ON.
750
00:34:42,315 --> 00:34:43,483
Gage: GO ON.
( shouts )
751
00:34:43,583 --> 00:34:45,618
( Gage shouting
and whistling )
COME ON.
752
00:34:48,822 --> 00:34:49,723
( horse neighing )
753
00:34:50,857 --> 00:34:52,125
Gage: WHOA. WHOA.
754
00:34:52,225 --> 00:34:54,227
WHOA. WHOA.
755
00:34:54,327 --> 00:34:55,795
GOT IT?
YEAH.
756
00:34:55,895 --> 00:34:57,397
( sighs )
( Penny chuckles )
757
00:34:58,531 --> 00:34:59,966
OH, GOOD BOY.
758
00:35:00,066 --> 00:35:01,568
GOOD FARGO.
759
00:35:01,668 --> 00:35:03,236
YES.
760
00:35:05,538 --> 00:35:07,107
I CAN’T THANK YOU ENOUGH.
761
00:35:07,207 --> 00:35:08,141
REALLY.
762
00:35:08,241 --> 00:35:09,109
OH, IT’S NO PROBLEM.
763
00:35:09,209 --> 00:35:11,177
GLAD TO BE OF HELP.
764
00:35:11,277 --> 00:35:13,246
YOU HAVE SOMEPLACE
TO PUT THAT HORSE?
765
00:35:13,346 --> 00:35:15,248
GONNA HAVE TO GO
TO THE HOSPITAL FOR A SHOT.
766
00:35:15,348 --> 00:35:18,151
OH, I WILL AS SOON AS I
PUT FARGO IN HIS CORRAL.
767
00:35:18,251 --> 00:35:19,753
OUR PLACE IS ABOUT...
768
00:35:19,853 --> 00:35:21,554
HALF A MILE UP THE ROAD.
769
00:35:23,556 --> 00:35:25,658
I CAN’T THANK YOU ENOUGH.
770
00:35:25,759 --> 00:35:27,527
OH. IT’S OKAY.
771
00:35:27,627 --> 00:35:28,561
IT’S ALL RIGHT.
772
00:35:29,729 --> 00:35:31,498
I REALLY MEAN IT.
773
00:35:32,599 --> 00:35:33,633
( kisses Roy )
774
00:35:34,801 --> 00:35:36,703
*
775
00:35:42,142 --> 00:35:44,244
( horse neighs )
776
00:35:48,415 --> 00:35:50,450
THANKS AGAIN, FELLAS.
777
00:35:50,550 --> 00:35:51,951
Dispatcher on Radio:
BATTALION 13,
778
00:35:52,052 --> 00:35:54,254
SQUAD 209 IS 10-7AT ST. FRANCIS.
779
00:35:55,088 --> 00:35:57,257
*
780
00:35:58,425 --> 00:36:00,193
( grunts softly )
781
00:36:00,293 --> 00:36:02,028
REMEMBER TODAY ON THE BOAT?
782
00:36:02,128 --> 00:36:03,496
YEAH.
783
00:36:03,596 --> 00:36:06,399
YOU STARTED TO SAY SOMETHING
ABOUT VOLUNTEERING.
784
00:36:09,235 --> 00:36:11,604
I AIN’T GONNA
VOLUNTEER ANYMORE.
785
00:36:11,705 --> 00:36:12,806
Dispatcher on Radio:
BATTALION NINE,
786
00:36:12,906 --> 00:36:14,474
CALL RESEARCH AND PLANNING.
787
00:36:17,911 --> 00:36:19,379
Early: SO YOU SEE,
MR. DUMONT,
788
00:36:19,479 --> 00:36:21,114
THERE’S A LOT MORE
TO THIS PRACTICE OF MEDICINE
789
00:36:21,214 --> 00:36:22,716
THAN YOU MIGHT THINK.
( sighs )
790
00:36:22,816 --> 00:36:25,185
AM I TO CONCLUDE
THAT THIS TREMENDOUS STRAIN
791
00:36:25,285 --> 00:36:26,453
YOU’RE TALKING ABOUT
792
00:36:26,553 --> 00:36:28,822
EXCUSED HIS ARROGANCE?
NO, SIR.
793
00:36:28,922 --> 00:36:31,658
BUT I’D CERTAINLY LIKE YOU
TO TAKE IT IN CONSIDERATION.
794
00:36:31,758 --> 00:36:33,860
PERHAPS ALL OF US HAVE
LEARNED SOMETHING FROM THIS,
795
00:36:33,960 --> 00:36:35,528
INCLUDING DR. BRACKETT.
796
00:36:35,628 --> 00:36:37,330
I DOUBT IT.
797
00:36:37,430 --> 00:36:38,898
THE ONLY THING
I’M CONVINCED HE’S LEARNED
798
00:36:38,998 --> 00:36:40,834
IS HOW TO PUT UP A GOOD,
THICK WALL
799
00:36:40,934 --> 00:36:42,502
AND HIDE BEHIND IT.
800
00:36:42,602 --> 00:36:45,238
SOMETIMES WE ALL HAVE THAT
PROBLEM TO SOME DEGREE.
801
00:36:45,338 --> 00:36:48,308
I THINK THE ANSWER LIES
IN UNDERSTANDING ONE ANOTHER.
802
00:36:48,408 --> 00:36:50,510
AND TEARING DOWN THAT WALL.
803
00:36:50,610 --> 00:36:52,746
HE’S AN EXCELLENT DOCTOR,
MR. DUMONT.
804
00:36:52,846 --> 00:36:54,914
AND YOU--
805
00:36:55,015 --> 00:36:57,817
YOUR REPUTATION AS A FAIR
AND JUST MAN IN THIS COMMUNITY
IS UNQUESTIONED.
806
00:36:57,917 --> 00:37:00,820
JUST THINK WHAT DRAGGING THIS
THING THROUGH THE COURTS
WOULD DO TO BOTH OF YOU.
807
00:37:00,920 --> 00:37:02,655
AND WHAT ABOUT MY SON?
808
00:37:04,891 --> 00:37:06,659
DO YOU REALIZE WHAT’S
HAPPENED TO HIM
809
00:37:06,760 --> 00:37:08,395
BECAUSE OF BRACKETT’S
ATTITUDE?
810
00:37:08,495 --> 00:37:10,363
I REALIZE ONE
VERY IMPORTANT THING
811
00:37:10,463 --> 00:37:12,365
THAT’S HAPPENED TO YOUR SON
BECAUSE OF DR. BRACKETT...
812
00:37:13,700 --> 00:37:15,068
HE’S ALIVE.
813
00:37:15,168 --> 00:37:17,737
*
814
00:37:20,540 --> 00:37:21,808
( indistinct announcement
on P.A. )
815
00:37:21,908 --> 00:37:24,444
HI. I SEE YOU MADE IT.
816
00:37:24,544 --> 00:37:26,813
UH, YES, I JUST GOT HERE.
817
00:37:26,913 --> 00:37:29,015
( chuckles )
WE’LL GET YOU A SHOT
AS SOON AS WE CAN.
818
00:37:29,115 --> 00:37:30,884
JOHNNY, ROY,
WHAT DO WE HAVE HERE?
819
00:37:30,984 --> 00:37:32,285
A LACERATED ARM.
820
00:37:32,385 --> 00:37:33,553
SHE’S GONNA
NEED A TETANUS SHOT.
821
00:37:33,653 --> 00:37:35,555
OKAY. WHY DON’T YOU
COME ON IN HERE.
822
00:37:35,655 --> 00:37:36,556
OKAY.
823
00:37:37,490 --> 00:37:38,892
THANKS AGAIN, FELLAS.
824
00:37:38,992 --> 00:37:40,527
THAT’S OKAY.
825
00:37:40,627 --> 00:37:42,395
LISTEN--DO YOU
HAVE A RIDE HOME?
826
00:37:42,495 --> 00:37:45,565
UH, YES--MY BOYFRIEND
DROVE ME DOWN,
827
00:37:45,665 --> 00:37:48,101
AND HE’S WAITING FOR ME...
RIGHT NOW.
828
00:37:48,201 --> 00:37:49,436
OH.
829
00:37:55,675 --> 00:37:57,310
MAYBE W--
830
00:37:59,379 --> 00:38:00,780
STICK TO NURSES.
831
00:38:00,880 --> 00:38:03,183
YOUR BATTING AVERAGE
IS A LITTLE BETTER.
832
00:38:03,283 --> 00:38:04,851
( scoffs )
833
00:38:07,620 --> 00:38:09,689
( indistinct murmuring )
834
00:38:10,957 --> 00:38:12,325
I DELIVERED A BABY!
835
00:38:13,593 --> 00:38:15,662
WHEELER DELIVERED A BABY!
WHAT A STORY!
836
00:38:15,762 --> 00:38:17,864
WHAT’S SUCH A BIG DEAL
ABOUT DELIVERING A BABY?
837
00:38:17,964 --> 00:38:20,934
IN THE BACK OF A PICKUP TRUCK
IN THE MIDDLE OF THE SAN DIEGO
FREEWAY?
838
00:38:22,802 --> 00:38:25,839
Woman on P.A.: MISS JONES,RECEPTION, PLEASE.
839
00:38:25,939 --> 00:38:29,476
MRS. SMITH,SECTION FIVE, PLEASE.
840
00:38:31,511 --> 00:38:33,380
THE NEXT THING, I HAD HIM
BRING HIS WIFE DOWN HERE.
841
00:38:33,480 --> 00:38:34,614
YOU MEAN TO TELL ME DUMONT
842
00:38:34,714 --> 00:38:36,082
ACTUALLY STILL HAS A WIFE?
843
00:38:36,182 --> 00:38:37,484
THERE YOU GO AGAIN.
I’M SORRY.
844
00:38:37,584 --> 00:38:38,985
I TAKE IT BACK.
845
00:38:39,085 --> 00:38:40,520
REMEMBER THAT PROMISE, KEL.
846
00:38:40,620 --> 00:38:42,922
FROM NOW ON, I’M MR. WARM
AND CUDDLY.
847
00:38:43,023 --> 00:38:44,624
JUST REMEMBER--
848
00:38:44,724 --> 00:38:46,893
I CAN’T AFFORD TO MAKE A CAREER
OF BAILING YOU OUT.
849
00:38:46,993 --> 00:38:49,429
DO YOU REALIZE I SPENT
OVER THREE HOURS WITH THAT GUY?
850
00:38:49,529 --> 00:38:51,297
( sighs )
MUST’VE BEEN A BACKBREAKER.
851
00:38:51,398 --> 00:38:52,699
I COULDN’T HAVE STOOD
THREE MINUTES.
852
00:38:52,799 --> 00:38:54,534
YOU KNOW, JOE,
MAYBE WE SHOULD TEAM UP.
853
00:38:54,634 --> 00:38:56,202
I’LL CURE ’EM,
AND YOU CALM ’EM.
854
00:38:56,302 --> 00:38:57,337
PASS.
855
00:38:57,437 --> 00:38:58,638
I COULDN’T AFFORD YOU.
856
00:39:01,041 --> 00:39:02,375
HELLO.
857
00:39:04,310 --> 00:39:07,814
WHAT’S IT BEEN?
TWO WEEKS SINCE WE
DELIVERED THAT BABY?
858
00:39:07,914 --> 00:39:09,783
WHERE WAS CARL THEN?
859
00:39:09,883 --> 00:39:12,485
PROBABLY LOOKING
FOR A HUMAN-INTEREST STORY.
( beeping )
860
00:39:12,585 --> 00:39:13,520
Dispatcher on Radio:
ENGINE 51,
861
00:39:13,620 --> 00:39:15,955
SQUAD 51, ENGINE 125.
862
00:39:16,056 --> 00:39:17,624
CONSTRUCTION ACCIDENT.
863
00:39:17,724 --> 00:39:20,493
OBERLIN BETWEEN KILMOREAND NORTHGATE.
864
00:39:20,593 --> 00:39:22,896
OBERLIN BETWEENKILMORE AND NORTHGATE.
865
00:39:22,996 --> 00:39:25,432
TIME OUT--15:20.
866
00:39:25,532 --> 00:39:27,901
SQUAD 51 RESPONDING
FROM RAMPART EMERGENCY.
867
00:39:28,001 --> 00:39:29,402
10-4, SQUAD 51.
868
00:39:30,337 --> 00:39:31,671
SOUNDS LIKE A BIG ONE.
869
00:39:31,771 --> 00:39:33,873
THERE ARE NO SMALL ACCIDENTS.
870
00:39:33,973 --> 00:39:35,542
NOT FOR THE VICTIMS.
871
00:39:36,676 --> 00:39:38,745
( siren blaring )
872
00:39:51,591 --> 00:39:53,927
( sirens blaring )
873
00:39:58,965 --> 00:40:00,200
SHE’S DOWN THERE,
ALL RIGHT.
874
00:40:00,300 --> 00:40:02,902
I-I SEEN HER FALL IN.
( grunts )
875
00:40:03,003 --> 00:40:05,505
YEAH, THERE’S A WHOLE BUNCH
OF KIDS PLAYING AROUND HERE--I
RUN ’EM OFF TWO OR THREE TIMES.
876
00:40:05,605 --> 00:40:07,841
LITTLE GIRL COULDN’T HAVE
BEEN MORE THAN FIVE YEARS OLD.
SHE JUST RUN ACROSS THAT HOLE
877
00:40:07,941 --> 00:40:09,442
AND CLEAN DISAPPEARED
FROM SIGHT.
HOW DEEP IS IT?
878
00:40:09,542 --> 00:40:10,643
ABOUT 15 FEET.
879
00:40:11,911 --> 00:40:13,913
KELLY, GET ME A LIGHT,
WILL YA?
880
00:40:14,014 --> 00:40:15,849
( indistinct chattering
on radio )
881
00:40:15,949 --> 00:40:17,183
Dispatcher on Radio:
ENGINE IN SQUAD SIX,
882
00:40:17,283 --> 00:40:19,452
PATROL 83,BATTALION 7.
883
00:40:19,552 --> 00:40:23,123
BRUSH FIRE--
ANGLE THAT LIGHT DOWN
A LITTLE BIT MORE IN THE HOLE.
884
00:40:23,223 --> 00:40:26,226
EASY--THAT HOLE’S SHAKY ENOUGH
TO FILL IN BY ITSELF.
885
00:40:28,628 --> 00:40:30,463
( whimpering )
Roy: I CAN SEE HER.
886
00:40:31,631 --> 00:40:33,166
SHE’S STUCK DOWN IN THE HOLE
887
00:40:33,266 --> 00:40:35,001
WITH HER ARM OVER HER HEAD
LIKE THIS.
888
00:40:36,169 --> 00:40:37,404
WE COULD DROP A LINE DOWN,
889
00:40:37,504 --> 00:40:38,505
TAKE A LOOP,
890
00:40:38,605 --> 00:40:40,140
AROUND HER WRIST.
891
00:40:40,240 --> 00:40:41,675
IT’S WORTH A TRY.
892
00:40:43,543 --> 00:40:46,880
( beeping )
893
00:40:46,980 --> 00:40:48,715
Dispatcher on Radio:
SQUAD SIX, DANGER SIGNS--
894
00:40:48,815 --> 00:40:51,017
ALL RIGHT, LET ME
TAKE YOUR PLACE FOR A MINUTE.
895
00:40:51,117 --> 00:40:53,219
( grunts )
896
00:40:53,319 --> 00:40:56,156
...276--15 SUZY LANE.
897
00:40:56,256 --> 00:41:00,026
276--15 SUZY LANE.
OKAY.
898
00:41:00,126 --> 00:41:01,494
LOWER IT DOWN.
899
00:41:03,263 --> 00:41:04,564
( sighs )
900
00:41:06,466 --> 00:41:07,634
( mutters indistinctly )
901
00:41:08,568 --> 00:41:10,136
’BOUT ANOTHER FOOT.
902
00:41:11,604 --> 00:41:13,139
ALL RIGHT.
EASY.
903
00:41:14,741 --> 00:41:16,209
SEE IF YOU CAN...
904
00:41:16,309 --> 00:41:18,511
WRAP THAT LOOP
AROUND HER WRIST.
905
00:41:19,612 --> 00:41:21,281
( girl whimpering )
EASY.
906
00:41:23,183 --> 00:41:24,284
( girl crying )
907
00:41:26,086 --> 00:41:28,621
ALL RIGHT, ALL RIGHT,
TIGHTEN IT UP.
908
00:41:32,459 --> 00:41:33,393
OKAY.
909
00:41:33,493 --> 00:41:35,395
ALL RIGHT, NOW.
910
00:41:35,495 --> 00:41:36,629
LET’S TRY TO BRING HER UP.
911
00:41:41,234 --> 00:41:42,635
( mutters indistinctly )
912
00:41:42,736 --> 00:41:45,071
OH, MY BABY!
MY LITTLE ELENA!
913
00:41:45,171 --> 00:41:46,306
MY BABY!
Roy: EASY.
914
00:41:46,406 --> 00:41:48,141
( sighs )
915
00:41:48,241 --> 00:41:49,676
DAMN IT.
916
00:41:49,776 --> 00:41:51,578
IT’S NOT GONNA WORK.
917
00:41:51,678 --> 00:41:53,613
BETTER BRING THAT PUMP IN.
918
00:41:55,715 --> 00:41:57,484
( exhales sharply )
919
00:41:57,584 --> 00:42:00,086
THIS IS THE LITTLE GIRL’S
MOTHER, MRS. DIAZ.
920
00:42:01,554 --> 00:42:03,556
SHE COULD USE SOME
ENCOURAGEMENT.
921
00:42:03,656 --> 00:42:05,658
I’LL TRY.
I-I’LL TRY.
922
00:42:12,365 --> 00:42:14,167
ELENA?!
923
00:42:14,267 --> 00:42:15,602
WE’RE GONNA HAVE
TO TRY SOMETHING ELSE.
924
00:42:15,702 --> 00:42:17,170
SHE’S JUST WEDGED IN THERE
TOO TIGHT.
925
00:42:17,270 --> 00:42:18,238
LOOP WOULDN’T HOLD.
926
00:42:18,338 --> 00:42:19,639
THEN WE DIG HER OUT.
927
00:42:19,739 --> 00:42:21,875
( sighs )
THE WAY I SEE IT,
928
00:42:21,975 --> 00:42:24,244
ELITA! CAN YOU HEAR ME?
WE PUT A RESCUE SHAFT
DOWN RIGHT HERE.
929
00:42:24,344 --> 00:42:26,079
WE’LL BE FAR ENOUGH AWAY
FROM THE SHORING HOLE TO--
930
00:42:26,179 --> 00:42:27,247
NOT TO DISTURB IT.
931
00:42:27,347 --> 00:42:28,348
YEAH, I’M WITH YOU.
ELELITA!
932
00:42:28,448 --> 00:42:30,050
WE DIG STRAIGHT DOWN,
ACROSS,
933
00:42:30,150 --> 00:42:31,618
CAN YOU HEAR ME, SWEETHEART?
THEN WE CAN DIG ACROSS, AND...
934
00:42:31,718 --> 00:42:32,619
SHORING HOLE.
I DON’T KNOW.
935
00:42:32,719 --> 00:42:34,054
THIS GROUND’S AWFUL LOOSE.
936
00:42:34,154 --> 00:42:35,288
I DON’T SEE WE
HAVE ANY OTHER CHOICE.
937
00:42:35,388 --> 00:42:36,656
I DON’T EITHER.
938
00:42:36,756 --> 00:42:38,258
DO YOU HAVE AN OPERATOR
FOR THAT GRADALL?
939
00:42:38,358 --> 00:42:39,526
YEAH. SAM!
940
00:42:39,626 --> 00:42:40,694
BRING THAT GRADALL OVER HERE!
941
00:42:42,195 --> 00:42:44,531
Mrs. Diaz: YOU--
YOU HAVE NOTHING TO WORRY ABOUT.
942
00:42:44,631 --> 00:42:48,234
THERE’S A LOT OF PEOPLE HERE,
AND THEY’RE ALL GONNA HELP.
943
00:42:50,403 --> 00:42:52,238
( indistinct shouting )
944
00:42:59,746 --> 00:43:01,881
IS SHE--IS SHE GONNA DIE?
945
00:43:01,981 --> 00:43:04,651
WE’RE DOING EVERYTHING
WE POSSIBLY CAN, MRS. DIAZ.
946
00:43:04,751 --> 00:43:06,152
DON’T LOSE HOPE.
947
00:43:06,252 --> 00:43:07,420
NOW SHE NEEDS TO HEAR YOU.
948
00:43:07,520 --> 00:43:09,489
SHE HAS TO HAVE
YOUR CONFIDENCE.
949
00:43:09,589 --> 00:43:11,791
NOW PLEASE,
TRY TO TALK TO HER AGAIN.
950
00:43:11,891 --> 00:43:13,293
OKAY.
951
00:43:13,393 --> 00:43:15,395
E-ELENITA.
952
00:43:15,495 --> 00:43:19,132
Y-YOU KNOW WHAT WE GONNA
DO IN A LITTLE WHILE, HONEY?
953
00:43:28,108 --> 00:43:30,076
( indistinct chattering
on radio )
954
00:43:30,176 --> 00:43:32,746
Dispatcher on Radio:
SQUAD 54, BATTALION 9--
955
00:43:32,846 --> 00:43:35,849
GARAGE, 12540...
( radio continues indistinctly )
956
00:43:46,893 --> 00:43:48,661
I FIGURE IT’LL
TAKE ABOUT A HALF AN HOUR
957
00:43:48,762 --> 00:43:50,563
TO DIG 15 FEET.
958
00:43:50,663 --> 00:43:52,665
I HOPE WE HAVE
THAT MUCH TIME.
959
00:44:22,762 --> 00:44:25,565
( speaking Spanish )
960
00:44:25,665 --> 00:44:27,167
( sighs )
961
00:44:31,504 --> 00:44:33,273
DESOTO!
962
00:44:33,373 --> 00:44:34,307
YEAH?
963
00:44:34,407 --> 00:44:35,308
IT’S EXACTLY 12 FEET
964
00:44:35,408 --> 00:44:36,643
TO THE TOP OF HER HEAD.
965
00:44:36,743 --> 00:44:39,412
WELL WE START
THE LATERAL HOLE AT 13.
966
00:44:39,512 --> 00:44:40,547
SHOULD BE RIGHT ON.
967
00:44:40,647 --> 00:44:41,815
CAN YOU STILL HEAR HER?
968
00:44:41,915 --> 00:44:43,850
IT’S AMAZING,
BUT SHE SOUNDS PRETTY FAIR.
969
00:44:43,950 --> 00:44:46,686
WELL WE SHOULD BE THROUGH
ANYTIME NOW.
970
00:44:46,786 --> 00:44:49,222
WHY DON’T YOU
DROP THAT HANDY-TALKIE DOWN?
971
00:44:53,827 --> 00:44:55,228
THANKS.
972
00:44:59,632 --> 00:45:01,201
( sobbing )
973
00:45:01,301 --> 00:45:02,402
OH, GOD.
974
00:45:05,305 --> 00:45:07,273
OKAY.
975
00:45:07,374 --> 00:45:08,508
( panting )
976
00:45:08,608 --> 00:45:09,876
LET’S TAPE IT.
977
00:45:20,387 --> 00:45:21,421
( groaning )
978
00:45:22,555 --> 00:45:24,357
( grunting )
979
00:45:26,459 --> 00:45:27,394
OKAY.
980
00:45:27,494 --> 00:45:29,329
EIGHT FEET ON THE NOSE.
981
00:45:29,429 --> 00:45:31,231
WE SHOULD BE ONLY INCHES
FROM THE SHORING HOLE.
982
00:45:32,665 --> 00:45:34,601
YOU BETTER
START USING YOUR HANDS.
983
00:45:34,701 --> 00:45:35,902
ALL RIGHT.
984
00:45:50,684 --> 00:45:51,785
( gasps )
985
00:45:52,786 --> 00:45:54,621
( grunts )
986
00:45:54,721 --> 00:45:56,356
I’M THROUGH!
987
00:45:56,456 --> 00:45:57,724
WAIT A MINUTE!
988
00:45:57,824 --> 00:46:00,393
( groans )
SHINE THAT LIGHT OVER HERE!
989
00:46:07,400 --> 00:46:08,702
I DON’T FEEL HER!
990
00:46:08,802 --> 00:46:09,669
( panting )
991
00:46:09,769 --> 00:46:10,937
WE MISSED HER!
992
00:46:12,272 --> 00:46:13,707
WELL PUT YOUR ARM
THROUGH THE HOLE
993
00:46:13,807 --> 00:46:14,908
AND HOLD IT.
994
00:46:15,842 --> 00:46:17,444
CAP, SQUAD 51.
995
00:46:18,645 --> 00:46:19,713
WE’RE THROUGH TO THE HOLE,
996
00:46:19,813 --> 00:46:20,780
BUT SHE’S NOT THERE.
997
00:46:20,880 --> 00:46:21,848
YOU CHECK AND SEE
998
00:46:21,948 --> 00:46:23,917
IF YOU CAN SEE GAGE’S HAND.
999
00:46:26,519 --> 00:46:27,854
DESOTO!
1000
00:46:27,954 --> 00:46:29,456
YOU’RE A FOOT AND A HALF
ABOVE HER HEAD.
1001
00:46:29,556 --> 00:46:31,591
SHE MUST HAVE SLIPPED DOWN.
WE’LL BACK OFF, CAP,
1002
00:46:31,691 --> 00:46:32,726
AND THEN ANGLE DOWN.
1003
00:46:32,826 --> 00:46:34,327
JOHNNY, WE’RE TOO HIGH!
1004
00:46:34,427 --> 00:46:36,363
WE’RE GONNA HAVE TO BACK OFF
AND THEN ANGLE DOWN.
1005
00:46:36,463 --> 00:46:37,364
( grunting )
1006
00:46:39,499 --> 00:46:41,668
( speaking Spanish )
1007
00:46:41,768 --> 00:46:43,503
( sobbing )
OH, GOD.
1008
00:46:43,603 --> 00:46:45,805
Dispatcher on Radio:
SQUAD 39, CHILD HIT BY AUTO.
1009
00:46:45,905 --> 00:46:47,907
8412...
( radio continues indistinctly )
1010
00:46:51,311 --> 00:46:53,113
...CROSS STREET, JEFFERSON.
1011
00:46:54,214 --> 00:46:55,482
CAP?
1012
00:46:55,582 --> 00:46:57,350
TOM WHEELER, SQUAD 110,
SENT OVER TO ASSIST.
1013
00:46:57,450 --> 00:46:59,486
JUST HANG LOOSE, WHEELER.
WE’RE GETTIN’ CLOSE.
1014
00:46:59,586 --> 00:47:01,788
Roy on Radio: CAP,WE SHOULD BE IN HERE ANYTIME.
1015
00:47:01,888 --> 00:47:03,323
10-4.
1016
00:47:15,535 --> 00:47:16,936
( Gage grunting )
1017
00:47:17,971 --> 00:47:19,939
I’M GETTIN’ CLOSE.
1018
00:47:23,877 --> 00:47:25,945
( panting )
1019
00:47:27,947 --> 00:47:29,416
HOW LONG’S IT BEEN?
1020
00:47:31,851 --> 00:47:33,486
( sighs )
ABOUT THREE HOURS.
1021
00:47:34,921 --> 00:47:37,357
IT’S GONNA BE A MIRACLE
IF SHE HANGS ON.
1022
00:47:38,925 --> 00:47:40,627
WELL LET’S
PRAY FOR ONE, THEN.
1023
00:47:46,299 --> 00:47:48,835
( buzzing )
1024
00:47:48,935 --> 00:47:50,937
Dispatcher on Radio:
ENGINE 27, TRUCK 27,
1025
00:47:51,037 --> 00:47:52,839
ENGINE 89,
1026
00:47:52,939 --> 00:47:54,641
RESPOND...
( radio continues indistinctly )
1027
00:47:54,741 --> 00:47:56,376
( Mrs. Diaz sobbing )
OH, GOD.
1028
00:47:59,612 --> 00:48:00,814
( grunts )
1029
00:48:00,914 --> 00:48:01,848
HOLD IT!
1030
00:48:01,948 --> 00:48:03,583
ROY!
1031
00:48:03,683 --> 00:48:05,051
I GOT HER.
1032
00:48:08,822 --> 00:48:10,990
*
1033
00:48:12,092 --> 00:48:14,527
( panting )
1034
00:48:26,673 --> 00:48:27,907
SHE LOOKS OKAY.
1035
00:48:28,008 --> 00:48:29,843
SHE REALLY LOOKS OKAY.
1036
00:48:29,943 --> 00:48:31,845
ELENA, HOW DO YOU FEEL,
SWEETHEART?
1037
00:48:31,945 --> 00:48:33,913
( murmuring indistinctly )
1038
00:48:34,014 --> 00:48:34,914
OH...
1039
00:48:35,015 --> 00:48:36,649
WE’VE GOT HER OUT.
1040
00:48:36,750 --> 00:48:38,018
SHE APPEARS TO BE OKAY.
1041
00:48:38,118 --> 00:48:40,620
SHE KEEPS ASKING FOR MOMMY.
1042
00:48:40,720 --> 00:48:42,722
10-4.
( gasps )
1043
00:48:42,822 --> 00:48:44,691
OH...
( speaking Spanish )
1044
00:48:44,791 --> 00:48:46,693
OH, THANK GOD!
1045
00:48:46,793 --> 00:48:48,428
OH, GOOD...
1046
00:49:00,774 --> 00:49:01,541
( indistinct chattering
on radio )
1047
00:49:01,641 --> 00:49:02,642
( grunting )
1048
00:49:02,742 --> 00:49:03,677
YEAH.
1049
00:49:03,777 --> 00:49:05,512
( mutters )
1050
00:49:07,180 --> 00:49:08,982
GRAB AROUND MY--
WATCH YOUR HAND.
1051
00:49:09,082 --> 00:49:10,483
WATCH YOUR HEAD.
1052
00:49:14,754 --> 00:49:16,256
( sighs )
1053
00:49:22,929 --> 00:49:24,731
( cheering and applauding )
1054
00:49:24,831 --> 00:49:27,534
OH, MY LITTLE BABY.
1055
00:49:27,634 --> 00:49:29,469
OH, MY BABY.
1056
00:49:29,569 --> 00:49:30,503
MY BABY.
1057
00:49:30,603 --> 00:49:32,105
MY BABY.
1058
00:49:32,205 --> 00:49:33,740
( sobbing )
OH, GOD.
1059
00:49:33,840 --> 00:49:35,842
MY BABY...
1060
00:49:35,942 --> 00:49:37,944
( grunting )
Mrs. Diaz: OH, MY BABY.
1061
00:49:38,044 --> 00:49:39,679
MY BABY.
1062
00:49:42,882 --> 00:49:44,684
( indistinct chattering )
1063
00:49:47,087 --> 00:49:49,489
( Mrs. Diaz sobbing )
1064
00:49:50,590 --> 00:49:51,491
( sighs )
1065
00:49:52,625 --> 00:49:54,094
YOU KNOW...
1066
00:49:54,194 --> 00:49:56,062
THIS IS ONE TIME
I REALLY DON’T CARE
1067
00:49:56,162 --> 00:49:58,031
IF WHEELER DOES
MAKE THE PAPERS.
1068
00:49:58,131 --> 00:49:59,232
( sighs )
1069
00:50:08,775 --> 00:50:10,677
*
74941
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