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When you fall asleep,
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you are unaware of sleeping
until you awake.
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During those missing hours
a whole other world comes alive.
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Welcome to the night shift.
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My name is Ben Willis.
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And three nights a week,
I work the late shift at Sainsbury's.
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For me,
the supermarket is a trading facility.
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00:00:58,361 --> 00:01:01,079
Apart from the obvious trade in food
and household products,
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the supermarket trades in time.
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00:01:04,562 --> 00:01:06,641
During the hours
most normal people are sleeping,
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I'm trading my time.
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I trade this time for money.
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I give them eight hours,
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and they give me money.
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Cashback.
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- Hi Ben.
- Oh, hi.
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I'm late again.
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Jenkins is gonna kill me.
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See you later.
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Yeah, see you.
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- Sharon!
- Yes, Mr. Jenkins.
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- Late again, Sharon.
- I'm sorry, Mr. Jenkins.
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Second time this week.
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I know, Mr. Jenkins.
I'm sorry, it won't happen again.
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All right. OK...
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This eight hour trade gives me the money
I need to pay my way through art college,
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when most of my first year was
devoted to the fundamentals of still life.
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Well, don't just stare at it Ben.
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Clean it up!
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I've always wanted to be a painter.
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And like many artists before me
the female form has always been
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a great source of fascination.
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I've always been in awe of the
power they unknowingly possess.
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Now are you going
to clean them up or not?
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This is Sharon Pintey.
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Sharon knows that there's an art
to dealing with an eight-hour shift.
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An art to putting your mind somewhere else
so that it becomes unaware of the trade off.
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All the people that work here
perfect their own individual art.
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Sharon knows rule number one.
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The clock is the enemy.
The basic rule is this:
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The more you look at the clock,
the slower the times goes.
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It will uncover the hiding place of your
mind and torture it with every second.
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This is the basic art
in dealing with the trade of your time.
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Any cashback?
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This is Barry Brickman.
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You see Barry thinks of himself
as a bit of a daredevil stuntman.
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For a start,
Barry is quite well known.
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When one of Barry's bike tricks
went wrong,
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the cameraman put it on the internet.
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Barry has stuck to his scooter
ever since.
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Matt Stephens is also
a keen scooterer.
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What was the other thing?
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What was the other thing?
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Sausage.
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Oh yeah.
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- Now Barry and Matt are good friends.
- There you go.
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Between them, they have come up with a very different
way of dealing with the trade of their time.
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- Barry.
- What?
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Look.
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There's an art of finding anything to do
that isn't work.
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That was their final warning for pursuing
something to do other than their job.
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A few weeks earlier, Barry and Matt
had been reported for what they called
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"helping the ladies".
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It was these shampoo bottles
that sent them on their quest.
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Barry and Matt knew
what they look like...
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and they knew that the women in the
supermarket knew what they looked like.
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Their theory was that even though it was a
sex toy masquerading as a bottle of shampoo,
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women would like to try it as a sex toy
but were embarrassed to buy it,
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00:06:03,826 --> 00:06:05,413
because they knew what it looked like.
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The decision to buy it would be an easier
one if they were already at the checkout.
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If they didn't object then Barry and Matt knew
they helped the bottle to find an happy home.
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But what they didn't know, was that the bottle
was the best selling shampoo on the market.
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Barry had challenged Matt to a scooter race in which
they would sprint down one aisle and up the next.
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They would do all 14 alleys
and then back to the starting line.
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They had been waiting for the day
the manager called in sick.
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The art of doing something else other than
the work you're supposed to do is addictive.
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00:06:39,917 --> 00:06:42,575
The excitement of doing something
that you shouldn't be doing
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along with the consequences
if you're caught doing it
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are so strong that it often pulls
others away from their own art.
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On your marks...
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00:06:50,151 --> 00:06:50,731
get set...
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go!
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00:07:03,201 --> 00:07:06,099
When you've perfected the art
of placing your mind somewhere else,
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eight hours will go as fast as this.
85
00:07:08,786 --> 00:07:11,172
Time manipulation
is not a precise science.
86
00:07:12,356 --> 00:07:14,495
Like any art,
it's personal to the individual.
87
00:07:15,714 --> 00:07:18,932
Send them out into the world,
fulfilled and joyful…
88
00:07:22,097 --> 00:07:23,137
But you are the one.
89
00:07:26,724 --> 00:07:31,341
I gotta tell you Sharon, I'm a modest guy.
I felt fantastic.
90
00:07:33,718 --> 00:07:35,177
I look beautiful.
91
00:07:36,257 --> 00:07:37,997
Throw this in your face?
92
00:07:38,945 --> 00:07:42,352
You inspire me.
Perhaps more than I inspire myself...
93
00:07:50,317 --> 00:07:51,996
Yeah, you're lucky.
94
00:07:55,634 --> 00:07:57,733
On a bench, with the boys,
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I felt like a god.
I'm an Adonis.
96
00:08:04,878 --> 00:08:07,596
I keep myself in good shape,
I know that.
97
00:08:08,106 --> 00:08:09,565
I see the looks...
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00:08:10,616 --> 00:08:11,667
I ignore that.
99
00:08:16,278 --> 00:08:19,277
You have to carry on, you know?
You have to strive.
100
00:08:20,036 --> 00:08:21,059
Make your own mark.
101
00:08:24,972 --> 00:08:27,591
I feel like that.
I feel like a real man.
102
00:08:28,910 --> 00:08:31,015
I think you like real men, don't you?
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There's something supreme...
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00:09:26,886 --> 00:09:28,874
So what is the art
in making my shift go so fast?
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00:09:34,828 --> 00:09:36,287
I imagine the opposite.
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The time is frozen.
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00:09:40,864 --> 00:09:43,572
I imagine that the remote
control for life has been paused.
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00:10:23,212 --> 00:10:26,451
Within this frozen world
I'm able to work freely and unnoticed.
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00:10:30,339 --> 00:10:32,737
Nobody would even know
that the time had stopped.
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00:10:40,209 --> 00:10:44,687
And when it start to back up again the invisible
join would be seamless except for a slight shudder.
111
00:10:47,962 --> 00:10:50,679
Not unlike the feeling
of somebody walking over your grave.
112
00:11:02,041 --> 00:11:02,871
That moment...
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00:11:04,321 --> 00:11:08,353
when you see somebody walking down the street who's
so beautiful that you just can't help but stare.
114
00:11:11,364 --> 00:11:13,553
Well imagine as I do,
that with a world on pause
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00:11:14,133 --> 00:11:16,851
it becomes very easy
to understand the concept of beauty,
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00:11:18,459 --> 00:11:20,248
to have it frozen in front of you,
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that precise moment captured.
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Unawares.
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00:11:37,364 --> 00:11:40,083
For me this fascination with beauty
started at a very young age.
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00:11:41,012 --> 00:11:44,070
I was 6 or 7 and my mum and dad
had taken on a foreign student.
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00:11:45,371 --> 00:11:48,454
She was in her late teens and was
studying English at a near by school.
122
00:11:49,918 --> 00:11:53,678
Being Swedish, the walk from the shower to
her room didn't need to be a modest one.
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00:11:54,920 --> 00:11:57,839
It was at that moment that something
very profound happened to me.
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00:11:59,528 --> 00:12:02,346
I was exposed to the female form
in a way I had never experienced.
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00:12:03,705 --> 00:12:06,624
I felt fascination and wonder
at the beauty of her nakedness,
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00:12:08,627 --> 00:12:11,762
and I wanted to freeze the world so I
could live in that moment for a week.
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00:12:12,895 --> 00:12:15,393
I've never had a feeling
of such completeness.
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00:12:17,251 --> 00:12:20,718
To this day, I still think it was one of
the most beautiful things I'd ever seen.
129
00:12:40,460 --> 00:12:41,519
You dropped these.
130
00:12:58,955 --> 00:12:59,957
And would it be wrong?
131
00:13:01,114 --> 00:13:02,372
Would they hate me?
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00:13:03,532 --> 00:13:04,591
For seeing them.
133
00:13:05,271 --> 00:13:06,839
I mean really seeing them.
134
00:13:08,026 --> 00:13:12,087
I read once about a woman whose secret fantasy
was to have an affair with an artist.
135
00:13:14,500 --> 00:13:16,679
She thought that he would really see her.
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00:13:17,728 --> 00:13:19,296
He would see every curve,
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00:13:20,026 --> 00:13:21,286
every line,
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every indentation and love them because they
were part of beauty that made her unique.
139
00:15:59,669 --> 00:16:02,808
And when I'm ready, the only thing
I need to do to start time again...
140
00:16:03,424 --> 00:16:04,672
is crack my fingers.
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00:16:09,640 --> 00:16:10,279
Barry!
12538
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