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{\an8}Ladies and gentlemen, welcome
to the 31st Screen Actors Guild Awards.
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{\an8}I'm your host, Deborah Vance.
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I'll hold for a standing ovation
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for five or six minutes,
whatever they decide.
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Sure.
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I'm so happy to be up here
doing my favorite thing in the world,
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competing for attention
with Fran Drescher.
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- [chuckles] The Nanny.
- Thank you.
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Laugh, laugh, laugh.
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No, seriously, it's an honor to be here
with so many amazing actresses.
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And Jamie Lee Curtis.
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Deborah.
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She knows what she did.
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Then I think we should move into some bits
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about the nominated movies.
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Yes. I want to do a joke
about that movie with all the gay men.
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Oh, Queer.
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No, no, the one
with the gay singing wizards.
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Wicked?
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No, no, Conclave.
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- Ah.
- Hmm.
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Jimmy's off his meds. He's crazy!
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- Okay, Kayla.
- Stop. Don't tell her, please.
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Kayla, Kayla, control yourself, please.
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We have a problem.
I know that Kayla informed you
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you were asked to host
the Screen Actors Guild Awards,
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but unfortunately, she made a mistake.
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- Shocker.
- Oh, my God.
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Oh, suck my butt.
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They were actually reaching out
because apparently
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your union dues
haven't been paid the last six years.
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- [sighs] Also, my bad as well.
- I'm not hosting?
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When I got the envelope, I just assumed
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it was an offer to host
because you should.
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- I agree.
- Who's been in SAG longer than you?
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[exhales]
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This sucks.
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I really wanted to see Colin Farrell
make Deborah drink a glass of milk.
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We were going to recreate
the kissing scene from Challengers
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with Steve Martin,
Martin Short and Kathy Bates.
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- Oh, that would've been funny.
- Yeah.
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This is terrible.
I had eight costume changes planned.
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- Eight?
- Jeremy Strong has nine.
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Okay, listen, the devil works hard,
but your girl works harder.
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I've already locked in another
prestigious hosting gig for you.
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- The Stag Awards. Whoo!
- Aah.
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The Stag Awards? What are those?
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It's for, uh, male porn stars.
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Okay. Who is hosting the SAG Awards?
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- Kristen Anne Bell.
- [gasps] Yes.
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If they ask me to do
one of those "I'm an actor" intros,
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tell them I'll do it, only if they
guarantee me a statue.
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- Done.
- That's not how it works.
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Okay, Deborah.
I came as soon as it arrived.
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The substance.
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[dramatic music plays]
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She doesn't need it
because the gig is off.
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Yeah. Um, yeah, I'll just
throw this away. Josefina, thanks.
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Hmm. I'll be back in a week.
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Hmm.
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[applause and cheering]
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[announcer] From the Shrine
in Los Angeles,
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a Netflix live event.
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Welcome to the 31st Annual
Screen Actors Guild Awards.
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I grew up in LA and fell in love
with the idea of movie-making.
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When I was 13, I booked
an ultra-low budget short film
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and earned my SAG card.
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But it wasn't until six years later,
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after being cast as a Manson follower
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in Once Upon a Time... in Hollywood,
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when my character had a dog food can
thrown at her face,
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was attacked by a pit bull,
ran through a sliding glass door,
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tipped into a pool, and finally
was set on fire by a flamethrower
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that I finally felt I had started
to make it in Hollywood.
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[laughter]
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I'm Mikey Madison, and I'm an actor.
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[loud cheering]
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Fade in on a girl with a hunger for fame,
and a face and a name to remember.
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That's a lyric from the NBC
musical dramedy Smash.
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[audience laughing]
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And a decade ago, I'd sing it
at dive bar karaoke nights,
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just to feel any connection to showbiz.
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Today, I still sing this song
at karaoke nights.
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Only now, it's to cope
with the stress of working for NBC.
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[audience laughing]
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I'm Bowen Yang, and I'm an actor.
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[all cheering]
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[applause]
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[sighs] Los Angeles is known
as the city of dreams,
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and sure enough, all my dreams
have come true here.
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From my dream of preparing... [laughs]
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[audience laughing]
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I told him to turn away.
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[audience cheering and laughing]
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Don't look!
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[audience laughing]
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From my dream of preparing in
a Starbucks bathroom before an audition,
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to my dream of crying
in a Del Taco bathroom afterwards.98
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I've lived my dream of changing clothes
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while parked on a street
nice enough to have shady trees,
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but not so nice that some white lady
called the police on me.
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[audience laughing]
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And I've also fulfilled my ultimate dream
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of enthusiastically performing
a monologue for a casting director
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while they enthusiastically ate a salad.
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But more than just a dream factory,
this city has always been my home.
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I am Jessica Williams,
I'm LA born and bred,
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and I am an actor.
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[cheers and applause]
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All right.
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My very first audition
was actually my big brother's audition.
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I was three years old, and I wanted
to do everything that he did.
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So, when Buddy was called in
for a sunscreen commercial,
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there was no way
that I was just going to wait
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in the hot car in Burbank while he did it,
so I tagged along.
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And they called him in,
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they asked him to take off his shirt
and say his name.
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Not wanting to be left out,
I pulled my shirt off and I shouted,
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"I'm Alexander!"
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Wait, Mom, who's Alexander?
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I have no idea, Charlie.
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But I booked that Coppertone commercial,
and the rest is history.
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I'm Jodie Foster, and I'm an actor.
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[cheering and applause]
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[announcer] And now,
please welcome your host, Kristen Bell.
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[all cheering]
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[applause]
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[Kristen Bell] Hi, friends.
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Welcome to the 31st
Screen Actors Guild Awards.
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- I am Kristen Bell, and I'm sorry, Jean.
- [audience laughs]
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Um, but I am so happy
to be your host tonight.
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Um, I just want to say,
everyone in this room,
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and I do mean everyone,
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including the camera operators
on the side over here and over here,
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the writers backstage,
the director in the booth,
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and all of the actors in their seats,
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everyone started out
as a kid in somewhere-comma Earth,
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going to bed and waking up
every morning thinking,
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"It's going to be me."
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So, yes, Justin Timberlake
owes us all a piece of that song.
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Look for my email petition.
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But truly, there are
a lot of birthday candles
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and pennies in fountains across the globe
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that all hold this shared dream.
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And that is to be a working artist.
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And it's a beautiful thing.
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And that dream has a backdrop,
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and it's called Los Angeles,
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and it, too, is a very beautiful thing.
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The city and the people in it
have been put through the ringer
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and though this room
is full of sparkles and glamour
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and also what the kids are calling rizz,
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the most attractive tables
I need to point out
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are right over there.
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{\an8}[applause and cheering]
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There's no way to properly
express our gratitude to all of you.
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Words won't do it.
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Invitations to these events won't do it.
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And as a diagnosed people pleaser,
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I'm really going to need
to know what will do it,
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because the not knowing
is, like, very, very hard of me. Um...
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Speaking of dysregulated emotions,
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this is a night to honor
the actors' journey,
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which is long and it can be arduous
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and it leads you to the question...
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[piano music playing]
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[audience cheering and clapping]
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♪ Do you wanna be an actor ♪
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♪ Let's get your foot inside the door ♪
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{\an8}♪ Can you scream a lot on Halloween ♪
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{\an8}♪ Or be a beauty queen ♪
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00:08:17,364 --> 00:08:20,433
{\an8}♪ Or hug a purple dinosaur ♪
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{\an8}♪ Are you ready for your breakout ♪
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{\an8}♪ As "Unnamed Man" ♪
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{\an8}♪ Or "Patient in ICU" ♪
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{\an8}♪ Do you want to be an actor ♪
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00:08:32,228 --> 00:08:35,348
{\an8}♪ Here's a young aspiring actor ♪
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{\an8}♪ Paging you ♪
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{\an8}♪ Do you wanna be an actor ♪
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{\an8}♪ You are clearly not alone ♪
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{\an8}♪ Jason played a "watermelon guy" ♪
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{\an8}♪ Michelle learned how to fly ♪
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{\an8}♪ Jodie sold us Coppertone ♪
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{\an8}♪ You could get a daytime drama ♪
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♪ With a range of arcs ♪
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{\an8}♪ Getting kidnapped or pushed or slapped ♪
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{\an8}I don't know which is worse,
being knocked out or tied up?
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{\an8}♪ I prefer a gag ball with handcuffs ♪
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{\an8}♪ Do you you wanna be an actor ♪
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00:09:11,067 --> 00:09:13,687
{\an8}♪ You really wanna be an actor ♪
191
00:09:14,204 --> 00:09:17,223
{\an8}♪ So you want to be an actor ♪
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00:09:17,257 --> 00:09:20,010
{\an8}♪ It can be a bumpy ride ♪
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{\an8}♪ Sometimes you question your ability ♪
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{\an8}♪ There's no stability ♪
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{\an8}♪ Put aside your pride ♪
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{\an8}♪ But everybody started somewhere ♪
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{\an8}♪ As we hone our craft
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♪ We go through what we go through ♪
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♪ Do you wanna be an actor ♪
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When I got hurt,
the one question we didn't ask
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was where to go.
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♪ Do I wanna be an actor ♪
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♪ Yes, I do ♪
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[applause and cheering]
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[Bell sighs]
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00:10:07,974 --> 00:10:09,292
[all cheering]
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All night long,
we'll be celebrating actors
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whose roles span decades
of film and television,
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but first, let's take a look
at the fabulous performances
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from this past year.
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[applause]
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- [man] Music?
- Yeah.
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00:10:26,693 --> 00:10:28,228
[Shelly] I gave it to the maestro.
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00:10:28,828 --> 00:10:31,931
[Benji] We stay moving,
we stay light, we stay agile.
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00:10:31,965 --> 00:10:32,966
["Joyride" playing]
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♪ Are you a man? 'Cause I'm a... ♪
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♪ I'm already rich
Just looking for that mmm... ♪
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I got a little ahead of
myself in my excitement.
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That's what I'm talking about.
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♪ Don't even try to give me shit ♪
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♪ I've earned the right to be like this ♪
222
00:10:47,213 --> 00:10:49,249
♪ You say you love me? ♪
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[man] Did you ever think
you'd be back on top?
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00:10:51,618 --> 00:10:52,786
Yes.
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00:10:52,819 --> 00:10:54,154
♪ Well, so do I ♪
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[screams]
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♪ Joyride ♪
228
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[woman] Are you God?
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- ♪ Lookin' for a... ♪
- ♪ Good time tonight ♪
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00:11:00,927 --> 00:11:02,962
How many times do I have to say this? Yes.
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00:11:02,996 --> 00:11:05,081
♪ Rev my engine 'til you make it purr ♪
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00:11:05,115 --> 00:11:07,300
♪ Keep it kinky, but I come first ♪
233
00:11:07,333 --> 00:11:11,237
♪ Beep-beep, I'm outside
Get in, loser, for the joyride ♪
234
00:11:11,271 --> 00:11:13,356
♪ Making every mother... turn ♪
235
00:11:13,390 --> 00:11:15,275
- [crashes]
- [screams]
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00:11:15,308 --> 00:11:16,409
[grunts]
237
00:11:16,943 --> 00:11:18,978
[tires screeching]
238
00:11:19,546 --> 00:11:21,581
- I feel like singing...
- [both sing]
239
00:11:21,614 --> 00:11:23,650
...so I'm going to sing it for you.
240
00:11:23,683 --> 00:11:25,719
[man 1] Why is it you're always
causing commotion?
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[man 2] This is what I do for a living.
242
00:11:28,321 --> 00:11:29,322
[yells]
243
00:11:29,356 --> 00:11:32,425
You have to be willing
to do anything to win.
244
00:11:32,459 --> 00:11:34,794
I know. Jump, now!
245
00:11:35,295 --> 00:11:37,630
- Perfection.
- [woman 1] Non-negotiables.
246
00:11:37,664 --> 00:11:40,734
- [man 3] How highest level operate.
- [woman 2] Push boundaries.
247
00:11:40,767 --> 00:11:43,303
[woman 3] Constantly evolve
through creativity.
248
00:11:43,336 --> 00:11:44,337
This is your life!
249
00:11:44,371 --> 00:11:47,474
[man 4] Vibrant collaboration.
That's demented.
250
00:11:47,507 --> 00:11:50,543
- If it's not perfect, it doesn't go out.
- Trust me, it's just the beginning.
251
00:11:50,577 --> 00:11:51,478
[glasses clink]
252
00:11:51,511 --> 00:11:52,729
♪ Joyride ♪
253
00:11:54,080 --> 00:11:56,266
[applause and cheering]
254
00:12:00,020 --> 00:12:02,005
And now for the first award of the night,
255
00:12:02,038 --> 00:12:05,658
here's The Last Showgirl herself
and a nominee tonight as well,
256
00:12:05,692 --> 00:12:07,727
the glorious Pamela Anderson!
257
00:12:07,761 --> 00:12:09,496
[cheering and applause]
258
00:12:17,003 --> 00:12:18,204
[chuckles]
259
00:12:19,873 --> 00:12:21,324
Thank you.
260
00:12:22,175 --> 00:12:23,960
It's an honor to be here tonight,
261
00:12:23,993 --> 00:12:25,445
amongst kindred spirits,
262
00:12:25,979 --> 00:12:29,366
to help celebrate the extraordinary work
of our fellow actors.
263
00:12:29,933 --> 00:12:34,003
The five men in this category
mesmerized us on the silver screen.
264
00:12:34,037 --> 00:12:37,207
The dashing love interest,
a beloved folk icon,
265
00:12:37,240 --> 00:12:41,711
the henchman with a heart,
the contentious vengeful prosecutor,
266
00:12:41,745 --> 00:12:43,913
and a cousin who was in real pain.
267
00:12:43,947 --> 00:12:46,099
It's a wild array of performance,
268
00:12:46,132 --> 00:12:48,551
but each with a fierce commitment
to the truth
269
00:12:48,585 --> 00:12:51,271
that helps us better understand
our shared humanity.
270
00:12:52,188 --> 00:12:55,225
Here are the nominees for male actor
in a supporting role.
271
00:12:56,893 --> 00:12:58,778
[announcer] Yura Borisov, Anora.
272
00:12:58,812 --> 00:13:00,113
{\an8}[audience applauding]
273
00:13:00,146 --> 00:13:02,349
{\an8}- Please stop screaming!
- [woman screaming]
274
00:13:02,382 --> 00:13:06,453
- [screams] Please stop screaming!
- [continues screaming]
275
00:13:11,458 --> 00:13:13,593
{\an8}[announcer] Kieran Culkin, A Real Pain.
276
00:13:13,626 --> 00:13:17,480
{\an8}I've just been in a real funk,
I guess, uh, since she died.
277
00:13:17,514 --> 00:13:18,631
Just haven't, um...
278
00:13:20,467 --> 00:13:22,369
- [cell phone buzzes]
- [sighs] Sorry.
279
00:13:22,402 --> 00:13:24,554
[voice breaking]
She was my favorite person.
280
00:13:28,508 --> 00:13:30,560
{\an8}[announcer] Edward Norton,
A Complete Unknown.
281
00:13:30,593 --> 00:13:32,612
{\an8}[Pete] We're all laboring with teaspoons
282
00:13:32,645 --> 00:13:34,080
{\an8}and you bring a shovel.
283
00:13:34,964 --> 00:13:38,018
And thanks to you, we're almost there.
284
00:13:39,135 --> 00:13:40,804
We're on the verge of tipping it.
285
00:13:45,308 --> 00:13:47,160
{\an8}[announcer] Jeremy Strong, The Apprentice.
286
00:13:47,193 --> 00:13:51,915
{\an8}Now, the government
has failed to spell out one single fact
287
00:13:51,948 --> 00:13:54,951
concerning alleged
discriminatory practices against Blacks
288
00:13:54,984 --> 00:13:56,286
by the Trumps.
289
00:13:56,319 --> 00:13:59,873
Uh, I motion to have this case dismissed
on summary judgment.
290
00:14:05,045 --> 00:14:06,913
{\an8}[announcer] Jonathan Bailey, Wicked.
291
00:14:06,946 --> 00:14:11,301
{\an8}♪ Woes are fleeting
Blows are-a-glancing ♪
292
00:14:11,334 --> 00:14:13,853
♪ When you're dancing ♪
293
00:14:13,887 --> 00:14:16,439
♪ Through life... ♪
294
00:14:22,996 --> 00:14:25,448
And the actor goes to...
295
00:14:25,982 --> 00:14:26,816
{\an8}Let's see...
296
00:14:27,484 --> 00:14:28,318
{\an8}Uh...
297
00:14:29,319 --> 00:14:31,971
{\an8}Kieran Culkin, for A Real Pain.
298
00:14:41,264 --> 00:14:43,566
Gosh, that is heavy. It's heavy.
299
00:14:43,600 --> 00:14:44,617
It's so heavy.
300
00:14:44,651 --> 00:14:46,419
Here you go... [indistinct]
301
00:14:46,970 --> 00:14:48,188
Thank you s
302
00:14:48,938 --> 00:14:50,473
Oh, my gosh.
303
00:14:50,507 --> 00:14:51,941
Wow. That is... Wow.
304
00:14:52,575 --> 00:14:54,127
Uh, thank you, SAG-AFTRA,
305
00:14:54,160 --> 00:14:56,079
for this incredibly heavy award.
306
00:14:56,112 --> 00:14:59,766
{\an8}Um... That's why they put the thing here,
I guess, right?
307
00:14:59,799 --> 00:15:03,837
{\an8}I don't think that's any way
anyone can hold this for 45 seconds.
308
00:15:04,838 --> 00:15:07,907
Which is the allotted time,
Adrien Brody, 45 seconds.
309
00:15:07,941 --> 00:15:10,093
[audience laughing]
310
00:15:10,126 --> 00:15:12,379
There was no reason to take that shot.
311
00:15:12,412 --> 00:15:15,081
I love you. It's a joke.
You take your time. Um...
312
00:15:15,115 --> 00:15:16,900
[Kieran chuckles]
313
00:15:16,933 --> 00:15:19,869
Lord knows I will,
because I didn't think of anything.
314
00:15:19,903 --> 00:15:23,039
Um, It is funny
that the heaviest of all awards
315
00:15:23,073 --> 00:15:24,991
is the one that's given by actors.
316
00:15:26,026 --> 00:15:29,529
It's like, you know... "Us. What we do."
317
00:15:31,398 --> 00:15:33,216
"Mmm, means so much."
318
00:15:33,717 --> 00:15:36,202
[chuckling nervously]
319
00:15:36,236 --> 00:15:39,456
You can see, like,
the meeting of actors that's, like...
320
00:15:39,489 --> 00:15:40,907
"It needs more weight."
321
00:15:41,991 --> 00:15:44,461
Anyway, sorry. Moving on.
322
00:15:44,494 --> 00:15:47,380
I see the clock ticking, uh... Moving on.
323
00:15:48,081 --> 00:15:49,916
There's one actor in the back
that raises his hand
324
00:15:49,949 --> 00:15:52,852
and uses the word "heft" just to be seen.
325
00:15:52,886 --> 00:15:54,721
All right.
326
00:15:54,754 --> 00:15:56,623
I gotta say something here. Um...
327
00:15:57,557 --> 00:16:00,110
Believe it or not,
this actually means a lot to me.
328
00:16:00,143 --> 00:16:02,162
[chuckles] It does.
329
00:16:02,195 --> 00:16:05,732
It's hard to be sincere
after that, or in general. Um...
330
00:16:06,750 --> 00:16:09,102
But yeah, thanks,
it actually is a huge honor...
331
00:16:09,135 --> 00:16:11,705
Thirteen, 12, 11, I haven't said anything.
332
00:16:11,738 --> 00:16:13,590
- Um...
- [crowd laughs]
333
00:16:13,623 --> 00:16:16,943
I do want to talk about one actor...
Five seconds.
334
00:16:16,976 --> 00:16:20,013
Uh, Jesse Eisenberg, who's a great actor.
335
00:16:20,964 --> 00:16:22,799
- Great director.
- [crowd clapping]
336
00:16:22,832 --> 00:16:24,584
Brilliant scene partner. And, uh...
337
00:16:24,617 --> 00:16:27,153
"Wrap it up."
I'll say something quick about Jesse.
338
00:16:27,187 --> 00:16:28,788
For those of you who don't know,
339
00:16:28,822 --> 00:16:32,125
he cast me in this movie
without auditioning me or seeing my work
340
00:16:32,158 --> 00:16:35,612
which he thinks is normal,
and I can't get into how wrong he is,
341
00:16:35,645 --> 00:16:38,314
but he cast me
because his sister told him to,
342
00:16:38,348 --> 00:16:41,401
and he puts a lot of faith in her,
which is really sweet but dumb.
343
00:16:42,001 --> 00:16:44,204
Thanks, Jesse,
for putting me in this movie,
344
00:16:44,237 --> 00:16:47,757
but I want to take a moment
to thank your sister, Hallie.
345
00:16:48,525 --> 00:16:50,844
Thank you, Hallie, for thinking of me
346
00:16:50,877 --> 00:16:53,313
and putting my name
in your stupid brother's ear.
347
00:16:53,346 --> 00:16:57,183
The quickest of thank yous and I'll leave.
Watch how fast this will be.
348
00:16:57,217 --> 00:17:01,638
Thank you, Searchlight, Fruit Tree, Topic,
Nicole Caruso, James and TJ, WME
349
00:17:01,671 --> 00:17:04,507
my manager, Emily Gerson Saines,
of 30 years, you rule,
350
00:17:04,541 --> 00:17:06,576
my wonderful, gorgeous, funny wife,
351
00:17:06,609 --> 00:17:09,496
I love you, thank you for giving me
my favorite people in the world.
352
00:17:09,529 --> 00:17:11,681
That was fast, I told you... Love you, Mom.
353
00:17:12,599 --> 00:17:14,784
[smooth instrumental music playing]
354
00:17:20,240 --> 00:17:23,593
[announcer] Please welcome
Millie Bobby Brown and Drew Starkey.
355
00:17:24,861 --> 00:17:27,047
[applause]
356
00:17:34,337 --> 00:17:37,073
The next category
takes us all across the globe
357
00:17:37,107 --> 00:17:39,242
and just about everywhere in time.
358
00:17:39,743 --> 00:17:41,811
Whether we're dropped in feudal Japan,
359
00:17:41,845 --> 00:17:43,313
Regency-era London,
360
00:17:43,346 --> 00:17:45,015
a US diplomat's crisis,
361
00:17:45,048 --> 00:17:46,833
or the company of Matlock,
362
00:17:46,866 --> 00:17:48,068
it's tough to look away
363
00:17:48,101 --> 00:17:50,787
from such authoritative,
dramatic performances.
364
00:17:50,820 --> 00:17:54,007
They are divine performers
and utterly addictive stories.
365
00:17:54,040 --> 00:17:57,460
Here are the nominees
for female actor in a drama series.
366
00:17:58,244 --> 00:17:59,863
[announcer] Kathy Bates, Matlock.
367
00:17:59,896 --> 00:18:04,117
{\an8}Katya is not a piece of testimony,
she's someone's kid!
368
00:18:04,617 --> 00:18:08,705
And she deserves to be treated
with dignity and respect!
369
00:18:14,327 --> 00:18:16,396
{\an8}[announcer] Nicola Coughlan, Bridgerton.
370
00:18:16,429 --> 00:18:20,050
{\an8}I am nearly on the shelf. I have
never been kissed, and I may never be.
371
00:18:20,083 --> 00:18:23,169
- I could die tomorrow.
- You are not going to die...
372
00:18:23,203 --> 00:18:26,089
- But I could and it would kill me.
- You would already be dead.
373
00:18:26,122 --> 00:18:28,808
I do not wish to die
without ever having been kissed.
374
00:18:34,497 --> 00:18:36,216
{\an8}[announcer] Keri Russell, The Diplomat.
375
00:18:36,249 --> 00:18:39,252
{\an8}I think the call is coming
from inside the house.
376
00:18:39,285 --> 00:18:41,504
The three Americans, including my husband,
377
00:18:41,538 --> 00:18:43,690
just got blown up inside the house.
378
00:18:49,346 --> 00:18:51,664
{\an8}[announcer] Anna Sawai, Shōgun.
379
00:18:51,698 --> 00:18:53,883
{\an8}[audience cheers]
380
00:19:01,291 --> 00:19:03,009
{\an8}[speaking Japanese]
381
00:19:11,267 --> 00:19:13,286
{\an8}[announcer in English] Allison Janney,
The Diplomat.
382
00:19:13,319 --> 00:19:16,740
{\an8}This is my game board,
the whole goddamn thing.
383
00:19:18,291 --> 00:19:19,542
This is yours.
384
00:19:20,627 --> 00:19:22,295
Keep your eyes on your own paper.
385
00:19:28,718 --> 00:19:30,870
And the actor goes to...
386
00:19:35,325 --> 00:19:37,010
{\an8}Anna Sawai, Shōgun.
387
00:19:37,977 --> 00:19:40,980
[jazzy version of "Shōgun" theme plays]
388
00:19:58,064 --> 00:19:59,466
Thank you so much.
389
00:20:00,083 --> 00:20:02,268
Um... I'm very happy,
390
00:20:02,302 --> 00:20:05,238
but... [voice breaks] I'm also kind of sad
391
00:20:05,271 --> 00:20:07,424
because this is probably the last time
392
00:20:07,457 --> 00:20:10,944
I'm able to celebrate the work
with you guys.
393
00:20:10,977 --> 00:20:13,963
I love you, the whole FX team.
394
00:20:13,997 --> 00:20:17,450
Justin, Rachel,
thank you so much for everything.
395
00:20:18,401 --> 00:20:23,340
My team, I love you, Esther,
TJ, Jake, Lorna, Alex, Chris.
396
00:20:23,873 --> 00:20:26,226
{\an8}Thank you for believing in me, always.
397
00:20:26,726 --> 00:20:29,963
{\an8}Last year, when this show came out,
398
00:20:29,996 --> 00:20:32,449
{\an8}the only thing I wanted
was for people to watch it,
399
00:20:32,482 --> 00:20:35,485
so this has been beyond my imagination.
400
00:20:35,518 --> 00:20:37,420
- Thank you so much.
- [applause]
401
00:20:37,454 --> 00:20:38,655
It is very heavy.
402
00:20:49,549 --> 00:20:52,702
[MC] And now, Timothée Chalamet,
Elle Fanning,
403
00:20:52,736 --> 00:20:55,088
Monica Barbaro and Edward Norton.
404
00:20:56,639 --> 00:21:02,012
As David Lynch once said about Bob Dylan,
405
00:21:02,045 --> 00:21:06,299
"He tapped into some kind of vein
and it keeps on keeping on."
406
00:21:08,151 --> 00:21:10,587
A Complete Unknown traces that vein...
407
00:21:10,620 --> 00:21:11,988
- Uh...
- [audience chuckles]
408
00:21:12,022 --> 00:21:15,792
Should have done a rehearsal.
That vein back to Greenwich Village
409
00:21:15,825 --> 00:21:18,795
where the story of rock's
legendary poet begins.
410
00:21:19,546 --> 00:21:24,000
With Suze Rotolo's inspiration
and Pete Seeger as a mentor,
411
00:21:24,034 --> 00:21:29,606
Dylan rose to prominence alongside artists
like Johnny Cash and Joan Baez,
412
00:21:29,639 --> 00:21:33,293
who saw his potential
and sometimes saw right through him.
413
00:21:34,277 --> 00:21:35,612
For almost seven decades,
414
00:21:35,645 --> 00:21:39,983
his songs have served
as both a balm and a rallying cry,
415
00:21:40,016 --> 00:21:42,068
and those songs
have traveled around the world
416
00:21:42,102 --> 00:21:44,671
from the Gaslight Café in 1962,
417
00:21:45,321 --> 00:21:47,340
through the decades of tours
418
00:21:47,374 --> 00:21:49,859
and now all the way to the big screen.
419
00:21:51,077 --> 00:21:53,730
Our wonderful director, James Mangold,
420
00:21:53,763 --> 00:21:57,784
chronicles how Bob Dylan's
fierce commitment to artistic authenticity
421
00:21:57,817 --> 00:21:59,452
attracted legions of fans
422
00:21:59,486 --> 00:22:00,670
and then, quickly,
423
00:22:01,287 --> 00:22:04,774
a level of resistance that would have
discouraged almost anyone else.
424
00:22:05,542 --> 00:22:08,678
But all these years later,
it's that very integrity,
425
00:22:08,712 --> 00:22:10,964
paired with his sense
of social conscience,
426
00:22:10,997 --> 00:22:12,298
that remains electric.
427
00:22:12,799 --> 00:22:14,951
Here is A Complete Unknown.
428
00:22:15,835 --> 00:22:18,121
[Pete] A few months back,
my friend Woody Guthrie and I,
429
00:22:18,938 --> 00:22:20,206
we met a young man.
430
00:22:21,691 --> 00:22:24,577
He dropped in on us out of nowhere
and he played us a song.
431
00:22:24,611 --> 00:22:25,762
[guitar strumming]
432
00:22:25,795 --> 00:22:28,481
In that moment, we got a feeling
433
00:22:29,399 --> 00:22:32,669
we were getting a glimpse of the future.
434
00:22:32,702 --> 00:22:37,440
♪ I've been 10,000 miles
In the mouth of a graveyard ♪
435
00:22:37,474 --> 00:22:38,825
♪ And it's a hard ♪
436
00:22:39,459 --> 00:22:40,927
♪ It's a hard ♪
437
00:22:40,960 --> 00:22:42,645
♪ Oh, it's a hard ♪
438
00:22:42,679 --> 00:22:45,265
♪ It's a hard ♪
439
00:22:45,298 --> 00:22:48,768
♪ It's a hard rain's ♪
440
00:22:48,802 --> 00:22:50,186
♪ A-gonna fall ♪
441
00:23:00,246 --> 00:23:02,549
Ooh, I do love A Complete Unknown!
442
00:23:03,049 --> 00:23:04,250
This year's... Hi, Ted.
443
00:23:04,284 --> 00:23:06,453
- This year's nominees... Not now, Ted.
- Hey.
444
00:23:06,486 --> 00:23:10,473
- This year's nominees are... What?
- Kristen. This is important.
445
00:23:10,507 --> 00:23:11,658
Fine, what? What?
446
00:23:12,342 --> 00:23:14,277
- During the clip package...
- Yeah?
447
00:23:14,310 --> 00:23:15,695
Your name's William, right?
448
00:23:15,729 --> 00:23:17,831
- William said that...
- [audience members whoop]
449
00:23:18,581 --> 00:23:21,418
You told him
that he was your favorite co-star.
450
00:23:22,102 --> 00:23:23,937
Well, all right, look, man, I...
451
00:23:23,970 --> 00:23:28,224
I'm just telling him
what you told me in Paris.
452
00:23:28,258 --> 00:23:29,909
- What? Paris?
- [Bell] Okay...
453
00:23:29,943 --> 00:23:32,095
- [William] Yeah.
- Oh, come on. That was our city.
454
00:23:32,128 --> 00:23:33,847
Okay, boys, boys, boys.
455
00:23:33,880 --> 00:23:36,132
- Did she kiss you? Did you kiss her?
- [William] I mean...
456
00:23:36,166 --> 00:23:38,852
Listen to me. This is not a challenge.
457
00:23:41,021 --> 00:23:43,189
[both] Yes, it is.
458
00:23:43,223 --> 00:23:45,558
- [intense music playing]
- What's happening... Oh, my God!
459
00:23:45,592 --> 00:23:47,427
No, no, no, okay, wait, wait, wait.
460
00:23:47,460 --> 00:23:49,612
- Please welcome, our next presenters...
- [Ted and William babbling]
461
00:23:49,646 --> 00:23:51,981
...Quinta Brunson and Andrew Scott.
462
00:23:52,015 --> 00:23:54,017
[upbeat instrumental music playing]
463
00:24:08,281 --> 00:24:11,317
We're here to present the award
for male actor in a drama series.
464
00:24:12,218 --> 00:24:15,789
We believe that men
can be good actors too.
465
00:24:15,822 --> 00:24:18,458
[audience laughing]
466
00:24:21,027 --> 00:24:22,062
That's right, Quinta.
467
00:24:22,095 --> 00:24:26,116
They might not play people like, uh...
Like Mary Poppins or Cruella De Vil.
468
00:24:26,149 --> 00:24:29,386
Mm-hmm, or Sister Mary Clarence
or the Queen of Wakanda.
469
00:24:29,419 --> 00:24:33,239
[hesitating] But their talents
should be acknowledged, also.
470
00:24:34,624 --> 00:24:36,860
And sometimes supported.
471
00:24:37,994 --> 00:24:39,829
[laughing] Here are the nominees.
472
00:24:41,915 --> 00:24:44,701
{\an8}[announcer] Tadanobu Asano, Shōgun.
473
00:24:46,870 --> 00:24:49,806
{\an8}[speaking Japanese]
474
00:24:55,095 --> 00:24:56,913
{\an8}[announcer in English]
Jeff Bridges, The Old Man.
475
00:24:56,946 --> 00:25:00,784
{\an8}In a day or two,
we'll handle the rest of it.
476
00:25:07,023 --> 00:25:08,742
You gonna help us or no?
477
00:25:09,359 --> 00:25:11,428
{\an8}[announcer] Gary Oldman, Slow Horses.
478
00:25:11,461 --> 00:25:13,463
{\an8}- How's it feel to get your hands dirty?
- [audience cheers]
479
00:25:13,496 --> 00:25:16,716
{\an8}Must be tough, though,
killing a loved one.
480
00:25:16,750 --> 00:25:17,934
I don't know how you live with that.
481
00:25:17,967 --> 00:25:19,586
- [woman] David, don't listen...
- They're up there,
482
00:25:19,619 --> 00:25:23,406
looking down and wondering why you didn't
blow your own brains out in that bathroom
483
00:25:23,440 --> 00:25:24,691
once you realized what you did.
484
00:25:24,724 --> 00:25:25,825
Look, stop it.
485
00:25:25,859 --> 00:25:28,111
{\an8}[announcer] Eddie Redmayne,
The Day of the Jackal.
486
00:25:28,144 --> 00:25:30,113
{\an8}- I kill people for money.
- Again.
487
00:25:30,146 --> 00:25:31,381
{\an8}- I kill people for money.
- Say it again.
488
00:25:31,414 --> 00:25:32,832
- I kill people for money.
- [yells in Spanish]
489
00:25:32,866 --> 00:25:35,268
I kill people for money.
Is that what you want to hear?
490
00:25:35,301 --> 00:25:36,419
Is that enough?
491
00:25:37,837 --> 00:25:40,457
{\an8}[announcer] Hiroyuki Sanada, Shōgun.
492
00:25:40,490 --> 00:25:41,841
{\an8}[audience cheering]
493
00:25:41,875 --> 00:25:43,943
{\an8}[speaking Japanese]
494
00:25:56,556 --> 00:25:58,425
[in English] And the actor goes to...
495
00:26:00,844 --> 00:26:03,496
Hiroyuki Sanada for Shōgun.
496
00:26:03,530 --> 00:26:05,198
[all applauding]
497
00:26:22,682 --> 00:26:23,600
Thanks.
498
00:26:23,633 --> 00:26:24,651
Whoa!
499
00:26:26,252 --> 00:26:27,687
Thank you so much.
500
00:26:27,721 --> 00:26:28,905
Oh, my gosh.
501
00:26:32,008 --> 00:26:35,478
{\an8}I feel like I'm in a dream of dream.
502
00:26:35,512 --> 00:26:37,430
[sighing]
503
00:26:37,464 --> 00:26:39,466
Thank you SAG awards.
504
00:26:40,483 --> 00:26:43,470
I'm Hiroyuki Sanada, actor.
505
00:26:44,738 --> 00:26:46,473
[all cheering]
506
00:26:46,506 --> 00:26:47,424
Uh...
507
00:26:51,478 --> 00:26:57,384
I'm so honored to be here
with these amazing nominees.
508
00:26:58,385 --> 00:27:03,907
And thank you FX, Disney, Hulu and
509
00:27:05,041 --> 00:27:07,477
all the crew and cast members of Shōgun.
510
00:27:08,211 --> 00:27:10,597
[sighing] I'm so proud of you guys.
511
00:27:11,398 --> 00:27:14,184
And I had a great journey with them.
512
00:27:15,201 --> 00:27:20,457
I started acting in Japan
when I was five-years-old and
513
00:27:21,691 --> 00:27:24,177
I moved to LA 20 years ago
514
00:27:25,795 --> 00:27:28,131
and I worked with,
515
00:27:28,164 --> 00:27:31,484
luckily, I worked with
great filmmakers and actors.
516
00:27:32,452 --> 00:27:35,455
And I learned a lot from all of them.
517
00:27:35,488 --> 00:27:38,608
I can see some faces in this room.
518
00:27:39,242 --> 00:27:40,610
Thank you, guys.
519
00:27:40,643 --> 00:27:42,796
And I put everything,
520
00:27:43,763 --> 00:27:47,650
every single experience in my life
521
00:27:47,684 --> 00:27:51,821
into Shōgun, then Shōgun brought me here.
522
00:27:52,872 --> 00:27:57,594
So I'd like to thank
all my co-workers in my life.
523
00:27:58,361 --> 00:28:03,883
And I would also
I'd like to thank my team
524
00:28:04,918 --> 00:28:06,619
for always supporting me.
525
00:28:07,220 --> 00:28:08,488
This is for you.
526
00:28:08,521 --> 00:28:09,539
Thank you so much.
527
00:28:18,381 --> 00:28:23,153
[announcer] And now Mikey Madison,
Yura Borisov and Mark Eydelshteyn.
528
00:28:25,588 --> 00:28:27,307
[audience cheering]
529
00:28:39,436 --> 00:28:40,653
[chuckling]
530
00:28:41,604 --> 00:28:45,709
Life is not one genre,
especially the life of Ani.
531
00:28:45,742 --> 00:28:49,212
Her Brooklyn fairy tale
begins with a whirlwind romance
532
00:28:49,245 --> 00:28:51,748
that's abruptly interrupted by reality.
533
00:28:51,781 --> 00:28:55,685
And a car full of hooligans determined
to put her Cinderella story to an end.
534
00:28:56,503 --> 00:28:57,404
Yeah.
535
00:28:57,437 --> 00:28:58,538
[audience laughing]
536
00:28:59,089 --> 00:29:00,006
Yeah.
537
00:29:00,573 --> 00:29:01,975
What did you say? Hooligans?
538
00:29:02,008 --> 00:29:03,626
Uh, tough guys?
539
00:29:04,778 --> 00:29:09,616
Okay, so Sean Baker has crafted
a world of shocking characters
540
00:29:09,649 --> 00:29:13,486
injected with humor, complexity
and, above all, humanity.
541
00:29:14,087 --> 00:29:18,224
Including a tenacious
woman searching for love
542
00:29:18,258 --> 00:29:21,428
and a little power
wherever she can find it.
543
00:29:21,978 --> 00:29:22,896
Mikey.
544
00:29:23,513 --> 00:29:24,748
[laughing]
545
00:29:25,415 --> 00:29:26,533
[audience laughing]
546
00:29:28,852 --> 00:29:29,869
Please.
547
00:29:29,903 --> 00:29:35,258
Here's the heartbreaking, unapologetic and
unforgettable journey of Anora.
548
00:29:35,291 --> 00:29:36,543
Playback.
549
00:29:38,378 --> 00:29:41,247
Ani, I got a kid who wants
someone who speaks Russian.
550
00:29:41,281 --> 00:29:42,198
Let's go.
551
00:29:43,116 --> 00:29:45,251
Hello. This is the beautiful Ani.
552
00:29:45,285 --> 00:29:46,519
He was really weird.
553
00:29:46,553 --> 00:29:49,222
And I love him.
And I'm seeing him again tonight.
554
00:29:49,255 --> 00:29:51,041
- [Ivan] Will you marry me?
- Seriously?
555
00:29:51,074 --> 00:29:51,991
Seriously.
556
00:29:54,594 --> 00:29:56,529
- You hit the lotto bitch.
- I know.
557
00:29:56,563 --> 00:29:58,214
- Bro!
- Didn't I tell you?
558
00:30:02,936 --> 00:30:04,871
Ivan, your parents are gonna kill me.
559
00:30:04,904 --> 00:30:06,339
[Ani] I love my husband.
560
00:30:06,373 --> 00:30:07,957
You do not know this guy.
561
00:30:07,991 --> 00:30:09,075
We are consenting adults.
562
00:30:09,109 --> 00:30:11,461
If you think this is gonna be allowed,
you're dead wrong.
563
00:30:11,494 --> 00:30:12,629
Do not touch me!
564
00:30:13,880 --> 00:30:15,598
Anora
565
00:30:20,270 --> 00:30:23,523
Please welcome Molly Shannon
and Kumail Nanjiani.
566
00:30:32,432 --> 00:30:33,350
[both snickering]
567
00:30:35,752 --> 00:30:36,853
[sighing]
568
00:30:36,886 --> 00:30:40,607
Right now, during these unsure times,
I just really want something
569
00:30:40,640 --> 00:30:44,094
that I can depend on,
and you know who's dependable?
570
00:30:44,127 --> 00:30:50,233
Quinta Brunson, Liza Colon-Zayas,
Ayo Edebiri.
571
00:30:50,266 --> 00:30:53,069
Kristen Bell and Jean Smart.
572
00:30:56,606 --> 00:30:59,342
The nominees in this next category.
573
00:30:59,376 --> 00:31:01,194
Though a Screen Actors Guild award
574
00:31:01,227 --> 00:31:03,780
is one way to honor
these magnificent talents,
575
00:31:03,813 --> 00:31:05,465
we are proposing something else.
576
00:31:05,498 --> 00:31:09,486
A five headed Mount Rushmore like
monument, right in the middle of town.
577
00:31:09,519 --> 00:31:11,488
Perhaps on the Hollywood Walk of Fame.
578
00:31:11,521 --> 00:31:13,606
You know where
that abandoned Hooters is.
579
00:31:14,958 --> 00:31:16,576
You know what I'm talking about.
580
00:31:17,077 --> 00:31:19,863
And just like in Hooters,
tourists from a...
581
00:31:19,896 --> 00:31:20,997
[laughing]
582
00:31:21,748 --> 00:31:24,768
Tourists from around the world
should be able to come there
583
00:31:24,801 --> 00:31:29,956
and take pictures next to the huge,
impressive busts of these fine women.
584
00:31:29,989 --> 00:31:31,274
No, that's um...
585
00:31:34,110 --> 00:31:40,183
Sorry, stone busts of these fine women
while thinking about the tasty
586
00:31:40,216 --> 00:31:42,385
chicken wings that once served there.
587
00:31:43,737 --> 00:31:47,991
The nominees for female actor
in a comedy series are, playback.
588
00:31:49,526 --> 00:31:52,328
[announcer] Kristen Bell,
Nobody Wants This.
589
00:31:52,362 --> 00:31:53,897
{\an8}Two words, Chin Chila.
590
00:31:53,930 --> 00:31:55,265
{\an8}Okay, this is a cry for help.
591
00:31:55,298 --> 00:31:58,785
I don't know. I found it in the back of my
dad's closet, so, maybe. Hi, everyone.
592
00:31:58,818 --> 00:31:59,652
I'm Joanne.
593
00:32:00,286 --> 00:32:02,222
You can relax, it's fake.
594
00:32:03,289 --> 00:32:05,575
{\an8}[announcer] Quinta Brunson,
Abbott Elementary.
595
00:32:05,608 --> 00:32:09,462
{\an8}I have so perfectly planned for everything
that in three seconds, watch this.
596
00:32:09,496 --> 00:32:11,031
Three, two, one.
597
00:32:11,064 --> 00:32:12,065
[Barbara] Janine!
598
00:32:12,098 --> 00:32:13,967
Do you have any sponges?
599
00:32:14,000 --> 00:32:15,719
This kitchen is a mess.
600
00:32:16,786 --> 00:32:18,955
{\an8}[announcer] Liza Colón-Zayas, The Bear.
601
00:32:18,988 --> 00:32:22,359
{\an8}I also can't remember
the last time I went to bed.
602
00:32:24,127 --> 00:32:25,045
Well?
603
00:32:25,795 --> 00:32:26,713
You feel better?
604
00:32:28,298 --> 00:32:30,133
Not really. [laughs]
605
00:32:30,166 --> 00:32:32,268
{\an8}[announcer] Ayo Edebiri, The Bear.
606
00:32:32,302 --> 00:32:37,657
{\an8}I've tried before to be late, like
actively, and I don't know what happens.
607
00:32:37,691 --> 00:32:39,959
I end up coming earlier.
608
00:32:39,993 --> 00:32:40,877
You are unwell.
609
00:32:40,910 --> 00:32:43,163
Well, yes, of course.
But you are also unwell.
610
00:32:44,147 --> 00:32:45,832
{\an8}[announcer] Jean Smart, Hacks.
611
00:32:45,865 --> 00:32:49,469
{\an8}Look at this. The coffee cup
that says, "I'm so old.
612
00:32:49,502 --> 00:32:51,187
I went apple picking with Eve."
613
00:32:52,389 --> 00:32:55,008
I mean, I like the joke,
but I hate that font.
614
00:33:00,780 --> 00:33:05,085
And the actor goes to...
This is so exciting.
615
00:33:05,802 --> 00:33:08,638
Jean Smart for Hacks!
616
00:33:08,672 --> 00:33:09,939
[all cheering]
617
00:33:12,692 --> 00:33:14,694
[whistling]
618
00:33:16,846 --> 00:33:21,668
Jean, unfortunately, Jean is shooting
on location and can't be here tonight.
619
00:33:21,701 --> 00:33:24,771
But we accept this award on her behalf.
620
00:33:26,089 --> 00:33:27,307
[all applauding]
621
00:33:34,347 --> 00:33:37,634
[announcer] Coming up,
we enter the world of Emelia Perez
622
00:33:37,667 --> 00:33:40,954
{\an8}as Zoe Saldaña
and Selena Gomez take stage.
623
00:33:40,987 --> 00:33:45,558
{\an8}Then the best of the Kerrys,
with Kerry Washington and Keri Russell,
624
00:33:45,592 --> 00:33:48,695
{\an8}and the award for male actor
in a comedy series, here
625
00:33:48,728 --> 00:33:51,181
{\an8}at the 31st Screen Actors Guild Awards.
626
00:33:59,005 --> 00:34:00,507
We love LA
627
00:34:01,791 --> 00:34:04,427
[man] This is the city,
Los Angeles, California.
628
00:34:06,162 --> 00:34:08,281
Everybody comes to Hollywood, got a dream.
629
00:34:09,099 --> 00:34:10,183
What's your dream?
630
00:34:11,201 --> 00:34:13,136
- You just moved here?
- Yes.
631
00:34:13,169 --> 00:34:16,189
- Hollywood is so exciting.
- Isn't it?
632
00:34:16,723 --> 00:34:18,475
That's why they call it Hollywood.
633
00:34:18,508 --> 00:34:19,426
There it is.
634
00:34:20,393 --> 00:34:23,947
Driving down Sunset and turned on one of
those roads that leads up into the hills.
635
00:34:23,980 --> 00:34:26,149
I stopped at this place
that overlooks the whole city.
636
00:34:26,182 --> 00:34:27,100
It was fantastic.
637
00:34:27,901 --> 00:34:29,719
I suddenly felt exhilarated.
638
00:34:34,624 --> 00:34:35,792
It's a fabulous city.
639
00:34:36,693 --> 00:34:37,794
You gotta hear the street.
640
00:34:37,827 --> 00:34:40,063
You gotta smell it, you know?
You gotta taste that shit.
641
00:34:40,096 --> 00:34:41,014
Feel it.
642
00:34:41,047 --> 00:34:42,465
Welcome to Paradise, man.
643
00:34:43,133 --> 00:34:44,734
Welcome to your dream come true.
644
00:34:47,287 --> 00:34:48,254
California.
645
00:34:49,372 --> 00:34:51,157
- Where do you live?
- Hollywood.
646
00:34:51,191 --> 00:34:53,793
I'm from the city, you're from the hills.
That's how we're different.
647
00:34:53,827 --> 00:34:56,162
- Is that in the Valley?
- Kicking it up on Crenshaw.
648
00:34:56,196 --> 00:34:59,683
-Beverly Hills Rodeo Drive, baby
-I was born in East LA.
649
00:34:59,716 --> 00:35:01,184
Mulholland Drive.
650
00:35:01,217 --> 00:35:03,269
Forget it, Jake. It's Chinatown.
651
00:35:04,587 --> 00:35:07,624
{\an8}It's just this random collection
of neighborhoods where it's always sunny
652
00:35:07,657 --> 00:35:10,543
and it reflects wherever you're at
back at you.
653
00:35:11,194 --> 00:35:12,495
♪ It's all in the air ♪
654
00:35:12,529 --> 00:35:13,697
♪ You hear it everywhere ♪
655
00:35:13,730 --> 00:35:16,983
♪ No matter what you do,
it's gonna grab a hold on you ♪
656
00:35:17,017 --> 00:35:18,385
Stay on or get off?
657
00:35:25,942 --> 00:35:28,311
Well, asalam alaykum, homie.
Welcome to Cali.
658
00:35:30,814 --> 00:35:31,765
Look out the window.
659
00:35:32,699 --> 00:35:34,484
It's sunny every day here.
660
00:35:36,569 --> 00:35:37,921
It's like manifest destiny.
661
00:35:37,954 --> 00:35:39,406
Don't tell me we didn't make it.
662
00:35:39,439 --> 00:35:40,357
We made it.
663
00:35:41,057 --> 00:35:46,079
We are here, and everything that is past
is prologue to this.
664
00:35:46,112 --> 00:35:48,181
♪ California ♪
665
00:35:48,798 --> 00:35:50,483
♪ California ♪
666
00:35:52,001 --> 00:35:52,902
As if!
667
00:35:58,091 --> 00:36:00,210
♪ California ♪
668
00:36:01,094 --> 00:36:03,279
♪ California ♪
669
00:36:09,285 --> 00:36:11,204
♪ California ♪
670
00:36:13,173 --> 00:36:16,092
[announcer] Please welcome
Joey King and Jack Quaid.
671
00:36:23,900 --> 00:36:24,818
My God.
672
00:36:31,991 --> 00:36:34,477
Give it up one more time
for LA, everybody.
673
00:36:37,597 --> 00:36:38,715
So, thank you.
674
00:36:38,748 --> 00:36:39,883
Thank you.
675
00:36:39,916 --> 00:36:42,218
So Joey and I are thrilled
to be here tonight
676
00:36:42,252 --> 00:36:44,371
as two born and raised Angelinos.
677
00:36:44,404 --> 00:36:47,791
And don't underestimate us
LA natives. You know, we know this town.
678
00:36:48,558 --> 00:36:49,809
Almost as well as we know
679
00:36:50,694 --> 00:36:54,664
Atlanta, Vancouver, Albuquerque
or wherever else we go to
680
00:36:54,698 --> 00:36:56,683
shoot our stuff, but,
you know, we know LA.
681
00:36:56,716 --> 00:36:57,934
- We know LA.
- We do.
682
00:36:57,967 --> 00:37:00,020
Yeah. And that means
if you're feeling lost
683
00:37:00,053 --> 00:37:02,005
in this sprawling city,
we can help.
684
00:37:02,038 --> 00:37:02,956
No doubt.
685
00:37:02,989 --> 00:37:05,975
We can direct you to a dispensary
within a hundred feet
686
00:37:06,009 --> 00:37:07,510
of where you're currently standing.
687
00:37:08,161 --> 00:37:10,296
And in this case, it's Joey's purse.
688
00:37:11,414 --> 00:37:13,299
Yeah, yeah, it is.
689
00:37:13,333 --> 00:37:16,486
Or we can direct you to a strip mall
where we can get head shots,
690
00:37:16,519 --> 00:37:19,189
therapy and your Twitter account
scrubbed in under an hour.
691
00:37:19,222 --> 00:37:22,092
Yeah. Sometimes all from the same guy.
692
00:37:23,059 --> 00:37:24,344
[both] Matty Matheson.
693
00:37:24,377 --> 00:37:25,745
Yeah.
694
00:37:25,779 --> 00:37:27,130
And speaking of
695
00:37:28,481 --> 00:37:30,800
- talented men.
- Oh, yeah.
696
00:37:30,834 --> 00:37:33,887
Here are the nominees
for male actor in a comedy series.
697
00:37:35,789 --> 00:37:38,174
{\an8}[announcer] Adam Brody,
Nobody Wants This.
698
00:37:38,208 --> 00:37:39,125
{\an8}I'm on your side.
699
00:37:42,145 --> 00:37:43,063
I can handle you.
700
00:37:50,954 --> 00:37:53,306
{\an8}[announcer] Ted Danson,
A Man On The Inside.
701
00:37:53,340 --> 00:37:54,257
{\an8}Check this out.
702
00:37:54,758 --> 00:37:57,744
{\an8}I gave my spy persona a trademark.
703
00:37:57,777 --> 00:37:59,145
Spy Charles
704
00:37:59,896 --> 00:38:01,131
Where's the pocket square?
705
00:38:01,698 --> 00:38:03,783
That's how you'll know
that I'm in spy mode.
706
00:38:08,822 --> 00:38:10,874
{\an8}[announcer] Harrison Ford, Shrinking.
707
00:38:10,907 --> 00:38:13,526
{\an8}Look, I'm not even dressed for this.
708
00:38:13,560 --> 00:38:14,844
Your blazers in the trunk.
709
00:38:17,697 --> 00:38:19,816
Help! I'm being kidnapped.
710
00:38:19,849 --> 00:38:21,985
- Anybody?
- Will you calm down?
711
00:38:22,018 --> 00:38:22,936
Jesus!
712
00:38:23,520 --> 00:38:25,021
Worst Thanksgiving ever.
713
00:38:26,589 --> 00:38:28,975
[all cheering]
714
00:38:30,310 --> 00:38:32,429
{\an8}[announcer] Jeremy Allen White, The Bear.
715
00:38:33,046 --> 00:38:34,781
{\an8}I'm so tired. It sucks.
716
00:38:34,814 --> 00:38:36,166
{\an8}It does suck.
717
00:38:36,199 --> 00:38:38,284
Well, if we did it when it was scheduled,
718
00:38:38,318 --> 00:38:40,620
like suggested in the non-negotiables,
it wouldn't be this bad.
719
00:38:40,653 --> 00:38:41,638
I swear we do, though.
720
00:38:41,671 --> 00:38:42,589
We do it.
721
00:38:46,176 --> 00:38:48,495
{\an8}[announcer] Martin Short,
Only Murders In The Building.
722
00:38:48,528 --> 00:38:50,747
{\an8}We also brought smelling salts.
723
00:38:50,780 --> 00:38:53,099
{\an8}Good luck accusing that
of being in bad taste.
724
00:38:53,666 --> 00:38:55,135
I don't even know if they work.
725
00:38:55,168 --> 00:38:56,136
[snorts]
726
00:38:57,387 --> 00:38:58,788
They work, they work.
727
00:39:04,761 --> 00:39:06,713
And the Actor goes to...
728
00:39:09,849 --> 00:39:11,267
{\an8}Martin Short!
729
00:39:11,301 --> 00:39:13,269
{\an8}Only Murders in the Building.
730
00:39:13,303 --> 00:39:14,454
{\an8}[audience cheering]
731
00:39:20,343 --> 00:39:21,978
[Joey] Well, well, well.
732
00:39:22,012 --> 00:39:23,179
Well, well, well.
733
00:39:23,213 --> 00:39:24,230
I don't see...
734
00:39:24,764 --> 00:39:26,216
- Oh, there's the teleprompter.
- Yes.
735
00:39:26,249 --> 00:39:28,418
Martin Short could not be here tonight.
736
00:39:28,451 --> 00:39:30,804
We accept this award on his behalf.
737
00:39:30,837 --> 00:39:33,673
- Yes, we do. Thank you very much. Yeah.
- Taking it.
738
00:39:33,707 --> 00:39:35,175
[instrumental music playing]
739
00:39:41,815 --> 00:39:44,818
[announcer] And now,
Selena Gomez and Zoe Saldaña.
740
00:39:51,474 --> 00:39:54,044
Emilia Perez was a magical collaboration
741
00:39:54,077 --> 00:39:55,879
where we got to sing and dance
742
00:39:55,912 --> 00:39:58,982
and explore the journey
of being authentically yourself.
743
00:39:59,783 --> 00:40:02,852
Emilia Perez is a ride unlike any other.
744
00:40:03,386 --> 00:40:05,405
It's thrilling, it's heart-wrenching,
745
00:40:05,438 --> 00:40:09,009
and it's always
one fabulously choreographed step
746
00:40:09,042 --> 00:40:10,760
ahead of your expectations.
747
00:40:11,261 --> 00:40:14,230
Every once in a while,
we get a movie that dares to be
748
00:40:14,264 --> 00:40:17,133
as unpredictable as life itself.
749
00:40:17,167 --> 00:40:18,301
And here she is,
750
00:40:18,334 --> 00:40:19,569
Emilia Perez.
751
00:40:36,252 --> 00:40:38,071
[guns cocking]
752
00:40:38,104 --> 00:40:39,506
[gunfire]
753
00:40:39,539 --> 00:40:41,107
-Bingo
-["El Mal" playing]
754
00:40:58,608 --> 00:41:00,260
[audience clapping and whooping]
755
00:41:00,293 --> 00:41:01,745
[instrumental music playing]
756
00:41:02,862 --> 00:41:06,316
[announcer] Please welcome
Kerry Washington and Keri Russell.
757
00:41:06,349 --> 00:41:08,601
[audience clapping and whooping]
758
00:41:17,377 --> 00:41:18,578
Hi, Keri.
759
00:41:18,611 --> 00:41:20,246
- Oh, hello, Kerry.
- [audience laughing]
760
00:41:20,280 --> 00:41:23,283
Keri, it is just so great
to be here with you tonight.
761
00:41:23,316 --> 00:41:24,401
I'm such a fan.
762
00:41:24,434 --> 00:41:27,253
I never thought I was going
to get to fangirl on a Keri.
763
00:41:27,754 --> 00:41:29,089
Likewise.
764
00:41:29,122 --> 00:41:32,475
And what an incredible year
for our nominees.
765
00:41:32,509 --> 00:41:33,643
It was such an honor
766
00:41:33,677 --> 00:41:37,480
to watch these gifted women build
such compelling characters.
767
00:41:37,514 --> 00:41:39,416
I couldn't agree more, Keri.
768
00:41:39,449 --> 00:41:41,718
- [Keri chuckles]
- These women really deserve
769
00:41:41,751 --> 00:41:42,602
to be celebrated
770
00:41:42,635 --> 00:41:45,472
because we all know
the tremendous love and devotion
771
00:41:45,505 --> 00:41:50,276
that went into every one
of their phenomenal performances.
772
00:41:50,310 --> 00:41:55,115
Here are the nominees for Female Actor
in a Television Movie or Limited Series.
773
00:41:56,816 --> 00:41:59,569
[announcer] Kathy Bates,
The Great Lillian Hall.
774
00:41:59,602 --> 00:42:02,188
{\an8}- How bad is it?
- What difference does it make?
775
00:42:02,222 --> 00:42:03,890
{\an8}A hell of a lot.
776
00:42:03,923 --> 00:42:05,275
You trust me.
777
00:42:05,308 --> 00:42:06,676
It's not important.
778
00:42:06,710 --> 00:42:07,827
It's not important?
779
00:42:07,861 --> 00:42:10,096
If this isn't important, what the hell is?
780
00:42:11,297 --> 00:42:12,499
[audience whooping]
781
00:42:13,299 --> 00:42:16,636
{\an8}[announcer] Jodie Foster,
True Detective: Night Country.
782
00:42:16,669 --> 00:42:17,804
{\an8}Maybe.
783
00:42:17,837 --> 00:42:19,489
{\an8}- So what?
- [Evangeline] "So what"?
784
00:42:19,522 --> 00:42:20,907
It's the same case.
785
00:42:20,940 --> 00:42:23,993
- We can work together, figure out Annie.
- [Liz laughs]
786
00:42:24,027 --> 00:42:24,944
No.
787
00:42:25,445 --> 00:42:27,297
I'm not working with you again, ever.
788
00:42:31,418 --> 00:42:33,853
{\an8}[announcer] Lily Gladstone,
Under the Bridge.
789
00:42:33,887 --> 00:42:36,356
{\an8}What, are you two like, best friends now?
790
00:42:36,389 --> 00:42:38,525
You know this is
an act of homicide, right?
791
00:42:38,558 --> 00:42:40,860
Yes, I know. I'm trying to help you.
792
00:42:40,894 --> 00:42:42,328
[chuckles]
793
00:42:42,362 --> 00:42:43,380
Help me do what?
794
00:42:48,601 --> 00:42:51,104
{\an8}[announcer] Jessica Gunning,
Baby Reindeer.
795
00:42:51,137 --> 00:42:53,073
{\an8}Martha, can you let go
of my hand now, please?
796
00:42:53,106 --> 00:42:54,708
- I want names.
- Martha, please.
797
00:42:54,741 --> 00:42:56,509
- Names.
- Martha, please.
798
00:42:56,543 --> 00:42:58,144
- Names.
- Martha, please let go!
799
00:42:58,178 --> 00:43:00,380
Don't! Don't you dare!
800
00:43:01,998 --> 00:43:03,733
[audience cheering and whooping]
801
00:43:05,251 --> 00:43:07,604
{\an8}[announcer] Cristin Milioti, The Penguin.
802
00:43:07,637 --> 00:43:08,638
{\an8}I loved you.
803
00:43:11,074 --> 00:43:13,226
And yet not one of you
804
00:43:14,911 --> 00:43:17,030
tried to help me.
805
00:43:19,132 --> 00:43:20,800
[audience whooping]
806
00:43:23,920 --> 00:43:24,854
{\an8}[announcer] Disclaimer.
807
00:43:24,888 --> 00:43:26,056
{\an8}[Robert] Look at them.
808
00:43:27,040 --> 00:43:28,324
{\an8}Who... Who gave you this?
809
00:43:28,358 --> 00:43:29,459
Look at them.
810
00:43:30,043 --> 00:43:31,177
Please, I just...
811
00:43:33,646 --> 00:43:34,848
Look at them closely.
812
00:43:35,398 --> 00:43:36,783
Please, Robert. I...
813
00:43:39,369 --> 00:43:40,520
How could you?
814
00:43:45,992 --> 00:43:48,578
And the Actor goes to...
815
00:43:51,448 --> 00:43:52,999
{\an8}Jessica Gunning.
816
00:43:53,033 --> 00:43:54,901
{\an8}Baby Reindeer.
817
00:43:54,934 --> 00:43:56,686
[upbeat instrumental music playing]
818
00:44:18,692 --> 00:44:20,377
Wow. Wow, wow, wow.
819
00:44:20,410 --> 00:44:22,529
Thank you so much. Wow.
820
00:44:22,562 --> 00:44:25,231
I feel like such a bloody lucky body
to even be in this room,
821
00:44:25,265 --> 00:44:27,017
let alone be nominated
822
00:44:27,050 --> 00:44:28,618
or up here, honestly.
823
00:44:29,169 --> 00:44:30,770
Um, when I first started acting,
824
00:44:30,804 --> 00:44:34,224
I had an office job
alongside my acting for about eight years.
825
00:44:34,257 --> 00:44:36,810
And it's a very geeky thing to admit,
826
00:44:36,843 --> 00:44:39,979
but in the mornings,
I used to go into work and look
827
00:44:40,480 --> 00:44:42,482
at a PowerPoint presentation.
828
00:44:42,515 --> 00:44:45,468
{\an8}There was like a kind
of positive thinking vision board
829
00:44:45,502 --> 00:44:46,786
{\an8}of all the things I wanted to do
830
00:44:46,820 --> 00:44:48,672
{\an8}and the people I wanted
to meet and work with.
831
00:44:48,705 --> 00:44:51,524
And Cate Blanchett and Jodie Foster
832
00:44:51,558 --> 00:44:54,127
and Kathy Bates were on that vision board.
833
00:44:54,160 --> 00:44:57,697
And so to be listed amongst them today,
834
00:44:58,565 --> 00:45:00,417
but also alongside
835
00:45:01,551 --> 00:45:03,136
Lily and Cristin who gave
836
00:45:03,803 --> 00:45:06,039
performances that absolutely knocked
my socks off
837
00:45:06,072 --> 00:45:09,592
really means more to me
than I can ever express.
838
00:45:09,626 --> 00:45:12,562
So thank you very much
to SAG-AFTRA for this.
839
00:45:12,595 --> 00:45:15,382
Thank you to everybody involved
in Baby Reindeer
840
00:45:16,099 --> 00:45:17,584
for changing my life, really,
841
00:45:17,617 --> 00:45:21,454
and thank you to Richard Gadd
for making my dreams come true.
842
00:45:21,488 --> 00:45:22,772
[chuckles]
843
00:45:22,806 --> 00:45:25,141
I will never forget
being part of Baby Reindeer
844
00:45:25,175 --> 00:45:26,710
or playing the part of Martha.
845
00:45:26,743 --> 00:45:28,945
It means so much to me, so thank you.
846
00:45:29,729 --> 00:45:33,350
Thank you to my team and to my friends
and my family watching back home.
847
00:45:33,383 --> 00:45:36,336
I love you and I cannot wait
to celebrate this with you all.
848
00:45:36,369 --> 00:45:39,255
But honestly, genuinely,
this means the world to me.
849
00:45:39,289 --> 00:45:41,408
So thank you so very, very much.
Thank you.
850
00:45:41,441 --> 00:45:43,159
[audience cheering and whooping]
851
00:45:44,027 --> 00:45:45,779
[upbeat instrumental music playing]
852
00:45:49,115 --> 00:45:53,470
{\an8}[announcer] Coming up, we celebrate
Hollywood's greatest scream queens,
853
00:45:53,503 --> 00:45:56,956
{\an8}and Julia Louis-Dreyfus presents
Jane Fonda
854
00:45:56,990 --> 00:45:59,209
{\an8}with the Life Achievement Award,
855
00:45:59,242 --> 00:46:02,829
{\an8}right here
at the 31st Screen Actors Guild Awards.
856
00:46:08,201 --> 00:46:10,320
[woman screaming]
857
00:46:10,820 --> 00:46:13,757
[screaming]
858
00:46:13,790 --> 00:46:17,927
My mother, Janet Leigh, was
chosen to be Marion Crane.
859
00:46:17,961 --> 00:46:21,031
Obviously, her scream in that shower was
860
00:46:21,064 --> 00:46:22,866
heard around the world.
861
00:46:22,899 --> 00:46:24,467
It changed cinema forever.
862
00:46:24,501 --> 00:46:25,902
- [crashing]
- [screaming]
863
00:46:26,636 --> 00:46:30,440
I think my first scream
in the original film is
864
00:46:30,473 --> 00:46:33,576
when Billy Loomis enters my bedroom.
865
00:46:33,610 --> 00:46:35,045
[screaming]
866
00:46:35,078 --> 00:46:38,648
The first scream that I did
when we filmed Scream,
867
00:46:38,682 --> 00:46:40,950
my first day on set.
We were doing that opening sequence.
868
00:46:41,718 --> 00:46:44,921
Then I would do it, and we would
all scream, cheer, high-five.
869
00:46:44,954 --> 00:46:47,707
[Jamie Lee] That shot of me rounding
the corner of the house
870
00:46:47,741 --> 00:46:50,860
is the first time in my entire life
871
00:46:50,894 --> 00:46:52,262
that I had ever screamed.
872
00:46:52,295 --> 00:46:53,263
[screaming]
873
00:46:53,296 --> 00:46:56,099
We don't want to see ourselves as weak.
We are not weak.
874
00:46:56,132 --> 00:46:57,634
Kill her, Mommy.
875
00:46:58,435 --> 00:46:59,335
I'm into survival.
876
00:47:01,871 --> 00:47:03,006
- Hello?
- [man] The calls are
877
00:47:03,039 --> 00:47:04,874
coming from inside the house.
878
00:47:04,908 --> 00:47:06,876
"There's a killer in the house!"
879
00:47:06,910 --> 00:47:09,045
We were covered in blood, exhausted.
880
00:47:09,679 --> 00:47:11,381
I've always considered
horror to be a home.
881
00:47:13,350 --> 00:47:14,651
[screaming] No!
882
00:47:15,185 --> 00:47:16,953
What makes a great scream?
883
00:47:16,986 --> 00:47:18,922
[screaming] No!
884
00:47:19,489 --> 00:47:20,623
Commitment.
885
00:47:22,325 --> 00:47:25,195
- Guttural.
- Get away from her, you bitch!
886
00:47:25,228 --> 00:47:26,663
- Letting go.
- [screaming]
887
00:47:28,264 --> 00:47:30,567
- Please!
- What are you waiting for?
888
00:47:30,600 --> 00:47:33,036
- Yeah!
- It's only a scream!
889
00:47:33,069 --> 00:47:35,005
Don't touch my baby!
890
00:47:35,038 --> 00:47:36,906
Shut it off!
891
00:47:38,274 --> 00:47:40,677
It's an honor to be a part of this.
892
00:47:40,710 --> 00:47:42,379
I've made my living screaming.
893
00:47:43,346 --> 00:47:45,882
How come Jamie Lee Curtis is
in all these movies?
894
00:47:45,915 --> 00:47:48,251
She's the Scream Queen.
895
00:47:48,284 --> 00:47:49,185
[screaming]
896
00:47:51,071 --> 00:47:52,355
[audience clapping]
897
00:47:54,324 --> 00:47:57,043
[announcer] Ladies and gentlemen,
Jamie Lee Curtis.
898
00:47:57,077 --> 00:47:58,728
[instrumental music playing]
899
00:48:08,204 --> 00:48:11,207
I'm going to let everyone sit down
for a second.
900
00:48:12,759 --> 00:48:13,943
Hi, team.
901
00:48:14,627 --> 00:48:16,529
The show is back on.
902
00:48:17,914 --> 00:48:21,618
As you know, I have been
screaming myself hoarse
903
00:48:21,651 --> 00:48:22,819
in horror films
904
00:48:22,852 --> 00:48:24,854
since the Carter administration.
905
00:48:24,888 --> 00:48:25,989
[audience laughing]
906
00:48:26,523 --> 00:48:29,159
It is a genre of visceral emotion,
907
00:48:29,192 --> 00:48:34,864
and it has evolved into one
of our greatest storytelling traditions.
908
00:48:34,898 --> 00:48:37,951
Horror, ironically, is unafraid
909
00:48:38,451 --> 00:48:43,773
of pain, fear,
and our most unsavory truths.
910
00:48:43,807 --> 00:48:44,958
And by the look of it,
911
00:48:45,542 --> 00:48:48,028
so are the actors in this next category
912
00:48:48,061 --> 00:48:48,945
who all star
913
00:48:48,978 --> 00:48:53,033
in some of the most chilling television
of the year.
914
00:48:53,066 --> 00:48:59,673
And here are the nominees for male actor
in a TV movie or limited series.
915
00:49:00,774 --> 00:49:01,925
[announcer] Javier Bardem,
916
00:49:01,958 --> 00:49:05,011
{\an8}Monsters: The Lyle
and Erik Menendez Story.
917
00:49:05,045 --> 00:49:06,980
{\an8}I'm sorry
I didn't hit you hard enough.
918
00:49:08,314 --> 00:49:09,599
That is my fault.
919
00:49:11,334 --> 00:49:12,419
And I'm sorry.
920
00:49:13,036 --> 00:49:13,870
[kisses]
921
00:49:15,121 --> 00:49:17,123
{\an8}[announcer] Colin Farrell, The Penguin.
922
00:49:17,157 --> 00:49:18,958
{\an8}He disrespected me.
You going to do that, Vic?
923
00:49:18,992 --> 00:49:20,410
{\an8}- No, no.
- No.
924
00:49:20,443 --> 00:49:22,729
'Cause you and me,
we're in this together now.
925
00:49:23,963 --> 00:49:26,182
Which means... [chuckles] ...I own you.
926
00:49:27,083 --> 00:49:29,119
{\an8}[announcer] Richard Gadd, Baby Reindeer.
927
00:49:29,152 --> 00:49:33,023
{\an8}I knew she was bad, and I knew she was
dangerous, but she flattered me.
928
00:49:33,056 --> 00:49:34,090
{\an8}And that was enough.
929
00:49:37,777 --> 00:49:40,013
{\an8}[announcer] Kevin Kline. Disclaimer.
930
00:49:40,046 --> 00:49:43,099
{\an8}[Stephen] Nancy was against me giving
the knife to Jonathan.
931
00:49:44,684 --> 00:49:46,603
But I wanted to gain his affection.
932
00:49:50,407 --> 00:49:52,225
{\an8}[announcer] Andrew Scott, Ripley.
933
00:49:52,258 --> 00:49:53,393
{\an8}We're not that.
934
00:49:55,462 --> 00:49:56,780
No, there's a bond between us.
935
00:49:56,813 --> 00:49:58,148
Can you understand that?
936
00:49:58,181 --> 00:50:00,583
Or are you just going
to keep making accusations?
937
00:50:00,617 --> 00:50:02,068
Can you understand anything?
938
00:50:07,524 --> 00:50:09,459
And the Actor goes
939
00:50:10,477 --> 00:50:13,463
to the man who gave me COVID
at the Golden Globes...
940
00:50:13,496 --> 00:50:15,231
- [audience laughing]
- ...Colin Farrell.
941
00:50:15,265 --> 00:50:17,317
[audience exclaiming]
942
00:50:17,350 --> 00:50:18,752
[instrumental music playing]
943
00:50:22,605 --> 00:50:23,957
[Jamie Lee laughs]
944
00:50:32,415 --> 00:50:33,566
Guilty as charged.
945
00:50:33,600 --> 00:50:35,118
[audience laughing]
946
00:50:35,151 --> 00:50:37,771
But Brendan Gleeson
fucking gave it to me, so...
947
00:50:37,804 --> 00:50:40,357
- [audience laughing]
- I was just spreading the love.
948
00:50:42,092 --> 00:50:42,942
Thank you.
949
00:50:43,443 --> 00:50:45,195
Thank you so much. Hey, John Lithgow.
950
00:50:45,228 --> 00:50:46,629
It's so weird. It is weird.
951
00:50:47,280 --> 00:50:50,116
So many of you I grew up
watching on television, film.
952
00:50:50,150 --> 00:50:52,502
Hey, John Lithgow. And...
953
00:50:53,002 --> 00:50:55,255
And so many I've worked with
over the years
954
00:50:55,288 --> 00:50:58,758
{\an8}and shared in the spirit
of collaborative curiosity,
955
00:50:58,792 --> 00:51:02,145
{\an8}and all the stuff that we fail at doing
and we succeed at doing.
956
00:51:02,178 --> 00:51:03,747
And none of it is ever quantifiable.
957
00:51:03,780 --> 00:51:04,981
And that's the beautiful thing
958
00:51:05,015 --> 00:51:06,783
and the annoying thing
about what we do.
959
00:51:06,816 --> 00:51:09,135
It's just unquantifiable.
It's playtime.
960
00:51:09,169 --> 00:51:10,754
You don't get to fully grow up.
961
00:51:10,787 --> 00:51:13,289
You get to kind of keep
the dream of a child alive
962
00:51:13,323 --> 00:51:15,792
who's trying to figure out
what it is to be human.
963
00:51:15,825 --> 00:51:18,645
And it's so much fun.
And time is running out fast.
964
00:51:18,678 --> 00:51:21,214
So I want to thank my fellow nominees,
965
00:51:21,247 --> 00:51:25,235
Richard, Andrew, Kevin, and Javier.
966
00:51:25,268 --> 00:51:28,154
My deepest respect
and admiration for you.
967
00:51:28,188 --> 00:51:30,156
And this is... Look, it sounds really...
968
00:51:30,190 --> 00:51:31,691
Jeez, it is. Kieran was right.
969
00:51:31,725 --> 00:51:33,660
- Um...
- [audience laughing]
970
00:51:33,693 --> 00:51:37,080
It sounds cheesy to say, it is cheesy
to say, but we're all supporting actors.
971
00:51:37,113 --> 00:51:40,066
I get it. The big part's called the lead,
smaller parts are called day players
972
00:51:40,100 --> 00:51:41,217
and extras and all this shit.
973
00:51:41,251 --> 00:51:42,786
But we all support each other,
974
00:51:42,819 --> 00:51:45,005
and that's what we do
in the bringing alive of stories.
975
00:51:45,038 --> 00:51:46,956
- We support... Like...
- [audience cheering]
976
00:51:46,990 --> 00:51:49,225
But honest to God, thanks a million.
977
00:51:49,843 --> 00:51:51,978
We support the writer's vision,
the director's vision.
978
00:51:52,012 --> 00:51:54,330
So with that in mind, I'm accepting this
979
00:51:54,364 --> 00:51:57,267
on behalf of and sharing this with,
like, Ryder Allen,
980
00:51:57,300 --> 00:51:59,119
who played Pequeno,
981
00:51:59,152 --> 00:52:01,471
you know, Penguino.
982
00:52:01,504 --> 00:52:04,391
I mean, Ryder Allen did
some serious lifting in this show.
983
00:52:05,608 --> 00:52:07,644
There was Clancy Brown.
There was Michael Kelly.
984
00:52:07,677 --> 00:52:10,096
There was James Madio.
There was Carmen Ejogo.
985
00:52:10,130 --> 00:52:13,783
And really quick...
"Please shut up, Farrell,"
986
00:52:13,817 --> 00:52:15,785
- it says.
- [crowd laughing]
987
00:52:15,819 --> 00:52:18,672
My family, I have to thank my sister,
who I've worked with for 22 years.
988
00:52:18,705 --> 00:52:22,058
I never thank her publicly,
Claudine Farrell, I haven't
989
00:52:22,092 --> 00:52:26,296
I have a note that says she's a producer
and she's not my assistant.
990
00:52:26,329 --> 00:52:28,982
She's not my assistant just 'cause
she's family. She's a producer.
991
00:52:29,015 --> 00:52:31,217
My sister, Catherine,
the first actor in the family,
992
00:52:31,251 --> 00:52:33,570
and who showed me it was possible
to pursue that passion.
993
00:52:33,603 --> 00:52:37,207
My brother, Eamon, who texted me
last night Netflix is showing this live,
994
00:52:37,240 --> 00:52:39,759
and is staying up in his pajamas
to watch. Eamon, I love you.
995
00:52:39,793 --> 00:52:41,478
Catherine, I love you. My mom, Rita.
996
00:52:41,511 --> 00:52:43,496
My dad, Eamon,
and the two people in my life,
997
00:52:43,530 --> 00:52:45,749
who have made my life
so much more special,
998
00:52:45,782 --> 00:52:49,252
and so much more meaningful and joyful
than I ever truly thought possible,
999
00:52:49,285 --> 00:52:52,072
me son, James, and me son, Henry.
I love yous both.
1000
00:52:52,105 --> 00:52:55,592
And we're going back to watch
Shōgun tonight and finish it up. Thanks.
1001
00:52:57,610 --> 00:53:00,730
- [crowd applauding]
- [instrumental music playing]
1002
00:53:07,037 --> 00:53:09,889
Hi, can I get a lemon water, please?
Thank you.
1003
00:53:09,923 --> 00:53:11,174
Oh, hey, Jason!
1004
00:53:11,207 --> 00:53:12,058
- Hey.
- Hey.
1005
00:53:12,092 --> 00:53:14,778
- I got a surprise for you.
- [crowd laughs]
1006
00:53:14,811 --> 00:53:18,214
Doesn't really have the same effect
with a towel over your pants.
1007
00:53:18,248 --> 00:53:20,300
I don't know. Don't be a pervert.
1008
00:53:20,333 --> 00:53:21,918
Hey, so I was thinking,
1009
00:53:21,951 --> 00:53:25,205
since I discovered you,
I must be your favorite co-star.
1010
00:53:25,238 --> 00:53:27,257
Uh, you didn't discover me.
1011
00:53:27,290 --> 00:53:30,577
- Oh, kind of feels like I did.
- Jason, go back to your seat.
1012
00:53:30,610 --> 00:53:32,645
You're not the boss of me.
1013
00:53:32,679 --> 00:53:34,914
Go back to your seat.
1014
00:53:34,948 --> 00:53:36,399
[sighs] Okay. Yes.
1015
00:53:36,433 --> 00:53:38,018
Yes, what?
1016
00:53:38,051 --> 00:53:39,886
Don't make me say it.
They win all our awards.
1017
00:53:39,919 --> 00:53:40,837
Yes, what, Jason?
1018
00:53:40,870 --> 00:53:42,572
- Yes, Chef!
- There we go.
1019
00:53:42,605 --> 00:53:44,224
Also, will you hold this for me?
1020
00:53:44,257 --> 00:53:45,191
Thank you.
1021
00:53:45,225 --> 00:53:46,726
Awards show in a ballroom.
1022
00:53:46,760 --> 00:53:48,178
Real original!
1023
00:53:48,211 --> 00:53:49,562
[crowd laughing]
1024
00:53:49,596 --> 00:53:52,932
To present this year's
Life Achievement Award to Jane Fonda,
1025
00:53:52,966 --> 00:53:56,036
please welcome Julia Louis-Dreyfus.
1026
00:53:56,069 --> 00:53:59,072
- [instrumental music playing]
- [crowd applauding]
1027
00:54:11,918 --> 00:54:15,088
Acting is a funny craft.
1028
00:54:15,121 --> 00:54:19,275
The only practical tools an actor brings
to creating a character
1029
00:54:19,309 --> 00:54:24,531
are her imagination
and her own experience, her own life.
1030
00:54:24,564 --> 00:54:28,802
Is it any wonder, then,
that our most fascinating actors
1031
00:54:28,835 --> 00:54:31,304
often have such fascinating lives?
1032
00:54:31,337 --> 00:54:34,174
Well, tonight, we honor a woman
1033
00:54:34,207 --> 00:54:39,579
whose life on and off the screen
has simply been epic.
1034
00:54:39,612 --> 00:54:43,500
And let's be clear, even though
this is a Life Achievement Award,
1035
00:54:43,533 --> 00:54:45,235
her life is far from over.
1036
00:54:45,268 --> 00:54:48,355
In her memoir, she says
she's in her third act,
1037
00:54:48,388 --> 00:54:50,507
as if it were the final act.
1038
00:54:51,424 --> 00:54:55,595
But I have a feeling
Jane Fonda's life is a five-act play,
1039
00:54:55,628 --> 00:54:57,847
and boy, what a show.
1040
00:54:57,881 --> 00:55:03,103
Jane has electrified
the silver screen for over 65 years.
1041
00:55:03,136 --> 00:55:05,872
Can you please think about that? 65 years.
1042
00:55:05,905 --> 00:55:07,390
[crowd applauding]
1043
00:55:10,010 --> 00:55:15,215
A powerhouse of raw dramatic talent,
heart, and guts,
1044
00:55:15,248 --> 00:55:18,735
she makes every role complex and soulful.
1045
00:55:18,768 --> 00:55:21,988
From reporter Kimberly Wells
in The China Syndrome,
1046
00:55:22,022 --> 00:55:24,341
to sex worker Bree Daniels in Klute,
1047
00:55:24,374 --> 00:55:29,195
to unforgettable performances
in Coming Home, On Golden Pond,
1048
00:55:29,229 --> 00:55:32,148
Julia, They Shoot Horses, Don't They?
1049
00:55:32,182 --> 00:55:34,300
9 to 5, Grace and Frankie.
1050
00:55:34,334 --> 00:55:37,203
I mean, come on! It's all Jane Fonda.
1051
00:55:37,237 --> 00:55:38,338
That's crazy.
1052
00:55:38,371 --> 00:55:42,392
In her work, as in her life,
she has always been daring.
1053
00:55:42,425 --> 00:55:47,380
Controversial, truthful,
generous, and definitional.
1054
00:55:47,414 --> 00:55:51,651
Who else could start a beauty revolution
with her mug shot?
1055
00:55:51,685 --> 00:55:54,037
- [crowd laughs]
- Really?
1056
00:55:54,070 --> 00:55:55,505
Looking at her body of work,
1057
00:55:55,538 --> 00:55:59,092
It's almost as if movies
of the '60s and '70s
1058
00:55:59,125 --> 00:56:04,864
got grittier and grittier to match
the pain and vulnerability and power
1059
00:56:04,898 --> 00:56:07,267
that Jane Fonda could bring to the screen.
1060
00:56:07,300 --> 00:56:12,672
Jane is the ultimate Screen Actors Guild
Life Achievement icon.
1061
00:56:12,706 --> 00:56:16,076
Like no one else,
she channels her awesome talent,
1062
00:56:16,109 --> 00:56:19,813
and intellect,
and spectacular performance, and...
1063
00:56:19,846 --> 00:56:23,149
into positive change for our society.
1064
00:56:23,183 --> 00:56:27,053
Honestly, it's hard to separate
Jane the activist
1065
00:56:27,087 --> 00:56:28,788
from Jane the actress.
1066
00:56:28,822 --> 00:56:33,843
She is ferocious in her advocacy
and in her art.
1067
00:56:33,877 --> 00:56:36,629
Anybody who has worked with Jane Fonda
1068
00:56:36,663 --> 00:56:41,317
on the climate crisis,
protesting for indigenous people's rights,
1069
00:56:41,351 --> 00:56:43,286
for peace, for justice,
1070
00:56:43,319 --> 00:56:46,473
or has worked with her on a movie
or TV set,
1071
00:56:46,506 --> 00:56:50,894
knows she has some kind of magical energy.
1072
00:56:50,927 --> 00:56:53,530
Seriously. I mean, she never stops.
1073
00:56:53,563 --> 00:56:57,050
I'm telling you, it's freaky
and it's exhausting.
1074
00:56:57,083 --> 00:57:00,653
The woman is 87, for the love of God!
1075
00:57:00,687 --> 00:57:04,207
Slow down, Jane.
You're making us all look like shit.
1076
00:57:04,240 --> 00:57:05,942
[crowd laughing]
1077
00:57:05,975 --> 00:57:08,278
- You will be delighted to know...
- [man whoops]
1078
00:57:08,311 --> 00:57:11,614
[chuckles] ...that this is not
Jane Fonda's first award.
1079
00:57:12,499 --> 00:57:17,137
Her shelf includes two Oscars,
seven Oscar nominations,
1080
00:57:17,170 --> 00:57:19,906
an Emmy, four SAG Award nominations,
1081
00:57:19,939 --> 00:57:21,574
two Tony nominations,
1082
00:57:21,608 --> 00:57:23,009
and here's a big one,
1083
00:57:23,043 --> 00:57:26,079
a spot on Richard Nixon's enemies list,
1084
00:57:26,112 --> 00:57:27,681
which I consider...
1085
00:57:27,714 --> 00:57:30,717
[crowd cheering and applauding]
1086
00:57:32,986 --> 00:57:35,955
I consider that the ultimate trophy.
1087
00:57:35,989 --> 00:57:39,259
And even with all that hardware,
it seems that,
1088
00:57:39,292 --> 00:57:41,428
like, Barbarella: Queen of the Galaxy,
1089
00:57:41,461 --> 00:57:44,414
her real specialty is love.
1090
00:57:44,447 --> 00:57:50,537
And here's just a small sample
of the reasons we love her right back.
1091
00:57:50,570 --> 00:57:53,573
[crowd applauding]
1092
00:57:56,509 --> 00:57:59,245
[Corie Bratter] There are watchers
in this world and there are doers.
1093
00:58:00,513 --> 00:58:03,033
And the watchers sit around
watching the doers do.
1094
00:58:04,000 --> 00:58:06,219
Well, tonight you watched, and I did.
1095
00:58:07,120 --> 00:58:10,440
I'm just trying to earn an honest buck,
tell an honest tale.
1096
00:58:10,473 --> 00:58:12,175
[sweeping instrumental music]
1097
00:58:12,208 --> 00:58:14,577
[Torvald] You're first and foremost
a wife and mother.
1098
00:58:15,145 --> 00:58:18,448
I believe that first and foremost,
I am a human being like you.
1099
00:58:20,066 --> 00:58:22,218
Are you typical of Earth women?
1100
00:58:22,252 --> 00:58:23,753
I'm about average.
1101
00:58:23,787 --> 00:58:25,655
[upbeat funk music]
1102
00:58:25,689 --> 00:58:27,290
Are you ready to do the workout?
1103
00:58:31,227 --> 00:58:32,328
- Ladies.
- [all] Yes.
1104
00:58:32,362 --> 00:58:35,265
Let's lube up those bikes
and get riding again!
1105
00:58:35,298 --> 00:58:36,166
[howling]
1106
00:58:36,199 --> 00:58:38,168
Jesus Christ, Mother!
1107
00:58:38,201 --> 00:58:39,869
- Wanna have sex?
- Oh, boy, yeah.
1108
00:58:39,903 --> 00:58:42,105
[funky music continues]
1109
00:58:42,138 --> 00:58:43,673
[moaning]
1110
00:58:43,707 --> 00:58:44,541
- [explosion]
- Oh!
1111
00:58:44,574 --> 00:58:46,676
[playful instrumental music]
1112
00:58:46,710 --> 00:58:47,777
I'm ready.
1113
00:58:50,196 --> 00:58:53,216
I've got a good job
and I have every intention of keeping it.
1114
00:58:53,249 --> 00:58:54,217
[screams]
1115
00:58:54,250 --> 00:58:56,986
I'm taking this woman to the hospital.
She's very sick.
1116
00:58:57,020 --> 00:58:59,072
- Which one of you is sick?
- [both] I am.
1117
00:58:59,756 --> 00:59:01,057
[both] She is!
1118
00:59:01,091 --> 00:59:03,093
♪ Working nine to five ♪
1119
00:59:03,126 --> 00:59:05,962
♪ What a way to make a livin' ♪
1120
00:59:05,995 --> 00:59:08,381
Dick, it's not funny.
I've committed a crime!
1121
00:59:08,415 --> 00:59:10,266
And done a hell of a job at it!
1122
00:59:10,300 --> 00:59:11,634
I'm not such a bad guy.
1123
00:59:11,668 --> 00:59:14,270
You're a sexist, egotistical,
lying, hypocritical bigot.
1124
00:59:14,304 --> 00:59:15,955
- Is that any reason to kill me?
- [gunshot]
1125
00:59:15,989 --> 00:59:19,275
♪ Working nine to five
What a way to make a livin' ♪
1126
00:59:19,309 --> 00:59:20,794
[grunts] Oh, my God!
1127
00:59:20,827 --> 00:59:22,412
Viola, I'm so sorry. I didn't mean...
1128
00:59:22,445 --> 00:59:25,915
You don't go and slap somebody,
and then apologize! Get some backbone!
1129
00:59:25,949 --> 00:59:27,083
[telephone ringing]
1130
00:59:28,218 --> 00:59:29,786
- [man] Hello.
- Hello?
1131
00:59:29,819 --> 00:59:30,870
Hello?
1132
00:59:30,904 --> 00:59:33,223
[ominous instrumental music]
1133
00:59:33,256 --> 00:59:35,942
- [man] I will take the information...
- Julia has been murdered!
1134
00:59:35,975 --> 00:59:38,395
It's not to be referred to as information!
1135
00:59:39,212 --> 00:59:40,730
Is this the shakedown, hon?
1136
00:59:41,865 --> 00:59:43,900
- What are you looking at?
- [tense music]
1137
00:59:43,933 --> 00:59:45,668
- Vulnerable.
- Well, take a picture of it,
1138
00:59:45,702 --> 00:59:47,337
'cause you're not gonna see it again.
1139
00:59:48,922 --> 00:59:51,041
I thought you got where you are
by being fearless.
1140
00:59:52,308 --> 00:59:55,478
I got where I am by knowing who to fear.
1141
00:59:57,414 --> 00:59:59,716
[Gloria] Maybe it's just
the whole damn world is like
1142
00:59:59,749 --> 01:00:00,767
central casting.
1143
01:00:02,218 --> 01:00:04,571
They got it all rigged
before you ever show up.
1144
01:00:05,672 --> 01:00:08,708
♪ There's something happening here ♪
1145
01:00:09,693 --> 01:00:12,996
♪ But what it is ain't exactly clear ♪
1146
01:00:14,464 --> 01:00:17,067
[woman] Don't tell me what to do!
[breathing heavily]
1147
01:00:17,967 --> 01:00:20,453
All my life, I've been doing
what I was told!
1148
01:00:21,237 --> 01:00:24,474
[chuckles] He's not gonna like the fact
that I've changed.
1149
01:00:25,542 --> 01:00:28,745
I'm just shocked that you have to write
about a god damn home run
1150
01:00:28,778 --> 01:00:30,513
than what's going on in this hospital.
1151
01:00:30,547 --> 01:00:35,185
Don't you tell me what I can or can't do!
Those days are over!
1152
01:00:35,218 --> 01:00:36,920
What is that,
some sort of political thing?
1153
01:00:36,953 --> 01:00:39,656
♪ We better stop
Children, what's that sound? ♪
1154
01:00:39,689 --> 01:00:42,525
♪ Everybody look what's going down ♪
1155
01:00:42,559 --> 01:00:44,260
If there's nothing to hide, let him speak.
1156
01:00:44,294 --> 01:00:46,863
- I like your anger.
- You're the only one who does.
1157
01:00:46,896 --> 01:00:48,465
♪ We better stop ♪
1158
01:00:48,498 --> 01:00:50,166
You want me for real?
1159
01:00:51,801 --> 01:00:53,403
Well, here I am, baby.
1160
01:00:54,537 --> 01:00:57,140
For a smart lady in a man's world,
I'm not doing so bad.
1161
01:00:57,173 --> 01:00:59,309
[uplifting instrumental music]
1162
01:00:59,342 --> 01:01:01,294
I want to be your friend.
1163
01:01:01,327 --> 01:01:03,880
This means you'll come around more often?
1164
01:01:05,148 --> 01:01:06,616
Come a long way, baby!
1165
01:01:07,851 --> 01:01:10,787
I refuse to be irrelevant.
1166
01:01:10,820 --> 01:01:14,457
There's still places I want to see
and things I want to do.
1167
01:01:14,491 --> 01:01:16,393
[uplifting music continues]
1168
01:01:18,628 --> 01:01:21,131
I understand cinema. You know I do.
1169
01:01:22,098 --> 01:01:24,000
Thank you for coming.
1170
01:01:24,034 --> 01:01:25,635
Thank you for inviting me.
1171
01:01:29,055 --> 01:01:31,624
[all cheering and applauding]
1172
01:01:52,145 --> 01:01:57,667
Jane, even though we somehow
get to call you our colleague,
1173
01:01:57,701 --> 01:02:00,136
you are absolutely fearless.
1174
01:02:00,170 --> 01:02:02,856
It's my honor to present
the Screen Actors Guild
1175
01:02:02,889 --> 01:02:06,476
Life Achievement Award to you,
the sublime Jane Fonda.
1176
01:02:06,509 --> 01:02:09,179
[all cheering and applauding]
1177
01:02:25,028 --> 01:02:25,995
Wow.
1178
01:02:26,579 --> 01:02:29,432
- Wow. [laughs]
- [cheering intensifies]
1179
01:02:32,585 --> 01:02:34,587
This means the world to me.
1180
01:02:34,621 --> 01:02:37,007
- [mic thumping]
- What about the sound system?
1181
01:02:37,040 --> 01:02:39,075
I'm gonna talk loud.
1182
01:02:39,109 --> 01:02:41,961
- [crowd laughing]
- This means the world to me!
1183
01:02:41,995 --> 01:02:45,582
You can't know. Thank you, SAG-AFTRA.
Thank you.
1184
01:02:46,900 --> 01:02:49,586
Wow. And your enthusiasm makes it seem...
1185
01:02:49,619 --> 01:02:53,373
I don't know, less like
a late twilight of my life
1186
01:02:53,406 --> 01:02:55,775
and more like a, "Go, girl! Kick ass!"
1187
01:02:55,809 --> 01:02:57,811
[crowd cheering]
1188
01:03:01,047 --> 01:03:03,600
Which is good, because I'm not done.
1189
01:03:03,633 --> 01:03:05,769
[crowd cheering]
1190
01:03:09,155 --> 01:03:10,373
You know, um...
1191
01:03:11,574 --> 01:03:14,878
I have had a really weird career.
1192
01:03:14,911 --> 01:03:15,995
Totally not,
1193
01:03:16,029 --> 01:03:19,382
as my agents there
at that table will testify to,
1194
01:03:19,416 --> 01:03:21,201
totally unstrategic.
1195
01:03:21,234 --> 01:03:23,737
I retired for 15 years,
1196
01:03:23,770 --> 01:03:27,574
and then I came back at 65,
which is not usual.
1197
01:03:27,607 --> 01:03:32,512
And then, I made one of
my most successful movies in my 80s.
1198
01:03:32,545 --> 01:03:37,300
And probably in my 90s, I'll be doing
my own stunts in an action movie.
1199
01:03:37,333 --> 01:03:39,469
- [crowd cheering]
- [chuckling]
1200
01:03:40,720 --> 01:03:43,540
You know, have you ever
heard the phrase...
1201
01:03:44,491 --> 01:03:47,243
How does it go? Yeah.
"It's okay to be a late bloomer,
1202
01:03:47,277 --> 01:03:49,829
as long as you don't miss
the flower show."
1203
01:03:49,863 --> 01:03:51,464
- [all laughing]
- [clears throat]
1204
01:03:51,498 --> 01:03:53,116
I'm a late bloomer.
1205
01:03:53,149 --> 01:03:55,218
This is the flower show.
1206
01:03:55,251 --> 01:03:57,187
- [crowd cheering]
- Yeah.
1207
01:03:59,889 --> 01:04:01,007
I love acting.
1208
01:04:01,941 --> 01:04:05,829
We get to open people's minds
to new ideas,
1209
01:04:05,862 --> 01:04:08,498
take them beyond
what they understand of the world
1210
01:04:08,531 --> 01:04:12,185
and help them laugh when things are tough.
1211
01:04:12,218 --> 01:04:13,603
Like now.
1212
01:04:13,636 --> 01:04:17,073
And for a woman like me
who grew up in the '40s and '50s
1213
01:04:17,107 --> 01:04:21,795
when women weren't supposed to have
opinions and get angry,
1214
01:04:21,828 --> 01:04:26,266
acting gave me a chance to play
angry women with opinions. [chuckles]
1215
01:04:26,299 --> 01:04:29,452
Which, as you know,
is a bit of a stretch for me, but...
1216
01:04:29,486 --> 01:04:31,137
[crowd laughing]
1217
01:04:31,171 --> 01:04:32,188
[clears throat]
1218
01:04:33,556 --> 01:04:35,525
I'm a big believer in unions.
1219
01:04:36,359 --> 01:04:38,828
- Yeah.
- [crowd cheering]
1220
01:04:40,697 --> 01:04:42,282
They have our backs.
1221
01:04:45,635 --> 01:04:47,570
They bring us into community.
1222
01:04:48,638 --> 01:04:50,306
And they give us power.
1223
01:04:51,207 --> 01:04:53,643
Community means power.
1224
01:04:53,677 --> 01:04:56,129
And this is really important right now,
1225
01:04:56,162 --> 01:04:59,082
when worker's power and...
1226
01:05:01,000 --> 01:05:04,721
Worker's power is being attacked
and community is being weakened.
1227
01:05:05,905 --> 01:05:06,740
Yes.
1228
01:05:08,308 --> 01:05:14,564
But SAG-AFTRA is different than
most other unions because us,
1229
01:05:14,597 --> 01:05:20,537
the workers, we actors,
we don't manufacture anything tangible.
1230
01:05:21,888 --> 01:05:25,358
What we create is empathy.
1231
01:05:26,459 --> 01:05:29,979
Our job is to understand
1232
01:05:30,013 --> 01:05:33,483
another human being so profoundly that
1233
01:05:33,516 --> 01:05:35,652
we can touch their souls.
1234
01:05:35,685 --> 01:05:40,407
We know why they do what they do.
We feel their joys and their pain.
1235
01:05:42,525 --> 01:05:46,513
- [audience laughing]
- And I can conjure up voices.
1236
01:05:46,546 --> 01:05:48,932
[audience laughing, applauding]
1237
01:05:49,916 --> 01:05:51,301
[laughs]
1238
01:05:57,057 --> 01:06:00,193
We have to drill deep, don't we?
1239
01:06:00,226 --> 01:06:03,997
We have to know, for example,
if a young woman is cutting
1240
01:06:05,598 --> 01:06:10,770
or she's a sex worker,
there's a good chance that as a young girl
1241
01:06:10,804 --> 01:06:14,274
she was sexually abused
or incested, right?
1242
01:06:14,307 --> 01:06:16,559
I'm thinking Bree Daniels in Klute.
1243
01:06:17,060 --> 01:06:18,812
And I'm sure many of you guys
1244
01:06:18,845 --> 01:06:24,300
have played bullies and misogynists.
1245
01:06:25,502 --> 01:06:30,573
And you can pretty much know, you actors,
right, that probably their father
1246
01:06:30,607 --> 01:06:34,361
bullied them and called men that
he felt were weak,
1247
01:06:34,394 --> 01:06:36,329
he called them losers or pussies.
1248
01:06:37,397 --> 01:06:41,518
And while you may hate the behavior
of your character,
1249
01:06:41,551 --> 01:06:46,439
you have to understand and empathize with
the traumatized person
1250
01:06:46,473 --> 01:06:47,424
you're playing, right?
1251
01:06:48,842 --> 01:06:52,529
Thinking Sebastian Stan in The Apprentice.
1252
01:06:53,146 --> 01:06:55,215
[all cheering]
1253
01:06:57,951 --> 01:07:01,638
Make no mistake, empathy
is not weak or "woke."
1254
01:07:01,671 --> 01:07:04,824
And by the way, woke just means you give
a damn about other people.
1255
01:07:04,858 --> 01:07:06,426
[all cheering]
1256
01:07:11,414 --> 01:07:12,248
[clears throat]
1257
01:07:13,633 --> 01:07:15,101
Back to empathy.
1258
01:07:15,819 --> 01:07:22,392
A whole lot of people are gonna be
really hurt by what is happening,
1259
01:07:22,425 --> 01:07:24,027
what is coming our way.
1260
01:07:24,060 --> 01:07:27,714
And even if they're of a different
political persuasion,
1261
01:07:27,747 --> 01:07:34,337
we need to call upon our empathy
and not judge, but listen from our hearts
1262
01:07:35,505 --> 01:07:41,194
and welcome them into our tent
because we are gonna need a big tent
1263
01:07:41,227 --> 01:07:44,097
to resist successfully
what's coming at us.
1264
01:07:45,982 --> 01:07:47,333
I, um...
1265
01:07:51,404 --> 01:07:55,542
[laughs] I made my first movie in 1958.
1266
01:07:55,575 --> 01:08:01,514
It was the tail end of McCarthyism,
when so many careers were destroyed.
1267
01:08:02,999 --> 01:08:06,586
Today, it's helpful to remember,
though, that Hollywood resisted.
1268
01:08:07,287 --> 01:08:13,710
We did. Overseas, brave American producers
like Hannah Weinstein hired
1269
01:08:13,743 --> 01:08:15,128
blacklisted writers.
1270
01:08:16,046 --> 01:08:19,816
Myrna Lloyd, John Huston, and Billy Wilder
founded the Committee
1271
01:08:19,849 --> 01:08:21,568
for the First Amendment.
1272
01:08:21,601 --> 01:08:27,807
They had a radio show on ABC Radio
called Hollywood Fights Back.
1273
01:08:28,992 --> 01:08:32,996
Members of the committee included
every big-name actor in town.
1274
01:08:37,450 --> 01:08:43,073
Have any of you ever watched a documentary
of one of the great social movements
1275
01:08:43,106 --> 01:08:48,411
like apartheid or our civil rights
movement or Stonewall and asked yourself,
1276
01:08:49,562 --> 01:08:52,248
"Would you have been brave enough
to walk the bridge?"
1277
01:08:53,533 --> 01:08:57,904
Would you have been able to take the hoses
and the batons and the dogs?
1278
01:08:59,656 --> 01:09:06,162
We don't have to wonder anymore
because we are in our documentary moment.
1279
01:09:07,113 --> 01:09:10,817
This is it. And it's not a rehearsal.
1280
01:09:10,850 --> 01:09:12,268
[all clapping]
1281
01:09:14,871 --> 01:09:15,855
This is it.
1282
01:09:18,441 --> 01:09:23,196
And we mustn't for a moment kid ourselves
about what's happening.
1283
01:09:24,297 --> 01:09:27,233
This is big time serious, folks.
1284
01:09:28,201 --> 01:09:29,486
So let's be brave.
1285
01:09:30,503 --> 01:09:36,142
This is a good time for a little Norma Rae
or Karen Silkwood or Tom Joad.
1286
01:09:37,110 --> 01:09:38,812
We must not isolate.
1287
01:09:39,496 --> 01:09:41,831
We must stay in community.
1288
01:09:41,865 --> 01:09:43,800
We must help the vulnerable.
1289
01:09:44,467 --> 01:09:48,905
We must find ways to project
an inspiring vision of the future,
1290
01:09:48,938 --> 01:09:53,476
one that is beckoning, welcoming,
that will help people believe that,
1291
01:09:53,510 --> 01:09:58,932
to quote the novelist Pearl Klieg,
on the other side of the conflagration,
1292
01:09:58,965 --> 01:10:00,734
there will still be love.
1293
01:10:01,267 --> 01:10:03,219
There will still be beauty.
1294
01:10:04,104 --> 01:10:08,508
And there will be an ocean of truth
for us to swim in.
1295
01:10:08,541 --> 01:10:10,276
Let's make it so.
1296
01:10:11,311 --> 01:10:13,480
- [audience cheering]
- Thank you for this encouragement.
1297
01:10:13,513 --> 01:10:14,414
Thank you.
1298
01:10:15,949 --> 01:10:20,320
♪ Workin' nine to five,
what a way to make a livin'
1299
01:10:20,353 --> 01:10:24,974
♪ Barely gettin' by,
it's all takin' and no givin' ♪
1300
01:10:25,008 --> 01:10:29,295
♪ They just use your mind
and they never give you credit ♪
1301
01:10:29,329 --> 01:10:34,334
♪ It's enough to drive you crazy
if you let it ♪
1302
01:10:34,367 --> 01:10:35,585
♪ Nine to five... ♪
1303
01:10:35,618 --> 01:10:40,540
{\an8}[announcer] Coming up, Mulder and Scully
reunite, and the award for female actor
1304
01:10:40,573 --> 01:10:42,258
{\an8}in a supporting role when we return,
1305
01:10:42,292 --> 01:10:45,128
{\an8}here at the 31st
Screen Actors Guild Awards.
1306
01:10:51,468 --> 01:10:55,121
{\an8}In the television industry,
detective-based shows are considered
1307
01:10:55,155 --> 01:10:56,056
{\an8}especially beloved.
1308
01:10:56,089 --> 01:10:59,142
In the Law & Order universe,
the dedicated actors who bring
1309
01:10:59,175 --> 01:11:02,445
these stories to life are members
of an elite squad
1310
01:11:02,479 --> 01:11:03,730
{\an8}known as the guest stars.
1311
01:11:03,763 --> 01:11:05,899
{\an8}- ["Law & Order" theme playing]
- These are their stories.
1312
01:11:05,932 --> 01:11:07,717
{\an8}What can I do for the NYPD?
1313
01:11:08,418 --> 01:11:10,453
{\an8}- Police, let me see your hands.
- Don't hurt me.
1314
01:11:10,487 --> 01:11:15,091
{\an8}So many amazing actors
were guest stars early in their careers
1315
01:11:15,125 --> 01:11:16,626
{\an8}in the Law & Order universe.
1316
01:11:16,659 --> 01:11:19,129
{\an8}- What's this about?
- I didn't know nothing about that guy.
1317
01:11:19,162 --> 01:11:22,449
{\an8}Kerry Washington, Sebastian Stan,
Leighton Meester.
1318
01:11:22,482 --> 01:11:25,402
{\an8}- Yeah.
- Adam Driver, Sam Rockwell,
1319
01:11:25,435 --> 01:11:27,253
{\an8}Elizabeth Banks, Zoe Saldaña.
1320
01:11:27,287 --> 01:11:28,722
{\an8}Tito ain't a one-woman man.
1321
01:11:28,755 --> 01:11:33,076
{\an8}Pedro Pascal, Tony Hale,
Abigail Breslin, Sabrina Carpenter,
1322
01:11:33,109 --> 01:11:36,696
{\an8}Elle Fanning, Idris Elba,
Liza Colon-Zayas.
1323
01:11:36,730 --> 01:11:38,314
{\an8}- What is it?
- Can we come in?
1324
01:11:38,348 --> 01:11:42,769
{\an8}I played five different characters
in six episodes.
1325
01:11:42,802 --> 01:11:45,522
{\an8}I don't know if I'm an authority
on the shows,
1326
01:11:45,555 --> 01:11:47,257
because I only did one episode.
1327
01:11:48,191 --> 01:11:50,093
- I did two?
- Oh, my God.
1328
01:11:50,126 --> 01:11:51,678
When was I supposed to have done that?
1329
01:11:51,711 --> 01:11:52,846
[laughs]
1330
01:11:53,480 --> 01:11:54,998
I've discovered two bodies.
1331
01:11:55,031 --> 01:11:59,085
- Oh, my God! No!
- It was so satisfying.
1332
01:11:59,119 --> 01:12:01,171
How did I get my role on Law & Order?
1333
01:12:01,204 --> 01:12:03,490
I don't know.
I give really good trauma face.
1334
01:12:05,041 --> 01:12:05,925
{\an8}Oh, Lord.
1335
01:12:05,959 --> 01:12:08,261
{\an8}It was a very big deal
to be on Law & Order.
1336
01:12:08,294 --> 01:12:11,264
{\an8}J.K. Simmons, Meghann Fahy,
Timothée Chalamet.
1337
01:12:11,297 --> 01:12:12,716
{\an8}And it's a rite of passage.
1338
01:12:12,749 --> 01:12:16,886
{\an8}Jeremy Allen White.
The list goes on and on and on.
1339
01:12:16,920 --> 01:12:21,641
{\an8}To this day, Law & Order is the only show
my parents have understood.
1340
01:12:21,675 --> 01:12:25,779
"Hey, Mom, Dad, I got an Emmy.
I got a SAG Award."
1341
01:12:25,812 --> 01:12:27,597
"Oh, that's so great, son.
1342
01:12:27,630 --> 01:12:29,632
When are you going to be on
Law & Order again?"
1343
01:12:31,801 --> 01:12:33,069
I have nothing further.
1344
01:12:36,423 --> 01:12:39,442
Please welcome Colman Domingo
and Keke Palmer.
1345
01:12:40,343 --> 01:12:43,346
- ["Law & Order" theme playing]
- [audience cheering]
1346
01:12:51,087 --> 01:12:52,088
Keke, you all right?
1347
01:12:52,789 --> 01:12:56,710
Babe, I am shook of seeing myself
in that Law & Order clip.
1348
01:12:56,743 --> 01:12:58,061
It took me back.
1349
01:12:58,094 --> 01:13:02,632
- You know, I came up with a game.
- Okay, I think I know where this is going.
1350
01:13:02,665 --> 01:13:06,219
What if we told everybody to take a drink
if they've ever been in an episode
1351
01:13:06,252 --> 01:13:07,587
of Law & Order?
1352
01:13:07,620 --> 01:13:08,838
[audience laughing]
1353
01:13:09,456 --> 01:13:11,057
Then this whole room would be lit.
1354
01:13:11,908 --> 01:13:13,777
Okay, let's do it.
1355
01:13:13,810 --> 01:13:16,663
All right, who's been a guest star
on Law & Order,
1356
01:13:16,696 --> 01:13:20,400
Law & Order SVU,
and Law & Order: Criminal Intent?
1357
01:13:20,433 --> 01:13:21,568
Take a drink now.
1358
01:13:22,435 --> 01:13:25,622
I'm looking at you, Zoe,
and the whole cast of The Bear.
1359
01:13:25,655 --> 01:13:28,508
Wasn't you the one that killed your mom
in that one episode?
1360
01:13:28,541 --> 01:13:30,276
Love the performance.
1361
01:13:30,777 --> 01:13:34,147
- Don't mind if I do. To the guest stars.
- Oh.
1362
01:13:34,180 --> 01:13:35,715
- [laughs]
- To the guest stars.
1363
01:13:38,034 --> 01:13:43,189
And here are the nominees for Female Actor
in a Supporting Role in a Motion Picture.
1364
01:13:44,808 --> 01:13:47,394
[announcer] Monica Barbaro,
A Complete Unknown.
1365
01:13:47,427 --> 01:13:51,131
{\an8}♪ It ain't no use in turning
on your light, babe ♪
1366
01:13:51,681 --> 01:13:55,502
♪ The light I never know ♪
1367
01:13:57,103 --> 01:13:59,406
[all cheering]
1368
01:14:00,473 --> 01:14:03,326
{\an8}[announcer] Jamie Lee Curtis,
The Last Showgirl.
1369
01:14:03,360 --> 01:14:06,880
{\an8}I don't like that.
It makes you think like I'm irresponsible.
1370
01:14:06,913 --> 01:14:10,166
I am not irresponsible.
I'm thinking of opening an IRA.
1371
01:14:10,200 --> 01:14:12,419
No, I think you're too old to open an IRA.
1372
01:14:12,452 --> 01:14:13,353
Okay, whatever.
1373
01:14:15,221 --> 01:14:16,639
[all clapping]
1374
01:14:18,525 --> 01:14:20,694
{\an8}[announcer] Danielle Deadwyler,
The Piano Lesson.
1375
01:14:20,727 --> 01:14:23,213
{\an8}Wonder what she do with herself.
How she gonna live like that?
1376
01:14:23,246 --> 01:14:25,265
Everybody got all kinds of questions
for Bernice.
1377
01:14:25,298 --> 01:14:27,634
Everybody telling me I can't be a woman
unless I got a man.
1378
01:14:27,667 --> 01:14:29,369
Well, you tell me, Avery.
You know...
1379
01:14:31,237 --> 01:14:33,073
[all clapping and cheering]
1380
01:14:34,574 --> 01:14:36,376
{\an8}[announcer] Ariana Grande, Wicked.
1381
01:14:36,409 --> 01:14:38,611
{\an8}♪ Did they have brains or not? ♪
1382
01:14:38,645 --> 01:14:41,014
{\an8}- Well, actually...
- Don't make me laugh.
1383
01:14:41,047 --> 01:14:43,366
- They were... [gasps] Right!
- Popular.
1384
01:14:43,400 --> 01:14:45,735
♪ It's all about popular ♪
1385
01:14:46,853 --> 01:14:48,488
[all clapping and cheering]
1386
01:14:50,640 --> 01:14:53,143
{\an8}[announcer] Zoe Saldaña, Emilia Perez.
1387
01:14:53,176 --> 01:14:55,662
{\an8}[singing in Spanish]
1388
01:15:04,187 --> 01:15:05,805
[all clapping and cheering]
1389
01:15:09,325 --> 01:15:14,714
And the outstanding performance
for a Female Actor for the Supporting Role
1390
01:15:14,748 --> 01:15:17,650
{\an8}goes to, the actor goes to,
1391
01:15:19,669 --> 01:15:20,520
{\an8}you go for it.
1392
01:15:21,421 --> 01:15:24,174
{\an8}- Zoe Saldaña.
- [all cheering]
1393
01:15:55,321 --> 01:15:56,406
Oh, wow.
1394
01:15:57,557 --> 01:15:58,992
[exhales]
1395
01:15:59,025 --> 01:16:03,797
{\an8}- To be in this room is a true honor.
- [all cheering]
1396
01:16:04,781 --> 01:16:06,383
{\an8}This is my community.
1397
01:16:07,617 --> 01:16:09,903
These are my... this is my circus.
1398
01:16:09,936 --> 01:16:10,837
It's, um...
1399
01:16:11,738 --> 01:16:14,941
Thank you to SAG and AFTRA.
1400
01:16:14,974 --> 01:16:16,609
Thank you to...
1401
01:16:16,643 --> 01:16:23,249
my fellow nominees, Ariana, Danielle,
Jamie, you're right, it is very heavy.
1402
01:16:23,883 --> 01:16:28,588
Um, to Monica, it was an honor to watch
your performances this year.
1403
01:16:28,621 --> 01:16:29,789
I was deeply moved.
1404
01:16:29,823 --> 01:16:35,445
I got my first SAG card in 1998,
and I didn't even know what SAG was.
1405
01:16:35,979 --> 01:16:42,152
And I am grateful that my mother
and my father and my sisters looked it up
1406
01:16:42,185 --> 01:16:45,288
and helped me educate myself
1407
01:16:45,321 --> 01:16:51,194
on what it means to be a part of a union
that protects me so that
1408
01:16:51,227 --> 01:16:54,347
I can make a living out of this crazy,
crazy industry.
1409
01:16:54,381 --> 01:16:58,218
I want to thank my working family,
my agents at CAA, Kevin Huvane,
1410
01:16:58,251 --> 01:17:03,340
Ida, Ali, my manager, Rick Yorn, Amy Cava,
the lead company.
1411
01:17:03,373 --> 01:17:06,960
I want to thank my lawyers, Kevin Yorn,
David Krintzman,
1412
01:17:06,993 --> 01:17:08,962
and my business manager, Harley Newman,
1413
01:17:08,995 --> 01:17:13,199
who educate me every day on how
I can make a living and support my family
1414
01:17:13,233 --> 01:17:14,184
doing what I love.
1415
01:17:14,217 --> 01:17:17,487
I think it's so important for us actors
to financially educate ourselves.
1416
01:17:18,038 --> 01:17:24,144
I want to also thank my family for just
being beautiful and always supporting me.
1417
01:17:24,177 --> 01:17:29,516
I am proud to be a part of a union
that allows me to be who I am,
1418
01:17:29,549 --> 01:17:32,369
and I've never been questioned about
where I come from
1419
01:17:32,402 --> 01:17:34,804
and judged by how I speak
1420
01:17:34,838 --> 01:17:37,107
or what my pronouns are.
1421
01:17:37,140 --> 01:17:40,160
I believe that everybody has the right
to be who they are,
1422
01:17:40,193 --> 01:17:43,797
and Emilia Perez is about truth
and it is about love.
1423
01:17:43,830 --> 01:17:47,267
And I think that us as actors now more
than ever before,
1424
01:17:47,300 --> 01:17:51,671
we really have to tell stories
that are beautiful and thought-provoking
1425
01:17:51,705 --> 01:17:54,841
and live within the spectrum
of artistic freedom.
1426
01:17:54,874 --> 01:17:57,193
Thank you so much.
I'm so honored.
1427
01:17:57,227 --> 01:17:59,796
[audience cheering]
1428
01:18:03,633 --> 01:18:05,035
[announcer] Direct from The X-Files,
1429
01:18:05,068 --> 01:18:07,654
here are David Duchovny
and Gillian Anderson.
1430
01:18:07,687 --> 01:18:09,689
[all applauding and cheering]
1431
01:18:13,643 --> 01:18:14,811
Thank you.
1432
01:18:15,362 --> 01:18:17,380
How can you read that? Nice, yeah.
1433
01:18:17,414 --> 01:18:19,265
"Ensemble..."
1434
01:18:19,299 --> 01:18:21,751
I believe that's a French word that means,
1435
01:18:21,785 --> 01:18:24,154
"Thank God, I only have to work
three days a week."
1436
01:18:24,187 --> 01:18:25,739
[audience laughing]
1437
01:18:25,772 --> 01:18:27,624
It's great to see you, Gillian.
You look, uh...
1438
01:18:28,842 --> 01:18:31,778
Younger than you last saw me
when we shot 218 episodes?
1439
01:18:33,029 --> 01:18:34,464
- Yes. That's exactly right.
- [laughter]
1440
01:18:34,497 --> 01:18:35,365
- Yes.
- Oh, good.
1441
01:18:35,398 --> 01:18:38,101
And now that we have had some time
to think about what makes great drama,
1442
01:18:38,134 --> 01:18:40,320
what do you...
what do you think makes great drama?
1443
01:18:40,353 --> 01:18:42,605
- Oh, it's really only one thing.
- There is only one thing.
1444
01:18:42,639 --> 01:18:43,757
Yeah, it's a special thing.
1445
01:18:43,790 --> 01:18:45,058
- Special thing, yeah.
- Mmm-hmm.
1446
01:18:45,091 --> 01:18:46,609
- It is, you can't buy it.
- You can't buy it.
1447
01:18:46,643 --> 01:18:48,061
- Can't...
- Mmm-mmm. Can't fake it.
1448
01:18:48,094 --> 01:18:49,245
- Can't fake it.
- Mmm-mmm.
1449
01:18:49,279 --> 01:18:50,530
It's very important. It is...
1450
01:18:50,563 --> 01:18:51,881
- It is... It is...
- It is...
1451
01:18:51,915 --> 01:18:53,233
- It is...
- Timing.
1452
01:18:54,334 --> 01:18:55,452
- Chemistry?
- [audience laughing]
1453
01:18:55,485 --> 01:18:56,569
Chemistry.
1454
01:18:56,603 --> 01:18:57,654
[all applauding]
1455
01:18:58,822 --> 01:18:59,723
We still got it.
1456
01:19:00,924 --> 01:19:01,825
- [audience hoots]
- Yeah.
1457
01:19:01,858 --> 01:19:03,960
- Hilarious.
- [chuckles]
1458
01:19:03,993 --> 01:19:05,061
[audience laugh and clap]
1459
01:19:06,079 --> 01:19:08,281
It's hilarious. It was so good.
1460
01:19:08,314 --> 01:19:09,449
We did that so well.
1461
01:19:09,482 --> 01:19:11,017
- Let's see who that goes to.
- Um...
1462
01:19:11,685 --> 01:19:12,669
Open it up. Let's see.
1463
01:19:12,702 --> 01:19:13,553
Yeah, but... [hesitates]
1464
01:19:13,586 --> 01:19:15,572
- you need to read on the front.
- Let's get out of here.
1465
01:19:15,605 --> 01:19:17,757
I know we should, but just read
the thing on the front first.
1466
01:19:17,791 --> 01:19:19,025
- Who is it for?
- [indistinct shouting]
1467
01:19:19,059 --> 01:19:20,443
This is for outstanding performance...
1468
01:19:20,477 --> 01:19:21,828
Somebody back there is telling us.
1469
01:19:21,861 --> 01:19:23,980
- ...ensemble for drama series.
- They're like, "Get it right."
1470
01:19:24,014 --> 01:19:25,548
Yes, it is. Who is it going to be?
1471
01:19:25,582 --> 01:19:26,583
You tell us, Gillian.
1472
01:19:26,616 --> 01:19:28,702
- Okay.
- [audience shouting indistinctly]
1473
01:19:28,735 --> 01:19:31,004
- But wait, the nominees are...
- Yes.
1474
01:19:31,037 --> 01:19:32,389
[audience laughing, applauding]
1475
01:19:32,906 --> 01:19:34,240
[announcer] Bridgerton.
1476
01:19:34,274 --> 01:19:36,026
{\an8}You would like to know
who Lady Whistledown is...
1477
01:19:36,860 --> 01:19:38,678
{\an8}- you shall know.
- [crackling]
1478
01:19:39,412 --> 01:19:40,246
[cutlery clanking]
1479
01:19:40,747 --> 01:19:43,033
- I am she.
- [women gasp]
1480
01:19:43,066 --> 01:19:44,067
[indistinct whispering]
1481
01:19:44,718 --> 01:19:46,236
[audience clapping]
1482
01:19:51,107 --> 01:19:52,192
{\an8}[announcer] The Day of the Jackal...
1483
01:19:52,225 --> 01:19:53,810
{\an8}- [beeping]
- [Isabel] There's only so much I can do
1484
01:19:53,843 --> 01:19:54,861
{\an8}to protect you.
1485
01:19:54,894 --> 01:19:58,431
{\an8}I will find him
and I will kill him myself.
1486
01:19:59,632 --> 01:20:02,369
[Isabel] One man is not worth
all this loss.
1487
01:20:02,402 --> 01:20:03,370
[all clapping]
1488
01:20:03,970 --> 01:20:05,455
[cheering]
1489
01:20:07,640 --> 01:20:08,591
{\an8}[announcer] The Diplomat.
1490
01:20:09,709 --> 01:20:11,411
{\an8}[woman] Three Americans just got blown up.
1491
01:20:11,444 --> 01:20:14,114
{\an8}The last time we surveilled one of these,
1492
01:20:14,147 --> 01:20:15,498
it almost ended NATO.
1493
01:20:15,532 --> 01:20:16,616
You made a tactical error,
1494
01:20:16,649 --> 01:20:17,717
and it was deadly.
1495
01:20:17,751 --> 01:20:19,853
It's the cost of doing business.
1496
01:20:19,886 --> 01:20:21,955
Don't ever say those words to me again.
1497
01:20:22,639 --> 01:20:23,757
[all clapping]
1498
01:20:26,710 --> 01:20:27,677
{\an8}[announcer] Shōgun.
1499
01:20:30,413 --> 01:20:31,614
{\an8}[speaking Japanese]
1500
01:20:37,103 --> 01:20:40,040
[in English] My master says you should not
war against the Portuguese in Japan.
1501
01:20:41,124 --> 01:20:42,942
You are outnumbered. It is hopeless.
1502
01:20:43,460 --> 01:20:44,411
[chuckles wearily]
1503
01:20:45,612 --> 01:20:47,230
[audience clapping]
1504
01:20:50,266 --> 01:20:51,584
{\an8}[announcer] Slow Horses.
1505
01:20:51,618 --> 01:20:53,486
{\an8}You definitely...
definitely said he was dead.
1506
01:20:53,520 --> 01:20:54,971
{\an8}- You reread it yet?
- Yeah.
1507
01:20:55,005 --> 01:20:56,122
"Will be in late."
1508
01:20:56,156 --> 01:20:58,541
"Up all night identifying
Cartwright's body."
1509
01:20:58,575 --> 01:21:01,211
He didn't say cartwright was dead.
1510
01:21:01,244 --> 01:21:03,646
He said he was identifying his body.
1511
01:21:04,514 --> 01:21:05,665
[all applauding, cheering]
1512
01:21:10,820 --> 01:21:11,654
[Anderson] Whoa.
1513
01:21:12,188 --> 01:21:14,024
And the actor goes to...
1514
01:21:15,058 --> 01:21:16,876
- Shōgun.
- [applause and cheer]
1515
01:21:16,910 --> 01:21:18,445
["Shōgun" theme plays]
1516
01:21:53,079 --> 01:21:53,913
Oh, my gosh.
1517
01:21:55,348 --> 01:21:56,533
Thank you. Thank you.
1518
01:21:57,333 --> 01:22:00,920
[exhales] Thank you, SAG Awards,
for recognizing us.
1519
01:22:01,788 --> 01:22:05,075
{\an8}This is so special
because this is from you guys.
1520
01:22:05,775 --> 01:22:08,578
And... [breathing heavily] ...amazing.
1521
01:22:09,346 --> 01:22:11,047
Thank you, FX and...
1522
01:22:13,083 --> 01:22:15,135
Creator Justin, Rachel...
1523
01:22:16,086 --> 01:22:17,087
[applause]
1524
01:22:17,120 --> 01:22:21,291
...for respecting our culture
1525
01:22:22,042 --> 01:22:24,694
and believed in us.
1526
01:22:25,679 --> 01:22:28,898
[sighs] It was a great journey,
1527
01:22:29,949 --> 01:22:35,121
and 70% Japanese, and with the subtitles,
1528
01:22:35,805 --> 01:22:40,910
it must have been a big gamble for them.
1529
01:22:40,944 --> 01:22:42,278
They were so brave.
1530
01:22:43,763 --> 01:22:48,635
But Shōgun and this award showing us
1531
01:22:49,686 --> 01:22:55,825
that acting is a universal language.
1532
01:22:55,859 --> 01:22:57,160
Thank you so much.
1533
01:22:57,193 --> 01:22:59,212
[cheers and applause]
1534
01:22:59,245 --> 01:23:00,814
["Shōgun" theme playing]
1535
01:23:07,487 --> 01:23:09,172
[narrator] In an instant,
1536
01:23:09,205 --> 01:23:14,377
Los Angeles was confronted
with unspeakable loss and devastation.
1537
01:23:14,411 --> 01:23:16,529
{\an8}Our whole neighborhood was gone.
1538
01:23:16,563 --> 01:23:20,834
{\an8}I lost everything in Altadena, California.
1539
01:23:20,867 --> 01:23:22,986
[sobbing] Mi casa.
1540
01:23:25,255 --> 01:23:27,540
{\an8}Things couldn't get any worse.
1541
01:23:28,625 --> 01:23:31,728
[narrator] In response,
the SAG-AFTRA foundation
1542
01:23:31,761 --> 01:23:35,115
and SAG-AFTRA
each committed $1 million
1543
01:23:35,148 --> 01:23:38,334
to seed the foundation's
disaster relief fund.
1544
01:23:38,368 --> 01:23:40,236
[Wiehl] I'm not sure you ever really think
1545
01:23:40,270 --> 01:23:43,323
that you're going to be
on the needing ends of those donations.
1546
01:23:44,624 --> 01:23:48,878
The SAG-AFTRA foundation was there for us.
1547
01:23:48,912 --> 01:23:52,415
They offered to help me with the money
to get a place to live.
1548
01:23:52,966 --> 01:23:56,753
I want to say,
thank you so much for everything.
1549
01:23:57,804 --> 01:24:00,540
[narrator] The response of our industry
has been swift.
1550
01:24:00,573 --> 01:24:03,677
We continue to do the good,
and they're coming from everywhere.
1551
01:24:03,710 --> 01:24:05,378
{\an8}We come together really hard.
1552
01:24:05,412 --> 01:24:07,514
{\an8}I appreciate all the first responders.
1553
01:24:09,432 --> 01:24:12,052
[narrator] From confronting chaos
with the generosity and care
1554
01:24:12,085 --> 01:24:15,689
befitting the vibrant culture of our city.
1555
01:24:15,722 --> 01:24:17,357
So, I'm asking you...
1556
01:24:17,390 --> 01:24:20,060
- If you have the means to do it...
- ...to donate.
1557
01:24:20,093 --> 01:24:22,429
Thank you so much. God bless you.
1558
01:24:22,462 --> 01:24:25,148
[narrator] Moving forward,
we take with us the knowledge
1559
01:24:25,181 --> 01:24:29,019
that no one must face
catastrophic change alone,
1560
01:24:29,052 --> 01:24:33,023
and that recovery is only possible
through community.
1561
01:24:39,346 --> 01:24:41,614
[announcer] Please welcome
New Girl loftmates
1562
01:24:41,648 --> 01:24:43,917
Zooey Deschanel and Max Greenfield.
1563
01:24:46,920 --> 01:24:48,922
[applause]
1564
01:24:54,594 --> 01:24:55,762
[audience cheer]
1565
01:24:57,997 --> 01:24:59,032
Man...
1566
01:25:00,450 --> 01:25:02,018
[chuckles]
1567
01:25:03,086 --> 01:25:05,955
Zooey, I got to say, this is wild.
1568
01:25:05,989 --> 01:25:07,741
- This is wild.
- I can't... I can't believe this.
1569
01:25:07,774 --> 01:25:09,759
You look amazing.
1570
01:25:09,793 --> 01:25:12,645
Thank you! So do you.
How long has it been?
1571
01:25:12,679 --> 01:25:14,631
- Gosh. I don't know. Let's see.
- Oh, my God.
1572
01:25:14,664 --> 01:25:17,200
- We wrapped New Girl eight years ago.
- Yup.
1573
01:25:17,233 --> 01:25:20,587
And so the last time
we saw each other must have been...
1574
01:25:20,620 --> 01:25:22,355
- yeah, I guess, eight years ago.
- Eight years ago.
1575
01:25:22,389 --> 01:25:23,990
- Eight years ago.
- Yeah, yeah.
1576
01:25:24,024 --> 01:25:26,659
Ooh! Oh, oh! Remember Lamorne?
1577
01:25:27,410 --> 01:25:28,311
- Yes.
- Yeah, yeah, yeah.
1578
01:25:28,345 --> 01:25:32,215
Have you talked or seen Lamorne?
Talked to or seen Lamorne?
1579
01:25:32,866 --> 01:25:35,435
It's been... It's been challenging since,
1580
01:25:36,553 --> 01:25:38,688
well, you know, the Emmy.
1581
01:25:38,722 --> 01:25:40,523
Oh, I thought you were going to say
Men's Fitness.
1582
01:25:40,557 --> 01:25:42,075
- No, that too.
- Yeah, yeah.
1583
01:25:42,108 --> 01:25:44,094
But so happy for Lamorne.
1584
01:25:44,127 --> 01:25:46,496
- So happy for him.
- For the Fitness and the Emmy.
1585
01:25:46,529 --> 01:25:48,665
But, gosh, time does really fly,
1586
01:25:48,698 --> 01:25:50,133
- doesn't it?
- I know, it does.
1587
01:25:50,166 --> 01:25:52,602
You know, when I look back
on our experience on New Girl,
1588
01:25:52,635 --> 01:25:54,237
I just wish I had known
1589
01:25:54,270 --> 01:25:56,823
- that you never get that time back.
- That's right.
1590
01:25:56,856 --> 01:25:59,559
Hanging out with my bros every day.
1591
01:25:59,592 --> 01:26:00,760
Such good times.
1592
01:26:00,794 --> 01:26:04,998
Yeah, you know, being a part
of an ensemble is so special,
1593
01:26:05,031 --> 01:26:07,150
and if there was one thing
that I could do differently,
1594
01:26:07,183 --> 01:26:08,902
it would have only been this.
1595
01:26:08,935 --> 01:26:12,305
And this is something that every
nominated cast can do tonight.
1596
01:26:12,339 --> 01:26:14,874
Share with each other your love.
1597
01:26:14,908 --> 01:26:17,010
Share with each other your gratitude.
1598
01:26:17,043 --> 01:26:18,378
And share with each other...
1599
01:26:19,195 --> 01:26:21,865
- how much money you guys make per episode.
- [laughter]
1600
01:26:21,898 --> 01:26:25,952
And plus any raises that were given
after multiple seasons. That's important.
1601
01:26:25,985 --> 01:26:28,438
But, see, wait, wait, wait, Max.
1602
01:26:28,471 --> 01:26:32,308
See, the beauty of being a part
of an ensemble
1603
01:26:32,342 --> 01:26:35,462
is that everyone makes
the same amount of money.
1604
01:26:35,495 --> 01:26:37,330
- Oh, in what world, Zooey?
- Always.
1605
01:26:37,364 --> 01:26:39,232
- That's not okay.
- Anyway. Now here are the nominees
1606
01:26:39,265 --> 01:26:42,752
for our best ensemble in a comedy series.
1607
01:26:42,786 --> 01:26:44,371
[all applauding]
1608
01:26:44,404 --> 01:26:45,638
[announcer] Abbott Elementary.
1609
01:26:45,672 --> 01:26:48,775
{\an8}Ganja. The devil's lettuce.
1610
01:26:48,808 --> 01:26:50,126
{\an8}That's why your feet are so big.
1611
01:26:50,160 --> 01:26:52,212
It's medicinal and it's considerate.
1612
01:26:52,245 --> 01:26:55,098
If I didn't smoke,
I'd be an insufferable energizer bunny.
1613
01:26:55,131 --> 01:26:57,667
What a twist.
Janine is quietly off that loud.
1614
01:26:57,701 --> 01:26:59,552
Ava, you can't talk, okay?
You a hookah head.
1615
01:26:59,586 --> 01:27:00,737
Mmm-hmm.
1616
01:27:00,770 --> 01:27:03,723
- [laughter]
- [cheer and applause]
1617
01:27:04,991 --> 01:27:05,892
{\an8}[announcer] The Bear...
1618
01:27:05,925 --> 01:27:10,213
{\an8}Asparagus with duck egg and
potato, ravioli with peas and parm mousse.
1619
01:27:10,246 --> 01:27:13,783
We have Hamachi with grapefruit,
cauliflower, and swiss chard
1620
01:27:13,817 --> 01:27:16,252
and tenderloin with mushroom
and cherry jus.
1621
01:27:16,286 --> 01:27:17,554
Is everybody good?
1622
01:27:17,587 --> 01:27:19,139
- [all] Chef.
- Great, let's go. Thank you.
1623
01:27:19,956 --> 01:27:21,941
[applause and cheer]
1624
01:27:24,277 --> 01:27:25,412
{\an8}[announcer] Hacks.
1625
01:27:25,445 --> 01:27:26,696
{\an8}Even though it's a long shot,
1626
01:27:26,730 --> 01:27:28,331
{\an8}if ever there was a moment, this is it.
1627
01:27:28,365 --> 01:27:29,833
{\an8}It's not gonna be easy.
1628
01:27:29,866 --> 01:27:32,118
This network has never hired a 11:30.
1629
01:27:33,169 --> 01:27:34,721
Or anyone as old as me.
1630
01:27:34,754 --> 01:27:36,823
- Or let's be honest, a blonde.
- [chuckles]
1631
01:27:36,856 --> 01:27:39,993
- [laughter]
- [cheers and applause]
1632
01:27:41,244 --> 01:27:42,662
{\an8}[announcer] Only Murders in the Building.
1633
01:27:42,696 --> 01:27:45,281
{\an8}- Ta-da!
- [Oliver] A second murder board.
1634
01:27:45,315 --> 01:27:46,816
{\an8}You dragged me out of bed for this?
1635
01:27:46,850 --> 01:27:49,285
Most working adults are up by 8:00 a.m.
1636
01:27:49,319 --> 01:27:50,854
Yes, but like, farmers.
1637
01:27:52,038 --> 01:27:54,257
- [laughter]
- [cheers and applause]
1638
01:27:55,475 --> 01:27:56,626
{\an8}[announcer] Shrinking.
1639
01:27:56,659 --> 01:27:59,412
{\an8}[vocalizing]
1640
01:27:59,446 --> 01:28:00,747
{\an8}That's the sound that plays in head
1641
01:28:00,780 --> 01:28:02,816
whenever I visit my friends
in the hospital. God!
1642
01:28:02,849 --> 01:28:06,553
Brian, I'd be careful.
He's high and kind of a bully.
1643
01:28:06,586 --> 01:28:09,489
Oh, my God! It's the greatest lawyer ever!
1644
01:28:10,623 --> 01:28:12,659
[all laughing and cheering]
1645
01:28:18,081 --> 01:28:21,184
[both] And the actor goes to...
1646
01:28:22,402 --> 01:28:24,688
Only Murders in the Building!
1647
01:28:24,721 --> 01:28:26,906
- [audience cheering]
- [triumphant music playing]
1648
01:28:49,679 --> 01:28:52,899
[Selena Gomez] Oh, thank you.
So good to see you.
1649
01:28:54,367 --> 01:28:55,819
Wait.
1650
01:28:55,852 --> 01:28:58,038
We never win. This is so weird.
1651
01:28:58,071 --> 01:29:00,373
- [laughs]
- [audience cheering]
1652
01:29:00,407 --> 01:29:05,628
{\an8}Okay, well, Marty and Steve aren't here
because, you know, they don't really care.
1653
01:29:05,662 --> 01:29:08,381
{\an8}Um, but I'm just...
1654
01:29:09,115 --> 01:29:10,200
{\an8}I don't know who to say.
1655
01:29:10,233 --> 01:29:12,135
- Thank you, guys.
- Remember to thank Marty and Steve.
1656
01:29:12,168 --> 01:29:16,423
Oh, and thank you to Marty and Steve
for helping raise me.
1657
01:29:16,456 --> 01:29:19,042
But I genuinely am just so grateful.
1658
01:29:19,075 --> 01:29:21,995
Everybody, the writers,
everyone deserves this.
1659
01:29:22,028 --> 01:29:24,297
And I take it home for all of us,
1660
01:29:24,330 --> 01:29:26,666
and I'm bringing this back to New York
for season five.
1661
01:29:26,700 --> 01:29:29,335
Thank you so much. I'm so grateful.
1662
01:29:29,369 --> 01:29:30,537
- Thank you, SAG-AFTRA.
- [all cheering]
1663
01:29:30,570 --> 01:29:32,305
Thank you to everybody. I love you.
1664
01:29:32,339 --> 01:29:33,206
Thank you!
1665
01:29:34,407 --> 01:29:35,692
[music playing]
1666
01:29:46,369 --> 01:29:48,922
[Bell] Hey, everyone,
Gossip Girl here.
1667
01:29:48,955 --> 01:29:53,259
One of my sources LAMY86 sends me this.
1668
01:29:53,293 --> 01:29:55,395
Spotted at table eight,
1669
01:29:55,428 --> 01:29:58,715
Jeff Goldblum has a Wicked appetite,
1670
01:29:58,748 --> 01:30:03,353
and a peek behind the curtain reveals
he likes his green eggs with ham.
1671
01:30:04,104 --> 01:30:08,224
And look who it is, not-so-lonely boy,
1672
01:30:08,258 --> 01:30:12,312
Timothée Chalamet,
sitting next to a hot steak,
1673
01:30:12,345 --> 01:30:15,165
medium rare, au poivre,
1674
01:30:15,198 --> 01:30:17,050
with a side of brocc... wait.
1675
01:30:17,083 --> 01:30:18,902
What are you...
Leighton, none of this is gossip.
1676
01:30:18,935 --> 01:30:20,186
It's just all about food.
1677
01:30:20,220 --> 01:30:23,289
I'm sorry. I'm just really hungry.
1678
01:30:23,323 --> 01:30:26,810
Oh, my God. The Popes in Conclave
were better at gossiping than us.
1679
01:30:26,843 --> 01:30:28,294
I think we should pass the torch.
1680
01:30:29,045 --> 01:30:30,430
- Amen.
- Okay.
1681
01:30:30,463 --> 01:30:33,867
To present the clip for our
next cast in a motion picture,
1682
01:30:33,900 --> 01:30:36,186
it's Gossip Girl 2.0.,
1683
01:30:36,219 --> 01:30:38,655
please welcome, the cast of Conclave.
1684
01:30:38,688 --> 01:30:39,856
[all applauding]
1685
01:30:39,889 --> 01:30:41,591
[upbeat music playing]
1686
01:30:49,983 --> 01:30:56,473
First of all, we would like
to wish Pope Francis a quick recovery.
1687
01:30:56,506 --> 01:30:58,625
- Oh, sorry.
- Start again.
1688
01:30:58,658 --> 01:31:02,929
I want to say that we'd like to wish
Pope Francis a quick recovery.
1689
01:31:02,962 --> 01:31:04,798
[all cheering]
1690
01:31:04,831 --> 01:31:06,549
Conclave...
1691
01:31:06,583 --> 01:31:11,871
Conclave is the secret meeting
where the new pope is elected,
1692
01:31:11,905 --> 01:31:14,124
and this is what this film is
about.
1693
01:31:14,157 --> 01:31:18,528
It all happens behind the secret
world of the Vatican.
1694
01:31:18,561 --> 01:31:21,531
A papal election turns into a battleground
1695
01:31:21,564 --> 01:31:24,200
for competing agendas and egos,
1696
01:31:24,918 --> 01:31:28,171
leaving no candidate safe from...
1697
01:31:28,204 --> 01:31:30,423
I don't... If I say inquiry or inquire-y.
1698
01:31:30,457 --> 01:31:31,775
[all laughing]
1699
01:31:33,043 --> 01:31:35,945
Throw in the mysteries
of faith and devotion,
1700
01:31:35,979 --> 01:31:39,182
and you have a political thriller with a
spiritual edge.
1701
01:31:40,617 --> 01:31:44,204
Conclave takes a look
at the complex people
1702
01:31:44,237 --> 01:31:47,991
behind the closed doors
of an age-old institution
1703
01:31:48,024 --> 01:31:50,627
and the weight of their decisions.
1704
01:31:51,811 --> 01:31:53,596
And I do mean weight.
1705
01:31:53,630 --> 01:31:56,466
Because those costumes must have weighed
about 500 pounds.
1706
01:31:56,499 --> 01:31:57,851
[all laughing]
1707
01:31:58,551 --> 01:32:00,553
And that's not even counting the jewelry,
1708
01:32:01,471 --> 01:32:05,725
which I'm forced to confess, I stole.
1709
01:32:05,759 --> 01:32:08,111
[all laughing]
1710
01:32:08,144 --> 01:32:10,296
And which I continue to wear.
1711
01:32:10,330 --> 01:32:11,831
[all laughing]
1712
01:32:12,449 --> 01:32:13,600
Here's Conclave.
1713
01:32:14,534 --> 01:32:15,652
What happened?
1714
01:32:15,685 --> 01:32:16,853
They say a heart attack, but...
1715
01:32:16,886 --> 01:32:19,189
You know how rumor spreads.
1716
01:32:19,222 --> 01:32:22,375
It seems the responsibility
for the Conclave falls upon you.
1717
01:32:23,426 --> 01:32:25,595
It's a duty I never thought
I'd have to perform.
1718
01:32:25,628 --> 01:32:28,465
They are sequestered
and they must be shielded
1719
01:32:28,498 --> 01:32:30,567
from all news
that may influence their judgment.
1720
01:32:30,600 --> 01:32:31,551
You understand?
1721
01:32:32,819 --> 01:32:34,471
No sane man would want the
papacy.
1722
01:32:34,504 --> 01:32:39,275
The men who are dangerous
are the ones who do want it.
1723
01:32:40,760 --> 01:32:41,911
That sounds ominous.
1724
01:32:42,662 --> 01:32:44,814
How has this been kept a secret
for so long?
1725
01:32:45,331 --> 01:32:47,650
We'll never find
a candidate who doesn't have
1726
01:32:47,684 --> 01:32:49,469
any kind of black mark against them.
1727
01:32:50,086 --> 01:32:53,456
Although we sisters
are supposed to be invisible,
1728
01:32:53,490 --> 01:32:56,509
God has nevertheless given us
eyes and ears.
1729
01:33:00,613 --> 01:33:03,033
[all applauding]
1730
01:33:03,066 --> 01:33:05,368
[somber instrumental music playing]
1731
01:33:05,402 --> 01:33:07,454
[announcer] Please welcome, Lisa Kudrow.
1732
01:33:09,239 --> 01:33:11,224
[audience cheering]
1733
01:33:13,076 --> 01:33:17,130
[cheers and applause]
1734
01:33:21,935 --> 01:33:25,955
We can all remember the first time
an actor's performance
1735
01:33:25,989 --> 01:33:27,407
had an impact on us.
1736
01:33:28,258 --> 01:33:30,310
Laughing to the point of tears,
1737
01:33:30,343 --> 01:33:32,262
or being moved to the point of tears
1738
01:33:32,295 --> 01:33:35,165
by a deep truth
brought to light on screen.
1739
01:33:36,299 --> 01:33:39,869
Great performances create meaning
and inspire connection.
1740
01:33:41,187 --> 01:33:45,358
And while the passing of an
actor can feel like a great loss,
1741
01:33:45,392 --> 01:33:49,579
we can also feel gratitude
for the enduring works
1742
01:33:49,612 --> 01:33:51,131
they've left behind for us.
1743
01:33:54,484 --> 01:33:56,486
[somber instrumental music playing]
1744
01:33:57,737 --> 01:33:59,422
{\an8}[woman] Bob,
do you believe in reincarnation?
1745
01:34:01,041 --> 01:34:03,159
{\an8}Only between consenting adults.
1746
01:34:03,193 --> 01:34:06,930
{\an8}[female singer] ♪ All the times you
thought you'd never make it through ♪
1747
01:34:06,963 --> 01:34:10,617
{\an8}♪ Felt just like the world
just turned it's back on you ♪
1748
01:34:10,650 --> 01:34:13,520
{\an8}♪ Didn't stop you ♪
1749
01:34:14,037 --> 01:34:16,756
{\an8}I would just love to freeze
this whole moment.
1750
01:34:18,074 --> 01:34:23,096
{\an8}[female singer]
♪ Somehow it's all part of the plan ♪
1751
01:34:23,129 --> 01:34:25,849
{\an8}I need the old blade runner.
I need your magic.
1752
01:34:28,051 --> 01:34:31,638
{\an8}[female singer] ♪ The journey ♪
1753
01:34:32,138 --> 01:34:34,174
{\an8}[Coleman] When I was a kid,
I was exactly like you are.
1754
01:34:34,207 --> 01:34:35,692
{\an8}I wanted to be a hero.
1755
01:34:36,743 --> 01:34:38,645
{\an8}What a great adventure that was.
1756
01:34:38,678 --> 01:34:42,115
{\an8}[female singer] ♪ It's the journey ♪
1757
01:34:42,148 --> 01:34:47,554
{\an8}♪ It's the getting there
to where you're going to ♪
1758
01:34:47,587 --> 01:34:48,855
{\an8}It's all out there.
1759
01:34:49,489 --> 01:34:56,012
{\an8}[female singer] ♪ Going through hell but
still you're gonna make it through ♪
1760
01:34:59,566 --> 01:35:02,402
{\an8}I'm going to do my stuff.
1761
01:35:02,435 --> 01:35:04,571
{\an8}Cobra!
1762
01:35:04,604 --> 01:35:07,741
{\an8}[female singer] ♪ It's a hell of a ride ♪
1763
01:35:09,676 --> 01:35:13,129
{\an8}♪ All the times they thought
that they could hold you back ♪
1764
01:35:13,163 --> 01:35:14,698
{\an8}Look at you.
You ain't ever been no place,
1765
01:35:14,731 --> 01:35:17,300
{\an8}you ain't never had nothin', that's why
you can't understand a man like me.
1766
01:35:17,333 --> 01:35:18,802
{\an8}[female singer] ♪ You're made
You're made ♪
1767
01:35:18,835 --> 01:35:20,637
{\an8}♪ Too strong ♪
1768
01:35:22,022 --> 01:35:24,908
{\an8}Nobody knows me here.
I could be anybody.
1769
01:35:24,941 --> 01:35:26,426
{\an8}I could be somebody.
1770
01:35:27,043 --> 01:35:28,611
{\an8}You gotta play it from the heart.
1771
01:35:29,679 --> 01:35:31,865
{\an8}I don't wanna do this to you anymore.
1772
01:35:31,898 --> 01:35:37,487
{\an8}[female singer]
♪ It's a part of the bigger plan ♪
1773
01:35:38,355 --> 01:35:42,308
{\an8}And every now and again, she sighs.
1774
01:35:42,342 --> 01:35:45,812
{\an8}Take Her to Sea, Mr. Murdoch.
Let's stretch her legs.
1775
01:35:45,845 --> 01:35:47,447
{\an8}[female singer] ♪ The journey ♪
1776
01:35:47,480 --> 01:35:48,365
{\an8}Salud.
1777
01:35:48,948 --> 01:35:53,687
{\an8}[female singer] ♪ The journey ♪
1778
01:35:53,720 --> 01:35:55,221
{\an8}[Amos] Their McDonald's,
1779
01:35:55,255 --> 01:35:56,823
{\an8}I'm McDowell.
1780
01:35:58,458 --> 01:36:03,713
{\an8}[female singer] ♪ Every step you take ♪
1781
01:36:03,747 --> 01:36:10,153
{\an8}♪ Is the one more step along
the way on the journey ♪
1782
01:36:10,186 --> 01:36:11,955
{\an8}I hope it'll be a good goodbye.
1783
01:36:13,006 --> 01:36:16,676
{\an8}Mel, I've been through childbirth.
I can handle and omelet.
1784
01:36:16,710 --> 01:36:19,279
{\an8}You're a comedian,
you should be able to take a joke.
1785
01:36:19,312 --> 01:36:20,680
{\an8}[Ash] Colin Powell done told me,
1786
01:36:20,714 --> 01:36:23,049
{\an8}how they play a sister,
but I ain't wanna listen.
1787
01:36:23,083 --> 01:36:24,117
{\an8}Now look!
1788
01:36:24,150 --> 01:36:25,352
{\an8}[howling]
1789
01:36:25,385 --> 01:36:26,603
{\an8}Are you whacky?
1790
01:36:26,636 --> 01:36:29,222
{\an8}Gene Parmesan. At your service.
1791
01:36:29,255 --> 01:36:31,291
{\an8}[female singer] ♪ Yeah ♪
1792
01:36:31,324 --> 01:36:34,194
{\an8}♪ It's the journey ♪
1793
01:36:35,612 --> 01:36:36,780
{\an8}[Rowlands] Hey, don't be sad.
1794
01:36:37,414 --> 01:36:38,415
{\an8}I know you love me.
1795
01:36:41,101 --> 01:36:42,102
{\an8}See you around.
1796
01:36:42,135 --> 01:36:48,191
{\an8}[female singer] ♪ Going through hell but
still you're gonna make it through ♪
1797
01:36:48,224 --> 01:36:49,409
{\an8}[Garr] Hello.
1798
01:36:49,993 --> 01:36:51,878
{\an8}Would you like to have a roll in the hay?
1799
01:36:51,911 --> 01:36:55,749
{\an8}I was wondering if I might trouble you
for a cup of strong black coffee.
1800
01:36:55,782 --> 01:37:00,153
{\an8}[female singer] ♪ It's a hell of a ride ♪
1801
01:37:00,186 --> 01:37:03,857
{\an8}♪ It's the journey ♪
1802
01:37:06,760 --> 01:37:07,811
{\an8}[Duvall] I don't wanna leave ya.
1803
01:37:07,844 --> 01:37:09,913
{\an8}I mean even if I'd wanted to,
1804
01:37:09,946 --> 01:37:11,564
{\an8}you would've made me stay.
1805
01:37:11,598 --> 01:37:17,754
{\an8}[female singer] ♪ Going through hell but
still you're gonna make it through ♪
1806
01:37:17,787 --> 01:37:22,125
{\an8}Hope is the only thing stronger than fear.
1807
01:37:23,126 --> 01:37:26,746
{\an8}[Smith] Deep in most of us
is a potential for greatness.
1808
01:37:26,780 --> 01:37:29,849
{\an8}Or the potential to inspire greatness.
1809
01:37:29,883 --> 01:37:32,585
{\an8}[female singer] ♪ It's the journey ♪
1810
01:37:32,619 --> 01:37:37,891
{\an8}[Jones] Just for once,
let me look on you with my own eyes.
1811
01:37:40,527 --> 01:37:45,115
[female singer] ♪ It's a hell of a ride ♪
1812
01:37:47,701 --> 01:37:49,719
[dramatic music playing]
1813
01:37:54,557 --> 01:37:55,842
{\an8}[woman] Oh, hi, Billy.
1814
01:37:55,875 --> 01:37:57,027
{\an8}Hi, Dr. Powers.
1815
01:37:57,827 --> 01:38:00,563
{\an8}I hope this isn't a bad time but
I'd like to see Greta if I could.
1816
01:38:01,798 --> 01:38:03,450
{\an8}Hi. Are you okay?
1817
01:38:05,952 --> 01:38:08,788
{\an8}Wow. You look incredible.
1818
01:38:08,822 --> 01:38:11,641
{\an8}It's been quite a while since
I heard from you, pretty lady.
1819
01:38:11,675 --> 01:38:12,659
{\an8}Till tonight.
1820
01:38:13,176 --> 01:38:14,728
{\an8}Don't underestimate me.
1821
01:38:14,761 --> 01:38:16,212
{\an8}I can handle it just fine.
1822
01:38:20,500 --> 01:38:22,402
{\an8}You're not even curious about
your little brother?
1823
01:38:22,435 --> 01:38:23,436
{\an8}Why don't you take a break
1824
01:38:23,470 --> 01:38:25,138
{\an8}and come with me
to the pond with me while I skate?
1825
01:38:25,171 --> 01:38:27,741
{\an8}$1,000 for a hunk of wood?
1826
01:38:27,774 --> 01:38:29,075
{\an8}Man, you got rooked.
1827
01:38:29,809 --> 01:38:30,944
{\an8}This is gonna sound strange,
1828
01:38:30,977 --> 01:38:33,646
{\an8}- but I want you guys to do me a favor.
- Okay, sure.
1829
01:38:33,680 --> 01:38:36,583
I want you to call me Giuseppe.
1830
01:38:41,021 --> 01:38:43,623
{\an8}Do I look like someone who doesn't know
how to open a bottle of champagne?
1831
01:38:43,656 --> 01:38:44,958
[screaming]
1832
01:38:45,675 --> 01:38:48,144
Listen, you don't have to
wait for me to finish.
1833
01:38:48,945 --> 01:38:50,296
{\an8}That's okay, I want to.
1834
01:38:52,065 --> 01:38:53,066
Why?
1835
01:38:54,300 --> 01:38:55,402
No reason.
1836
01:38:58,421 --> 01:38:59,789
{\an8}Do you want more filth?
1837
01:39:00,340 --> 01:39:01,825
{\an8}You want more slime?
1838
01:39:01,858 --> 01:39:05,111
{\an8}All right, buddy, that girl's been around.
1839
01:39:05,145 --> 01:39:06,312
{\an8}[gasping]
1840
01:39:06,346 --> 01:39:07,647
{\an8}Hello, Christine.
1841
01:39:08,932 --> 01:39:10,567
{\an8}Are you enjoying your nice, warm bath?
1842
01:39:10,600 --> 01:39:12,852
{\an8}Nobody made me come here!
1843
01:39:13,503 --> 01:39:15,438
{\an8}You got here pretty quickly.
1844
01:39:15,472 --> 01:39:18,375
Your broomstick must be turbo-charged.
1845
01:39:21,478 --> 01:39:23,363
[audience applauding]
1846
01:39:24,781 --> 01:39:26,099
[Bell sighs]
1847
01:39:30,253 --> 01:39:32,238
[Bell] Adam, I can feel you back there.
1848
01:39:33,039 --> 01:39:37,277
I know. Because that's the kind of
chemistry you and I have together.
1849
01:39:37,310 --> 01:39:39,913
We both know I'm your favorite co-star.
1850
01:39:39,946 --> 01:39:41,748
- I...
- Perhaps you'll recall...
1851
01:39:43,767 --> 01:39:44,868
[Brody] I got you pregnant.
1852
01:39:44,901 --> 01:39:45,819
[Bell] I...
1853
01:39:45,852 --> 01:39:48,304
- Did you make a powerpoint?
- [Brody] I sure did.
1854
01:39:49,305 --> 01:39:51,791
It's the kiss. You see, nobody,
none of these other guys
1855
01:39:51,825 --> 01:39:53,493
- have kissed you like that.
- [all cheering]
1856
01:39:53,526 --> 01:39:55,011
It's the hands.
1857
01:39:55,045 --> 01:39:56,613
- They're my signature move.
- Okay.
1858
01:39:56,646 --> 01:39:58,448
- Okay? So, let them all know.
- Okay.
1859
01:39:58,481 --> 01:39:59,499
- Let them all know.
- I will.
1860
01:39:59,532 --> 01:40:01,101
- You can keep that. And hey...
- Thank you
1861
01:40:01,134 --> 01:40:02,952
I'll see you at work, costar.
1862
01:40:02,986 --> 01:40:04,204
Okay. Thanks.
1863
01:40:04,237 --> 01:40:06,006
[all cheering]
1864
01:40:07,240 --> 01:40:08,308
Sorry.
1865
01:40:19,719 --> 01:40:21,638
Guess it's my signature move.
1866
01:40:21,671 --> 01:40:22,672
[all laughing]
1867
01:40:22,706 --> 01:40:24,691
Please welcome, from Wicked,
1868
01:40:24,724 --> 01:40:27,660
Cynthia Erivo, Ariana Grande,
and Marissa Bode.
1869
01:40:27,694 --> 01:40:28,945
[all cheering]
1870
01:40:28,978 --> 01:40:31,314
[pleasant music playing]
1871
01:40:42,125 --> 01:40:44,144
For every theatre kid and theatre fan,
1872
01:40:44,177 --> 01:40:47,263
including the three of us
and our entire cast,
1873
01:40:47,297 --> 01:40:51,084
the film adaptation of Wicked
was a dream come true.
1874
01:40:51,117 --> 01:40:54,220
Whether we saw it for the
first time as kids or as adults,
1875
01:40:54,254 --> 01:40:58,208
this story, a daring reimagining
of the most enduring American fairytale,
1876
01:40:58,241 --> 01:41:00,060
has left its handprint on our hearts.
1877
01:41:00,093 --> 01:41:02,195
It's a story that invites us to re...
1878
01:41:02,912 --> 01:41:05,598
It's a story that invites us
to re-examine characters
1879
01:41:05,632 --> 01:41:07,017
that we all thought we knew,
1880
01:41:07,050 --> 01:41:11,337
allowing us to see them not as mythic
figures but as real people,
1881
01:41:11,371 --> 01:41:13,173
with complexity and depth.
1882
01:41:14,007 --> 01:41:17,344
Wicked asked each of us to
use every skill in our arsenals
1883
01:41:17,377 --> 01:41:19,846
as actors, from drama to comedy,
1884
01:41:19,879 --> 01:41:23,183
from singing to dancing, and yes,
even to flying,
1885
01:41:23,216 --> 01:41:24,851
whether by bubble or by broom.
1886
01:41:25,752 --> 01:41:29,522
It's a film about the power of friendship
to help you discover your true strength
1887
01:41:29,556 --> 01:41:31,291
without losing your true heart.
1888
01:41:31,324 --> 01:41:34,127
Because both in the land of Oz, and here,
1889
01:41:35,895 --> 01:41:38,048
truth and love are the shields
that can never be broken.
1890
01:41:38,081 --> 01:41:42,068
And it's a reminder that even
one voice speaking against injustice
1891
01:41:42,102 --> 01:41:44,521
can change the world. This is...
1892
01:41:44,554 --> 01:41:45,555
[all] Wicked.
1893
01:41:45,588 --> 01:41:47,240
[all cheering]
1894
01:41:47,273 --> 01:41:48,925
[Galinda] Are people born wicked?
1895
01:41:48,958 --> 01:41:51,578
Or do they have wickedness
thrust upon them?
1896
01:41:52,545 --> 01:41:53,730
- Get on.
- What?
1897
01:41:53,763 --> 01:41:59,919
[Elphaba]
♪ Tell them how I'm defying gravity ♪
1898
01:41:59,953 --> 01:42:05,508
♪ I'm flying high defying gravity ♪
1899
01:42:05,542 --> 01:42:07,360
You can do anything.
1900
01:42:07,394 --> 01:42:08,244
I know.
1901
01:42:08,995 --> 01:42:15,035
♪ Aaaaahhhh ♪
1902
01:42:18,505 --> 01:42:20,540
[applause]
1903
01:42:20,573 --> 01:42:24,210
[announcer] Please welcome
the president of SAG-AFTRA, Fran Drescher.
1904
01:42:25,829 --> 01:42:27,831
[applause]
1905
01:42:30,700 --> 01:42:32,202
{\an8}Thank you.
1906
01:42:35,705 --> 01:42:37,724
Good evening, everyone.
1907
01:42:37,757 --> 01:42:43,663
Firstly, I want to acknowledge
and give thanks to the WGA,
1908
01:42:43,697 --> 01:42:50,653
the DGA, IATSE, AFM,
Teamsters, and Basic Crafts,
1909
01:42:50,687 --> 01:42:54,374
for helping to make this night a success.
1910
01:42:54,407 --> 01:42:56,876
[applause]
1911
01:43:02,098 --> 01:43:05,201
What does it mean to be human?
1912
01:43:05,235 --> 01:43:11,107
As actors, we learn how to play
the three basic conflicts in life.
1913
01:43:11,141 --> 01:43:16,463
Man versus man, man versus nature,
and man versus himself.
1914
01:43:17,497 --> 01:43:19,265
When man versus man,
1915
01:43:19,299 --> 01:43:23,169
unspeakable acts of violence
and destruction
1916
01:43:23,203 --> 01:43:27,991
are justified by maniacal
ego-driven thought.
1917
01:43:29,242 --> 01:43:33,830
When man versus nature,
nature will always win.
1918
01:43:34,881 --> 01:43:39,919
As we experienced on January 7th, 2025,
1919
01:43:39,953 --> 01:43:42,722
when extreme winds, then fires,
1920
01:43:42,756 --> 01:43:47,093
made for a lethal and disastrous inferno.
1921
01:43:47,127 --> 01:43:52,699
Followed by torrential rains, floods,
mudslides and earthquakes,
1922
01:43:52,732 --> 01:43:57,320
further crippling a county
already in crisis.
1923
01:43:58,138 --> 01:44:00,056
Wake up, humans.
1924
01:44:01,224 --> 01:44:05,328
We can't let greed continue
to deny global warming.
1925
01:44:05,362 --> 01:44:07,764
[cheers and applause]
1926
01:44:12,018 --> 01:44:14,371
When man versus himself,
1927
01:44:14,404 --> 01:44:17,257
the battle is an inner struggle.
1928
01:44:17,290 --> 01:44:19,476
In these last several weeks,
1929
01:44:19,509 --> 01:44:21,661
I wrestled greatly with that.
1930
01:44:22,512 --> 01:44:27,467
I'm a victim of the fires,
and though my house still stands,
1931
01:44:27,500 --> 01:44:28,968
I can't go home.
1932
01:44:29,969 --> 01:44:32,172
Still, I'm one of the lucky ones.
1933
01:44:32,205 --> 01:44:35,709
Compared to those
who have lost everything.
1934
01:44:37,277 --> 01:44:40,697
When the emergency evacuation
alert sounded,
1935
01:44:40,730 --> 01:44:43,383
I grabbed a suitcase,
I threw in some clothes,
1936
01:44:43,416 --> 01:44:47,454
a photo of my parents,
the dog's favorite toy,
1937
01:44:47,487 --> 01:44:48,788
and my valium.
1938
01:44:48,822 --> 01:44:50,090
[laughing]
1939
01:44:50,123 --> 01:44:52,142
Thank god I just refilled it.
1940
01:44:52,175 --> 01:44:53,626
[laughing]
1941
01:44:55,261 --> 01:44:57,681
Into the winding mountain roads,
I drove
1942
01:44:57,714 --> 01:45:02,569
until I lost sight of other cars
and my sense of direction.
1943
01:45:02,602 --> 01:45:06,606
I had to stay very focused
and in the moment.
1944
01:45:07,924 --> 01:45:09,893
But once safe,
1945
01:45:09,926 --> 01:45:14,948
the feelings of regret over all
the "What ifs?" and "Why didn't I?"
1946
01:45:14,981 --> 01:45:16,649
grabbed a hold of me.
1947
01:45:18,334 --> 01:45:21,187
I was no longer in the moment.
1948
01:45:21,221 --> 01:45:25,859
I was in the past,
consumed by my inner struggle.
1949
01:45:27,827 --> 01:45:31,331
I sought for a way out of my agony,
1950
01:45:31,364 --> 01:45:33,900
and somehow gained wisdom from it all.
1951
01:45:35,352 --> 01:45:36,886
I found it in a book.
1952
01:45:37,787 --> 01:45:39,756
Call me Barbara.
1953
01:45:39,789 --> 01:45:40,940
No, I'm kidding.
1954
01:45:40,974 --> 01:45:42,525
[all laughing]
1955
01:45:44,527 --> 01:45:50,200
No, I found it in... [laughing]
1956
01:45:50,233 --> 01:45:54,120
I found it in A New Earth
by Eckhart Tolle.
1957
01:45:55,689 --> 01:45:59,559
That book cut through the noise in my head
1958
01:45:59,592 --> 01:46:02,462
by drawing a very clear distinction
1959
01:46:02,495 --> 01:46:07,183
between egoic thought
and feelings of being.
1960
01:46:08,651 --> 01:46:13,056
Now, if I observe myself
ruminating in my head,
1961
01:46:13,089 --> 01:46:18,294
I pull myself out of it
by feeling in the moment.
1962
01:46:19,129 --> 01:46:25,352
The path for us all to becoming better
at being human
1963
01:46:25,385 --> 01:46:30,273
is by getting out of the head
and into the heart.
1964
01:46:31,975 --> 01:46:33,977
[applause]
1965
01:46:37,947 --> 01:46:43,720
My prayers are for the fire victims,
the first responders,
1966
01:46:43,753 --> 01:46:48,658
and volunteers, both near and far,
who showed such heroics.
1967
01:46:49,642 --> 01:46:53,830
Our broadcasters
who fearlessly delivered the news.
1968
01:46:54,531 --> 01:46:59,953
And to all the human beings
who can change the world
1969
01:46:59,986 --> 01:47:02,005
without egoic thoughts
1970
01:47:02,839 --> 01:47:05,942
but with heartfelt feelings.
1971
01:47:05,975 --> 01:47:07,210
Thank you.
1972
01:47:09,295 --> 01:47:10,847
[applause]
1973
01:47:15,185 --> 01:47:18,371
[announcer] Please welcome Lily Gladstone
and Michelle Yeoh.
1974
01:47:18,405 --> 01:47:20,190
[cheers and applause]
1975
01:47:32,802 --> 01:47:34,337
Hello. [chuckles]
1976
01:47:34,371 --> 01:47:39,793
First of all, congratulations Lily
on winning a Screen Actors Guild Award
1977
01:47:39,826 --> 01:47:43,246
for female lead
for Killers of the Flower Moon last year.
1978
01:47:43,279 --> 01:47:45,932
[applause]
1979
01:47:49,469 --> 01:47:53,473
And of course, congratulations to you
on your Screen Actors Guild award
1980
01:47:53,506 --> 01:47:57,394
the year before in the incredible,
one of my favorite movies of all time,
1981
01:47:57,427 --> 01:47:58,812
Everything Everywhere All at Once.
1982
01:47:58,845 --> 01:48:00,647
[applause]
1983
01:48:05,368 --> 01:48:08,121
Wow. It was an incredible moment for me.
1984
01:48:08,154 --> 01:48:11,124
At the time, I said,
it felt like if I spoke,
1985
01:48:11,841 --> 01:48:14,411
my heart would explode. And it did.
1986
01:48:14,444 --> 01:48:15,945
[both chuckle]
1987
01:48:15,979 --> 01:48:20,917
And the five performers in this category
have shown amazing heart in their roles,
1988
01:48:20,950 --> 01:48:22,635
and personally, I can't wait to see
1989
01:48:22,669 --> 01:48:25,155
which one of those hearts
may explode tonight.
1990
01:48:26,206 --> 01:48:29,426
And here are the nominees
for outstanding performance
1991
01:48:29,459 --> 01:48:31,945
by a male actor in a leading role.
1992
01:48:32,545 --> 01:48:34,214
[applause]
1993
01:48:34,247 --> 01:48:36,216
[announcer] Adrien Brody, The Brutalist.
1994
01:48:36,249 --> 01:48:41,054
{\an8}I expect for them to serve instead
as a political stimulus.
1995
01:48:42,455 --> 01:48:46,242
Sparking the upheavals
that so frequently occur in the...
1996
01:48:47,360 --> 01:48:48,545
cycles of peoplehood.
1997
01:48:50,430 --> 01:48:52,282
[applause]
1998
01:48:53,350 --> 01:48:55,652
{\an8}[announcer] Timothée Chalamet,
A Complete Unknown.
1999
01:48:55,685 --> 01:48:57,937
{\an8}♪ One upon a time you dressed so fine ♪
2000
01:48:57,971 --> 01:49:00,590
♪ You threw the bums
a dime in your prime ♪
2001
01:49:02,025 --> 01:49:03,259
♪ Didn't you? ♪
2002
01:49:04,911 --> 01:49:06,813
[applause]
2003
01:49:08,565 --> 01:49:10,033
{\an8}[announcer] Daniel Craig, Queer.
2004
01:49:10,066 --> 01:49:12,369
{\an8}I want to talk to you.
2005
01:49:18,124 --> 01:49:19,409
Without speaking.
2006
01:49:21,144 --> 01:49:23,163
[applause]
2007
01:49:24,564 --> 01:49:26,466
{\an8}[announcer] Colman Domingo, Sing Sing.
2008
01:49:28,485 --> 01:49:29,319
{\an8}Are you done?
2009
01:49:30,153 --> 01:49:31,121
No!
2010
01:49:32,305 --> 01:49:33,306
[laughs]
2011
01:49:35,942 --> 01:49:36,910
I'm not done.
2012
01:49:38,478 --> 01:49:40,580
[sniffs, breath shaking]
2013
01:49:40,613 --> 01:49:42,165
Isn't that fucking hilarious?
2014
01:49:43,566 --> 01:49:45,251
[applause]
2015
01:49:48,171 --> 01:49:50,273
{\an8}[announcer] Ralph Fiennes, Conclave.
2016
01:49:50,306 --> 01:49:52,008
{\an8}I'm not a witchfinder.
2017
01:49:52,042 --> 01:49:54,994
{\an8}It's not my job to go hunting
for secrets of my colleagues' pasts.
2018
01:50:01,117 --> 01:50:02,001
Forgive me.
2019
01:50:04,237 --> 01:50:06,039
[applause]
2020
01:50:13,530 --> 01:50:15,982
- And the actor goes to...
- And the actor goes to...
2021
01:50:19,419 --> 01:50:22,639
{\an8}- Timothée Chalamet!
- [cheers and applause]
2022
01:50:22,672 --> 01:50:24,824
[jazzy music plays]
2023
01:50:50,083 --> 01:50:51,134
Oh, boy.
2024
01:50:52,769 --> 01:50:53,903
I'm going to raise this up.
2025
01:50:56,106 --> 01:50:57,640
I guess I'm just going to talk low.
2026
01:50:57,674 --> 01:50:59,576
[laughing]
2027
01:50:59,609 --> 01:51:00,894
I don't know how to get this up.
2028
01:51:01,511 --> 01:51:03,847
All right, well, thank you.
I was not expecting this at all.
2029
01:51:04,581 --> 01:51:05,932
Truly.
2030
01:51:05,965 --> 01:51:08,535
I'll start by thanking my mother,
who I'm here with tonight.
2031
01:51:09,335 --> 01:51:13,573
She has been working at Actors' Equity
for 40 years. The stage union.
2032
01:51:13,606 --> 01:51:15,909
[cheers and applause]
2033
01:51:18,194 --> 01:51:20,163
And I'll quickly run through this.
You know...
2034
01:51:22,866 --> 01:51:26,753
I know the classiest thing
would be to downplay
2035
01:51:26,786 --> 01:51:30,306
the effort that went into this role
and how much this means to me,
2036
01:51:30,340 --> 01:51:32,826
{\an8}but the truth is,
this was five and a half years of my life.
2037
01:51:33,727 --> 01:51:38,198
{\an8}I poured everything I had into playing
this incomparable artist, Mr. Bob Dylan,
2038
01:51:38,231 --> 01:51:40,383
a true American hero.
2039
01:51:40,417 --> 01:51:42,786
And it was the honor of a lifetime
playing him.
2040
01:51:42,819 --> 01:51:44,921
[applause]
2041
01:51:47,207 --> 01:51:51,661
It's an honor I share with Monica, Elle,
Edward, the entire cast,
2042
01:51:51,695 --> 01:51:54,981
in a genre, doing a biopic,
that could be perhaps tired,
2043
01:51:55,015 --> 01:51:58,568
everyone gave it their all.
So I'm deeply grateful to them.
2044
01:51:58,601 --> 01:52:02,188
And lastly, I can't downplay
the significance of this award
2045
01:52:02,222 --> 01:52:03,490
'cause it means the most to me.
2046
01:52:04,290 --> 01:52:07,594
And I know we're in a subjective business,
2047
01:52:07,627 --> 01:52:13,133
but the truth is,
I'm really in pursuit of greatness.
2048
01:52:13,166 --> 01:52:14,784
I know people don't usually talk
like that,
2049
01:52:14,818 --> 01:52:16,986
but I want to be one of the greats.
I'm inspired by the greats.
2050
01:52:17,020 --> 01:52:19,005
I'm inspired by the greats here tonight.
2051
01:52:19,039 --> 01:52:23,243
I'm as inspired by Daniel Day-Lewis
and Marlon Brando and Viola Davis
2052
01:52:23,276 --> 01:52:25,111
as I am by Michael Jordan
and Michael Phelps.
2053
01:52:25,145 --> 01:52:27,764
And I wanna be up there.
So I'm deeply grateful to that.
2054
01:52:27,797 --> 01:52:29,966
This doesn't signify that,
but it's a little more fuel,
2055
01:52:29,999 --> 01:52:32,218
it's a little more ammo to keep going.
Thank you so much.
2056
01:52:32,252 --> 01:52:34,187
[applause]
2057
01:52:34,220 --> 01:52:37,257
[jazzy music playing]
2058
01:52:45,865 --> 01:52:48,034
[announcer] Please welcome Colin Farrell.
2059
01:52:49,252 --> 01:52:51,054
[applause]
2060
01:52:57,577 --> 01:53:02,148
It's been said that the job of an actor
is to become the dream,
2061
01:53:02,182 --> 01:53:07,487
to become the vessel for sensations,
and to fundamentally serve the story.
2062
01:53:07,520 --> 01:53:10,256
And I can attest that every woman
in this category did just that.
2063
01:53:11,324 --> 01:53:14,277
Here are the nominees
for outstanding female actor
2064
01:53:14,310 --> 01:53:17,247
in a leading role in a motion picture.
2065
01:53:17,280 --> 01:53:18,448
[applause]
2066
01:53:18,481 --> 01:53:20,817
[announcer] Pamela Anderson,
The Last Showgirl.
2067
01:53:20,850 --> 01:53:26,122
{\an8}You and Jodie want me to be your mother,
but I have a daughter. I have one.
2068
01:53:26,156 --> 01:53:27,774
I know, Shelly, look, we love you.
We'll bring...
2069
01:53:27,807 --> 01:53:30,326
I don't love you! I don't care!
2070
01:53:30,360 --> 01:53:34,114
I don't care. Look what I have to show
for the last 30 years of my life!
2071
01:53:36,232 --> 01:53:38,485
[applause]
2072
01:53:39,869 --> 01:53:41,855
{\an8}[announcer] Cynthia Erivo, Wicked.
2073
01:53:41,888 --> 01:53:47,427
{\an8}♪ Everyone deserves a chance to fly ♪
2074
01:53:47,460 --> 01:53:50,296
♪ And if I'm flying solo ♪
2075
01:53:50,330 --> 01:53:53,083
♪ At least I'm flying free ♪
2076
01:53:54,250 --> 01:53:56,286
[applause]
2077
01:53:58,505 --> 01:54:00,273
{\an8}[announcer] Mikey Madison, Anora.
2078
01:54:00,306 --> 01:54:03,560
{\an8}Stay jealous, babe. Stay jealous, honey.
2079
01:54:03,593 --> 01:54:07,380
Jealousy is a disease.
Remember that, Diamond.
2080
01:54:07,414 --> 01:54:09,799
I'm just going to go chill
in my mansion or whatever.
2081
01:54:09,833 --> 01:54:11,084
You know, no big deal.
2082
01:54:12,869 --> 01:54:15,772
[cheers and applause]
2083
01:54:16,906 --> 01:54:19,059
{\an8}[announcer] Demi Moore, The Substance.
2084
01:54:19,092 --> 01:54:20,143
{\an8}I...
2085
01:54:25,682 --> 01:54:27,934
The balance just needs to be respected.
2086
01:54:27,967 --> 01:54:29,669
- [man] So respect it.
- [phone disconnects]
2087
01:54:31,154 --> 01:54:32,822
[cheers and applause]
2088
01:54:34,941 --> 01:54:38,244
{\an8}[announcer] Karla Sofía Gascón,
Emilia Pérez.
2089
01:54:38,278 --> 01:54:39,863
{\an8}[both speaking in Spanish]
2090
01:54:47,537 --> 01:54:49,539
[applause]
2091
01:54:51,257 --> 01:54:54,744
And the actor goes to...
2092
01:54:56,196 --> 01:54:59,015
{\an8}- Demi Moore for The Substance.
- [cheers and applause]
2093
01:54:59,049 --> 01:55:01,051
[soaring instrumental music playing]
2094
01:55:08,825 --> 01:55:10,343
Queen.
2095
01:55:41,141 --> 01:55:43,877
I'm going to pick it up
just to see how heavy it is.
2096
01:55:43,910 --> 01:55:46,813
- Yeah, okay. Um...
- [audience laugh]
2097
01:55:48,114 --> 01:55:50,100
Oh, this is extraordinary
2098
01:55:50,133 --> 01:55:53,053
{\an8}and so deeply meaningful.
2099
01:55:53,086 --> 01:55:57,424
{\an8}As I was thinking about this night,
2100
01:55:57,457 --> 01:56:00,210
I realized I hadn't thought back to...
2101
01:56:00,243 --> 01:56:04,047
when I got my membership
2102
01:56:04,080 --> 01:56:07,517
to this incredible organization.
2103
01:56:07,550 --> 01:56:09,652
It was in 1978.
2104
01:56:09,686 --> 01:56:12,739
I was 15, almost 16.
2105
01:56:12,772 --> 01:56:18,895
And it changed my life
because it gave me meaning,
2106
01:56:18,928 --> 01:56:21,047
it gave me purpose
2107
01:56:21,081 --> 01:56:23,183
and it gave me direction.
2108
01:56:23,216 --> 01:56:26,736
Because I was a kid on my own
2109
01:56:26,770 --> 01:56:29,372
who had no blueprint for life,
2110
01:56:29,406 --> 01:56:32,559
and I certainly knew nothing about acting.
2111
01:56:33,426 --> 01:56:36,446
But I watched, and I listened,
2112
01:56:36,479 --> 01:56:38,965
and I learned from all of you.
2113
01:56:38,998 --> 01:56:42,786
You have all been my greatest teachers,
2114
01:56:43,486 --> 01:56:46,589
and I am so, so grateful
2115
01:56:46,623 --> 01:56:50,427
that I have continued
over these so many years
2116
01:56:50,460 --> 01:56:54,714
to be able to try and sometimes succeed
and sometimes fail,
2117
01:56:54,748 --> 01:56:57,417
but to be able to keep going.
2118
01:56:57,450 --> 01:57:00,453
And I could not do that
2119
01:57:00,487 --> 01:57:04,691
without the support of my incredible team,
2120
01:57:04,724 --> 01:57:06,526
the people who have stood behind me.
2121
01:57:06,559 --> 01:57:09,346
Kevin Huvane, Jaime Feld from CAA.
2122
01:57:09,379 --> 01:57:13,500
Jason Weinberg, you are my heart and soul.
2123
01:57:13,533 --> 01:57:15,018
[applause]
2124
01:57:15,051 --> 01:57:16,603
Scott Metzger.
2125
01:57:16,636 --> 01:57:19,973
Lede. Carrie Gordon, Meredith O'Sullivan.
2126
01:57:20,006 --> 01:57:22,342
Um, Becca, Elise.
2127
01:57:22,375 --> 01:57:27,564
Um, and I just want to point out
that as I watched and learned,
2128
01:57:27,597 --> 01:57:32,302
just to bring forward this idea
that as a young actor,
2129
01:57:32,335 --> 01:57:35,822
it was the casting directors
and directors and producers
2130
01:57:35,855 --> 01:57:38,341
who got me in the room to audition
2131
01:57:38,375 --> 01:57:41,578
where I could feel you
and you could feel me.
2132
01:57:41,611 --> 01:57:45,015
And your feedback meant everything.
It's what helped me.
2133
01:57:45,048 --> 01:57:47,784
And so, as these young actors
who are having to do it all,
2134
01:57:47,817 --> 01:57:51,121
I just encourage you,
don't lose sight of the human connection.
2135
01:57:51,154 --> 01:57:55,175
That's the work that we do,
it's to be connected to one another.
2136
01:57:55,208 --> 01:57:57,360
[applause]
2137
01:57:57,394 --> 01:57:59,012
[Moore] To Working Title,
2138
01:57:59,045 --> 01:58:04,451
who believed in and saw the beauty
and the madness of this story.
2139
01:58:04,484 --> 01:58:10,340
To Mubi, Efe Cakarel,
who literally has such a love of cinema
2140
01:58:10,373 --> 01:58:15,578
and has been an unwavering support
to me and to this film.
2141
01:58:15,612 --> 01:58:19,399
Um, and just the final thing I'll say is,
2142
01:58:19,432 --> 01:58:23,887
um, you know, there's this idea that...
2143
01:58:25,422 --> 01:58:27,991
what we th... what we believe
2144
01:58:28,024 --> 01:58:31,227
is so much more powerful
than what we think.
2145
01:58:31,261 --> 01:58:35,315
And this saying that, you know,
"I'll believe it when I see it."
2146
01:58:35,348 --> 01:58:39,519
But the reality is,
"When I believe it, I will see it."
2147
01:58:39,552 --> 01:58:42,072
And I am so grateful for this.
2148
01:58:42,105 --> 01:58:44,207
Thank you. That little girl...
2149
01:58:44,240 --> 01:58:47,744
- That little girl...
- [applause]
2150
01:58:47,777 --> 01:58:51,181
...who didn't believe in herself, um...
2151
01:58:55,335 --> 01:58:58,938
I just... There's just...
The words are kind of beyond me.
2152
01:58:58,972 --> 01:59:00,073
[exhales]
2153
01:59:00,106 --> 01:59:02,509
So I'm just going to have
to just say thank you.
2154
01:59:02,542 --> 01:59:05,011
- Thank you so much.
- [cheers and applause]
2155
01:59:05,945 --> 01:59:08,264
[upbeat music plays]
2156
01:59:16,339 --> 01:59:19,225
[announcer] Coming up,
the final award of the night.
2157
01:59:19,259 --> 01:59:23,730
{\an8}Which nominated cast will win
ensemble in a motion picture?
2158
01:59:23,763 --> 01:59:28,852
{\an8}All is revealed next
at the 31st Screen Actors Guild Awards.
2159
01:59:33,139 --> 01:59:35,692
[announcer] Please welcome Harrison Ford.
2160
01:59:37,093 --> 01:59:39,396
[cheers and applause]
2161
02:00:00,116 --> 02:00:01,401
[clears throat]
2162
02:00:04,120 --> 02:00:07,140
To date, I've had the honor
of being part of...
2163
02:00:08,091 --> 02:00:09,826
over 40...
2164
02:00:11,644 --> 02:00:14,030
motion pictures' casts.
2165
02:00:14,714 --> 02:00:18,501
One of the many joys of being an actor
2166
02:00:18,535 --> 02:00:22,088
is the experience
of the collaborative effort
2167
02:00:22,122 --> 02:00:23,523
of the ensemble.
2168
02:00:24,407 --> 02:00:27,877
Together, moving audiences
2169
02:00:27,911 --> 02:00:31,398
and bringing stories to life on screen.
2170
02:00:32,415 --> 02:00:35,819
Here are the nominees
for Cast in a Motion Picture.
2171
02:00:36,820 --> 02:00:38,588
[applause]
2172
02:00:40,774 --> 02:00:46,446
- [Ford] A Complete Unknown.
- [cheers and applause]
2173
02:00:49,399 --> 02:00:53,019
- [Ford] Anora.
- [cheers and applause]
2174
02:00:57,791 --> 02:01:01,311
- [Ford] Conclave.
- [cheers and applause]
2175
02:01:05,915 --> 02:01:09,252
- [Ford] Emilia Pérez.
- [cheers and applause]
2176
02:01:12,622 --> 02:01:16,760
- [Ford] And Wicked.
- [cheers and applause]
2177
02:01:21,381 --> 02:01:23,233
And the winner goes to...
2178
02:01:27,303 --> 02:01:30,256
- Conclave.
- [cheers and applause]
2179
02:01:30,290 --> 02:01:32,308
[soaring instrumental music playing]
2180
02:01:32,342 --> 02:01:34,344
[cheers and applause]
2181
02:02:16,753 --> 02:02:18,688
Oh, wow. Um...
2182
02:02:20,223 --> 02:02:22,776
I... I've not been elected to speak.
2183
02:02:22,809 --> 02:02:26,546
{\an8}- I've been designated to speak...
- [laughter]
2184
02:02:26,579 --> 02:02:29,849
{\an8}...on behalf of our Conclave, our ensemble.
2185
02:02:29,883 --> 02:02:34,771
We're missing the wonderful Stanley Tucci
and Brían F. O'Byrne here,
2186
02:02:34,804 --> 02:02:37,991
and many, many others of our great cast.
2187
02:02:38,024 --> 02:02:40,610
Thomas Loibl, Lucian Msamati.
2188
02:02:40,643 --> 02:02:45,015
Uh, this is down to the genius
of two people.
2189
02:02:45,048 --> 02:02:49,919
It is Tessa Ross, our producer,
and Edward Berger, our director.
2190
02:02:49,953 --> 02:02:51,654
[cheering and applause]
2191
02:02:51,688 --> 02:02:57,377
And I'm speaking... and all
our wonderful Italian film crew.
2192
02:02:57,410 --> 02:02:59,546
[speaking Italian]
2193
02:02:59,579 --> 02:03:02,932
[in English] Uh, we had
a blessed time with Edward,
2194
02:03:02,966 --> 02:03:08,588
whose intelligence and perception
and insight and care of us
2195
02:03:08,621 --> 02:03:13,410
has, I think, brought us the gift
of our community, of ensemble.
2196
02:03:13,443 --> 02:03:15,595
Um, thank you to Focus,
2197
02:03:15,628 --> 02:03:18,081
who have supported us along the way here.
2198
02:03:18,114 --> 02:03:19,949
Uh, they've been amazing.
2199
02:03:19,983 --> 02:03:21,551
So, we've talked a lot.
2200
02:03:21,584 --> 02:03:25,555
Every... People have spoken so eloquently
and movingly about community.
2201
02:03:25,588 --> 02:03:27,240
I don't want to add more,
2202
02:03:27,273 --> 02:03:31,494
but I think we do recognize
the supreme importance of it
2203
02:03:31,528 --> 02:03:33,313
in our work and in the world.
2204
02:03:33,346 --> 02:03:38,902
We... A huge, huge admiration
to the other ensembles we've seen tonight.
2205
02:03:38,935 --> 02:03:41,871
I think that's what we're celebrating,
is our community.
2206
02:03:41,905 --> 02:03:44,290
- Thank you very much indeed.
- [applause]
2207
02:03:44,324 --> 02:03:46,526
[Fiennes] Thank you.
2208
02:04:00,757 --> 02:04:02,676
What a special evening, guys
2209
02:04:02,709 --> 02:04:05,278
There were no losers here tonight.
2210
02:04:05,311 --> 02:04:07,230
Well, except for these guys.
2211
02:04:08,231 --> 02:04:09,549
[laughter]
2212
02:04:09,582 --> 02:04:12,001
Come on, really.
2213
02:04:12,035 --> 02:04:16,122
You all know who my favorite co-star is.
I think everyone knows.
2214
02:04:16,156 --> 02:04:19,275
Feels a little, I don't know,
pandering to even say it.
2215
02:04:19,309 --> 02:04:22,645
But sure, all right. And here he is.
2216
02:04:23,863 --> 02:04:25,081
[laughter]
2217
02:04:25,115 --> 02:04:28,735
Guys, that sloth was the closest thing
I will ever have to a sex tape,
2218
02:04:28,768 --> 02:04:30,904
so there you have it. My number one.
2219
02:04:30,937 --> 02:04:33,840
Thank you all for a wonderful
evening, and thanks for watching.
2220
02:04:33,873 --> 02:04:35,709
- Good night.
- [all applauding]
2221
02:04:35,742 --> 02:04:37,744
[amusing instrumental music playing]
2222
02:04:52,275 --> 02:04:54,711
[inaudible]
2223
02:05:04,771 --> 02:05:05,772
[inaudible]
2224
02:05:12,395 --> 02:05:13,396
[inaudible]
2225
02:05:18,051 --> 02:05:19,052
[inaudible]
2226
02:05:27,977 --> 02:05:28,978
[inaudible]
2227
02:05:31,765 --> 02:05:32,766
[inaudible]
2228
02:05:43,760 --> 02:05:44,761
{\an8}[inaudible]
178168
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